Louis Kahn: Architecture As Philosophy

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JohnLobell

LOUIS
KAHN

Architecture
asPhilosophy
THEMONACELLIPRESS

Louis Kahn: Architecture as Phi‐


losophy
(Publications)

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Louis Kahn: Architecture as ↗ The Monacelli Press


Philosophy
By John Lobell (Author)

From the publisher of Louis Kahn: Architecture


as Philosophy: Louis Kahn is one of the most
influential and poetic architects of the
twentieth century, a figure whose appeal
extends far beyond the realm of architecture.
In this book, noted Kahn expert John Lobell
explores how Kahn put his buildings together
(his focus on materials, structure, mechanical,
details, and the institutions for which he
designed) manifests a transcendent philosophy.
Kahn’s rootedness in the fundamentals of
architecture reveal questions about our
experience of light and space, and even how
we fit into the world. In Louis Kahn: The
Philosophy of Architecture,

John Lobell shows how Kahn’s buildings speak


to broad human concerns.

Lobell looks at Kahn’s position between the


Beaux Arts and Modern Architecture, his
philosophy, the major themes in his
architecture, and how he puts a building
together. He then applies all of this to five of
Kahn’s great buildings: the Richards Medical
Research Building in Philadelphia; the Salk
Institute for Biological Studies in La Jolla; the
Phillips Exeter Academy Library in New
Hampshire; the Kimbell Art Museum in Fort
Worth; and the Yale Center for British Art in
New Haven.

An architecture book that touches on topics


that addresses the universal human interests of
consciousness and creativity, Louis Kahn: The
Philosophy of Architecture helps us understand
our place and the nature of well-being in the
built environment.

Statement by Lobell: The greatness of an


architect can be measured by their recognition
of changes in their culture, and by their skill in
manifesting these changes. By this measure
Kahn was a great architect. But there is another
kind of measure, one which transcends a
particular culture, for the architect who
recognizes and designs for their time must also
be limited by that time. Kahn far transcended
the lack of resolution in our own time and
explored that which is universal in humanity
and in architecture: order, light, structure, and
human institutions. He designed his buildings to
respond to these universals as well as to—and
beyond—the immediate needs of his clients. A
great building recognizes that uses change over
time, but that deep parts of people do not.
Such a building tells users the meaning of their
own age and it tells the future stories of the
past. It tells all people truths about humanity. In
being in touch with these universal truths, Kahn
achieved a greatness far beyond that which
can be accorded to any given time.

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