17th Century Secular Music - One Voice With Continuo

MUZIEKHANDEL SAUL B.
GROEN
8 FERD. BOLSTRAAT 1072 LJ AMSTERDAM
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SEVENTEENTH CENTURY
SECULAR MUSIC
I. One voice with(out) BC
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All r ights reserved.

VOCAL MUSIC
MUSIC TO c. 1825
first version, 2006
This catalogue follows

follows the same principles
principles as the one of instrumental music
music which was issued inin 2002 and of which
which a
completely revised and updated version is in preparation: it tries to link information on the sources (manuscripts and
early printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia , but also
all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more the
spotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s the
printing presses flooded the market with editions for a much larger public than before.
Manuscripts
in alphabetical order of the RISM-library sigla which
which are listed here under the tab "Sources"; they have been selected from
the complete RISM-list, readily available in "RISM-Bibliotekssigel.
"RISM-Bibliotekssigel. Gesamtverzeichnis"
Gesamtverzeichnis" (1999). To make things easier
you will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names and
sections where to find them. After the description and inventory of each manuscript are to be found the editions (in
facsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, and
concordances with other mss. Other editions of works ascribed to a composer (or several composers) can be traced
in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.
Early Prints
in chronological order of publication
After the description
description and inventory of each early print are
are to be found the editions
editions (in facsimile
facsimile or in transcription)
transcription)
of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscripts
and other early prints.
Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers
A-Z" where the lists of sources refer back to the manuscripts and early prints.
Modern Collections
in alphabetical order of titles
All compositions ascribed
ascribed to a composer
composer are also included
included in the section "Composers
"Composers A - Z".
Composers
Organization differs as per composer:
a) Complete list of works; all editions refer to the numbers in that list.
b) Opera Omnia available;
available; all other editions refer to the description of it.
c) No complete work list and no Opera Omnia :
1. editions in chronological order
order of early prints
2. each publication with a description of its sources
Endless Beginnings
This is a first tentative
tentative version of the vocal catalogue. As
As a sort of "completion"
"completion" will be a matter
matter of a longer time,
time, I
decided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated,
some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic.....
Noli me tangere?
I will be grateful for every sensible correction and for information concerning publications I might not have noticed;
this last remark is also meant for all those small scale music publishers who do not normally advertise their issues in
the music magazines.
Thanks
I am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains through
all these years.
Orders
Orders to sponsor all this work will be very welcome. Please see: "Order Information".
Help!
The lists of vocal music
music in this catalogue
catalogue form by far the most extensive and complicated
complicated section of the whole
project. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or
are doubtful about something, please let us know!
Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.
Meindert de Heer
MUZIEKHANDEL SAUL B. GROEN
8 FERD BOLSTRAAT 1072 LJ AMSTERDAM
TEL +31 (0)20-6762240
(0)20-6762240 FAX +31 (0)20-6762240
(0)20-6762240
E-MAIL: ORDERS@SAULBGROEN
[email protected] .NL INTERNET: WWW.SAULBGROEN.NL
WWW.SAULBGROEN.NL
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17TH CENTURY: SECULAR MUSIC

ONE VOICE & BC.
(for lute songs see section lute: voice and lute)
A. EARLY PRINTS
1622 Vezzosetti Fiori, 1622
• "Vezzosetti Fiori di varii eccellenti autori, cioè, madrigali, ottave, dialoghi, arie,
et vilanelle, a uuna,
na, e due voci; Da
Da cantarsi con il cembalo, tiorba, chitarra
spagnola, &c.", Rome, G.B. Robletti, 1622:
a) for high voice and bc:
1. G.A. Todini:
Todini: Vedi l'alba o bella Clori
2. G.A. Todini: Se perch' io viva in pianti
3. F. Severi: O di raggi e di fiammelle
4. G. Porro:
Porro: Non si puòpuò soffrir oime
5. G. Veneri: Bel crin d'oro mio thesoro
6. H. Torscianello: Deh mira egli cantò
7. N. Borboni: Non voglio amare per non penare
8. A. Granata: Io vo cercando un core
9. F. Pesce: Deh se giusta pieta mosso
10. P.P. Sabbatini:
Sabbatini: Vivi, vivi contenta
contenta chore
b) for 2 voices and bc:
11. A. Costantini: Dialogo: Pergoletta son' io AB
12. N. Borboni: Le vostre chiome amate ST
13. P. Mutii: Vaghi rai de cigli ardenti TT
14. P. Mutii: Mille scherzi e canti belli AT
15. F. Grappuccioli: Mentre sorge l'aurora SS
Edition:
100S2 ° Facsimile of the 1622 edition € 21,--
1656 Arie a voce sola de diversi autori, 1656
• "Arie a voce sola de diversi autori raccolte da Francesco Tonalli...", Venice,

A. Vincenti, 1656
27 Arias for 1 voice and bc:
1. B. Strozzi: Rissolvetevi pensieri
2. B. Strozzi: Chi brama in Amore far paghi
3. F. Cavalli: È rimedio al mal d'Amore
d'Amore (from his opera: Erismena, 1655)
1655)
4. F. Cavalli: Pazzi amanti
5. O. Tarditi: Lungi da te mio bene
6. O. Tarditi: Io mi ricordo un' dì (prima parte)
7. O. Tarditi: Si poco il ben duro (seconda parte)
8. O.
O. Tarditi: Vedo Amor (prima parte)
9. O. Tarditi: Una Donna
Donna sempre altiera (seconda parte)
10. O. Tarditi:
Tarditi: Odi Amor (terza & ultima parte)
© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved Page 1 of 201
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11. O. Tarditi: Quella crudel ch'adoro

12. M. Cazzati: Mi serpe nel
nel petto un dolce veneno (prima strofa)
13. M. Cazzati: Noioso contento (seconda strofa)
14. M. Cazzati: Ristretta favilla (terza & ultima parte)
15. M. Cazzati: Volgete il guardo
16. P.A.
P.A. Ziani: Pretiose catene
17. P.A. Ziani:
Ziani: Sorga l'alba o mora il dì
18. G.B. Chinelli:
Chinelli: Ben accorta ben sagace
19. G.B. Chinelli: V'ingannate o pensieri
20. F. Lucio: Ch'io ti creda o questo nò
21. F. Lucio:
Lucio: Cor mio non
non ti turbare
22. F. Lucio:
Lucio: Ogn'amante ha per per usanza
23. F. Lucio:
Lucio: Troppo grande
grande el tormento
24. L. Pozzi: Hor ch'il mio ben non m'ama (prima parte)
25. L. Pozzi:
Pozzi: Pensir crudo (seconda parte)
parte)
26. G.B. Agneletti:
Agneletti: Se dico Lilla m'ami
27. G.B. Agneletti:
Agneletti: Si ch'io moro
moro mia vita
Edition:
1670 Canzonette per camera a voce sola
• "Canzonette per camera a voce sola di diversi autori, dati in luce da M.

Silvani...", Bologna, G. Monti, 1670. Facsimile edition; hardback
for S (T), bc:
1. G. Legrenzi: Son tutto furore
2. C. Pallavacino: La speranza, ch'io vedea
3. A. Melani: Io voglio essere infelice
4. V. de Grandis: Ho veduto in due pupille
5. G.B.S. Pellicani:
Pellicani: Che vorresti più da me
6. G.B.S. Pellicani:
Pellicani: Tormenti, affanni e pene
7. M. Agatea: I pianti d'un core
8. anonymous:
anonymous: Fiumicelli, che correte
for A, bc:
9. sigr. Genari: L'hò per natura di sempre amare
10. C. Savioni:
Savioni: Cruda furia d'Averno
d'Averno
for B, bc:
11. sigr. Genari: Vaghi rai pupille
pupille ardenti
12. anonymous:
anonymous: A le nevi d'un bel seno
Edition:
1679 Scelta di canzonette Italiane, 1679
• "Scelta di Canzonette Italiane de piu autori dedicated a gli amatori della

musica", London,
London, A. Godbid & J. Playford, 1679
for high voice, bc:
1. C. Caproli: Dite che fa poss'io
2. A. Cesti: Cara e dolce
dolce libertà
3. L. Rossi: Non m'affligete più vani pensieri
4. A. Stradella: Amor io ben l'intendo
l'intendo entro'i legami tuoi (actually by
by B. Pasqui-
ni from his opera "La Donna
Donna ancora è fedele"; Gianturco 11-3)
11-3)
5. A. Cesti: Mia tiranna òh Dio pietà
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6. G. Carissimi: Crudo'amore il mio core

7. B. Pasquini: Chi non ama non ha' core
8. C.A. Lonati: Tu partisti Idol'amato
9. A. Stradella: So ben che mi saettano (from "Il Biante"; Gianturco 2.4-1)
10. B. Pasquini: Quant'è folle quell' amante
11. N. Matteis: Il dolce contento che chiudo nel core
12. B. Albrici: Ninfe vezzose movete'il pie
13. G. Carissimi: La mia fede altrui giurata
14. G.B. Draghi: Occhi belli voi siete vezzosi
15. L. Rossi: Chi non sa fingere goder
16. G.A. Boretti: Celar d'amor la fiamma
17. B. Albrici: Di Cupido chi fugge lo strale
18. G.B. Draghi: O Tiranna gelosia dimmi'almeno
19. G.A. Boretti: Con l'assolto d'ardenti sospiri
20. C.A. Lonati: Voglio morte e voglio vita
21. G. Pignani: Ah crudele perche tanto sdegn'e rigore
22. G. Pignani: No, nol credo
23. C. Caproli: Lidio in vano presumi con barbaro rigore
24. N. Matteis: Caro volto pallidetto
for 2 voices, bc:
25. A. Stradella: Non sa mai amor ferir (SS, bc; from "Il Biante")
26. A. Stradella: Care labbra che d'amore tante fiamme (SB; Gianturco 4.2-4)
Edition:
1673-1684 "Choice Ayres, Songs & Dialogues", London, 1673-1684
Book I
• "Choice songs and ayres for one voyce to sing to a theorbolute, or bass-viol.
Being most of the newest songs sung at court, and at the publick theatres.
Composed by several gentlemen of His Majesties musick. The first book",
London, W. Godbid for J. Playford, 1673 & ibidem: "...The second edition
corrected and enlarged", 1675 (first edition: 1673)
113 Songs by J. Banister (8), I. Blackwell (2), Th. Farmer (3), Ch. Forsall, W.
Gregory (4), J. Hart (4), R. Hill, P. Humfrey (13), J. Jackson, M. Locke (4),
A. Marsh (6), A. Marsh jr. (4), J. Playford (2), H. Purcell, R. Smith (24), Th.
Stafford, N. Staggins (3), Turner (3), J. Twist, and 28 anonymous songs
1. R. Smith: Hark, the storm grows loud
2. W. Gregory: I'll have no more dealings fond Cupid with thee
3. P. Humfrey: Cheer up my mates, the wind doth fairly blow
4. P. Humfrey: Thus Cupid commences his rapes and vagaries
5. A. Marsh: After the pangs of a desperate lover
6. A. Marsh jr.: Run to love's lottery
7. W. Gregory: When Coridon a slave did lie
8. A. Marsh: Calm was the evening and clear was the sky
9. R. Smith: Farewell fair Armida my joy and my grief
10. R. Smith: And I'll go to my love where he lies in the deep
11. P. Humfrey: I pass all my hours in a shady old grove
12. P. Humfrey: O love if e'er thou'lt ease a heart
13. J. Banister: Thus all our lives long we're frolic and gay
14. P. Humfrey: A lover I'm born and a lover I'll be
15. P. Humfrey: When Aurelia first I courted
16. anonymous: Mine own Sabine come along
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17. R. Smith: Ah Coridon, in vain you boast

18. J. Hart: Too justly alas and yet so much in vain
19. J. Banister: Can Luciamira so mistake
20. J. Banister: Since we poor slavish women know
21. R. Smith: Some happy soul come down and tell
22. R. Smith: Phyllis the time is come that we must sever
23. N. Staggins: Whilst Alexis lay prest
24. W. Turner: How strangely severe and unjust are we grown
25. P. Humfrey: Of all the brisk dames Misselina for me
26. R. Smith: At the sight of my Phyllis through every part
27. A. Marsh jr.: My youth I kept free from all thoughts of care
28. anonymous: I languish all night and sigh all day
29. anonymous: What fancies of pleasure doth love all alone
30. P. Humfrey: Let fortune and Phyllis frown if they please
31. A. Marsh: Give o'er foolish heart and make haste to despair
32. A. Marsh: Wherever I am or whatever I do
33. P. Humfrey: How severe is forgetful old age
34. anonymous: Now affairs of the state are already decreed
35. Th. Stafford: The nymph that undoes me is fair and unkind
36. N. Staggins: How unhappy a lover am I
37. anonymous: Why Phyllis to me so untrue and unkind
38. P. Humfrey: Phyllis for shame let us improve
39. J. Banister: On the bank of a brook as I sat
40. R. Smith: Why should a foolish marriage vow
41. R. Smith: As I walked in the woods one evening of late
42. J. Banister: Beneath a myrtle shade
43. Th. Farmer: Let's drink dear friends let's drink
44. N. Staggins: How pleasant is mutual ove if it's true
45. R. Smith: Fill round the health good natured and free
46. R. Smith: Be jolly my friends for the money we spend
47. R. Smith: Come lay by your cares and hang up your sorrow
48. J. Playford: Methinks the poor town has been troubled too long
49. R. Smith: Ah false Amintas can that hour
50. R. Smith: How bonny and brisk, ah how pleasant and sweet
51. H. Purcell: When Thyrsis did the splendid eye (Z 436)
52. R. Hill: I am no subject unto fate
53. anonymous: Tell me Amintas Chloris cries
54. A. Marsh jr.: Insult not too much on thy fading success
55. J. Playford: God Cupid for certain, as foolish as blind
56. anonymous: O name not the day lest my senses reprove
57. anonymous: To what modest grief is a lover confined
58. R. Smith: The day you wished arrived at last
59. anonymous: Why o Cupid so long hast thou shunned me
60. J. Jackson: Phyllis tunr that face away
61. R. Smith: Beauty no more shall suffer eclipse
62. R. Smith: Amintas led me to a grove
63. R. Smith: Long betwixt hope and fear Phyllis tormented
64. anonymous: When a woman that's buxom a dotard does wed
65. J. Banister: Lo behind a scene of seas
66. J. Banister: Amintas that true hearted swain
67. Ch. Forsall: O the time that is past
68. P. Humfrey: Nay, let me alone
69. anonymous: What madness it is to give over our drinking
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70. anonymous: Come away t'other glass

71. R. Smith: 'Tis the grape that discovers
72. J. Banister: I languish for one that ne'er thinks of me
73. anonymous: Ah cruel eyes that first enflamed
74. anonymous: Away with the silly blind god and his darts
75. anonymous: How oft have I bid defiance in vain
76. I. Blackwell: Were Celia but as chaste as fair
77. A. Marsh jr.: When first my free heart was surprised by desire
78. anonymous: Of all the gay ladies that walk the brisk town
79. Th. Farmer: Long since fair Clorinda my passion did move
80. J. Twist: Ah Phyllis would the god's decree
81. J. Hart: When first I saw fair Celia's face
82. anonymous: Fie Chloris 'tis silly to sigh thus in vain
83. M. Locke: Wrong not your lovely eyes my fair
84. P. Humfrey: Ah fading joy how quickly art thou past
85. anonymous: Since Phyllis we find we grow so inclined
86. anonymous: When I shall leave this clod of clay
87. R. Smith: What sighs and groans now fills my breast
88. Th. Farmer: Forgive me jove or if there be
89. J. Hart: Is Celadon unkind, it cannot be
90. I. Blackwell: If languishing eye without language can move
91. anonymous: Ah what shall we do when our eyes
92. J. Hart: Adieu to the pleasures and follies of love
93. M. Locke: The delights of the bottle and the charms of good wine
94. anonymous: Ah how long have I fed my desires
95. W. Turner: I must confess not many years ago
96. anonymous: Sit thee down by me mine own joy
97. anonymous: Willy was so blithe a lad
98. anonymous: Since Celia's my foe to a desert I'll go
99. W. Turner: How large an extent has love's empire and throne
100. W. Gregory: I heard a young lover in terrible pain
101. R. Smith: O, how I abhor the tumult and smoke of the town
102. R. Smith: A heart in love's empire though jocund and blithe
103. A. Marsh: Down with this love that has made such a pother
104. anonymous: When Celia my heart did surprise
105. anonymous: Long by disdain has Celia strove
106. A. Marsh: Nay, prithee, no more of this love masquerade
107. R. Smith: O, sorrow, say where dost thou dwell
108. W. Gregory: O Delia for I know 'tis she
109. M. Locke: When death shall part us from these kids
110. anonymous: Forth from the dark and dismal cell
111. anonymous: Let us drink and be merry
Appendix: songs from the reprint of 1676 with additions:
112. M. Locke: I charge thee Neptune, as thou art just resign
113. R. Smith: From friends all inspir'd
Book II
• "Choice ayres and songs to sing to the theorbo-lute or bass-viol, being most
of the newest ayres and songs, sung at court, and at the publick theatres.
Composed by several gentlemen of His Majesties musick, and others. The
second book", London, A. Godbid for J. Playford, 1679:
85 Songs by J. Banister (7), J. Blow (3), J. Cobb (3), Th. Farmer (2), F. For-
cer, (5), L. Grabu, W. Gregory (2), J. Hart (13), P. Humfrey (3), M. Locke,
A. Marsh (2), J. Moss (3), S. Pack (2), H. Purcell (5), N. Staggins (4), W.
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Turner (16), B. Wallington, and 13 anonymous songs

1. M. Locke: In a soft vision of the night
2. F. Forcer: When first to Dorinda my heart I resigned
3. J. Hart: Tell me some powers that are kind
4. J. Hart: Ah how severe is the nymph I adore
5. J. Hart: No shepherd, no, rule thy mind
6. N. Staggins: As Amoret with Phillis sat
7. W. Turner: Ah Phyllis would the gods decree
8. F. Forcer: How wretched is the slave to love
9. J. Hart: My dear Philander it's no offence to love
10. A. Marsh: When the weary sun was down
11. J. Hart: While Chloe full of harmless thoughts
12. W. Turner: I cannot change as others do
13. anonymous: How cruel is fortune grown
14. J. Banister: Young Phaon strove the bliss to taste
15. W. Turner: Thou joy of all hearts and delight of all eyes
16. anonymous: How happy and free is the resolute swain
17. W. Gregory: Dear Jocky's gone to the wood
18. S. Pack: Alone by a fountain I'll press the cold ground
19. anonymous: Ah Celia what powerful charms have you
20. J. Banister: Give me my lute in thee some ease I find
21. H. Purcell: Since the pox or the plague of inconstancy reigns (Z 471)
22. F. Forcer: How subtly love deals with us slaves
23. anonymous: How peaceful the days are how pleasant the night
24. W. Turner: In vain poor Coridon did try
25. J. Hart: To Chloris what I did pretend
26. H. Purcell: Amintas to my grief I see (Z 356)
27. J. Hart: I bring thee, o thou charming fair
28. anonymous: How fond's the world to love a face
29. S. Pack: She's gone for ever, the nymph I adore
30. J. Blow: Fair lady so strong are the chamrs of your eyes
31. J. Hart: Of fading delights let the town take her fill
32. H. Purcell: Scarce had the rising sun appear'd (Z 469)
33. H. Purcell: I resolve against cringing and whining (Z 386)
34. N. Staggins: O the charms of a beauty disdainful and fiar
35. W. Turner: I find my Eugenia I've struggled in vain
36. W. Turner: Forbear silly heart, you insult but in vain
37. J. Moss: Desist all endeavours my heart to allure
38. N. Staggins: Whilst others on downy nests
39. W. Turner: Under the branches of a spreading tree
40. anonymous: Farewell the world and mortal care
41. W. Turner: Chloris when you disperse your influence
42. anonymous: Give me leave to own a passion
43. anonymous: Ah charming fair why must I die
44. anonymous: As some brave man unmoved doth stand
45. A. Marsh: No, never planet ruled the skies
46. Th. Farmer: Sitting by yonder river side
47. W. Turner: Near the courts of great princes we scorn to abide
48. W. Turner: Now that the cold winter's expelled by the sun
49. W. Turner: Long was the day e're Alexis my lover
50. Th. Farmer: Smiling Phyllis has an air
51. anonymous: Is it nobel cruel fair
52. W. Turner: If languishing eyes without languge can move
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53. J. Moss: How happy is the amorous pair

54. J. Cobb: Adieu my Cordelia my dearest adieu
55. J. Cobb: Thou art so fair but cruel too
56. J. Cobb: When first fair saint I thought you kind
57. anonymous: As sad Philothea lay melting in grief
58. J. Blow: 'Tis not my lady's face that makes me love her
59. J. Moss: Hold tyrant hold spare now thy dart
60. W. Turner: To love how all the world's inclined
61. F. Forcer: Forgive me kind and gentle maid
62. anonymous: In January last on Munnonday at morn
63. N. Staggins: How severe is fate to break a heart
64. J. Blow: As Celadon and Chloris all along
65. W. Turner: Diana's a nymph so chaste and so fair
66. J. Hart: Lost in the labrynth of my thoughts
67. W. Turner: I have languished too long for one who I find
68. W. Turner: Why does the foolish world mistake
69. J. Banister: Let's love and let's laugh
70. P. Humfrey: Cupid once when weary grown
71. J. Hart: Cure nymph, o cure, your bleeding victim cries
72. J. Hart: Since others may with safety tell
73. L. Grabu: Hark how the songsters of the grove
74. P. Humfrey: How well doth this harmonious meeting prove
75. B. Wallington: In yonder grove Amintor lies
76. F. Forcer: Make haste my Shepherd come away
77. anonymous: Mortali che fate
78. W. Gregory: Lucinda since we have confessed to each
79. H. Purcell: What hope for us remains now he is gone (Z 472)
Appendix:
80. J. Banister: Dry those eyes which are o'erflowing
81. J. Banister: Come unto these yellow sands
82. J. Banister: Go thy way why should'st thou stay
83. J. Hart: Adieu to the pelasures and follies of love
84. J. Banister: Full fathom five thy father lies
85. P. Humfrey: Where the bee sucks, there suck I
Book III
• "Choice ayres and songs to sing to the theorbo-lute or bass-viol: being most
the newest ayres and songs, sung at court, and at the publick theatres. Com-
posed by several gentlemen of His Majesties musick, and others. The third
book", London, A. Godbid for J. Playford, 1681:
59 Songs by I. Blackwell, J. Blow (3), Th. Farmer (9), F. Forcer, Ch. Gibbons
(2), L. Grabu (2), W. Gregory, J. Hart (5), P. Humfrey, H. Purcell (7), J. Rea-
ding (8), Th. Shadwell, W. Turner (3), and 14 anonymous songs
1. L. Grabu: One night while all the village slept
2. anonymous: Close by a silver rivulet
3. Th. Farmer: Cease if thou can'st pursue no more
4. Th. Farmer: Bid the sad forsaken grove
5. Th. Farmer: Can life be a blessing or worth the possessing
6. Th. Farmer: Beneath the stately cedar's shade
7. Th. Shadwell: Let the daring adventurers be tossed on the main
8. Th. Farmer: Let the traitors plot on till at last they're undone
9. Th. Farmer: Clorinda adieu since you slight what is true
10. anonymous: Nothing I know yet feel a powerful fire
11. anonymous: Sawney was tall and of noble race
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12. J. Hart: Adieu to the curse of a country life

13. Th. Farmer: Blush not redder than the morning
14. H. Purcell: Amintor heedless of his flocks (Z 357)
15. H. Purcell: Pastora's beauties when unblown (Z 407)
16. H. Purcell: How I sigh when I think of the charms of my swain (Z 374)
17. H. Purcell: Since one poor view has drawn my heart (Z 416)
18. H. Purcell: I take no pleasure in the sun's bright beams (Z 388)
19. H. Purcell: When her languishing eyes said "love" (Z 432)
20. Th. Farmer: Poor Cleonice thy garlands tear
21. J. Hart: Ah lay by your lute, ah Lucasia forbear
22. J. Hart: I yet am free, why should I be
23. Th. Farmer: Bonny lass gin thou wert mine
24. J. Reading: I love my dear Phyllis and never will change
25. J. Reading: Of all the dear joys that the world has in store
26. J. Reading: O how I am grieved that now I must part
27. W. Turner: See how the flowers adorn the spring
28. J. Reading: How short is the pleasure that follows the pain
29. anonymous: Hail to the myrtle shade
30. J. Reading: Tender maids let me advise ye
31. J. Reading: Insult not too much on the fading success
32. F. Forcer: Come all the youths whose hearts have bled
33. L. Grabu: Close in a hollow silent cave
34. I. Blackwell: Give me thy youth the time of love
35. J. Reading: I'll drink off my bottle each night for my share
36. anonymous: How happy's that prisoner that conquers his fate
37. anonymous: A pox on the fooling and plotting of late
38. anonymous: Love you by all that's good I do
39. H. Purcell: Ah cruel bloody fate (from: Theodosius Z 606)
40. P. Humfrey: As freezing fountains when the sun
41. J. Blow: I'll tell thee my Celia if never before
42. L. Grabu: Close in a hollow silent cave
43. J. Hart: Since cruel Thyrsis you my torments slight
44. J. Hart: After all your cruelty I love you still
45. W. Turner: Cheer up my friends, the winter's ending
46. anonymous: Sylvia tell me how long it will be
47. anonymous: Since you have wars removed
48. anonymous: Sure nature never yet designed
49. Chr. Gibbons: Change, o change your fatal bows
50. Chr. Gibbons: Victorious men of earth no more
51. W. Turner: Thus mortals must submit to fate
52. anonymous: Now the fight's done and the great god of war
53. J. Reading: Underneath some shady bowers
54. anonymous: Whilst our peaceful flocks do lie
55. anonymous: All hail to the glorious Spring
56. J. Blow: Awake my lyre and tell
57. anonymous: Poor Mariana long in vain
58. W. Gregory: Did you not hear the hideous groan
59. J. Blow: As on his deathbed gasping Strephon lay
Book IV
• "Choice ayres and songs to sing to the theorbo-lute, or bass-viol: being most
Composed by several gentlemen of His Majesty's musick, and others. The
fourth book", London, A. Godbid and J. Playford jr., 1683:
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76 Songs by J. Abell, J. Banister, G.B. Draghi, I. Blackwell (5), J. Blow (11),

Th. Farmer (2), F. Forcer (2), W. Gregory (5), J. Hart (6), N. Lanier, M.
Locke, S. Pack (3), J. Paisible, H. Purcell (8), B. Rogers, M. Snow, Ch. Tay-
lor (2), Th. Tudway (4), W. Turner (3), and 17 anonymous songs
1. anonymous: I spend my sad life in sighs and in cries
2. anonymous: No more on my knees to a beauty I'll sue
3. anonymous: Corillo having long in vain
4. J. Paisible: Could man his wish obtain
5. anonymous: Phillida whilst our tender age is
6. anonymous: Go Phyllis go be peevish still
7. anonymous: Ranging the plain one summer's night
8. Th. Farmer: The night hert blackest sables wore
9. anonymous: When Phyllis watched her harmless sheep
10. anonymous: How wretched am I when Clarinda does frown
11. J. Blow: In vain brisk god of love
12. M. Snow: Whilst I in shades was musing all alone
13. J. Hart: Gone are my happy days all lost
14. J. Hart: What woman was even so fortunate
15. G.B. Draghi: In Phyllis all vile jilts are met
16. anonymous: On the bank of a river close under the shade
17. anonymous: Go on true heart pursue the prize
18. anonymous: That beauteous creature for whom I'm a lover
19. J. Blow: Bless mortals bless the cheering light
20. anonymous: Philander once a merry swain
21. J. Abell: High state and honour to others impart
22. W. Gregory: O do not wrong that face that is so fair
23. S. Pack: The bright Laurinda whose hard fate
24. S. Pack: A pox upon this needless scorn
25. W. Turner: Ah what can mean that eager joy
26. J. Blow: Draw out the minutes twice as long
27. J. Blow: Phyllis accept a broken heart
28. J. Blow: Lovely Sabina innocent and free
29. Th. Farmer: Phyllis whose heart was unconfined and free
30. B. Rogers: With brightest beams let the sun shine
31. J. Banister: Bear witness now you silver streams
32. anonymous: Must poor lovers still be wooing
33. I. Blackwell: Cease fruitless hopes lest you convey
34. I. Blackwell: When first Celinda blest mine eyes
35. W. Turner: All other blessings are but toys
36. J. Hart: Happy is the country life
37. J. Hart: Now every place fresh pleasure yields
38. W. Gregory: To love and like and not succeed
39. W. Gregory: Corydon met Phyllis fair
40. W. Gregory: At length in musing what to do
41. W. Gregory: Then we'll join hand in hand
42. M. Locke: All joy to fair Psyche in this happy place
43. anonymous: How long d'ye mean to torture me
44. H. Purcell: She loves and she confesses too (Z 413)
45. anonymous: Lucinda by a secret art
46. H. Purcell: From silent shades (Bess of Bedlam) (Z 370)
47. H. Purcell: She who my poor heart possesses (Z 415)
48. anonymous: Come dear companions of th' Arcadian fields
49. H. Purcell: Let each gallant heart (Z 390)
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50. W. Turner: Damon turn thine eyes on me

51. F. Forcer: O love how just and how severe
52. Ch. Taylor: You I love by all that's true
53. F. Forcer: Removed from noise and tumult of the town
54. anonymous: Since other beauties charm your heart
55. Ch. Taylor: Prophanely I swore by the powers divine
56. I. Blackwell: So pale Amintas does thy looks appear
57. J. Hart: Whilst our flocks feed upon the plains
58. Th. Tudway: Iris on the bank of Thames
59. Th. Tudway: Phyllis in your absence I
60. Th. Tudway: See what a conquest love has made
61. Th. Tudway: After the fiercest pangs of hot desire
62. H. Purcell: When Strephon found his passion vain (Z 435)
63. I. Blackwell: When Damon swas fair Sylvia's face
64. I. Blackwell: Though Sylvia loved too well she kenw
65. H. Purcell: Sleep Adam, sleep and take thy rest (Z 195)
66. J. Blow: Fain would I Chloris e'er I die
67. J. Blow: Tell me Strephon that I die
68. J. Blow: Amintor on a river side
69. J. Blow: Let equipage and dress despair
70. J. Blow: Why does the morn in blushes rise
71. J. Hart: Think not my soul's delight and grief
72. H. Purcell: Rashly I swore I would disown (Z 411)
73. H. Purcell: Retired from mortal's sight (from: Richard II, Z 581)
74. J. Blow: Go perjured man and if thou e'er return
75. S. Pack: Tell me Thyrsis, tell your anguish
76. N. Lanier: Nor com'st thou yet my slothful love nor yet
Book V
• "Choice ayres and songs to sing to the theorbo-lute, or bass-viol: being most
Composed by several gentlemen of His Majesty's musick, and others. The
fifth book", London, J. Playford jr., 1684:
57 Songs by Baptist (= G.B. Draghi), J. Blow (2), R. Croone, A. Damascene
(4), Th. Farmer (2), Ch. Fishburne (8), F. Forcer (3), J. Hart, P. Humfrey, R.
King (5), Th. Kingsley (2), S. Pack (2), H. Purcell (8), J. Roffey, Th. Stafford,
N. Staggins (2), W. Turner (2), and 11 anonymous songs
1. anonymous: When first I fair Celinda knew
2. Ch. Fishburne: Beneath a dark and melancholy grove
3. H. Purcell: In Chloris all soft charms agree (Z 384)
4. Ch. Fishburne: Tell me no more of flowers in love
5. R. King: O quench these flames the miserable state
6. R. King: Happy the time when free from love
7. Ch. Fishburne: Pretty Floramel no tongue can ever tell
8. Ch. Fishburne: In the shade upon the grass
9. Th. Farmer: Though the pride of my passion fair Sylvia betrays
10. Ch. Fishburne: Wealth breeds care love hope and fear
11. Ch. Fishburne: Long had Damon been admired
12. Ch. Fishburne: Though fortune and love may be deities still
13. S. Pack: Would you be a man of fashion
14. H. Purcell: He himself courts his own ruin (Z 372)
15. R. King: By shady woods and purling streams
16. A. Damascene: Celia forgive me my passion
17. R. King: May the ambitious pleasure find
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18. A. Damascene:
Damascene: Cease lovely Strephon
Strephon cease to charm
19. A. Damascene: You happy youths whose hearts are free
20. Th. Farmer: When busy fame o'er o'er all the plain
21. G.B. Draghi: What art thou love whence
whence are those charms
22. S. Pack:
Pack: Welcome mortal
mortal to this place
23. A. Damascene:
Damascene: A sweet resemblance of heav'n
24. J. Hart: All she does and say I weigh
25. anonymous:
anonymous: Ah Jenny gin your eyes do kill
26. anonymous:
anonymous: There was a jovial
jovial beggar
27. anonymous:
anonymous: Tell me Jenny tell me roundly
roundly
28. Ch. Fishborne:
Fishborne: Why am I the only
only creature
29. anonymous:
anonymous: Laurinda who did love disdain
30. Th. Stafford: Like a dog with a bottle fast tied to his tail
31. anonymous: Let th' ambitious soar high on the wings of renown
32. anonymous:
anonymous: See how pleasantly
pleasantly she lies
33. F. Forcer: Hark how Noll and Bradshaw's heads above us
34. anonymous:
anonymous: To the grove gentle
gentle love let us be going
going
35. P. Humfrey:
Humfrey: A wife I dodo hate
36. N. Staggins: When first Amintas charmed my heart
37. anonymous:
anonymous: Chloris when you disperse your influence
38. anonymous:
anonymous: Fair Celia too fondly condemns
condemns those delights
39. W. Turner: I liked but never loved
loved before
40. R. Croone: How happy and free is the resolute swain
41. N. Staggins: Let business no longer usurp your high high mind
42. W. Turner: Long was the dayday e're Alexis my lover
43. anonymous:
anonymous: Who e'er does doubt
doubt the power of lovelove
44. J. Roffey: At Sylvia's feet young Strephon lay
45. F. Forcer: Like choirs of angels we'll loyally
loyally sing
46. R. King: Where would coy Amintas
Amintas run
47. H. Purcell:
Purcell: Tell me ye Sicilian Swains
48. H. Purcell: When gay Philander left the plain SB (Z 519)
49. Th. Kingsley: How happy's thatthat mortal whose heart is his own
own
50. Th. Kingsley: He that is resolved
resolved to wed
51. H. Purcell:
Purcell: A thousand several ways I tried (from The Fairy-Queen
Fairy-Queen Z 629)
52. H. Purcell: Through mournful shades and solitary groves groves (Z 424)
424)
53. H. Purcell: Let us, kind Lesbia, give
give away (Z 466)
54. H. Purcell: Beware poor shepherds (Z 361)
55. J. Blow: Stay gentle echo dear nymph stay
56. F. Forcer: While here for the fair Amarillis I die
57. J. Blow: Alexis dear Alexis lovely boy
Edition:
° Facsimile of the 5 editions in 2 volumes (hardback); introduction by I. Spink;
Music for London
London Entertainment 1660-1800, volumes A5A and A5B:
104S2 volume I: books 1 and 2 € 169,--
105S2 volume II: books 3-5 € 169,--
1685-1687 "The Theater of Music", 1685-1687
Book I
• "The Theater of music: or a choice collection of the newest and
a nd best songs
sung at the Court, and publick theaters...set
theaters...set to music
music by the graetest masters
in that science with a theorbo-bass to each song for the theorbo, or bass viol.
Also symphonies
symphonies and retornels in 3 parts to several of them for the violins and
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(0)20-6762240
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_______________
_______________
flutes. The first book", London, J. Playford for H. Playford & R. Carr, 1685
1685
59 songs by: S. Akeroyde (4), J. Blow (7), A. Damascene (3), G.B. Draghi
(6), Th. Farmer (5), L. Grabu, W. Gregory, J. Hart (4), R. King (5), J. Lenton
(2), S. Pack (2), H. Purcell (5), P. Reggio, J. Roffey (2), Snow, Ch. Taylor
(4), W. Turner (4), and 2 anonymous songs
S. Akeroyde:
As May in all her youtfull dress
Fancelia's heart is still the same
Hard fate that we have eyes to see
Jenny my blithest maid
J. Blow:
All my past life is mine no more
If I live to be old for
for I find I go down
down
Long by disdain has Celia strove
Pleasures by angels unenjoyed
unenjoyed
Shot from Orinda's brighter eyes
Weep all ye nymphs your your floods unbind
unbind
Whilst on Septimus's panting breast
A. Damascene:
Break Cupid break thy feeble bow
How blest is the passion when when guarded with discretion
discretion
If love did make its chief abode
abode
G.B. Draghi:
Once my shepherdess was true
The pleasures that
that i now
now possess
There never was swain so unhappyunhappy as I
Too high o Cupid cries the swain
'Twas in a dismal
dismal cypress grove
Who can resist my Celia's charms
Th. Farmer:
Awake o Constantine awake
How sweet is the the passion of love
Love love's the dear talk thatthat usurps all our hours
hours
When absent from the nymph I love
Ye virgin powers
powers defend my heart
L. Grabu:
When Lucinda's
Lucinda's blooming beauty
W. Gregory:
Come away let's to the maypole
maypole go
J. Hart:
Ah what can mean that eager joy
Happy as man in his first innocence
innocence
Say my heart
heart what shall I do
When absent from my fair CorinnaCorinna
R. King:
Ah poor Olinda never boast boast
Fly from Olinda
Olinda young and fair
Go tell Amintor
Amintor gentle swain
If absent I from Phyllis
Phyllis am
O why diddid e'er my thoughts aspire
J. Lenton:
Ah Phyllis cast those thoughts away
When Celia wept the heavens wept wept too
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S. Pack:
I never saw a face till now
See how fair Corinna lies
H. Purcell:
Farewell all joys when
when he is gone
gone
In vain we dissemble in vain
vain do we try
Love is now become a trade
My heart whenever you appear
Ye happy swains whose
whose nymphs are kind
P. Reggio:
Madam why does love torment
torment you
J. Roffey:
Rebellious fools that scorn to bow
bow
Such icy kisses anchorites that live secluded
M. Snow:
What cruel pains
pains Corinna takes
Ch. Taylor:
Believe me Jenny for I tell you
you true
Curse on all cares
Pox of
of dull mortals
To hollow rocks and far-sought
far-sought plains
W. Turner:
Ah Phyllis had
had you never loved
Bright was the morning and cool the air
My life and my death are both in your
your power
Though you may boast you're fairer than the rest
Book II
• "The Theater of music: or a choice collection of the newest and a nd best songs
Also symphonies
symphonies and retornels in 3 parts to several of them for the violins and
flutes. The second book",
book", London,
London, J.P. for H. Playford and R. Carr, 1685
36 songs by: S. Akeroyde (2), J. Blow, A. Damascene, G.B. Draghi (2), Th.
Farmer (2), F. Forcer, J. Godwin, H. Hall, R. King (5), S. Pack, H. Purcell (9),
D. Purcell, J. Roffey, Th. Tudway (2), D. Underwood (2), and 4 anon. songs
S. Akeroyde:
Beneath an unfrequented shade
shade
Hail Albion hail all hail attend the throne
J. Blow:
Strife hurry and noise that fills the lewd town
A. Damascene:
Ah tempt me no more when the minuteminute is past
G.B. Draghi:
Methinks I see as well as hear
When first Dorinda your bright eyes
Th. Farmer:
Behold the morn dawns
dawns the lark has sung
Ye powers that rule the world
J. Godwin:
Since my mistress proves cruel
H. Hall:
Haste, Charon haste 'tis Noll commands thy speed
R. King:
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_______________
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As I gazed unaware
unaware on a face so fair
Long have I lived from passion free
O be kind my dear be be kind
Tune your lute and raise your
your voice
When I see my my Strephon languish
S. Pack:
In vain she frowns in vain
vain she tires
D. Purcell:
Within a solitary grove
grove despairing Sappho
Sappho sat
H. Purcell:
Cupid the slyest rogue alive
If grief has any power to kill
kill
Musing on cares of human fate
Phyllis talk no more of passion
Soft notes and gently raised
They say you're
you're angry and rant mightily
When lovely Phyllis thou art kind
While Thyrsis wrapped in downy sleep
Would you know how how we meet o'er our jolly full bowls
J. Roffey:
Unjust Climena does complain
complain
Th. Tudway:
Come all ye tender nymphs
nymphs and learn of me
Phyllis be gentler I advise
D. Underwood:
The poor Endymion
Endymion loved too well
When closely embraced in the arms of my dear
Book III
• "The Theater of music: or a choice collection of the newest and a nd best songs
Also symphonies
symphonies and retornels in 3 parts to several of them for the violins
and flutes. The third book", London, H. Playford and R. Carr, 1686
45 songs by: S. Akeroyde (12), J. Blow, R. Brown (2), J. Courteville,
Courteville, A.
Damascene (2), G.B. Draghi (2), G. Hart (2), J. Hart (3), J. Hawkins (3), P.
Humfrey, R. King (3), H. Purcell (5), J. Roffey, Snow, and 4 anonymous
songs
S. Akeroyde:
Ah Phyllis why
why are you less tendre
Cynthia with an awful power
Farewell bonny Wully Craig
From drinking of sack by the pottle
Is my Clorinda yet in nature's state
Liberty's the soul of living
Look down
down fair saint and see
O mother Roger
Roger with his kisses
The Nymph that does expose
expose to sale
There is one black and sullen hour
There's such religion in my love
love
When my kids and lambs I treated
J. Blow:
If mighty wealth that givbes the rules
R. Brown:
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_______________
Long had Phyllis Strephon loved

When first I passed the happy night
J. Courteville:
Lovely Laurinda blame not me
A. Damascene:
Shun a vain pretender's story
Whilst Strephon in his pride of youth
G.B. Draghi:
How powerful is the god of love
Where art thou god of drreams for whose soft chain
G. Hart:
Ambitious eye that seeks alone
While Orpheus in a heavy strain
J. Hart:
Adieu dear object of my love's excess
Celinda would her heart bestow
In a dark shady cypress grove
J. Hawkins:
Pride and ambition and peevishness too
Tell me what a thing is love
Your haughty wish proud swain I guessed
P. Humfrey:
O that I had but a fine man
R. King:
In courts ambition kills the great
Why so averse is Laura's mind
Why this talking still of dying
H. Purcell:
A grasshopper and a fly
Come dear companions of the Arcadian fields
I saw fair Chloris all alone
Sylvia 'tis true you're fair
Whilst Cynthia sung all angry winds stood still
J. Roffey:
That I might even dream thus
M. Snow:
Ah cruel beauty could you prove
Book IV
• "The Theater of music: or a choice collection of the newest and best songs
sung at the Court, and publick theaters...set to music by the graetest masters
Also symphonies and retornels in 3 parts to several of them for the violins and
flutes. The fourth and last book", London, B. Motte for H. Playford, 1687
53 songs by: S. Akeroyde (2), W. Aylworth, J. Blow (8), R. Courteville, A.
Damascene, G.B. Draghi (2), Th. Farmer (6), Gore, G. Hart (2), J. Hart (3),
Th. Hawney, J. Jackson, R. King, M. Locke, A. Marsh, H. Purcell (10), J.
Reading (3), J. Roffey (3), Snow (4) and W. Turner
S. Akeroyde:
Corinna with innocence beauty and wit
Dorinda since yhour charms decline
W. Aylworth:
In a desert in Greenland
J. Blow:
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Fill me a bowl a mighty bowl

Go perjured man and if thou e'er return
How I have served how just or true
I little thought thou fond ingrateful sin
O love that stronger art than wine
Return fair princess of the blooming year
Since the spring comes on and the teeming earth
When I drink my heart is possessed
R. Courteville:
Long wrestling with an angel's form
A. Damascene:
Strephon was young unused to love
G.B. Draghi:
Must I ever sigh in vain
When I see my Strephon languish
Th. Farmer:
I love and am beloved again
I love but dare not hope to be
In vain I strive against my fate
No being is exempt from love
Phyllis I must needs confess
Under a shade in flowery June
Mr. Gore:
Tell me ye gods why do you prove so cruel
G. Hart:
In te evening's dawn when nymphs and swains
Wine in a morning makes us youtful and gay
J. Hart:
Fair angry nymph this pride is lost
How oft did love assault young Strephon's breast
The sweet Melina's eyes so wounds my heart
Th. Hawney:
Ah Clorinda can't I move you
J. Jackson:
I'll sing of heroes and of kings
R. King:
There is no beauty can compare
M. Locke:
When death shall part us from these kids
A. Marsh:
Come all ye pale lovers that sigh and complain
H. Purcell:
Amidst the shades and cool refreshing streams
Cease anxious world your fruitless pain
Fill the bowl with rosy wine
Hence fond deceiver hence be gone
How sweet is the air and refreshing
In some kind dream upon her slumbers steal
O solitude my sweetest choice
Oft am I by the women told
When first Amintas sued for a kiss
When first my shepherdess and I
J. Reading:
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Brisk claret's the prince and the topper of wines

How lovely's a woman before she's enjoyed
Your gamester provoked by his loss mya forswear
J. Roffey:
Ah Sstrephon that I were but sure
I loved young Phyllis fair and gay
I yield divine Althea see
M. Snow:
Proud Strephon do not think my heart
Some wine boys some wine fill it up
When you have broke that tender loyal heart
Why should Clausa young and fair
W. Turner:
As in those nations where they yet adore
Edition:
106S2 ° Facsimiles of the 1685-1687 editions of the 4 books; intruction by R. Spen-
cer. Music for London Entertainment 1660-1800, volume A1 (hardback) € 112,--
"Thesaurus Musicus", 1693-1696

* = for 2 or 3 voices
Book I
1693-1696 • "Thesaurus Musicus: being a Collection of the Newest Songs performed at
Their Majesties Theatres; and at the Consorts...with a thorow-bass to each
song for the harpsicord, theorbo, or bass-viol. To which is annexed a Collec-
tion of Aires, composed for two flutes, by several Masters. The First Book",
London, J. Heptinstall for J. Hudgebut, 1693
S. Akeroyde:
*Ah friends how happy are we here (SB)
Beauty first the heart inspires
*Fond virgins run into the snare (SB)
That sconrfull Silvia's chaines I wear
*The Queen of Beauty lov'd a swain (pastoral dialogue with chorus)
'Tis pitty Myrtilla you shou'd be a wife
Why wonders beauteous Cloris
J. Barrett:
I wonder what those lovers mean
R. Courteville:
To convent streams or shady groves
Where Phoebus with his kindest look
R. King:
E're Time had run so long a race (Scothc song)
*How long must women wish in vain (SB)
*Jack, wither so fast (catch a3)
To younder sweet delicious shade
*What beastly to drink! that's a jest (SB)
H. Purcell:
*And in each track of Glory (for SB from: The Yorkshire Feast Song Z 333)
*Down with Bacchus (catch a3; Z 247)
Tell me no more, I am deceiv'd (from: The Maid's last prayer Z 601)
Though you make no return (from: The Maid's last prayer Z 601)
N. Staggins:
Tell me thou fairest of all thy whole sex
Th. Tollet:
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_______________
Such command o'er my fate has your ove

anonymous songs:
Fye Jocky never prattle meer so like a loon
Of noble race was Shinking
instrumental works:
14 recorder duets by R. King (7), Keene (3), J. Banister and G. Finger
Edition:
107S2 ° Facsimile of the 1693 edition € 32,50
Book II
• "Thesaurus Musicus: being, a collection of the newest songs performed at their
majesties theatres...with a thorow-bass to each song, for the harpsichord,
theorbo, or bass-viol. to which is annexed a collection of airs, composed for
two flutes, by several masters. The second book", London, J. Heptinstall for
J. Hudgebut, 1694
H. Bowman:
Ancient Phillis has young graces (from: The Double Dealer; without bc)
R. Courteville:
*Lucinda is young and she's witty
J. Eccles:
Young I am and yet unskill'd (from: Love triumphant)
What state of mind can be so blest (from: Love triumphant)
S. Eccles:
Stubborn Church-division (from: The Richmond Heiress)
G. Finger:
Think not sighs or tears can move
H. Hall:
Enchanted by your voice and face
*In vain my fair Sylvia your presence I shun
While, Galathea, you design to gain a conquest
R. King:
Tis love that always strikes the fire
When on her eyes, my happy star I gaze
S. Pack:
That your beauty may be lasting
H. Purcell:
Cinthia frowns when e're I woe her (from: The Double Dealer, Z 592)
How happy's the husband whose wife has been try'd (from: Love triumphant
Z 582)
Leave these useless arts Z 389
Sawney is a bonny lad Z 412
Since from my dear Astrea's sight (from: Dioclesian, Z 627)
Sound a parly yee fair and surrender (from: King Arthur, Z 628)
When first I saw the bright Aurelia's eyes (from: Dioclesian, Z 627)
anonymous song:
I never felt the pangs of love
instrumental works:
13 Recorder duets by J. Banister (boree; minuet), J. Paisible (Paspe; Hornpi-
pe; 3 further duets), R. King (Round O; minuet, gavet),and 4 anonymous
pieces (Round O; Slow air; Trumpet; untitled piece).
Editon:
Book III
• "Thesaurus Musicus: being, a collection of the newest songs...with a thorow-
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
bass to each song, for the harpsicord, theorbo, or bass-viol. To which is

annexed a collection of airs, composed for two flutes, by several masters.
The third book...", London, J. Heptinstall for J. Hudgebut, 1695
R. Courteville:
From Envy and Ambition free
*Phillis we're not griev'd that Nature
Under how hard a fate are women born
J. Eccles:
Appear all your kind misstress to shew (from: The Rape of Europa)
Give then Royal Maid your sorrows o're (from: The Rape of Europa)
Still I'm grieving (from: The Rape of Europa by Jupiter)
Then beautious nymph look from above (from: The Lancashire-Witches)
Thus you may be as happy as we (from: The Lancashire-Witches)
Tormenting passion leave my breast (from: The Lancashire-Witches)
Why, oh! why shou'd the world mistake (from: The Ambitious Slave)
J. Hart:
In this happy smiling shade
*Corinna, we allow you fair
H. Purcell:
*Good neighbour why doe you look awry? (from: The Canterbury Guests;
for 2 wives and 2 husbands; Z 591)
Hear's not my Phillis how the birds Z 371
I sigh'd and own'd my love (from: The Fatal Marriage; Z 595)
Lads and lasses blith and gay (from: Don Quixote; Z 578)
See where repenting Celia lies (from: The Married Beau; Z 603)
Th. d'Urfey:
Waa is me what mun I do (a Scotch song)
anonymous songs:
At London ch've bin
See, see, oh! see Corinna's tears
instrumental pieces:
10 Recorder duets.
Edition:
Book IV
• "Thesaurus Musicus: being, a collection of the newest songs; most of the songs
being within the compass of the flute. With a thorow-bass to each song, for
the harpsichord, theorbo, or bass-viol. composed by most of the ingenious
masters of the town. The fourth book...", London, JK. Heptinstall for J. Hud-
gebut, 1695
R. Coureville:
No more I'le seek relief
J. Eccles:
A nymph and a swain to Apollo once pray'd (from: Love for Love)
A soldier and a saylour, a tinker and a taylour (from: Love for Love)
G. Finger:
While i with wounding grief did look (from: Don Quixote)
Celia whose charms the ev'ry move
Our hearts are touch't with sacred fires
R. King:
Cease, cease, cease fond Amintas
Strephon, why wou'd you deceive me
Tell me why so long you try me
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_______________
*The lazy sun withdraws at last his too afficious light (duet with chorus)
Whilst on Melanissa gazing
S. Pack:
Ask me not to sing, dear creature
F. Piggott:
*The consort of the sprinkling lute
H. Purcell:
Lucinda is bewitchig fair (from: Abdelazer; Z 570)
Pious Celinda goes to prayers Z 410
Two daughters of this aged stream (duet from: King Arthur; Z 628)
W. Turner:
Ah! cruel youth why hast thou took a heart
Th. d'Urfey:
Strike up drowsie gut-scrapers
anonymous songs:
Had Melissa gently sway'd
Hopeless I languish out my days
How happy are the nymphs and swains
Insulting beauty you misspend
*Let the women be gone
None wou'd roughly keep the field
Sawney, let us gang away
(this is the only volume of the series without recorder duets)
Edition:
Book V
• "Thesaurus Musicus: being, a collection of the newest songs; most of the songs
being within the compass of the flute. With a thorow-bass to each song, for
the harpsicord, theorbo, ro bass-viol. To which is annexed a collection of airs
composed for two flutes by several masters. The fifth book...", London, J.
Heptinstall for J. Hudgebut, 1696
J. Eccles:
Full of the God I fell my raging soul (from: The Lovers-Luck)
Let us revel and roar (from: The Lovers-Luck)
G. Finger:
In a dark and lonely den
I promis'd Sylvia to be true (from: Love for Love)
*I tell thee Charmion, cou'd I time retrieve (with chorus)
My suit will be over
Unhappy 'tis that I was born
J.W. Franck:
• Go home unhappy wretch and mourn (form: The Lover's Last-Shift)
R. King:
When Cinthia did by various ways
Why Phillis must your anger try to wrack
D. Purcell:
Tis vain, in vain to fly
What ingratefull Devil move you
H. Purcell:
Britains strike home, revenge (from: Bonduca; Z 574)
Lovely Albina's come ashore Z 574
*To arms, your enseigns straight display (from: Bonduca; Z 574)
"Mr. R.W.":
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_______________
Well Chariesta then said I

W. Williams:
Belinda, change your fickle mind
Unjustly Phillis you accuse your slave
How peacefull the days are
instrumental pieces:
12 Recorder duets: 8 by J. Banister (Simphony -Trumpet minuet/Round O-
Minuet-Minuet-March-(untitled)-Saraband-Minuet), and 4 by J. Paisible: 2
minuets and 2 untitled pieces.
Edition:
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_______________
B. MANUSCRIPTS
I-MAC Collection of Cantatas from the Mozzi-Borgetti Library at Macerata
24 Cantatas compiled between ca. 1650 and 1730 for one and two voices
with bc (for S and bc, if not otherwise indicated).
Nos.20-21 by M. Marazzoli, all others anonymous:
1. Era la notte e'l sonno
2. Son giunto a morte alfin m'uccide
3. Chi prima pugnando comparve (SB and bc)
4. Traditore dov'è l'affetto?
5. Hor che pur hò potuto mover
6. Vi Spezzerete un dì amorose catene
7. Filli mia che mi ferì io non so
8. Voi del sole che piangete la caduta
9. Volgo a morte lieto il piè
10. Non che non basta nò, nò
11. Si direte più cosi occhi belli
12. Languia Filen trafitto doleasi
13. Armati pur d'orgoglio contro di me
14. Quietatevi pensieri non mi affliggete
15. Indarno sperò invano tento con piede
16. Che ti resta ò mio core?
17. Non me lo diere più voglio morire
18. Non ti doler mio core se la beltà
19. Sovra non verde riva al dolce
20. M. Marazzoli: Quante stelle vaghe e belle (SA and bc)
21. M. Marazzoli: Vi spezzerete un dì amorose catene (not the same as no.6)
22. Chi fugge d'Amor gli affanni (SS and bc)
23. A' chi misero more in man
24. State ardendo in vivo foco (SS and bc)
Edition:
112S2 ° Facsimile edition of the manuscript; hardback € 85,--
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
C. COLLECTIONS
113S2 Abraham Cowley's "The Mistress" (1656)
The musical settings of poems from Cowley's "The Mistress; or, several copies
of love-verses", London, Moseley, 1656; included in volume II/1 of his "Collec-
ted Works", ed. Calhoun, Heyworth, King & Sullivan
Alphabetical list of composers and titles:
(all for voice and bc, unless otherwise stated)
1. M. Banfield: Counsel
2. J. Barrett: The Given Heart
3. J. Blow: Love's Ingratitude
4. J. Blundeville: The Despair
5. F. Forcer: Looking on, and discoursing with his mistress
6. W. Hall: Looking on, and discoursing with his mistress
7-8. J. Hart:
7. The Despair
8. All-over, love
9-10. R. King:
9. The Concealment duet
10. The Heart fled again duet
11-24. W. King:
11. All-over, love
12. Clad all in white
13. Counsel (II)
14. Her Name
15. Love's Visibility
16. Love Undiscovered
17. My Fate
18. The Concealment
19. The Distance
20. The Enjoyment
21. The Given Heart
22. The Given Love
23. The Heart-breaking
24. The Monopoly
25. F. Pigott: The Separation
26-30. H. Purcell:
26. Honour (She loves, and she confesses too) Z 413
27. The Concealment (No, to what purpose) with chorus SB Z 468
28. The Rich Rival (They say you're angry) Z 422
29. The Thraldom (I came, I saw, and was undone) Z 375
30. Weeping (See where she sits) TB, 2 violins, bc Z 508
31-58. P. Reggio:
31. All-over, Love
32. Bathing in the River
34. Coldness (bass texted as well)
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_______________
35. Counsel
36. Counsel (II)
37. Her Unbelief
38. Honour
40. My heart is discovered
41. Silence
42. The Bargain
43. The Change
44. The Diet
45. The Discovery
46. The Dissembler
47. The Distance
48. The Enjoyment
49. The Given Love
50. The Heart is fled again
51. The Increase
52. The Innocent Ill
53. The Picture
54. The Separation
55. The Soul
56. The Thief
57. The Tree
58. Weeping
59. W. Turner: Weeping TTB (bc)
60. N. Wootton: The discovery
61. anonymous: Love undiscoverd
• Sources:
a) prints (in chronological order):
1668: W. King: "Poems of Mr. Cowley and others. composed into songs and
ayres with a thorough basse to the theorbo, harpsecon, or base-violl
by W. King...", Oxford, W. Hall for the author, 1668 (11-24)
1680: P. Reggio: "Songs set by Signor Pietro Reggio...", London, (Keble?),
1680 (31-33, 35-58).
1687: "The Theater of Music: or, a choice collection of the newest and best
songs sung at the Court, and publich theaters. The words composed by
the most ingenious wits of the age, and set to music by the greatest mas-
ters in that science. With a thorow-bass to each song for the harpsi-
chord, theorbo, or bass-viol. the fourth and last book", London, printed
by B. Motte for H. Playford, 1687 (3)
1687: "Vinculum Societatis, or the tie of good company. Being a choice collec-
tion of the newest songs now in use. With thorow bass to each song
for the harpsichord, theorbo, or bass-viol. the first book of this charac-
ter", London, printed...for J. Carr and R.C. (5)
1688: "The Banquet of Musick: or a collection of the newest and best songs
sung at Court, and publick theatres, with a thorow-bass ofr the theorbo-
lute, bass-viol, harpsichord, or organ. composed by several of the best
masters. The words by the ingenious wits of this age. The second
book", printed by E. Jones for H. Playford (25)
1693: "Thesaurus Musicus: being a collection of the newest songs performed at
their Majesties theatres...with a thorow-bass to each song for the harp-
sichord, theorbo, or bass-viol...The first book", London, J. Heptinstall
for J. Hudgebut, 1693 (2)
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
1694: "Comes Amoris: or the companion of love. Being a choice collection of
the newest songs now in use. With thorow-bass to each song for the
harpsichord, theorbo, or bass-viol. The fifth book", London, printed by
J. Heptinstall for J. Carr, 1694 (1)
c.1695: R. King: "A Second booke of songs together with a pastorall elegy on
the belssed memory of her late gracious majesty Queen Mary
for one, two ,three & fowr voices, composed by R. King",
London, c.1695 (9, 10)
1698: H. Purcell: "Orpheus Britannicus", volume I, 1698 (26, 29)
(18th century?): "A Song. The words by M.r Cowley and set to musick by
Nic. Wootton"; single song sheet: GB-Mch Halliwell-Philipps
broadside no.1929 (60)
b) manuscripts:
GB-Lbl Add mss.: 19759 (7, 61), 22100 (6, 59), 31440 (34)
GB-Lbl R.M. 20.h.8 (27, 28, 30)
US-Ws W.b.515 (4) € 115,--
Alte Meister des Bel Canto

high voice and pf.; ed. L. Landshoff ; reprint of the 1914 edition
arias from operas and cantatas, canzonas, canzonettas and duets
114S2 Volume I: The 17th century

