L I P R 12 January, 2023 What Is The Need To Protect IPR?
L I P R 12 January, 2023 What Is The Need To Protect IPR?
Academic texts are priced high because nobody purchases them. Photocopying is an
exception. Courts have accepted in. Actionable passing off is essentially passing off only if
the potential infringer was in a position to cause damage.
Another angle on the consumer perspective on the need for IP is that when you think of
access to information or knowledge, then in that scenario, you are not concerned about the
economic benefit. You focus upon your interest i.e., access.
For example, books. The perspective of readers and collectors are different. As a reader, the
priority is content.
Piracy is usually seen in the context of access to information as well. Access is something in
which state has a direct responsibility. When you consider the policy of education, for
example, they need to have access to the latest books. The state has to provide some kind of
balance so as to make the interest of the IP holder in balance with the interest of the readers.
US FTA brought a case against Brown Williamson that makes Marlborough. When these
companies were selling cigarettes, they set up a scientific panel to look into the effects of
cigarettes. The panel reports clearly mentioned the ill effects of smoking. Nobody argued
against these facts. By this time, the effect of tobacco was everywhere. The consumption of it
is so much that governments cannot stop it. It is not like heroin or cocaine that is not as
present.
1
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
Australia has introduced something known as plain packaging. A country in Africa wanted to
introduce a ban on tobacco.
Article 6 of the TRIPS Agreement provides for a very important flexibility. This flexibility
allows member states to put in place a system of exhaustion that best suits their policy
objectives.
For instance, India promotes international exhaustion in its Patent Act.
2
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
In 1961, the Rome Convention came. They were providing copyright protection for works –
both authors and producers of films. All the producer is signing the checks. But Bern
Convention refers to him as author. Why?
The basic justification if not for them, there would be no film. There were phonogram or
sound producers who said that if film producers are authors, they should be too. Another set
of stakeholders were broadcasters. Among the stakeholders were performers like singers,
dancers etc. The difference is that authors and their books could reach different parts of the
world very easily. The only way an audience could listen to a singer sing was if the singer
would travel or if they are recorded. They realised that a certain percentage of money should
come to them.
The Rome Convention in 1961, tried to introduce a uniform framework for performer’s
rights, broadcasters etc. The fact that these international instruments were in place need not
be aligned with the policy of different countries. Countries like India, for example, had no
reason to be a part of these conventions. The fact that this was completely optional for
countries, there was a requirement felt by countries that were looking to promote stronger IP
regulation.
What changed was that under these fora, you were focused on one set of laws. Under the
GATT, you were focused on different sectors. During the Uruguay rounds, it opened up more
scope for negotiations. There were some additional categories that were introduced.
For instance, a category on undisclosed information or trade secrets, IC (integrated circuit)
layouts.
There was a very controversial type of IP i.e., plant variety protection.
There were many reasons for failure such as no enforcement mechanism like that of GATT.
3
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
We need to tackle the question whether this blank canvas should be protected by intellectual
property or not?
If expression is established, we move into the next step of originality, which is subjective. If
there is fixation required by a country, then it will be expression + fixation + originality. A
blank canvas is not something that can claim protection in the USA because there is no
fixation. Indian law is unclear regarding this. So, it is possible.
The US interpretation addresses a significant question that arises i.e., the duration of fixation.
Fixation is prima facie evidence of the origin of the work. The moment there is evidence of
idea on a form. Western notion of music is closely connected to graphical notations. Cultural
context also matters. For India, it does not make sense. The moment you reduce an
expression into a tangible form, there is concrete proof of existence.
Intellectual property not only covers same things but also similar things. Your contributions
need to go beyond the existing corpus and must go to the point where you feel like you have
made an original contribution. Demand by itself does not really explain whether IPR
incentivises a person to create a work.
4
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
For example, in our population, there are just 2 people suffering from a life-threatening
disease. No pharmaceutical company would invest in R&D to make a drug for them. They
can compensate by generating a revenue on other streams of income. In this scenario, the
government will have to step in. The demand is extremely low. The cure they found should
come under IP protection.
Trademarks
Trademark essentially helps you distinguish a particular good or service in the market.
Consumer preference is central to trademarks. Here, the question of human interference is not
of consideration.
For example, nobody considers who created a particular logo.
Policy consideration is important though. The aspect of public domain is also applicable.
For example, public order.
As for public order, the example is of generic marks. A good example is apple for electronics.
If it was used for fruits, it would be a problem. Generic marks could be a term that has
dictionary meaning.
For example, cello tape. Cello is the brand. But now it is used to refer to tape itself. Another
example is band-aid.
Too much popularity can be detrimental to the company. It enters public domain, and it
cannot serve the basic purpose of trademarks i.e., distinguishability. At the point of
genericization, this happens.
Copyright
Here, the idea of human intervention is included. Even for computer generated works, it is the
programmer who is given copyright over that work. Works in public domain are outside the
scope of copyright protection. It can have copyright protection if the collection has been
made creatively. If something is in public domain, you can sell it.
For example, judgements, bare acts directly from government website.
5
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
Directors and the art of directing is an excluded subject matter in India. In India, the only
author recognised for a film is a producer. In the Europe, they consider directors and
producers to be co- creators.
If you create specific categories of subject matter in Copyright like literary work, there is no
category where a director fits. There was a matter that came up before the Punjab High Court
where the HC considered the work of directors as equivalent as work of artistic
craftsmanship. They tried broadening the horizon.
Another reason is that if the director is granted an equal partnership in the film, that itself
would be a disincentive to the producer. The money is flowing only from one source that is
the producer. If the film doesn’t do well, the director takes a major hit but as far as that film is
concerned, his film is based on nothing. Producer takes the entire risk. In Europe, they
consider it a conflict of policy between economics and IP. In India, it is a policy preference.
6
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
and traditional knowledge have a direct impact on human health. It would be more
appropriate to have a regulatory system in place.
7
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
This has two parts; first, capacity of being registered, and second, cessation on quantum of
reproduction.
1. How do we define capacity? The purpose of creation will decide capacity.
2. Upon reaching 50, it is industrial production. Below that, there is copyright
protection. Going beyond this limit would entail a cessation.
India does not have a system to protect utility models.
Article 39 of TRIPS
There are two aspects of intellectual property:
- The creativity of making that recipe
- The effort in keeping it secret
Coca cola is a good example of trade secrets. Pre- 1994, this was not espoused as a subject
matter. The justification makes sense as it justifies the risk that the person is willing to take in
keeping the information secret.
8
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
Copyright
Sec 14 Copyright Act:
For the purposes of this Act, “copyright” means the exclusive right subject to the provisions
of this Act, to do or authorise the doing of any of the following acts in respect of a work or
any substantial part thereof [...]. [This is literally seen as rights to authorise or to do
something. It reflects a bundle of rights.]
Six Types of Works
1. Artistic Work
Sec 2(c)(i)
9