1. C. Monteverdi: Con che soavità (orig. with 9 instr.; from Madrigals, book 7)
2. F. Caccini: Per la più vaga e bella terrena stellan (from "La liberzione di Rug-
giero dall' isola d' Alcina", 1625)
3. M. da Gagliano: Recit. (O sia quest' aura) & Aria (Dormi Amor) from "La
Flora", 1628; for S and A
4. P. Quagliati: Apre il suo verde seno ogni bel prato ameno (from "Il carro di
fedeltà...con aggiunta di alcune arie...", 1611)
5. R. Rontani: Hor ch'io non seguo più il dispietato Amor (from his "Varie musi-
che...libro quarto, op.8", 1620)
6. D. Mazzochi: Più non sia, che m'innamori (from "Le risonanti sfere da velo-
cissimi ingegni armonicamente raggirate...", Rome, Robletti, 1629)
7. A.M. Abbatini: Quanto è bello il mio diletto (aria from his opera "La comica
del cielo overo La Baltasara", 1668)
8. L. Rossi: Non la volete intendere (cantata from the manuscript in I-Rc)
9. L. Rossi: Se mi toglieria sventura (aria from his opera "Il palazzo incantato")
10. L. Rossi: Che sventura! son tant'anni (cantata from the manuscript in I-Nc)
11. G. Carissimi: Soccorretemi, ch'io moro! (from the manuscript in I-Rvat)
12. G. Carissimi: No, no, non si speri (cantata from the manuscript in I-Rvat)
13. G. Carissimi: Così volete, così sarà! (fragment of a cantata)
14. G. Carissimi: La mia fede altrui giurata (canzonetta from same source as 20)
15. M. Cesti: Rec. (Addio Corindo) & Aria (Vieni, Alidoro) from his opera
"I casti amori d'Orontea", c.1649
16. J. Melani: Sconsigliata Doralba, ove t'aggirsi? (aria from "Girello", 1668)
17. J. Melani: Inconstante Mustafa? (from the same opera)
18. G. Legrenzi: Non mi dir di palesar ( from his "Echi di riverenza", 1678)
19. B. Pasquini: Verdi tronchi, annose piante (aria from the cantata "Erminia in
riva del Giordano", 1682); with obl. violin
20. B. Pasquini: Quanto è folle quell'amante (canzonetta from: "Scelta di canzo-
nette italiane de piu autori...", London, Godbid/Playford, 1679)
21. F. Provenzale: Deh rendetemi, ombre care (aria from his opera "La Stelli-
daura vendicata", 1674
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_______________
22. A. Stradella: Scene (Col mio sangue comprarei; Per pietà, deh torna a me)
from his opera "Il floridoro" or "Il moro per amore", 1695
23. A. Stradella: So ben, che mi saettano (canzonetta from: "Scelta di canzonet-
te italiane de piu autori...", London, Godbid/Playford, 1679)
24. C.A. Lonati: Tu partisti, idolo amato ( canzonetta from same source as 23)
25. N. Matteis: Caro volto pallidetto (canzonetta from the same source as 23-4)
26. A. Scarlatti: Caldo sangue, che bagnando i sen mi vai (aria from his oratorio
"Il Sedecia, Re di Gerusalemme", 1705)
27. A. Scarlatti: Chi vuole innamorarsi, ci deve ben pensar! (canzonetta)
28. G.B. Bononcini: Più non ti voglio credere (aria from his opera "Mario fuggi-
tivo", 1708); with obl. violin
29. G.B. Bononcini: Sol per te s'amai le pene (menuetto for 2 sopranos from
his opera "Erminia", 1719 € 32,--
Volume II: The 18th Century: see corresponding section
115S2 Alte Meister des Bel Canto

alto and pf.; ed. L. Landshoff ; reprint of the 1914 edition
arias from operas and cantatas & canzonas
1. C. Monteverdi: Con che soavità (from "Settimo libro de madrigali", 1619)
2. F. Caccini: Per la più vaga e bella; song from "La liberazione di Ruggiero
dall' isola d'Alcina", 1625
3. G. Carissimi: No, no, non si speri (canzona from I-Rvat Barberina latina 1,
ms. 4168: no.4)
4. F. Provenzale: Deh rendetemi, ombre care (aria from his opera "La Stelli-
daura vendicata"; from the ms in I-Rsc)
5. D. Gabrielli: Bellezza tiranna, languisco per te! (aria from his opera "Clearco
in Negroponte",1685; with obl vla da gamba; ed. from autogr.
I-MOe F.424)
6. A. Caldara: Vaghe luci, è troppo crudo (aria from a solo cantata with obl.
violin, 1712; ed. from the autogrpah I-Bl DD 226)
7. A. Caldara: Mirti, faggi, tronchi e fronde (aria from a solo cantata, 1713;
from the autograph I-Bl DD 226)
8. L. Leo: Se cerca, se dice (aria from his opera "Olimpiade", 1737; from the
ms. In I-MC)
9. G.A. Aldrovandini: Di stella infesta (aria with obl. violin from I-Bl DD 49)
10. anonymous: Amor, fammi goder! (aria with obl cello, 1688; from I-MOe
G.250) € 19,--
116S2 Amor Roma
• "Amor Roma: 12 Roman cantatas from the manuscript in F-Pn (c. 1640; con-
taining more than 200 works) sent as a gift of Mazarin to Cardinal Richelieu;
ed. by S. Stubbs and K. Vazanová
C. Caproli:
Di sue bellezze altera
Frondosi e verdi boschi
G. Carissimi: Piangete aure, piangete
C. Eustachio: Fiumicello che con l'onda
V. Mazzocchi: Sdegno campion audace
O. Michi: Spera mi disse amore
L. Rossi:
A quel dardo
Fanciulla son io
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_______________
La bella più bella

Mio core languisce
Un ferito cavaliero
anonymous: S'io son pazzo eprinting
Arie Antiche
ed. A. Parisotti
100 arias from 17th- and 18th-century operas and cantatas; arr. voice & pf.
117S2 Volume I:
1. G. Carissimi: Vittoria,vittoria mio core (from a cantata in I-MOe G.38)
2. M.A. Cesti: Intorno all'idol mio (from his opera: Orontea, 1649)
3. G. Legrenzi: Che fiero costume (from his opera: Eteocle e Polinice, 1675)
4. G.M. Bononcini: Deh! più a me non v'ascondete (from a ms. in I-Rsc)
5-9. A. Scarlatti:
5. O cessate di piagarmi
6. Se Florindo è fedele
7. Son tutta duolo
8. Spesso vibra per suo gioco
9. Se tu della mia morte
10. A. Vivaldi: Un certo non so che
11. A. Lotti: Pur dicesti, o bocca bella
12-14. A. Caldara:
12. Sebben, crudele (from his opera: La constanza in amor vince l'inganno)
13. Selve amiche (from the same opera)
14. Come raggio di sol
15. D. Scarlatti: Consolati e spera! (chamber aria)
16. G.F. Händel: Affanni del pensier (from his opera: Ottone, 1723)
17. G.F. Händel: Ah, mio cor, schernito sei (from his opera: Alcina, 1735)
18. B. Marcello: Quella fiamma che m'accende (from a cantata)
19. L. Leo: Dal tuo soglio luminoso (duet)
20-22. G.B. Pergolesi:
20. Ogni pena più spietata
21. Sitzzoso, mio stizzoso (from his opera: La serva padrona)
22. Se tu m'ami (by Parisotti!)
23. Chr.W. Gluck: O del mio dolce ardor (from his opera: Elena e Paride)
24. N. Jommelli: Chi vuol comprar (from a cantata)
25. T. Traetta: Ombra cara, amorosa (from his opera: Antigone, 1764)
26. N. Piccinni: Notte, dea del mister' (from his opera: Le faux Lord, 1783)
27. G. Paisiello: Chi vuol la zingarella (from his opera: Gli zingari in fiera, 1789)
28. G. Paisiello: Nel cor più non mi sento (from his opera: La bella molinara)
29. G. Paisiello: Il mio ben quando verrà (from his opera: Nina pazza per amor)
30. J.P.A. Martini (Schwarzendorf): Plaisir d'amour (song) € 34,--
118S2 Volume II:

1. A. Lori ("Arcangelo del leuto"): Dimmi, Amor (cantata, c.1645/)
2. S. de Luca: Non posso disperar
3. A. Falconiero: Vezzosette e care pupillette (from his: 1° Libro di villanelle)
4. R. Rontani: Se bel rio (from his: Le varie musiche, 1614)
5. G. Caccini: Amarilli mia bella (from his: Le nuove musiche, 1601)
6. C. Monteverdi: Lasciatemi morire (19 bars from: Lamento d'Arianna)
7. F. Cavalli: Delizie contente (form his opera: Giasone, 1649)
8. A.F. Tenaglia: E quando ve n'andate, speranze? (doubtful; attributed to C.
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_______________
Caproli in GB-Ouf)
9. A.F. Tenaglia: Quando sarà quel dì? (from ms. in I-Rc)
10. M.A. Cesti: Tu mancavi a tormentarmi (from a cantata)
11. A. Stradella: Ragion sempre addita (from his: Serenata a tre voci)
12. A. Stradella: Se amor m'annoda il piede (from a cantata)
13. F. Manelli (il Fasolo): Cangia, cangia tue voglie (from: Misticanza di vigna
alla Bergamasca)
14-17. A. Scarlatti:
14. Sento nel core (aria from a cantata)
15. Su, venite a consiglio (aria from a cantata)
16. Già il sole dal Gange (aria from a cantata)
17. All'acquisto di gloria (from his opera: Tigrane, 1715)
18-20. G.B. Bassani:
18. Dormi, bella (from his: La Serenata)
19. Posate, dormite (from his: La Serenata)
20. Seguita a piangere (from cantata: L'Amante placata)
21-22. F. Gasparini:
21. Caro laccio, dolce node (from cantata no. 2 in: 12 Cantate op. 1, 1695)
22. Lasciar d'amar ti (from the same cantata)
23. G.B. Bononcini: Per la gloria d'adorarvi (from his opera: Griselda, 1722)
24. D. Sarri: Sen corre l'agnelletta
25-26. F. Durante:
25. Vergin tutt' amor (from his: Cantate spirituali)
26. Danza, danza
27. B. Marcello: Non m'è grave (from a cantata)
28. P.D. Paradies: M'ha preso alla sua ragna
29. G. Giordani: Caro mio ben
30. N. Piccinni: Se il ciel mi divide (from his opera: Alessandro nelle Indie) € 34,--
119S2 Volume III:

1. A. Falconieri: Bella porta di rubini (from his : Il quinto libro delle musiche)
2-4. A. Falconieri: 3 villanelle from his: Il 1° libro di villanelle, 1614:
2. O bellissimi capelli
3. Occhietti amati
4. Segui, segui, dolente core
5. anonymous: O leggiadri occhi belli (from a ms. in I-Fn)
6. R. Rontani: Caldi sospiri (from his: Musiche, 1614)
7-8. G. Caccini: 2 pieces from his: Le nuove musiche, 1614:
7. Tu ch'hai le penne, Amore
8. Amor, ch'attendi?
9. J. Peri: Gioite al canto mio (from his opera: Euridice, 1600)
10. C. Monteverdi: In un fiorito prato (from his opera: Orfeo, 1607)
11. F. Cavalli: Affè, mi fate ridere (from his opera: Serse, 1654)
12. F. Manelli (il Fasolo): Lungi, lungi è amor da me (from: Misticanza, 1627)
13. A.F. Tenaglia: Begli occhi, mercè
14. G. Carissimi: Piangete, ohimè piangete (from a cantata)
15. S. Rosa: Vado ben spesso cangiando loco (Rosa is the poet; P.A. Cesti
is the composer)
16. A. Sartorio: Oh, che umore stravangante (from a ms. in I-Fn)
17. A. Stradella: Se nel ben sempre inconstante (from a cantata)
18. Toglietemi ancor
19. Se delitto è l'adorarti
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_______________
20. F. Gasparini: Augellin vago e canoro (from cantata no. 9 of: 12 Cantate,
op. 1, 1695)
21-22. G.F. Händel:
21. Piangerò la sorte mia (from his opera: Giulio Cesare, 1724)
22. Chi, sprezzando il sommo bene (from his Brockes Passion)
23-26. L. Vinci:
23. Teco, sì, vengo anch'io (from his opera: La caduta die Decemviri, 1727)
24. Sì bella mercede (from his opera: Ermelinda, 1726)
25. Sentirsi dire (from his opera: Semiramide, 1723)
26. Vedovella affitta e sola (from his opera: Ermelinda, 1726)
27. G.B. Pergolesi: Se cerca, se dice (from his opera: Olimpiade, 1735)
28-31. T. Traetta: 4 arias from his opera: "Didone abbandonata, 1757:
28. Dirò che fida sei
29. Dovrei, dovrei, ma no
30. Ah, non lasciarmi, no
31. Ma che vi costa, signor tutore
32-35. D. Cimarosa:
32. Resta in pace, idolo mio (from his opera: Gli Orazi e i Curiazi, 1794)
33. Nel lasciarti, o Prence, amaot (from his opera: L'Olimpiade, 1784)
34. Bel nume che adoro (from his opera: Pigmalione)
35. Quel soave e bel diletto (from his opera: Le astuzie femminili, 1794)
36. N. Dalayrac: Quand le bien-aimé reviendra (from his opera: Nina, ou La
folle par amour, 1786)
37. L. Cherubini: Ahi, che forse ai miei dì (from his opera: Demofoonte, 1788)
38. G. Spontini: Il faut, hélas! bien peu de choise
39-40. F. Blangini:
39. l'Abandon: Il est parti! mon âme se déchire
40. C'est une misère que nos jeunes gens (canzonet) € 36,--
120S2 Canciones a solo y duos del siglo XVII

ed. M. Querol Gavaldá; Musica Barroca Española, vol. 4
with realizations of the bass lines for keyboard
a) solo songs:
1. M. Romero: Romericao florido
2. anonymous: El baxel está en la playa
3. anonymous: Ay qué contento
4. anonymous: Vuestra belleza señora
5. J. Arañes: Dulce desden
6. J. Romero: Ay de quien de amor
7. C. de Borja: Ay silencio apacible
8. anonymous: La ley que esneña a querer
9. anonymous: Vuelve barquilla
10. C. Galán: ya los caballos
11. anonymous: De nubes de una tristeça
12. anonymous: Todo eres contradiciones
13. anonymous: Pajarillo si lloras ausente
14. J. Serqueyra de Lima: Baile del herbolario
15. J. Serqueyra de Lima: Mares, montes, vientos
16. F. Guerau: O nunca tirano amor
17-23. J. Hidalgo:
17. Peinándose estava
18. Esperar, sentir, morir
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19. Ay triste del que a sus rayos

20. Ay que sí, ay que no
21. Ay amor
22. Atiende y da
23. En los floridos páramos
24-26. J. Marín:
24. No puede amor
25. De la sierra morena
26. Ya desengaño mio
27. anonymous: En lamentables tinieblas
28-30. S. Durón:
28. El pícaro de Cupido
29. Dígalo yo que en las alas
30. Abril floreciente
31. J. de Torres: Para qué, son eas flores
32. J. Gaz: Avecilla, si picas
33. M. Ruíz: Oid del amante más fino
b) songs for 2 voices:
34. anonymous: Ay amargas soldades
35. A. Enciso: Ai camaradita
36. Escalada: Cantan dos jilguerillos
37. J. Hidalgo: Dulce ruyseñor
38. M. Patiño: O admirable sacramento
39. anonymous: Ecce enim veritatem
40. G. de la Torre: Oy un retrato a gusto
41. J. Marín: Aquella sierra nevada
42. J. Marín: No sé yo como es
43. J. del Vado: Con amor se paga el amor
Sources:
D-Mbs Cod.hisp. 2: Cancionero de la Sablonara (1)
E-Bbc 738 (7, 8, 15, 18, 26-29, 31, 32, 36, 40)
E-E 55-56 (37) and 72 (38)
E-Mn 3880-1: "Libro de tonos humanos" (10, 16, 17, 19-26, 33, 41-43)
I-Tn R.I-14: Cancionero of Turin (34)
I-Vsm 470 (11, 12, 23)
manuscripts from private collections, also from that of the editor (6, 7, 9, 13,
14, 30, 35, 39)
1608: "Airs de différents autheurs mis en tablature de luth par G. Bataille",
Paris, Ballard (2)
1621: "Affetti Amorosi: canzonette ad una voce sola, poste in musica da diversi
autori per la chitarra a la spagnola, raccolte da G. Stefani, con tre arie
siciliane et due vilanelle spagnole", Venice, A. Vincenti (3, 4)
1624: J. Arañes: "Libro segundo de tonos y villancicos...con la zifra de la
guitarra española a la usanza Romana", Rome (5) € 39,--
121S2 Cinco siglos de canciones españolas (1300-1800)

arr. for voice and piano by J.M. Lamaña; few sources indicated
1. anonymous: Mariam matrem (14th century)

2. anonymous: Ay trista vida corporal (cantiga de la Verge from "El ministerio
de Elche", 14th century)
3. J. Cornago: Que es mi vida, preguntais? (originally a3)
4. anonymous: Pastorcico, non te aduermas (15th entury)
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_______________
5. D. Pisadór: Porque es dama tanto quereros (from his "Libro de musica de

vihuela", 1552
6. J. Vasquez: No me llaméis sega la herba (villancico, originally a4; from his:
"Recopilación de sonetos y villancicos a4-a5", Sevilla, 1560)
7. anonymous: Ay luna que reluces (16th century; Christmas carol)
8. E. de Valderrábano: De donde venis, amore? (villancico from his: "Libro
de musica de vihuela, intitulado Silva de sirenas", 1547
9. anonymous: En esta larga ausencia (17th century)
10. J. del Vado: Molinillo que mueles amores (from E-Mn M.3881/15)
11. A. Literes: Cinfiado jilguerillo (aria from the heroic zarzuela "Acis y
Galatea", Madrid, 1707)
12. M. Plà: Seguidillas religiosas (from the auto sacramental "La lera de
Constantino", 1757)
13. Cancion de cuña from "El Gurrumino", 1762
14. B. de Laserna: El Jilguerillo con pico de oro (from the tonadilla: "Los
amantes chasqueados", Madrid, 1779)
15. L. Palomino: El Canape (cancion picaresca, 1769) € 23,--
Das Musikwerk
Eine Beispielsammlung zur Musikgeschichte; ed. K.G. Fellerer
only works listed here which fall within the limits of this catalogue
110S1 Volume VI: Die Kantate; ed. R. Jakoby
H. Albert: Auf mein Geist voice, violin, bc (from: "Arien, I", 1638)
anonymous: Tra pellegrine piante (aria)
D. Buxtehude: Wie soll ich dich empfangen SSB, 2 violins, bassoon, bc
BuxWV 109
G. Caccini: Arde il mio petto voice, bc (from: "Le nuove musiche", 1601)
G. Caccini: Amarilli mia bella voice, bc (from: "Le nuove musiche", 1601)
A. Caldara: Titano all' inferno: Cessate inique B, bc
N. Clérambault: L'Isle de Délos (Cruelle et rigoureuse) S, 2 flutes/violins, bc
A. Hammerschmidt: Wende dich Herr AB, bc (from: "Dialoghi", 1645)
F.H. Himmel: Ich war dem Tropfen Gegenwart entronnen (cantata)
A. Krieger: Adonis Tod bringt mich in Not S, 2 violins, 2 violas, bc (from:
"Neue Arien", 1667)
G.B. Pergolesi: Orfeo (Nel chiuso centro) soprano, strings, bc
L. Rossi: Io lo vedo S, bc (from manuscript in B-Br)
A. Scarlatti: Lascia deh lascia al fine S, bc
A. Steffani: Occhi, perchè piangete SA, bc (mss. in GB-Lbl and D-Mbs)
L. Viadana: Exaudi me Domine S, bc (from: "Concerti ecclesiastici", 1602)
M. Weckmann: Dialogus: Gegrüsset seist du Holdselige ST, 2 violins, 2 re-
corders, bc (1669; from S-Uu vok.mus. i hdskr. 79) € 39,--
111S1 Volume XII: Das Deutsche Sololied und die Ballade; ed. H.J. Moser:
H. Albert: Der Mensch hat nichts so eigen (from "Arien, II", 1640)
C.Ph.E. Bach: Bitten: Gott deine Güte reicht so weit
J.E. Bach: Der Canarievogel: Philinden ward von ferner Küste
(from: "Sammlung auserlesener Fabeln", Nürnberg, 1749)
C.Chr. Dedekind: O Eitelkeit (from "Aelbianische Musenlust, II", 1657)
Ph.H. Erlebach: Wem geliebet Wein und Bier: Freut ihr Brüder freut euch jetzt
B, 2 vln, bc (from: "Harmonische Freude musikalischer
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
Freunde, I", 1690)

J.W. Franck: Der Tod ist mir ein Weg im Leben: Jesus neigt sein Haupt a2
(from "Geistliche Lieder", Hamburg, 1681)
Chr.W. Gluck: Die frühen Gräber: Willkommen o silberner Mond
(from "Klopstocks Oden und Lieder beym Clavier zu singen", 1790)
J.V. Görner: Die Alster: Beförderer vieler Lustbarkeiten (with 2 horns) (from:
"Sammlung neuer Oden und Lieder, I", Hamburg, 1742)
C.H. Graun: Das Töchterchen - Das Söhnchen: Als mich heut Mama
(form: "Lieder der Deutschen mit Melodien, I", Berlin, 1767)
A. Hammerschmidt: Schlesischer Bauer Gräte: Gorga, mustu denn och klinsaln
high voice, violin, bc (form: "Erster Teil welt. Oden", 1642)
K.F. Hurlebusch: Lob der Unempfindlichkeit: Bemüht euch immer wie ihr wollt
(from: "Gräfes Oden", 1737/40)
C. Kittel: Ein jeglich Ding hat seine Zeit TT, bc (from: "Arien und Cantaten
mit 1, 2, 3 und 4 Stimmen samt bc. Op.1", Dresden, 1638)
A. Krieger: Er ist verwundt durch ihren Mund: Ich bin verwundt in meinem
jungen Herzen (from: "Der Arien viertes Zehn", 1667) SAB, 4 instr., bc)
J.J. Löwe: Das ewig grüne Laub die Pracht der Dichterei: Sollt ich die edle
Kunst nicht lieben (with violins and bass viol) (from: "Salanische
Musenlust", Jena, 1665
H. Nauwach: Ach Liebste lass uns eilen (from: "Teutsche Villanellen a1-a3, I")
Chr.G. Neefe: Hermann und Thusnelda: Ha! dort kommt er mit Schweiss
(from: "Oden von Klopstock mit Melodien", Flensburg, 1779)
J. Prinner: Der Cortesan: Die Lieb will ein Comedi spillen (D-Mbs ms.)
V. Rathgeber: Von Ehr-abschneidischen Zungen: So lassen mir die falschen
Zungen SS, bc (from: "Augsburgisches Tafelkonfekt, I", 1733)
J.F. Reichardt: Johanna Sebus: Der Damm zerreisst
(from: "Lieder, Oden und Balladen von Goethe", 1809)
Chr.F.D. Schubart: Die Henne: Es war einmal ne Henne fein
(from "Musicalische Rhapsodien, I", Stuttgart, 1786)
J.P.A. Schulz: Ein Lied in die Haushaltung zu singen: Wir ziehn nun unsern Zahn
(from: "Lieder im Volkston..., III", 1790)
H. Schütz: Danklied an Herzog Wilhelm von Weimar: Fürstliche Gnade zu
Wasser und Lande (with 2 violins)
Th. Selle: Ade du edles Mündlein rot (from "Deliciarum juvenilium decas har-
monica bivocalis", 1634) with violin
F. von Spee: Im grünen Wald ich neulich sass
Sperontes: Das böse Mannsvolk: Das Mannsvolk wird doch täglich schlimmer
(from: "Singende Muse an der Pleisse, II", 1742)
G. Voigtländer: Weibernehmen ist kein Pferdekauf: Junggesel will tu freien
(form: "Allerhand Oden und Lieder", Söhrau, 1642)
C.M. von Weber: Unbefangenheit: Frage mich immer op. 30, no. 3
K.F. Zelter: Berglied: Am Abgrund leitet der schwindliche Steg (after 1810 ed.);
Der König von Thule: Es war ein König in Thule (both: B, pf)
J.R. Zumsteeg: Ritter Toggenburg: Ritter treue Schwesterliebe € 34,--
122S2 XIII. Das ausserdeutsche Sololied; ed. F. Noske

for voice and lute (vihuela), bc or pf
1. B. Tromboncino: Ben ch'amor mi faccia torto

(from Bossinensis: "Tenori e contrabassi intabulati...I", Venice, 1509
2. C. de Sermisy: Tant que vivray en sage florissant
(from: P. Attaingnant: "Très breve et familiare introduction", Paris, 1529)
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
3. J. Clemens non Papa: Aymer est ma vie

(from "Horti musarum secunda pars", Leuven, Phalèse, 1555)
4. D. Pisador: Gentil cavallero dadme agora un beso
(from his "Libro de musica de vihuela", Salamanca, 1552)
5. J. Dowland: I saw my lady weep
(from his"The second booke of songs...", London, 1600)
6. Th. Campian: It fell on a summers day
(from Ph. Rosseter's "A booke of ayres", London, 1601)
7. A. Boësset: Je vouldrois bien, ô Cloris que j'adore
(from "Airs de differens autheurs mis en tabl. de luth...6me livre", 1615)
8. S. d'India: Forse vien fuor l'aurora
(from his "Le musiche...da cantar solo...", Milan, 1609)
9. C. Huygens: Quel neo, quel vago meo
(from his "Pathodia sacra et profana", Paris, Ballard, 1647
10. H. Lawes: O let me groan
(from GB-Lbl Add. 53723)
11. J. Wilson: Languish and dispair, my heart
(from GB-Ob mus. B.1)
12. J. Blow: Arms, arms, arms, he delights in (for bass)
(from his "Amphion Anglicus", 1700)
13. M. Lambert: Que faites vous, Silvie
(from F-Pn Rés. 584)
14. Du Buisson: Plainte sur la mort de mr. Lambert: Ô mort, affreuse môrt!
(from "IXme Livre d'airs sérieux et à boire de mr. Du Buisson", 1696)
15. anonymous: La bergère que je sers (brunette)
(from "Brunetes ou petits airs tendres...Tome premier", Paris, 1703)
16. J.-B. de Bousset: Je ne refuse point d'aimer (air à boire)
(from his "XIme livre d'airs sérieux et à boire", Paris, Ballard, 1697)
17. S. van Konink: In het gjaasjen of myn Tryntjen
(from his "Hollandsche minne- en drinkliederen", Amsterdam, Mortier)
18. W. de Fesch: Tu fai la superbetta, Dorilla
(from his "Canzonette ed arie a voce di soprano", Amsterdam, Witvogel
19. L. Granom: The morning air: Would you taste the morning air
(from his "XII New songs and ballads...opera quarta", London, c.1752)
20. J.-J. Rousseau: Echo: Une nymphe était sitant belle
(from his "Les consolations des misères de ma vie", Paris, n.d.)
for voice and obligato keyboard:
21. L.-E. Jadin: La mort de Werther: Seul au milieu de la Nature
(from "Premier recueil de 6 romances de différents auteurs", Paris, 1796)
22. E. Méhul: Ode anacréontique
(from "Odes d'Anacréon trad. en fr., avec le texte grec...(par J.-B. Gail"
Paris, (P. Didot), 1798) € 28,--
146R3 Volume XXX: Die Improvisation; ed. E.T. Ferrand
anonymous: Domine refugium (plainchant); Ad annuntiandum (plainchant)

anonymous: Ubi caritas et amor (a2; 15th c.; from US-Wc ML 171.J.6)
anonymous: Virgene benedecta (song of praise; 15th c.)
anonymous: Domine miserere (16th c.; ambrosian)
anonymous: Lasciar il velo (madrigal)
anonymous: Arietta (c.1700)
G. Binchois: Veni creator a2 + fauxbourdon
A. de Boesset: N'esperez plus (air de cour for voice and lute; diminutions in
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
Mersenne's "Harmonie Universelle", 1636: p.411-413)

G.B. Bononcini: Sempre piango (chamber duet; with ornamention by C.A.
Benati from manuscript in I-Bc)
Th. Brewer: O that mine eyes could melt into a flood (declamatory style; orna-
mentation from GB-Lbl Add. 11608)
S. Calvisius: canons on a chorale melody (from his treatise "Melopoeia", 1592)
I. Chamaterò: Introit: Puer natus (from his: "Li introiti fondati sopra il canto
fermo del basso...a4-a6...commodi a cantari a misura breve ed
anco alla ordinaria", Venice, 1574)
I. Donati: O admirabile commercium (solo motet from his "Il secondo libro
de motetti a una voce e bc, op. 14", Veniec, 1636)
F. Durante: Son io (chamber duet for SA, bc; from "XII Duetti da camera":
GB-Lbl Add. 31552; as arranged for SS, bc and with
ornamentation by G. Masi in 1776: "Duetti per studio di
maniera di cantare e per essercizio di accompagnare al
cemabalo", in I-Rc and GB-Lcm)
H. Finck: Te maneat semper
J.A. Hiller: Vom Dienst der Creatur (aria)
P. Hofhaimer: Nach willen dein SATB
T. Michael: Psalm 18 (from "Musicalischer Seelen-Lust ander Theil", 1637)
C. de Rore: Signor mio caro a4 (with ornamentation from G. Bassano's:
"Ricercate passaggi et cadentie, per potersi essercitar ne diminuir",
Venice, 1585) € 39,--
123S2 Early Master of the Stile Nuovo in Austria

ed. in score by O. Wessely; DTÖ 125;
ed. of the texts and literary remarks (in German) by E. Kanduth
A. Bartolomeo Mutis, count of Cesena:

• from his "Musiche a una, doi et tre voci per cantare et sonare con chitaroni,
overo con altri istromenti di corpo...", Venice, heirs of A. Gardano, 1613:
1. Non mi conosci tu S, bc
2. La misera farfalla S, bc
3. Geloso cagnoletto SS, bc
4. Press' un fiume SS, bc
5. Aminta tu SS, bc
6. Pargoletta è colei SS, bc
7. O come sei gentile SS, bc
8. Care selve beate SS, bc
9. Chi nutrisce SST, bc
10. Dolcissimo sospiro ATB, bc
11. Quasi canuot cigno ATB, bc
12. Vorrei baciarti o Fille ATB, bc
13, Ah dolente partita SAB, bc
B. Francesco Degli Atti:
• from B. Mutis: "Musiche a una, doi e tre voci per cantare et sonare con chita-
roni, overo con altri istromenti di corpo", Venice, heirs of A. Gardano, 1613:
14. Non è, non è di gentil core S, bc
C. Giovanni Valentini:
• from his: "Musiche a doi voci...Novamente composte, & date in luce...",
Venice, A. Vincenti, 1622:
15. Ti lascio, anima mia SS, bc
16. Vanne o carta amorosa SS, bc
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
17. Piansi lunga stagione SS, violin, bc

18. Bella Clori non fuggire SS, violin, bc
19. Amarillide mia crulde SS, bc
20. Poiché la cruda e fera SS, violin, bc
21.Non vuoi ch'io t'ami SS, bc
22. Col guado altero SS, violin, bc
23. Beviam tutti SS, bc
24. Oimè, son morta SB, 2 flautini, bc & choir: SSATBB € 85,--
124S2 English Songs, 1626-1660; ed. I. Spink
English Songs, 1625-1660 , transcribed and edited by Ian Spink (2nd, revised
edition); Musica Britannica, volume 33
117 solo songs and 7 dialogues
1-11. N. Lanier:
1. Weep no more my wearied eyes
2. Fire! fire! Lo here I burn
3a-b. Silly heart forbear
4. No more shall meads be deck'd with flow'rs
5. Mark how the blushful morn
6. Love and I of late did part
7. Like hermit poor in pensive place obscure
8. Neither sighs, nor tears, nor mourning
9. Stay, silly heart, and do not break
10. Nor com'st thou yet, my slothful love
11. Tell me, shepherd, dost thou love? (dialogue)
12-15. R. Ramsey:
12. What tears, dear Prince, can serve
13. Go perjur'd man! and if you e'er return
14. Thou may'st be proud
15. Howl not, you ghosts and furies, while I sing (dialogue)
16. A. (?) Bales: Chloris sigh'd, and sang, and wept
17. S. Mace: Weep no more, nor sigh, nor groan
18-19. J. Jenkins:
18. Cease not, thou heav'nly-voiced glorious creature
19. Why sigh'st thou, shepherd! (dialogue)
20-32. J. Wilson:
20a-b. Wherefore peep'st thou, envious day
21. Take, o take those lips away
22. In a maiden time profess'd
23. Languish and despair, my haert!
24. Turn, turn thy beauteous face away
25. Pity of beauty in distress
26. As tuned harp strings sad notes take
27. Since love hath in thine and mine eyes
28. Awake awake! The morn will never rise
29. In the merry month of May
30. Thou great and good! Could I but rate
31. From the fair Lavinian shore
32. In a season all oppressed
33-60. H. Lawes:
33. I rise and grieve
34. Speak, speak, at last reply
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35. Or you, or I, nature did wrong

36. Hard-hearted fair, if thou wilt not consent
37. Sweet stay awhile; why do you rise?
38. Break heart in twain! Fair Ronile may see
39. Transcendent beauty, thou that art
40. O let me groan one word into thine ear
41. Slide soft you silver floods
42. Out upon it, I have lov'd
43. Come from the dungeon to the throne
44. Come my sweet while ev'ry strain
45. Now the sun is fled
46. Thou, o bright sun, who see'st all
47. Wert thou yet fairer than thou art
48. Whither are all her false oaths blown?
49. 'Tis but a frown, I prithee let me die
50. No, no, fair heretic, it cannot be
51. Will you know my mistress' face?
52. Sleep soft, you cold clay cinders that late clad
53. Bid me but live, and I will live
54. Go thou gentle whisp'ring wind
55. When thou, poor excommunicate
56. Have you e'er seen the morning sun
57. O tell me love! o tell me fate!
58. Beauty and love once fell at odds
59. O turn away those cruel eyes
60. As Celia rested in the shade
61-67. J. Hilton:
62. Wilt thou forgive the sin where I begun
63. Am I despis'd because you say
64. Hang golden sleep upon her eyelids fair
65. If that I for thy sweet sake
66. You meaner beauties of the night
67. Rise, princely shepherd, and be arbiter
68-74. Ch. Coleman:
68. Wake my Adonis, do not die
69. Bright Aurelia, I do owe
70. Wilt thou be gone, thou heartless man
71. Change, Platonics, change for shame
72. How am I chang'd from what I was
73. When Celia I intend to flatter you
74. Did not you once, Lucinda, vow (dialogue)
75-77. S. Ives:
75. Will Chloris cast her sun-bright eyes
76. Go bid the swan in silence die
77. Shepherd well met, I prithee tell (dialogue)
78-86. W. Lawes:
78. Why should great beauty virtuous fame desire
79. Why so pale and wan, fond lover?
80. No, no, fair heretic, it needs must be
81. To whom shall I complain, to men or gods?
82. Pleasures, beauty, youth attend ye
83. Faith, be no longer coy
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_______________
84a-b. Gather ye rosebuds while ye may

85. Come Adonis, come away
86. Charon, o Charon! Hear a wretch oppress'd (dialogue)
87-92. W. Webb:
87a-b. As life what is so sweet
88. Go and bestride the southern wind
89. Pow'rful Morpheus, lwet thy charm
90. Victorious beauty, though your eyes
91. Since 'tis my fate to be thy slave
92. Look back Castara from thine eye
93-95. W. Caesar (alias Smegergill):
93. Blow gently passion in my fair one's breast
94. If any live that fain would prove
95. Forbear fond swain, I cannot love (dialogue)
96-98. G. Jeffreys:
96. Drowsy Phoebus, come away (dialogue)
97. Have pity, grief, I cannot pay
98. Cruel! but once again
99-102. J. Atkins:
100. This lady ripe and fair and fresh
101. When the chill Cherocco blows
102. I can love for an hour when I'm at leisure
103-104. Th. Brewer:
103. Mistake me not, I am as cold as hot
104. O that mine eyes could melt into a flood
105. Th. Blagrave: What means this strangeness now of late?
106-107. J. Taylor:
106. Telle me not that I die, or live by thee
107. Lay that sullen garland by thee
108. Th. Charles: Why will you swear I am forsworn
109. J. Savile: I will not trust thy tempting graces
110-111. E. Coleman:
110. Why, dearest, should you weep
111. The glories of our birth and state
112-113. J. Goodgroome:
112. Fret on, fond Cupid, curse thy feeble now
113. Dost see how unregarded now
114. Lady Mary Dering: In vain, fair Chloris, you design
115. R. Smith: He that did ever scorn love's might
116. J. Cave: Now Whitehall's in a grave
117. J. Gamble: The morning doth waste
118. R. Hill: Admit, thou darling of mine eyes
119. A. Marsh: Ah Chloris! would the gods allow
120-124. anonymous songs:
120. Must your fair inflaming eye
121. If, when I die, to hell's eternal shade
123. Sing aloud harmonious spheres
124. Go thy ways since thou wilt go
Appendix: synoptic text of variant versions of Lanier's "Like hermit poor".
SOURCES:
a) manuscripts:
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_______________
F-Pn Rés. 2489 (77)

GB-Cfm 52.D.25: John Bull ms. (1, 117)
GB-Eu D.c.1.69: E. Lowe ms. (20, 76)
GB-Eu La.III.483
GB-Gu Anderson R.d.58-61 (113)
GB-Lbl Add. 10337 (2)
GB-Lbl Add. 10338: G. Jeffrey's autograph (96-98)
GB-Lbl Add. 11608 (3, 5, 6, 11, 65-68, 70-75, 85, 86, 88, 94, 103-105)
GB-Lbl Add. 14939 (10)
GB-Lbl Add. 29396 (27, 58, 102, 107)
GB-Lbl Add. 29481 (87)
GB-Lbl Add. 31432: W. Lawes' autograph songbook (78, 81-84)
GB-Lbl Add. 53723: H. Lawes' autograph songbook (33-42, 44, 47-54, 58)
GB-Lbl Add. 56279 (1, 7)
GB-Lbl Egerton 2013 (3, 61-64)
GB-Llp 1041 (1041 (3, 69, 111, 112, 123, 124)
GB-Ob mus. b.1 (20-30)
GB-Ob mus. Don.c.57 (12-15, 17, 18, 20, 93, 95, 122)
GB-Ob mus.sch. f.575 (121)
GB-Och mus. 87 (87)
IRL-Dtc F.5.13 (120)
US-LAuc C.6967.M.4 (16, 84)
US-NH Filmer A.16.a-c (11)
US-NYp Drexel 4041 (43, 45, 46, 79, 80, 84, 99-101)
US-NYp Drexel 4175: Anne Twice her booke (16, 20)
US-NYp Drexel 4257: John Gamble book (7, 87, 89-92, 102, 116)
b) prints:
1652: "Select musicall ayres and dialogues...", London, J. Playford (8)
1653: "Select musicall ayres and dialogues...", London, J. Playford (109-110)
1653: H. Lawes: "Ayres and dialogues", London, J. Playford (55, 60)
1655: H. Lawes: "Second book of ayrs and dialogues", J. Playford (59, 114)
1656: J. Gamble: "Ayres and dialogues", London, J. Playford (117)
1658: H. Lawes: "Ayres and dialogues. The 3rd book", J. Playford (56, 57)
1659: "Select ayres and dialogues", London, J. Playford
1660: J. Wilson: "Cheerfull ayres...", London (20, 31, 32)
1669: "Select ayres and dialogues...", London, J. Playford (4, 9, 19, 118, 119)
1683: "Choice ayres and songs...", London, J. Playford (10) € 169,--
Selection, issued separately:
125S2 ° "Cavalier Songs":
nos. 5, 9, 20, 21, 27, 32, 37, 42, 50, 51, 53, 62, 75, 83 and 91 € 13,--
La Flora
ed. in 3 volumes by K. Jeppesen
(each volume gives the music roughly in chronological order):
126S2 Volume I:
1.C. Monteverdi: prologue by La Musica from "L'Orfeo" (1609)
2-6. G. Caccini: from: "Le nuove musiche", 1601:
2. Udite amanti
3. Fere selvaggie
4. Occh' immortali
5. Deh, dove son fuggiti
6. Amarilli mia bella
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7.M. da Gagliano: from "Musiche a 1, 2 e 3 voci", 1615: Valli profonde

8.V. Calestani: from "Madrigali per sonare et cantare...a 1 e 2 voci...parto pri-
mo", 1617: Accorta lusinghiera
9.G. Frescobaldi: from "Primo libro d'arie musicali", 1630: Se l'aura spira
10.F. Cavalli: Son ancor pargoletta (from "Arie de diversi raccolte da A. Vin-
centi...", 1634
11.Ch. Busatti: from "Arie a voce sola", 1638: Dite ch'io canti
12-17. G. Carissimi:
12. Vittorai, vittoria! (I-MOe G.38)
13. Fuggite, fuggite! (end of cantata: Penosa rimembranza; I-MOe G.38)
14. Sventura, cuor mio (I-MOe G.44)
15. Come seti importuni (I-MOe G.33)
16. Ma no, non fuggir (end of cantata: Fuggi, o mio core; I-Fc B.2558)
17. Non posso vivere (F-Pc H.659 V)
18-21. A. Stradella:
18. Ombre, voi che celate (I-Vnm Ital.IV.463; DK-Kk C I c 463)
19. Così, Amor, mi fai languir (I-Vnm Ital.IV.466; DK-Kk C I c 530)
20. Se nel ben (GB-Lbl Harley 1273)
21. A Porfiria vecchiarella (I-MOe F.1135; from his opera "Orazio")
22. B. Pasquini: Bella bocca (GB-Lbl Harley 1273)
23. C. Pietragrua: Tortorella (GB-Lbl Harlye 1273)
24-26. L. Manzia:
24. Toglietemi, pietosi (I-MOe G.116; DK-Kk C I c 362)
25. Voglio farti dire il vero (I-Rc 2473; F-Pn Rés. 2097)
26. Son povera donzella (I-Rc 2473)
27-28. G. Buzzoleni:
27. Volgimi, o cara Filli (beginning of cantata: Supplica amorosa; DK-Kk
C I c 510)
28. Sì che morte (from cantata: Lontananza; DK-Kk C I c 510)
29. Pensieri (I-Vnm Ital.IV.467; DK-Kk C I c 510)
30. Bellezza che s'ama (same source as no. 29)
31. Toglietemi la vita ancor (same source as no. 29)
32. Cara e dolce (same source as no. 29)
33. O, cessate di piagarmi (same source as no. 29)
34. O dolcissima speranza (same source as no. 29)
35. Difesa non ha (same source as no. 29)
36. La speranza (same source as no. 29)
37-40. N. Porpora:
37. So ben che la speranza (aria from cantata: "Tirsi chiamarea nome;
DK-Kk C I c 485; GB-Lbl D.359)
38. Sei mio ben (from cantata: Questo che miri, o Nice; same source as 37)
39. Poscia quando il pastor (from cantata: Veggo la selva; same source as 37)
40. Non più fra sassi (from cantata: Già la notte; same source as no. 37)
41. Lascia, ch'io piango (from his opera: Rinaldo)
42. Ombra mai fù (from his opera: Serse)
43. Verdi prati (from his opera: Alcina)
44. Di tacere e di schernirmi (from his opera: Serse)
45. Parolette, vezzi e sguardi (from his opera: Rinaldo) € 59,--
127S2 Volume II:

1.R. Rontani: O Primavera (from his "Le varie musiche a 1.2 e 3 voci per canta-
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_______________
re nel clavicembalo et chitarrone. Libro primo...", Firenze, Pignoni, 1614

2-4. J. Peri: 3 pieces from his "Le varie musiche a 1, 2 e 3 voci", 1609:
2. Al fonte, al prato
3. Un dì soletto
3. O miei giorni fugaci
5. C. Monteverdi: Lamento d'Arianna (from I-Fn ms. Cl. XIX 114)
6. anonymous (Monteverdi?): Occhi, fonti del core (from the same ms. as no.5)
7. R. Rontani: Caldi sospiri (same source as no. 1)
8. M. da Gagliano: Mie speranze (from his "Musiche a 1, 2 e 3 voci", Venice,
Amadino, 1615)
9. F. Vitali: O bei lumi (from his "Musiche a 1 e 2 voci...Libro secondo", Rome,
Robletti, 1618
10. A. Falconiero: Donn' ingrata (from his "Il quinto libro delle musiche a 1, 2 e
3 voci...", Firenze, Pignoni, 1619
11. G.B. da Gagliano: Pupille arciere (from his "Varie musiche...Libro primo",
Venice, Vincenti, 1623
12. M. Pesenti: Così Nilio cantò (from his "Arie a voce sola...Libro sencondo",
13. M. Pesenti: O biondetta lascivetta (from his "Arie a voce sola...Libro terzo",
14. G.P. Berti: Dove sei gita (from "Arie de diversi raccolte da A. Vincenti...con
le lettere dell'alfabetto per la chitarra", Venice, Vincenti, 1634
15. G. Biancosi: Ben ch'in me giri (from same source as no. 14)
16. G.F. Sances: Pietosi, allontanatevi (from his "Il quarto libro delle cantate et
arie a voce sola...", Venice, Vincenti, 1636
17-19. Ch. Busatti: 3 works from his "Arie a voce sola", Venice, Vincenti,1638:
17. Puppillette
18. Morto son io
19. È tornato il mio ben
20-21. B. Strozzi: 2 arias from her "Cantate, ariette e duetti...Opera 2", 1651:
20. Spesso per entro al petto (La Fanciuletta Semplice)
21. Soccorete, luci avare (La Travagliata)
22. A. Melani: Vezzosa Aurora (I-Fl ms. Ashb. 1452)
23. B. Pasquini: So ben s'io peno (I-Vmn Ital.IV.467; DK-Kk ms. C.I.c. 510)
24. G. Buzzoleni: Non fuggirai (aria from his cantata: Sogno; DK-Kk ms. C.I.c.
362).
25. F.M. Zaneti: Avezzati, mio core (aria from a cantata; same source as no.24)
26. anonymous: Amar il caro bene (from same source as no. 24; also from:
I-MOe G.288)
27. A. Scarlatti: Io dissi (from ms. in S-Skma
28. A. ScarlattiL La tua gradita fé (same source as no. 27))
29-32. G.A. Perti:
29. Scioglie omai le neve (I-Fl Ashb.1452)
30. Mai non intesi (I-Rc 2473)
31. Mi fa vezzi (I-Rc 2473; F-Pn Rés. 2097)
32. Sperar io non dovrie (same sources as no. 31)
33. T. Albinoni: Ruscelletto limpidetto (I-Fc D.772)
34. F. Mancini: Son prigioniero (from ms. in S-Skma)
35. E. d'Astorga: In questo core (from ms. in S-Skma)
36. E. d'Astorga: Fiore ingrato (from same source as no. 35)
37-39. N. Porpora: arias from 2 mss.(DK-Kk C.I.c.485, and GB-Lbl D.359):
37. Senza il misero piacer (aria form cantata: Or che una nube)
38. Contemplar almen (from the same cantata)
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_______________
39. Ne' campi e nelle selve (from cantata: Destatevi)

40-45. G.F. Händel: 6 arias from the autograph GB-Lbl R.M. 20.c.7:
40-44. from his opera: Serse:
40. Nè men con l'ombre
41. Quella che tutta fè
42. Voi mi dite
43. Cara voi siete
44. Non so se sia la speme
45. Il Tartaro ama Asteria (from his opera: Tamerlano) € 59,--
128S2 Volume III:

a) solos:
1-4. G. Caccini from "Nuove musiche e nuva maniera di scriverle...", 1614:
1. O, che felice giorno
2. Amor, ch'attendi
3. Aur' amorosoa
5. R. Rontani: Care mie selve (from "Le varie musiche di R. Rontani...libro pri-
mo", 1614)
6. A. Cifra: La violetta (from "Li diversi Scherzi...libro quarto", 1615)
7-9. A. Falconiero: from his "Libro primo di vilanelle...", 1616:
7. Bella fanciulla
8. Occhietti amati
9. Bella porta di rubini
10. V. Calestani: from "Madrigali et arie per sonare et cantare...", 1617:
Ferma, Dorinda mia
11. F. Vitali: from "Musiche a 1 e 2 voci...libro secondo", 1618: Pastorella
12-14. F. Cavalli:
12. Vaghe stella (from his opera: Erismena)
13. Speranze (from his opera: Erismena)
14. Sospiri di foco (from his opera: Elena rapita da Teseo)
15-16. A. Vivaldi:
15. beginning of cantata: Piango, gemo (I-Fc D.772)
16. O di tua man (from cantata: Ingrata; I-Fc. D.772)
17-19. B. Marcello: from his "Estro poetico-armonico":
17. O, Signor, chi sarà
18. Le pecorelle
19. Che inviolabile
20. Dammi pace (from his opera: Tamerlano)
21. Deh! lasciatemi (from his opera: Tamerlano)
22. Figlia mia, non pianger (from his opera: Tamerlano)
23. Scorta rea (from his opera: Rinaldo)
24. Sorge nel petto (from his opera: Rinaldo)
25. Ama, sospira (from his opera: Rinaldo)
26. Un momento di contenta (from his opera: Alcina)
b) duets:
27-28. C. Monteverdi:
27. Ahi, sciocco mondo (from 7th book of madrigals)
28. Interrotte speranze (from 7th book of madrigals)
29-31. M. da Gagliano: from "Musiche a 1 e 2 voci...", 1615:
29. In un limpido rio
30. Fanciulletta ritresetta
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_______________
31. Alma mia, dove ten' vai

32. A. Cifra: Del mio Sol (source as no.6)
33. F. Vitali: S'el Sol si scosta (source as no.11)
34. G. da Gagliano: Se tu sei bella (from "Varie musiche...Libro primo", 1623)
35. G. Frescobaldi: Begli occhi (from "Primo libro d'arie musicali...", 1630)
36. G.F. Sances: Chi nel regno almo d'Amore (from "Il quarto libro delle canta-
te et arie a voce sola", 1636
37-38. F. Cavalli:
37. O, mio core (from his opera: Giasone)
38. Mio diletto (from his opera: Elena rapita da Teseo)
39. G. Carissimi: Rimani in pace (from I-MOe G.26,3)
40. nonymous: beginning of cantata: Soccorretemi per pietà (I-Rc 2463)
41. G.P. Colonna: Parto, o bella (DK-Kk C I c 362)
42. anonymous: Sì, sì, mio cor (source as no.41)
43-44. F. Durante:
43. Fiero, acerbo destin (DK-Kk C I c 395)
44. Son io, barbara donna (same source as no. 43)
45. G.F. Handel: Ingannata Romilda (from his opera: Serse) € 59,--
100R7 Music of Scotland, 1500-1700

ed. in score by K. Elliott; song-texts ed. by H.M. Shire; 3rd rev. ed; 1975
A. Latin Church Music:

1. anonymous: Mass a3
2. anonymous: Mass Rex virginum a4
3. R. Carver: Mass L'homme armé a4
4. anonymous: Mass Felix namque a6
5. R. Carver: O bone Jesu a19
6. anonymous: Descendi in hortum meum a4
7. R. Johnson: Deus miseratur nostri (ps.67) a4
8. D. Peebles / F. Heagy: Si quis diligit me a4-a5
B. Music for the Reformed Church:
10. A. Blackhall: Blessed art thou (ps.128) a5
11. A. Blackhall: Judge and revenge my cause (0s.43) a5
12. A. Kemp: Te Deum (We praise thee, o God) a4
13. J. Angus: Our Father, whiche in Heaven art (The Lord's Prayer) a4
14. J. Angus: All my belief (The xii Articles of the Christian Fayth) a4
15-17. D. Peebles: 3 settings of psalm 1: The man is blest a4
18-19. D. Peebles: 2 settings of psalm 18: O God, my strength and fortitude a4
20. A. Blackhall?: O God, my strength and fortitude a4
21. D. Peebles: Ye children, which do serve the Lord (ps.113) a4
22. A. Kemp: Ye children, which do serve the Lord (ps.113) a4
23. anonymous: Ye children, which do serve the Lord (ps.113) a4
24. anonymous: Psalm 6 in Reports a4
25. D. Peebles: Psalm 124: Now Israel may say a4
26. A. Kemp: Psalm 124: Now Israel may say a4
27. anonymous: Psalm 124: Now Israel may say a4
C. Songs:
a) unaccompanied:
28. The gowans are gay
29. In a garden so green
b) accompanied by instruments:
30. anonymous: My heartly service (The Pleugh Song) TT, bass
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_______________
31. (P. Cadéac): Our father God celestrial S and viols (TrTB)
32. (R.) Johnson: Come palefaced death S and viols (TrTB)
33. anonymous: Woe worth the tyme S and viols (ATB)
c) for 3 or 4 voices:
34. anonymous: Alas that same sueit face STB
35. anonymous: O lusty May SATB
36. anonymous: All sons of Adam: the Christmas medley ATB or TTB
37. J. Fethy: O God abufe ATTB
38. J. Fethy?: The time of youth SATB
39. anonymous: Support your servand SATB
40. anonymous: Richt soir opprest SATB
41. anonymous: O mortal man SATB
42. anonymous: Departe, departe: The lament of the Maister of Erskyn SATB
43. anonymous: How suld my febill body fure? SATB
44. (R.) Johnson: Defiled is my name SATB
45. anonymous: Absent I am SATB
46. anonymous: Remember me, my deir SATB
47. anonymous: The flaming fire SATB
48. anonymous: Nou let us sing SATB
49. A. Blackhall: Adeu, o desie of delyt SATB
50. anonymous: Before the Greeks durst enterpryse SATB
51. anonymous: My bailful briest SATB
52. anonymous: No wonder is suppose SATB
53. anonymous: In throu the windoes of myn ees SATB
54. La Grotte (set by?): Lyk as the dum Solsequium SATB
55. anonymous: Evin dead behold I breathe SATB
56. anonymous: What mightie motion SATB
d) accompanied by lute or harpsichord:
57. anonymous: Come my Children dere
58. anonymous: Since that my siches
59. anonymous: Joy to the person of my love
60. anonymous: Care away go thou from me
61. anonymous: Where art thou, hope?
62. anonymous: Doune in yone gardeine (Christ in Gethsemane)
63. A. Melvill?: Let not, I say, the sluggish sleep
64. anonymous: Come love, let's walk
65. anonymous: Walking I chanc'd into a shade
66. anonymous: When chill cold age
67. anonymous: Begone, sweit night
68. anonymous: Then wilt thou goe
69. anonymous: Balulalow (Ane sang of the birth of Christ)
70. anonymous: Yee Gods of Love
71. anonymous, set by mr. Beck: Hollow my Fancie
72. anonymous, set by mr. Beck: O're Hill, 're Mountains (Fancy free)
73. anonymous: One yeir begins (Lady Lothian's Lilt) without accompaniment
D. Instrumental Music:
74. anonymous: Ane Exempill of Tripla a4
75. (R.) Johnson: In Nomine a5
76. anonymous: Prince Edward's Paven a4
77. anonymous: The Queine of Ingland's Paven a4
78. anonymous: Paven a4
79. (Galliard) a4
80. (J. Black): Lytill Blak a3
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_______________
81. J. Black?: Ane lessone upon the First Psalme a4

82. J. Black?: Ane lesson upon the Secund Psalme a4
83. J. Lauder: My Lord of Marche Paven a4
84. anonymous: Ane Ground a3
85. (Wilson?): Wilson's Fantasie a4
Musical Sources:
GB-Cfm: The Tolquhon cantus partbook, 1611 (1, 31, 39, 40, 53, 55, 80)
GB-DU Wighton collection (59)
GB-En 5448: Lady Anne Ker's music book (41, 55, 56, 60, 64)
GB-En Acc.9769 84/1/6: The Balcarres lute book (59, 69, 71, 72)
GB-En Adv.5.1.15: the Scone Antiphonary, the Carver Choirbook (1-3, 5)
GB-En Adv.5.2.14: William Stirling's cantus partbook (46, 48, 49, 51, 59, 60,
62, 67, 68, 73, 80, 83)
GB-En Adv.5.2.15: John Skene of Hallyards' mandora book (54, 59, 64, 68)
GB-En Adv.5.2.19: John Leyden's lyra-viol manuscript (59, 64)
GB-En Panm. 10: Duncan Burnett's music book, c.1610 (22, 26, 67, 84)
GB-En Panm. 11: Robert Edward's commonplace book (19, 31, 34, 39-47,
50, 54-59, 62, 64, 68, 83-85)
GB-Eu 64: the Dunkeld partbooks (4)
GB-Eu La.III.111: James Guthrie Manuscript (59)
GB-Eu La.III.487: William Mure of Rowallan's lute book (50)
GB-Eu La.III.488: William Mure of Rowallan's cantus partbook (40, 41, 45,
47, 54, 55, 80-83, 85)
GB-Eu La.III.490: John Squyer's music book (46, 48, 60, 64)
GB-Eu La.III.491: Louis de France's music book (29, 46)
GB-Lbl Add. 4911: "The Art of Music collecit out of all ancient doctouris of
music", c.1580 (16, 20, 31, 38-41)
GB-Lbl Add. 10337: Elizabeth Roger's Virginal Book (69)
GB-Lbl Add. 30480-84: the Hamond partbooks (32, 43)
GB-Lbl Add. 31390 (75)
GB-Lbl Add. 36484: David Mellvill's bassus partbook (31, 34, 39-41, 47,
53, 55, 80, 81-83, 85)
GB-Eu, IRL-Dtc and GB-Lbl: Thomas Wode's partbooks (6-15, 18, 21, 25,
25, 30, 33, 36, 37, 42, 48, 49, 52, 54, 56, 60, 64,
76-78, 83)
IRL-Dtc D.3.30: the Dublin Virginal Book (78, 79)
US-LAuc: Robert Taitt's music book (53)
US-NYp Drexel 4257: John Gamble's commonplace book (69)
US-Wc: Mellvill's "Ane buik off roundells" (34)
Alex. MacAlman's music book, c.1650 (45, 46)
1622: "The Nightingale...Songs and Sonnets", London, P. Hannay (65)
1635: "The Psalmes of David", Edinburgh, edited by E. Millar, printed by A.
Hart (17, 19, 20, 23, 24, 27)
1662/66/82: "Cantus, Songs and Fancies", Aberdeen, J. Forbes (28, 29, 33,
36, 38, 42, 43, 46, 50-52, 54, 55, 59-61, 63, 64, 66, 67, 70)
& manuscript copy with additional music: GB-P collection
Ruggles-Brise (48) € 173,--
129S2 Roman Monody; ed. J.W. Hill
• "Roman monody, cantata, and opera from the circles around cardinal
Montalto", 1997; 2 volume set: vol. I: Study; vol. II: Music
Volume 2 (not available separately) contains about 190 compositions for 1
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_______________
to 3 voices and bc.

List of works (a1, unless otherwise indicated; with nos. as in this collection):
A. Antonelli: Se 'n così grav'e dolorosi accenti 40
F. Caccini: Pascomi di sospir languendo e debile 92
G. Caccini: Dovrò dunque morire 139
O. Catalani: In che misero punto hor qui mi mena 14
G. Cenci:
Ahi com'a un vago sol cortese giro 101
Amorosa Licori 10 a3
Deh dolc' anima mia 33
Dunque Clorida mia per questi prati 19
Fuggi, fuggi da questo cielo 156
Io che l'età solea viver nel fango 15
Leggiadri occhi sereni 49
Occhi ch'alla mia vita 154
Occhi un tempo mia vita 153 a2
Perchè non togli o Clori 13 a3
Più non amo più non ardo 147 (bt Cenci?)
Se l dolce sguardo di costei m'ancide 84
Se perché a voi mi tolga e più non v'ami 152
Vita della mia vita egl'è pur vero 155
M. da Gagliano: Ecco solinga e delle elve amica 46
S. Landi:
Amor io ben sapea 90
Felice che discior tra fiamme ardenti 82
Io v'amo anima mia 93 a2
Questa bella guerriera 94 a2
Questa ch'el cor misura 81
Se non è cosa in terra 96 a2
Superbo te ne vai legno fugace 95 a2
I. Machiavelli:
Ama pur ninfa gradita 1
Dhe Filli vita mia se mai ti punsero 12
Dolce auretta 2
Fuggi, fuggi dolente mio core 148
Io pur deggio partire 25
Quando il ciel vago s'infiora 11
Solingo augello che piangendo vai 9
Venuto è pur quel lagrimabil giorno 7
Vita della mia vita egl'è pur vero 24
Questa tener angioletta 118 (or by O. Michi?)
C. Marotta:
Che più giova mirar occh' infelici 48
Dove, dove ten fuggi anima bella 21
O dell'ombrosa notte amati orrori 47 & 47a
O durezze amarissime d'amore 22
Può ben fortuna far ch'io m'allontani 83
Suavissimi lumi al cui splendore 23 & 23a
Tu dorimi e 'l dolce sonno (or by J. Peri?) 89
O. Michi:
Empio cor, core ingrato 163
Perdan quest' occhi il sole 164
Su l'oriente 162
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C. Monteverdi: Lasciatemi morire 20

Lasciatemi morire 20
P. Mutij:
Ite dolenti miei sospiri 158
La mia Clori vezzosa 161 a2
Mentre che Febo con suoi raggi d'oro 157 a2
Mille scherzi, e canti belli 159 a2
Questi spirti gentil 4 & 4a
Vaghi rai de cigli ardenti 160
G.B. Nanino:
Asensi & Desensi: passages, upwards and downwards, in serveral ways
165-180, 184-188
Dhe mira egli cantò spuntar la rosa 91
Disse costei e gl' occhi su le gote 150
O cor sempre dolente 149
Per cantar terra ignota e pelegrina 151 for bass
Trattenimenti 181-183, 189-191
F. Piccinini: Filli gentiel perché fug' ogn' hora 144
G.D. Puliaschi:
Chi vuol veder il sole 88
La gloria di colui che 'l tutto muove 122
R. Rontani:
Ch'io t'ami et ami più della mia vita 41
Non credete ch'io v'ami ahi lasso e ch'io 43
Tu godi il sol ch'agli occhi miei s'asconde 44
Voi partite sdegniose 52
Anonymous works (alphabetical title list):
A sì duri lamenti 78
A sì duri lamenti (alternative version from I-Bc Q 140) 78a
Ahi dispietato Amor come consenti 6
Alma afflitta che fai 29
Altro non è 'l mio cor 119
Amar donna superba 68
Amarilli crudel, e ria 105 a2
Arsi et ando per voi ma nel ardore 58
Arsi un temp' e l'ardore 134
Aure belle aure vezzose 142
Aure placide volanti 61
Bella Clori non fuggire 65
Ben è ver ch'ei pargoleggia 121
Ben fuggirsi vedran la nev'e 'l gielo 80
Bona sera mastro Taddeo 145
Care lagrime mie 97
Care treccie aura stami 62
Chi d'Amor piang'e sospira 71
Con un dolent' oimè 124
Crud' Amarilli, che col nom' auncora 102
Da queste selve, e questi alpestri monti 129
Deh girate 70
Destar potess'io pur in quel bel seno 135
Dhe mirate luci ingrate 53
Dhe scoprite colorite 141
Dhe vieni Clori 60
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Dolcissime pupille ond' io mi vivo 16

Dolcissimo usignolo 36
Donna per acquetar vostro desire 32
Doppo un lungo sospiro 39
D'una guancia alma e ridente 54
Dunque da me ten fuggi ho mio tesoro 28
Ecco che pur al fine 104
Ecco che pur al fine (alternative version from I-Bc Q 140) 104a
Ecco la luce 125
Ecco la primavera 143
Ecco Lidia mia bella 110 a2
Ecco Lidia mia bella (alternative version from "Concerti amorosi") 110a
Ecco Silvio colei che 'n odio tanto 137
Falsi sospiri 63
Felic'era il mio core 59
Ferma, ferma non percotere 67
Fuggon i giorni 140
Gioite meco 132
Giovinetta vezzosa 136
Ho pur d'or il crin anc'io 55
Infelice colui che s'innamora 87
In qual parte del mondo havrò ricetto 117
Io piango tu non torni il duol non sciema 26
Io son che trovasi 75
Io vorrei pur morir così mi preme 27
La furiera de' bei lampi 130 a2
La mia Clori vezzoa 128
La mia Filli crudel spesso mi fugge 113 a2
Lasso perché mi fuggi 120
Lilla, Lilla giovineta 114 a2
Mie speranze lusinghiere 57
Occhi belli occhi rei 18
Occhi meco piangete 3
Occhi piangete 51
Occhi stelle fatali 50
O di raggi e di fiammelle 69
O dolcissimi sguardi 115 a2
O Filli, o Filli queste voci estreme 37
O leggiadri occhi belli, occhi miei cari 109 a2
O quanto sei gentile 32
O tu che fra le selve occulta vivi 45
O voi ch'intorno al lagrimoso canto 108 a2
Ove ne vai pastor così doglioso 74
Pace non trovo, e non ho da far guerra 98
Pergoletta vezzosa e ridente 99 a2
Pastorella che sì bella 116 a2
Per te mi struggo sol, sol per te moro 138
Perchè mi fuggi 126
Perchè sei bella 131 a2
Più non amo più non ardo 112 a2
Più non sento del tuo dardo 76
Porto celato il mio nobil pensiero 5
Quel augellin che canta 35
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Quella bell' Amor che sospirar mi fa 133

Questa bell' Amor 56
Questa piaga mi sia sempre nel core 111
Rompa lo sdegno le dure catene 72
Rompa lo sdegno le dure catene (alternative version from "Concerti amorosi")
S'alcun vi giura cortes' amante 66
Se non hai di ferro il core 100
Se non hai di ferro il core (alternative version from "Concerti amorosi") 100a
Se pietad' in voi non trovasi 64
Somiglia foglia a cui la guerra il vento 8
Son questi miei sospir messaggi ardenti 42
Splendete sereni 146
Temer donna non dei 30
Temer donna non dei 30a a2
tempo ben fu 106
Tu parti anima mia 86
Tu torni anima mia 38
Udite amanti udite 85
Vaga e lucente 107
Vaga e lucente (alternative version from I-Bc Q 140) 107a
Vezzosett'e bella Clori 127
Vidi ondegiar questi infecondi campi 123
Voi mi dite ch'io non v'ami 73
Voi pur mi promettesti occhi sereni 79
Vorrei baciarti, o Filli 103
Sources:
CZ-Pnm II.La.2 (164)
I-Baf 1424 (78-84)
I-Bc B 124 & 125: including G.B. Nanino's: "Regole di contrappunto alla
mente" (165-191)
I-Bc CC.225 (30a, 47a, 49-77)
I-Bc Q 27.4 (153)
I-Bc Q 140 (4a, 78a, 104a, 107a, 119-147)
I-Fc Barbera 158 (156)
I-MOe mus. E 318 (23a, 114-118)
I-Rc 2472 (163) and 2490 (162)
I-Rn mus. 56 (164)
I-Ru 279 (85-96)
I-Vc Torrefranca 250 (1-48)
US-PHu Ital. 57 (97-113)
1614: P.M. Marsolo: "Secondo libro dei madrigali a 4 voci" (154)
1621: "Raccolta de varii concerti musicali", Rome, Robletti (148,150,152,158)
1621: "Ghirlandetta amorosa", Orvieto, Fei & Ruuli (149, 157)
1622: "Vezzosetti fiori di varii eccellenti autori", Rome, Robletti (159, 160)
1622: "L'aurata Cintia armonica", Orvieto, Fei & Ruuuli (161)
1623: "Concerti amorosi: terza parte delle canzonette in musica raccolte da
Giovanni Stefani", Venice, A. Vincenti (72a, 100a, 110a)
1623: G. Giamberti: "Poesie divere poste in musica", Rome, Soldi (151)
1629: "Le risonanti sfere da velocissimi ingegni armonicamente raggirate",
Rome, Robletti (155) € 187,--
117S1 Spanish Art Song in the 17th Century

music ed. J.H. Baron
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text ed. and transl. by D.L. Heiple

lute and guitar tablatures transcr. into staff notation
for high voice and bc, unless otherwise indicated

1. anon.: Air (Dezid cómo puede ser, ojos que estando mirando)
2. (G. Bataille): Air (Si sufro por ti, morena, mucho plaze mi pena)
3. (H. Le Bailly): Passacalle, La Folie (Yo soy la locura la que sola infundo)
4. (J. Aranies): (Tono humano) (Digame un requiebro, galán amador)
5. (L. de Briceño): Folías (Volaba la palomita por encima del verde limón)
6. (M. Veana): Solo al Santísimo (Ay, amor, qué dulce tirano)
7. (J. Asturiano): Solo al Sacramento (Céfiros blandos, líquidas fuentes)
8. (D. de Cásseda): Solo al Santísimo (A las cortes de amor, corazones)
9. anon.: Tono humano (Es el amor, ay, ay, dulce prisión, ce, ce)
10. anon.: Solo a la vida humana (Esta es la justicia que manda hacer)
11. (J. Marín): Tonada sola (Aguas de Manzanares que alegres corréis)
12. (J. Marín): Pasacalle del 5° tono de 3 para el tono (Diz que era como
una nieve, Marica)
13. (J. Marín): Pasacalle del 3° tono de 3 para este tono (No sé yo cómo es)
14. (J. Hidalgo): Solo a nuestra Señora (Luceros y flores, arded y lucid)
15. (J. Hidalgo): Al Santísimo Sacramento (Aves que al sol despertáis)
16. (J. Hidalgo): Tono humano (Viva mi esperanza pues que llego a ver)
17. (J. del Vado): Tonada a San Francisco (La más pura azucena)
18. anon.: Solo y acompañamiento (Con amantes inquietudes, Teresa)
19. (J. de Paredes): Solo al Santísimo (Si entre flores hermosas áspides andan)
20. (J. de Navas): Solo al Santísimo Sacramento (Ay, divino amor)
21. (J. de Navas): Tono humano (Puesto que baja el amor a la tierra)
22. anon.: Solo humano (Niña, si encontrares durmiendeo a Cupido)
23. (S. Durón): Tonada sola con flautas para contralto (Corazón, causa tenéis)
alto, flute, bc
24. (S. Durón): Tonada humana (Pues me pierdo en lo que callo el desdén)
25. (S. Durón): Cantada a voz sola al Santísimo y de Pasión (Ay de mí, que el
llanto y la tristeza
26. (S. Durón): Cantada al Santísimo con violines (Ay, que me abroso)
high voice, 2 violins, bc
27. (J. de Lima Serqueira): Solo humano (Quería Cupido, traidor y halagüeño)
28. (J. de Lima Serqueira): Solo humano (Ay, Leonida, si mis quejas)
29. (J. de Lima Serqueira): Tono humano solo (Todo es amor)
30. (J. de Lima Serqueira): Cantada humana (O corazón amante) high voice,
oboe, violin, bc (instr. parts reconstructed by ed.)
31. (J. de Lima Serqueira): Cantada humana (En la ribera verde) high voice,
oboe, violin, bc (instr. parts reconstructed by ed.)
Sources:
1609: "Airs de différents auteurs, mis en tablature de luth par Gabriel Bataille.
Second livre", Paris, P. Ballard (1)
1614: "Airs de différents auteurs, mis en tablature de luth par Gabriel Bataille.
Cinquième livre", Paris, P. Ballard (2)
1624: J. Aranies: "Libro segundo de tonos y villancicos", Rome (4)
1626: L. de Briceño: "Metodo mui facilissimo para apprender a tañer la
guitarra", Paris (5)
E-Bbc mus. 775/79 (29)
E-CU (7)
E-Mn mus. 2618 (30, 31)
E-PAL ms. 50/1 (26)
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E-SE (9-11, 14, 19, 21, 24, 27, 28)

E-V (6, 8, 15, 17, 18, 20)
E-VAc (16)
GB-Cfm mus. 4-1958: the Trend manuscript (12)
GCA-Gc ms. 259 (25)
I-Vnm mus. H.IV,470 = 9994 (22) € 69,--
Thirteen Mad Songs

by Purcell and his contemporaries;
high voice and bc; ed. T. Roberts
130S2 Book I
1-3. J. Eccles:
1. Oh! take him gently from the pile (a mad song in "Cyrus the Great", 1695)
2. Must then a faithful lover go? (from: "The mad lover", 1700)
3. I burn, my brain consumes to ashes (from: "Don Quixote", 1694)
4. G. Finger: While I with wounding grief did look (from: "Don Quixote")
5. D. Purcell: Morpheus, thou gentle god (from: "Iphigenia in Aulis", 1699)
6-7. H. Purcell:
6. Bess of Bedlam: From silent shades, and the Elizium groves Z 370
7. Let the dreadful engines of eternal will (from: "Don Quixote") Z 578/3 € 25,--
131S2 Book II
8. J. Blow: Lysander I pursue in vain (a mad song)
9-12. J. Eccles:
9. Haste, give me wings (from: "The fickle shepherdess", 1703)
10. I'll sail upon the dog-star (from: "A fool's preferment", 1688) Z 571/6
11. Beneath a poplar's shadow lay me (in: "Sophonisba") Z 590
12. From rosy bow'rs (from: "Don Quixote") Z 578/9
13. J. Weldon: Reason, what art thou?
Appendix:
Tom of Bedlam for a bass alone (without bc) after J. Coprario
Sources (* = main source):
a) Prints:
1683: "Choice ayres, and songs to sing to the theorbo-lute or bass viol",
London (*6)
1685: "Catch that catch can", London, H. Playford (appendix)
1688: "New songs sung in The Fool's Preferment...", London (*10)
1697-1700: single sheet editions by T. Cross e.a., London (1, 2, *5, *7, *13)
1694: "The songs to the new play of Don Quixote..." (3, *7)
1695: "Thesaurus Musicus, book IV", London (*4)
1696: "New songs in the third part of ...Don Quixote", London (12)
1698/ 1702: H. Purcell: "Orpheus Britannicus, book I / II", London (6, 7, 10,
*11, *12).
1700: J. Blow: "Amphion Anglicus", London (*8)
1704: J. Eccles: "Collection of songs", London, Walsh (*1-*3,* 9)
"Mercurius musicus" for Jan.-Febr. 1701 (2)
b) Manuscripts:
GB-Cfm mus. 118 (6)
GB-Lbl Add. 22099 (6, 7, 12), 29378: coll. of Eccles's theatre music (1),
29397 (6), 33234 (6)
GB-Lbl Harley 1270 (6)
GB-Lbl RM. 24.e.6 (7, 12)
GB-L Guildhall LGC VI.5.6 (7)
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GB-Ob mus.sch. 95 (10)

GB-Och 350 (6) € 25,--
132S2 Tonos humanos en el siglo XVII

secular Spanish songs for voice and bass
ed. M. Querol (with realization of the bass)
1-6. J. Hidalgo:
2. Atiende y da
4. Ay amor, ay ausencia
7-8. J. Marín:
7. No puede maor
9. anonymous: Pajarillo, si lloras ausente
10. C. Galán: Ya los caballos de jazmin
11. J. Romero: Ay de quien de amor
12. anonymous: De nubes de una tristeça
13. anonymous: Todo eres contradiciones
14. J. Serqueira de Lima: Baile del herbolario
15. C. de Borja: Ay silencio apacible
16. S. Durón: Abril florenciente
Sources:
E-Bbc M.738/5 (15) and 738/15 (5)
E-Mn M.3880 (1-4, 6) and M.3881 (7, 8, 10)
I-Vmsm 470 (6, 12, 13)
ms. in private collection of the editor (9, 11, 14-16) € 19,--
Twenty six Italian Songs and Arias; ed. J.G. Paton
All items are accompanied by remarks on the poetic idea, the background, the
sources, by an English translation and by a phonetic representation of the texts;
realized bc-parts without figures; vocal ornamentation by A. Schoep and F.A.
Gevaert; ost works transposed to suit the type of voice
1. G. Caccini: Amarilli, mia bella (from his "Le nuove musiche", 1601)
2. C. Monteverdi: Lasciatemi morire! from "Lamento d'Arianna" (from I-MOe
mus.ms. G 239)
3. G. Carissimi: Vittoria, mio core! (cantata from I-MOe mus.ms. G 28)
4. G. Legrenzi: Che fiero costume (part of the cantata from his "Echi di river-
renza, op.14", Bologna, 1678)
5. G. Torelli: Tu lo sai (final movement of the cantata "Come potesti mai la-
sciarmi, infida?" from D-Dl mus.ms. 1-K-37, now lost)
6. A. Scarlatti: Già il sole dal Gange (from his opera "L'Honestà negl'amori"
in I-MOe ms. F.1057; also in the coll. of arias I-Rsc A 249)
7. A. Scarlatti: O cessate di piagarmi (from his opera "Pompeo"; source:
B-Br ms II 3962)
8. A. Scarlatti: Sento nel core (cantata from 3 sources: GB-Lbl Add. 31512;
I-Mc Noseda L.22-24; GB-ABu ms. s.s.)
9. A. Scarlatti: Le violette (from his opera "Pirro e Demetrio" from I-Nc Rari
7.I.11, and from "Songs in the new opera call'd Pyrrhus and
Demetrius", London, Walsh, c.1709)
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10. A. Scarlatti: Se Florinda è fedele (from his opera "La donna ancora è
fedele" from I-Nc Rari 7.I.3)
11. anonymous: Star vicino (from Ch. Burney's "A general history of music",
volume IV (London, 1789)
12. A. Lotti: Pur dicesti, o bocca bella (from his collection of 32 arias F-Pn
D.7132; introduction for 4 str. instruments here in keyb. score)
13. G. Bononcini: Non posso disperar (from his opera "Eraclea"; 3 sources:
I-Rvat Barberini latini 4161 and 4164, and I-Rsc G 392)
14. G. Bononcini: Per la gloria d'adorarvi (from his opera "Griselda", 1722)
15. A. Caldara: Sebben, crudele (from his opera "La costanza in amor vince
l'inganno" from I-Rsc G 184; str. instr. here in keyb. score)
16. A. Caldara: Alma del core (from the same opera as no.15)
17. A. Caldara: Come raggio di sol (from "Gemme d'antichità", edited by
"L.P.", Lonsdale, London (c.1670) for voice and piano)
18. F. Durante: Vergin, tutt'amor: Solfeggio (from "Solfèges d'Italie", Paris,
Levèsque et zbeche, 1772)
19. F. Durante: Danza, danza, fanciulla gentile: Sofeggio (same source as 18)
20. F. Conti: Quella fiamma (from his cantata "Dopo tante e tante pene" from
D-B mus.ms. 30226; this ed. after C. Banck's ed. in "Arien und
Gesänge älterer Tonmeister", Leipzig, Kistner, 1880; formerly
attributed to B. Marcello)
21. anonymous: Nina (from "The favourite songs in the opera call'd Li tre ci-
cisbei ridicoli", London, Walsh, 1749)
22. Ch.W. Gluck: O del mio dolce ardor (from his opera "Paride ed Elena")
23. T. Giordani: Caro mio ben (from "The favorite song as sung by sigr. Ten-
ducci at the Pantheon & Mr. Abel's Concerts...", London,
Preston, c.1782)
24. G. Paisiello: Nel cor più non mi sento (from his opera "L'amor contrasta-
to"; autograph score: I-Nc Rari 3.1.3.4)
25. F.J. Fétis: Si i miei sospiri (text and vocal part from "Kirchen-Arien",
Leipzig, Peters; accompaniment from "Recueil des morceaux de
musique ancienne", vol. 3: "Pietà, signore" (Paris, Société de
musique réligieuse et classique, 1843)
26. A. Parisotti: Se tu m'ami (text from P. Rolli's "Di canzonette e di cantate
libri due", London, Edlin, 1727; music from Parisotti's "Arie
antiche", volume I (there as by G.B. Pergolesi)
133S2 ° Edition for medium high voice € 14,--
134S2 ° Edition for medium low voice € 14,--
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D. COMPOSERS A-Z
Abell, J. • High state and honour to others impart

° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues"
Agatea, M. • I pianti d'un core (high voice)

° see: Prints 1670: "Canzonette per camera a una voce di diversi autori"
Agneletti, G.B. • 2 Arias from: "Arie a voce sola de diversi autori", 1656:
1. Se dico Lilla m'ami
2. Si ch'io moro mia vita
° see: Prints 1656: "Arie a voce sola de diversi autori": nos. 26-27
Akeroyde, S. Samuel Akeroyde
• 20 Songs:
Ah Phyllis why are you less tendre
As May in all her youtfull dress
Beneath an unfrequented shade
Corinna with innocence beauty and wit
Cynthia with an awful power
Dorinda since yhour charms decline
Fancelia's heart is still the same
Farewell bonny Wully Craig
From drinking of sack by the pottle
Hard fate that we have eyes to see
Is my Clorinda yet in nature's state
Jenny my blithest maid
Hail Albion hail all hail attend the throne
Liberty's the soul of living
Look down fair saint and see
O mother Roger with his kisses
The Nymph that does expose to sale
There is one black and sullen hour
There's such religion in my love
When my kids and lambs I treated
° see: Prints 1685-1687: "The Theater of Music"
• 4 Solo songs in book I of "Thesaurus Musicus":

Beauty first the heart inspires
That sconrfull Silvia's chaines I wear
'Tis pitty Myrtilla you shou'd be a wife
Why wonders beauteous Cloris
° see: Prints 1693-1696: "Thesaurus Musicus"
Albert, H. HEINRICH ALBERT
Arien, Theil I - VIII
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most poems by S. Dach; others by A. Adersbach, J.P. Titz,

R. Roberthin, Chr. Kaldenbach, M. Opitz and by Albert himself.
for one voice and bc, unless otherwise indicated
* = also published in "Lust Wäldlein", 1648)
NB: the composer indicated that his polyphonic arias may be performed
either by 1 voice, instruments, bc or by voices only and bc
Theil I, 1638
• "Erster Theil der Arien oder Melodeyen etlicher theils geistlicher theils welt-
licher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,
Theorbe oder anders vollstimmiges Instrument zu singen", Königsberg,
Autor (Segebads Erben), 1638
2/1646 ("...zur Andacht, guten Sitten, keuscher Liebe und Ehren-Lust...zum
Singen und Spielen gesetztet...", Königsberg, Paschen Mense)
3/1652 (Königsberg. Autor / J. Reussner)
1a. Ach lasst uns Gott doch einig leben
1b. *idem SATB (only in the 1652 ed.)
2a. Ihr, die ihr euch Christen nennet
2b. *idem SATTB (only in the 1652 ed.)
3a. Einen guten Kampf hab ich auf der Welt gekämpt
3b. *idem SATTB (only in the 1652 ed.)
4. *Auf mein Geist! with violin
5. *Mein Dankopfer, Herr ich bringe with violin
6. *Du vormals grüner Stock
7. *Hie habt ihr, ihr Jungfrauen with 3 instruments
8. *Mein Kind, dich müssen Leute lieben with 2 instruments
9.* Was von mir dein leichter Sinn
10. *Liebste Seele meiner Seelen
11. *Keine Nacht, kein Tag vergehet SA
12. *O Ihr Auszug meiner Freuden
13. *Mein Liebster Seelchen lasst uns leben
14. *Nymphe gieb mir selbst den Mund
15. *Soll denn mein junges Leben with violin
16. *Soll ich der Mensch, die kleine Welt with 2 instruments
17a. Die Sonne rennt mit Prangen SSA
17b. *idem SSA
18. *Die Sonn' ist abgegangen SSA
19. *Och empfinde fast ein Grauen dass ich Plato für und für
20. *Och empfinde fast ein Grawen, Bachus, dass ich für und für (parody)
21. *Edler Pregel dessen Fluss with 2 violins
22. *Glück zu, ihr grünen Bäume with 3 instruments (SSA)
23. *Gute Nacht du falsches Leben SS
24a. Mein lasst mir doch den Willen!
24b. *idem SSATB
25. *Wer fragt darnach aus dem Gelach
Ander Theil, 1640
• "Ander Theill der Arien oder Melodeyen etlicher theils geistlicher theils welt-
2/1643 (Königsberg, Paschen Mense)
3/1651 (Königsberg, Autor / Johannes Reussner)
1a. Kein Christ soll ihm die Rechnung machen
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1b. *idem SATTB (in 1651 ed. only)

2a. Wie selig ist dem Gott verliehen
2b. *idem SAATB (in 1651 ed. only)
3a. Dass alle Menschen sterben müssen
3b. *idem SSATB (in 1651 ed. only)
4a. Raffet auch der Tod
4b.* idem SATTB (in 1651 ed. only)
5a. Wie ist der Mensch doch so betört
6a. Weinen in den ersten Stunden
6b. *idem SSATB (in 1651 ed. only)
7. *Rede einer verstorbenen Jungfrau aus dem Grabe: Wie lieg ich hie!
8. *Meine Fürsten und Fürstinnen fahren ins Galinderland with 2 violins
9. *Wohl dem, der sich nur lässt negnügen SS
10a. Der Mensch hat nichts so
10b. *idem AT
11. *Euer Pracht und stolzes Prangen SS
12. *Galathe, wo bist du doch gewesen ST
13. *Soll denn, schönste Doris + "Proportio nach Art der Pohlen"
14. *Bist du von der Erden Rosa
15. *Als Damon lang geplaget
16a. *Mein Urteil wiederrät es
16b. idem a2
17. *Lesbia mein Leben hat sich mirergeben
18. *O der rauhen Grausamkeit!
19. *Was lachst du Pöfel der Gemüther
20. *Ist es unsrer Saitenwerk je einmal so wohl gelungen SSA, 2 vln, 2 vla, bsn
(on the occasion of the vist of Martin Opitz to Köningsberg in 1638)
Dritter Theil, 1640
• "Dritter Theil der Arien oder Melodeyen etlicher theils geistlicher theils welt-
2/1643 (Königsberg, C. Mohrmann / Paschen Mense)
3/1651 (Königsberg, Autor / J. Reussner)
1a. Der Mai es Jahres Herz
1b. *idem SA with 2 violins (in ed. 1651 only)
2a. Vor-Jahrs Liechen: Es ist ja wahr wir haben nun
2b. *idem SS
3. *Vater, des die Langmut ist SSAABar
4. *Was wilst du armes Leben SSATB
5a. Alles läuft mit mir zum Ende
5b. *idem SSATB
6. *O wie mögen wir doch unser Leben with violin
7. *Was suchst du schändliche Begier? with violin
8. *Was hat ein frommer Christ doch Not SSATB
9a. Es vergeht mir alle Lust
9b. *idem SATTB
10. *Soll mein Geist gebücket gehen SS
11.*Wer die Weisheit ihm erkoren SS, 2 violins
12. *Ihr Vater aller Lieblichkeit SAT
13. *Phöbus jagt met seinen Pferden SSA
14. *Auf! Ihr meine güldnen Saiten
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15.* So ist es denn des Himmels Will (Air de mr. Moulinié)

16.* Was zwingt mich auf der Welt
17. *Mein Herz enthält sich kaum
18. *O du Göttin dieser Erden with violin
19. *Will sich das Glück denn stets nur weiden
20. *Die Liebe lässt den harten Zaum
21. *In Lieb halt ich das grösste Glück
22. *Junges Volk! man rufet euch SATTB
23. *Was ist zu erreichen hie in dieser Zeit SSATB
24. *An diesem Ort allhie
25. *Weil doch im Reden als im Schweigen
26. *Soll dann liebste Phyllis enden sich SS
27. *Phyllis die mich vormals liebet
28. *Man sagt mir zwar ich soll dich hassen
29. *Ich kann hinfort die harten Plagen
30. *Liebe, die du mich besessen with violin
Vierter Theil, 1641
• "Vierter Theil der Arien oder Melodeyen etlicher theils geistlicher theisl welt-
licher Lieder nach unterschiedlichen Arthen zu singen und spielen gesetzet...",
Königsberg, Autor (Segebads Erben), 1641
2/1645 (Königsberg, Paschen Mense)
3/1651 (Königsberg, Autor / J. Reussner)
1. *Klaglied an sein Vaterland: Was für Unmut, Pein und Sorg' SMsAT
2. *Du siehest, Mensch, wie fort und fort SATTB
3. *Wer wegen seiner Sünden zum Herren Christo with 3 stringed instr. (AAT)
4. *Letzte Rede einer sterbenden Jungfrauen: Ich armer Madensack! (with vln)
5a. Ich steh in Angst und Pein
6. *Eh als wir aus der Höhlen des finstern Körpers ziehn SATTB
7. *Von der Gnadenreichen Menschwerdung unsers Herren Christi: Unser Heil
ist kommen (on A. Boesset's melody: Du plus doux) SMsATB
8. *Das Leid ist hier, da sehen wir SST
9. *Lobet Gott in seinen Heiligtum SSATB, 2 violins, 2 violas, bc
10. *Es bild ein Mensch ihm niemals ein SSATB, 2 violins, 2 violas, bc
11. *Der Himmel Bau und Zier (nach Anleitung der Fr. Weise Goudimels über
den 19. Psalm) with 2 trombones
12. *Der Meister ist ja lobenswert SS
13. *Jetzund heben Wald und Feld SS
14. *Wir sehn jetzt sich erfreuen SS
15. *O du vormals grünes Feld SS
16. *Komm, Dorinde, lass uns SAT
17. *Mein schönes Lieb verliess mit mir
18. *Ach Phyllis, willtu mich denn nun verlassen
19. *Gedächtnus: Damon war mit Brunst beeilet
20. *Damon, wo hinfort
21. *Glück zu dem Könige! Glück zu! SS
22. *Es stünde mit der Erden
23. *Zweene schlafen sicher ein SSATB, 2 violins, 2 violas, bc
24. *Flora meine Freude
Fünffter Theil, 1642
• "Fünffter Theil der Arien oder Medlodeyen, etlicher theils geistlicher theils
weltlicher zur Andacht guten sittenkeuscher Liebe und Ehren-Lust dienender
Lieder. Auff unterschiedliche Arthen zum Singen und Spielen gesetzet von
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Heinrich Alberten...", Königsberg, bey Patschen Mense, 1642

1. *Indem jetzt meine Seele schaut
2. *Klage Sions ueber den Verzug ihres Bräutigams Jesu Christi: Der Tag
beginnet zu vergehen SATTB
3. *O wie gross ist doch der Mann
4. *Morgen-Lied: Gott des Himmels und der Eerden SSATB
5. *Abend-Lied: O Christe, Schutzherr deiner Glieder
6. *Dass alle Menschen sterblich sein SATTB
7. *Zum Sterben ich bereitet bin SATTB
8. *Bekehrung zum Herren Christe: Jesu, Quell gewünschter Freuden 2 violins
9. *O Du aller Wohlfahrt Quell SATTB, 2 violins, 2 violas
10. *Lob der Könige: O Ihr Götter dieser Erden SS
11. *Mensch, wie kömmt es dass dein Sinn
12. *Der Streit zwischen der grünen und blauwen Farbe: Grün ist doch lieblich
anzuschauen SS
13. *Lob-Gesang der Liebe: O Amor Herzenbinder SSATB
14. *Jung gefreyht hat nie gerewt: Wiltu nichts von Bräutgam hören
15.*Wohl dem, der sich beizeiten auf süsse Heirat lenkt SSATB
16. *Klugheit kömpt vor Jahren nicht: Mein Lieb will nichts
17. *Klage eines verliebten Schäfers: Es fing ein Schäfer an zu klagen
18. *Vorjahrs-Liedchen: Die Lust hat mich gezwungen
19.* Tanz nach Art der Polen: Die ihr jetzt seid erschieden SATTB
20. *Auf und springet, tanzt und singtet SSATB
21.* Trewe Lieb' ist jederzeit zu gehorsamen bereit: Anke von Tharau
Sechster Theil, 1645
• "Sechster Theil der Arien etlicher teils geistlicher theils weltlicher zur Andacht
guten sitten-keuscher Liebe und Ehren-Lust dienender Reyme. Zum Singen
und Spielen gesetzet...", Königsberg, bey Paschen Mense, 1645
1. *Christliche stille Music: Willst du in der Stille singen SATTB
2. *Eröffnet euch, ihr trübe Brunnen SATTB
3. *Du, o getreue Mutter, Erde SATTB
4. *Sei, meine Seel', in dich gestellt SATTB
5. *Herr, es mangelt nicht an dir SATTB
6. *Was oft die Menschen denken SATTB
7. *So gänzlich ist auf nichts
8. *O der trüben Trauertage!
9. *Und du auch musst hieneben dein arges Meisterstück
10. *Alle Güter, die wir haben SS
11.* Also wird, du werter Held SSATB, 2 violins, 2 violas (AT)
12. *Greif dich nun, o Karschau an
13. *Seelchen, habt ihr nicht gesehen
14. *Jetzund liebet, was nur lebet SATTB
15. *In seiner Liebsten Armen entschlafen SATBarB
16. *Nichts nach Heirat fragen, ist der Ruh' entsagen SATTB
17. *Kunst in der Welt fortzukommen:Wer hie zu etwas kommen will SSATB
18. *Wohldem, der ihm vor allen Dingen der Musen Gunst hat auserkiest SS
19. *Academisches Jubel-Lied: O das hocherwünschte Jahr! SA
20.* Wald-Gesang: Hier, wo die dicken Bäume stehn
21. *Der habe Lust zu Würfeln und zu Karten
22. *Dein Anmut, Phyllis, hat mich itzt viel härter
23. *Was ist die Lieb' auf allen Seiten
24. *Ich lobe die allhie der Zeit in Fröhlichkeit geniessen
Siebender Theil, 1648
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_______________
• "Siebender Theil der Arien etlicher theils geistlicher: sonderlich zum Trost in
allerhand Creutz und Widerwerdigkeit wie auch zur Erweckung seeligen
Sterbens Lust; theils weltlicher: zu geziemenden Ehren-Frewden und
keuscher Liebe dienender Lieder zu singen gesetzet von Heinrich Alberten",
Königsberg, bey Paschen Mense, 1648
1. Halt' aus mein Herz und sei bescheiden SSATB
2. Herr, wohin soll ich mich kehren? SSATB
3. O Gott nun lässest du mich hin aus diesem Leben fahren SATTB
4. Soll ich das Elend und Beschwer des Lebens SATTB
5. Nimm dich, o meine Seel' in acht SSATB
6. Lass sterben, was bald sterben kann!
7. Was sollen wir denn machen? SSATB
8. Was stehn und weinen wir zuhauf SSATB
9. Sei getrost, o meine Seele SSATB
10. Die Seele des Gerechten ist befreit von Angst SSATB
11. Was klagt man der gerechten Seelen? SSATB
12. Ich bin ja, Herr, in deiner Macht SSATB
13. Klage über menschliche Hinfälligkeit: Was ist Zeit und Welt? SSATB
14. Ihr Seelen, die ihr durch den Tod
15. Bleib' du nur fest an Gottes Wort SSATB
16. Wo lebt ein Mensch auf Erden SSATB
17. Heirat hält zwar allzeit an SAT
18. Liebe lässt von Liebe nicht AA
19. Abschieds-Liedchen: Hat meines Herzens keusche Brunst
20. Que Marie est belle!: Trefflich hoch zu halten ist Rosettchen Zier! SSA
21. Lise assise sur les fleurs: Phyllis die auf Blumen sass
22. Printemps sans ma belle: Lenz ohn' meine Sonne SSA
23. Lisandre au bord de nos ruisseaux: Lysander tat um unser Bach SAT
24. Ma chere Phillis les roses et les lys: Phyllis o mein Licht SAT
25. J'adore le merite de la belle Carite: So heb' ich hoch Carithen SSA
Achter Theil, 1650
• "Achter Theil der Arien etlicher theils geistlicher vile schöner lehr- und trost-
reicher, theils weltlicher zu ehrlicher Liebe und geziemender Ergetzlichkeit
dienender Lieder, componirt von Heinrich Alberten", Königsberg, bey
Paschen Mense, 1650
1. Thränen: O Weh! o Herzeleid! S, 3 violas (ATT)
2. Nimm nichts zu tun in deinen Sinn SATTB
3. Du hast mich wund geschlagen SSATB
4. Wir klagen überall, dass Not und Todesfall SSATB
5. Nach dem die schnöde Missetat SSATB
6. Des Herren Güte macht allein, dass wir noch etwas übrig sein SSATB
7. Bei diesem hochtebtrübten Leben SATTB
8. Wie das Gras auf grüner Auen
9. Der rauhe Herbst kömmt wieder! SATTB
10. Wer das Alter schätzt erhaben SSATB, 2 violins
11. Wer auf Gottes Wegen wandelt SSATB
12. Wem zu gut hält Venus hier in so schöner Pracht und Zier!
13. Ein Mann von guten Rat, der beides, Wort und Tat SSATB
14. Herbst-Liedchen: Womit wird die Zeit verbracht SATTB
15. Wer der Heirat Süssigkeit einmal recht empfunden SSATB
16. Dieser Tag soll unser sein SSATB
17. Lasst uns meiden, was nur Leiden einem schaffen kann SATTB
18. Wer erst den Tanz hat aufgebracht SSATB, bc
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_______________
19. Thyrsis hatte manche Nacht schon mit Seufzen zugebracht SATTB
20. Was der und jener sagt, es ist auf Gott gewagt SSATB
21. Rosette pour un peu d'absence: Wir waren etwas nur vonsammen Rosett'
Editions:
• Theil I-VIII:
121S1 ° Facsimile of eds. 1652 / 1651 / 1651 / 1651 / 1651 / 1652 / 1648 / 1650 € 95,--
• Theil I-VI:
122S1 ° Facsimile after the 1657 edition:
a) "Arien erster Theil, darinnen die jenige geistliche Lieder, so in seinen 6. un-
terschiedenen Theieln vorhin in Folio gedruckt: jetzo aber zu besserem
Nutz und Brauch sampt dem Basso Continuo in solche kleinere Form als
ein Vade Mecum zum Druck beföredert nd verleget von Ambrosio Profe"
Leipzig, chr. Cellarius (F. Lanckisch), 1657
b) "Arien ander Theil...(idem)...", Brieg, Chr. Tschorn, 1657 € 79,--
• Theil I-IV:
123S1 ° ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/12 € 74,--
• Theil V-VIII;
124S1 ° ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/13 € 74,--
• I/4:
° see: Collections: "Das Musikwerk", volume VI
• I/17-18, V/2, VI/17 and VII/24:
° see: Collections: "Antiqua Chorbuch", part II, volume 5: nos. 188-192
• II/10:
° see: Collections: "Das Musikwerk", volume XII
• IV/9:
125S1 ° *ed. Carus € 1,25
• VII/24:
° see: Collections: "Der Schulchor": vol. I, no. 37 (Du mein einzigs Licht)
Lust Wäldlein, 1648

• "Poetisch-Musicalisches Lust Wäldlein, das ist Arien oder Melodeyen etlicher
theils geistlicher, theils weltlicher, zur Andacht, guten Sitten, keuscher Liebe
und Ehren-Lust dienender Lieder. In ein Positiv, Clavicimbel, Theorbe oder
anders vollstimmiges Instrument zu singen gesetzt von Heinrich Alberten",
Königsberg, 1648
This print contains the Arias from Books I-VI (18 of them in their polyphonic
version only; see asterisks in list above).
Edition:
126S1 ° Facsimile of the 1648 edition; hardback € 69,--
Albini, F. Filippo Albini
Musicali Concenti, op. 2 (1623)

• "Musicali Concenti...a una, due, & quattro voci. Novamente posti in luce...
Opera Seconda", Milano, F. Lomazzo, 1623:
1. O de' raggi vi è più che 'l sole accendono (La notte per un festino)
2. Ombre nere ma belle (seconda parte)
3. Ecco al Cielo io m'invio (terza parte)
4. Sugli homeri d'Atlante (quarta e ultima parte
5. Simphonia for 1 instrument and bc
6. Chi per le strade ignote (L'alba. Madrigale per l'istesso festino)
7. Io al cui gran poter (Logistilla Maga. Per un balletto...)
8. Adorna le parole di licidi colori (La Rethorica. Per un convitto...)
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9. Amerai tu mio core (aria)

10. Ahi Lidia non credevi a la mia fiamma
11. Provo in Amore gioia e dolore (aria)
12. Qual vaga Aurora (aria)
13. Mentre ch'io servo a voi (aria spirituale) a2 (SS)
14. Alma che scorgi tu (aria spirituale) a2 (SB)
15. Dolcissimo uscignuolo (aria spirituale)
16. Vedi ch'al mondo nasce (madrigale spirituale. Dio huomo)
17. La bellezza superna (aria spirituale)
18. Ardo timido amante (Timidezza d'amante; madrigale prima)
19. Sa la bella cagion (madrigale seconda nel medesimo soggetto)
20. Ahi chi mi sforza ohimè (madrigale terzo) a2 (SS)
21. Già vincitor del verno (La Primavera. Prima parte)
22. Felice primavera (aria; parte seconda)
23. Tu sei figlia del Sole (parte terza)
24. A l'Armonia gentile (parte quarta) a2 (ST)
25. Ma di che godo ahi lassa (parte quinta)
26. Deh lascia Nisa il pianto (parte sesta & ultima)
27. Deh lascia Nisa il pianto a2 (ST)
28. S'io v'amo sallo Amor (madrigale) a2 (ST)
29. Dive possenti avezze a seminar salute (La Fortuna Prospera; aria 1a parte)
30. Cara sorte indivisa (La Fortuna Salutare; terza parte)
31. Noi qui 'l piè glorioso (La Fortuna Forte; quarta parte)
32. Fra questi aurati alberghi (quinta parte)
33. Cantiam fortune eterne (sesta parte) a4 (SSTB)
Edition:
135S2 ° ed. by L. Girodo of "Musicali Concenti", op. 2 and 4 (1623 and 1828);
introduction (Italina) by C. Santarelli; Corona di Delizie Musicali, vol. IV € 39,--
Secondo Libro dei Musicali Concenti, op. 4 (1626)

• "Il Secondo Libro dei Musicali Concenti di cantarsi nel cembalo, tiorba, ò
arpa doppia, ad una, e due voci...Opera Quarta", Roma, G.B. Robletti, 1626
1. Canta mi dice Amore
2. L'angelica bellezza (aria)
3. Aspro core, e selvaggio (sonetto; parte prima)
4. Che quando nasce, e more (parte seconda)
5. Vivo sol di speranza (parte terza)
6. Non è si duro cor (quart & ultima parte)
7. Hor che a noi fa ritorno (aria)
8. Hor che la vaga (madrigale in eco)
9. Sù sù prendi la cetra (aria)
10. O bel lauto in te regna
11. Sul trono ove seder solea (sonetto; prima stanza)
12. Nel alto di fortuna ove in scolgio (seconda stanza)
13. La notte a la novella (aria)
14. O Angelico sembiante (madrigale)
15. Se di Bianca il bel nome (aria)
16. Un bergier souspiroit (aria francese)
17. Fanciullo arciero (aria)
18. Hor che Vittorio
19. Già già sorge la notte
20. Chi ben aver desia a2 (SA)
21. Qual vermiglietta rosa a2 (SA)
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22. Filli vezzosa a2 (SS)

Edition:
135S2 ° ed. by L. Girodo of "Musicali Concenti", op. 2 and 4 (1623 and 1828);
introduction (Italina) by C. Santarelli; Corona di Delizie Musicali, vol. IV € 39,--
Albinoni, T. • Ruscelletto limpidetto (aria from a cantata)

° see: Collections: La Flora, volume II
Albrici, B. • 2 Canzonettas for high voice:

1. Ninfe vezzose movet' il pie
2. Di Cupido chi fugge lo strale
° see: Prints 1679: "Scelta de Canzonette Italiane de piu autori..."
D'Ambruis, H. Honoré D'Ambruis
• "Livre d'Airs du sieur d'Ambruis. Avec les seconds couplets en diminution

mesurés sur la basse continuë. Gravéz au burin par Lhuilier...", Paris, 1685
nos. 1-24 for high voice and bc; no. 25 for ST and bc
1. Vastes deserts, boccages sombres / coupl. 2: Contre le mal qui me possede
2. Petits oyseaux que vous êtes heureux / Quand vous chantez dans ce boccage
3. Pour charmer les ennuits / Rossignolz vous aymez
4. Beaux yeux en vous voyant / Quand je vous vois tant de douceur
5. Tesmoins de mon cruel soucy / Non on vous ne repondrés plus
6. L'Hyver est enfin de retour / Mon sort n'est il pas rigoureux
7. Charmants ruisseaux que je me plais / Sombres ormeaux, tendres zéphirs
8. Le doux silence de nos bois / Songeons en voyant le printemps
9. Non printemps tu n'es plus cette saison / Je languis je devines chagrine
10. Lorsqu'avec une ardeur extrême / Si par une loy trop sévère
11. Vous serez les tesmoins de mes vives douleurs / Vous voyez tous les jours
12. Quoy bergère l'amour ne peut / Ah cruelle songéz qu'il faut aymer
13. Songez bergère / Soyez plus sage
14. Taisez vous ma musette / La beauté que j'adore
15. Enfin le doux printemps ramène / Printems si ton retour offre
16. Après les maux que j'ay soufferts / Doux souvenir espoir trumpeur
17. Si me voir endurer est tou vôtre deisr / Vous pouvez me laisser soupirer
18. Tircis soupiroit l'autre jour / l'Inhumaine dans ce moment
19. Partez puis qu'il le faut / Pendant que loin de vous je languis
20. Il n'est plus de frimats / Rendez vous à l'Amour
21. Insensible à mon amour / Vos yeux sont flaté mon coeur
22. Loin du berger que j'ayme / Zéphirs qui dans ces plaines volez
23. Ah pouvez vous avoir une si bell bouche / Quand on a des atrais
24. L'espoir a beau flater nos voeux / Pour les biens que je me promets
25. Tircis et Silvie (Dialogue): Vous venez dans ces bois ST, bc
Edition:
136S2 ° Facsimile of the 1685 edition; introduction by J. Saint-Arroman € 49,--
Antonelli, A. • Se 'n così grav'e dolorosi accenti

° see: Collections: "Roman Monody"; ed. J.W. Hill : no. 40
Arañes, J. • Digame un requiebro, galán amador:

° see: Collections: "Spanish art song in the 17th century)
• Dulce desden:
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_______________
° see: Collections: "Canciones a solo y duos del siglo XVII"
Archangelo del
Leuto see: Lori, A.
Atkins, J. • 4 Songs:
° see: Collections: "English Songs, 1626-1660", ed. I. Spink: nos. 99-102:
100. This lady ripe and fair and fresh
101. When the chill Cherocco blows
102. I can love for an hour when I'm at leisure
Aylworth, W. • In a desert in Greenland

Bacilly, B. de Bénigne de Bacilly
III. Livre de chansons, 1665

• "III. Livre de Chansons pour danser et pour boire de B.D.B.", Paris, R.
Ballard, 1665
chansons a1 and a2, without bc
1-28. Chansons pour danser, a1:
1. Pour la bergere Lisette je soûpire vainement
2. Rossignol, trop heureux amant!
3. A l'ombre d'un buisson la bergere Lisette
4. Je suis fidelle, constant, & discret
5. L'autre jour une bergere, dont je veux suivre la loy
6. Je ne me mets guere en peine de vostre inegalité
7. Un jour la jeune Belise le long d'un petit ruisseau
8. Pouvez-vous bien ignorer le martyre, ingrate Iris
9. Vous vous offencez à tort de mon amoureux transport
10. Le berger Silene pleuroit comme un veau
11. D'Ou vient, ma bergere, que tu veux changer?
12. On ne me prendra point sans verd, Iris
13. Pour les bergeres coquettes je suis un amant coquet
14. Il faut esperer & craindre dessous l'empire amoureux
15. Aimons-nous, aimable bergere
16. Philis quitte sa rigueur, sous amour elle se range
17. Que cherchez-vous, mes yeux avecque tant de piene?
18. Si j'aime la jeune Artenice, ah! n'en soyez point en couroux?
19. L'Autre jour je rencontray une bergere à mon gré
20. Sur l'amitié d'Isabelle je fonde tous mes plaisirs
21. Beau sujet de mes tourmens: belle Iris, est-il possible?
22. Je suis plus heureux qu'un Roy
23. Ah! que vostre humeur est étrange de vous piquer de cruauté?
24. Helas! c'est bien en vain que pour finir ma peine
25. Vous ne valez pas la piene que pour vous on prenne feu
26. J'avois juré que l'amoure ne seroit jamais ma peine
27. Iris n'est plus icy, tout languit de tristesse
28. Lors que je voy vos traits charmans
29-31. Airs à deux (SB):
29. Vous voulez qu'on vous trouve belle
30. Quoy? l'Amour vous fait peur, et vous craignez
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31. Allons, mon coeur, ah! c'est trop se contraindre!

32-34. Chansons pour boire à deux (SB):
32. Nous sommes en repos, tenons table à loisir
33. Chanter le verre en main une chanson bachique
34. Que veux-tu faire d'une aiguiere?
Edition:
• nos. 1-34:
Les Trois Livres d'Airs, 1668

• "Les trois Livres d'Airs, regravez de nouveau en duex volumes, augmentez de
plusieurs airs nouveaux, de chiffres pour le theorbe et d'ornements pour la me-
thode de chanter", Paris, 1668.
The composers gives after almost all his airs ornamented versions of the upper
parts according to his singing method. Performance by one voice and bc also
possible.
NB: the vocal bass part is figured bass as well; a2 unless otherwise indicated.
"Première Partie":
1 Puisque Philis est infidelle
2. Je voy des amans chaque jour sans crainte
3. Mon sort est digne de pitié
4. Lorsque mon coeur pour exprimer sa peine
5. En vain j'ay consulté l'amour
6. Tantost je suis sous l'empire des yeux de la belle Iris a3
7. C'est bien a tort que l'on se plaint d'amour
8. Au secours ma raison
9. Il n'est parlé que de charme
10. Je tasche in vain de faire resistance à la douleur
11. Qui conte les faveurs merite qu'on l'en prive
12. Pour donner à mon coeur quelque soulagement
13. Auprez des beaux yeux de Silvie
14. Si je vous dis que je vous ayme
15. Le Printemps est de retour a3
16. Petit abeille mesnagere si vous ne cherchez que des fleurs
17. Vous ne pouvez Iris vous monstrer plus sévère
14. Qu'il coûte cher de voir Silvie
15. Dûssay je avoir mille rivaux
16. On est heureux de n'aimer rien
17. Vous sçavez donner de l'amour le pouvoir
18. Pour la bergère Lisette je soupire
19. Il faut parler pour finir son martire
20. Petits aigneaux si vous errez
21. A l'ombre de ce bocage Cloris et Tircis un jour
"Seconde Partie":
22. Vous l'avez entendu
23. Après mille tourmens
24. Vous soupirez tout haut
25. Des beaux yeux a3
26. Que les momens
27. Loin de vos yeux
28. Petite fleur brunette
29. Si je me plains des rigueurs
30. Ruisseau qui dans la plaine a3
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31. Un coeur amoureux

32. Vous doutez que l'amour
33. Qu ún silences éternel
34. Iris en vain pour me surprendre a3
35. Soûpirez, doux Zephirs
36. Vous demandez que veut dire
37. Pour une bergère infidelle a3
38. Faut il que malgré ma raison
39. Que l'on vivrait heureusement
40. J'avois juré l'autre jour a3
41. Lorsque pour me contenter a3
42. Quand je vous dis
43. Si malgré la rigueur
44. Tout ce que l'on void
45. Après mille rigueurs vous partez
46. Je fais ce que je puis
Edition:
° Facsimile edition in 2 volumes; introduction with a biography and a catalogue
of his works by Ph. Lescat, and an essay by J. Saint-Arroman on Bacilly's
"Remarques" to his book of Airs:
138S2 Première Partie; the Appendix gives as well 5 songs from the 1661 version € 56,--
printed as "Nouveau Livre d'Airs" which were apparently
dropped for the revised 1668 edition:
a. Que l'on vivroit heureusement en vous aymant
b. J'avois juré l'autre jour a3
c. Quand je vous dis que moln mal est extreme
d. Ouy j'aime ma prison
e. Quand vous nous dites que vostre ame par la seule
139S2 Seconde Partie € 49,--
Bales, A. (?) • Chloris sigh'd, and sang, and wept

° see: Collections: "English Songs, 1626-1660", ed. I. Spink
Banfield, M. • Counsel (A. Cowley):

° see: Collections: "Abraham Cowley's "The Mistress", 1656
Banister, J. John Banister
• 16 Songs in: "Choice, Ayres, Songs and Dialogues", 1673-1684:

1. Amintas that true hearted swain (in: book I)
2. Bear witness now you silver streams (IV)
3. Beneath a myrtle shade (I)
4. Can Luciamira so mistake (I)
5. Come unto these yellow sands (II)
6. Dry those eyes which are o'erflowing (II)
7. Full fathom five thy father lies (II)
8. Give me my lute in thee some ease I find (II)
9. Go thy way why should'st thou stay (II)
10. I languish for one that ne'er thinks of me (I)
11. Let's love and let's laugh (II)
12. Lo behind a scene of seas (I)
13. On the bank of a brook as I sat (I)
14. Since we poor slavish women know (I)
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15. Thus all our lives long we're frolic and gay (I)
16. Young Phaon strove the bliss to taste (II)
Edition:
Barbarino, B. Bartolomeo Barbarino
Canzonette, 1616
• "Canzonette a una e due voci con alcuni sonetti da cantarsi da una voce sola
nel chitarrone ó altro instromento, in soprano, overo in tenore, come più il
cantante si compiacerà...Novamente composte, & date in luce...", Venice,
R. Amadino, 1616
for high voice and bc: nos.1-9 and 22-28; for 2 high voices, bc: nos.10-21
1. Vezzosetta, pargoletta
2. Occhi belli al primo sguardo
3. Dal tuo impero, ceico arciero
4. Alma mia dove ten vai
5. Filli mia, Filli gentile
6. Filli, cor del mio core
7. Or che tace Filomena
8. Bella sei, cara e vezzosa
9. Donna già piansi, or canto
10. D'una guancia alma ridente
11. Filli mia, Filli cara
12. Cloride mia, che sarà del mio cor
13. Filli bella e gentile
14. Bella è la Donna mia
15. Come cara sei vezzosa
16. Corri Filli, corri al parto
17. Filli mia dove ten vai
18. Altro non è il mio cor
19. Se bel rio, se bell' auretta
20. Su'l mattin quando colora
21. Vaghi rai, mercede, aita
22. Vul ch'io l'ami costei, ma un duro freno
23. Occhi leggiadri, in cui bellezza e Amore
24. Sorge l'aurora e con la man di rose
25. Ecco spietata Filli, ecco ch'Amore
26. Sedeva in grembo a i fior, turbata il volto
27. Quanto i martir d'Amor men grave or sento
28. Qui dove più soavi e più odorati
Editon:
• nos. 1-28:
140S2 ° ed. C. Assenza of the music and the poems; with introduction (Italian) € 74,--
Barrett, J. • I wonder what those lovers mean

° see: Prints: 1693-1696: "Thesaurus Musicus"
• The Given Heart (Cowley):

Bassani, G.B. • Dimmi cara

141S2 ° included in: "10 Italian arias of the 17th & 18th cent.", ed. N. Bryks € 16,--
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
° see: Collections: "Arie antiche", ed. Parisotti, vol. 2
Bataille, G. • Si sufro por ti, morena, mucho plaze mi pena

° see: Collections: "Spanish art song in the 17th century" (no. 2)
Berti, G.P. • Dove sei gita

° see: Collections: "La Flora, ed. Jeppesen", vol. II
Biancosi, G. • Ben ch'in me giri

° see: Collections: "La Flora; ed. Jeppesen", vol. II
Biffi, G. • Io sogno Pascariello

° see: Collections: "Anthology of Neapolitan canzonas", ed. Missaglia e.a.
Blackwell, I. Isaac Blackwell
• 8 Songs in: "Choice Ayres, Songs and Dialogues", 1673-1684:

1. Cease fruitless hopes lest you convey (in book IV)
2. Give me thy youth the time of love (III)
3. If languishing eye without language can move (I)
4. So pale Amintas does thy looks appear (IV)
5. Though Sylvia loved too well she knew (IV)
6. Were Celia but as chaste as fair (I)
7. When Damon saw fair Sylvia's face (IV)
8. When first Celinda blest mine eyes (IV)
° see: Prints1673-1684: "Choice Ayres, Songs and Dialogues"
Blagrave, Th. • What means this strangeness now of late?

° see: Collections: "English songs, 1626-1660", ed. I. Spink: no. 105
Blow, J. John Blow
a) Songs in: "Choice Ayres, Songs and Dialogues, I-V", 16 73-1684:
1. Alexis dear Alexis lovely boy (in book V)
2. Amintor on a river side (IV)
3. As Celadon and Chloris all along (II)
4. As on his deathbed gasping Strephon lay (III)
5. Awake my lyre and tell (III)
6. Bless mortals, bless the cheering light (IV)
7. Draw out the minutes twice as long (IV)
8. Fain would I Chloris e'er I die (IV)
9. Fair lady so strong are the charms of your eyes (II)
10. Go perjured man and if thou e'er return (IV)
11. I'll tell thee my Celia if never before (III)
12. In vain brisk god of love (IV)
13. Let equipage and dress despair (IV)
14. Lovely Sabina innocent and free (IV)
15. Phyllis accept a broken heart (IV)
16. Stay gentle Echo, dear nymph stay (V)
17. Tell me Strephon that I die (IV)
18. 'Tis not my lady's face that makes me love her (II)
19. Why does the morn in blushes rise (IV)
Edition:
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
b) 17 Songs in: "The Theater of Music", 1685-16 87

1. All my past life is mine no more
2. Fill me a bowl a mighty bowl
3. Go perjured man and if thou e'er return
4. How I have served how just or true
5. If I live to be old for I find I go down
6. If mighty wealth that givbes the rules
7. I little thought thou fond ingrateful sin
8. Long by disdain has Celia strove
9. O love that stronger art than wine
10. Pleasures by angels unenjoyed
11. Return fair princess of the blooming year
12. Shot from Orinda's brighter eyes
13. Since the spring comes on and the teeming earth
14. Strife hurry and noise that fills the lewd town
15. Weep all ye nymphs your floods unbind
16. When I drink my heart is possessed
17. Whilst on Septimus's panting breast
Edition:
c) "Amphion Anglicus", 1700

"Amphion Anglicus. A Work of many compositions for one, two, three and four
voices: with several accompagnements of Instrumental Musick; and a thorow-
bass to each song...", London, W. Pearson, 1700.
alphabetical list of titles:
1. Ah Heav'n! what is't I hear? SS, bc
2. And is my Cavalier return'd S, 2 recorders, bc
3. A Prince so young and of so great a mind S, bc
4. Arms, arms he delights in arms B, bc
5. As on Septimius panting breast SB, 2 violins, bc
6. At looser hours, in the shade (Horace to his lute) B, bc
7. Bring, shepherds, bring the kids TB, bc
8. Clarona, lay aside your lute T, bc
9. Cloe found Amintas lying all in tears SSB, bc
10. Come fill the glass, fill it high (A song in imitation of Anacreon) TB, bc
11. Couch'd by the pleasant Heliconian spring SB, bc
12. Emply'd all the day still in publick (A song for the Musick Society) TB, bc
13. Go, go perjur'd maid TB, bc
14. Go perjur'd man SB, 2 violins, bc
15. Happy the man who languishing (Sappho to the goddess of beauty) S, bc
16. If I my Celia cou'd perswade TT, bc
17. If mighty wealth that gives the rules (A translation out of Anacreon) T, bc
18. It is not that I love you less (The self banish'd; out of Waller, a Minuet) S,bc
19. Lately on yonder swelling bush (The Bud, by mr. Waller) SB, bc
20. Lysander I persue in vain (A mad song) S, bc
21. Make bright our warrior's shield BB, bc
22. Morpheus the humble God SB, bc
23. Musick's the cordial of a troubled breast B, 2 violins, bc
24. Of all the torments (A love song) T, bc
25. Oh! Nigrocella don't despise (The fair lover and his black mistress) T, bc
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26. Oh turn not those fine eyes away T, bc

27. Oh Venus, daughter of the mighty Jove (Sappho to the goddes of love) S,bc
28. Oh! when ye pow'rs must his (A song perform'd before the King) T, bc
29. Orithea's bright eyes, does all TB, bc
30. Philander do not, do not (Myrtilla to Phylander designing for France) S, bc
31. Poor Celadon, he sighs (Loving above himself) A, 2 violins, bc
32. Prithee, die and set me free (Kellsea Coom) TB, bc
33. Rise, mighty monarch, and ascend B, bc
34. Sabina has a thousand charms (A love song) T, bc
35. Shepherds, deck your crooks T, bc
36. Sing, sing ye Muses SATB, 2 violins, bc
37. Tell me no more your love, Celia T, bc
38. The rites are perform'd)
39. The sullen years are past (A song perform'd before the Queen) S, bc
40. To me you made a thousand vows (Dialogue between a man and his wife)
SB, bc
41. Welcome ev'ry guest S, 2 violins/recorders, bc
42. What is't to us who guides the state (A dialogue between Philander and
Terpander upon the burning of Whitehall Chappel BarB, bc
43. When artist hit on lucky (On the excellency of mrs. Hunt's voice and
manner of singing SS, bc
44. Whence, Galatea? why so gay? (A pastoral dialogue complaining the Prin-
cess's birthday was not celebrated, February 1698) SB, bc
45. When I drink my heart is possest TB, bc
46. While on your neck no rival boy (A dialogue between Horace and Lydia)
SB, bc
47. Why does my Laura shun me? (The Grove; a song to a minuet) T, bc
48. Why, Flavia, why so wanton still? (Flavia grown old) T, bc
49. Why weeps Asteria? T, bc
Edition:
142S2 ° Facsimile of the 1700 edition (cloth) € 145,--
d) Other Editions

143S2 • 10 Songs for high voice and bc; ed. M. Pilkington:
1. Tell me no more
2. Grant me, ye gods
3. Clarona, lay aside your lute
4. Boasting fops
5. The perfection
6. The self banished
7. Fain would I, Chloris
8. Philander, do not think of arms
9. What is 't to us
10. Of all the torments
Sources:
"Amphion Anglicus", 1700 (1, 3, 6, 8-10)
"The Banquet of music...book II, London, Playford, 1688 (2)
The Gentleman's Journal, September 1682 (4)
"A Third Collectoin of new songs, the words by Mr. D'Urfey set to music by
the best masters", London, 1685 (5)
"Choice Ayres and Songs...book 4", London, 1683 (7) € 13,50
• Arms, arms, arms, he delights in (for bass; from "Amphion Anglicus", 1700)
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° see: Collections: "Das Musikwerk", volume XIII
• Love's Ingratitude (Cowley):

• Lysander I pursue in vain (a mad song)

° see: Collections: "Thirteen Mad Songs", ed. T. Roberts
• Tell me no more you love, Celia

144S2 ° ed. Bergmann / Tippett € 6,--
• The self banish'd (It is not that I love you less)

° ed. Bergmann / Tippett:
145S2 for high voice € 6,--
146S2 for low voice € 6,--
Blundeville, J. • The Despair (Cowley):

Bononcini, G.M. Giovanni Maria Bononcini sr.
Cantate op. 10, 1677

• "Cantate per camera a voce sola, Libro primo...Opera decima", Bologna, G.
Monti, 1677
12 cantatas: nos. 1-11 for 1 voice and bc, no. 12 for 2 voices and bc:
1. Dedicatoria: Vivo fuoco è la Terra B
2. Zenobia prigioniera: Con intrepido core carca d'auree catene S
3. Amante convinto da un sguardo di bella Donna: Mio core alla guerra B
4. La Fortuna arruota Cortelli: Mortali olà, venite S
5. Bellisario nel Tugurio: Di Deità infedele ò barbare vicende B
6. Amante sprezzato: Licenziate, ò miei pensieri S
7. Ercole all' Inferno per liberar Teseo: Dall' ombre eterne à sprigionar B
8. Cleopatra moribonda: Per non calcar di Roma gl'abborriti confini S
9. Interrompimento d'una Serenata: Tacete canore Sirene B
10. Le Querele di Venere sù l'estinto Adone: Intraccia del suo bene S
11. Valeriano in carcere: Disseratevi abissi orribili B
12. Venere e Vulcano: Reggeva à piè dell'oziose incudi SB
Edition:
147S1 ° Facsimile of the 1677 edition (hardback) € 56,--
• Datti pur pace

Borboni, N. • Non voglio amare per non peanre

° see: Prints 1622: "Vezzosetti Fiori"
Boretti, G.A. • 2 Canzonettas for high voice:

1. Celar d'amor la fiamma
2. Con l'assolto d'ardenti sospiri
° see: Prints 1679: "Scelta di Canzonette Italiane de piu autori..."
Borja, C. de • Ay silencio apacible

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_______________
° see: Collections: "Tonos humanos en el siglo XVII"
Bousset, J.-B. de • Je ne refuse point d'aimer (air à boire)

(from his "XIme livre d'airs sérieux et à boire", Paris, Ballard, 1697)
Bowman, H. • Ancient Phillis has young graces (from: The Double Dealer; without bc)
Brewer, Th. Thomas Brewer
• 2 Songs:
1. Mistake me not, I am as cold as hot
2. O that mine eyes could melt into a flood
° see: Collections: "English songs, 1626-1660", ed. I. Spink: nos. 103-104
• O that mine eyes could melt into a flood

with ornamentation from GB-Lbl Add. 11608
° see: Collections: "Das Musikwerk", volume XXX
Briceño, L. de • Volaba la palomita por encima del verde limón (folías):

° see: Collections: "Spanish art song in the 17th century"
Brossard, S. de Sébastien de Brossard
Cantatas
1. Abraham (1703-8) SdB.69
Bd; bc
2. Samson trahi par Dalila (1703-8) SdB.70
Bd; bc
3. La Chute de Salomon (1703-8) SdB.71
Bd; flute (violin); bc
4. Judith (1703-8) SdB.72
Bd; flute (violin); bc
5. Les trois enfants de la fournaise (1703-8) SdB.73
Hc; 2 violins (flutes); bc
6. Balthazar (incomplete) (1703-8) SdB.74
Bt; 2 violins (flutes / oboes); bc
7. Les Misères humaines SdB.75
B; bc
8. Cantata morale sopra la vanità (1698) SdB.76
Bd; ad lib: 2 violins (flutes); bc (with bassoon)
9. Leandro (1699-1700) SdB.77
BdHcB (or: HcTB); 2 violins; bc
Sources:
F-A 4845 (7)
F-Pn Vm7: 7 (8), 62 (9) and 164 (1-6)
Edition:
• nos. 1-5 and 7-9:
148S2 ° ed in score by J. Dorival € 108,--
In this edition all these works have also been issued separately, in a set of
vocal and instrmental parts as required for performance:
149S2 no. 1 € 17,50
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_______________
150S2 no. 2 € 13,--

151S2 no. 3 € 20,--
152S2 no. 4 € 20,--
153S2 no. 5 € 31,50
154S2 no. 7 € 10,--
155S2 no. 8 € 33,--
156S2 no. 9 € 58,--
Brown, R. • 2 Songs in: "The Theater of Music":

1. Long had Phyllis Strephon loved
2. When first I passed the happy night
Brunelli, A. Antonio Brunelli
Varii Esercitii, 1614

• "Varii Esercitii...per una, e due voci cioe soprani, contralti, tenori & bassi, per
i quali si potrà con facilità aqquistare la dispositione per il cantare con pas-
saggie per esercitio di cornetti, traverse, flauti, viole, violini, & simili stromenti,
con alcuni ruggieri à dua soprani per sonare. Opera Undecima", Florence,
Z. Pignoni, 1614
Exercises for 1 voice or instrument, 2 voices or instruments (and bc) & Aria di
Ruggiero per sonare for 2 high instruments and bc
Edition:
157S2 ° ed. R. Erig € 20,--
• "Scherzi, arie, canzonette, e madrigali a una, due, e tre voci, per cantare sul
chitarrone, & stromenti simili...Libro terzo, Opera duodecima", Venice, G.
Vincenti, 1616
from op. 12:
158S2 ° Balletto: Di quel nudo pargoletto (ballo grave) - Alle piagge alme di Gnido
(gagliarda) - Nelle vaghe trecce bionde (corrente)
NB: "Questo balletto se bene è à 5, si può cantare à una voce sola cioè il
primo soprano, e à 2, cioè i due soprani quali si possono cantare
ancore in tenore" € 8,--
Busatti, Ch. • "Arie a voce sola commodo da cantarsi nel clavicembalo, chitarone & altro
simile stromento, con le lettere dell'alfabetto per la chitarra spagnola",
Venice, A. Vincenti, 1638
from this collection:
° 4 Arias; see: Collections: La Flora: vols. I and II:
1. Pupillette
2. Morto son io
3. È tornato il mio ben
4. Dite ch'io canti
Buzzoleni, G. • 3 Arias:
1. Volgimi, o cara Filli (beginning of cantata: Supplica amorosa)
2. Sì che morto (from cantata: Lontananza)
3. Non fuggirai (from cantata: Sogno)
° see: Collections: La Flora, vols. I and II
Caccini, F. Francesca Caccini
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Il primo libro delle musiche, 1618

• "Il primo libro delle musiche a una, a duo voci", Florence, Z. Pignoni, 1618
A large collection of secular and sacred music (sonetti, ottave, ottave sopra la
Romanesca, canzonette, mottetti, hinni, arie, arie allegre, madrigali).
The 17 secular monodies and duets in this opus are:
1. Ardo infelice (aria d'ottave) S, bc
2. Io mi distruggo, et ardo (madrigale) SB, bc
3. Lasciatemi qui solo (aria) S, bc
4. Io veggio i campi verdggiar fecondi (aria sopra la Romanesca la quale si
puo trasportare alla quarta alta) S, bc
5. La pastorella mia (ottava sopra la Romanesca) S, bc
6. Rendi alle mie speranze il verde (aria sopra la Romanesca) S, bc
7. Dov 'io credea le mie speranze vere (aria sopra la Romanesca) S, bc
8. S'io men vò (canzonetta) SB, bc
9. Non sò se quel sorriso (canzonetta) S, bc
10. Chi desia di saper che casa è Amore (canzonetta per cantare sopra la
chitarra spagnola) S, bc
11. Che t'ho fatt'io? (canzonetta) S, bc
12. O vive rose (canzonetta) SB, bc
13. Se muove a giurar fede (canzonetta) S, bc
14. Ch'Amor sia nudo (canzonetta per cantare sopra la chitarra spagn.) S, bc
15. Fresche aurette (canzonette) SB, bc
16. Dispiegate guancie amate (canzonetta) S, bc
17. O chiome belle (canzonetta) S, bc
Editions:
159S2 • nos. 1-17:
° Critical edition by R.J. Alexander and R. Savino € 36,--
160S2 • nos. 8-17:
° ed. B. Staropoli & J.W. Greene € 53,--
• Pascomi di sospir languendo e debile

° see: Collections: "Roman Monody"; ed. J.W. Hill: no. 92
Caccini, G. Giulio Caccini
Le nuove musice, 1601

"Le Nuove Musiche", Florence, Marescotti, 1601:
1. Movete à pietà
2. Queste lagrim' amare
3. Dolcissimo sospire
4. Amor, io parto
5. Non più guerra
6. Perfidissimo volto
7. Vedrò 'l mio sol
9. Sfogava con le stelle
10. Fortunato augellino
11. Dovrò dunque morire
12. Filli, mirando il cielo
13. Ultimo Coro del Rapimento di Cefalo
14. Aria prima: Io parto, amati lumi
15. Aria seconda: Ardi, cor mio
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16. Aria terza: Ard 'il mio petto misero

17. Aria quarta: Fere selvaggie
18. Aria quinta: Fillide mia
19. Aria sesta: Udite, udite, amanti
20. Aria settimia: Occh' immortali
21. Aria ottava: Odi, Euterpe
22. Aria nona: Belle rose porporine
23. Aria ultima: Chi mi confort' ahimè
Editions:
• nos. 1-23:
161S2 ° Facsimile of the 1601 and 1614 editions € 33,--
162S2 ° Facsimile of the 1601 edition; MMMLF I/29 (hardback) € 99,--
163S2 ° Facsimile of the 1601 edition; paperback € 32,50
164S2 ° ed. W. Hitchcock with introduction, critical commentary and English transla-
tions eprinting
• no. 2:
165S2 ° ed. J. Sanderson from GB-Lbl Egerton 2971 € 3,--
• no. 11 (from I-Bc Q 140):
• nos. 8 and 11:
see: Lute Songs: "A musicall banquet...collected by Robert Dowland", 1610
• nos. 8 and 16:
Nuove musiche e nuova maniera, 1614

• "Nuove Musiche e nuova maniera di scriverle, con due Arie particolari per te-
nore, che ricerchi le corde del basso....nelle quali si dimostra, che da tal manie-
ra di scrivere con la pratica di essa, si possano apprendere tutte le squisitezze
di quest' Arte, senza necessità del canto dell'autore; adornate di passaggi, trilli,
gruppi, e nuovi affetti per vero esercizio di qualunque voglia professare di can-
tar solo", Florence, Z. Pignoni, 1614:
1. A quei sospir ardenti
2. Alme luci beate
3. Se in questo scolorito languido volto
4. S'io vivo, anima mia
5. Se ridete gioiose
6. Ohimè, begli occhi
7. Dite o del foco mio
8. O' dolce fonte del mio pianto
9. Ch' io non t'ami cor mio
10. Hor che lungi da voi
11. Pien d'amoroso affetto
12. Amor l'ali m'impenna
13. Se voi lagrime a pieno
14. Vaga su spin' ascosa
15. La bella man vi stringo
16a. Tutto 'l dì piango
16b. In tristo umor
16c. Lasso, che pur
16d. Più l'altrui fallo
17. Torna, deh tora
18a. Io, che l'età solea viver ne fango
18b. Di seguir falso duce
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18c. E poi ch'a mortal rischio

18d. Reggami per pietà
19a. Deh chi d'alloro
19b. Già non l'allaccia
20. Mentre che fra doglie e pene
21. Non ha 'l ciel cotanti lumi
22. Amor ch'attendi
23. O piante, o selve ombrose
24. Tu ch'hai le penne Amore
26. Aur' amorosa
27. O che felice gionro
28. Dalla parta d'oriente
29. Con le luci d'un bel ciglio
Editions:
• nos. 1-29:
166S2 ° Facsimile of the 1601 and 1614 editions € 33,--
167S2 ° ed. H.W. Hitchcock, with introduction, critical commentary and Engl. trans-
lations of the song texts. Manuscript versions consulted for this edition:
I-Fc ms. Barbera (nos.6,21,25,26,28,29); I-Fn Magl.: XIX.66 (nos. 11, 12,
20, 21,23, 25, 27, 28) and XIX.25 (22); B-Bc 704 (nos. 9, 12, 14, 20-23,
25, 27-29); GB-Ob Tenbury 1018 (nos.10, 28). € 69,--
Caesar, W. (alias Smegergill):

• 2 Solo songs:
° see: Collectons: "English Songs, 1626-1660", ed. I. Spink: nos. 93-94:
93. Blow gently passion in my fair one's breast
94. If any live that fain would prove
Calestani, V. • "Madrigali et arie per sonare et cantre nel chitarrone leuto o clavicimbalo a
una, e due voic...parto primo", Venice, G. Vincenti, 1617
° 2 Solo madrigals; see: Collections: La Flora, volumes I and III:
1. Accorta lusinghiera
2. Ferma, Dorinda mia
Caproli, C. Carlo Caproli
• 2 Cantatas:
1. Frondosi e verdi boschi
2. Di sue bellezze altera
° see: Collections: "Amor Roma"
• 2 Canzonettas for high voice:

1. Dite che far poss'io
2. Lidio in vano presumi
Carissimi, G. Giacomo Carissimi
Manuscript Bologna
• Manuscript in Bologna, Civico Museo Bibliografico Musicale, containing
20 cantatas by Carissimi for 1 or more voices and bc:
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alphabetical list of titles:

1. Almeno un pensiero S
2. A piè d'un verde alloro SS
3. Bel tempo per me se n'andò S
4. Cara dolce mia vita S
5. Che legge è questa, oh Dio B
6. Chi fugge d'Amor gl'affanni SS
7. Così volete, così sarà T
8. È bella l'ardire S
9. Hor che di Sirio S
10. Indovine Pellegrine SS
11. La Regina de Volanti S
12. Le ferite d'un cor SST
13. Mesto in sen d'un antro ombroso T
14. Nò nò mio core S
15. Per mille colpe ST
16. Sciolto havean dall' alte sponde SSBar
17. S'io del ciel fossi signora S
18. Soccorretemi ch ío moro S
19. Tu m'hai presso a consumare T
20. Un infelice core S
Edition:
168S2 ° Facsimile edition of the manuscript with an introduction by P. Mioli € 40,--
• Ferma, lascia, ch' io parli (Lament of Mary, Queen of Scots)

S, bc
169S2 ° ed. by C. Bartlett from GB-Lbl Harley 1265 in 2 versions (the original one
in g, and one transposed down a tone in f) € 10,--
170S2 ° ed. J. Sanderson from the same source € 10,--
• Filli, non t'amo più

aria for S and bc
171S2 ° ed. R. Halton from the ms. in GB-Och € 10,--
• No, no, non si speri (canzona from I-Rvat Barberina lat., ms.4168, no.4)
° see: Collections: "Alte Meister des Bel Canto…for alto" (no.3)
• Vittoria, mio core! (cantata from I-MOe mus.ms. G 28)

° see Collections: "26 Italian songs and arias", ed. J.G. Paton; no.3
• 2 Canzonettas for high voice and bc:

1. Crudo a' amore il mio core
2. La mia fed' altrui giurata
• 3 Cantatas and a Canzonetta:

1. Soccorretemi, ch'io moro! (from ms. in I-Rvat)
2. No, no, non si speri (from ms. in I-Rvat)
3. Così volete, così sarà (from ms. in I-Bc)
4. La mia fed' altrui giurata (from: "Selta di canzonette Italiane...", 1679)
° see: Collections: "Alte Meister des Bel Canto", volume I, nos.11-14
• 6 Arias:
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1. Vittoria! vittoria! mio core! (cantata from I-MOe G 28)

2. Fuggite, fugitte! (end of cantata: "Penosa rimembranza")
3. Sventura, cuor mio
4. Come seti omportuni
5. Ma no, non fuggir (end of cantata: "Fuggi, o mio core")
6. Non posso vivere
° see: Collections: "La Flora", ed. K. Jeppesen: volume I
Casati, G. • Ahi, quanto ne godo

° see: G. Ghizzolo: "Madrigali et arie per sonare et cantare...Libro primo":
no. 17
Castaldi, B. Bellerofonte Castaldi
Primo Mazzetto, 1623

• "Primo Mazzetto di Fiori musicalmente colti dal giardino bellerofonteo",
26 works for 1 to 3 voices and bc:
1. Corrente: Con questi amorosi fioretti T
2. Madrigale in echo: hor che la notte ombrosa T
3. Passeggio: Non pensar Clori crudele A
4. Francese lamentevole: Hor che mi val soffrir sempre doglia e martir T
5. Aria boscareccia: Dunque Clorida mia per questi prati T
6. Colei che tanto tormentami A
7. Aria d'ottava rima: Porterà 'l Sol dal Occidente il giorno T
8. Vezzosette e care pupillette ardenti T
9. Augelletti lascivetti T
10. Corrente: Saetta pur saetta T
11. Sonetto del Sonno: O Sonno ò de la queta humida imbrosa Notte T
12. Gagliarda: Amor possente T
13. Fuor di noia di pene e tormento T
14. Passeggio: Hor meno lieti i giorni e l'hore T
15. Gagliarda: Vissi al hor noiosa vita T
16. Passeggio disperato: Quell'altera che di ghiaccio s'arma T
17. Passeggio: Lo sdegno c'hora scorgemi T
18. Gagliarda persuasiva: O Cloridahor che fra gli arboscelli T
19. Passeggio: O crudel Amor tu non mi progi aita T
20. Corrente: Amor colei che mi fà languir A
21. Tua chioma oro simiglia T
22. Oh com'è vaga o com'impiaga TT
23. Quella che tanto ser vita adorata TT
24. Corrente Primaveresca: O Clorida vaga e gentile TT
25. Passeggio: Tutte le viste homai son fatte accorte TT
26. Arione, a tre: Misero giovinetto TTB
Edition:
172S2 ° Facsimile of the 1623 edition; introduction (Italian) by P. Mioli € 25,--
Catalani, O. • In che misero punto hor qui mi mena

Cavalli, F. Francesco Cavalli
• Son ancor pargoletta
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from: "Arie de diversi raccolta da A. Vincenti", 1634

° see: Collections: "La Flora, ed. K. Jeppesen", volume I
• 2 Arias:
1. È rimedio al mal d'Amore (from his opera: Erismena, 1655)
2. Pazzi amanti
Cave, J. • Now Whitehall's in a grave

Cazzati, M. Maurizio Cazzati
• 4 Arias (1656):
1. Mi serpe nel petto un dolce veneno (prima strofa)
2. Noioso contento (seconda strofa)
3. Ristretta favilla (terza & ultima parte)
4. Volgete il guardo
Cantate morali, op. 20

• "Cantate morali, e spirituali a voce sola...Opera vigesima", Bologna, per
l'herede del Benacci, 1659
18 cantatas for one voice and bc:
1. La Verità sprezzara C
2. Per il Giorno di Natale (Che fò, che tardo) C
3. Madrigale al Crocifisso (Di sangue asperso) C
4. Peccator pentito C
5. La Virtù lacerata C
6. Absalone A
7. Peccator penitetente A
8. Nel Martirio di S. Stefano A
9. S. Sebastiano condotto al Martirio A
10. Per la Festa di S. Tomaso Apostolo T
11. A S. Gio. dorminete nel seno del Redentore T
12. S. Gioseffo presente alla nascita di N.S. B
13. S. Gioseffo si duole d'haver perduto il Figlio trattenuto nella disputa B
14. Per il Natale di Nostro Signore B
15. Il Ricco Epulone. Lamento B
16. Aria morale (Mortali, che fate) B
17. Per la Festa de gl'Innocenti B
18. Mondo fugace B
Edition:
Cenci, G. Giuseppino Cenci
• 14 Songs: 11 a1, 1 a2 and 2 a3:

Ahi com'a un vago sol cortese giro
Amorosa Licori a3
Deh dolc' anima mia
Dunque Clorida mia per questi prati
Fuggi, fuggi da questo cielo
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Io che l'età solea viver nel fango

Leggiadri occhi sereni
Occhi ch'alla mia vita
Occhi un tempo mia vita a2
Perchè non togli o Clori a3
Più non amo più non ardo (by Cenci?)
Se l dolce sguardo di costei m'ancide
Se perché a voi mi tolga e più non v'ami
Vita della mia vita egl'è pur vero
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 10, 13, 15, 19, 33,
49, 84, 101, 147, 152-156
Cesti, A. Antonio Cesti
• 4 Cantatas for bass and bc:

1. Tra l'orride pendici
2. O dell' anima mia
3. Chino la fronte
4. Per l'ampio mar d'amore
174S2 ° ed. B. Sachs from D-Mbs mus.ms. 1527 (1-4), I-MOe mus. F.1350 (3)
and F.252 (1) € 19,50
• 2 Canzonettas for high voice and bc:

1. Cara e dolce libertà
2. Mia tiranna òh Dio pietà
° see Prints 1679: "Scelta di Canzonette Italiane de piu autori..."
• Tu mancavi a tormentarmi (from a cantata)

° see: Collections: Arie Antiche, ed. Parisotti, volume II: no. 10
• Vado ben spesso cangiando loco

° see: Collecitons: Arie Antiche, ed. Parisotti, volume III (as by S. Rosa,
who is, however, the poet)
Charpentier, M.-A. MARC-ANTOINE CHARPENTIER

see for complete lists of works:
section: 17th-c. Sacred music for soloists, choir and instruments
a) Complete Works in Facsimile Edition
in this section only those autograph volumes listed

which contain works relevant to this section
vols. 1-28: "Mélanges": the composer's autographs (F-Pn Rés. Vm1. 259)
vol. 29: other manuscripts (autograph & non-autograph) and early editions
vol. 30: critical analyses by W. Hitchcock, C. Cessac & J. Duron
H 1-11: Masses
H 12-15: Sequences; H 16-71: Antiphons
H 72-81: Magnificat settings; H 82-90: Litany of Loreto settings
H 91-144: Tenebrae lessons & Responsories
H 145-148: Te Deum settings; H 149-232: Psalms
H 233-280: Elevation motets; H 281-305 Domine salvum motets
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H 306-390: Occasional motets

H 391-439: Dramatic motets (Oratorios)
H 440-470: Airs sérieux et à boire
H 471-478: Cantatas; H 479-493: Pastorals, divertissements, operas
H 494-507: Intermèdes & Incidental music
H 508-548: Instrumental works (and H-numbers followed by "a")
H 549-551: Writings
vocal scoring: small letters: soloists; capitals: choir

work numbers:
H nos: numbers from W. Hitchcock's thematic catalogue
numbers before titles: Cessac nos. referring to scoring
122S15 Volume XXII

377. La fête de Rueil H 485 3 hd, hc, t, bt or b; HD, HC, T, B; 2 fl.trav.,
2 petites flûtes, 2 recorders, 2 oboes,
strings (5), bc
378. Air pour le roi (À ta haute valeur) H 440 hd; bc
379. Vénus et Adonis (incidental music) H 507 hd, hc; strings (4), bc
380. Second air pour les tapissiers du Malade imaginaire reformé pour la 3e
fois H 495b strings (4)
381. Seconde partie du Noël français qui commence par "Que nos soupirs"
H 483a 2 hd, d, hc, t, bt or b; HD, D,
HC, T, B; 2 flutes, 2 treble viols, bc
382. In festo Corporis Christi Canticum (Venite ad me) H 344 hd, d, hc, t, b;
HD, D, HC, T, B; 2 treble instr, bc
383. Domine salvum H 295 hd, d, b; 2 treble instr, bc
384. Prologue de Sainte la Caecile à 6 et instruments, Harmonia coelestis
H 415a d; 2 treble instr, bc
385. Seconde partie du Noël français qui commence par "Que nos soupirs
Seigneur" H 483b hd, d, hc, t, b;
HD, D, HC, T, B; 2 treble instr, bc
386. Ps. 91 (Bonum est confiteri Domino) H 195 2 hd or 2 d, hc, t, b;
HD, 2 D, HC, T, B; 2 treble viols, bc
387. Élévation (Transfige amabilis Jesu) H 259 hd, d, b; bc
388. Pour le Saint Sacrement au reposoir (Oculi omnium in te sperant) H 346
hd, d, hc, t, b; HD, D, HC, T, B; flute,
fl.trav., bc
389. Ps. 12 (Usquequo Domine) H 196 hd, d, bt, b; recorder, fl.trav.,
bass flute, bc
390. In honorem Sancti Benedicti (Exultet omnium turba fidelium) H 347
hd, d; bc
391. Messe, pour le Port Royal H 5 d d/D; bc
392. Hymne du Saint Sacrement (Pange lingua) H 64 hd, hc, t, b; HD, HC,
T, B; 2 flutes, strings (4), bc
393. Motet du Saint Sacrement, Pour un reposoir (Ecce panis) H 348
hd, d, b; 2 treble instr, bc
394. Litanies de la Vierge à 3 voix pareilles avec instruments H 84
hc, t, b; 2 treble instr, bc
395. Ave maris stella H 65 2 hd, hc, b; HD, HC, T, B; strings (4), bc € 105,--
129S15 Volume XXIX

Works from other manuscripts and from early prints
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A. from other manuscripts

I. from F-Pn Rés. Vmc. ms. 28 (autograph):
506. Ps. 126 (Nisi Dominus) H 231 hd, d, b; 2 treble instr, bc
507. Ps. 129 (De profundis) H 232 hd, d, b; 2 treble instr, bc
II. from F-Pn Rés. Vmc. ms. 27 (autograph):
508. Panis quem ego dabo H 275 hd, d, hc, t, b; 2 flutes, bc
509. Sola vivebat in antris...pour la Magdaleine H 373 hd, d; 2 flutes, bc
510. Flores, flores, o Gallia...pour Sainte Thérèse H 374 hd, d; 2 flutes, bc
511. Adoramus te Christe...pour le Saint Sacrement H 276 hd, d, b; 2 fl, bc
512. Cantemus Domino...pour le Saint Sacrement H 277 hd, d; bc
513. Domine salvum fac regem à 2 voix C sol ut pour le roi H 304 hd, d; bc
514. Amour vous avez beau redoubler mes alarmes H 445 hc; bc
III. from Brossard coll.: F-Pn Vm1. 1175bis, vol. I:
515-524. Méditations pour le Carême H 380-389:
515. Desolatione desolata est terra H 380 hc, t, b; bc
516. Sicut pullus hirundinis H 381 hc, t, b; bc
517. Tristis est anima mea H 382 hc, t, b; bc
518. Ecce Judas H 383 hc, t, b; bc
519. Cum cenasset Jesus H 384 hc, t, b; bc
520. Quarebat Pilatus H 385 hc, t, b; bc
521. Tenebrae factae sunt H 386 hc, t, b; bc
522. Stabat mater H 387 hc, t, b; bc
523. Sola vivebat in antris H 388 hc, t, b; bc
524. Tentavit Deus Abraham H 389 hc, t, b; bc
525. Motet du Saint Sacrement à 4 (O sacrum convivium) H 278
hd, hc, t, b; HD, HC, T, B; bc
526. Motet de la Vierge (Omne die dic Maria) H 390 hd, hc, t, b; HD,
HC, T, B; bc
IV. from Brossard coll.: F-Pn Vm1. 1478, vol. IV
527. Dialogus inter Magdalenam et Jesum H 423 d, hc; bc
V. from Brossard coll.: F-Pn Vm1. 1269, vol. II
528. Le reniement de Saint Pierre (Cum cenasset Jesus) H 424
hd, d, hc, t, b; HD, D, HC, T, B; bc
529. Dilecte mi H 436 hc, t, b; bc
530. Ferte, fert corona coelites H 437 2 hd, b; bc
531. Venite et audite omnes H 438 2 hd, b; bc
532. Gratiarum actiones pro restituta regis christianissimi sanitate anno 1686
(Circumdederunt me dolores) H 341
2 hd; 2 flutes, 2 violins, bc
533. Dialogus inter Christum et peccatores (Mementote peccatores) H 425
2 hd, bt; bc
534. Pour le Carême (Peccavi, Domine) H 378 2 d, b; bc
535. Ps. 50 (Miserere) H 193 hd or d, 2 hc, 2 t, b; HD, 2 D, HC, T, B; 2
flutes, strings (4), bc (2nd version of H 193)
VI. from Brossard coll.: F-Pn Vm1. 1175ter, vol. I:
536. O coelestis Jerusalem H 435 hd, d, b; bc
VII. from F-Pn Vm1. 1272:
537. Bone pastor H 439 hd, d, b; bc
VIII. from F-Pn Cons. Rés. F.924:
538. David et Jonathas, tragédie H 490 5 hd, 3 hc, 2 t, 4 b; HC, HC, T,
B; 2 flutes, 2 oboes, strings (4), bc
VIII. from F-Pn Vm7. 71:
539. Amor vince ogni cosa. Pastorella H 492 hd, d, hc, t, b; 2 treble instr, bc
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540. Pastoraletta italiana IIa (Cupido perfido) H 493 hd, d, hc, b; 2 tre-
ble instruments
IX. from F-Pn Vm7. 53:
541. Beate mie pene H 475 2 d; bc
X. from F-Pn Vm7. 18:
542. Superbo amore H 476 hd, d; bc
543. Il mondo così va H 477 hd; bc
X. from F-A 1182:
544. Coulez, coulez charmants ruisseaux H 478 t; 2 violins, bc
XI. from F-Pn Y 296 (1):
545. Fenchon, la gentille Fenchon H 454 2 d; bc
546. Veux-tu, compère Grégoire H 470 hc, t, b
547. Beaux petits yeux d'écarlate H 448 hc, t, b
XII. from F-Pn Thibault, Rec. H.P. No. X:
548. Quoi! je ne verrai plus H 461 hc; bc
549. Rentrez trop indiscrets soupirs H 464 d; bc
550. Non, non, je ne l'aime plus H 455 hc; bc
551. Ruisseau qui nourris H 466 d; bc
552. Ah! laissez-moi rêver H 441 d; bc
XIII. from F-Pn Vm7. 4822:
553. Profitez du printemps H 495c (for: Le malade imaginaire) hd; bc
XIV. from F-Pn Vm7. 4813 (autogrpah):
554. Sonate pour 2 flûtes allemandes, 2 dessus de violon, une basse de viole,
une basse de violon à 5 cordes, un
clavecin et un théorbe H 548
XV. from F-Pn Rés. Vmf. 11:
555. Il faut aimer, c'est un mal nécessaire H 454 d (no bc)
XVI. from F-Pcf :"Théâtre français", vol. II:
556. Le Malade imaginaire, 1673: Prologue & 3 intermèdes H 495bis
2 hd, 2 d, 2 hc, 2 t, b; HD, HC, T, B;
strings (4), bc
XVII. from F-V mus. 139/143: A. Danican Philidor:
557. Trio for 2 treble instruments and bc H 548bis
B. from early prints
I. "Airs sérieux et à boire", published by the "Mercure Galant", 1678-1695:
558. Quoi! rien ne peut vous arrêter H 462 d; bc
559. En vain rivaux assidus H 452 d; bc
560. Ah! qu'on est malheureux H 443 d; bc
561. Sans frayeur dans ce bois H 467 d; bc
562. Ah! qu'ils sont courts les beaux jours H 442 d; bc
563. Le Bavolet H 499a d; bc
564. Consolez-vous chers enfants de Bacchus H 451 bt
565. Percé jusques au fond du coeur H 457 hc; bc
566. Que je sens de rudes combats H 459 hc; bc
567. Père, maîtresse, honneur, amour H 458 hc; bc
568. Brillantes fleurs, naissez H 449 d
569. Celle qui fait mon tourment H 450 d; bc
II. "Motets mêlés de symphonie", Paris, J. Édouard, 1709
570. Lauda Sion H 268 hd; 2 flutes, bc
571. Pour un confesseur non pontife (Euge, serve bone) H 375 hc, t; bc
572. Pour un confesseur (Beatus vir qui inventus est) H 376 hc, t; bc
573. Pour tous les saints (O vos amici Dei) H 377 t; bc
574. Pour une élévation (O amor, o bonitas) H 279 hd; bc
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575. Motet du Saint Sacrement (Egredimini filiae sion) H 280 hd; 2 violins, bc
576. Pour plusieurs fêtes (Cur mundus militat) H 379 hc, t, b; bc
577. Domine salvum H 305 hc, t, b; HD, HC, T, B; flute, oboe, strings (4), bc
III. Pieces published by Ballard in miscellaneous collections, 1676-1737:
578. Airs de la comédie de Circé H 496 1 to 3 voices with(out) bc
579-581. Parodies of airs from Circé H 496a-c
582. Médée, tragédie (Th. Corneille) mise en musique (Ballard, 1694) H 491
5 hd, 4 d, 2 hc, 2 t, bt, 2 t; HD, D,
HC, B; 2 flutes, bass flute, 2 oboes,
trumpet, drums, strings (5), bc
583-585. Parodies of 6 airs from Médée H 491a-c
586. Si Claudine ma voisine (from: L'Inconnu) H 499a b
587. Ayant bu du vin clairet H 447 d, b; bc
588. Qu'il est doux, charmante Climène H 460 d
589. Dialogue en trio (Mementote peccatores) H 425 2 hd, bt; bc
590. Auprès du feu l'on fait l'amour H 446 d; bc
591. Tristes déserts, sombre retraite H 469 d; bc
592. Tout renaît, tout fleurit H 468 2 d; bc
593. Retirons-nous, fuyons H 465 d; bc
594. Alons sous ce vert feuillage H 444 2 d; bc
595. Motet à 2 dessus (Flores, flores, o Gallia) H 374 hd, d; 2 violins, bc
596. Rendez-moi mes plaisirs H 463 hc; bc
597. Oiseaux de ces bocages H 456 d; bc
598. Faites trêve à vos chansonettes H 453 hd NOT YET PUBLISHED in prep.
b) Other Editions
175S2 ° Vocal Chamber Music; ed. in score by J.S. Powell

1. Orphée descendant aux enfers H 471 VI/137
HC, T, B; 2 violins, flute, recorder, bc
2. Cantate françoise: "Coulez, coulez, charmants ruisseaux" (from F-A 1182)
H 478 XXIX/544
T, 2 violins, bc
3. Serenata a tre voci e simphonia H 472 VII/153
D, HC, B; 2 violins, bc
4. Superbo amore (from F-Pn Vm7. 18) H 476 XXIX/542
duet for HD, D and bc
5. Il Mondo così va (from F-Pn Vm7. 18) H 477 XXIX/543
HD and bc
6. Beate mie pene (from F-Pn Vm7. 53 and Vm7. 8) H 475 XXIX/541
2 D and bc
7. Epitaphium Carpentarij H 474 XIII/487
HD, D, 2 HC, T, B and bc € 62,--
Charles, Th. • Why will you swear I am forsworn

Chinelli, G.B. • 2 Arias:

1. Ben accorta ben sagace
2. V'ingannate o pensieri
° see: Prints 1656/: "Arie a voce sola de diversi autori": nos. 18-19
Cifra, A. • La violetta
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from: "Li diversi scherzi...a una, a due, & quattro voci, libro quarto, opera
vigesima...", Rome, G.B. Robletti, 1615
° see: Colections: La Flora, ed. Jeppesen: volume III
Cobb, J. • 3 Songs in "Choice Ayres, songs and dialogues", book II:

1. Adieu my Cordelia my dearest, adieu
2. Thou art so fair but cruel too
3. When first, fair saint, I thought you kind
Coleman, Ch. • 6 Solo songs:

68. Wake my Adonis, do not die
69. Bright Aurelia, I do owe
70. Wilt thou be gone, thou heartless man
71. Change, Platonics, change for shame
72. How am I chang'd from what I was
73. When Celia I intend to flatter you
74. Did not you once, Lucinda, vow (dialogue)
Coleman, E. • 2 Songs:
1. Why, dearest, should you weep
2. The glories of our birth and state
° see: Collections: "English songs, 1626-1660", ed. I. Spink (nos. 110-111)
Colonna, G.P. Giovanni Paolo Colonna
• Cleopatra moribonda (Là dilascio severo)

cantata for soprano and bc
176S2 ° ed. J. Sanderson fromGB-Lbl Add. 27931 € 10,--
• Fidalmo sfortunato
cantata for alto and bc
177S2 ° ed. J. Sanderson for GB-Lbl Add. 27931 € 10,--
• Il mondo armato
cantata for bass and bc
178S2 ° ed. J. Sanderson for GB-Lbl Add. 27931 € 10,--
• L'Adamo (Orme, che sovra il suolo)

179S2 ° ed. J. Sanderson from GB-Lbl Add. 14110 € 10,--
Cossoni, C.D. Carlo Donato Cossoni
Il primo libro delle canzonette, 1669

• "Il primo libro delle canzonette amorose a voce sola...Opera settima",
Bologna, G. Monti, 1669
20 Canzonettas for 1 voice and bc: nos. 1-12 for S or T, nos. 13-16 for A and
nos. 17-20 for B:
1. Guardami mà non ridere (Lusinghe d'Amor conosciute d'Amante scaltro)
2. Belle Donne io tengo un core (Amante volubile)
3. La mia Dama par ferita (Sopra li segni neri, che portano le Dame sù 'l mos-
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taccio)
4. Occhi belli da voi bramo mercè (Chiede da begli occhi mercè)
5. Rido una volta in cento (Vita d'Amante infelice)
6. Nò nò non si parli più d'Amore (Sdegno)
7. Donzella vagante mai casta sarà (Canzonetta)
8. Io lascio fare à voi (Si concede libertà a gli occhi di verdre ciò che vogliono,
mà se gli averte il non invaghirsi d'alcun'ogetto)
9. Mi basta d'amare vezzosa beltà (Non si cura, che Bella Donna sappia il suo
affetto)
10. Cinto da folti horro d'un Ciel notturno (Amante geloso)
11. Mesto Amatore (Canzonetta. Amante mesto)
12. Fino all'ultimo respiro (Costanza in Amore. Arietta)
13. Sù pensieri hora ch'avete la bramata libertà (Amante timido)
14. Godere, e lasciare costuman gli Amanti (Amante ingannatore)
15. Un disperato Amante (Amante disperato)
16. Vergine violata (Donzella violata)
17. Ci vuol tempo, e poi Dio sà (Amante disperato)
18. Un empia fortuna (Amante imprigionato)
19. Forniti appena i lucidi intervalli (Matto allegro)
20. Donne non mi credete (Amnte schernitore)
Edition:
180S2 ° Facsimile of the 1669 edition (hardback) € 49,50
Courteville, J. • Lovely Laurinda blame not me

Courteville, R. Raphael Courteville
• Long wrestling with an angel's form

• 5 Solo songs in "Thesaurus Musicus":

1. From Envy and Ambition free
2. No more I'le seek relief
3. To convent streams or shady groves
4. Under how hard a fate are women born
5. Where Phoebus with his kindest look
Crivellati, D. Domenico Crivellati
Cantate diverse, 1628

• "Cantate diverse a una, due, e tre voci, con l'intavolatura per la chitarra
spagnola in quelle più approposito...", Rome, G.B. Robletti, 1628
a) for 1 voice and bc:
1. Amore il mio torment' è la mia fede S
2. Tanto lagrimato fin ch'l tuo core venghi ammollito S
3. Non volgio più seguire Lidia S
4. Io pur saper vorrei (concertata con diversi stromenti) S
5. Luci belle, luci amate A
6. Bell' el Ciel bell' el Sol S
7. Lilla vezzosa Lill' amorosa S
8. Sì ch'io vorrei fuggire S
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9. Io vogli' amare quella rubella S

10. Quant più cruda sete S
11. Quand' amor dentr' un cor S
12. Un sospiretto solo S
13. Ecco del bello anno novello S
14. Io voglio sospirare e pianger tanto A
15. Dolce spirto d'amore AT
16. Pastorella ove t'ascondi ST
17. Parlando la mia Dea AT
18. Il baccio è 'l più bel dono AT
19. O stringa aventurata AT
c) for 3 voices and bc:
20. Ardo, sì, ma non t'amo ATB
21. Donno voi vi credete TTB
Edition:
Croone, R. • How happy and free is the resolute swain

° see: Prilnts 1673-1684: "Choice Ayres, Songs and Dialogues"
Damascene, A. Alexander Damascene
• 4 Songs in book V of "Choice Ayres, songs and dialogues":

1. A sweet resemblance of heav'n
2. Cease, lovely Strephon, cease th charm
3. Celia, forgive me my passion
4. You happy youths whose hearts are free
• 7 Songs:
1. Ah tempt me no more when the minute is past
2. Break Cupid break thy feeble bow
3. How blest is the passion when guarded with discretion
4. If love did make its chief abode
5. Shun a vain pretender's story
6. Strephon was young unused to love
7. Whilst Strephon in his pride of youth
Degli Atti, F. • Non è, non è di gentil core (high voice and bc)
from: B. Mutis: "Musiche a una, doi e tre voci per cantare et sonare con
chitaroni, overo con altri istromenti di corpo...", Venice, heirs of A. Gardano,
1613.
° see: Collections: Early Master of the Stile Nuovo in Austria
De Luca, S. • Non posso disperar

° see: Collections: Arie antiche, ed. Parisotti: volume II
Dering, M. lady • In vain, fair Chloris, you design

Dering, R. Richard Dering
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182S2 Secular Vocal Music; ed. P. Platt

Musica Britannica, volume 25
a) "Di Richardo Diringo Inglese Canzonette a tre voci. Con il Basso Continuo.
Nuovamente composte e date in luce", Antwerpen, P. Phalèse, 1620
nos. 1-17 for SSB and bc; nos. 18-20 for STB and bc
1. Filli se gl'occhi giro
2. O vaghe o care stelle
3. Giunto è pur
4. Se nel partir da voi
5. Ahi! già mi discoloro
6. Ahi! che tormi il ben mio
7. Voi che sete il cor mio
8. Cosi bella voi sete
9. Voi volete ch'io mora
10. Chi prende amor a gioco
11. Felice era il mio core
12. Arder di ghiaccio
13. Per te l'alma si strugge
14. Soccorretemi ohimé!
15. Dolce amoroso foco
16. Io mi sento morir
17. Filli mi ride e fugge
18. Ardo misero amante
19. Filli, mentre ti miro
20. Io grido ognor mercede
b) "Canzonette a quattro voci con il Basso Continuo di Sr Richardo Diringo
Gentilhuomo Inglese, Nuovamente composte e date in luce", Antwerpen,
P. Phalèse, 1620
all for SSAB and bc
21. O com'è gran martire
22. Dolce spirto d'amore
23. Il mio martir (prima parte)
24. I miei sospiri (seconda parte)
25. Donna crudel (terza parte)
26. Ohimé! partito è il mio bel sol
27. Gli ardenti miei desiri
28. Lungi da voi
29. Vivrò io mai (prima parte)
30. E se pur esser (seconda parte)
31. Ite amari sospiri
32. Occhi ladri d'amor
33. Poiché mesto e dolente
34. Donna, se'l cor legasti
35. Tutta gentile e bella
36. La vaga e bell' Aurora
37. Donna gentile
38. E se ben notte e giorno (prima parte)
39. Deh! luce del mio cor (seconda parte)
40. Ardor felice e care
41. Ardenti miei sospiri
42. Mirando la mia Dea
43. Rosa d'amor
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44. Lagrime dolci e care

c) Italian madrigals:
45. Vergine bella T, bc
46. Donna, mentre io vi miro S, bc
46a. O bellezza vitale SSATB
47. Cosí dunque T, bc
48. O miei giorni fugaci TB, bc
49. O Donna troppo cruda ST, bc
50. O durezza di ferro TT, bc
51. Legasti, anima mia TT, bc
52. T'amo mia vita TTB, bc
53. Crudelissima doglia TTB, bc
54. Alme d'amor rubelle TTB, bc
55. Ho visto al mio dolore TTB, bc
56. Felice chi vi mira TTB, bc
57. Che veggio? ohimé! STB, bc
58. Al fonte, al prato TTB, bc
59. Pargoletta è colei TTT, bc
60. Lungi dal vostro lume TTB, bc
61. Lasso, ch'io moro! TTB, bc
62. O dolce mio martire TTB, bc
d) English madrigals:
63. Sleep quiet, Lee STB
64. If sorrow might so fully be express'd SSATTB
Other sources:
GB-Gu ms. in J. Playford's hand (1, 11, 16, 18 and 21 as Engl. glees)
GB-Lbl Add 29386 (2: as glee with Engl. words)
GB-Lcm: 660 (49) and 4077 (19th-c. scores: 6 Canzonette a4)
GB-Ob mus.sch.: c.5 (16 and 18 as glees with Engl. words), d.233-236 (1-3:
T only)
GB-Ob Tenbury: 1009 (46, 46a) and 1016 (45-62)
GB-Och mus.: 56-60 (64), 435 (45-62: top part only), 747-749 (63),
878-879 (4) and 1013-1015 (1-20)
US-NH Ma21.F48.A15 (T only of: 52-56, 60 and 62) € 119,--
Dowland, J. John Dowland
for editions with lute tablature see section: Lute Music
• 50 Songs in 2 volumes; selected and edited with a piano accompaniment by

E.H. Fellowes, with revisions by D. Scott:
Volume I:
a) from "The First Book of Songs" (1597 etc.):
1. Unquiet thoughts
2. Who ever thinks or hopes of love
3. My thoughts are wing'd with hope
4. If my complaints could passions move
5. Can she excuse my wrongs?
6. Now, o now I needs must part
7. Dear, if you change
8. Burst forth, my tears
9. Go, crystal tears
10. Come away, sweet love
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11. Rest awhile, you cruel cares

12. Sleep, wayward thoughts
13. Wilt thou, unkind, thus reave me?
14. Come again, sweet love doth now invite
15. His golden locks
16. Awake, sweet love, thou art return'd
17. Come, heavy sleep
b) from "The Second Book of Songs" (1600):
18. I saw my lady weep
19. Flow my tears
20. Sorrow, stay
21. Mourn, day is with darkness fled
22. Fine knacks for ladies
23. Now cease my wand'ring eyes
24. White as lilies was her face
25. A shepherd in a shade
183S2 ° edition for high voice € 15,--
184S2 ° edition for low voice € 15,--
Volume II:
26. Shall I sue
27. Clear or cloudy
c) from "The Third Book of Songs" (1603):
28. Time stand still
29. Me, me, and none but me
30. Say Love if ever thou didst find
31. Flow not so fast, ye fountains
32. What if I'll never speed?
33. By a fountain where I lay
34. O what hath overwrought
35. Farewell unkind
36. Weep you no more, sad fountains
37. It was a time when silly bees
38. The lowest trees have tops
d) from "A Pilgrim's Solace" (1612):
39. Disdain me still
40. Sweet, stay awhile
41. I love those beams
42. Shall I strive with words to move
43. Were every thought an eye
44. Tell me, true love
45. If that a sinner's sighs
46. Where sin sore wounding
47. My heart and tongue were twins
e) from "A Musical Banquet" (1610):
48. Far from triumphing court
49. Lady, if you so spite me
50. In darkness let me dwell
185S2 ° edition for high voice € 15,--
186S2 ° edition for low voice € 15,--
Draghi, G.B. Giovanni Battista Draghi
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Occhi belli voi siete vezzosi

O Tiranna gelosia
° see Prints 1679: "Scelta di Canzonette Italiane de piu autori..."
• 2 Songs in: "Choice ayres, songs and dialogues", books IV and V:

In Phyllis all vile jilts are met
What art thou love, whence are those charms
• 12 Songs in "The Theater of Music", 1685-1687:

How powerful is the god of love
Methinks I see as well as hear
Must I ever sigh in vain
Once my shepherdess was true
The pleasures that i now possess
There never was swain so unhappy as I
Too high o Cupid cries the swain
'Twas in a dismal cypress grove
When first Dorinda your bright eyes
Where art thou god of drreams for whose soft chain
Who can resist my Celia's charms
Du Buisson • Plainte sur la mort de mr. Lambert: Ô mort, affreuse môrt!

(from "IXme Livre d'airs sérieux et à boire de mr. Du Buisson", 1696)
Durante, F. • 2 Arias:
1. Vergin tutt' amor (from his: Cantate spirituali; ms. in GB-Lbl)
2. Danza, danza
° see: Collections: "Arie antiche", ed. Parisotti, volume II: nos. 25-26
D'Urfey, Th. • Waa is me what mun I do (a Scotch song)

° see: Prints 1695: "Thesaurus Musicus", volume III
Durón, S. Sebastián Durón
• 14 Tonos:
no. 14 for 2 voices and bc; all others for 1 voice and bc:
1. Oyme de Janira
2. Corazón, no suspireis
3. Dígalo yo, que en las alas
4. Resuene en el pecho
6. Amor, aunque quieras
7. Pues me pierdo en lo que callo
8. El día grande
9. Pues soy zagaleja
10. Caborrachita de amor
11. Yo te quiero, Gileta
13. Ay, de mí Deyanira que en tanto incendio
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14. Mísera barquilla

187S2 ° ed. J. Menendez-Zarroca (no sources indicated) € 24,--
• 3 Tonos:
2. Dígalo yo que en las alas
• Abril floreciente
• 2 Tonadas & 2 Cantadas:

1. Corazón, causa tenéis (tonada for alto, flute and bc)
2. Pues me pierdo en lo que callo el desdén (tonada humana for voice, bc)
3. Ay de mí, que el llanto y la tristeza (cantada al Santísimo y de Pasión) for
high voice, 2 violins and bc
4. Ay, que me abroso (cantada al Santísimo) high voice, 2 violins, bc
Eccles, J. John Eccles
a) A Collection of Songs, 1704

• "A Collection of Songs for one, two and three voices, together with such sym-
phonys for violins or flutes as were by the author design'd for them...",
London, Walsh, 1704
Songs listed alphabetically:
1. Advance, gay tenants of the plain S, bc
(from: "The mad liver", 1700)
2. Ah, how lovely, sweet and dear SB, bc
(from: "Acis and Galatea", 1700)
3. Ah queen, ah wretched queen S, recorder, bc
(from: "Rinaldo", 1698)
4. Ah sweet repose too soon expiring S, recorder, bc
(from: Ode on St. Cecilia's Day, 1701)
5. Ah whither shall I fly S, bc
(from: "The Princess of Persia")
6. All things seem deaf S, recorder, bc
(from: "The Pretenders or the town unmask'd", 1698)
7. All beauty were a foolish toy S, bc
(from: "The Citty Lady", 1696)
8. A nymph and a swain to Apolo once pray'd T, bc
(from: "Love for love", 1695)
9. As Cupid roguishly one day S, bc
10. Awake harmonious pow'rs T, bc
(from: The Queen's birthday song, 1704)
11. Behold the dragon gallick pow'r T, bc
(from: The New Year's Day song, 1702)
12. Belinda's pretty pleasing form T, recorder, bc
(from: "Women will have their wills", 1697)
13. Blest day arise T, bc
14. By those pigsnyes that starrs do seem ST, bc
(from: "The Richmond heiress", 1693)
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15. Can life be a blessing worthy he possessing S, 2 violins, viola, bc

(from: "Troilus and Cressida", c.1694)
16. Cease of Cupid to complain S, recorder, bc
(from: "The mad lover", 1700)
17. Chide ye drowsy spring's delay TTB, 2 violins, bc
(from: "The Queen's birthday song, 1702/3)
18. Come let us howl some heavy note TB, bc
(form: "The Duchess of Malfy", n.d.)
19. Come ye nymphs and every swain S, bc
20. Daphne to prove my heart is true TB, bc
21. Fair Amoret is gone astray T, bc
22. Faye Amarilles cease to grieve S, recorder, bc
23. Fear not mortall, none shall harm thee B, 2 violins, viola, bc
(from: "The judgment of Paris", 1701)
24. Fill all the glasses, fill them high TB, bc
(from: "Harry the Fifth", n.d.)
25. Find me a lonely cave S, bc
(from: "The villain", 1698)
26. Firm as a rock above the ocean seen Bar, oboe, bc
(from: The Queen's birthday song, 1702/3)
27. Fly ye happy shepherds T, bc
(from: "The provok'd wife", 1697)
28. Fly ye lazy hours hast bring him here S, recorder, bc
29. For you who are rid by the fury Love TB, bc
(from: "The unnatural brother", 1697)
30. From this happy day TB, oboe, bc
31. Happy thou of human race AB, 2 violins, viola, bc
(from: "The judgment of Paris", 1701)
32. Hark how the Muses call aloud TT, 2 violins or recorders, bc
(from: The New Year's Day song, 1702/3)
33. Haste give me wings and let me fly S, bc
(from: "The fickle shepherdess", 1703)
34. Hear ye midnight phantoms TB, 2 violins, bc
(from: "The fair penitent", 1703)
35. Help ye pow'rs divine S, bc
(from: "The husband and his own cockold", 1696)
36. Her eyes are like the morning bright T, 2 recorders, bc
(from: "The novelty", 1697)
37. Her pow'rfull foes she thus allamrs T, bc
38. He that has whom he lov'd possesst T, recorder, bc
(from: "As you find it", 1703)
39. Hey ho the clock has just struck TB, bc
(from: "The intrigues at Versailles", 1697)
40. How sweet how lovely when returned SB, bc
(from: "The anatomist, or the sham doctor", 1696)
41. I burn, my brain consumes to ashes S, bc
(from: "Don Quixote", 1694)
42. If I hear Orinda swear S, recorder, bc
(form: "Love betray'd", 1703)
43. If wine and musick have the pow'r S, recorder, bc
44. I gently toucht her hand T, recorder, bc
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45. Inspire us Genius of the Day TTB, bc

(from: The Queen's birthday song)
46. Know I have sworn S, recorder, bc (from: "The mad lover", 1700)
47. Let all be gay S, bc
48. Let thus thy prosperous minutes T, recorder, bc
(from: The new Year's Day song, 1702/3)
49. Let us revell and roar BB, bc
(from: "The lover's luck", 1695)
50. Like you the goddess thus replys T, 2 recorders, bc
(from: The New Year's Day song 1702/3)
51. Love is an empty airy name S, bc
52. Love's but the frailty of the mind S, bc
(from: "The way of the world", 1700)
53. Many I've lik'd and some enjoy'd T, bc
(from: "The City-bride", 1696)
54. Mortals learn your lives to measure S, recorder, bc
(from: "Love is a jest", 1696)
55. Must then a faithfull over go S, recorder, bc
56. No Albion, thou canst nere repay T, bc
57. No, let the loitring goddess T, recorder, bc
58. Of glorious liberty possest T, bc
59. Oh fye what mean I foolish maid T, recorder, bc
(from: "The married beau", 1694)
60. Oh take him gently from the pile S, bc
(from: "Cyrus the Great", 1695)
61. Oh, the mighty pow'r of love S, recorder, bc
(from: "The self-conceit", n.d.)
62. Proud women I scorn you B, bc
(from: "The beau defeated", 1700)
63. Relieve the fair, Belinda said S, bc
(from: "The beau defeated", 1700)
64. Restless in thought S, recorder, bc
(from: "She ventures, he wins", 1695)
65. Saturnia wife of thundring Jove S, violin, bc
(from: "The jugdment of Paris", 1701)
66. See for the forsaken fair S, bc
67. She flys in vain for love S, bc
(form: "The country-wake", 1696)
68. Shou'd I not lead a happy life TB, bc
(from: "Love is a jest", 1696))
69. Sound the loudest trumpet, fame T, trumpet , bc
(from: The New Year's Day song, 1702/3)
70. So well Corinna likes the joy S, bc
(from: "The She-gallants", 1695)
71. Stay, ah whither would you fly S, bc
(from: "The fair penitent", 1703)
72. Strephon whose person every grace S, bc
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73. Sylvia how cou'd you ere mistrust S, bc

(from: "The Spanish friar", 1694)
74. That you alone my heart possess T, recorder, bc
(from: "The man of mode", 1697)
75. The jolly breeze A, recorder, bc
(from: "Rinaldo and Armida", 1698)
76. They call and bid the spring appear T, bc
(from: Song for New year's Day, 1702/3)
77. This way mortall bend thy eyes S, 2 violins, viola, bc
(from: Song for St. Cecilia's Day, 1701)
78. Thou only goddess S, violin, oboe, bc
(from: Ode on St. Cecilia's Day, 1701)
79. Thus you may be as happy as we T, bc
(from: "The Lancashire withces", 1694)
80. Thy voice, o harmony B, 2 violins, viola, bc
(form: Song for St. Cecilia's Day, 1701)
81. To little or no purpose S, recorder, bc
(from: "She wou'd if she cou'd", 1693)
82. To meet her Mars S, recorder, bc
83. Wake Britains wake T, bc
(from: New Year's Day song, 1702)
84. War's angry voice be heard no more T, violin, bc
(from: Song for New Year's Day song 1702/3)
85. Wasted with sighs T, bc
(from: "The chances", 1704)
86. What's love, a medley of pleasure TB, bc
(from: "The Libertine", 1697)
87. When first to bright Maria's charms S, bc
(from: "The self-conceit", n.d.)
88. While Anna with victorious arms T, 2 violins, viola, bc
(form: Song for New Year's Day, 1703/4)
89. While Phillis does drink S, recorder, bc
(from: "The She-gallants", 1695)
90. Who wou'd be made a wife S, bc
91. Why do I sigh and languish so S, bc
(from: "The Italian Husband", 1697)
92. Why shou'd the world mistake S, bc
(from: "The Princess of Persia")
93. Wine does wonders TBarB, bc
(from: "Justice Busy", 1699)
94. Wise nature owns thy undisputed sway SB, bc
(from: Song for St. Cecilia's Day, 1701)
95. Ye Damsells who sleep TB, bc
(from: "Have at all, or the midnight's mistake", 1694)
96. Ye gentle gales that fan the air S, recorder, bc
Editions:
188S2 • nos. 1-96:
° Facsmile of the 1704 edition € 59,--
• nos. 2 and 40:
° see: Collections: "Restoration Duets", vols. I-II
• nos. 5, 8, 42, 44, 59, 65, 70 and 73:
189S2 ° ed. M. Pilkington for voice and obl. keyboard part (bc figures left out); other
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sources consulted: Francis Horton Collection (nos. 1, 2); GB-Lbl G316n (7) € 12,50
• nos. 12, 25, 52 and 75:
° see: Collections: "Early Georgian Songs"
• nos. 33, 41, 55 and 60:
° see: Collections: "Thirteen Mad Songs", ed. T. Roberts (nos. 1-3 and 9)
b) 13 Songs in: "Thesaurus Musicus"

(* = also in "A Collection of Songs", 1704)
A nymph and a swain to Apollo once pray'd (from: Love for Love) (*: no. 8)
Appear all your kind misstress to shew (from: The Rape of Europa)
A soldier and a saylour, a tinker and a taylour (from: Love for Love)
Full of the God I fell my raging soul (from: The Lovers-Luck)
Give then Royal Maid your sorrows o're (from: The Rape of Europa)
Let us revel and roar (from: The Lovers-Luck) (*: no. 49)
Still I'm grieving (from: The Rape of Europa by Jupiter)
Then beautious nymph look from above (from: The Lancashire-Witches)
Tormenting passion leave my breast (from: The Lancashire-Witches)
Thus you may be as happy as we (from: The Lancashire-Witches) (*: no. 79)
What state of mind can be so blest (from: Love triumphant)
Why, oh! why shou'd the world mistake (from: The Ambitious Slave)
Young I am and yet unskill'd (from: Love triumphant)
Eccles, S. • Stubborn Church-division (from: The Richmond Heiress)

Eustachio, C. • Fiumicello che con l'onda

cantata for high voice and bc
° see: Collectons: "Amor Roma"
Falconieri, A. Andrea Falconieri
• "Libro primo di villanelle a 1.2. & 3. voci, con l'alfabeto per la chitarra
spagnola", Rome, G.B. Robletti, 1616
° 3 Villanelle a1; see: Collections: La Flora, volume III: nos. 7-9:
1. Bella fanciulla
2. Occhietti amati
3. Bella porta di rubini
° Vezzosette e care pupillette
see: Collections: Arie Antiche, ed. Parisotti: volume II: no. 3
° 3 Villanelle a1; see: Collections: Arie Antiche, ed. Parisotti: vol. III: nos.2-4
1. O bellissimi capelli
2. Occhietti amati
3. Segui, segui, dolente core
• "Libro quinto delle musichea una, due, e tre voci", Florence, Z. Pignoni, 1619
° Bella porta di rubini
see: Collectons: Arie Antiche, ed. Parisotti: volume III: no. 1
° Donn' ingrata
see: Collectons: La Flora, ed. Jeppesen: volume II: no. 10
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Farmer, Th. Thomas Farmer
• 18 Songs in: "Choice Ayres, Songs and Dialogues", books I - V:

1. Beneath the stately cedar's shade (in book III)
2. Bid the sad forsaken grove (III)
3. Blush not redder than the morning (III)
4. Bonny lass gin thou wert mine (III)
5. Can life be a blessing or worth the possessing (III)
6. Cease if thou can'st pursue no more (III)
7. Clorinda, adieu, since you slight what is true (III)
8. Forgive me, Jove, or if there be (I)
9. Let the traitors plot on till at last they're undone (III)
10. Let's drink, dear friends, let's drink (I)
11. Long since fair Clorinda my passion did move (I)
12. Phyllis whose heart was unconfined and free (IV)
13. Poor Cleonice, thy garlands tear (III)
14. Sitting by yonder river side (II)
15. Smiling Phyllis has an air (II)
16. The night her blackest sables wore (IV)
17. Though the pride of my passion fair Sylvia betrays (V)
18. When busy fame o'er all the plain (V)
• 13 Songs in "The Theater of Music", 1685-1687:

1. Awake o Constantine awake
2. How sweet is the passion of love
3. Love love's the dear talk that usurps all our hours
4. When absent from the nymph I love
5. Ye virgin powers defend my heart
6. Behold the morn dawns the lark has sung
7. Ye powers that rule the world
8. I love and am beloved again
9. I love but dare not hope to be
10. In vain I strive against my fate
11. No being is exempt from love
12. Phyllis I must needs confess
13. Under a shade in flowery June
Fasolo, il see: Manelli, F.
Ferrari, B. Benedetto Ferrari
Musiche varie, 1633

• "Musiche varie a voce sola", Venice, B. Magni, 1633
1. Amor come esser può S, bc
2. Premo il giogo dell'Alpi B
3. Cor mio tu ti nascondi T
4. Io dissi al cor T
5. Ahi traditor ingrato S
6. Io vorrei un bel viso sempre mirar T
7. Io son amante d'un crin aurato T
8. Non hà Theti e Giunon B
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9. Hà di fiamme un abisso T
10. Già più volte tremante te per trovar T
11. Ardo misera si S
12. Son ruinato T
13. Chi segue amor con animo S
14. O nata sol per incantar le genti T
15. Ahi se credete amanti T
16. Questa bella mortal B
17. S'io ti seguo tu fuggi T
18. Mentre io v'adoro B
19. Volgete in vano o pergrini erranti T
20. Sprezzami, fuggimi T
21. Peregrino pensier B
22. Occhi miei che vedeste T
23. Non sia più ver T
24. Dal dì ch'io rimirai S
25. Così bella voi sete T
26. Piangi piangi tu pur S
27. Lassa lassa che veggio S
28. Chi non sà com'amor T
Edition:
190S2 ° Facsimile edition of "Musiche Varie", books I-III (1633 / 1637 / 1651) € 33,--
Musiche varie, libro secondo, 1637

• "Musiche varie a voce sola...libro secondo", Venice, B. Magni, 1637
1. Amanti, io son ferito T, bc
2. Scrivete là T
3. Donna t'inganni T
4. O pazza e insensata S
5. Quando prendo riposo T
6. Eccovi eccovi il cor T
7. Che si pensa costei T
8. Amor, io mi ribello T
9. Il baciarti la fronte T
10. Voglio di vita uscir T
11. Lilla ver la foresta T
12. In van speri o bella Clori T
13. Cielo sia con tua pace T
14. Lingua di Donna A
15. Cantata spirituale: Queste pungenti spine / Ahi miserella / Stolta che fai? /
Così così dunque S
16. Dialogo a due: Fileno e Lidia: Amar io ti consiglio ST
Edition:
Musiche varie, libro terzo, 1641

• "Musiche e poesia varie a voce sola...libro terzo", Venice, B. Magni, 1641
all for high voice and bc:
1. Udite amanti
2. Il più fido di me
3. Amor tu m'hai pur colto nella tua dura rete
4. M'amo tanto costei
5. Torni al lido il nocchiero
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6. Donna sei così bella

8. Donna, s'il volto
9. Al fin del mar d'amore
10. Donne non mi credete
11. Una rosa è 'l ben mio
12. Amanti, io vi sò dire (6 sections)
13. Io v'amo e v'amerò
14. A che bellezza e gratia
15. Noi siam due luci chaire
16. Avverti ò cor
17. Deggio amarvi occhi belli
18. O monumenti apritevi
Edition:
Finger, G. Gottfried Finger
• 8 Solo songs in: "Thesaurus Musicus":

Celia whose charms the ev'ry move
In a dark and lonely den
I promis'd Sylvia to be true (from: Love for Love)
My suit will be over
Our hearts are touch't with sacred fires
Think not sighs or tears can move
Unhappy 'tis that I was born
While I with wounding grief did look (from: Don Quixote)
° see: Prints 1693-1696: " Thesaurus Musicus"
•While I with wounding grief did look (from: "Don Quixote")

° see: Collectons: "Thirteen Mad Songs", ed. T. Roberts
Fishburne, Ch. Christopher Fishburne
• 8 Songs in book V of: "Choice Ayres, Songs and Dialogues":

1. Beneath a dark and melancholy grove
2. In the shade upon the grass
3. Long had Damon been admired
4. Pretty Floramel no tongue can ever tell
5. Tell me no more of flowers in love
6. Though fortune and love may be deities still
7. Wealth breeds care, love hope and fear
8. Why am I the only creature
Foggia, A. • Cessate, deh cessate

high voice, bc.
° ed. R. Ewerhart from ms. GB-Cfm € 10,--
Forcer, F. Francis Forcer
• 11 Songs in: "Choice Ayres, Songs and Dialogues", books I-V:

1. Come all the youths whose hearts have bled (in book III)
2. Forgive me kind and gentle maid (II)
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3. Hark how Noll and Bradshaw's heads above us (V)

4. How subtly love deals with us slaves (II)
5. How wretched is the slave to love (II)
6. Like choirs of angels we'll loyally sing (V)
7. Make haste my Shepherd, come away (II)
8. O love, how just and how severe (IV)
9. Removed from noise and tumult of the town (IV)
10. When first to Dorinda my heart I resigned (II)
11. While here for the fair Amarillis I die (V)
° see: Prints1673-1684: "Choice Ayres, Songs and Dialogues"
• Looking on, and discoursing with his mistress (Cowley):

Forsall, Ch. • O the time that is past

° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book I)
Franck, J.W. • Go home unhappy wretch and mourn (form: The Lover's Last-Shift)
° see: Prints 1696: "Thesaurus Musicus", volume V
Frescobaldi, G. Girolamo Frescobaldi
Arie Musicali, 1630

• "Primo (& Secondo) Libro d'Arie Musicali per cantarsi nel gravicimbalo, e
tiorba; a 1, a2 e a 3 voci...", Firenze, G.B. Landini, 1630
Primo Libro
1. Sonetto in stile recitativo: Signor, c'hora fra gli ostri S, bc
2. Canto in stile recitativo: Degnati ò gran Fernando S, bc
3. Canto in stile recitativo: Ardo, e taccio il mio mal S, bc
4. Sonetto spirituale in stile recitativo: Dove, dove, Signor, quieto ricetto S, bc
5. Canto spirituale in stile recitativo: Dopo si lungo error S, bc
6. Sonetto spirituale. Maddalena alla Croce: A piè della gran Croce S, bc
7 .Aria di romanesca: Dunque dovrò del puro servir mio S, bc
8. Aria a voce sola: Se l'onde, ohime, che da quest' occhi piovono S, bc
9. Sonetto: Donna siam reti di morte B, bc
10. Aria a voce sola: Entro nave dorata S, bc
11. Aria: Troppo sotto due stelle alme B, bc
12. Aria a voce sola: Non mi negate, ohimè S, bc
13. Canto a voce sola: Di Licori un sguardo altero S, bc
14. Aria: Voi partite mio Sole T, bc
15. Aria: Se l'Aura spira tutta vezzosa S, bc
16. Aria di passagaglia: Così mi disprezzate? S, bc
17. Madrigale a 2 voci: Se m'amate, io vá doro ST, bc
18. Canto a 2 canti: Begli occhi io non provo fierezza SS, bc
19. Aria a 2 canti ò vero tenori: Occhi che sete di voi pomposi SS or TT, bc
20. Canzone a 2 voci, canto e tenore: Dove, dove ne vai pensiero ST, bc
21. Canzona, a 2 canti o tenore: Eri già tutta mia ST, bc
22. Canzona a 3 voci, canto, alto e tenore: Corilla danzando SAT, bc
23. Canzona a 3 voci, alto, tenore e basso: Con dolcezza e pietate ATB, bc
Secondo Libro:
1. Vanne, ò carta amorosa S, bc
2. Canto in stile recitativo: Ben veggio donna homai S, bc
3. Canto in stile recitativo: Oscure selve, ove gia mia non luce raggio di Sole S
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4. Sonetto spirituale in stile recitativo: Ohime, che fur, che sono, e che saranno
no quest' empie membra? S, bc
5. Sonetto spirituale: Dove dove sparir si ratto i dì sireni S, bc
6. Sopra l'aria di Ruggieri: Ti lascio anima mia S, bc
7. Aria a voce sola: Voi partite mio sole S, bc
8. Aria a voce sola: La mia pallida faccia e lingua S, bc
9. Aria a voce sola: A miei pianti al fine un dì T, bc
10. Aria a voce sola: O mio cor, dolce mia vita S, bc
11. Tu sai pur dolce mia vita S, bc
12. Aria a voce sola: Son ferito, son morto S, bc
13. Aria a 2 voci, canto e tenore: Non vi partite ST, bc
14. Canzon a a 2 voci, canto e tenore: Gioite oh selve ST, bc
15. Madrigale a 2 tenori: Bella tiranna infida TT, bc
16. Canzona a 2 tenori: Soffrir non posso TT, bc
17. Canzona a 3 voci: Deh volate oh mie voci dolenti ATB, bc
18. Madrigale a 3, alto tenore e basso: Quanto piu sorda sete Donna ATB, bc
19. Ceccona a 2 tenori: Deh, vien da me TT, bc
20. Canzona a 3 voci, alto, tenore e basso: Doloroso mio core ATB, bc
21. Canzona a 3 voci, alto, tenore e basso: Oh dolore ATB, bc
Edition:
194S2 ° Facsimile of the 1630 edition; introduction (in Italian) by P. Mioli € 30,50
Furchheim, J.W. • Ritornellos to most of the 60 songs in Krieger's "Neue Arien", 1676
° see: A. Krieger
Gabrielli, D. Domenico Gabrielli
Cantate, 1691
• "Cantate a voce sola del sgn. D. Gabrielli, virtuoso trattenuto dal Serenissimo
di Modena...", Bologna, P.-M. Monti, 1691
1. Per che mai Nume adorato C, bc
2. Amor m'hai così vinto C
3. Poi che ad Irene C
4. Premea d'Ilio superbo C
5. Nella Sidonia riva C
6. All'hor che dal ben nido C
7. A voi mesti virgulti A
8. Sventurato mio cor A
9. Amor che sarà A
10. Mio pensier raffrena i vanni B
11. Deh peiga ò mia cara B
Edition:
195S2 ° Facsimile of the 1691 edition with an introduction by P. Mioli: € 25,--
Gagliano, G.B. da • Pupille arciere

from: "Varie musiche...libro primo", Venice, A. Vincenti, 1623
° see: Collections: La Flora, ed. Jeppesen: Volume II
Gagliano, M. da Marco da Gagliano
• "Musiche a una e tre voci di Marco da Gagliano maestro di Cappella del

serenissimo gran duca di Toscana. Novamente composte et date in luce",
Venice, R. Amadino, 1615
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19 works a1, a2 and a3 by da Gagliano, and 1 by L. Arrighetti

° 2 monodies:
1. Mie speranze lusinghiere
2. Valli profonde al sol nemiche
see: Collections: La Flora, ed. K. Jeppesen": volumes I-II
196S2 ° Mie speranze lusinghiere:
included in: "Antiche gemme Italiane", ed. Ricci (containing as well, from
another source: Luna mia, dove ten vai) € 18,--
• Ecco solinga e delle elve amica

Galán, C. • Ya los caballos de jazmin

Gamble, J. • The morning doth waste

Garau • see: Guerau, F.
Gasparini, F. Francesco Gasparini
Cantate op. 1, 1695

• "Cantate da camera a voce sola...Opera prima", Roma, Mascardi, 1695
Twelve cantatas for high voice and bc:
1. A battaglia ò miei pensieri
2. Caro laccio, dolce nodo
3. In profondo riposo
4. Dove sei, dove t'ascondi
5. Ch' io t' amo, e che t' adoro
6. Se lontana da me
7. Il mio cor e che far deve
8. Ed ecco in fine oh Dio
9. Augellin vago e canoro
10. Sento ne sen combattere
11. Tormentosi pensieri
12. Perdono perdono ò luci
Editions:
• nos. 1-12:
197S2 ° Facsimile of the 1695 edition; with an introduction by P. Mioli € 25,--
• from no. 2:
2 arias: Caro laccio, dolce node & Lasciar d'amar ti
° see: Collections: Arie Antiche, ed. Parisotti: volume II: nos. 21-22
• from no. 9:
aria: Augellin vago e canoro
° see: Collections: Arie Antiche, ed. Parisotti: volume III: nos. 20
• Deh, lasciatemi il nemico

• Se t'ama, e se t'adora
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° ed. J. Sanderson from D-MÜs 3799 € 10,--
Gaz, J. José Gaz
• 11 Tonos
no. 11 for 2 voices, bc; all others for 1 voice, bc (no. 10 with vln and harp):
1. Venid mortalies, venid
2. Pues codicias, Teresa
3. Hoy muestra con gracia
4. Oh, que mandas de amor
5. Sol, que rayas tan benéfico
6. Aliente el dolor
7. Avecilla, si picas
8. Es la Nave, San Alberto
9. Alerte, zagales
10. Ah, de todo el concurso de la luz (with onl. violin and harp)
11. Riberas brillad a2, bc
198S2 ° ed. J. Menendez-Zarroca from the manuscripts in E-Bbc € 24,--
• Avecilla, si picas
Genari • 2 Canzonettas:
1. L'hò per natura di sempre amare A, bc
2. Vaghi rai pupille ardenti A, bc
° see: Prints 1670: "Canzonette per camera a una voce di diversi autori..."
Ghizzolo, G. Giovanni Ghizzolo
Madrigali et Arie, libro primo (1609)

• "Madrigali et arie per sonare et cantare nel chitarone, liuto, o clavicembalo,
a una, et due voce, di Giovanni Ghizzolo da Brescia, col gioco della cieca,
et una mascherata de pescatori. Libro primo", Venice, A. Raverii, 1609
17 works (no. 17 by G. Casati) a1-a4 and bc: nos. 1-8 for one voice and bc;
nos. 9-14 and 17 for 2 voices and bc (SB; B sings along with bc); no. 15 for
SST and chorus SSB, bc. no. 16 for SATB
1. Cor mio, deh, non languire (B. Guarini)
2. Soavissimo ardore (B. Guarini)
3. Sfogava con le stelle (O. Rinuccini)
4. Volgea l'anima mia soavemente (B. Guarini)
5. Care lagrime mie (L. Celiano / A. Grillo)
6. Perche duo baci so mi diè costei
7. Piangete occhi miei lassi
8. Oime, se tanto amate (B. Guarini)
9. Mentre la notte (O. Cavaletta)
10. Hor consolato i moro (B. Guarini)
11. Felice chi vi mira (B. Guarini)
12. O Amante, se non sai, a tue spese imparerai
13. Quest Donne, ò Donne belle
14. Io mi vivea come Aquila, mirando sempre del mio bel sol
15. Gioco della cieca (B. Guarini): Amarilli, Mirtillo, Corisca (SST) & coro
di ninfe (SSB)
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16. Mascherata di pescatori: Siam pescatori, ò donne

17. G. Casati: Ahi, quanto ne godo
(nos. 1-11 also in D-W Cod.Guelf. 19 Musica-Hdschr.)
Edition:
199S2 ° Critical edition by J. Cohen of "Madrigali et Arie", 1609 and "Il secondo
libro de madrigali et arie", 1610 € 85,50
Il secondo libro de Madrigali et Arie (1610)

• "Il secondo libro de madrigali et arie a una et due voci per sonare & cantare
nel chitarone, liuto, ò clavicembalo. Di Giovanni Ghizzolo. Con duoi dialoghi,
& un canto di Sirene con la risposta di Nettuno. Opera sesta", Milan, herede
di S. Tini & F. Lomazzo, 1610
26 works: nos. 1, 2, 4, 7, 8, 10, 11, 13 and 14 for one voice and bc;
nos. 3, 5, 6, 9, 12, 15-22 and 26 for 2 voices and bc (SB; B sings along with
bc); nos. 23 and 24 for ST and bc; no. 25 for SSB and bc
1. Caro, dolce veneno (madrigale)
2. Odi, Filli, che tuona (madrigale)
3. Se bel rio, se bell' auretta (aria) (G. Chiabrera)
4. Care, e crude cattene (madrigale)
5. Una placida auretta (canzonetta)
6. Biondo arcier (aria) (O. Rinuccini)
7. Ch'io non t'ami, cor mio? (madrigale) (B. Guarini)
8. Aura ch' intorno giri (madrigale) (H. Cavaletto)
9. Vaghe faville (aria) (G. Chiabrera)
10. Tirsi mio, caro Tirsi (madrigale in stile recitativo) (B. Guarini)
11. Ombrose, e care selve (madrigale in stile recitativo) (B. Guarini)
12. Ninfe vezzose, vaghe amorose (aria)
13. Io dunque ingrato, Filli (madrigale)
14. Dal profondo del core (madrigale)
15. Ne bell' or de raggi estivi (aria)
16. O dolce mia Clori (aria ad imitatione di quella "O dolce ristoro")
17. Ecco, felici amanti (madrigale a due voci) (A. Grillo)
18. Cor mio, mentre vi miro (madrigali a duevoci) (B. Guarini)
19. Pargoletta vezzosetta (aria)
20. Ami, Tirsi, e me 'l nieghi (madrigale a due voci)
21. Lummi miei, cari lummi (madrigale a due voci) (B. Guarini)
22. Ben è ver ch'ei pargoleggioa (aria) (G. Chiabrera)
23. Donna, ch'in voi d'amor (dialogo d'amante e donna a due voci)
24. Perche piangi, pastore? (dialogo di ninfa e pastore a due voci)
25. Qual di nova bellezza (canto di sirene a due voci) & Risposta di Nettuno
alle sirene
26. Bellan ninfa fuggitiva (aria) (O. Rinuccini)
Edition:
199S2 ° Critical edition by J. Cohen of "Madrigali et Arie", 1609 and "Il secondo
libro de madrigali et arie", 1610 € 85,50
Gibbons, Chr. • 2 Songs in book III of: "Choice Ayres, Songs and Dialogues":
1. Change, o change your fatal bows
2. Victorious men of earth no more
Godwin, J. • Since my mistress proves cruel

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Goodgroome, J. • 2 Songs:
1. Fret on, fond Cupid, curse thy feeble now
° see: Collectons: "English songs, 1626-1660", ed. I. Spink: nos. 112-113
Gore, mr. • Tell me ye gods why do you prove so cruel

Grabu, L. Louis Grabu
• 3 Songs in books II and III of: "Choice Ayres, Songs and Dialogues":
1. Close in a hollow, silent cave
2. Hark how the songsters of the grove
3. One night while all the village slept
• When Lucinda's blooming beauty

Granata, A. • Io vo cercando un core

Grandis, V. de • Ho veduto in due pupille

° see: Prints 1670: "Canzonette per camera a voce sola di diversi autori"
Gregory, W. William Gregory
• 12 Songs in: "Choice Ayres, Songs and Dialogues", book I-V:

1. At length in musing what to do (in book IV)
2. Corydon met Phyllis fair (IV)
3. Dear Jocky's gone to the wood (II)
4. Did you not hear the hideous groan (III)
5. I heard a young lover in terrible pain (I)
6. I'll have no more dealings, fond Cupid, with thee (I)
7. Lucinda, since we have confessed to each (II)
8. O Delia, for I know 'tis she (I)
9. O do not wrong that face that is so fair (IV)
10. Then we'll join hand in hand (IV)
11. To love and like and not succeed (IV)
12. When Coridon a slave did lie (I)
• Come away let's to the maypole go

Guerau, F. • O nunca tirano amor (from E-Mn M.3880)

Hall, H. • Haste, Charon haste 'tis Noll commands thy speed

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Enchanted by your voice and face

While, Galathea, you design to gain a conquest
Hall, W. • Looking on, and discoursing with his mistress (Cowley):

Hart, G. • 4 Songs in "The Theater of Music":

Ambitious eye that seeks alone
While Orpheus in a heavy strain
In te evening's dawn when nymphs and swains
Wine in a morning makes us youtful and gay
Hart, J. James Hart
• 27 Songs in books I-V of: "Choice Ayres, Songs and Dialogues":

1. Adieu to the curse of a country life (in book III)
2. Adieu to the pleasures and follies of love (I)
3. After all your cruelty I love you still (III)
4. Ah how severe is the nymph I adore (II)
5. Ah lay by your lute, ah Lucasia forbear (III)
6. All she does and say I weigh (V)
7. Cure, nymph, o cure, your bleeding victim cries (II)
8. Gone are my happy days all lost (IV)
9. Happy is the country life (IV)
10. I bring thee, o thou charming fair (II)
11. I yet am free, why should I be (III)
12. Is Celadon unkind, it cannot be (I)
13. Lost in the labrynth of my thoughts (II)
14. My dear Philander, it's no offence to love (II)
15. No shepherd, no rule thy mind (II)
16. Now every place fresh pleasure yields (IV)
17. Of fading delights let the town take her fill (II)
18. Since, cruel Thyrsis, you my torments slight (III)
19. Since others may with safety tell (II)
20. Tell me, o tell me some powers that are kind (II)
21. Think not, my soul's delight and grief (IV)
22. To Chloris what I did pretend (II)
23. Too justly alas and yet so much in vain (I)
24. What woman was even so fortunate (IV)
25. When first I saw fair Celia's face (I)
26. While Chloe full of harmless thoughts (II)
27. Whilst our flocks feed upon the plains (IV)
• 10 Songs in "The Theater of Music":

Adieu dear object of my love's excess
Ah what can mean that eager joy
Celinda would her heart bestow
Fair angry nymph this pride is lost
Happy as man in his first innocence
How oft did love assault young Strephon's breast
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In a dark shady cypress grove

Say my heart what shall I do
The sweet Melina's eyes so wounds my heart
When absent from my fair Corinna
• 2 Settings of poems by A. Cowley:

1. The Despair
2. All-over, love
• In this happy smiling shade

Hawkins, J. • 3 Songs in: "The Theater of Music":

Pride and ambition and peevishness too
Tell me what a thing is love
Your haughty wish proud swain I guessed
Hawney, Th. • Ah Clorinda can't I move you

Hidalgo, J. Juan Hidalgo
• 7 Spanish Songs:
1. Peinándose estava
5. Ay amor
6. Atiende y da
° 6 Spanish secular songs:

2. Atiende y da
4. Ay amor, ay ausencia
• 2 Sacred and 1 secular song:

1. Aves que al sol despertáis (Al Santísimo Sacramento)
2. Luceros y flores, arded y lucid (Solo a nuestra Señora)
3. Viva mi esperanza pues que llego a ver (Tono humano)
° see: Collections: "Spanish art song of the 17th century"
Hill, R. • Admit, thou darling of mine eyes

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• I am no sybject unto fate

Hilton, J. John Hilton
• 7 Songs
62. Wilt thou forgive the sin where I begun
63. Am I despis'd because you say
64. Hang golden sleep upon her eyelids fair
65. If that I for thy sweet sake
67. Rise, princely shepherd, and be arbiter
Humfrey, P. Pelham Humfrey
List of Secular Songs

(with nos. of the catalogue by P. Dennison)
24. Ah, fading joy
25. A lover I'm born and a lover I'll be
26. As freezing fountains
27. A wife I do hate
28. A young man sat sighing (ed. J.S. Smith: "Muscia Antiqua", London, 1812)
29. Cheer up, my mates
30. Cupid once when weary grown
31. How severe is forgetful old age
32a. How well doth this harmonious meeting prove (GB-Och 350)
32b. How well doth this harmonious meeting prove
33. I pass all my hours
34. Let fortune and Phillis frown
35. Long have I loved (GB-Lbl Add. 19795)
36. Nay, let me alone
37. Of all the brisk dames Messalina for me
38. Oh that I had but a fine man
39. O love, if e'er thou'lt ease a heart
40. Phillis, for shame let us improve
41. Though you doom all to die (ed. J.S. Smith: "Musica Antiqua", 1812)
42. Thus Cupid commences his rapes and vagaries
43. When Aurelia first i courted
44. Wherever I am or whatever I do (ed. Smith: "Musica Antiqua", 1812)
n.no. Where the bee sucks there suck I
Editions:
• nos. 24, 25, 29-31, 32b, 33, 34, 36, 37, 39, 40, 42, 43, n.no.:
° see: Prints 1673/1675/1679: "Choice ayres, songs and dialogues", I-II
• nos. 26, 27:
° see: Prints 1681/1683/1684: "Choice ayres, songs and dialogues", III-V
• no. 38:
° see: Prints 1685-87: "The theater of music: or a choice collection of the
newest and best songs...", book III
Huygens, C. Constantijn Huygens
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Pathodia, 1647
• "Pathodia Sacra et Profana occupati", Paris, Ballard, 1647
39 works for one voice and bc:
a) Psalms:
1. Multi dicunt animae meae (ps.3)
2. Domine ne in furore tuo (ps.6)
3. Usquequo, Domine (ps.12/13)
4. Domine Deus meus (ps.29/30)
5. Avertisti faceim (ps.29/30)
6. Dilataverunt super me (s.34/35)
7. Ab omnibus iniquitatibus meis (ps.38/39)
8. Sitivit anima mea (ps.41/42)
9. Quare tristis es, anima mea (ps.41/42)
10. Iniquitatem meam (ps.50/51)
11. Domine, spes mea (ps.70/71)
12. In quo corriget adolescentior (ps.118/9)
13. Cognovi, Domine (ps.118/9)
14. Quomodo dilexi (ps.118/9)
15. Erravi, Domine (ps.118/9)
16. Laetatus sum (ps.121/2)
17. De profundis clamavi (ps.129/130)
18. Confitebor tibi, Domine (ps.137/8)
19. Proba me, Eus (ps.138/9)
20. Memor fui dierum (ps.142/3)
b) Madrigals:
21. Se la doglia e 'l martire
22. Sospir che dal bel petto
23. Temer, Donna, non dei
24. Quel neo, quel vago neo
25. O chiome erranti
26. Orsa bella e crudele
27. Con la candida man
28. Già ti chiesi un sospir
29. A dispetto de' venti
30. Riposta dalla finestra: Che rumore sento fuore
31. Deh, s'à tanta beltà
32. Va, donna ingrata
c) Airs de cour:
33. Que ferons-nous
34. Graves tesmoins
35. Vous me l'aviez bien dit
36. Quoy? Clorinde tu pars
37. Tu te trompes, Philis
38. Aubde: J'ai veu le point du jour
39. Serenade: Ne crains point le serein
Clorinde tu pars? 37.Tu te trompes, Philis 38.Aubade: J'ai veu le point du jour
Edition:
241S1 ° revised 2nd ed. by F. Noske and N. Barker € 22,50
India, S. d' Sigismundo d'India
The 5 Collections for 1 and 2 voices with bc
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• a) "Le Musiche...da cantar solo nel clavicordo, chitarrone, arpa doppia et

altri istromenti simili. Nuovamente date in luce", Milan, the heirs of S. Tini
& F. Lomazzo, 1609.
Nos.1-44 for 1 voice and bc; nos.45-47 for 2 voices and bc; for "Canto" if
not otherwise stated:
1. Cara mia cetra
2. Quella vermiglia rosa
3. Se in me, donna, movete
4. Io son nel duol sì vinto
5. Intenerite voi, lagrime mie
6. Ben è ver ch' ei pargoleggia
7. Riede la primavera
8. Donna, mentr' io vi miro
9. Vaghe faville
10. Vorrei baciarti, o Filli
11. Apertamente dice la gente
12. Donna, i' vorrei dir molto
13. Là tra le selve
14. Un dì soletto
15. Piangete, occhi miei lassi
16. Cruda Amarilli
17. Bellissima Dori (T)
18. Tu parti, ahi lasso
19. Piange Madonna
20. Una placida auretta
21. Misera, non credea
22. Da l' onde del mio pianto
23. ma che? squallido e oscuro
24. Ferma, Dorinda mia (madrigale in stil recitativo)
25. Piangono al pianger mio (musica sopra il basso della Romanesca)
26. Forse vien fuor l'aurora (madrigale in stile recitativo)
27. Oh! se torna il mio sol
28. Son gli accenti che ascolto
29. Se bel rio, se bell' auretta
30. Ecco la luce
31. Io viddi in terra angelici costumi (aria da cantar sonetti)
32. Mirate dal gran tronco (altr' aria da cantar sonetti)
33. Forsennata gridava (aria da cantar ottave)
34. Là tra'l sangue e le morti (ottava in stile recitativo)
35. Andate a mitigar, sospiri ardenti
36. Ferma, ascolta, Licori
37. Nelle guance di rose
38. Occhi begli et amorosi
39. Che farai, Meliseo? (per voce di basso) (B)
40. Qual fiera sì crudel (per voce di basso) (B)
41. O primavera, gioventù dell' anno; parte I - V (T)
42. Sovente allor che in su gli estivi ardori (musica sopra il basso dell 'aria di
Genova) parte I - III
43. Vostro fui, vostro son e sarò vostro (musica sopra il basso dell' aria di
Ruggiero da Napoli)
44. Oh! quanto in sua beltà splende simile
45. Dove ptrò mai gir tanto lontano (musica a due voci sopra l'aria di Rug-
giero) (SS)
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46. Fresche erbette novelle (SS)

47. Che fai, Tirsi gentile? (dialogo della rosa) (ST)
• b) "Le Musiche a due voci...Novamente composte, & date in luce", Venice,

R. Amadino, 1615
19 duets; for SS if not otherwise indicated:
1. Chi nudrisce tua speme, cor mio? (dialogo)
2. Langue al vostro languir (madrigale) (TT)
3. Voi baciatrici saettatrici pungenti rose (aria)
4. La mia Filli crudel spesso mi fugge (aria)
5. Ecco Filli mia bella (aria)
6. Su, su, prendi la cetra (aria)
7. Alla guerra, alla guerra d'Amore (aria)
8. O leggiadri occhi, begli occhi miei cari (aria)
9. Ardo, lasso, o non ardo (pensieri di novella amante; prima ottava)
10. Ma se non è piacer (seconda ottava)
11. ma se quest' è pensier (terza ottava)
12. Colpa mia fora ben (quarta ottava)
13. Amo o non amo? (quinta ottava)
14. Io gelo, dunque io ardo (sesta ottava)
15. È gentil cosa Amor (settima ottava)
16. Anzi amiamo e speriamo (l'ottesima ottava)
17. Argo non mai (ottave passeggiate: prima ottava)
18. Fà nove crespe l'aura (seconda ottava)
19. Arie sopra Zefiro: a. Porto celato il mio nobil pensiero; b. Così per ben
amar; c. Giamai l'alma respira; d. Nudrisco il mesto cor
• c. "Le Musiche...Libro Terzo a una e due voci. Nuovamente stampate",

Milan, F. Lomazzo, 1618
3 duets, 18 solos (for S if not otherwise indicated):
1. Voi che ascoltate
2. Lagrimate, occhi miei
3. "Mercè!" gridò piangendo
4. Tutto il dì piango (T)
5. Occhi, convien morire
6. O ben mio, dove sei?
7. Donna, siam rei di morte (T)
8. Arditi baci miei
9. E pur tu parti, ohimè
10. Or che 'l ciel e la terra
11. Della nascente aurora (SB)
12. Questa mia aurora (SB)
13. Soccorso, ohimè, ben mio (SB)
14. Scherniscimi, crudele
15. Giunto alla tomba
16. O bella destra
17. Com' è soave cosa
18. Io veggio pur pietade
19. Ahi!, chi fia che consoli il dolor mio? (in ecco)
• d) "Le Musiche...a una et due voci a cantarsi nel chitarrone, clavicembalo,

arpa doppia et altri stromenti da corpo. Con alcune arie con l'alfabetto per la
chitarra alla Spagnola. Novamente composta et data in luce...Libro Quarto",
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1 duet, 12 solos (for C if not otherwise indicated):
1. Piansi e cantai (parole del cardinal Bembo) (T)
2. Quell' infedele (parole di Cesare Querini)
3. Mentre che 'l cor (parole di Petrarca) (T)
4. Tu mi lasci, o cruda, o bella (parole del Bonardo)
5. Odi quel rosignolo (parole d'incerto); parte I - II
6. Che veggio (Lamento d'Orfeo; parole dell' autore) (T)
7. Sprezzami, bionda, e fuggimi (parole di G.F. Ferranti)
8. Amico, hai vinto (parole del Tasso); parte I - III
9. Torna, dunque, deh torna (lettera amorosa del cavalier Marini)
10. Voglio il mio duol scoprir (parole del Ferranti)
11. Palliedetta qual viola (parole del Ferrant)
12. Che stringo? Ah, dove sono (Lamento d'Apollo; parole dell' autore)
13. Occhi della mia vita (Dialogo, a una e due voci) (SS)
• e) "Le Musiche...da cantarsi nel chitarrone, clavicembalo, arpa doppia, &

altri stromenti da corpo. Con alcune arie, con l'alfabetto per la chitarra alla
Spagnola. Nuovamente composta, & data in luce...Libro Quinto", Venice,
A. Vincenti, 1623
11 solos (all for S, except no.5 for T):
1. Io che del ciel (La Virtù); parte I - IV
2. Infelice Didone (Lamento di Didone; parole dell' autore)
3. Su, su, destati, Clori (aria)
4. O gioia de' mortali (aria)
5. Ancidetemi pur, dogliosi affanni (Lamento di Giasone sopra i figlioli morti
da Medea; parole dell' autore
6. Oh, che gradita (aria)
7. O del cielo d'Amor unico sole (aria)
8. Miserame! fia vero? (Lamento d'Olimpia; parole dell' autore
9. Torna il sereno Zefiro (aria)
10. Questo dardo, quest' arco (commiato di Diano)
11. Sfere, fermate (aria)
Editions:
201S2 ° Edition of all 5 collections by J. Joyce; with introductory study and realization
of the bass figures; set of 2 volumes € 159,--
202S2 ° Libro I; critical edition by F. Mompellio; hardback € 72,--
203S2 ° Quinto Libro (1623); ed. J. Sanderson € 46,--
204S2 ° Book II: no. 19: Four arias on Zefiro for SS; ed. J. Sanderson € 8,--
° Book I: no. 26: see: Collections: "Das Musikwerk", volume XIII
Ives, S. Simon Ives
• 3 Songs
75. Will Chloris cast her sun-bright eyes
76. Go bid the swan in silence die
77. Shepherd well met, I prithee tell (dialogue)
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_______________
_______________
Jackson, J. John Jackson
• Phyllis, turn that face away

° see: Prints 1673-1684:
1673-1684: "Choice Ayres, Songs
Songs and Dialogues" (book I)
• I'll sing of heroes and of kings

Jeffreys, G. George Jeffreys
• 2 Solo songs and a dialogue for P. Hausted's "The rivall friends", 1631:
1. Drowsy
Drowsy Phoebus,
Phoebus, come away (dialogue)
2. Have pity, grief, I cannot pay
pay
3. Cruell but once again
° see: Collections: "English Songs, 1626-1660",
1626-1660", ed. I. Spink
Spink
Jenkins, J. • Cea
Ceasse no
not, thou hheeav'nly-voiced gloriou
ious cr
creat
eature
1626-1660", ed. I. Spink
Spink
Johnson, R. Robert Johnson
205S2 Ayres, Songs and Dialogues

ed. I. Spink; The English Lute Song, volume 12:
realization of the bass printed in small notes; no lute tablatures extant
(except for song no. 24)
a) Miscellaneous Ayres:
1. As I walk'd forth
2. Come, heavy sleep
3. Dear, do not your fair beauty wrong
4. With endless tears
5. For ever let thy heav'nly tapers
6. Shall I like a hermit dwell?
7. Woods, rocks, and mountains
8. How wretched is the state
b) Songs from the Plays:
9. Arm, arm! (for Beaumont & Fletcher's "The"The mad lover", c.1616)
c.1616)
10. Full fathom five (for Shakespeare's "The Tempest", 1611)
1611)
11. Where the bee sucks (for Shakespeare's "The Tempest", 1611) 1611)
12. Away delights (for Beaumont & Fletcher's
Fletcher's "The captain", c.1612)
13. Come hither you
you that love (for Beaumont & Fletcher's "The
"The captain")
14. Oh, let us howl
howl (for J. Webster's "The duchess of Malfi", c.1613)
15. Care-charming sleep (for Beaumont & Fletcher's
Fletcher's "Valentinian", c.1614)
16. Come away, thou
thou lady gay! (for Beaumont & Fletcher's
Fletcher's "The chances",
c.1617)
17. From the famous Peak of Derby (for B. Jonson's "The gypsies metamor-
phosed", 1621)
18. 'Tis late and cold (for Beaumont & Fletcher's "The
"The lover's progress", 1623)
c) a Dialogue:
19. Charon, oh Charon
d) Songs probably by Johnson:
20. Hark, hark! the lark (for Shakespeare's "Cymbeline", c.1609)
c.1609)
21. Adieu, fond love (for Beaumont & Fletcher's "The lover's progress", 1623)
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22. Come away, Hecate! (for Th. Middleton's "The

"The witch", c.1616)
23. Get you hence,
hence, for I must go (for Shakespeare's "A winter's tale", c.1611)
c.1611)
24. Have you seen the bright lily grow? (for B. Jonson's "The devill is an ass")
25. Orpheus I am (for Beaumont & Fletcher's "The
"The mad lover", c.1616)
26. Tell me, dearest (for Beaumont & Fletcher's "The
"The captain", c.1612)
Appendix:
26a. Tell me, dearest (duet version)
27. Ave rosa sine spinis
Sources:
a) manuscripts:
GB-Cfm 52.D (8, 15,15, 19,
19, 22,
22, 25)
25)
GB-Eu Dc.1.69 (13)
GB-Lbl Add: 11608 (4, 15, 18), 15117 (24), 29396 (3, 18) and 29481 (24)
GB-Lbl Egerton 29481 (24)
GB-Ob Don.c.57 (6-8, 10, 11, 15, 16, 20,20, 27)
GB-Ob Tenbury
Tenbury 1018 (19)
(19)
GB-Och mus. 87 (7, 24)
IRL-Dtc F.5.13 (24, 25)
US-NYp Drexel 4041 (2, 9, 14, 23, 26),
26), 3175 (3, 14, 22-24, 26) and
4257 (4, 6, 12, 13, 26)
b) prints:
1652: "Select musicall ayres and dialogues", London, Playford (1)
1660: J. Wilson: "Cheerful ayres or ballads...", London
London (5, 10, 11,
11, 13)
1672:
167 2: "The
"The musi
musical
cal compan
companion
ion...
...The
The second
second part",
part", London
London,, J.
J. Play
Playfor
fordd (17)
(17) € 29,-
29,---
206S2 • 10 Songs for soprano and bc; ed. R. Luckhardt:

9 songs (see ed. Spink:
Spink: nos. 4, 7, 10, 14-16, 23,
23, 24, 26) and: "In a maiden
time profest" (for Th. Middleton's "The witch", 1616) € 18,50
Kapsberger, J.H. Johann Hieronymus Kapsberger
a) Villanelle, books I - IV

• I. "Libro primo di Villanelle a 1, 2 et 3 voci, accommodate per qualsivoglia
strumento con l'intavolatura del chitarrone et alfabeto per la chitarra spag-
nola...raccolto dal Sigr. Cavaller Flamminio Flamminij...", Rome, 1610:
1. Fiorite valli a3
2. Alla caccia a2
3. O bella e vaga Flora a3
4. Pastorella gentile a3
5. All'ombra a2
6. Poi ch'attendi a3
7. Lascivette Pastorelle a2
8. Vedete la mia luce a2
9. Se per voi s'arde a3
10. Che faro donna ingrata a1
11. Poi che senti a2
12. Torna chi novo a2
13. Negatemi pur cruda a3
14. Flora più vaga a2
15. Correte pescatori a2
16. hor ch'amorosi accenti a1
17. S'io sospiro a2
18. Alla luce a2
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_______________
_______________
19. Lagrimosa Pietà a3

20. Godete amanti a3
• II. "Libro Secondo di Villanelle a 1.2. & 3. voci con l'alfabeto per la chitarra
spagnola...raccolte dal sig. Ascanio Ferrari", Rome, Robletti, 1619:
21. Aurilla mia a1
22. La vita alberga a2
23. L'onda che limpida a3
24. ite sospiri miei a1
25. Non havea Febo a2
26. Deh Filli vientene a2
27. Figlio dormi a1
28. D'una guancia a2
29. O fronte serena a3
30. Aure vaghe a1
31. Che fai tu a2
32. Dunque Clorida a2
33. Rigi da Eurilla a1
34. Con un dolente a2
35. Gioite gioite a3
36. Per pietà a2
37. Belle Ninfe a2
38. Non sà che sia dolor'
dolor' a2
39. Vezzosette e care a1
40. Donzellette ch'il bel seno a2
41. Tronca l'indegno laccio a1
• c) "Libro Terzo di Villanelle a 1.2. et 3 voci accomodate per qual si voglia
stromento con l'intavolatura del chitarrone et alfabeto per la chitarra
spagnola...raccolo del sigr. Francesco Porta", Rome, 1619:
42. Occhi vibrate a3
43. Già visi a1
44. Fulminate a2
45. Sú desta i fiori a1
46. Ho' pur d'oro a2
47. O dolci sguardi a1
48. Fanciullo arciero a2
49. Disperato dolore a1
50. O Filli a2
51. Susurrate a1
52. Voi pur mi prometteste a1
53. Stelle vezzose a3
54. Alma fugace a1
55. Ferma il bel piede a1
56. Occhi ridenti a2
57. Viva speranza a1
58. O luci amate a3
• d) "Libro Quarto di Villanelle a una e più voci con l'alfabeto per la chitarra
spagnola...Raccolte dal signor Marcello Pannocchieschi de Conti d'Elci",
Rome, L.A. Soldi, 1623:
59. Spirti celesti a2
60. Sorge lucente a3
61. Cinta di rose a1
62. Sonino, scherzino a2
63. Rugiadose a1
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64. Dal molle a2

65. Inchinatevi à fiori a2
66. Qule sol a3
67. Cinto il sole a2
68. Felici gl'animi a2
69. Ardir ardir a2
70. Vienne pace a2
71. In te la vita a1
72. Navicella a2
73. Rondinella a1
74. Fonte d'eterno gaudio a2
75. Mentre del mondo a1
76. L'alba cinta a2
77. Tra queste di terror cieche a1
78. Non mi lasciar a2
79. Alma che scorgi a2
80. Bel fior ch'al'alba a1
Edition:
207S2 ° Fac
Facsi
sim
mile
ile of
of the
the 161
1610 / 161
1619 / 1619
1619 / 16
1623 edit
editio
ionns; 4 vo
vols.
ls. in
in cas
casse
sett
ttee € 36
36,--
,--
b) Mottetti passeggiati & Arie pa sseggiate, I-II

The book of solo motets (1612) & 2 Books of Arias (1612, 1623)
• a) "Libro Primo di Mottetti Passeggiati à una voce...raccolto dal sig. Frances-
co de Nobili", Rome, 1612
No. 20 for bass; all others for high voice; bc in staff notation and in tablature
1. Paratum cor meum
2. Ave Sacntissima Maria
3. O sacrum convivium
4. Audite Coeli
5. Cantate Domine
6. Sancta Maria
7. Gaudent in Coelis
8. Exurgat Deus
9. Parce mihi Domine
10. Circumdederunt me
11. O quam gloriosum
12. Veni sponsa Christi
13. Similabo eum
14. Verbum caro
15. Anima mea liquefacta est
16. Resurrexi et ad huc tecum sum
17. Congratulamini mihi
18. Florete flores
19. Nigra sum sed formosa
20. Ego dormio et cor meum vigilat
• b) "Libro Primo di Arie Passeggiate à una voce con l'intavolatura del chitarro-
ne raccolto dal sigr. Cav. fra iacomo Christoforo
Christoforo ab Andlaw", Rome, 1612: 1612:
No. 21 for bass; all others for high voice; bic in staff notation and in tablature
1. Occhi soli d'Amore
2. Interrotte speranze (with instrumental ritornelli)
3. Ultimi miei sospiri
4. Se la mia vita sete
5. Sconsolato mio core
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6. Lasso ch'io ardo

7. Io mi parto cor mio
8. Sospirati bei lumi
9. Occhi gratie d'Amore
10. Io partoahi dura voce
11. Amor la Donna mia
12. Mentre vaga Angioletta
13. Deh come posso
14. Ecco l'hora
15. Giunto è pur Lidia
16. Legasti anima mia
17. Tu che pallido
18. Io amo, io ardo
19. Augelin che la voce
20. O cor sempre dolente
21. Dove misero mai
22. Parto e partendo
• c) "Libro Secondo d'Arie a una e più voci...raccolto dal sigr. Pietro Contarine"
Rome, L.A. Soldi, 1623:
For one high voice if not otherwise indicated:
1. Ivò piangendo i miei passati tempi
2. Tu che vedi i miei mali indegni
3. Si che s'io vissi in guerra
4. A quel poco di viver che m'avanza
5. Tu dormi, anima mia
6. Dolcissimo Signore, ahi che ne moro
7. Già peccatrice io fui
8. Nella Croce ti miro che per mio ben piagato
9. Alma che fai, che pensi
10. Lagrime estreme che da gl'occhi uscite
11. Dite che v'hò fatt'io fallaci mie speranze
12. Vvo ahi lasso ò pur moro
13. Sparsa d'immortal luce eccelsa fede
14. O come in van credei passar l'hore serene (for bass)
15. T'inaspri a miei lamenti (for S and B; no bc)
16. Ancora il Rè nasce piangendo in terra
17. Infausta à gl'occhi suoi sorge l'aurora
18. Felice il Rè ch'à se medesmo impera
19. Ben può chi vuol'à Re giunger appresso
20. Aria da cantar ottave: È fior la speme mia che nel'aprire
21. Dove mi lasci Fonte de la mia vita
22. Pargoletto son io, che non conosco affanni
23. Anch'io spirto hò nel petto
24. Dunque con stile lieto dolcissimo cantiam l'Aprile (for 2 high voices)
25. Il cor nel volto rida
26. Veri diletti quagiù non regnano (for 2 high voices)
27. Pietà di chi si more (for bass)
28. Popol diletto mio dimmi che t'hò fatt'io
29. Voi che dietro à fallacie e cieche scorte
30. Perche pietà si neghi al mio lungo martire (SB; no bass)
Edition:
208S2 ° Facsimile of the 1612 / 1612 / 1623 editions; 3 volumes in cassette; introduc-
tion (Italian) by O. Cristoforetti € 36,--
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• 4 Works for bass and bc (chitarrone):

1. Dove misero (from: Libro primo di Arie, 1612)
2. O come in van credei (from: Libro secondo di Arie, 1623)
3. Pietà di chi si more (from: Libro secondo di Arie, 1623)
4. Ego dormio (form: Libro primo de motetti, 1612)
200S2 ° ed. M. Lubenow € 15,--
King, R. Robert King
• 5 Songs in book V of: "Choice Ayres, Songs and Dialogues":

1. By shady woods and purling streams
2. Happy the time when free from love
3. May the ambitious pleasure find
4. O quench these flames the miserable state
5. Where would coy Amintas run

Ah poor Olinda never boast
As I gazed unaware on a face so fair
Fly from Olinda young and fair
Go tell Amintor gentle swain
If absent I from Phyllis am
In courts ambition kills the great
Long have I lived from passion free
O be kind my dear be kind
O why did e'er my thoughts aspire
There is no beauty can compare
Tune your lute and raise your voice
Why so averse is Laura's mind
Why this talking still of dying

Cease, cease, cease fond Amintas
E're Time had run so long a race (Scothc song)
Strephon, why wou'd you deceive me
Tell me why so long you try me
Tis love that always strikes the fire
To younder sweet delicious shade
When Cinthia did by various ways
When on her eyes, my happy star I gaze
Whilst on Melanissa gazing
Why Phillis must your anger try to wrack
King, W. William King
• 14 Settings of poems by A. Cowley:

1. All-over, love
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_______________
3. Counsel (II)
4. Her Name
6. Love Undiscovered
7. My Fate
8. The Concealment
9. The Distance
10. The Enjoyment
11. The Given Heart
12. The Given Love
13. The Heart-breaking
14. The Monopoly
Kingsley, Th. • 2 Songs in book V of: "Choice Ayres, Songs and Dialogues":
1. He that is resolved to wed
2. How happy's that mortal whose heart is his own
Kittel, C. Caspar Kittel
Arien und Cantaten, 1638

• "Arien und Cantaten mit 1.2.3. und 4. Stimmen sambt beygefügtem Basso
Continuo. In die Musica übersetzt durch Caspar Kitteln...Operetta Prima",
Dresden, gedruckt bey Gimel Bergens...In verlegung des Authoris", 1638
30 arias and cantatas for 1-4 voices and bc:
a) for 1 voice and bc
1. Mein Lieb, wie schöne bist doch du C
2. Ich bleib und bin des Liebsten für und für C
3. Coridon der gieng betrübet A
4. Wie schöne Füss und auch wie schöne Schuh (passeggiata) T
5. Kombt, lasst uns ausspazieren (sopra l'aria di Ruggiero) B
6. Gleich wie zur Sommerszeit (sopra la romanesca) SS
7. Auf, meine Harf SS
8. Ihr schwarzen Augen SS
9. Ach Liebste, lass uns eilen SS
10. Coridon sprach mit Verlangen SS
11. Ietzund kömbt die Nacht herbei (sopra l'aria di Ruggiero) TT
12. Geht, meine Seufzer, hin TT
13. Nun, o Schönste, komm gegangen TT
14. Ein jeglich Ding hat seine Zeit TT
15. Asterie mag bleiben wer sie will CT
16. Wohl dem, der sein Feld kan bauen CCB
17. Als ich nechst war ausspazieret TTB
18. Allhier in dieser wüsten Heid' CTB
19. Derselbe, welcher dieser Nacht CTB
20. O du Gott der süssen Schmerzen CTB
d) for 4 voices (SATB) and bc:
21. Ist mein Herze gleich verliebet
22. Geht, meine Seufzer, hin
23. Oime, Amor, wie schnell
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24. Die Sonn hat sich verkrochen

25. Wie oft ist der Frühling kommen
26. Wohl dem, der weit von hohen Dingen
27. Wer von Amor werd arrestiert
28. Lasset uns, lasset uns schauen in Garten
29. Meine Freude, Lust und Wonne
30. War ist es und nachzusagen
Editions:
• nos. 1-30:
209S2 ° ed.W. Braun; realization of the bass by C. Gevert; Pratica Musicale, volume
5; hardback € 147,--
• nos. 14, 23, 24 and 30:
° see: Collections: "Corydon", ed. Moser (nos. 1a-d)
• no. 14:
Konink, S. van • In het gjaasjen of myn Tryntjen

(from his "Hollandsche minne- en drinkliederen", Amsterdam, Mortier)
Krieger, A. Adam Krieger
Neue Arien, 1676

• "Herrn Adam Kriegers Churfl. Durchl. zu Sachsen &c.wohlbestalt-gewesenen
Kammer- und Hoff-Musici, Neue Arien in 6 Zehen eingetheilet, von Einer,
Zwo, Drey und Fünf Vocal-Stimmen benebenst ihren Rottornellen, auf zwey
Violinen, zwey Violen, und einem Violon, sammt dem Basso Continuo, zu
singen und zu spielen. So nach seinem seel. Tode erst zusammen gebracht
und zum andernmahl zum Druck befördert worden....", Dresden, M. G.
Hübner, 1676 (= 2nd ed., enlarged with 10 songs; 1/1667)
60 Arias in 10 sections; instrumental ritornella for 2 violins, 2 violas, bc appa-
rently composed by J.W. Furchheim
• I. Das 1. Zehen: Canto solo con 5. Instrum.:
1. Der hat gesiegt, den Gott vergnügt
2. Die Pracht der Welt vergeht und fällt
3. Der Augen Scheion sein Scherz und Pein
4. Der Unbestand ist Ihr verwandt
5. Adonis Tod bringt mich in Not
6. Bei mir muss sein ein Freund und Wein
7. Die Liebesglut verkehrt den Mut
8. Der Liebe Macht herrscht Tag und Nacht
9. Pandorens Brust erstickt die Lust
10. Hier bringt ümb gedritter Grimm
• II. Das 2. Zehen a 2. Voc. con 5. Instrum. (CC if not otherwise indicated):
1. Wer sich verliebt, wird sehr betrübt
2. Frisch, fröhlich, frei ohn' Heuchelei
3.Der Schönheit Blum' erteilter Ruhm (Der Hässlichkeit verderbtes Leid) TT
4. Den liebsten Lohn gibt Venus' Sohn
5. Der Schäferin gibt er sich hin (Nimm Schäferin nur alles hin)
6. Der Neckarwein muss köstlich sein
7. Was Fillis tut liebt auch sein Mut ST
8. An ihre Haar und göldne War
9. Die Wankelmut erquickt sein Blut
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10. Es steigt der Wein, so hoch wir sein

• III. Das 3. Zehen. Canto solo con 5. Instrum.:
1. Ihr bleibet nicht Bestand verpflicht
2. Ergötzlichkeit zu rechter Zeit
3. Rinckauer Wein der schmeckt recht rein
4. Die Liebe brennt, eh man sie kennt
5. Ein freier Leib begehrt kein Weib
6. Zusatz (Ich will es nicht achten, ich will es nicht tun)
7. Des Frühlingszeit bringty Lust und Freud
8. Gedanken sein nur grosse Pein
9. Doch bleiben sie und weichen nie
10. Der Liebsten Herz, macht Scherz und Schmerz
• IV. Das 4. Zehen a 1.2.3.5. Voc con 5. Instrum.:
1. Die Schöne schwärzt den, der sie herzt SSATB
2. Er ist verwund't durch ihren Mund SS or TT
3. Verliebet sein macht grosse Pein S or T
4. Die Fröhlichkeit acht' keinen Neid S or T
5. Es fehlet ihr nur eine Zier S or T
6. Liebesgespräch zwischen Amyntas und Dianen ST
7. Wie viel Stunden hab ich wohl gezählet S or T
8. Fleug, Psyche, fleug Cupido S or T
9. Cupido zwar ist blind, doch trifft er auch geschwind S or T
10. Die unfreundliche Mopsa. Der verliebte Dafnis: Er liebt zwar sie, sie aber
nie SB (with introductory Sinfonia; duet with instrumental accomp. a5)
• V. Das 5. Zehen. Canto solo con 5. Instrum.:
1. Wie balde wird der Zweck verirrt
2. Der Rheinwein schafft den Sinnen Kraft
3. Der Rheinsche Wein tanzt gar zu fein
4. Eines von der Penelope Liebhabers Klagerede an Sie: Penelope macht Angst
und Weh
5. Der Penelope Antwort: Sie liebt allein der Tugend Schein
6. Was man nicht hofft, beliebet oft
7. Aurorens Brust die grösste Lust
8. Es bleibet ihr und ihrer Zier
9. Ein Freund, ein Trunk, ein Lieb, ein Sprung
10. Wer froh will sein, liebt Bier und Wein
• VI. Das 6. Zehen a 1. & 2. Voc. con 5. Instrum.:
nos.1-9 for 1 high voice; no. 10 for ST
1. Der Liebe Neid erweckt sein Leid
2. Er bittet sie durch seine Knie
3. Wer lieben kann, der nehm' es an
4. Wer freundlich ist, auch gerne küsst
5. Aurora und Stell' erscheinen schnell
6. Der Augen Pracht wird blau betracht
7. Die Jungfern sein nur auf den Schein
8. Der beste Wein kömmt von dem Rhein
9. Die Martinsgans spricht Bacchus kanns
10. Auf Johann Heinrich Schmeltzers Lamentation gerichtet: Weil Sie ihn plagt,
Er sich beklagt ST
Edition:
210S2 • ed. in score of all 60 arias by A. Heuss (1905; revised by H.J. Moser (1958);
DDT I/19
The appendix to this edition contains 6 Krieger songs from the song book of
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_______________
the student Clodius (ms. in D-B):

1. Amanda darf man dich wohl küssen
2. So hast du libes Kind mich gleichwohl noch vergnügt
3. Mein setzt euch ihr lustigen Brüder (a2)
4. O Rosidore, edele Flore (a2)
5. Phillis und Amyntas waren an dem kühlen Wasserstrand
6. Eilt ihr lieben Wäschermädgen € 93,--
• no. I/5:
• IV/2:
Krieger, J. Johann Krieger
• "Neue musicalische Ergetzligkeit. Das ist: Unterschiedene Erfindungen welche

Herr Christian Weise, von Zittau von geistlichen Andachten, politischen
Tugendleidern und theatralischen Sachen bisshero gesetzt hat. In die Music
gebracht und der tugendliebenden Jugend vornehmlich recommendiret",
Leipzig, 1684 (3 Teile & 6 Nebenbestimmungen)
a large collection of songs for 1 to 4 voices, some with instrumental ritornelli.
part I: 30 strophic sacred songs
part II: 34 secular strophic songs
part III: arias from 5 of his Singspiele performed in Zittau in 1683-1684
Edition:
211S2 ° Facsimile of the 1684 edition; Dokumentation zur Geschichte des deutschen
Liedes, vol. 7; hardback € 129,--
Krieger, J.Ph. Johann Philipp Krieger
Arien, 1690-92
• "Auserlesene in denen dreyen Sing-Spielen Flora, Cecrops und Procris
enthaltene Arien", Nürnberg, 1690/92
212S2 ° 12 Songs and Arias; ed. H.J. Moser:
1-2. from "Flora, Ceres und Pomona" (masquerade, 1688)
1. Sommerfreuden
2. An den wilden Aeolus
3-11. from "Die ausgesöhnte Eifersucht oder Cephalus und Procris"
(opera; 1689):
3. Jägerlust
4. An die Einsamkeit
5. Wurst wider Wurst
6. Du unglücksel'ger Morgenstern
7. Die neue Bauernstube
8. Ein Küssgen in Ehren
9. Jagdfreude
10. Die Eifersucht
11. Wir armen Jungfern
12. from: "Die glückliche Verbindung des Zephyrs mit der Flora" (Singspiel;
1683): Behändigkeit ist keine Hexerei € 15,--
La Barre, J.Ch. de Joseph Chabanceau de La Barre
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_______________
Airs à deux parties, 166 9

• "Airs à deux parties, avec les seconds couplets en diminuation, par M. De La
Barre organiste de la Chapelle du Roy", Paris, R. Ballard, 1669
All airs (except nos. 17-18: récits ) have a 2nd couplet with diminutions;
nos. 1, 2, 9, 12 and 16-18 for 1 voice and bc; nos. 3-8, 10, 11 and 13-15 for
2 voices and bc:
1. Forest solitaires & sombres, sejour du silence & des ombres
2. Se c'est un bien que l'espérance (rondeau sur le mouvement de la chacone)
3. De quoy me sert de voir ces belles plaines
4. J'avois juré de n'aymer plus, mais les sermens sont superflus
5. Ah! je sens que mon coeur, va mourir de langueur!
6. Allez bergers, dessus l'herbette, voir bondir vos jeunes agneaux? (sarabande)
7. Vous demandez pour qui mon coeur soûpire (sarabande)
8. Quand on vous dit que l'on vous ayme, escoutez ce que l'on vous dit
9. Un feu naissant vient d'enflamer mon coeur
10. Tristes enfans de mes desirs, innocens tesmoins de ma flamme
11. Plus je pense à ma Maistresse, plus je souffre de tourment (rondeau)
12. Quand une ame est bien atteinte, elle n'est jamais sans crainte (passacagle)
13. Depuis quinze, jusqu'à trente, la nature bien faisante (rondeau)
14. Petit ruisseau qui coulez lentement, vous flatez agreablement
15. Il faut aymer une Bergere, on ne sçauroit trouver de Maistresse à al Cour
16. L'aymable Iris est de retour, le temps n'a point changé cette beauté
17. François? soyez tous réjouis, vous reverez ce grand & ce charmant Louis
(recit sur la convalescence du Roy)
18. Sospiri ohimé, che dal centro del core à l'aura uscite (recit italien)
Edition:
213S2 ° Facsimile of the 1669 edition, with an introduction by Ph. Lescat and an essay
on preclassical ornamentation by J. Saint-Arroman. € 42,--
Lambert, M. Michel Lambert
Airs from "Airs de différents autheurs", 1658-1694

all a2: SB; may also be performed by S with bc
1. Pourquoy faut-il, belle inhumaine
2. J'ay veu les beaux yeux de Silvie
3. Les regards de Philis avoient tant de douceur
4. Mes yeux vous ont parlé
5. Quand je vous aurois dit que je suis misérable
6. Je n'ay jamais parlé de mon amour extresme
7. Lassé des rigueurs de Climeine
8. Philis, vostre pitié n'a rien qui me soulage
9. J'ay si bien publié vos attraits mes vainqueurs
10. Vous ignorez encor mon amoureux martyre
11. Pourrois-tu douter de ma foy
12. jugez si ma peine est extresme
13. Que ferons-nous mon coeur
14. L'aymable Iris s'en est allée
15. Allez, allez suivez ses pas
16. Superbes ennemis du repos de mon âme
17. Sombres déserts, retraite de la nuit
18. Je goustois cent mille douceurs
19. Charmante Iris, quand je vous voy paroistre
20. Puisque chacun doit aymer à son tour
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21. Il faut aymer

22. Que me sert-il d'estre fidelle
23. J'ay juré mile fois de ne jamais aymer
24. D'un feu secret je me sens consommer
25. Pourquoy vous offencer
26. Belle Philis entre nous deux
27. Puisque par un arrest du sort
28. J'aymerois mieux souffrir la mort
29. Pour avoir tant souffert et jamais murmuré
30. Je ne veux plus vous voir
31. C'en est fait, belle Iris
32. Je meurs, vous le voyez
33. Si l'Amour, belle Iris, vous pouvoit engager
34. Mille coeurs enchaisnez
35. Hélas! que faut-il que j'espère?
36. C'est trop faire languir de si justes désirs
37. Plaisirs voicy le temps qui nous est destiné
38. Taisez-vous, tambours et trompettes
39. Pour estre aymé
40. Autant que j'ay d'amour vous avez de beauté
41. Quand vos rigueurs m'ordonnèrent l'absence
42. Ah! puisque la rigueur extresme
43. Il faut mourir plustost que de changer
44. Beaux yeux! arbitres de mon sort
45. J'ayme, je suis aymé
46. Enfin l'aymable Printemps
47. Enfin, belle Philis, voicy cet heureux jour
48. Absent de vous je languis nuit et jour (attr. to Lambert by C. Massip)
49. En vain, belle Philis, je me laisse enflammer
50. Dites-moy, belle Iris, seriez-vous sans affaire
51. Enfin nostre bonheur passe nostre sepérance
52. Faut-il pour soulager ma peine
53. Vos yeux, cruelle Iris, en me voyant souffrir
54. Quoy? belle Iris, vous ne sçauriez comprendre
55. Fiers et charmans regards
56. Ne craignez point le naufrage
57. J'aymais, j'estois aymé d'une beauté charmante
58. Beaux yeux qui me charmez!
59. J'ay pleuré, belle Iris, j'ay pleuré vos malheurs
60. Il est vray qu'amour a ses peines
61. Enfin je l'ay perdu
62. Quand l'Amour à vos yeux
63. Mes yeux, que vos plaisirs coustent cher
64. Que vous connoissez peu, trop aymable Climène
65. Foible raison qui m'avois deffendu
66. Si l'Amour vous soûmet à ses loix inhumaines
67. Vous demandez comment il est possible
68. À quoy m'engagez-vous, adorable Silvie?
69. Vous laissez murmurer cette claire fontaine
70. À ce retour de la saison nouvelle
71. Rochers, vous estes sourds
72. J'avois déjà passé pres d'un jour sans la voir
73. Ce n'est pas assez d'estre belle
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74. Que faites-vous, Silvie

75. Ah! qu'il est facheux de souffrir
76. Tout l'univers obéït à l'Amour
77. Vous avez des appas plus qu'il n'en faut
78. J'ay mille fois pensé
79. Passer prés du hameau de sa jeune bergère
80. Ne craignez point mes feux
81. Pour bien chanter d'amour
82. Vous n'aymez pas d'entendre
83. Vos mépris tous les jours
84. Voicy le lieu fatal
85. Si je connaissois qu'un amant
86. Beaux yeux qui connoissez le tourment
87. Ha! que les yeux de la belle Amarante
88. Que me sert-il, hélas!
89. Devant vos yeux
90. Vous ne me verrez plus
91. Sans les peines que j'endure
92. Il est vray l'amour est charmant
93. Doux charme du printemps
94. Que d'amans separez languissent nuit et jour
95. Par mes chants
96. Il n'est point d'amour sans peine
97. Hélas! l'heureux Tircis
98. Ah! qui voudra désormais s'engager?
99. Vous ne sçauriez mes yeux
100. Charmante nuict hastez vostre retour
101. Vos mépris chaque jour
102. Faisons ce qu'a fait mon berger
103. Le printemps et l'amour
104. Ma bergère est tendre et fidelle
105. J'adore une beauté si fière, si cruelle
106. Si je puis bannir de mon coeur
107. Je meurs des maux que vous me faites
108. L'aymable saison des zéphris
109. Je fuis tous les plaisirs éloigné de Silvie
110. Une jeune et tendre beauté
111. Le rossignol que l'on admire
112. Je suis aymé de celle que j'adore
113. Le repos, l'ombre, le silence
114. Quand j'estois seul près de Silvie
115. Iris n'est plus
116. On connoist peu l'amour
117. Printemps, à quels ennuits ne me livres-tu pas?
118. Goûtons un doux repos
119. Aymables habitans de ce naissant boccage
120. Non, non je ne veux plus m'engager
121. La paix estoit maistresse de mon coeur
Sources
all printed by Ballard, Paris:
1658: "Airs de differents autheurs à deux parties" (1-11)
1659: "IIe Livre d'airs de differents autheurs à deux parties" 12-23)
1659: "Deuxième Livre d'airs de dévotion à deux parties" (12, 14-19: timbres)
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
1660: "IIIe Livre d'airs de differents autheurs" (24-29)

1661: "IVe Livre d'airs de differents autheurs à deux parties" (30-38, 73)
1662: "Ve Livre d'airs de differents autheurs à deux parties" (39-48)
1663: "VIe Livre d'airs de differents autheurs à deux parties" (49-55)
1664: "VIIe Livre d'airs de differents autheurs à deux parties" (56-61)
1665: "VIIIe Livre d'airs de differents autheurs à deux parties" (62-70)
1666: "IXe Livre d'airs de differents autheurs à deux parties" (71, 72, 74-76)
1667: "Xe livre d'airs de differents autheurs à deux parties" (77)
1669: "XIIe Livre d'airs de differents autheurs à deux parties" (78-80)
1670: "XIIIe Livre d'airs de differents autheurs à deux parties" (81-82)
1671: "XIVe Livre d'airs de differents autheurs à deux parties" (83-89)
1672: "XVe Livre d'airs de differents autheurs à deux parties" (90-92)
1673: "XVIe Livre d'airs de differents autheurs à deux parties" (93-94)
1674: "XVIIe Livre d'airs de differents autheurs à deux parties" (95-96)
1675: "XVIIIe Livre d'airs de differents autheurs à deux parties" (97-98)
1676: "XIXe Livre d'airs de differents autheurs à deux parties" (99)
1677: "XXe Livre d'airs de differents autheurs à deux parties" (100)
1679: "XXIIe Livre d'airs de differents autheurs à deux parties" (101)
1680: "XXIIIe Livre d'airs de differents autheurs à deux parties" (102-103)
1681: "XXIVe Livre d'airs de differents autheurs à deux parties" (104)
1682: "XXVe Livre d'airs de differents autheurs à deux parties" (105-106)
1683: "XXVIe Livre d'airs de differents autheurs à deux parties" (107)
1684: "XXVIIe Livre d'airs de differents autheurs à deux parties" (108-109)
1685: "XXVIIIe Livre d'airs de differents autheurs à deux parties" (110-111)
1686: "XXIXe Livre d'airs de differents autheurs à deux parties" (112-113)
1687: "XXXe Livre d'airs de differents autheurs à deux parties" (114)
1688: "XXXIe Livre d'airs de differents autheurs à deux parties" (115)
1691: "XXXIVe Livre d'airs de differents autheurs à deux parties" (116-118)
1692: "XXXVe Livre d'airs de diffrents autheurs à deux parties" (119-121)
Edition:
• nos. 1-121:
214S2 ° ed. by R.A. Green
Supplementary sources:
1660: "Airs de Monsieur Lambert", Paris, 1660 (1, 12, 16, 20-23, 25, 28,93)
1689: "Airs a une. II. III. et IV. parties avec la basse-continue, composez par
Monsieur Lambert", Paris, Chr. Ballard (24, 28, 30, 32, 39, 40, 42,
43, 50, 53, 54, 60, 63, 67, 68, 70, 72, 76, 92, 94-96, 98, 99, 101,
103, 104, 110, 112-115)
F-Pn Rés. Vm7. 501 (2, 64, 78, 85; as by Boësset: 10, 29, 44)
F-Pn Rés. Vm7. 583 (64, 69)
F-Pn Rés. Vma. ms. 854 (2-4, 8, 11, 15, 27, 41, 65)
F-Pn Rés. Vma. ms. 958 (83, 102, 120)
F-Pn Rés. 89ter (119)
US-Cn VM 1620 L222a: the Foucault collection (5-7, 10, 12, 14, 16,
20-22, 29, 30, 32, 45, 71, 74, 80-82, 86, 89-91,
97, 100, 105-109, 111, 116-118) € 129,--
• 4 Airs:
1. Doux charmes du printemps (without double ) S, bc
2. Ballet de la Naissance de Vénus: Rochers vous estes sourds S, bc
3. Ballet de la Naissance de Vénus: Admirons nostre jeune et charmante
déesse (Dialogue des Trois Grâces) SSS, bc
4. Superbes ennemis du repos de mon ame SB, bc
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
Sources:
Recueuil Foucault: F-Pn Rés. 584 (1, 2)
1660: "Les Airs du Sieur Lambert", Paris, Ch. de Sercy (4)
1689: "Airs a une. II. III. et IV. parties avec la basse-continue mar monsieur
Lambert...", Paris, Chr. Ballard (3)
215S2 ° trascribed in C. Massip's study: "L'Art de bien chanter: Michel Lambert" € 65,--
• Que faites vous, Silvie

(from F-Pn Rés. 584)
Landi, S. Stefano Landi
• "Il secondo libro d'arie musicali di Stefano Landi ad una voce...", Rome, B.
Robletti, 1627
13 Arias: no. 11 for alto and bc, all others for soprano and bc
1. O di glorie chiara prole
2. A che più l'arco tendere
3. Chiudete l'orecchi
4. Non si cherzi con l'amore
5. Come m'ami tu Clori
6. V'amai se voi m'amaste
7. Quasi intrepida Amazzone
8. Amarillide deh vieni
9. Dammigella tuta bella
10. T'amai gran tempo e sospirai
11. O begl'occhi di sole
12. Non è più tempo no
13. Piansi un tempo arsi et gelai
Edition:
• Dammi Lidio tanti baci

cantata for tenor and bc
source: I-MOe Campori 105: c.21r-23v ("Cantate diverse del sec. XVI -
XVII. Autori diversi")
217S2 ° in: S. Leopold: "Stefano Landi. Beiträge zur Biographie. Untersuchnungen
zur Vokalmusik"; Hamburger Beiträge zur Musikwissenschaft, vol. 17
(volume II: p.27-28) € 56,--
• 3 Solo songs and 4 Duets from I-Ru ms. 279 and I-Baf 1424:
Amor io ben sapea
Felice che discior tra fiamme ardenti
Io v'amo anima mia a2
Questa bella guerriera a2
Questa ch'el cor misura
Se non è cosa in terra a2
Superbo te ne vai legno fugace a2
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 90-96
Lanier, N. Nicholas Lanier
218S2 a) The Complete Works
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
critical ed. by G.J. Callon

a) Solo Songs:
1a. Bring away this sacred tree
1b. Weep no more my wearied eyes (same music as no. 1a)
2. Come, thou glorious object of my sight
3. Do not expect to hear
4. Fire, fire
5. I was not wearier (heavily embellished treble; parellel reconstruction of
treble and of the bass by the editor)
6. I wish no more
7. Like hermit poor
8. Love and i of late did part
9. Mark how the blushful morn
10. Neither sighs, nor tears
11. No more shall meads be deck'd with flowers
12. Nor com'st thou yet (Hero's complaint to Leander)
13. O amantissime Domine
14. Of thee kind boy, I ask no red and white
15. Qual musico gentil
16. Silly heart forbear
17. Stay, silly heart
18. thou art not fair for all thy red and white
b) Dialogues for SB and bc:
19. Collin, say, why sit'st thou so
20. I prithee keep my sheep for me
21. Shepherd in faith I cannot stay
22. Tell me shepherd
c) Partsongs a3 for 2 high voices, bass and bc:
23a. Amorosa pargoletta
23b. Amorosa pargoletta (for solo voice and theorbo)
24. Misera pastorella
25a. No, no, I tell thee no
25b. No, no, I tell thee no (for solo voice with bc)
26. Sweet, do not thus destroy me
27. Though I am young
28. Young and simple though I am
d) Instrumental Music:
29. Almond (allemande) in Bb for 2 cornetts, 2 tenor sackbutts (no. 1 sup-
plied editorially), double sackbutt and bass
30. Saraband in Bb for 2 cornetts, 2 tenor sackbutts (no. 1 supplied editorial-
ly), double sackbutt and bass
31. Symphonia in g for 2 treble viols or violins and bass viol
32. Symphonia in G for 2 treble viols or violins and bass viol
e) Appendix:
33. Thus, thus at last (canon)
34. Have you any work for the sowgelder, ho TTB, bc (arr. by Lanier of
J. Wilson's melody)
35. In guilty night (The witch of Endor) STB, bc (orig. by R. Ramsey; arr.
by Lanier)
36. An imperfect ode, to his Sacred Majesty, for the New Year, 1665
(poetry; no music)
37. Hero & Leander (no. 12) arr. by P. Holman for baritone, 2 violins, bc
f) List of works of doubtful authenticity, not included in this edition:
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_______________
i) Eyes gaze no more solo song (GB-Och mus. 87; GB-Ob mus.sch. f.575)
ii) The bear's dance (a2: GB-Lbl Add. 10444; keyboard: GB-En 9449, olim
Panmure 8; lute: GB-Lam 602: M. Board lute book)
iii) To the old, long life and treasure song (US-NYp Drexel 4257)
iv) White though you be by W. Lawes (in: "Select ayres...the second book",
London, J. Playford as by Lanier; autograph of Lawes:
GB-Lbl Add. 31432)
• Sources:
(* = primary source)
GB-Cfm mus. 734: 5 partbooks for the Royal Wind Music; T lost (*29, *30)
GB-Cfm mus. 782: "John Bull Ms." (1b)
GB-Cmc Pepys 2803: songs arr. for B, guitar (in tabl.) and bc by C. Morelli
for S. Pepys (12)
GB-CL B.1: B and A part books (4)
GB-Eu Dc.1.69: partbook containing C I and B of songs a3 (19, *25a, 34)
GB-Gu R.d.58-61: the Playford partbooks (16: a3; 27: a4; 28: a4)
GB-Lbl Add. 10337: Elizabeth Rogers hir virginall booke (*4, 6, 25a)
GB-Lbl Add. 11608: large collection of songs, c.1640-60 (*3, 6, *8, *9, 11,
*15, *16, 19, *20, *21, *22, 28)
GB-Lbl Add. 14399: song coll. entered c.1675-80 by Locke e.a. (*12)
GB-Lbl Add. 22100 (*35)
GB-Lbl Add.29396: commonplace book of Edward Lowe (7, 19, 25a)
GB-Lbl Add. 33236: songs and instr. music, entered after 1690 (12)
GB-Lbl Add. 56279: songs and music for lyra viol, c.1620 (*1b)
GB-Lbl Add. 63852: lyra viol music, keyb. pieces, songs (6)
GB-Lbl Egerton 2013: 73 songs, many copied prior to 1644 (*2,4, *5, 11, 16)
GB-Llp 1041: song-book of Lady Ann Blount (16)
GB-Ob Broxbourne 84.9: 12 solo songs and 3 psalms (16, *23b)
GB-Ob Add. c.304A (36)
GB-Ob Don.c.57: 159 songs and dialogues (4, 6, 16, 25a)
GB-Ob mus. c.5: glees and partsongs (16: a3)
GB-Ob mus. d.238: C2 and B; see Dc.1.69 for C1 (19, 25a, 34)
GB-Ob mus.sch. c.11: Engl., It. and Lat. sacred songs (*13)
GB-Ob mus.sch. d.247 (4)
GB-Och mus. 17 (*23a, *24, *26)
GB-Och mus. 43 (13)
GB-Och mus. 48 (13)
GB-Och mus. 379-381 (*31, *32)
GB-Ouf Self portrait of Lanier (*33)
IRL-Dtc 412: the Quintus of Th. Wode's partbooks (1b)
US-NYp Drexel 4041 (*14, 18, *19, 20)
US-NYp Drexel 4257: John Gamble's book (1b, 4, *7, 9, 10, 14, 16, 18)
1613: "Ayres made by severall authors, and sung in the maske at the marraige
of...Robert, Earle of Somerset, and...Lady Frances Howard...",
London, L. Lisle (*1a)
1652: "Select musicall ayres and dialogues...", London, J. Playford (*6, 7,
*10, *18)
1652: "The second booke of ayres, containing pastorall dialogues...", London,
J. Playford (20, 21, *27, *28)
1653: "Select musicall ayres and dialogues", London, Playford (6,7, 10,18,27)
1653: "Select musicall ayres and dialogues...The second booke" (20, 21)
1659: "Select ayres and dialogues for 1, 2 and 3 voices", London, J. Playford
(6, 7, 16, 18, 20-22, 27)
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
1660: J. Wilson: "Cheerfull ayres or ballads", Oxford, R. Davis (25a, 34)

1666: J. Playford: "Musick's delight on the cithren", London (16: for cittern)
1667: "Catch that catch can...The second part", London, Playford (16: a3; 21)
1669: "The treasury of musick...(book I)", London, J. Playford (6, 7, 16, 18,
20-22, 27).
1669: "Select ayres and dialogues...the second book", London, J. Playford
(4, 9, 11, *17, *25b)
1672: J. Playford: "An introduction to the skill of musick", London (27)
1672/73: "The muscial companion", London, Playford (20, 21, 27: a4; 28: a4)
1680: "Synopsis of vocal musick", London, D. Newman (16: a3)
1683: "Choice ayres and songs...The fourth book", London, J. Playford (12)
1695: "The new treasury of musick...", London, H. Playford (12) € 65,--
b) Other Editions
• nos. 1b, 4, 7-12, 16, 17 and 22:

° see: Collections: "English Songs, 1625-1660", ed. I. Spink
• nos. 2, 7, 9, 18, 27 and 28:

219S2 ° 6 Songs for voice and keyboard; ed. E. Huws Jones (bc realized; no figures) € 10,--
• no. 12:
° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book IV)
Laurentius von S. • M.J. Laurentius von Schnüffis

see: Schnüffis, L.
Laurenzi, F. Filiberto Laurenzi
Concerti e Arie, 1641

• "Concerti et Arie a una, due, et tre voci, con una Serenata à 5. e doi violini, e
chitarrone...", Venice, A. Vincenti, 1641
18 cantatas and a Serenata:
1. Odi cruda beltà
2. Chi può mirar Costei
3. Perchè Cruda
4. O cara libertà
5. Nelle pene ch'io sento
6. Benchè Filli
7. Arman l'arco di due sguardi
8. Non credete ò Vita ò Core
9. Lamento: Così mi lasci, Ingrato
10. Un Capitan' abbatuto d'amore (Lamento)
11. Già del sacro Leon (Sonetto)
12. Sparite dal Core
13. Chi brama gioire
14. Sempre dite che morite
b) for 2 high voices and bc:
15. Dialogo Amore & Venere: O Cara Genitrice
16. Amore, s'accende si sdegno e rigore
17. Chi sciolto sen và da lacci d'Amore SSB
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18. Occhi non più strali ad un Core SAB

d) Serenata: "Guerra non porta al tuo Casto pensiero" for 5 voices (SATTB),
2 violins and bc
Edition:
220S2 ° Facsimile edition of Laurenzi's "Concerto et Arie...", 1641 and "Arie a una
voce...nel dramma della finta Favia...", 1643; preface (in Italian) by A. Ma-
gini. This volume contains as well the printed libretto of G. Strozzi's "La
finta Savia", Venice, Vecellio, 1643 € 48,--
Arie...nel dramma della finta Savia, 1643

• "Arie a una voce per cantarsi nel clavicembalo, ò tiorba del sig. F. Laurenzi,
raccolte da G.B. Verdizotti, nel dramma della finta Savia del sig. G. Strozzi
rapresentato in questo carnevalle ...", Venice, B. Magni, 1643
16 Arias for high voice, each with ritornello for 2 violins and bc, written by F.
Laurenzi for the dramma in musica "La finta Savia". The remaining music - not
included in this edition - for this drama has been composed by G.B. Crivedlli,
T. Merual, B. Ferrari, A. Leardini and V. Tozzi
1. Ben si vede
2. La schiva, la ritrosa
3. Io che temo d'amor
4. Amor quest' hà di buono
5. Tant' armi inventate
6. Amata mi trovo
7. Sovra il dorso di Giove
8. Dalle nevi del mio volto
9. Su l'erba fiorita
10. Stolta Melanto
11. Per far nascere un Chirone
12. Spero aspetto e non viene
13. Trope forze hà la beltà
14. O come ò come in fretta
15. Se mi coglie Amor
16. Nove legge è nuove emende
Editions:
221S2 ° Facsimile edition of Laurenzi's "Concerto et Arie...", 1641 and "Arie a una
voce...nel dramma della finta Favia...", 1643; preface (in Italian) by A. Ma-
gini. This volume contains as well the printed libretto of G. Strozzi's "La
finta Savia", Venice, Vecellio, 1643 € 48,--
Lawes, H. Henry Lawes
• 28 Solo Songs:
33. I rise and grieve
34. Speak, speak, at last reply
35. Or you, or I, nature did wrong
36. Hard-hearted fair, if thou wilt not consent
37. Sweet stay awhile; why do you rise?
38. Break heart in twain! Fair Ronile may see
39. Transcendent beauty, thou that art
40. O let me groan one word into thine ear
41. Slide soft you silver floods
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42. Out upon it, I have lov'd

43. Come from the dungeon to the throne
44. Come my sweet while ev'ry strain
45. Now the sun is fled
46. Thou, o bright sun, who see'st all
48. Whither are all her false oaths blown?
49. 'Tis but a frown, I prithee let me die
50. No, no, fair heretic, it cannot be
51. Will you know my mistress' face?
52. Sleep soft, you cold clay cinders that late clad
53. Bid me but live, and I will live
54. Go thou gentle whisp'ring wind
55. When thou, poor excommunicate
56. Have you e'er seen the morning sun
57. O tell me love! o tell me fate!
58. Beauty and love once fell at odds
59. O turn away those cruel eyes
60. As Celia rested in the shade
223S2 • Six Songs from the autograph (GB-Lbl Add. 53723); ° ed. G. Beechey:
1. Persuasions to enjoy: If the quick spirits in your eye (Th. Carew)
2. Happy youth, that shalt possess (Th. Carew)
3. A beautiful mistress: If, when the sun at noon displays (Th. Carew)
4. Read in these roses (Th. Carew)
5. Seest thou those diamonds (R. Herrick)
6. Cupid as he lay among roses (R. Herrick) € 14,50
224S2 • ° 12 Secular songs ed. in I. Spink's study "Henry Lawes, cavalier songwriter":
(from the autograph GB-Lbl Add. 53723, unless otherwise indicated):
1. My lute within thyself (Sir Ph. Sidney)
2a-b. Break heart in twain! (2 versions)
3. If my mistress fix her eye (H. Harington)
4. Among the myrtles as I walk'd (R. Herrick)
4. When thou, poor excommunicate (Th. Carew)
5. Why so pale and wan, fond lover? (J. Suckling) (anonymous; by Lawes?;
from GB-Ob Wood 397)
6. Let not thy beauty make thee proud (A. Townshend)
7. Sweet echo, sweetest nymph (J. Milton)
8. Come heavy souls oppressed (W. Strode) for bass
9. Have pity, grief (P. Hausted)
10. Mourn, mourn with me (H. Hughes)
11. Cease, o cease, ye jolly shepherds SSB
12. Twice forty months of wedlock (K. Philips) (from: F-Pn 2489) € 87,--
• O let me groan one word into thine ear

Lawes, W. William Lawes
a) Collected vocal music; ed. G.J. Callo n

225S2 Volume I: Solo Songs
a) Songs from the autograph song book (GB-Lbl Add.ms. 31432):
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_______________
1. Now in the sad declension of thy time

2. Virgins as I advise forbear
4. If you a wrinkle on the sea have seen (fragment)
5. Ask me no more where Jove bestowes
6. Oh, think not Phoebe
7. Up ladiees up
8. Faith, be no longer coy
9. Cupid's weary of the court
10. It is her voice
11. Where did you borrow that last sigh
12. Why should great beauty
13. Pleasures, beauty, youth attend ye
14. Whiles I this standing lake
15. To whom shall I complain
16. Had you but heard her sing
17. Farewell fair saint
18. Love's a child
19. Early in the morn
20. Thou that excellest
21. Perfect and endless circles are
22. Can beauty's spring
23. Tell me no more
24. God of winds
25. I would the god of love would die
26. Ah, cruel love (To pansies)
27. He that will not love (Persuasions no to love)
28. I burn, I burn (To the dews)
29. White though ye be (On the lilies)
30a. Gather ye rosebuds
30b. Gather ye rosebuds (triple meter variant)
31. I'm sick of love (To the sycamore)
32. Lovers, rejoice
33. That flame is born of earthly fire
34. Dearest, all fair
35. Be not proud, pretty one
36. Love, I obey
37a-b. Oh, draw hour curtains and appear
38. O Love, are all those arrows gone
39. Ye Fiends and Furies
40. Hence flatt'ring hopes
41. Stay, Phoebus, stay
42. Cloris, I wish that Envy were a just
43. Doris, sese the am'rous flame
44. Those lovers only happy are
45. Amarilis tear thy hair
b) Songs from other sources:
46. Why so pale and wan
47. No, no, fair heretic
48. Come, shepherds, come
49. Fair as unshaded light
50. Hark, hark how in ev'ry grove
51. I can love for an hour (Be not proud, pretty one)
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52. I keep my horse, I keep my whore (The cutpurse song)

53a-b. O my Clarissa
54. Somnus, the 'umble god
55. Still to be neat, still to be dressed
56. Sullen Care, why dost thou keep
57. We show no monstrous crocodile
58. When I by thy fair shape
Main sources of the songs mentioned under b):
GB-Lbl Add.ms. 29396 (51-52)
US-NYp Drexel 4041 (46-48, 50, 53-57)
US-NYp Drexel 4257 (58)
1678: J. Banister & Th. Low: "New Ayres and Dialogues composed for voices
and viols, of two, three and four parts...", London, Brome, 1678 (49) € 75,--
b) Other Editions
• nos. 8, 12, 13, 15, 30a, 30b, 46 and 47:

° see: Collections: "English Songs, 1626-1660", ed. I. Spink: nos. 78-85
• nos. 26-31:
226S2 ° Six Songs for high voice; ed. E.H. Jones € 11,50
Le Bailly, H. • Yo soy la locura la que sola infundo (passa calle, La Folie):

Le Camus, S. Sébastien Le Camus
" Airs à deux et trois parties ...", Paris, Chr. Ballard, 1678

32 airs: 29 for 1 voice and bc, 3 for 2 voices and bc (nos. 9, 18 and 32):
1. Que vous flattez mes rêveries!
2. Laissez durer la nuit
3. Ah! fuyons ce dangereux séjour
4. Amour, cruel Amour
5. Ah! que vous êtes heureux!
6. On n'aime plus dans ces bocages
7. Bois écarté, lieu solitaire
8. Un berger plus beau que le jour
9. Délices des étés!
10. Parmi le verd naissant
11. De toutes les beautés
12. Vous m'aimez, dites-vous
13. Il n'est rien dans la vie
14. Forêts solitaires et sombres
15. Je passais de tranquilles jours
16. Qu'une longue tiédeur ennuie
17. Non, il n'est pas en mon pouvoir
18. Que ma bergère est belle!
19. Pleurez, pleurez, mes yeux, pleurez
20. Quand l'amour veut finir
21. Vous serez les témoins de mes vives douleurs
22. Que les jaoux transports
23. Que ta voix divine m touche!
24. Iris, depuis que je vous aime
25. Que ces prés sont charmants et verds
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26. Lorsque Tircis sût m'engager

27. Des beaux jours du printemps
28. forêts, lieux écartés
29. Que j'aime encore ce beau séjour
30. On n'entend rien dans ce bocage
31. L'Hiver comme l'été
32. Fuyons cette rive charmante
Edition:
227S2 ° Critcial edition by R.A. Green € 54,--
Legrenzi, G. Giovanni Legrenzi
Cantate e Canzonette op. 12

• "Cantate, e Canzonette a voce sola...Opera Duodecima...", Bologna, G.
Monti, 1676
1-8. Cantatas for high voice and bc:
1. Che non fa, che non può
2. A povero amator
3. Tanta fede, e dove va?
4. Del matin sù l'orizonte
5. Mia fagione, all'armi
6. Dalle cimere grotte
7. Sul bel mattino
8. Uscite piante
9-12. Canzonettas for high voice and bc:
9. Belle donne, io tengo un core
10. Mi nudrite di speranza
11. Non c'è che dire
12. V'ho inteso abbastanza
13-16. Cantatas for alto and bc:
13. Ad altro amante in seno
14. Havete il torto a fè
15. Costei ch'in mezzo al volto
16. Discioglietevi in due fiumi
17-18. Canzonettas for alto and bc:
17. Vuol ch'io taccia
18. Quanto dolce è quell' ardore
19-22. Cantatas for bass and bc:
19. Cessa d'esser amante
20. Pene, non mi lasciate
21. Sorgea dal sen di lete
22. Amore e virtù mi battano
23-24. Canzoneettas for bass and bc:
23. Son canuto e d'un bambin
24. Il mio core non è con me
Editions:
• nos. 1-24:
° ed. A. Seay in 2 volumes:
228S2 volume I: nos. 13-24 for alto or bass and bc € 54,--
229S2 volume II: nos. 1-12 for high voice and bc € 62,--
• nos. 19-21:
230S2 ° ed. C. Lee € 16,--
• nos. 22-24:
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
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231S2 ° ed. C. Lee € 16,--
Echi di riverenza, op. 14

• "Echi di Riverenza di Cantate e Canzoni....Libro Secondo. Opera XIV",
Bologna, G. Monti, 1678
24 cantatas and canzonettas for high voice and bc:
1. Catena scioglietemi
2. Non hò che lagnarmi
3. A piè d'un fonte
4. Partite dal mio sen
5. Scorrea secol di ferro
6. A battaglia vi sfida Cupido
7. Frà gemiti, e singuli
8. Chi nova mi dà, d'un core smarito
9. Pianti, pene, sospiri, udite
10. Che fiero costume
11. Già la triforme Dea
12. Nò, nò, non lo posso dire
13. Non mi dir di palesar
14. Amor qunato mi piace
15. Senza l'arco del nume bendato
16. Dio bendato fà quanto sai
17. Cieco Nume arciero instabile
18. Sarei pazzo da catena
19. Lasci d'amar chi non sà fingere
20. Stelle ingrate, che spietate
21. Trionfate ò miei pensieri
22. Che volete dal mio core
23. tormentosa lontananza
24. Rendi al core ò nome arciero
Editions:
• nos. 1-24:
232S2 ° Facsimile of the 1678 edition; introduction by P. Mioli € 24,--
• no. 10:
° see: Collections: "26 Italian songs and arias", ed. J.G. Paton (no. 4)
• no. 13:
° see: Collections: "Alte Meister ds Bel Canto", volume I (no. 18)
• Son tutto furore

canzonetta for high voice and bc
Lenton, J. • 2 Songs in "The Theater of Music":

Ah Phyllis cast those thoughts away
When Celia wept the heavens wept too
Locke, M. Matthew Locke
256S1 Songs and Dialogues, edited by M. Levy

a) Songs (except for no. 8 all for S, bc):
1. Urania to Parthenissa: A Dream
2. The Despondent Lover's Song
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3. To a Lady singing to herself by the Thames-side

4. Lucinda, wink or veil those eyes
5. Wrong not your lovely eyes!
6. Bone Jesu verbum Patris
7. The Passing-Bell
8. Then from a whirlwind oracle B, bc
b) Dialogues:
9. Alas, alas, who has been here? SB, bc
10. A Dialogue between Apollo and Neptune TB, bc
11. A Dialogue between Thirsis and Dorinda ST, bc
Sources:
GB-Cfm mus. 120 (11)
GB-Lbl Add. 14399 (1, 3, 6), 22100 (2, 8, 9), 29397 (11), 31460 (7, 8)
GB-Llp 1041 (4); GB-Och mus.mss.14 (11),
GB-Och mus. 14 (11), 49 (11), 621 (11) and 1219 (1, 11)
GB-Ob mus.sch. C 96 (11)
1675: "Choice ayres, songs & dialogues..second edition", London, J. Playford
(5, 10, 11)
idem: "...Third edition", 1676 (5, 11)
1679: "Choice ayres & songs...second book", London, J. Playford (1)
1687: "The theater of music...4th and last book", Lond, H. Playford (11)
1688: "Harmonia sacra...", London, H. Playford (7, 8) € 18,--
• 6 Songs and duets in: "Choice Ayres, Songs and Dialogues", book I, II, IV:
1. All joy to fair Psyche in this happy place (in book IV)
2. I charge thee Neptune (duet for TB) (I)
3. In a soft vision of the night (II)
4. The delights of the bottle and the charms of good wine (I)
5. When death shall part us from these kids (duet for ST) (I)
6. Wrong not your lovely eyes my fair (I)
• When death shall part us from these kids

Lonati, C.A. Carlo Ambrogio Lonati
• 2 Canzonettas (high voice and bc):

1. Tu partisti Idol' amato
2. Voglio morte e vogliovita
• Tu partisti, idolo amato

canzonetta from: "Scelta di canzonette italiane de piu autori...", London,
Godbid / Playford, 1679:
° see: Collections: "Alte Meister des Bel Canto", volume I, no.24
Lori, A. • (= "Archangelo del Leuto"): see "Arie antiche", ed. Parisotti, vol. 2
Lotti, A. • Pur dicesti, o bocca bella

° see: Collections: "Arie antiche", ed. Parisotti, volume I: no. 11
Lucio, F. • 4 Arias from: "Arie a voce sola de diversi autori", 1656:
TEL +31 (0)20-6762240
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(0)20-6762240
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1. Ch'io ti creda o questo nò

2. Cor mio non ti turbare
turbare
3. Ogn'amante ha per usanza
4. Troppo grande el tormento
° see: Prits 1656/4:
1656/4: "Arie a voce sola de diversi autori": nos.
nos. 20-23
Lupo, Th. Thomas Lupo
233S2 The Complete Vocal Works; ed. R. Charteris

a) Motets a5 (SSATB):
1. Heu mihi Domine
Domine
2. Jerusalem plantabis vineam
3. Miserere mei, Domine
Domine
4. Miserere mei, Domine
Domine
5. O vos omnes
omnes
6. Salva nos, Domine
Domine
b) Anthems:
7. O Lord, give ear to my complaint SATB
8-9. Have mercy upon me, o God / For I knowledge my my faults SSAT(B)
(B supplied editorially)
10. Hear me prayer, o Lord SSTTB or SATTB
11. Out of the deep have I called unto Thee SSATB
12. The cause of death is wicked sin SATTB
c) Secular vocal music:
13. Daphnis came on a summers day high voice and bc
14. Shows and nightly revells masque song for voice, bass viol and lute
15. Time that leads voice, bass viol, lute
16. Ay me, can love and beauty so conspire Engl. madrigal for SSATT(B)
(B supplied editorially)
• Sources:
(* = primary source)
GB-Ckc 321:
321: bass part-book
part-book (10)
GB-Lbl 29372-29377:
29372-29377: Th. Myriell's "Tristitiae remedium",
remedium", 1616 (*1, *4, *5,
*5,
*6, 7, *11)
GB-Lbl 29427:
29427: alto part-book copied by Myriell (1, 5, 6, 10, 11)
GB-Lbl Add. 31418:
31418: late-18th c. ms. copy of Leighton's 1614 print (7, 12)
GB-Lbl Egerton 995: part-books lacking T and Sx (10, 11)
GB-Lbl R.M. 63: early-17th c. ms. parts after Leighton, 1614 (7, 12)
GB-Ob mus.sch. C.45-50
C.45-50 (11)
GB-Och mus. 56-60: partbooks
partbooks of which the Bass lacks (*8, *9, 10, 11, *16)
GB-Och mus.mus. 439 (*13)
US-LAcs C6968M4: partbooks wanting Q, T and B; however B = GB-Ckc
321 (10)
US-NYp Drexel 4302: score-book compiled by Fr. Tregian (1, *2, *3, *3, 4, 5,
6, *10, 11)
1607: Th. Campion: "The"The description of a maske, presented before the Kinges
Maiestie at White-Hall...in honour of the Lord Hayes, and his bride",
London (*14, *15
1614: Sir W. Leighton:
Leighton: "The Teares or Lamentacions of a Sorrowfull Soule",
Soule",
London, 1614 (*7, *12) € 74,--
Luzzaschi, L. Luzzasco Luzzaschi
TEL +31 (0)20-6762240
(0)20-6762240 FAX +31 (0)20-6762240
(0)20-6762240
WWW.SAULBGROEN.NL
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Madrigali a1-3, 1602

1602
• "Madrigali per cantare et sonare a uno, e duo, e tre Soprani, fatti per la
musica del gia ser.mo Duca Alfonse d'Este", Roma, S. Verovio, 1601
12 Madrigals, probably written in the 1580s, for 1-3 sopranos and obbligato
keyboard
a) for 1 soprano:
1. Aura soave di segreti accenti
2. O Primavera gioventù de l'anno
3. Ch'io non t'ami cor mio
b) for 2 sopranos:
4. Stral pungente d'Amore
5. Deh vieni hormai cor mio
6. Cor mio deh non languire
7. Io mi son giovinetta
c) for 3 sopranos:
8. O dolcezze' amarissime d'Amore
9. Troppo ben puo questo tiranno Amore
10. T'amo mia vita
11. Non sà ch' sia dolore
12. Occhi del pianto mio cagione
Edition:
234S2 ° Facsimile of the 1601 edition; introduction (in Italian) by E. Durante and A.
Martellotti € 26,--
Mace, S. • Weep no more, nor sigh, nor groan

1626-1660", ed. I. Spink
Spink
Macchiavelli, I. Ippolito Macchiavelli
• 10 Monodies:
Ama pur ninfa gradita
Dhe Filli vita mia
mia se mai ti punsero
punsero
Dolce auretta
Fuggi, fuggi dolente mio core
Io pur deggio partire
partire
Quando il ciel vago s'infiora
Solingo augello che piangendo vai
Venuto è pur
pur quel lagrimabil giorno
Vita della mia vita egl'è pur vero
Questa tener angioletta (or by O. Michi?)
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 1, 2, 7, 9, 11,
11, 12,
24, 25, 118 and 148
Manelli, F. Francesco Manelli ( il Fasolo)
Il Carro di Madama

Madama Lucia, 1628
• "Il Carro di Madama Lucia, ete t una Serenata in lingua Lombarda, che fa la gola
a carnevale; doppo:
doppo: un ballo di trè zoppi, con una sguazzata di colasone.
colasone. Un
morescha de schiani a3. Et altre arie, e correnti francese, con le littere per la
chitarra spagnola.
spagnola. Poste in musica
musica dal Fasolo...", Rome,
Rome, Robletti,
Robletti, 1628:
1628:
1. Lamento di Madam Lucia, con la risposta di Cola a2 or a3; STB, STB, bc
1. Serenata in lingua Lombarda SSB, bc
3. Ballo di trè zoppi SSB, bc
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(0)20-6762240
WWW.SAULBGROEN.NL
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4. Corrente francese: Hor si che è gionto quel hora mia Filli high voice, bc
5. Moreschi de schiavi SSB
Edition:
235S2 ° Facsimile of the Robletti edition € 20,--
• "Misticanza di vigna alla bergamasca: il canto della barchetta et altre cantate

et ariette per 1 e 3 voci", Rome,
Rome, 1627;
1627; now lost
° Cangia, cangia tue voglie
see: Collections: Arie Antiche, ed. Parisotti: volume II: no. 13
° Lungi, lungi
lungi è amor da me
see: Collections: Arie Antiche, ed. Parisotti: volume III: no. 12
Manzia, L. • 3 Arias:
1. Toglietemi, pietosi
2. Voglio farti dire il vero
3. Son povera donzella
° see: Collections: La Flora, ed. Jeppesen: volume I
Maraz
arazzo
zoli
li,, M.
M. • 2 Can
Cantata
tatass for
for high
igh vvooice
ice an
and bc:
bc:
1. Quante stelle
2. Vi spezzerete un dì amorose catene
° see: Manuscripts: "Collection of Cantatas

Cantatas from the Mozzi-Borgetti
Mozzi-Borgetti Library
at Macerata", nos. 20-21
Marín, J. José Marín
236S2 • ° 51 Tonos for voice and guitar, edited (tabl.

(ta bl. & transcr.) with an introduction
i ntroduction
by A.
A. Lázaro from the ms. copy made by fray Martín García at the cathedral
in Cuenca in 1699 (GB-Cfm MU-4-1958, mu.ms. 727)
1. Desengañémonos
Desengañémonos ya
2. Menguilla yo me muriera
3. Amante ausente y triste
4. Aquella
Aquella sierra nevada
nevada
5. Después Anarda que ausente
6. No piense Menguilla ya
7. Diz que era como unauna nieve
8. Quien son aquellos villanos
9. Para las Indias de Clori
10. Filis no cantes
11. Coraçón que en prisión
12. Canta jilguerillo
13. Güélgate
Güélgate quanto quisieres
14. Mal con mi vida se avienen
15. Mi señora Mariantaños
16. Qué bien
bien canta un ruyseñor
17. Sin duda
duda piensa Menguilla
Menguilla
18. Tortolilla si no es por amor
19. Van y vienen mis pensamientos
20. O como pasan las años
21. Ya no puedo más señora
señora
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22. Filis el miedo

miedo a de ser
23. Que se lleva las almas
24. Sepan todos
todos que muero
muero
25. Pensamiento queque en tu daño
26. Turvéme Çelinda hermosa
27. Qué
Qué dulçemente suena
28. Aora que estais dormida
dormida
29. De amores y de ausençias
30. Yo vengo
vengo a ser mi enemigo
31. Ya no quiero más Menguilla
Menguilla
32. Hizo paçes con Anarda
33. Ojos pues me desdeñais
34. Flores ya contra vosotras
35. Todo
Todo eres contradiçiones
36. Amarilis yo no entiendo
37. Si quieres
quieres dar Marica en le çierto
38. Apostemos niña que açierto
39. Allá quedarás serrenas
40. La verdad de Perogrullo
41. Esta mi neçia pasión
pasión
42. Pronóstico
Pronóstico Nuevo
Nuevo
43. Aunque el mal que padezco
44. No sé yo cómo es
45. Montes del Tajo escsuchad
46. Niña como
como en tus mudanças
47. Si quieres vivir
48. Pastores saved que quiero
49. Del amor las mudanças de Menga
50. Al son de los arroyuelos
arroyuelos
51.Yo la vi que por mi llorava € 39,50
• 3 Secular Spanish songs:

1. No puede amor
3. Ya desengaño mio
• 2 Secular Spanish songs:

1. No puede maor
XVII"
• 2 Pasacalles & a Tonada:

1. Aguas
Aguas de Manzaneres que alegres corréis (tonada sola)
2. Diz que era como una
una nieve, Marica (pasacalle)
3. No sé yo cómo es (pasacalle)
° see: Collections: "Spanish art song of the
the 17th century"
Marini, B. Biagio Marini
Arie op. 3, 1620

• "Arie, Madrigali et Correnti a 1.2.3....Op. 3", Venice, 1620
I. Vocal Works:
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
_______________
a) 7 Arias and 1 Madrigal for high voice and bc:

1. Dama abandonata
2. Chomme della sua Pargoletta
3. Amante lontano della sua Donna
4. Sopra il suo dipartirsi e suo ritorno da Madonna
5. Novo Amore
6. Richiesta di baccio
7. Schiaffo gradito dall' amanto (in lingua Venetiana)
8. Stringendo la mano alla sua Dama (madrigal)
b) 2 Madrigals for bass and bc:
9. Peccator pentito: Signor ch'in croce
10. Donna sorda è crudele
c) Madrigali "a due si piace": SB or S, bc
11. Ricreation d'Arcadia
12. Si lamenta con Amore
d) 3 Madrigals for TT, bc:
13. Dito morduto: Non vi mordete
14. baccio richiesto alla gentil Rosalba
15. Amante adolorato
e) Madrigal "a 3 se piace": SSB or SS, bc
16. Scherzo sopra gli occhi della sua Lilletta
f) Madrigal for TTB, bc
17. Bella cantatrice
II. Instrumental Works:
a) for 2 violins, bc
18. Corrente La Martinenga
19. Corrente La Avogadrina
20. La Capirola
21. La Chizola
22. Balletto e corrente Il Priulino
b) violin, bc
23. Romanesca al sgr. Battista Magni Giovanetto di molta aspettatione nel
violino
Edition:
Scherzi e Canzonette, op. 5, 1622

• "Scherzi e Canzonette a una e due voci...accomodate da cantarsi nel chitar-
rone, chitariglia & altri stromenti simili: con il suoi ritorneli per il violino e
chitarone. Opera Quinta", Parma, Viotti, 1622
13 works for 1 voice, and 6 for 2 voices; each work with its ritornello.
a) 1 voice:
1. Ite homai
2. Novello Cupido
3. Con le stelle in ciel che mai
4. Mirami caro il mio sol
5. Ecco un legato d'Amore
6. Vieni Licori
7. Madre d'ombre e di timori
8. Lungi dal mio bel sol
9. hor che l'alba
10. Semplicette verginelle, con il violino
11. Mirate nel cielo notturno
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12. Hor che fan vezzosi balli

13. O dolci brine
b) 2 voices (SB):
14. Sù ninfe leggiadre
15. O begl' occhi
16. Trà bei cristalli
17. Il più bel fiore
18. A le viole
19. Una vecchiasdenta' e bavosa
Edition:
238S2 ° Facsimile of the 1622 edition; score; preface by P. Mioli € 25,--
Marotta, C. Cesare Marotta
• 7 Monodies:
Che più giova mirar occh' infelici
Dove, dove ten fuggi anima bella
O dell'ombrosa notte amati orrori
O durezze amarissime d'amore
Può ben fortuna far ch'io m'allontani
Suavissimi lumi al cui splendore
Tu dorimi e 'l dolce sonno (or by J. Peri?)
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 21, 22, 23, 23a,
47, 47a, 48 and 89
Marsh, A. jr. Alfonso Marsh jr.
• 4 Songs in book I of: "Choice Ayres, Songs and Dialogues":

1. Insult not too much on thy fading success
2. My youth I kept free from all thoughts of care
3. Run to love's lottery
4. When first my free heart was surprised by desire
•Come all ye pale lovers that sigh and complain

Marsh, A. sr. Alfonso Marsh sr.
• 8 Songs in books I and II of: "Choice Ayres, Songs and Dialogues":

1. After the pangs of a desperate lover
2. Calm was the evening and clear was the sky
3. Down with this love that has made such a pother
4. Give o'er foolish heart and make haste to despair
5. Nay prithee no more of this love masquerade
6. No never planet ruled the skies
7. When the weary sun was down
8. Wherever I am or whatever I do
• Ah Chloris! would the gods allow

° see: Collections: "English Songs, 1625-1660", ed. Spink (no. 119)
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
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Matteis, N. Nicola Matteis

1. Il dolce contenth che chiudo nel core
2. Caro volto pallidetto
• Caro volto pallidetto

° see: Collections": "Alte Meister des Bel Canto", volume I: no. 25
Mazzochi, D. Domenico Mazzochi
Musiche Sacre e Morali, 1640

• "Musiche Sacre e Morali a una, due e tre voci" (Rome, Grignani, 1640):
I. Sonetti & Arie di più parti a voce sola:
(all for S and bc, except no. 7)
1. A travestirsi di passibil velo
2. Giunto alla cuna
3. Homai le luci erranti
4. No me mueve mi Dios
5. Pazzarello, augellin, che mentre canti
6. Perfido, che chiamare amor ti fai
7. Cura, che di timor ti nutri e cresci B, bc
8. Con ghirlanda di rose
9. Questi, che al par del ciel
9. Spoglie che fosti un tempo
II. Recitative a solo, a due, e a tre:
10. Oda el stupsica il mondo S, bc
11. Dunque ove tu, signor di mille rivi T, bc
12. Susanna combattuta: Cinta intorno d'insidie S, bc
13. Fin dal monte Sion S, bc
14. Ecco Bettulia afflitta S, bc
15. Misura altri il girar T, bc
16. Padre del ciel, sotto si vari B, bc
17. Piangete occhi, piangete SS, bc
18. La Notte di Natale: Vide nel mezzo dell'ombrosa notte STB, bc
19. Vergine bella, che di sol vestita SSB, bc
20. Fortuna su'l volto un crine S, bc
III. Altri Canti a due:
21. Signor non sotto l'ombra SS, bc
22. Cangia, mio cor, pensiero SS, bc
23. Ecco l'Alba luminosa ST, bc
24. Colombella, che di latte SS, bc
25. Non hà più loco SB, bc
IV. Arie a Trè:
26. Vergine bella, in cui raduna SSA, bc
27. Benche sdegnato del mio fallire SSB, bc
28. Lascia, dolente mio core STB, bc
29. Il mondo fuggite ATB, bc
30. O che dolce mirare STB, bc
31. Non voglio più cantare SSB, bc
32. Amorose catene STB, bc
33. Disdegnoso il ciel frena STB, bc
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34. Folle, cor, ah non t'alletti SSS, bc

35. Guerra, guerra immortal SSB, bc
36. Sospirava e spargea largo di pianto SATB, bc
Edition:
260S1 ° Facsimile of the 1640 edition with a foreword by P. Mioli € 30,50
• Three Songs for solo Bass and bc.; ed. C. Lee:

1-2. Nos. 7 and 16 from "Musiche sacre e morali" (see above)
3. Corre con piede di sonoro argento (from: "Dialoghe e Sonetti posti in
musica...", Rome, Zanetti, 1638) € 17,--
• Più non sia, che m'innamori

source: "Le risonanti sfere da velocissimi ingegni armonicamente raggirate...",
Rome, Robletti, 1629:
° see: Collections: "Alte Meister des Bel Canto", volume I: no.6
Mazzocchi, V. • Sdegno campion audace (cantata)

° see: Colections: "Amor Roma"
Melani, A. Alessandro Melani
• Io voglio essere infelice

• Vezzosa Aurora
° see: Collections: "La Flora, ed. Jeppesen", vol. II
Melvill, A. (?) • Let not, I say, the sluggish sleep

° see: Collections: "Music of Scotland, 1500-1700"
Merula, T. Tarquinio Merula
Musiche concertate, 1635

• "Musiche concertate et altri madrigali a 1.2.3.4.5. voci. Libro secondo. Con
basso continuo. Opera decima...", Venice, Magni, 1635
for 1-4 voices and bc:
1. Cogli, Dori gentile CA
2. Se desiate CA
3. Lidia, benché m'alletti CA
4. No, no, ch'io non mi fido CB
5. Bianca neve, o bianca, m'avventasti CB
6. Non un bacio vorrei CC
7. Egli è pur troppo vero CC
8. Va' va', ch'io non ti credo AT
9. O bella man che con sì bei trapunti CC
10. La novella ferita CC
11. Voi, che per altri ardete TTB
12. Questo da te vorrei, spirto gentile CTB
13. Sempre terrò memoria CTB
14. Un bianco animaletto CCB
15. Nominativo hic haec hoc SATB
16. Nominativo quis SATB
17. Tempesta di dolcezza SATB
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18. Belle ha le perle il mare SATB

19. Amor l'è ver, nol niego SATB
20. Non ha maggio seren cotanti fiori CA, 2 violins, bc
21. Chi prend'amor a gioco CAB, 2 violins, bc
22a. Con nobil arte di secretezza / Dolce ricrea la vaga auretta C
22b. Su la cetra amorosa C
22c. Folle chi spera con secretezza / No val bellezza nè gemma ascosa C
Editions:
239S2 ° nos. 1-22; critical edition in score by V. Carlotti € 37,--
° nos. 15 and 16; see: Collections: "Corydon", ed. Moser (nos. 7a-b; from
Kindermann's "Intermedium musico-politicum", 1643)
Michi, O. Orazio Michi
• 3 Monodies:
Empio cor, core ingrato
Perdan quest' occhi il sole
Su l'oriente
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 162-164
• cantata: Spera mi disse Amor

° see: Collections: "Amor Roma" (c.1640)
Monteverdi, C. Claudio Monteverdi
a) Chronological list of sacre d works for 1 voice and bc:

excerpt from the complete list
(see section: Secular music for 3 or more voices)
1619: "Concerto Settimo libro de madrigali a 1.2.3.4. et sei voci, con altri
generi de canti, di Claudio Monteverde maestro di capella della sere-
nissima republica", Venice, B. Magni:
165. Se i languidi miei sguardi. Lettera amorosa in genere rappresentativo S, bc
166. Se pur destina e vole. Partenza amorosa in genere rappresentativo S, bc
1624: from: "Quarto scherzo delle ariose vaghezze commode per cantarsi sola...
di Carlo Milanuzzi...con una cantata e altre arie del Signor Monteverde,
e del Sig. Francesco suo figliolo", Venice, A. Vincenti:
172. Ohimè ch'io cado S, bc
173. La mia turca S, bc
174. Sì dolce è il tormento S, bc
1632: "Scherzi musicali cioè Arie, e Madrigali in stil recitativo, con una ciaccona
a 1. e 2. voci del m.to ill.re et m.to r.do Sig.r Claudio Monteverde.
Maestro di capella della sereniss. Repub. di Venetia. Raccolti da Bar-
tholomeo Magni", Venice, B. Magni:
175. Maledetto S, bc
176. Quel sguardo sdegnosetto / Armatevi pupille / Begl'occhi a l'armi S, bc
177. Eri già tutta mia S, bc
178. Ecco di dolci raggi il sol armato T, bc
179. Et è pur dunque vero S, bc
180. Zefiro torna e di soavi accenti. Ciaccona TT, bc
181. Armato il cor d'adamantina fede TT, bc
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1634: from: "Arie de diversi raccolte da Alessandro Vincenti commode da

cantarsi nel clavicembalo chitarrone, e altro simile strumento, con le
lettere dell'alfabeto per la chitarra spagnola", Venice, A. Vincenti:
182. Più lieto il guardo S, bc
183. Perchè, se m'odiavi S, bc
Works from manuscripts:

218. Lamento di Olimpia S, bc (GB-Lbl Add. 30491)
220. Voglio di vita uscir S, bc (I-Nf S.M. IV-2-23b)
b) Editions
• nos. 165, 172-175, 177, and: Lamento d'Arianna (see section: Opera):
240S2 ° "A voce sola"; 7 works for 1 voice and bc; ed. Malipiero € 14,--
• nos. 165 and 166:

241S2 ° in: "Tutte le opere", ed. Malipiero: volume VII € 105,--
• nos. 172-174:
242S2 ° in: "Tutte le opere", ed. Malipiero: volume IX € 71,--
• nos. 175-181:
243S2 ° in: "Tutte le opere", ed. Malipiero: volume X € 67,--
• nos. 182 and 183:

107S11 ° in: "Tutte le opere", ed. Malipiero: volume XVII: Supplement € 37,--
• nos. 218 and 220:

277S1 ° in: "12 Composizioni vocali profane e sacre (inedite)", ed. W. Osthoff € 35,--
Moss, J. John Moss
• 3 Songs in book II of: "Choice Ayres, Songs and Dialogues":

1. Desist all endeavours my heart to allure
2. Hold tyrant, hold, spare now thy dart
3. How happy is the amorous pair
Mutij, P. Pellegrino Mutij
• 2 Solo Songs & 4 Duets:

Ite dolenti miei sospiri
La mia Clori vezzosa a2
Mentre che Febo con suoi raggi d'oro a2
Mille scherzi, e canti belli a2
Questi spirti gentil
Vaghi rai de cigli ardenti a2
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 4, 4a and 157-161
Mutis, B. Bartolomeo Mutis
• "Musiche a una, doi et tre voci per cantare et sonare con chitaroni, overo con
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altri istromenti di corpo...", Venice, heirs of A. Gardano, 1613

° 2 Works for high voice and bc:
1. Non mi conosci tu
2. La misera farfalla
° see: Collections: "Early Masters of the Stile Nuovo in Austria"
Nanino, G.B. Giovanni Bernardino Nanino
• 4 Monodies & vocal exercises:

Asensi & Desensi: passages, upwards and downwards, in serveral ways
Dhe mira egli cantò spuntar la rosa
Disse costei e gl' occhi su le gote
O cor sempre dolente
Per cantar terra ignota e pelegrina for bass
Trattenimenti: technical exercises
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 149-151, 165-191
Nauwach, G. Johann Nauwach
Libro primo di Arie, 1623

• "Libro Primo di Arie passegiate a una voce per cantar, e sonar nel chitarone,
et altri simili istromenti...", Dresden, 1623
1. Voi che l'anima mia
2. Luci beate e belle
3. Cruda Amarilli
4. Vaghi rai lucente stelli (aria)
5. O Donzella (aria)
6. Al'alma tua bellezza
7. Tu parti anima mia
8. Tempesta di dolcezza
9. Non fuggir Filli de bella (aria)
10. Questa mia aurora (aria)
11. E la mia Pastorella
244S2 ° Facsimile edition in 2 volumes: the first with the original text, the second with
a realization of the bc for lute in French tablature by K. Junghänel € 28,--
• "Erster Theil teutscher Villanellen", Dresden, 1627

for 1 to 3 voices and bc
° Ach Liebste lass uns eilen
see: Collections: "Das Musikwerk", volume XII
Navas, J. de Juan de Navas
• 10 Tonos for 1 (nos.1-8) and 2 (nos.9-10) voices and bc:

1. Místicos accidentes
2. Rústicos ciudadanos
3. Puesto que baja le amor a la tierra
4. Ay, amor
5. En este arpón tirano
6. Ya te cansaste, Cupido
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7. Suspiros para gemir

8. Ay, divino amor
9. Puesto que lo inconstante
10. Flores, a escuchar
286S1 ° ed. J. Menendez-Zarroca from the manuscripts in E-Bbc € 19,--
• 2 Tonos:
1. Ay, divino amor (Solo al Santísimo Sacramento)
2. Puesto que baja el amor a la tierra (Tono humano)
Pack, S. Simon Pack
• 7 Songs in: "Choice Ayres, Songs and Dialogues", books II, IV and V:
1. Alone by a fountain I'll press the cold ground (in book II)
2. A pox upon this needless scorn (IV)
3. She's gone for ever the nymph I adore (II)
4. Tell me Thyrsis, tell your anguish (IV)
5. The bright Laurinda whose hard fate (IV)
6. Welcome mortal to this place (V)
7. Would you be a man of fashion (V)

I never saw a face till now
See how fair Corinna lies
In vain she frowns in vain she tires
• That your beauty may be lasting

° see: Prints 1694-1695: "Thesaurus Musicus", volume II
• Ask me not to sing, dear creature

° see: Prints 1694-1695: "Thesaurus Musicus", volume IV
Paisible, J. • Could man his wish obtain

° se: Prints 1673-1684: "Choice Ayres, Songs and Dialogues"
Pallavacino, C. • La Speranza ch'io vedea

Pasquini, B. Bernardo Pasquini

1. Chi non ama non ha' core
2. Quant'è folle quell' amante
° see: Prints 1679: "Scelta di Canzonette Italiane de piu autori..", 1679 (this
collection contains as well: "Amor io ben l'intendo", ascribed here to
Stradella, but actually from Pasquini's opera "La Donna ancora è
fedele")
• 2 Works:
1. Verdi tronchi, annose piante (aria from the cantata: Erminia)
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2. Quanto è folle quell' amante (canzonetta from the 1679 collecton)

° see: Collections: "Alte Meister des Bel Canto", volume I: nos. 19-20
• 2 Arias:
1. So ben s'io peno
2. Bella bocca
° see: Collections: "La Flora; ed. Jeppesen: volumes I and II
Pellicani, G.B.P. • see: Sanuti Pellicani, G.B.
Peri, J. Jacopo Perei
Le varie musiche, 1609

• "Le Varie Musiche a 1, 2 e 3 voci con alcune spirituali in ultimo, per cantare
nel clavicembolo, e chitarrone & ancora la maggior parte di esse per sonare
semplicemente nel organo", Florence, Marescotti, 1609.
All solos for high voice, 2 duets for SB, and trios for SSB:
1. In qual parte del Cielo
2. Al fonte al prato (SB)
3. Tutto'l dì piango
4. Tra le donne onde s'onora
5. Quest'umil fera
6. Bellissima regina
7. Lasso ch'io ardo
8. Ho visto al mio dolore
9. O durezze di ferro
10. Lungi dal vostro lume
11. Solitario augellino
12. Se tu parti da me Fillide amata
13. Ma se rest'al mio ben'al mio contento
14. Chi più cara t'havrà
15. Con sorrisi cortesi (SB)
16. Caro e soave legno (SSB)
17. Un dì soletto
18. O dolce anima mia (SSB)
19. O miei giorni fugaci
20. Anima ohimè che pensi
Editions:
• nos. 1-20:
° ed. T. Carter + 17 other songs; see below
• nos. 2, 17 and 19:
° see: MA: "La Flora", ed. K. Jeppesen", vol.2
246S2 "Le Varie Musiche" and 17 other songs; ed. T. Carter

a) nos. 1-20: "Le varie musiche"; see above for titles
b) nos. 21-36 (for one voice and bc, unless otherwise indicated):
21. Qual cadavero spirante
22. Hor che gli augelli
23. Che veggio, ohimè, che sento SB
24. Tra le lagrime e sospiri
25. O core infiammato SB
26. Freddo core che inamore
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27. Care stelle

28. Caro dolce ben mio ATTB
29. Torna, deh, torna
30. O dell'alto Appenin
31. Intenerite voi, lacrime mie TT
32. Tu dormi,
dormi, e 'l dolce
dolce sonno
33. Se da l'aspro martire
34. Uccidimi,
Uccidimi, dolore
dolore
35. Queste
Queste lacrime mie
36. Iten 'mai, voi che felice ardete
37. Occhi, fonti del core
Sources:
a) published works:
1583: C. Malvezzi: "Il primo libro delli madrigali a 5 voci. Nuovamente posti
in luce", Venice, heirs of G. Scotto (28)
1609: "Le varie musiche..." (1-20)
1611: P. Benedetti: "Musiche di P. Benedetti nell'Accademia degli Elevati di
Fiorenza detto L'Invaghito", Florence, heirs of C. Marescotti (29)
1614: A. Brunelli: "Scherzi, arie, canzonette, e madrigali a 1, 2, e 3 voci per
per sonare, e cantare con ogni sorte di stromenti...Libro secondo. Opera
decima", Venice, G. Vincenti, (30)
1619: "Le Varie Musiche a 1, 2, e 3 voci...Con aggiunta d'arie nuove dell' istes-
so...", Florence, Z. Pignoli, 1619 (1-11, 16-27)
1629: G. Stefani (ed.): "Scherzi amorosi, canzoentte ad una voce sola poste in
musica da diversi, e raccolte da G. Stefani con le lettere dell'alfabeto
per la chitarra alla spagnuola...Libro secondo, novamente corretti et
ristampati", Venice, A. Vincenti, 1629 (22)
b) manuscripts:
B-Bc 704 (1, 31)
CZ-Pnm ms. Lobkowitz II La 2 (33, 34)
GB-Lbl Add. 30491 (32)
I-Bc Q 49 (34)
I-Fc ms. Barbera (4, 6, 14)
I-Fn Magl.XIX mss.: 66 (31), 114 (23, 25, 35-37), 115 (19)
I-Vnm 10318 (29) € 77,--
Perti, G.A. Giacomo Antonio Perti
• 4 Arias:
1. Scioglie omai le nevi
2. Mai non intesi
3. Mi fa vezzi
4. Sperar io non dovrei
° see: Collections: "La Flora; ed. Jeppesen", volume II
Pesce, F. • Deh se giusta pieta mosse

Pesenti, M. Martino Pesenti
• Così Nilio canto

from: "Arie a voce sol...con una
una cantata a voce sola sopra il passacaglio...
libro secondo", Venice, 1633
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(0)20-6762240
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° see: Collections: "La Flora", ed. Jeppesen: volume II
• O biondetta lascivetta
from: "Arie a voce sola...con una
una cantata nel fine...libro terzo", Venice, 1636
Piccin
cinini
ini, F.
F. • Fi
Filli
lli ge
gentie
tiel pe
perché
ché fu
fug' og
ogn' ho
hora
Pietragrua, C.
C. • Tortorella
° see: Collections: "La Flora,
Flora, ed. K. Jeppesen",
Jeppesen", volume
volume I
Piggott, F. Francis Piggott
• The
The Separation
Separation (Cowley):
1656
• The consort of the sprinkling lute

° see: Prints 1695: "Thesaurus Musicus", volume IV
Pignani, G. • 2 Canzonettas for high voice:

1. Ah crudele perche tanto sdegn'e
sdegn'e rigore
2. No, no'l credo
° see: Prints 1679:
1679: "Scelta di Canzonette Italiane de piu autori..."
Pistocchi, F.A.M Francesco Antonio Mamiliano Pistocchi
• "Scherzi musicali, op. 2", Amsterdam, 1698

° Dolorosa
Dolorosa partenza
247S2 cantata for alto and bc; ed. K. Wessel € 20,--
248S2 the same cantata in the version for soprano and bc from D-B mus.ms.
30186; ed. K. Wessel € 20,--
• Chiari fonti bei fiori

249S2 ° ed. by J. Sanderson from D-MÜs 859 € 10,--
• Tortorella imprigionata
250S2 ° ed. by J. Sanderson from D-MÜs 861 € 10,--
Play
Playfo
ford
rd,, J. • 2 Song
Songss in book
book I of:
of: "Cho
"Choic
icee Ayre
Ayres,
s, Song
Songss and
and Dial
Dialog
ogue
ues"
s"::
1. God Cupid for certain, as foolish as blind
2. Methinks the poor
poor town has been troubled
troubled too long
° see: Prints 1673-1684:
1673-1684: "Choice Ayres, Songs
Songs and Dialogues"
Porro, G. • Non si può soffrir oime

Porta, E. Ercole Porta
Ore di Ricreazione, 1612
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• "Ore di Ricreazione Musicale a una & due voci...per cantare, & sonare nel
chitarrone, ò altri instrumenti. Juovamente composte, & date in luce", Venice,
G. Vincenti, 1612:
1. Vita riconosciuta dall' Amata: In un sospir' accolta S
2. Spera tardi pietà: Ch'io mora? B
3. Hor che vaga giovinetta SB
4. Morte felice: O da che bella man mori ferito S
5. D. che lusinga un cane ripiena: Perchè tanto accarezzi T
6. Amor grande non può celarsi: Per non sembrar crudele S
7. Se volete ch'io moia AB
8. Assiso Aminta un giorno SB
9. Assicura la Diva: Perchè temi ben mio S
10. Gara d'Amore e della D. amata: Chi sia miglior arciero S
11. Sia amor premio d'amore: Ch'io t'ami anima mia? S
12. Amante che ride & piange: Io rido io SB
13. Desiderio di compiacere: Voi gioiete spietata SB
14. Baciator dubbioso: Vorrei baciarti e Filli T
15. Pallore di bella Donna: Pallidetto mio Sole T
16. Numeri amorosi (canzonetta): Presso un fiume tranquillo T
17. Filli se ti rimembra SS
Edition:
Possenti, P. Pellegrino Possenti
Accenti Pietosi, 1625

• "Accenti Pietosi d'Armillo, canzonete & arie à voce sola", Venice, B. Magni,
1. Accenti
Accenti pietosi d'Armillo: È questo il guiderdon de miei Sospiri (8 sect.) T
2. Canzonetta pietosa: Da grave incendio opresso (2 sections) T
3. La Messaggiera; Canzonetta à Filli ad'istanza del Sole: Dimmi Filli vezzosa
perche t'adiri C
4. Aure vagh' aure gioconde C
5. De miei preghi tutt'altera C
6. Canzonetta: Ecco Filli, ò Pastori (with ritornelli for 1 instrument) C
7. Bionda chioma il cor mi tiene C
8. Ninfa gentil e bella che vai cogliendo fiori C
9. Lidia che del mio amor prese gioco C
10. Un lampo amabile prigion me fà C
11. Udite s'a raggion cotanto dolgomi (7 parts) C
Edition:
252S2 ° Facsimile edition; preface (in Italian) by P. Mioli € 25,--
Pozzi
zzi, L. • 2 Arias from: "Arie a voce sola de diversi
rsi aut
autori", 1656:
1. Hor ch'il mio ben non m'ama (prima parte)
2. Pensir crudo (seconda parte)
° see: Prints 1656:
1656: "Arie a voce sola de diversi autori":
autori": nos. 24-25
Prinn
rinner
er,, J.
J. • Aut
Autoograp
graphh (c.
(c.11680-1
80-16685)
85) in
in D-M
D-Mbs with
with 47 Ari
Arias
as for
for S and
and bc
° Der Cortesan: Die Lieb will ein Comedi spillen
Puliaschi, G.
G.D. • 2 Monodies:
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1. Chi vuol
vuol veder il sole
2. La gloria di colui che 'l tutto muove
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 88
88 and 122
122
Purcell, D. Daniel Purcell
• Within a solitary grove despairing Sappho sat

• 2 Songs in : "Thesaurus Musicus":

Tis vain, in vain to fly
What ingratefull Devil move you
• Morpheus,
Morpheus, thou gentle god (from: "Iphigenia in Aulis", 1699)
° see: Collections: "Thirteen Mad
Mad Songs",
Songs", ed. T.
T. Roberts
Roberts
Purcell, H. HENRY PURCELL
a) ALPHABETICAL LISTS OF SOLO

SOLO SONGS
I. Devotional Songs Z 181-200
II. Secular Songs Z 352-444
III. Solo Songs with Chorus (SB) Z 461-473
IV. Songs for the stage
I. Devotional Songs
A Morning Hymn see: Thou wakeful shepherd
An Evening Hymn see: Now that the sun hath veiled
1. Awake and with attention hear Z 181 bass
2. Begin the song, and strike the living lyre Z 183 bass
Blessed Virgin's Expostulation see: Tell me some pitying angel
3. Full of wrath his threatening breath (Of the conversion of St. Paul) Z 185
4. How long, great God Z 189
5. In the black dismal dungeon of despair Z 190
6. Lord, what is man? Z 192
7. Now
Now that the sun hath veiled (An Evening Hymn) Z 193 193
8. Sleep, Adam, sleep and take thy rest Z 195
9. Tell me some pitying angel (Blessed Virgin's
Virgin's Expostolation) Z 196
10. The earth trembled (The Crucifixion) Z 197
11. Thou wakefull shepherd (A Morning Hymn) Z 198
12. With sick and famish'd eyes (A religious elegy) Z 200
II. Secular Songs

Stage songs:
songs: Z nos. in parentheses;
parentheses; see
see under:
under: IV
Solo songs with chorus (SB): indicated by: *; see: under: III
a) Alphabetical list of titles
13. Aeolus, you must appear (Z 631) by Purcell?

14. Ah! Belinda (Z 626)
15. Ah! Cruel bloody fate (Z 606)
16. Ah! Cruel nymph you give despair Z 352
17. Ah! How pleasant 'tis to love Z 353
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18. Ah! How sweet it is to love (Z 613)

19. Ah me! Too many deaths (Z 586)
20. Ah! what pains, what racking thoughts Z 354 (incomplete; bc lost)
21. All our days and our nights (Z 627)
22. Amidst the shades and coll refreshing streams Z 355
23. Amintas to my grief I see Z 356
24. Amintor heedless of his flocks Z 357
Anacreon's Defeat. see: This poet sings the Trojan wars
25. Arise, ye subterranean winds (Z 631) by Purcell?
26. Ask me to love (A Hammond) Z 358
27. A thousand several ways I tried Z 359
28. A thousand, thousand ways (Z 629)
29. Bacchus is a pow'r divine Z 360 (Bass)
30. Begon, curst fiends of hell (Z 630)
Bell Bar. see: I love and I must
31. Beneath a dark and melancholy grove* Z 461
32. Beneath the polar's shadow (Z 590)
Bess of Bedlam. see: From silent shades
33. Beware poor shepherds Z 361
34. Blow, Boreas, blow* (Z 589)
35. Britons, strike home (Z 574)
36. Cease, anxious world, your fruitless pain Z 362
37. Cease, o my sad soul Z 363 / D 7 probably by H. Purcell sr.
38. Celia has a thousand charms (Z 609)
39. Celia's fond, too long I've loved her Z 364
40. Celia, that I once was blest (Z 572)
41. Charon the peaceful shade invites (Z 627)
42. Come all to me (Z 632)
43. Come all, ye songsters of the sky (Z 629)
44. Come away, do not stay (Z 583)
45. Come away, fellow sailors (Z 626)
46. Come down, come down, my blusterers (Z 631) by Purcell?
47. Come ev'ry demon who o'ersees (Z 575)
48. Come if you dare (Z 628)
49. Come unto these yellow sands (Z 631) by Purcell?
50. Corinna, I excuse thy face (Z 612)
51. Corinna is divinely fair Z 365
52. Cupid the slyest rogue alive Z 367
53. Cynthia frowns whene'er I woo her (Z 592)
54. Draw near you lovers* Z 462
55. Dear pretty youth (Z 631)
56. Dream no more of pleasures past (Z 606)
57. Dry those eyes (Z 631) by Purcell?
58. Fair and serene (Z 631) by Purcell?
59. Fairest isle of isles excelling (Z 628)
60. Farewell all joys Z 368
61. Farewell ye rocks* Z 463
62. Fled is my love (Z 571)
63. Fly swift ye hours Z 369
64. For Iris I sigh (Z 572)
65. From rosy bowers (Z 578)
66. From silent shades (Bess of Bedlam) Z 370
67. Full fathom five (Z 631) by Purcell?
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68. Genius of England (with trumpet; Z 578)

69. Gentle shepherds, you that know* (on the death of Playford) Z 464
70. Great Diocles the boar has killed (Z 627)
71. Great Love, I know thee now (Z 628)
72. Halcyon days (Z 631) by Purcell?
73. Hears not my Phillis (The Knotting Song) Z 371
74. Hail to the myrtle shade (Z 606)
75. Hang this whining way of wooing (Z 612)
76. Hark, behold the heavenly choir (Z 606)
77. Hark, how all things (Z 629)
78. Hark, the echoing air (Z 629)
79. Hear ye gods of Britain (with obl. instr.; Z 574)
80. He himself courts his own ruin Z 372
81. Hence with your trifling deity (with 2 oboes; Z 632)
82. Here's the summer, sprightly, gay (Z 629)
83. High on a throne of glittering ore* (Ode to the Queen) Z 465
84. Hither this way (Z 628)
85. How deligthful's the life of an innocent swain (with chorus) Z 373
86. How I sigh when I think of the charms Z 374
87. How blest are shepherds (Z 628)
88. How delightful's the life of an innocent swain* Z 373
89. How happy is she (Z 609)
90. How happy's the husband (Z 582)
91. Hush no more (Z 629)
92. I am come to lock all fast (Z 629)
93. I attempt from love's sickness to fly (Z 630)
94. I call you all from Woden's Hall (Z 628)
95. I came, I saw and was undone Z 375
96. I come to sing great Zempoalla's story (Z 630)
97. I envy not a monarch's fate Z 376 (music from: Brithday Ode for
Queen Mary, 1692)
98. I fain would be free Z 377 (incomplete; bc lost)
99. If grief has any power to kill Z 378
100. If love's a sweet passion (Z 629)
101. If music be the food of love: 3 settings (2nd setting = 2st setting deco-
rated) Z 379
102. If pray'rs and tears (On the death of Charles II) Z 380
103. If thou wilt give me back my love (Z 571)
104. I'll mount to you blue coelum (Z 571)
105. I'll sail upon the dog star (Z 571)
106. I look'd and saw within the book of fate (Z 598)
107. I loved fair Celia Z 381 (music the same as: We now, my Thirsis)
108. I love and I must (Bell Bar) Z 382
109. Incassum lesbia, rogas (The Queen's Epicedium) Z 383
110. In Cloris all soft charms Z 384
111. Ingrateful love (Z 612)
112. In vain, Clemene, you bestow (Z 588)
113. In vain, 'gainst love I strove (Z 580)
114. In vain we dissemble Z 385
115. I resolve against cringing Z 386
116. I saw that you were grown so high Z 387 / D 4 (prob. by H. Purcell sr.)
117. I see she flies me (Z 573)
118. I sigh'd and owned my love (Z 595)
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119. I sighed and I pin'd (Z 571)

120. I take no pleasure in the sun's bright beams Z 388
121. Kind fortune smiles (Z 631) by Purcell?
122. The Knotting Song. see: Hears not my Phillis
123. Lads and lasses, blithe and gay (Z 578)
124. Leave these useless arts in loving Z 389
125. Let each gallant heart Z 390
126. Let formal lovers still pursue Z 391
127. Let monarchs fight (Z 627)
128. Let not a moon-born elf mislead ye (Z 628)
129. Let the dreadful engines (Z 578) (Bass)
130. Let the graces and pleasures repair (Z 627)
131. Let the soldiers rejoice (Z 627)
132. Let us dance, let us sing (Z 627)
133. Let us, kind Lesbia, give away* Z 466
134. Love arms himself in Celia's eyes Z 392
135. Love in their little veins (Z 632)
136. Love is now become a trade Z 393
137. Lovely Albina's come ashore Z 394
138. Love quickly is pall'd (Z 632)
139. Love's power in my heart Z 395
140. Love thou can'st hear Z 396
141. Lucinda is bewitching fair (Z 570)
Mad Bess. see: From silent shades
142. Man is for the woman made (Z 605)
143. More love or more disdain I crave Z 397 / D 5 (prob. by H. Purcell sr.)
144. Music for a while (Z 583)
145. Musing on cares Z 398. see: Z 467* with chorus
146. My heart whenever you appear Z 399
147. Next winter comes slowly (with obl. instr; Z 629)
148. No, no poor suffering heart (Z 576)
149. Not all my torments can your pity move Z 400
150. No to what purpose should I speak* Z 468
151. No watch, dear Celia, just is found Z 401 (music from: Ode for
St. Cecilia, 1693)
152.Now, now the fight's done (Z 606)
153. Now the night is chas'd away (Z 629)
154. Nymphs and shepherds come away (Z 600)
155. Oft she visits this lone mountain (Z 626)
156. Oh! Fair Cedaria, hide those eyes Z 402
157. O! How happy's he Z 403 (music from: Dioclesian)
158. Oh, how you protest (Z 605)
159. O lead me to some peaceful gloom (Z 574)
160. O let me weep (Z 629)
161. Olinda in the shades unseen Z 404
162. One charming night (Z 629)
163. On the brow of Richmond Hill Z 405
164. O solitude my sweetest joy Z 406
165. Pastora's beauties when unblown Z 407
166. Phillis I can ne'er forgive it Z 408
167. Phyllis talk no more of passion Z 409
168. Pious Celinda goes to prayers Z 410
169. Pluto, arise (Z 581)
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170. Pursue thy conquest love (Z 626)

171. Pursuing leauty (Z 588)
The Queen's Epicedium. see: Incassum lesbia
172. Rashly I swore I would disown Z 411
173. Retir'd from any mortal's sight (Z 581)
174. Return, revolting rebels (with obl. instr.; Z 632)
175. Sad as death at dead of night (Z 606)
176. Saint George the patron of our isle (Z 628)
177. Sawney is a bonny lad Z 412
178. Say, cruel Amoret (Z 612)
179. Scarce had the rising sun appear'd* Z 469
180. Scorned envy, here's nothing (Z 630)
181. See, even night herself is here (Z 629)
182. See how the fading glories of the year* Z 470
183. See, I obey (Z 629)
184. Seek not to know (Z 630)
185. See my many colour'd fields (Z 629)
186. See, see, the heavens smile (Z 631) by Purcell?
187. See where repenting Celia lies (Z 603)
188. Shake the cloud from off your brow (Z 626)
189. She loves and she confesses too Z 413
190. She that would gain a faithful lover Z 414
191. She who my poor heart possesses Z 415
192. Since from my dear Astrea's sight (Z 627)
193. Since one poor view has drawn my heart Z 416
194. Since the pox or the plague* Z 471
195. Since the toils and the hazards (Z 627)
196. Sing while we trip it (Z 629)
197. Sound, fame, thy brezen trumpet (with trumpet; Z 627)
198. Spite of the godhead, pow'rful love Z 417
199. Still I'm wishing (Z 627)
200. Stript of their green Z 444
201. Sweet, be no longe sad Z 418 (probably by H. Purcell sr.)
202. Sweeter than roses (Z 585)
203. Sweet tyranness, I now resign Z s 70 / D3 (solo version of trio)
204. Sylvia now your scorn give over Z 420
205. Take not a woman's anger ill (Z 609)
206. Tell me no more I am deceiv'd (Z 601)
207. Thanks to these lonesome vales (Z 626)
208. The air with music gently wound (Z 575)
209. The cares of lovers (Z 632)
210. The danger is over (Z 595)
211. The fatal hour comes on apace Z 421
212. The gate to bliss does open stand (Z 606)
213. There's not a swain (Z 587)
214. There's nothing so fatal as woman (Z 571)
215. They say you're angry Z 422
216. They tell us that your mighty powers above (Z 630)
217. This poet sings the Trojan wars (Anacreon's Defeat) Z 423
218. Thou doting fool (Z 628)
219. Though you make no return to my passion (Z 601)
220. Thrice happy lovers (Z 629)
221. Through mournful shades and solitary groves Z 424
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222. Thus happy and free (Z 629)

223. Thus the ever grateful spring (with obl. instr.; Z 629)
224. Thus the gloomy world began to shine (with trumpet; Z 629)
225. Thus to a ripe consenting maid (Z 607)
226. Thy genius, lo! from his sweet bed of rest: 2 settings (Z 604)
227. 'Tis death alone can give me ease (Z 571)
228. 'Tis I that have warmed ye (Z 628)
229. To arms, heroic prince (Z 600)
230. Trip it, trip it in a ring (Z 629)
231. Turn then thine eyes Z 425
232. 'Twas within a furlong (Z 605)
233. Urge me no more Z 426
234. Wake, Quivera (Z 630)
235. We now, my Thirsis, never find Z 427 (music the same as Z 381)
236. What a sad fate is mine (2 settings) Z 428
237. What can we poor females do Z 429
238. What hope for us remains now he is gone?* (On the death of M. Locke)
Z 472
239. What power art thou? (Z 628)
240. What shall I do to show (Z 627)
241. When a cruel long winter (with obl. instr.; Z 629)
242. When first Amintas sued for a kiss Z 430 (after lost instrumental piece)
243. When first I saw the bright Aurelia's eyes (Z 627)
244. When first my shepherdess and I Z 431
245. When her languishing eyes said "love" Z 432
246. When I a lover pale do see Z 433 / D 2 (probably by H. Purcell sr.)
247. When I am laid in earth (Z 626)
248. When I have often heard young maids complaining (Z 629)
249. When my Aemelia smiles Z 434
250. When Strephon found his passion vain Z 435
251. When the world first knew creation (Z 578)
252. When Thyrsis did the splendid eye Z 436 by Purcell?
253. While these pass o'er the deep (Z 631) by Purcell?
254. While Thirsis wrapp'd in downy sleep Z 437
255. Whilst Cynthia sang, all angry winds lay still Z 438
256. Whilst I with grief did on you look (Z 610)
257. Who but a slave can well express Z 440
258. Who can behold Florella's charms? Z 441
259. Why should men quarrel? (with obl. instr.; Z 630)
260. Why so serious, why so grave? Z 442 / D 9 (by Purcell?)
261. Ye blustring brethren (Z 628)
262. Ye gentle spirits of the air (Z 629)
263. Ye happy swains, whose nymphs are kind Z 443
264. Ye twice ten hundred deities (Z 630) (Bass)
265. Yes Daphne, in your looks I find (Z 629)
266. Young Thirsis' fate* (On the death of Thomas Farmer) Z 473
267. Your hay it is mowed (Z 628)
b) List on Zimmermann numbers

of titles included in lists I and II
devotional songs:
1. Awake and with attention hear Z 181 bass
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2. Begin the song, and strike the living lyre Z 183 bass
Blessed Virgin's Expostulation see: Tell me some pitying angel
3. Full of wrath his threatening breath (Of the conversion of St. Paul) Z 185
4. How long, great God Z 189
5. In the black dismal dungeon of despair Z 190
6. Lord, what is man? Z 192
7. Now that the sun hath veiled (An Evening Hymn) Z 193
8. Sleep, Adam, sleep and take thy rest Z 195
9. Tell me some pitying angel (Blessed Virgin's Expostolation) Z 196
10. The earth trembled (The Crucifixion) Z 197
11. Thou wakefull shepherd (A Morning Hymn) Z 198
12. With sick and famish'd eyes (A religious elegy) Z 200
secular songs:
16. Ah! Cruel nymph you give despair Z 352
17. Ah! How pleasant 'tis to love Z 353
20. Ah! what pains, what racking thoughts Z 354 (incomplete; bc lost)
22. Amidst the shades and coll refreshing streams Z 355
23. Amintas to my grief I see Z 356
24. Amintor heedless of his flocks Z 357
26. Ask me to love (A Hammond) Z 358
27. A thousand several ways I tried Z 359
29. Bacchus is a pow'r divine Z 360 (Bass)
33. Beware poor shepherds Z 361
36. Cease, anxious world, your fruitless pain Z 362
37. Cease, o my sad soul Z 363 / D 7 probably by H. Purcell sr.
39. Celia's fond, too long I've loved her Z 364
51. Corinna is divinely fair Z 365
52. Cupid the slyest rogue alive Z 367
60. Farewell all joys Z 368
63. Fly swift ye hours Z 369
66. From silent shades (Bess of Bedlam) Z 370
73. Hears not my Phillis (The Knotting Song) Z 371
80. He himself courts his own ruin Z 372
85. How deligthful's the life of an innocent swain (with chorus) Z 373
86. How I sigh when I think of the charms Z 374
95. I came, I saw and was undone Z 375
97. I envy not a monarch's fate Z 376 (music from: Brithday Ode for
Queen Mary, 1692)
98. I fain would be free Z 377 (incomplete; bc lost)
99. If grief has any power to kill Z 378
101. If music be the food of love: 3 settings (2nd setting = 2st setting deco-
rated) Z 379
102. If pray'rs and tears (On the death of Charles II) Z 380
107. I loved fair Celia Z 381 (music the same as: We now, my Thirsis)
108. I love and I must (Bell Bar) Z 382
109. Incassum lesbia, rogas (The Queen's Epicedium) Z 383
110. In Cloris all soft charms Z 384
114. In vain we dissemble Z 385
115. I resolve against cringing Z 386
116. I saw that you were grown so high Z 387 / D 4 (prob. by H. Purcell sr.)
120. I take no pleasure in the sun's bright beams Z 388
124. Leave these useless arts in loving Z 389
125. Let each gallant heart Z 390
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126. Let formal lovers still pursue Z 391

134. Love arms himself in Celia's eyes Z 392
136. Love is now become a trade Z 393
137. Lovely Albina's come ashore Z 394
139. Love's power in my heart Z 395
140. Love thou can'st hear Z 396
143. More love or more disdain I crave Z 397 / D 5 (prob. by H. Purcell sr.)
145. Musing on cares Z 398. see: Z 467* with chorus
146. My heart whenever you appear Z 399
149. Not all my torments can your pity move Z 400
151. No watch, dear Celia, just is found Z 401 (music from: Ode for
St. Cecilia, 1693)
156. Oh! Fair Cedaria, hide those eyes Z 402
157. O! How happy's he Z 403 (music from: Dioclesian)
161. Olinda in the shades unseen Z 404
163. On the brow of Richmond Hill Z 405
164. O solitude my sweetest joy Z 406
165. Pastora's beauties when unblown Z 407
166. Phillis I can ne'er forgive it Z 408
167. Phyllis talk no more of passion Z 409
168. Pious Celinda goes to prayers Z 410
172. Rashly I swore I would disown Z 411
177. Sawney is a bonny lad Z 412
189. She loves and she confesses too Z 413
190. She that would gain a faithful lover Z 414
191. She who my poor heart possesses Z 415
193. Since one poor view has drawn my heart Z 416
198. Spite of the godhead, pow'rful love Z 417
201. Sweet, be no longe sad Z 418 (probably by H. Purcell sr.)
204. Sylvia now your scorn give over Z 420
211. The fatal hour comes on apace Z 421
215. They say you're angry Z 422
217. This poet sings the Trojan wars (Anacreon's Defeat) Z 423
221. Through mournful shades and solitary groves Z 424
231. Turn then thine eyes Z 425
233. Urge me no more Z 426
235. We now, my Thirsis, never find Z 427 (music the same as Z 381)
236. What a sad fate is mine (2 settings) Z 428
237. What can we poor females do Z 429
242. When first Amintas sued for a kiss Z 430 (after lost instrumental piece)
244. When first my shepherdess and I Z 431
245. When her languishing eyes said "love" Z 432
246. When I a lover pale do see Z 433 / D 2 (probably by H. Purcell sr.)
249. When my Aemelia smiles Z 434
250. When Strephon found his passion vain Z 435
252. When Thyrsis did the splendid eye Z 436 by Purcell?
254. While Thirsis wrapp'd in downy sleep Z 437
255. Whilst Cynthia sang, all angry winds lay still Z 438
257. Who but a slave can well express Z 440
258. Who can behold Florella's charms? Z 441
260. Why so serious, why so grave? Z 442 / D 9 (by Purcell?)
263. Ye happy swains, whose nymphs are kind Z 443
200. Stript of their green Z 444
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songs with chorus:

31. Beneath a dark and melancholy grove* Z 461
54. Draw near you lovers* Z 462
61. Farewell ye rocks* Z 463
69. Gentle shepherds, you that know* (on the death of Playford) Z 464
83. High on a throne of glittering ore* (Ode to the Queen) Z 465
133. Let us, kind Lesbia, give away* Z 466
145. Musing on cares of human fate* Z 467
150. No to what purpose should I speak* Z 468
179. Scarce had the rising sun appear'd* Z 469
182. See how the fading glories of the year* Z 470
194. Since the pox or the plague* Z 471
238. What hope for us remains now he is gone?* (On the death of M. Locke)
Z 472
266. Young Thirsis' fate* (On the death of Thomas Farmer) Z 473
songs from stageworks:
Abdelazer:
141. Lucinda is bewitching fair (Z 570)
A Fool's Preferment:
62. Fled is my love (Z 571)
103. If thou wilt give me back my love (Z 571)
104. I'll mount to you blue coelum (Z 571)
105. I'll sail upon the dog star (Z 571)
119. I sighed and I pin'd (Z 571)
214. There's nothing so fatal as woman (Z 571)
227. 'Tis death alone can give me ease (Z 571)
Amphytrion:
40. Celia, that I once was blest (Z 572)
64. For Iris I sigh (Z 572)
Aureng-Zebe:
117. I see she flies me (Z 573)
Bonduca:
35. Britons, strike home (Z 574)
79. Hear ye gods of Britain (with obl. instr.; Z 574)
159. O lead me to some peaceful gloom (Z 574)
Circe:
47. Come ev'ry demon who o'ersees (Z 575)
208. The air with music gently wound (Z 575)
Cleomenes:
148. No, no poor suffering heart (Z 576)
Don Quichote:
65. From rosy bowers (Z 578)
68. Genius of England (with trumpet; Z 578)
123. Lads and lasses, blithe and gay (Z 578)
129. Let the dreadful engines (Z 578) (Bass)
251. When the world first knew creation (Z 578)
Henry the Second:
113. In vain, 'gainst love I strove (Z 580)
Richard II:
169. Pluto, arise (Z 581)
173. Retir'd from any mortal's sight (Z 581)
Love Triumphant:
90. How happy's the husband (Z 582)
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Oedpipus:
44. Come away, do not stay (Z 583)
144. Music for a while (Z 583)
Pausanias:
202. Sweeter than roses (Z 585)
Regulus:
19. Ah me! Too many deaths (Z 586)
Rule a Wife:
213. There's not a swain (Z 587)
Sir Anthony Love:
112. In vain, Clemene, you bestow (Z 588)
171. Pursuing leauty (Z 588)
Sir Barnaby Whigg:
34. Blow, Boreas, blow* (Z 589)
Sophonisba:
32. Beneath the polar's shadow (Z 590)
The Double Dealer:
53. Cynthia frowns whene'er I woo her (Z 592)
The Fatal Marriage:
118. I sigh'd and owned my love (Z 595)
210. The danger is over (Z 595)
The Indian Emperor:
106. I look'd and saw within the book of fate (Z 598)
The LIbertine:
154. Nymphs and shepherds come away (Z 600)
229. To arms, heroic prince (Z 600)
The Maid's Last Prayer:
206. Tell me no more I am deceiv'd (Z 601)
219. Though you make no return to my passion (Z 601)
The MarriedBeau:
187. See where repenting Celia lies (Z 603)
The Massacre of Paris:
226. Thy genius, lo! from his sweet bed of rest: 2 settings (Z 604)
The Mock Marriage:
142. Man is for the woman made (Z 605)
158. Oh, how you protest (Z 605)
232. 'Twas within a furlong (Z 605)
Theodosius:
15. Ah! Cruel bloody fate (Z 606)
56. Dream no more of pleasures past (Z 606)
74. Hail to the myrtle shade (Z 606)
76. Hark, behold the heavenly choir (Z 606)
152.Now, now the fight's done (Z 606)
175. Sad as death at dead of night (Z 606)
212. The gate to bliss does open stand (Z 606)
The Old Bachelor:
225. Thus to a ripe consenting maid (Z 607)
The Rival Sisters:
38. Celia has a thousand charms (Z 609)
89. How happy is she (Z 609)
205. Take not a woman's anger ill (Z 609)
The Spanish Friar:
256. Whilst I with grief did on you look (Z 610)
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The Wive's Excuse:

50. Corinna, I excuse thy face (Z 612)
75. Hang this whining way of wooing (Z 612)
111. Ingrateful love (Z 612)
178. Say, cruel Amoret (Z 612)
Tyrannic Love:
18. Ah! How sweet it is to love (Z 613)
Dido & Aeneas:
14. Ah! Belinda (Z 626)
45. Come away, fellow sailors (Z 626)
155. Oft she visits this lone mountain (Z 626)
170. Pursue thy conquest love (Z 626)
188. Shake the cloud from off your brow (Z 626)
207. Thanks to these lonesome vales (Z 626)
247. When I am laid in earth (Z 626)
Dioclesian:
21. All our days and our nights (Z 627)
41. Charon the peaceful shade invites (Z 627)
70. Great Diocles the boar has killed (Z 627)
127. Let monarchs fight (Z 627)
130. Let the graces and pleasures repair (Z 627)
131. Let the soldiers rejoice (Z 627)
132. Let us dance, let us sing (Z 627)
192. Since from my dear Astrea's sight (Z 627)
195. Since the toils and the hazards (Z 627)
197. Sound, fame, thy brezen trumpet (with trumpet; Z 627)
199. Still I'm wishing (Z 627)
240. What shall I do to show (Z 627)
243. When first I saw the bright Aurelia's eyes (Z 627)
King Arthur:
48. Come if you dare (Z 628)
59. Fairest isle of isles excelling (Z 628)
71. Great Love, I know thee now (Z 628)
84. Hither this way (Z 628)
87. How blest are shepherds (Z 628)
94. I call you all from Woden's Hall (Z 628)
128. Let not a moon-born elf mislead ye (Z 628)
176. Saint George the patron of our isle (Z 628)
218. Thou doting fool (Z 628)
228. 'Tis I that have warmed ye (Z 628)
239. What power art thou? (Z 628)
261. Ye blustring brethren (Z 628)
267. Your hay it is mowed (Z 628)
The Fairy-Queen:
28. A thousand, thousand ways (Z 629)
43. Come all, ye songsters of the sky (Z 629)
77. Hark, how all things (Z 629)
78. Hark, the echoing air (Z 629)
82. Here's the summer, sprightly, gay (Z 629)
91. Hush no more (Z 629)
92. I am come to lock all fast (Z 629)
100. If love's a sweet passion (Z 629)
147. Next winter comes slowly (with obl. instr; Z 629)
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153. Now the night is chas'd away (Z 629)

160. O let me weep (Z 629)
162. One charming night (Z 629)
181. See, even night herself is here (Z 629)
183. See, I obey (Z 629)
185. See my many colour'd fields (Z 629)
196. Sing while we trip it (Z 629)
220. Thrice happy lovers (Z 629)
222. Thus happy and free (Z 629)
223. Thus the ever grateful spring (with obl. instr.; Z 629)
224. Thus the gloomy world began to shine (with trumpet; Z 629)
230. Trip it, trip it in a ring (Z 629)
241. When a cruel long winter (with obl. instr.; Z 629)
248. When I have often heard young maids complaining (Z 629)
262. Ye gentle spirits of the air (Z 629)
265. Yes Daphne, in your looks I find (Z 629)
The Indian Queen:
30. Begon, curst fiends of hell (Z 630)
93. I attempt from love's sickness to fly (Z 630)
96. I come to sing great Zempoalla's story (Z 630)
180. Scorned envy, here's nothing (Z 630)
184. Seek not to know (Z 630)
216. They tell us that your mighty powers above (Z 630)
234. Wake, Quivera (Z 630)
259. Why should men quarrel? (with obl. instr.; Z 630)
264. Ye twice ten hundred deities (Z 630) (Bass)
The Tempest:
13. Aeolus, you must appear (Z 631) by Purcell?
25. Arise, ye subterranean winds (Z 631) by Purcell?
46. Come down, come down, my blusterers (Z 631) by Purcell?
49. Come unto these yellow sands (Z 631) by Purcell?
55. Dear pretty youth (Z 631)
57. Dry those eyes (Z 631) by Purcell?
58. Fair and serene (Z 631) by Purcell?
67. Full fathom five (Z 631) by Purcell?
72. Halcyon days (Z 631) by Purcell?
121. Kind fortune smiles (Z 631) by Purcell?
186. See, see, the heavens smile (Z 631) by Purcell?
253. While these pass o'er the deep (Z 631) by Purcell?
Timon of Athens:
42. Come all to me (Z 632)
81. Hence with your trifling deity (with 2 oboes; Z 632)
135. Love in their little veins (Z 632)
138. Love quickly is pall'd (Z 632)
174. Return, revolting rebels (with obl. instr.; Z 632)
209. The cares of lovers (Z 632)
supplement:
203. Sweet tyranness, I now resign Z s 70 / D3 (solo version of trio)
III. Solo Songs with Chorus (SB)

(also included in list II with *)
Beneath a dark and melancholy grove Z 461
Drawn near you overs Z 462
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Farewell ye rocks Z 463

Gentle shepherds, you that know (on the death of Playford) Z 464
High on a throne of glittering ore (Ode to the Queen) Z 465
How delightful's the life of an innocent swain Z 373
Let us, kind Lesbia, give away Z 466
Musing on cares of human fate Z 467
No to what purpose should I speak Z 468
Scarce had the rising sun appear'd Z 469
See how the fading glories of the year Z 470
Since the pox or the plague Z 471
What hope for us remains now he is gone? (On the death of M. Locke) Z 472
Young Thirsis' fate (On the death of Thomas Farmer) Z 473
IV. Songs for the Stage

a) List of stage productions in which the songs listed below occur:
Z 570: Abdelazer, or The Moor's Revenge
(Lucinda is bewitching fair)
Z 571: A Fool's Preferment, or The Three Dukes of Dunstable
(Fled is my love; I sighed and I pin'd; If thou wilt give me back my
love; I'll mount to you blue coelum; I'll sail upon the dog star; There's
nothing so fatal as woman; 'Tis death alone can give me ease)
Z 572: Amphitryon, or The Two Sosias
(Celia, that I once was blest; For Iris I sigh)
Z 573: Aureng-Zebe
(I see she flies me)
Z 574: Bonduca, or The British Heroine
(Britons, strke home; Hear ye gods of Britain; O lead me to some
peaceful gloom)
Z 575: Circe
(Come ev'ry demon who o'ersees. The air with music gently wound)
Z 576: Cleomenes, the Spartan hero
(No, no poor suffering heart)
Z 578: The Comical History of Don Quixote, parts I-II-III
(From rosy bowers; Genius of England; Lads and lasses bright and
gay; Let the dreadful engines; When the world first knew creation)
Z 580: Henry the Second, King of England
(In vain, 'gainst love I strove)
Z 581: The History of King Richard II (The Sicilian Usurper)
(Pluto, arise; Retir'd from any mortal's sight)
Z 582: Love Triumphant, or Nature will Prevail
(How happy's the husband)
Z 583: Oedipus
(Come away, do not stay; Music for a while)
Z 585: Pausanias, the Betrayer of his Country
(Sweeter than roses)
Z 586: Regulus:
(Ah me! Too many deaths)
Z 587: Rule a Wife and Have a Wife
(There's not a swain)
Z 588: Sir Anthony Love, or The Rambling Lady
(In vain, Clemene, you bestow; Pursuing beauty)
Z 589: Sir Barnaby Whigg, or No Wit like a Woman's
(Blow, Boreas, blow)
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Z 590: Sophonisba, or Hannibal's Overthrow

(Beneath the poplar's shadow)
Z 592: The Double Dealer
(Cynthia frowns whene'er I woo her; The danger is over)
Z 595: The Fatal Marriage, or The Innocent Adultery
(I sigh'd and owned my love)
Z 598: The Indian Emperor
(I look'd and saw within the book of fate)
Z 600: The Libertine
(Nymphs and shepherds come away; To arms, heroic prince)
Z 601: The Maid's Last Prayer, or Any rather than Fail
(Tell me no more I am deceiv'd; Though you make no return to my
passion)
Z 603: The Married Beau, or The Curious Impertinent
(See where repenting Celia lies)
Z 604: The Massacre of Paris
(Thy genius, lo!)
Z 605: The Mock Marriage
(Man is for the woman made; Oh, how you protest; 'Twas within a
furlong)
Z 606: Theodosius, or The Force of Love
(Ah! cruel bloody fate; Dream no more of pleasures past; Hail to the
myrtle shade; Hark, behold the heavenly choir; Now, now the fight's
done; Sad as death at dead of night; The gate to bliss does open
stand)
Z 607: The Old Bachelor
(Thus to a ripe consenting maid)
Z 609: The Rival Sisters, or The Violence of Love
(Celia has a thousand charms; How happy is she; Take not a woman's
anger ill)
Z 610: The Spanish Friar, or The Double Discovery
(Whilst I with grief)
Z 612: The Wive's Excuse, or Cuckolds make Themselves
(Corinna, I excuse thy face; Hant this whining way of wooing; Ingrate-
ful love; Say, cruel Amoret)
Z 613: Tyrannic Love, or The Royal Martyr
(Ah! how sweet it is to love)
Z 626: Dido & Aeneas
(Ah! Belinda; Come away, fellow sailors; Oft she visits this lone moun-
tain; Pursue thy conquest love; Shake the cloud from off your brow;
Thanks to these lonesome vales; When I am laid in earth)
Z 627: The Prophetess, or The History of Dioclesian
(All our days and all our nights; Charon the peaceful shade invites;
Great Diocles the boar has killed; Let monarchs fight; Let the graces
and pleasures repair; Let the soldiers rejoice; Let us dance, let us
sing; Since from my dear Astrea's sight; Since the toils and the ha-
zards; Sound, fame; Still I'm wishing; What shall I do to show;
When first I saw the bright Aurelia's eyes)
Z 628: King Arthur, or The British Worthy
(Come if you dare; Fairest isle; Great Love I know thee know; Hither
this way; How blest are shepherds; I call you all from Woden's Hall;
Let not a moon-born elf mislead ye; Saint George the patron of our
isle; Thou doting fool; 'Tis I that have warmed ye; What power art
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thou?; You blustring brethren; Your hay it is mowed)

Z 629: The Fairy-Queen
(A thousand thousand ways; Come all, ye songsters of the sky; Hark
how all things; Har, the echoing air; Here's the summer, sprightly, gay;
Hush no more; I am come to lock all fast; If love's a sweet passion;
Next winter comes slowly; Now the night is chas'd away; O let me
weep; One charming night; See, even night herself is here; See, I
obey; See my many colour'd fields; Sing while we trip it; Thrice
happy lovers; Thus happy and free; Thus the ever grateful spring;
Thus the gloomy world; Trip it trip it in a ring; When a cruel long
winter; When I have often heard; Ye gentle spirits of the air; Yes
Daphne, in your looks I find)
Z 630: The Indian Queen
(Begon, curst fiends of hell; I attempt from love's sickness to fly; I
come to sing great Zempoalla's story; Seek not to know; They tell us
that your mighty powers above; Wake, Quivera; Why should man
quarrel?; Ye twice ten hundred deities)
Z 631: The Tempest, or The Enchanted Island
(Dear pretty youth; songs formerly attributed to but probably not by
Purcell: Aelos, you must appear; Arise, ye subterranean winds;
Come down, my blusterers; Come unto these yellow sands; Dry
those eyes; Fair and serene; Full fathom five; Halcyon days; Kind
fortune smiles; See the heavens smile; While these pass o'er the deep)
Z 632: Timon of Athens
(Come all to me; Hence with your trifling deity; Love in their little veins;
Love quickly is pall'd; Return, revolting rebels; The cares of lovers)
b) Alphabetical list of stage songs

(also included in list II)
Aeolos you must appear (Z 631) by Purcell?
Ah! Belinda (Z 626)
Ah! Cruel bloody fate (Z 606)
Ah! How sweet it is to love (Z 613)
Ah me! To many deaths (Z 586)
All our days and our nights (Z 627)
Arise, ye subterranean winds (Z 631) by Purcell?
A thousand, thousand ways (Z 629)
Begon, curst fiends of hell (Z 630)
Beneath the polar's shadow (Z 590)
Blow, Boreas, blow (with chorus; Z 589)
Britons, strike home (Z 574)
Celia has a thousand charms (Z 609)
Celia, that I once was blest (Z 572)
Charon the peaceful shade invites (Z 627)
Come all to me (Z 632)
Come all, ye songsters of the sky (Z 629)
Come away, do not stay (Z 583)
Come away, fellow sailors (Z 626)
Come down, my blusterers (Z 631) by Purcell?
Come ev'ry demon who o'ersees (Z 575)
Come if you dare (Z 628)
Come unto these yellow sands (Z 631) by Purcell?
Corinna, I excuse thy face (Z 612)
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Cynthia frown whene'er I woo her (Z 592)

Dear pretty youth (Z 631)
Dream no more of pleasures past (Z 606)
Dry those eyes (Z 631) by Purcell?
Fair and serene (Z 631) by Purcell?
Fairest isle (Z 628)
Fled is my love (Z 571)
For Iris I sigh (Z 572)
From rosy bowers (Z 578)
Full fathom five (Z 631) by Purcell?
Genius of England (Z 578)
Great Diocles the boar has killed (Z 627)
Great Love, I know thee now (Z 628)
Hail to the myrtle shade (Z 606)
Halcyon days (Z 631) by Purcell?
Hang this whining way of wooing (Z 612)
Hark, behold the heavenly choir (Z 606)
Hark, how all things (Z 629)
Hark, the echoing air (Z 629)
Hear ye gods of Britain (Z 574)
Hence with your trifling deity (Z 632)
Here's the summer, sprightly, gay (Z 629)
Hither this way (Z 628)
How blest are shepherds (Z 628)
How happy is she (Z 609)
How happy's the husband (Z 582)
Hush no more (Z 629)
I am come to lock all fast (Z 629)
I attempt from love's sickness to fly (Z 630)
I call you all from Woden's Hall (Z 628)
I come to sing great Zempoalla's story (Z 630)
If love's a sweet passion (Z 629)
If thou wilt give me back my love (Z 571)
I'll mount to you blue coelum (Z 571)
I'll sail upon the dog star (Z 571)
I look'd and saw within the book of fate (Z 598)
Ingrateful love (Z 612)
In vain, Clemene, you bestow (Z 588)
In vain, 'gainst love I strove (Z 580)
I see she flies me (Z 573)
I sigh'd and owned my love (Z 595)
Kind Fortune smiles (Z 631) by Purcell?
I sighed and I pin'd (Z 571)
Lads and lasses, blithe and gay (Z 578)
Let monarchs fight (Z 627)
Let not a moon-born elf mislead ye (Z 628)
Let the dreadful engines (Z 578)
Let the graces and pleasures repair (Z 627)
Let the soldiers rejoice (Z 627)
Let us dance, let us sing (Z 627)
Love in their little veins (Z 632)
Love quickly is pall'd (Z 632)
Lucinda is bewitching fair (Z 570)
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Man is for the woman made (Z 605)

Music for a while (Z 583)
Next winter comes slowly (Z 629)
No, no poor suffering heart (Z 576)
Now, now the fight's done (Z 606)
Now the night is chas'd away (Z 629)
Nymphs and shepherds come away (Z 600)
Oft she visits this lone mountain (Z 626)
Oh, how you protest (Z 605)
O lead me to some peaceful gloom (Z 574)
O let me weep (Z 629)
One charming night (Z 629)
Pluto, arise (Z 581)
Pursue thy conquest love (Z 626)
Pursuing leauty (Z 588)
Retir'd from any mortal's sight (Z 581)
Return, revolting rebels (Z 632)
Sad as death at dead of night (Z 606)
Saint George the patron of our isle (Z 628)
Say, cruel Amoret (Z 612)
See, even night herself is here (Z 629)
See, I obey (Z 629)
Seek not to know (Z 630)
See my many colour'd fields (Z 629)
See the heavens smile (Z 631) by Purcell?
See where repenting Celia lies (Z 603)
Shake the cloud from off your brow (Z 626)
Since from my dear Astrea's sight (Z 627)
Since the toils and the hazards (Z 627)
Sing while we trip it (Z 629)
Sound, fame (Z 627)
Still I'm wishing (Z 627)
Sweeter than roses (Z 585)
Take not a woman's anger ill (Z 609)
Tell me no more I am deceiv'd (Z 601)
Thanks to these lonesome vales (Z 626)
The air with music gently wound (Z 575)
The cares of lovers (Z 632)
The danger is over (Z 595)
The gat to bliss does open stand (Z 606)
There's not a swain (Z 587)
There's nothing so fatal as woman (Z 571)
They tell us that your mighty powers above (Z 630)
Thou doting fool (Z 628)
Though you make no return to my passion (Z 601)
Thrice happy lovers (Z 629)
Thus happy and free (Z 629)
Thus the ever grateful spring (Z 629)
Thus the gloomy world (Z 629)
Thus to a ripe consenting maid (Z 607)
Thy genius, lo!: 2 settings (Z 604)
Tis death alone can give me ease (Z 571)
Tis I that have warmed ye (Z 628)
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To arms, heroic prince (Z 600)

Trip it, trip it in a ring (Z 629)
Twas within a furlong (Z 605)
Wake, Quivera (Z 630)
What power art thou? (Z 628)
What shall I do to show (Z 627)
When a cruel long winter (Z 629)
When first I saw the bright Aurelia's eyes (Z 627)
When I am laid in earth (Z 626)
When I have oftgen heart (Z 629)
When the world first knew creation (Z 578)
While these pass o'er the deep (Z 631) by Purcell?
Whilst I with grief (Z 610)
Why should men quarrel? (Z 630)
Ye blustring brethren (Z 628)
Ye gentle spirits of the air (Z 629)
Ye twice ten hundred deities (Z 630)
Yes Daphne, in your looks I find (Z 629)
Your hay it is mowed (Z 628)
b) EDITIONS
"Orpheus Britannicus"
• "Orpheus Britannicus. A collection of all the choicest songs for 1,2 and 3
voices...together with such Symphonies for violins of flutes as were by him
design'd for any of them: and a through-bass to each song; figur'd for the
organ, harpsichord or theorbo-lute", London, Playford (first book: 1698;
second book: 1702)
This collection includes (cf. numbered alphabetical lists in the corresponding
sections):
a) Solo songs nos.: 14, 16, 18, 19, 29, 32, 34, 36, 42, 43, 53, 55, 59, 65,
66, 68, 69, 77-79, 81, 82, 93, 95, 101, 102, 105-107,
113, 117, 124, 129, 132, 134, 135, 137, 140, 141, 144,
147, 156, 159, 160, 163, 164, 168, 174, 180, 182, 184,
185, 187, 189, 192, 197, 200, 202, 209, 211, 215-217,
220, 223, 224, 226, 229, 234, 236, 241, 243, 249, 256,
259, 262, 264-266
b) Duets nos.: 3, 5-7, 10, 14-16, 18, 21, 23, 24, 28, 30, 35, 37, 40-43, 46,
48, 49, 51, 57-59, 61, 62, 65-68, 72-75, 77, 79, 82, 83
c) Songs for 3 voices: 14 and 16
c) 25 Songs from Odes:
Z 321: Celebrate this festival:
April, who till now has mourned (A)
Britain now thy cares beguile (SS)
Celebrate this festival (SS)
Crown the altar, deck the shrine (A)
Z 323: Come ye sons of art, away:
Strike the viol, touch the lute (A)
Z 328: Ode for St. Cecilia's Day, 1692:
'Tis nature's voice (A)
Hark each tree its silence breaks (AB, 2 recorders, 2 violins, bc)
Wond'rous machine (B; 2 oboes, bc)
Z 330: Love's goddess sure was blind:
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Many such days may she behold (AT)

May her blest example chase (S)
Z 333: The Yorkshire Feast Song: Of old when heroes thought it base:
And in each track of glory (TB + chorus)
Brigantium , honour'd with a race divine (TB)
So when the glitt'ring Queen of Night (T; strings, bc)
The bashful Thames for beauty so renown'd (T; 2 recorders, bc)
The pale and the purple rose (A; 2 violins, bc)
Z 338: Welcome, welcome, glorious morn:
And lo! a sacre Fury swell'd her breast (T)
My prayers are heard (S)
Z 339: Welcome to all the pleasures:
Here the Deities approve (A)
Z 342: Who can from joy refrain?:
A prince of glorious race (T)
For tho' the sun has all the summer's glory (A)
Sound the trumpet, beat the warlike drum (A; with trumpet)
The father brave as e'er was Dane (B; with 2 violins)
Who can from joy refrain (A)
Z 344: Ye tuneful Muses:
Crown the year and crown the day
Let Caesar and Urania live (A)
253S2 ° Facsimile edition of the first book (1698) and the second book (1702) in one
volume; very handsome hardback edition € 189,--
Purcell Society Edition

• Purcell Society Edition, volume 25; ed. M. Laurie
The Secular Solo Songs which are not associated with stage productions
(Z 352-444)
All but two for high voice. Also included: songs mainly for solo voice but with
a short duet section ("chorus"): Z 461-473, and duet Z 512
Solo songs included:
nos.: 16, 17, 20, 22-24, 26, 27, 29, 31, 33, 36, 37, 39, 51, 52, 54, 60, 61,
63, 66, 69, 73, 80, 83 (2 settings), 85, 86, 95, 97-99, 101 (3 settings),
102, 107-110, 114-116, 120, 124-126, 133, 134, 136, 137, 139,
140, 143, 145, 146, 149-151, 156, 157, 161, 163-168, 172, 177,
179, 182, 189, 190, 191, 193, 194, 198, 200, 201, 203, 204, 211,
215, 217, 221, 231, 233, 235, 236 (2 settings), 237, 238, 242,
244-246, 249, 250, 252, 254, 255, 257, 258, 260, 263, 266.
Duet: no. 64.
4 Songs of uncertain authenticity:
Aaron thus propos'd to Mosus Z deest (D 10)
A choir of bright beauties Z deest (D 12)
Honours may crown Z deest (B 3; after trumpet tune in "Dioclesian")
How peaceful the days are Z deest (D 8)
Collated Sources:
A. Song-Books:
1675/76: "Choice ayres, songs & dialogues", London, Playford (252)
1678: "New ayres and dialogues...", London, Brome (33, 116, 143, 201,
203, 246)
1679: "Choice ayres, songs & dialogues", 2nd book, Playford (23, 115, 179,
194, 238)
1681: "Choice ayres, songs & dialogues", 3rd book, Playford (24, 86, 120,
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165, 193)
1683: "Choice ayres, songs & dialogues", 4th book, Playford (66, 125, 172,
189, 191, 250)
1683: "The newst collection of the choicest songs", Brown / Benskin (191)
1684: "Choice ayres, songs & dialogues", 5th book, Playford (27, 33, 80,
110, 133, 221)
1685: "A third collection of new songs...", London, Hindmarsh (61)
1685: "The Theater of Music", 1st book, Playford (60, 114, 136, 146, 263)
1685: "The Theater of Music", 2nd book (52, 99,145, 167, 215, 254)
1686: "The Theater of Music", 3rd book (255; duet no. 64)
1687: "The Theater of Music", 4th book (22, 36, 164, 242, 244)
1687: "Apollo's Banquet", 5th ed., London, Playford (242)
1687: "Comes amoris", 1st book, London (164)
1687: "Vinculum societatis",1st book; London, J. Carr (126, 198)
1688: "Vinculum societatis", 2nd book (17, 204; D 10)
1688: "The Banquet of Music", 1st book; London, Playford (217)
1688: "The Banquet of Music", 2nd book, Playford (17, 139, 166, 204)
1689: "Comes amoris", 3rd book, London (182)
1690: "The Banquet of Music", 4th book, London, Playford (182)
1691: "Apollo's Banquet, 2nd book", London, 1691 (157)
1692: "The Banquet of Music", 6th book. London, Playford (63, 163)
1692: "Philomela", London, Cross / Man (157)
1692-1694: "The gentleman's journal" (26, 39, 51, 73, 97, 101: 2nd setting,
151, 177, 200, 235)
1693: "Comes amoris", 4th book, London (101: 1st setting)
1694: "Comes amoris", 5th book, London (107)
1695: "Deliciae musicae", 1st book, London, Playford (140, 168, 190, 258)
1695: "Deliciae musicae", 2nd book, London, Playford (101)
1695: "Three Elegies upon...Queen Mary...", London, Playford (109)
1695: "Thesaurus Musicus", 3rd book; London, Hudgebut (73)
1695: "Thesaurus Musicus", 4th book (168)
1696: "Thesaurus Musicus", 5th book (137)
1698: H. Purcell: "Orpheus Britannicus", 1st book (29, 36, 63, 66, 69, 95,
101, 102, 134, 137, 140, 164, 182, 189, 200, 215, 217,
237: first setting)
1699: "Mercurius musicus", Sept.-Dec. 1699 (249)
1701: "Pleasant musical companion", 2nd book, 4th ed., Playford (D 10)
1706: H. Purcell: "Orpheus Britannicus", 2nd book (16, 107, 156, 163, 168,
211, 249, 266)
B. Single-sheet editions:
Single editions by Th. Cross of songs nos. 177 (c.1694), 168 (c.1695), 249
(c.1700), 157 (c.1691) and B 3 (c.1691)
Song no. 200 by Wright? (c.1710)
Song no. 69 by Playford (1687)
Song no. D 10 from "Catches set by the late celebrated Mr. H. Purcell. For
three voices", c.1705
C. Manuscripts:
B-Bc 1035.g (102, 150)
GB-Bu 5002 (22, 31)
GB-Cfm mus. 118 (27, 66, 189, 257)
GB-CHc Cap. VI/1/1 (189, 233, 238)
GB-DRc mus. D.9 (163, 217; D 12)
GB-Lbl Add.: 19759 (27, 31, 191; D 8), 29397 (66, 164, 189), 31435
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101, 258), 33234 (66, 189, 233), 33236 (63, 164) and
35043 (73, 164, 177)
GB-Lbl Egerton: 2958 (95) and 2960 (83, 266)
GB-Lbl R.M. 20.h.8 (36, 22, 51, 102, 150, 164, 215, 217)
GB-Lcm mus. 1119 (27, 250, 260)
GB-Lgc Safe 3: autograph song-book (16, 20, 51, 98, 108, 124, 149, 161,
177, 231, 236: 2nd setting, 237)
GB-Ob mus.sch. C.61 (63, 266)
GB-Ob Tenbury 345 (101)
GB-Och 350 (66, 233)
° This edition is available in two ways:
254S2 a) in 1 volume; with critical commentary € 173,--
b) Practical edition (without critical commentary) in 4 volumes:
255S2 Volume I: nos. 22-24, 27, 31, 54, 66, 80, 86, 110, 115, 120, 125, 133,
150, 165, 172, 170, 189, 191, 193, 194, 221, 233, 238,
245, 250, 257 € 29,--
256S2 Volume II: nos. 33, 36, 52, 60, 61, 69, 85, 95, 99, 114, 136, 145, 146,
164, 167, 215, 244, 254, 255, 263; duet no. 64 € 29,--
257S2 Volume III: nos. 16, 17, 29, 51, 63, 83, 101 (settings 1 and 2), 107,
108, 126, 139, 149, 163, 166, 182, 198, 204, 217, 266 € 29,--
258S2 Volume IV: nos. 26, 29, 39, 73, 101 (3rd setting), 109, 134, 137, 156,
161, 168, 177, 190, 211, 236 (2 settings), 249, 258 € 29,--
Other Editions
see for numbered list of duets that r elevant section
• 29 Songs in: "Choice ayres, songs & dialogues", books I-V, 1673-1684:
nos.: 8, 15, 23, 24, 27, 33, 66, 76, 80, 86, 110, 115, 120, 125, 133, 165,
172, 173, 179, 189, 191, 193, 194, 221, 238, 245, 250, 252.
Song (Z deest): Tell me ye Sicilian swains
Duet: no. 76.
° see: Prints 1673-1684: "Choice ayres, songs & dialogues"
• 29 Songs in: "The Theater of Music":

solo songs: nos. 22, 36, 52, 60, 99, 114, 136, 145, 146, 164, 167, 215, 242,
244, 254, 255 and 263
duets: nos. 2, 12, 20, 27, 31, 33, 34, 52, 61, 64, 77
catch: no. 51

solo songs: nos. 35, 53, 73, 90, 118, 123, 124, 137, 141, 168, 187, 192,
206, 219 and 243
duets: nos. 62 and 72
• 30 Songs, ed. by T. Roberts in 2 volumes. Both volumes are availabe in the

original keys for high voice, or in transpositions for medium voice
Volume I:
nos.: 9, 12, 18, 59, 73, 101 (3 settings), 117, 154, 164, 168, 173, 211, 248
259S2 ° high voice € 28,--
260S2 ° medium voice € 28,--
Volume II:
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nos.: 6, 7, 52, 55, 93, 142, 144, 149, 159, 163, 177, 190, 202, 209, 225,
and 232
261S2 ° high voice € 28,--
262S2 ° medium voice € 28,--
Main sources:
a) manuscripts:
GB-Lbl Add. 31447 (154), 31452 (144)
GB-Lbl R.M. 20.h.8 (12, 164)
GB-Lcm XXXIV.B (59)
GB-Lgc VI.5.6 (18, 117, 149, 177)
b) Prints:
1683: "Choice ayres, songs & dialogues", 4th book, Playford (173)
1692: "The Banquet of Music", 6th book. London, Playford (163)
1692: "The Songs in The Fairy Queen", London (248)
1692-1694: "The gentleman's journal" (101c)
1693: "The Songs in The Old Bachelor", London (225)
1693: "Comes amoris", 4th book, London (101a)
1685: "The Theater of Music", 2nd book (52)
1695: "Thesaurus Musicus", 3rd book; London, Hudgebut (73)
1695: "Deliciae musicae", 1st book, London, Playford (168, 190, 209)
1695: "Deliciae musicae", 2nd book, London, Playford (101b)
1695: "The Songs in the Tragedy of Bonduca", London (159)
1695: "The Songs in The Indian Queen", London (93)
1696: "The Songs in The Tempest", London (55)
1696: "Deliciae musicae", 3rd book, London, Playford (142)
1698: H. Purdell: "Orpheus Britannicus", book I (209)
1702: H. Purcell: "Orpheus Britannicus", book II (211)
1714: "Harmonia Sacra", book I; London, Pearson (7)
1714: "Harmonia Sacra", book II; London, Pearson (6, 9)
Other collocated sources:
GB-CHc Cap. VI/1/1
GB-Lbl Add. 5337, 22099, 31449, 31453 and 31460
GB-Lbl R.M. 24.e.13
GB-Lcm 991
GB-Ldc 86
GB-Ob mus. C.26-27
GB-Ob mus.sch. C.95
GB-Och mus. 32, 389 and 580
GB-Ooc Ua.34
GB-Y M.12/S
1693?: "Joyful cuckoldom, or the love of gentlemen and gentlewomen..."
1694: "Thesaurus Musicus", book II, London, Hudgebut
1699?: "Wit and Mirth: or pills to purge melancholy"
• 4 Songs in: "The Musical Entertainer":

nos. 65, 66, 35 and one song Z deest: "Achilles brought by Thetis to his tutor
Chiron"
° see: 18th C.: Prints 1740: "The musical entertainer", ed. G. Bickham (vol. I:
plates 61-64, 81-84, 89; vol. II: plates 97-98)
263S2 • nos. 9, 93, 101, 144, 202, 232 & An Epithalamium (from "Fairy Queen"):
° Purcell: Songs; ed. Bergmann / Tippett; volume I for high voice € 20,--
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
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• nos. 18, 65, 149, 211, 240 and 2 songs from larger works (Crown the altar;
Bonvica's Song):
264S2 ° Purcell: Songs; ed. Bergmann / Tippett; volume II for high voice € 20,--
• nos. 7, 66, 142, 242 & P. Humfrey's: A hymn to God the Father & a duet:
Elegy upo the death of Queen Mary:
265S2 ° Purcell: Songs; ed. Bergmann / Tippett; volume III for high voice € 20,--
• nos. 18, 65, 101, 144, 201, 211, 232 & a stage song: Bonvica's Song & from
The Fairy Queen: An Epithalamium:
266S2 ° Purcell: Songs; ed. Bergmann / Tippett; volume IV for low voice € 19,--
• nos. 7, 66, 129, 142, 149, 240, 242 & Crown the altar:
267S2 ° Purcell: Songs; ed. Bergmann / Tippett; volume V for low voice € 19,--
• 5 Songs of madness:
nos. 32, 65, 66, 105 and 129
° see: Collections: "Thirteen Mad Songs", ed. T. Roberts
• 3 Songs for bass:

nos. 29, 129 and 264:
268S2 ° 3 Songs for Bass; ed. C. Lee € 15,--
• nos. 95, 150, 198 and 215:

• no. 144:
Music for a while Z 583/2
269S2 ° ed C. Bartlett in 3 keys (c, a & f) € 7,--
• no. 202:
Sweeter than roses
270S2 ° ed. C. Bartlett in 2 keys (c for S; g for A) in the same copy € 5,--
Purcell, H. sr.? • Six songs from "New ayres and dialogues...together with lessons for viols and
violins by J. Banister and Th. Low", London, H. Brome, 1678; probably by
Henry Purcell's father; see Purcell Society Edition (Laurie) nos. D2 - D7
Quagliati, P. Paolo Quagliati
"Libro primo de' madrigali a quattro voci",

Rome, 1608
The composer published these madrigals in 2 version: the one a4, the other for
for solo voice and bc:
1. I lieti amanti (Sannazaro)
2. Erano i capei d'oro (Pertrarca)
3. Udite, amanti (Guarini)
4. O primavera (Guarini)
5. O dolcezze amarissimi d'Amore! (Guarini)
6. Il morirò d'Amore (Guarini)
7. Ch'io non t'ami (Guarini)
8. Come cantar poss'io (Guarini)
9. Come havra vit', Amor
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10. Hoggi nacqui, ben mio (Guarini)

11. Ahi chi mi rompe il sonno! (Veniero)
12. I tuoi capelli (Sannazaro)
13. Io vò cantar
14. Questo è l'esempio, amanti
15. Deggio dunque partire
16. O, quante volte in van (Guarini)
17. Felice chi vi mira (Guarini)
18. Posso, cor mio, partire
19. O bellezza gentile
Edition:
• nos. 1-19:
° ed. J. Cohen:
271S2 full score (version a4) € 75,--
272S2 version for solo voice and continuo € 38,--
Ramsey, R. Robert Ramsey
• Secular solo songs:

1. Go perjured man (Herrick)
2. Thou maist be proud (Herrick)
3. What tears, dear Prince (Raleigh)
° nos. 1-3:
see: Collections: "English Songs, 1626-1660", ed. I. Spink
Rasi, F. Francesco Rasi
Madrigali di diversi autori, 1610

• "Madrigali di diversi autori posti in musica dal s. F. Rasi nobile Aretino",
Florence, C. Marescotti, 1610
1. Filli mia Filli dolce (madrigale) T
2. Occhi si dolcemente Amor vi move (madrigale) T
3. È si lieto il mio core (madrigale) C
4. Nel'altrui braccia ahilasso (madrigale) T
5. Fillide mira, o come bell' e chiaro (madrigale) T
6. Occhi sempre sereni per cui vivo contento (aria) T
7. Un guardo ohime ch'io moro (madrigale) T
8. Un guardo nò troppa pietate (madrigale) T
9. Ferma Tersilla (sonetto) T
10. Occhi che fia giàmai morro (madrigale) T
11. Filli tu vuoi aprtire (madrigale) T
12. O pura o chiara stella (madrigale spirituale) T
13. Quel Rosignuol che dolcement'a l'ombra tutte le notti (terzetti) B
14. Sento l'antica fiamm' incenerirsi (madrigale) T
15. Dove misero mai sperar deggio (madrigale) T
16. O dolcezza d'Amore già si car' al mio core (madrigale) T
17. S'una fede amorosa un cor non finto (sonetto) T
Edition:
273S2 ° Facsimile of the 1610 edition; introduction by P. Mioli € 25,--
Reading, J. John Reading
• 8 Songs in book III of: "Choice Ayres, Songs and Dialogues":
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1. How short is the pleasure that follows the pain

2. I love my dear Phyllis and never will change
3. I'll drink off my bottle each night for my share
4. Insult not too much on the fading success
5. O how I am grieved that now I must part
6. Of all the dear joys that the world has in store
7. Tender maids let me advise ye
8. Underneath some shady bowers

Brisk claret's the prince and the topper of wines
How lovely's a woman before she's enjoyed
Your gamester provoked by his loss mya forswear
Reggio, P. Pietro Reggio
• 28 Settlings of poems by Abraham Cowley from "The Mistress", 1656:

1. All-over, Love
2. Bathing in the River
4. Coldness (bass texted as well)
5. Counsel
6. Counsel (II)
7. Her Unbelief
8. Honour
10. My heart is discovered
11. Silence
12. The Bargain
13. The Change
14. The Diet
15. The Discovery
16. The Dissembler
17. The Distance
18. The Enjoyment
19. The Given Love
20. The Heart is fled again
21. The Increase
22. The Innocent Ill
23. The Picture
24. The Separation
25. The Soul
26. The Thief
27. The Tree
28. Weeping
° see: Collections: "Abraham Cowley's "The Mistress", 1656: nos. 31-58
• Madam why does love torment you

Rigaud, L. de Louis de Rigaud, sieur de Fonlidon
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Airs, 1635
• "Airs faits et mis en tablature de luth", Paris, 1635
13 songs for high voice, and a dialogue for high and low voice:
1. Amarillis, ma seconde ame
2. Amour n'est pas un dieu
3. Amour grand vainqueur
4. Bien que vos yeux bruslent
5. Blessé d'une playe inhumaine
6. Celle que j'ayme tant
7. Doncques je puis souffir
8. Je fus esblouy de clarté
9. Je hay les antres sauvages
9. Les Cieux sont deserts
10. Outré par la douleur
11. Si dans la course
12. Ton amour, ou ma mort
13. Dialogue: Voudriez vous estre mon Berger
Edition:
Roffey, J. J. Roffey
• At Sylvia's feet young Strephon lay

° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book V)

Rebellious fools that scorn to bow
Such icy kisses anchorites that live secluded
Unjust Climena does complain
That I might even dream thus
Ah Sstrephon that I were but sure
I loved young Phyllis fair and gay
I yield divine Althea see
Rogers, B. • With brightest beams let the sun shine

Romano, G. Giulio Romano
Fuggilotio, 1613
• "Fuggilotio Musicale...nel qule si contengono Madrigali, Sonetti, Arie, Canzoni
& Scherzi, per cantare nel chitarrone, clavicembalo, ò altro instrumento, a
una & due voci. Novamente corretto & ristampato. Opera Seconda...",
Venice, G. Vicenti, 1613
a) for 1 voice:
1. Seno gratia, valor e cortesia C
2. Stran' Armonia d'Amore T
3. Ohime se tanto amate T
4. Donna io vorrei dir molto C
5. Nell'amoroso Ciel del vostro volto C
6. Saluto rifiutato & disprezzato: Troppo ahi troppo superba T
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7. Risposta: È vero ch'è superbia di colei la bellezza C

8. Sonetto in aria Romanesca: Bella ragion deh dimmi T
9. Ottava Romanesca: Donne leggiadre e belle T
10. Nelle fiamme d'Amor T
11. Porta l'ispida barba T
12. Se quel dolor che và inanzi al morire C
13. Sopra il nome Marina: Onda amorosa C
14. Clori mia bella C
15. La mia Filli crudel T
16. Bocca amorosa C
17. Dispiegate Luci amate C
b) for 2 voices (nos .18-22 without bc):
18. Alle gioie Pastori CB
19. Aure liete aure vezzose CB
20. Deh perche non poss'io come tu spess' Amaore volar' CB
21. Pur venisti cor mio CB
22. A i diletti alle gioie CB
23. Voi v'ingannate o Donna TT
24. Poiche a baciar m'invita Tt
25. Seconda parte in risposta: Bacianne Aminta mio CC
26. Pargoletta vezzes' e ridente TT
27. Baci sospiri e voci CC
28. Bella Filli crudele se bramate CC
29. Se non hai di ferro il core CC
30. Di che ti lagni ò Filli CC
31. Filli cor del mio core CC
Edition:
275S2 ° Facsimile of the 1613 edition; preface (Italian) by P. Mioli € 25,--
Romero, J. • Ay de quien de amor

Romero, M. • Romerico florido

Rontani, R. Raffaello Rontani
• "Le varie musiche a 1. 2 e 3 voci per cantare nel clavicembalo et chitarrone.

Libro primo...", Firenze, Pignoni, 1614
° 3 monodies:
1. O primavera
2. Caldi sospiri
3. Care mie selve
see: Collections: "La Flora", ed. Jeppesen: volumes II and III
° 2 monodies:
1. Caldi sospiri
2. Se bel rio
see: Collections: "Arie antiche", ed. Parisotti: volume II and III
196S2 ° 2 monodies:
1. Dolci miei sospiri
2. Pescatrice ligurina
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included in: "Antiche gemme Italiani", ed. Ricci € 18,--
• 4 Monodies from I-Vc Torrefranca 250 and I-Bc CC.225:

Ch'io t'ami et ami più della mia vita
Non credete ch'io v'ami ahi lasso e ch'io
Tu godi il sol ch'agli occhi miei s'asconde
Voi partite sdegniose
° see: Collections: "Roman Monody"; ed. J.W. Hill: nos. 41, 43, 44 and 52
• Hor ch'io non seguo più li dispietato Amor

source: "Varie musiche...libro quarto, op. 8", 1620
° see: Collections: "Alte Meister des Bel Canto", volume I: no.5
Rossi, L. Luigi Rossi
• 5 Cantatas:
1. A quel dardo
2. Fanciulla son io
3. La bella più bella
4. Un ferito cavaliero
5. Mio core languisce
° see: Collections: "Amor Roma"
• 2 Cantatas and an Aria:

1. Non la volete intendere
2. Che sventura! son tant'anni
3. Se mi toglieria sventura (aria from his opera: Il palazzo incantato)
° see: Colections: "Alte Meister des Bel Canto", volume I, nos.8-10

1. Non m'affliget più vani pensieri
2. Chi non sa fingere
•Io lo vedo S, bc (cantata from manuscript in B-Br)

Ruíz, M. • Oid del amante más fino

Sabbatini, P.P. Pietro Paolo Sabbatini
Il terzo libro de villanelle, 1631

• "Il Terzo (libro) de Villanelle...", Roma, P. Masotti, 1631:
a) for 1 high voice and bc:
1. Ognun' ridice
2. Bella Arciera
3. Nata alle fiamme mie
4. Giovinetta vezzosa
5. Già, già, per tua beltà
6. T'amai perfida
7. Voi morir' mi vedete
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8. Bella Filli SB
9. Ecco ch'io soffro Amore SS
10. Credrò SS
11. Pietate occhi SS
12. Ecco sorge la bell'alba SSB
13. Navicella, che al bel vento SSB
Edition:
276S2 ° Facsimile edition of the 5 books of villanelle of 1631 ("Il terzo" & "Il quarto"),
and 1652 ("Prima scelta a due voci", "Seconda scelta", "Prima scelta....di
nuovo ristampata"); hardback € 49,--
Il quarto libro de villa nelle, 1631

• "Il Quarto (libro) de Villanelle...", Rome, G.B. Robletti, 1631
a) for 1 high voice and bc:
1. Già Filli mio core
2. Io vò cercando Amore
3. Ah cor non sei più mio
4. Tù mi ridi, e poi mi fuggi
6. Nò, nò, ch'io non t'amo
7. Per due vezzosi lumi
8. Vorria Laurilla mia
9. O mio bramato Tirsi
10. Godiam dunque concordi SS
11. Ecco pur ch'a voi ritorno AT
12. Due fresche, Rose, due Stelle erranti SS
13. Ecco Maggio de gl'amori (balletto à tre, sorpa il Maggio, er cantare, e bal-
lare) SSB
Edition:
Prima scelta di vilanelle a una voce , 1652

• "Prima Scelta di Villanelle a una voce delli dieci libri...Da cantare sopra à qual-
sivoglia instrumento, con l'alfabeto della chitarra Spagnola in quelle più à pro-
posito. De nuovo ristampate, e corrette", Rome, V. Mascardi, 1652
14 Villanelle for high voice and bc:
1. In somma non sia
2. Fugga ong'un d'Amor le danze
3. Sospiri ò là sospiri
4. Quel morire à tutte l'hore
5. Mira che fa costei
6. Meraviglia d'Amor
7. Io moro occhi leggiadri
8. Lingua mia che si lontana
9. Speranze troppo arditte
10. Voi morir mi vedete
11. Ahi lasso
12. Voi mi fate morire
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13. Sì sì dvete amanti

14. In due Amor
Edition:
Seconda scelta di villanelle a una voce, 1652

• "Seconda Scelta di Villanelle a una voce delli dieci libri...Da cantare sopra à
qualsivoglia instrumento, con l'alfabeto della chitarra Spagnola in quelle più à
proposito. Di nuovo ristampate, e corrette", Rome, V. Mascardi, 165(2)
13 Villanelle for high voice and bc:
1. Tu dormi
2. Parlo, e rido
4. Trafitto il sen
5. Ch'io spiri al vostro foco
6. Che speravi ò mio cor
7. Dite Amanti che farò
8. Chi d'Amor nel laccio è colto
9. Io già spiro, io già mi moro
10. Volanti pensieri
11. Ben ch'ogn' un me stimi lieto
12. Quanto più drizzo preghiere
13. Amor non me ci cogli
Edition:
• Vivi vivi contenta chore

° see: Prints 1622: : "Vezzosetti Fiori"
Sances, G.F. Giovanni Felice Sances
• "Cantade...libro secondo, parte prima", Venice, 1633

from op. 2, part 1:
277S2 ° 2 Arie for high voice and bc:
1. Usurpator tiranno (cantada...sopra il passacaglie)
2. I miei desir ogn'hor (aria per cantarsi terzetti in sdrucciolo)
ed. R. Luckhardt € 14,--
• Pietosi, allontanatevi
Sanuti Pellicani Giovanni Battista Sanuti Pellicani:

• 2 Canzonettas:
1. Che vorresti più da me
2. Tormenti, affanni e pene
° see: Prints 1670: "Canzonette per camera a voce sola di diversi autori..."
Sartorio, A. • Oh, che umore stravangante (from a ms. in I-Fn)

° see: Collections: "Arie antiche", ed. Parisotti, volume III: no. 16
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Savile, J. • I will not trust thy tempting graces

° see: Collections: "English songs, 1626-1660", ed. I. Spink (no. 109)
Scarlatti, A. Alessandro Scarlatti
• 4 Cantatas for high voice and bc:

1. Speranze mie (1694)
2. Elitropio d'amor (1694)
3. Io morirei contento
4. Fermate omai fermate
278S2 ° ed. G. Tintori from I-PAVu coll. Aldini, ms. 423 € 25,--
• 10 Arias for high voice:

Pensieri
Bellezza che s'ama
Toglietemi la vita ancor
Cara e dolce
O, cessate di piagarmi
O dolcissima speranza
Difesa non ha
La speranza
Io dissi
La tua gradita fé
° see: Collections: "La Flora", ed. Jeppesen: volumes I and II
• 11 Arias; ° see: Collections: "Arie Antiche", ed. Parisotti: volumes I-III:

Volume I, nos. 5-9:
5. O cessate di piagarmi
6. Se Florindo è fedele
7. Son tutta duolo
8. Spesso vibra per suo gioco
9. Se tu della mia morte
Volume II, nos. 14-17:
14. Sento nel core (aria from a cantata)
15. Su, venite a consiglio (aria from a cantata)
16. Già il sole dal Gange (aria from a cantata)
17. All'acquisto di gloria (from his opera: Tigrane, 1715)
Volume III, nos. 18-19:
18. Toglietemi ancor
19. Se delitto è l'adorarti
• 3 Arias & 2 Cantatas:

Già il sole dal Gange; O cessate di piagarmi; Sento nel
O cessate di piagarmi
Sento nel core
Le violette
Se Florinda è fedele:
° see: Collections: "26 Italian songs and arias", ed. J.G. Paton; nos.6-10
• Agitato mio core

279S2 ° ed. J. Sanderson from D-MÜs 3907 (1) € 10,--
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• Amo, e negar no'l posso (or by Sarro?)

• Amore, brutto figlio de pottana

cantata in Neapolitan dialect for tenor and bc
281S2 ° ed. A. Spiri from the only source (D-MÜs 3900: ff.5-8) € 19,--
• Andate o miei sospiri (1712)

282S2 ° ed. K. Eckersley and J. Sanderson from GB-Lbl Add. 14220 € 10,--
• Armati
• Bei prati, freschi rivi

• Bella, bella quanto crudel

cantata for low soprano or high alto and bc
• Che Sisfo infelice

285S2 ° ed. J. Sanderson from D-MÜs 3977 € 10,--
• Del' Tirreno à le sponde

286S2 ° ed. J. Sanderson from GB-Lbl Add. 14211 (ff. 58r-64r_ € 10,--
• Dorisbe cacciatrice / Già sorge l'alba

287S2 ° ed. J. Sanderson from D-MÜs 3977 and 864 € 10,--
• E come, oh Dio (c. 1698)

288S2 ° ed. by R. Halton from D-MÜs 3909 (ff.27-29v) € 10,--
• E come, oimè, poss'io?

289S2 ° ed. B. Daw € 10,--
• Era giunta quell' ora

• Euridice dall' Inferno Hanley 183

291S2 ° ed. R. Halton from GB-Lbl Add. 31487 and D-MÜs 3909 € 12,--
• Giù di Vulcan
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• Il genio di Mitilde
293S2 ° ed. R. Halton from F-Pn D.11840 € 10,--
• Il Rosignuolo
° see: Prints c.1720: "Cantate a voce sola con basso continuo"
• Io son Neron (Il Nerone)

• Lascia deh lascia al fine

• Lasciami alquanto piangere (1716)

cantata for low soprano or high alto and bc
295S2 ° ed. by B. Daw from the ms. in D-Dl € 10,--
• Leandro anima mia (Ero e Leandro)

• Libertà del mio cor

297S2 ° ed. by R. Halton from GB-Lcm 580 € 10,--
• Lieti boschi, ombre amiche

• Lontananza crudele, deh perchè?

299S2 ° ed. B. Daw € 10,--
• Lontan dall' Idol mio

300S2 ° ed. by R. Halton from GB-Och 993, GB-Ob mus.sch. e.396, GB-Lbl Add.
29249 and GB-:Lbl Harley 1293 € 10,--
• Lontan della sua Clori

301S2 ° ed. from GB-Lbl Add. 31509 € 14,--
• Mesto lasso, e ramingo

• Mi tormenta il pensiero I (1701)
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• Mi tormenta il pensiero II
• Non lasciar canora e bella

• Notte cara a un cor Hanley 478

306S2 ° ed. R. Halton from the sources in GB-Lbl and D-MÜs € 10,--
• O che mostro, o che furia è lontananza (1709)

307S2 ° ed. R. Halton from GB-Lbl Add. 34056 € 10,--
• O voi di queste selve habitatrici

308S2 ° ed. B. Daw € 10,--
• Peno, e del mio penar (1705)

309S2 ° ed. R. Halton from Scarlatti's autograph in US-NH € 10,--
• Per un vago desire (La lezione di musica)

310S2 ° ed. A. Spiri from I-Mc Noseda ("Scelta di cantate del sr. cav. A. Scarlatti")
and from I-NT Altieri vol. 36 € 19,--
• Poiche cessano alfin

311S2 ° ed. R. Halton € 10,--
• Selve caverne e monti

312S2 ° ed. L. Hautus € 14,--
• S'io t'amo s'io t'adoro (1704)

• Scompagnata tortorella
• Solitudini care
315S2 ° ed. K. Eckersley & J. Sanderson from GB-Lbl Add. 14213 and 31509 € 10,--
• Son io, barbara Donna
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316S2 ° ed. J. Sanderson from GB-Lbl Add. 14213 (ff. 84r-87v) € 10,--
• Su'l margine fiorito d'un limpido ruscello (1704)

• Tra verdi piante ombrose

318S2 ° ed. B. Daw € 10,--
• Tu lo sai
196S2 ° included in: "Antiche gemme Italiani", ed. Ricci € 18,--
Schnüffis, L. von Laurentius von Schnüffis
"Mirantische Maul-Trummel", 1698

• "Mirantische Maul-Trummel oder wohlbedenckliche Gegen-Sätze böser und
guter Begirten, wie nemlich dise der ewigen Glück-Seeligkeit, jene aber des
ewigen Verderbens Haupt- und Grund-Ursachen seyen. Mit schönen Sinn-
bildern und auff eine neue Art anmüthigen Melodeyen geziehrt, allen so wohl
Geist- als Weltlichen überaus nutzlich und annemblich zu lesen...", Konstanz,
L. Parcus, 1698
3 sections, each containing 10 rhymed elegies, each preceded by a song for
voice and bc (used for all 20 following stanzas) and an emblematic engraving.
The songs are:
from "Erster Theil":
1. Gott hat den Himmel und die Erd gegeben
2. Wo die Lust nicht wird gefunden
3. Es wurden der Irrgärten vier vor andern hoch geprisen
4. Was für Lustbarkeit zu finden
5. Der Ehrgeitz hat dem Lucifer durchlöchert sein Gewissen
6. Es pflegt mit starckem Liebes-Band die Demuth Gott zu binden
7. Weil hochschätzbar sich die Hoffart achtet
8. Weilen die Narden überaus wohl riechen
9. Weil der Wald-Esel wird von dem dem er bewogen
10. Die himmlische Begird dem Adler man vergleichet
from "Ander Theil":
11. Under einem Nest der Schwalben schlaffen jene die beyseits
12. Wann das Wolcken-Heer aufzieht an dem blauen Sternen-Feld
13. Als die Isrealiter schwirig guter Bisslein ganz begierig
14. Davids SohnSher wohl erkennte als der selbst das Maul verbrennte
15. Guten Wein und zarte Speisen will ich hier verbieten nicht
16. Wann der Mensch gesund soll bleiben oder kranck ist allbereit
17. Der Vorwurff wie bekant die Sinn mit schlechter Mühe beweget
18. Ob Argus hundert Augen schon an sesinem Leib gehabt
19. Gaile Lieb ändert die Sinne der Weisen
20. Recht und wohl wurde Joannes der Täuffer
from "Dritter Theil":
21. Wer vom Bronnen Nao trincket der in Chio sich befindet
22. O wie nichtig und unrichtig war nicht mein verkehrer Sinn
23. Wie gross die Blenderey und List des Glückes sey
24. Weit müsst dem Salomon an Reichthumb Croesus weichen
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25. Auf ganzer Welt ist keine Noth so gar entsetzlich

26. Müsst'ich wie Adam leben hier neunhundert Jahr auf Erden
27. Wann der Jäger was will fangen
28. Wie wurd'ich nicht so unerhört vonder treulosen Welt bethört
29. Als wehrender Gefangenschafft bey Babels Flüssen in Verhafft
30. Fort fort mit böser Welt-Begird wo durch man heilvergessen wird
Edition:
319S2 ° Facsimile of the 1698 edition (hardback); "Dokumentation zur Geschichte
des deutschen Liedes", ed. S. Kross; volume V € 59,--
Schütz, H. Heinrich Schütz
320S2 Secular Songs & Madrigals

ed. W. Bittinger; New Schütz Edition, volume 37 (hardback):
A. Four Songs without obligato instruments:
1. Wie wenn der Adler sich aus seiner Klippe schwingt; S and bc SWV 434
2. Kläglicher Abschied: Grimmige Gruft, so hast du dann; S and bc SWV 52
3. Glück zu dem Helikon; AT and bc SWV 96
4. Ein Trauerlied: O meine Seel, warum bist du betrübet? ; SATB SWV 419
B. Three Songs with obligato instruments:
5. Danklied: Fürstliche Gnade zu Wasser und Lande; T and bc SWV 368
6. Güldne Haare, gleich Aurore; SA, 2 violins, bc SWV 440 (arrangement
of Monteverdi's canzonetta "Chiome d'oro bel thesoro")
7. O der grossen Wundertaten; SSSS, 2 violins, bc SWV 278
C. Two Madrigals without obligato instruments:
8. Die Erde trinkt für sich; AT and bc SWV 438
9. Vier Hirtinnen, gleich jung, gleich schön; SSAT and bc SWV Anh.1
D. Five Madrigals with obligato instruments:
10. Liebster, sagt in süssem Schmerzen; SS, 2 violins and bc SWV 441
11. Tugend ist der beste Freund; SS, 2 violins and bc SWV 442
12. Nachdem ich lag in meinem öden Bette; SB, violin, 3 viols, bc SWV 451
13. Lässt Salomon sein Bette nicht umgeben; SB, 3 viols and bc SWV 452
14. Itzt blicken durch des Himmels Saal; SSATB, 2 violins and bc SWV 460
Sources:
1623: "Kläglicher Abschied von der Churfürstlicher Grufft zu Freybergh",
Freiburg (2)
1627: J. Nauwach (ed.): "Erster Theil Teutscher Villanellen", Dresden, p.39 (3)
1634: "Canconetta à 4 soprani con sinfonie di duoi stromenti", Copenhagen
(2 violin parts and soprano II lacking; here supplied by editor) (7)
1647: "Danck-Lied. Für die hocherw. Fürstl. Gnade in Weymar", Gotha (5)
1652: "Derer Christ-Gläubigen Herrliches Erb-Theil, Dresden (4)
1663: D. Schirmer: "Poetische Rauten-Gepüsche", Dresden, p.565 (1)
D-Kl mus.mss.: 2° 49 e (14)2° 49 f (11), 2° 49 h (10), 2° 58 f (9),
2° 58 i (6) and 2° 591 l (8)
PL-WRu mus.ms. 201 f (12-13) € 145,--
• Klaglied: Mit dem Amphion zwar mein Orgel und mein Harfe SWV 501
T and bc
source: "Klaglied Heinrich Schützen...Der weyland erbarn und viel ehrentu-
gendsamen Frawen Magdalenen, gebornen Wildeckin seinem hertzallerliebsten
getrewen Eheweibe als dieselbe den 6 Monatstag Septembris zu Dresden in
Gott seliglichen entschlaffen. Zu letztem Ehrengedächtnis aus hochbetrübtem
Gemüthe unter Seufftzere und Threnen gestellet", Dresden, 1625
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Edition:
321S2 ° Facsimile of the 1625 edition (Leichenpredigt & Klaglied); transcription of
the music and introduction by E. Möller € 14,50
Serqueira, J. Juan Serquiera de Lima
• 3 Tonos humanos & 2 Cantadas humanas:

1. Quería Cupido, traidor (solo humano; high voice and bc)
2. Ay, Leonida, si mis quejas (solo humano; voice and bc)
3. Todo es amor (tono humano solo; voice and bc
4. O carazón amante (cantada for high voice, oboe, violin, bc)
5. En la ribera verde (cantada for high voice, oboe, violin ,bc)
• 2 Canciones:
1. Baile del herbolario
2. Mares, montes, vientos
° see: Collections: "Canciones y duos del siglo XVII"
• Baile del herbolario

Severi, F. • O di raggi e di fiammelle

° see: Prints: "Vezzosetti Fiori", 1622
Shadwell, Th. • Let the daring adventurers be tossed on the main

° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book III)
Smegergill see: Caesar, W.
Smith, R. Robert Smith
• 24 Songs in book I of: "Choice Ayres, Songs and Dialogues":

1. Ah Coridon in vain you boast
2. A heart in love's empire though jocund and blithe
3. Ah false Amintas can that hour
4. Amintas led me to a grove
5. And I'll go to my love where he lies in the deep
6. As I walked in the woods one evening of late
7. At the sight of my Phyllis through every part
8. Be jolly my friends for the money we spend
9. Beauty no more shall suffer eclipse
10. Come lay by your cares and hang up your sorrow
11. Farewell fair Armida my joy and my grief
12. Fill round the health good natured and free
13. From friends all inspir'd
14. Hark the storm grows loud
15. How bonny and brisk, ah how pleasant and sweet
16. Long betwixt hope and fear Phyllis tormented
17. O how I abhor the tumult and smoke of the town
18. O sorow say where dost thou dwell
19. Phyllis, the time is come that we must sever
20. Some happy soul come down and tell
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21. The day you wished arrived at last

22. 'Tis the grape that discovers
23. What sighs and groans now fills my breast
24. Why should a foolish marriage vow
• He that did ever scorn love's might

° see: Collections: "English Songs, 1626-1660", ed. I. Spink: no. 115
Snow, M. Moses Snow
• Whilst I in shades was musing all alone


1. Ah cruel beauty could you prove
2. Proud Strephon do not think my heart
3. Some wine boys some wine fill it up
4. What cruel pains Corinna takes
5. When you have broke that tender loyal heart
6. Why should Clausa young and fair
Spadi, G.B. Giovanni Battista Spadi da Faenza
Libro de passaggi, 1624

• "Libro de passaggi ascendenti et descendenti di grado per grado, et ancor di
terza. Con altre cadenze, & madrigali diminuiti per sonare con ogni sorte di
stromenti & anco per cantare con la semplice voce", Venice, A. Vincenti
Diminution method containing:
5 Esempii di grado ascendente
5 Esempii di grado descendente
4 Esempii di terza ascendente
4 Esempii di terza descendente
3 Esempii di cadenze
2 Madrigals by C. Rore with diminutions by Spadi:
1. Amor, ben io credevo
2. Ancor che col partire
Editions:
323S2 ° ed. M. Lübenow (with organ part for the two madrigals) € 22,--
Spee, F. Friedrich Spee von Langenfeld:

• "Trutznachtigall", Köln, 1649
° Im grünen Wald ich neulich sass
Spighi, B. Bartolomeo Spighi
Musical Concerto, 1641

• "Musical Concerto d'arie, e canzonette à una, dua, e tre voci, per cantare nel
gravicimbalo, ò chitarrone...Opera Quarta", Florence, Pignoni, 1641
TEL +31 (0)20-6762240 FAX +31 (0)20-6762240
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1.Canzonetta in lode dell'Illustr. signor C.L. da Verrazzano: Gioite cantate CC

2. Arietta a una voce: Oime Filli si more C
3. Arietta a una voce: Filli tu posi & io piango misero solo T
4. Mi dolgo e sò perche C
5. Arietta a voce sola: S'inganna quel Core C
6. Ardo, ma l'ardor mio grav'e profondo (3 sections) B
7. Arietta a voce sola: Eri gia tutta mia quest'alm'e quel core S
8. Canzonetta a dua voce: Chi non sà quanto gioischo del mio Amor CC
9. Ciaccona: O piaggia felice albergo beato AA
10. Canzonetta a dua voce: Sospiro sì, ma nulla giovami TT
11. Canzonetta a tre voce: Io vo morire ATB
12. Canzonetta a tre voce: T'inganni mio core CCB
13. Arietta a tre voce: O come è cieco Amore per bellezz' infinita SAB
14. Canzonetta a tre voce: Che voi più tu da me Lilla crudele ATB
Edition:
324S2 ° Facsimile of the 1641 edition; preface (Italian) by C. Cerretelli € 25,--
Stafford, Th. Thomas Stafford
• 2 Songs in books I and V of: "Choice Ayres, Songs and Dialogues":

1. Like a dog with a bottle fast tied to his tail
2. The nymph that undoes me is fair and unkind
Staggins, N. Nicholas Staggins
• 9 Songs in: "Choice Ayres, Songs and Dialogues", books I, II and V:

1. As Amoret with Phillis sat (in book II)
2. How pleasant is mutual love if it's true (I)
3. How severe is fate to break a heart (II)
4. How unhappy a lover am I (I)
5. Let business no longer usurp your high mind (V)
6. O the charms of a beauty disdainful and fair (II)
7. When first Amintas charmed my heart (V)
8. Whilst Alexis lay prest (I)
9. Whilst others on downy nests (II)
• Tell me thou fairest of all thy whole sex

Steffani, A. • Mi voglio far intendere (mss. in D-Mbs, GB-Lbl and I-Fc)

196S2 ° included in: "Antiche gemme Italiane", ed. Ricci € 18,--
Stradella, A. Alessandro Stradella
Modena Manuscript with 12 Solo Cantatas

• 12 Solo Cantatas from the Modena manuscript (I-MOe G.208; this ms. con-
tains 16 cantatas in all; the works here not included are cantatas for 2 or 3
voices).
Nos. 2-12 for soprano and bc; no.1 for bass and bc
1. Dalle sponde del Tebro Gianturco 1.1-25
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2. Ferma il corso e torna al lido G 1.1-41

3. Lontananza e gelosia G 1.1-64
4. Apre l'uomo infelice allor che nasce G 1.5-3
5. Ch'io nasconda il mio foco G 1.1-17
6. Dove gite o pensier' G 1.1-34
7. Si salvi chi può G 1.1-96
8. Io non vuò più star così G 1.1-59
9. Che vuoi più da me Fortuna? G 1.1-13
10. Ben è vile quel cuor G 1.1-11
11. Udite, udite amanti G 1.1-118
12. A piè d'annoso pino G 1.1-6
Edition:
325S2 ° Facsimile edition of the manuscript; introduction (Italian) by P. Mioli € 33,--
• 4 Canzonettas (nos.1-2 for high voice; no.3: duet for SS; no.4: duet for SB):
1. Amor io ben l'intendo (actually by B. Pasquini from his opera "La Donna
ancora è fedele") Gianturco 11-3
2. So ben che mi saettano (from "Il Biante", Gianturco 2.4-1)
3. Non sa mai amor ferir (from "Il Biante", Gianturco 2.4-1)
4. Care labbra che d'amore tante fiamme Gianturco 4.2-4
• 2 Works:
1. Per pietà deh torna a me (scene form his opera: Il Foridoro)
2. So ben, che mi saettano (canzonetta)
Editions:
° see: Collections: "Alte Meister des Bel Canto", volume I, nos.22-23
° see: Collections: "Arie antiche", ed. Parisotti, vols. 2 and 3
Strozzi, B. Barbara Strozzi
Cantate op. 2, 1651

• "Cantate, ariette, e duetti di Barbara Strozzi. Opera seconda...", Venice,
Gardano, 1651
Nos. 17-19 and 23 for 2 voices and bc; all others for 1 voices and bc; nos. 4
and 17 with ritornelli for 2 violins and bc
1. Donna di maestà (per le nozze della imperial meastà di Ferdinando Terzo di
Austria con la Serenissima Leonora Seconda di Mantova)
2. Begl'occhi, bel seno, bei crini, e bella bocca
3. Il Romeo: Vago mendico
4. Costume de grandi: Godere e lasciare (parole gia poste in musica per l'oc-
casione della Finta Pazza, dello Strozzi) with 2 violins
5. La fanciulletta semplice: Spesso per entro al petto (parole di Cicognini)
6. L'amante consolato: Son tanto ito cercando
7. Chiamata à nuovi amori: E chè diavolo sarà auesto sempre amar
8. La crudele, che non sente, non vede, non parla: Da gl'abissi del mio core
9. La vendetta: A vendetta è un dolce affetto (parole gia poste in musica per
il Romolo e remo dello Strozzi)
10. L'amante bugiardo: I miei giorni sereni
11. La travagliata: Soccorrete luci avare
12. Lilla crudele ad onta d'amore: Lascia si la benda e l'ali
13. Noiosa lontananza: Dimi ah dove sei che mi niegi
14. L'Eraclito amoroso: Udite amanti
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15. Trà le speranze e'l timore: Timore e che sarà godremo: dialogo à voce sola
16. L'amante segreto: Voglio morire
17. Il lamento: Su'l Rodano severo giace tronco infelice (for 2 sopranos, with
ritornello and sinfonia for 2 violins and bc)
18. Morso e bacio dati in un tempo: Preci pitosamente Amore (SB, bc)
19. Gl'occhi superbi: Occhi superbi si mà cari (SA, bc)
20. Gite ò giorni dolenti (per le nozze di Ferdinando Terzo d'Austria e di
Maria Leopoldina d'Austria)
21. Amor dormiglione: Amor non dormir più
22. I baci: Oh dolci desiati baci (2 high voices, bc)
23. Grande allegrezza du cuore: Gorgogliando in sù (SB, bc)
24. La mia donna per che canta (parole del sig. G.B. Maiorani)
25. Mai non canta s io non conto (seconda parte)
26. Di strascini ogn'hora or nato (terza parte)
27. Io credeva ch'il suo canto (4. parte)
28. Giusta negativa: Non mi dite ch'io canti
Editions:
326S2 ° nos. 1-28: Facsimile of the 1651 edition (hardback) € 65,--
196S2 ° no. 7: included in: "Antiche gemme Italiane", ed. Ricci € 18,--
327S2 ° nos. 11 and 14: included in: 5 Arias for high voice and bc from op. 2, 6 and
7; ed. R. Luckhardt € 15,--
Cantate op. 3, 1654

• "Cantate, Ariete a una, due e tre voci. Opera terza", Venince, Gardano, 1654
1. Cuore che reprime alle lingua di manifestare il nome della sua cara
2. Moralità amorosa
3. Il lamento
4. A donna bella e crudele
5. Con male nuove, non si può cantare
6. Amor non si fugge
7. Donna non sà che dice, non dice che sa (SB)
8. Mentita SMs
9. Begli occhi SMs
10. Cor donato, cor rubato STB
11. Desideri vani SMsB
Editions:
329S2 ° ed. by G. Archer € 54,--
Ariette op. 6, 1625

• "Ariette a voce sola....Opera Sesta", Venice, F. Magni, 1625
16 arias for high voice, and 1 duet for soprano and mezzo-soprano:
1. Se ne vola il mio pensiero
2. Non pavento io non di tè (per il sig. G.A. Forni)
3. Compatite al mio gran fallo
4. Dessistete homai pensieri
5. Miei pensieri è che bramate
6. Vane le mie speranze?
7. Amore è bandito
8. Bel desio che mi tormenti
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9. Lilla mia non ti doler

10. Respira mio core
11. Risolvetevi pensieri
12. Lilla dici ch'io non t'amo
13. Non ti doler mio cor
14. Chiudi l'audaci labra, taci perfida
15. Filli mia che miseri
16. Chi brama in amore
17. Sospira, respira sprezzato traditore (SMs)
Editions:
330S2 ° nos. 1-17: Facsimile of the 1625 edition; hardback € 56,--
° nos. 11 and 16: see: Prints 1656: "Arie a voce sola de diversi autori"
327S2 ° nos. 7 and 13: included in: 5 Arias for high voice and bc from op. 2, 6 and
7; ed. R. Luckhardt € 15,--
Diporti di Euterpe, 1659

• "Diporti di Euterpe overo Cantate e Ariette a voce sola. Opera settima",
Venice, F. Magni, 1659
all for high voice and bc:
1. Sino alla morte
2. Appresso ai molli argenti
3. Fin che tù spiri
4. Lagrime mie
5. Non volete ch'io mi dolga
6. Così non la voglio
7. Pensaci ben mio core
8. Per un baccio
9. Tradimento
10. Mi fa rider
11. Basta così v'hò inteseo
12. Sete pur fastidioso
13. A pena il sol
14. Che v'hò fato
15. Non occorre ch'io ci pensi.
Editions:
331S2 ° nos. 1-15: Facsimile of the 1659 edition with a preface by P. Mioli; paperb. € 26,--
332S2 ° nos. 1-15: Facsimile of the 1659 edition; hardback € 59,--
327S2 ° no. 7: included in: 5 Arias for high voice and bc from op. 2, 6 and 7; ed. R.
Luckhardt € 15,--
Arie op. 8, 1664

• "Arie di Barbara Strozzi...Opera Ottava", Venice, F. Magni detto Gardane,
1664.
1. Cieli, stelle, Deitade (cantata)
2. E giungerà pur mai alla linea crudele (cantata)
3. Hor che Apllo (serenata con 2 violini)
4. Voglio si vò canttar (cantata)
5. Aure già che non posso (cantata)
6. Che si può fare (cantata)
7. Luci belle (aria)
8. Non c'è più fede (aria)
9. E pazzo il mio core (aria)
10. Tu me ne puoi ben dire (aria)
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11. Ferma il piede (aria)

12. Donne belle (aria)
Tarditi, O. Orazio Tarditi
• 7 Arias from: "Arie a voce sola de diversi autori", 1656:

1. Lungi da te mio bene
2. Io mi ricordo un' dì (prima parte)
3. Si poco il ben duro (seconda parte)
4. Vedo Amor (prima parte)
5. Una Donna sempre altiera (seconda parte)
6. Odi Amor (terza & ultima parte)
7. Quella crudel ch'adoro
° see: Prints 1656/4: "Arie a voce sola de diversi autori": nos. 5-11
Taylor, Ch. Charles Taylor
• 2 Songs in book IV of: "Choice Ayres, Songs and Dialogues":

1. Prophanely I swore by the powers divine
2. You I love by all that's true

Believe me Jenny for I tell you true
Curse on all cares
Pox of dull mortals
To hollow rocks and far-sought plains
Taylor, J. John Taylor
• 2 Songs:
1. Telle me not that I die, or live by thee
2. Lay that sullen garland by thee
° see: Collections: "English songs, 1626-1660", ed. I. Spink: nos. 106-107
Tenaglia, A. • 2 Arias:
1. Quando sarà quel dì? (from ms. in I-Rc)
2. Begli occhi, mercè
° see: Collections: "Arie antiche", ed. Parisotti, vol. II (no.9) and III (no.13)
Todini, G.A. • 2 Songs:

1. Vedi l'alba o bella Clori
2. Se perch'io viva in pianto
Tollet, Th. • Such command o'er my fate has your ove

Torelli, G. Tu lo sai; cantata from D-Dl 1-K-37 (now lost) as published by A. Fuchs in
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"Bel Canto" (Braunschweig, Litolff, c.1901):

see MA: "26 Italian songs and arias", ed. J.G. Paton; no.5
Torres, J. de • Para qué, son eas flores

Torscianello, H. • Deh mira egli cantò

Tudway, Th. Thomas Tudway
• 4 Songs in book IV of: "Choice Ayres, Songs and Dialogues":

1. After the fiercest pangs of hot desire
2. Iris on the bank of Thames
3. Phyllis in your absence I
4. See what a conquest love has made

Come all ye tender nymphs and learn of me
Phyllis be gentler I advise
Turini, F. Francesco Turini
Madrigali, libro primo, 1624

• "Madrigali a una, due e tre voci con alcune sonate a due, et a tre. Libro primo
Nuovamente ristampati, & dall' istesso auttore ricorrectti di molti errori che
sono occorsi nella prima stampa, & aggiuntovi dal medemo alcuni madrigali
& sonate...", Venice, A. Vincenti, 1624:
A. Vocal Works:
1. Quel vivo ardor T, bc
2. È partito il mio bene TT, bc
3. O Dio quel dolce a Dio (seconda parte) TT, bc
4. Amorosetti fiori SS, bc
5. Dove ah dove TT, bc
6. Chi vuol haver felice TT, bc
7. perche piangi (dialogo) ST, bc
8. Luci belle AT, bc
9. O misera Dorinda SB, bc
10. Amor com' esser puo TB, bc
11. Moro ohije SSB, bc
12. Ohime bei gl'occhi SSB, bc
13. Arsi di tale ardore ATB, bc
14. Hor che tra gl'odorati ATB, bc
15. Fugace bellezza a6 STB; 2 violins, bass, bc
16. Vezzose aurete: gagliarda a5 SS; 3 instruments (SAB), bc
17. Tuo danno sia: aria a canto solo S, bc
B. Instrumental Works:
18. Sonata in a 2 violins, bc
19. Sonata secondo tuono 2 violins, basso (che si puo tralasciare), bc
20. Sinfonia a3 in g 2 violins, basso (che si puo tralasciare), bc
21. Gagliarda a3 in g 2 violins, basso, bc
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22. Sonata a3 "È tanto tempo hormai" (La Monica) 2 violins, bass, bc
23. Sonata a3 "Il Corisino" 2 violins, basso, bc
Edition:
334S2 ° nos. 1-23; critical edition in score by R. Hofstötter and I. Rainer; hardback € 104,--
Madrigali, libro secondo , 1624

• "Madrigali a due, tre e quattro voci con alcuni concertati con due violini, &
una Cantata à voce sola in stile recitativo. Libro Secondo...", Venice, A.
Vincenti, 1624:
1. Ardo mia vita SB, bc
2. Quei crini SS, bc
3. Lilla un baccio TT, bc
4. O sguardo TT, bc
5. S'io non ti voglio AT, bc
6. O bocca AT, bc
7. Occhi voi SAB, bc
8. Vedo Lilletta SAB, bc
9. Cedan le pompe TTB, bc
10. Cari baci TTB, bc
11. E labra hà di rubino SATB, bc
12. Occhi de la mia vita SATB, bc
13. Lunge da le due luci SATB, bc
14. Ahi che veggio? SATB, bc
15. Ecco Maggio (aria) SA; 2 violins, bc
16. Fortunata pastorella (gagliarda) TB; 2 violins, bc
17. Cantata in stile recitativo: Quest' meste querele T, bc
Edition:
335S2 ° Critical edition in score by R. Hofstötter and I. Rainer; hardback € 98,--
Turner, W. William Turner
• 26 Songs in: "Choice Ayres, Songes and Dialogues", books I-V:

1. Ah Phyllis would the gods decree (in book II)
2. Ah what can mean that eager joy (IV)
3. All other blessings are but toys (IV)
4. Cheer up my friends, the winter's ending (III)
5. Chloris, when you disperse your influence (II)
6. Damon, turn thine eyes on me (IV)
7. Diana's a nymph so chaste and so fair (II)
8. Forbear silly heart, you insult but in vain (II)
9. How large an extent has love's empire and throne (I)
10. How strangely severe and unjust are we grown (I)
11. I cannot change as others do (II)
12. I find, my Eugenia, I've struggled in vain (II)
13. I have languished too long for one who I find (II)
14. I liked but never loved before (V)
15. I must confess not many years ago (I)
16. If languishing eyes without language can move (II)
17. In vain poor Coridon did try (II)
18. Long was the day e're Alexis my lover (II; V)
19. Near the courts of great princes we scorn to abide (II)
20. Now that the cold winter's expelled by the sun (II)
21. See how the flowers adorn the spring (III)
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22. Thou joy of all hearts and delight of all eyes (II)
23. Thus mortals must submit to fate (III)
24. To love how all the world's inclined (II)
25. Under the branches of a spreading tree (II)
26. Why does the foolish world mistake (II)

1. Ah Phyllis had you never loved
2. As in those nations where they yet adore
3. Bright was the morning and cool the air
4. My life and my death are both in your power
5. Though you may boast you're fairer than the rest
• Ah! cruel youth why hast thou took a heart

° see: Prints 1693-1696: "Thesaurus Musicus", volume IV
Twist, J. • Ah Phyllis, would the god's decree

Underwood, D. • 2 Songs in: "The Theater of Music":

The poor Endymion loved too well
When closely embraced in the arms of my dear
Urfey, Th. d' • 2 Songs in: "Thesaurus Musicus":

Strike up drowsie gut-scrapers
Waa is me what mun I do (a Scotch song)
Vado, J. del • Molinillo que mueles amores

° see: Collections: "Cinco siglos de canciones españolas"
Veneri, G. • Bel crin d' oro mio thesoro

Vinaccesi, B. Benedetto Vinaccesi
• 2 Cantatas for bass and bc:

1. In lontananza della sua donna: Là nelle verdi spiagge
2. Il disinganno de gli amanti: Quanto mi viend da ridere
336S2 ° ed. M. Talbot from F-Pn Vm7 30 III € 36,50
Vitali, F. Filippo Vitali
• "Musiche a 1 e 2 voci...Libro secondo", Rome, 1618

° 3 monodies:
1. O bei lumi, o chiome d'oro
2. Pastorella, ove t' ascondi
3. S'el Sol si scosta
see: Collections: La Flora, ed. K. Jeppesen", volumes II and III
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196S2 ° Pastorella, ove t' ascondi:

included in: "Antiche gemme Italiane", ed. Ricci € 18,--
Voigtländer, G. Gabriel Voigtländer
Allerhand Oden und Lieder, 1642

• "Allerhand Oden und Lieder welche auff allerley, als Italianische, Französische,
Englische und anderer Teutschen guten Componisten Melodien und Arien
gerichtet. Hohen und NiederStands Personen zu sonderlicher Ergetzlichkeit
in vornehmen Conviviis und Zusammenkunfften bey Clavi Cimbalen, Lauten,
Tiorben, Pandorn, Violen di Gamba gantz bequemlich zu gebrauchen und
zu singen...", Sohra, gedruckt auff der Königl: Adelichen Academy von
Henrich Krusen..., 1642
100 German songs for voice and bc:
1. Was soll ich doch wol singen
2. Ich bin ein Mensch der in der Welt
3. Wenn ich grossen Herren soll zu Ehren Lieder singen
4. Es ist ganz billich so bald der Herre spricht dass ich sey willig
5. Als Orpheus schlug sein Instrument
6. Ihr allerliebstes Volck, Ihr Venus Landsgenossen
7. Dieses ist auff der ganzen Welt das beste Leben welches mir geselt
8. Komm her zu mein Instrument, hilff spielen mir ein Lied
9. Schönste Dame vor der Zeit ehe ich euch kandte
10. Du mein Gesicht fürchstu dich nicht
11. Kan ungeweint ich bewahr euch Gott sagen
12. Als die welche gern wollen wissen was doch Cupido sey
13. Was verwundert man sich wenn man höret
14. Wer da aller wackrer Frawen Zierd un Tugend will beschawen
15. Es wundert mich gar hoch warumb kan schimpfflich
16. Jung Gesell wiltu freyen so ist die Wahl gar schwer
17. Wenn in Saturni Zeit wir izt lebten
18. Unser Freund kan länger nicht des Freyens müssig gehn
19. Was will man so hart und sehr von Freyen nur abrahten
20. Es mag wer will die Götter verehren
21. Mein' Unbestendigkeit mein hin und wieder wancken
22. Meine Allerliebst und ich seyn als wie bedüncket mich
23. Mein Schatz sie sehr ich euch verehr dass weiss fast jederman
24. Newlich ich hörte wie sich beschwerte en junges Mägdlein uber mich
25. Man helt es vor Schande in unseren Lande
26. Ihr Jungfern höret worinn ihr seyd bethoret
27. Man sagt mir das jene so mich krencket stets
28. Als ich hört vor jenen Zeiten von Amoris Lustbarkeiten
29. Als uber Berg und Thal die schöne Daphnis lieff
30. Wenn ich doch an Martis statt den Krieg
31. Es trug sich zu vor Troja die Geschicht das Jupiter
32. Auff eine Zeit ein alter schwacher Mann sprach eine hübsche junge Dirne an
33. Ein junger Schäffer gieng einmahl in einem grünen Wiesen-Thal
34. Hört zu wie Venus ihren Sohn unlängst verlohren hatt
35. All ihr Poëten voller Geist
36. Gestern in der Abendstund als die liebe Sonn begund
37. Als ihm Cupido eins zu reisen vorgenommen
38. Herbey herbey du gonazr Schaar
39. Vier Schäfferinnen waren gleich schön
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40. Einsmals als der Himmel gar von Gestirn bedecket war
41. Es wolten eins die Götterlein das kleine Liebs Geschlechte
42. Ach zu wündschen stünd ich wehre da gewesen blind
43. Hetten mich alle die Götter verehret
44. Soldaten als Reuter und Knechte Liebhaber
45. Wenn der Schiffman kompt zu Lande
46. Amarilli schönstes Lieb hört was ich euch klag
47. Verflucht sey Amor nun sampt seinem Pfeil und Flamm
48. Man pflegt es vor eine Thorheit zu rechnen
49. Dort sass am Wasserstrande ein junges Mägdelein
50. Ich weiss nicht was es frommt dass man will Damen kiessen
51. Wolt ihr das alte Leute euch holt und gönstig sein
52. Jederman wil gern auf Erden reich gesund und glücklich sein
53. Lasst mich doch etwas singen von Glück und seinen Tücken
54. Lieber Frühling der das Leben allem Wesen mit sich bringt
55. Phoebus ist nun wider kommen hat die Flora angeblickt
56. Kein frölichers Leben ist nicht auff der Welt
57. Wer da will frisch und gesund was lang auff Erden leben
58. Jungfraw was mögt ihr euch ziehen
59. Ich hab offt vor langen Jahren wil gehöret und erfahren
60. Ach ich armes Mägdelein klage dass nun meinen besten Tage
61. Wenn wir wollen uberlegen nach Verstand und rechten Sinn
62. Seyns die Jungfern denn allein derer Lob man soll beschreiben
63. So soll sie seyn die ich mir nehme zu der Ehe
64. Weil Mannspersohnen frey und zugelassen ist (music = no. 63)
65. Falscher Schäffer ist dass recht
66. Ich bin ein freyer Bawers Knecht
67. Geht ihr Höffling gehet immer zum Papiernen Völckgen hin
68. Fillis sass in einem Böttgen
69. Den Damen pflegts gleich wie den Rosen
70. Man will davor halten dass die Narreden
71. Es erhub sich newlicher Zeit under vier Geselln ein Streit
72. O dass ich recht nach dem Leben das gemeine böse Thür
73. Jungfraw ich solt euch beklagen
74. Stünd itzund Paris auff bey dieser Zeiten Lauff
75. Ein Schneider hat ein böses Weib
76. Wenn der Neider mich sieht an
77. Wenn auff einem Frewdenfest seyn beysammen gute Gäst
78. Mit recht hat jener weise Mann
79. Es seyn der Menschen auff Erden viererley
80. Es hat Kunst Klotz mit Trincken Potz
81. Eine reiche Magdt
82. Man sagt im Sprichwort vorgethan
83. Man saget allezeit das Kleider machen Leut
84. Das offtmahl mit Weisheit und Vorsichtigkeit
85. Weil der Winter ist vergangen
86. Man will die Poeten schelten
87. Der sich fürchtet vor den Blitzen Donner oder Windessturm
88. Gleich wie dem welcher träget die Wassersucht am Hals
89. Alle die jenen die heimlich nachfragen was ich vor eine Dürne sey
90. Soll und muss ich denn eben sogar trostlos leben
91. Es ist sehr wunderlich (music = no. 21)
92. Ihr Männer und Gesellen sprechet immer von Mängeln
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93. Ihr die ihr gerne höret der Music schöne Kunst
94. Gibt uns Gott Wein so trincken wir sein
95. Dieweil man sagt das wer hat eine Fraw genommen (music = no. 37)
96. Wenn man manchen rahten will
97. Wie kan ich doch verschweigen
98. Wenn mich mancher hönisch (music = no. 22)
99. Die Honig tragen in den Mund
100. Mit Ars, Lex, Mars, wird die gantze Welt regiert (music = no. 79)
Editions:
• nos. 1-100:
337S2 ° Facsimile of the 1642 edition; Dokumentation zur Geschichte des deutschen
Liedes, volume 11 € 68,--
• no. 16:
Wallington, B. • In yonder grove Amintor lies

° see: Prints 1673-1684: "Choice Ayres, Songs and Dialogues" (book II)
Webb, W. William Webb
• 6 Songs:
87a-b. As life what is so sweet (2 versions)
88. Go and bestride the southern wind
89. Pow'rful Morpheus, lwet thy charm
90. Victorious beauty, though your eyes
91. Since 'tis my fate to be thy slave
92. Look back Castara from thine eye
Weldon, J. • Reason, what art thou?

° see: Colections: "Thirteen Mad Songs", ed. T. Roberts
Williams, W. William Williams
• 3 Songs in: "Thesaurus Musicus":

Belinda, change your fickle mind
How peacefull the days are
Unjustly Phillis you accuse your slave
Wilson, J. John Wilson
• 13 Songs:
1. Wherefore peep'st thou, envious day
2. Take, o take those lips away
3. In a maiden time profess'd
4. Languish and despair, my haert!
5. Turn, turn thy beauteous face away
6. Pity of beauty in distress
7. As tuned harp strings sad notes take
8. Since love hath in thine and mine eyes
9. Awake awake! The morn will never rise
10. In the merry month of May

17th Century Secular Music - One Voice With Continuo

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MUZIEKHANDEL SAUL B.

I. One voice with(out) BC

© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All r ights reserved.

This catalogue follows

17TH CENTURY: SECULAR MUSIC

1622 Vezzosetti Fiori, 1622

1656 Arie a voce sola de diversi autori, 1656

• "Arie a voce sola de diversi autori raccolte da Francesco Tonalli...", Venice,

11. O. Tarditi: Quella crudel ch'adoro

1670 Canzonette per camera a voce sola

• "Canzonette per camera a voce sola di diversi autori, dati in luce da M.

1679 Scelta di canzonette Italiane, 1679

• "Scelta di Canzonette Italiane de piu autori dedicated a gli amatori della

6. G. Carissimi: Crudo'amore il mio core

1673-1684 "Choice Ayres, Songs & Dialogues", London, 1673-1684

17. R. Smith: Ah Coridon, in vain you boast

70. anonymous: Come away t'other glass

Turner (16), B. Wallington, and 13 anonymous songs

53. J. Moss: How happy is the amorous pair

12. J. Hart: Adieu to the curse of a country life

76 Songs by J. Abell, J. Banister, G.B. Draghi, I. Blackwell (5), J. Blow (11),

50. W. Turner: Damon turn thine eyes on me

1685-1687 "The Theater of Music", 1685-1687

Long had Phyllis Strephon loved

Fill me a bowl a mighty bowl

Brisk claret's the prince and the topper of wines

"Thesaurus Musicus", 1693-1696

Such command o'er my fate has your ove

bass to each song, for the harpsicord, theorbo, or bass-viol. To which is

Well Chariesta then said I

I-MAC Collection of Cantatas from the Mozzi-Borgetti Library at Macerata

113S2 Abraham Cowley's "The Mistress" (1656)

Alte Meister des Bel Canto

114S2 Volume I: The 17th century

115S2 Alte Meister des Bel Canto

116S2 Amor Roma

La bella più bella

118S2 Volume II:

119S2 Volume III:

120S2 Canciones a solo y duos del siglo XVII

19. Ay triste del que a sus rayos

121S2 Cinco siglos de canciones españolas (1300-1800)

1. anonymous: Mariam matrem (14th century)

5. D. Pisadór: Porque es dama tanto quereros (from his "Libro de musica de

110S1 Volume VI: Die Kantate; ed. R. Jakoby

Freunde, I", 1690)

122S2 XIII. Das ausserdeutsche Sololied; ed. F. Noske

1. B. Tromboncino: Ben ch'amor mi faccia torto

3. J. Clemens non Papa: Aymer est ma vie

146R3 Volume XXX: Die Improvisation; ed. E.T. Ferrand

anonymous: Domine refugium (plainchant); Ad annuntiandum (plainchant)

Mersenne's "Harmonie Universelle", 1636: p.411-413)

123S2 Early Master of the Stile Nuovo in Austria

A. Bartolomeo Mutis, count of Cesena:

17. Piansi lunga stagione SS, violin, bc

124S2 English Songs, 1626-1660; ed. I. Spink

35. Or you, or I, nature did wrong

84a-b. Gather ye rosebuds while ye may

F-Pn Rés. 2489 (77)

7.M. da Gagliano: from "Musiche a 1, 2 e 3 voci", 1615: Valli profonde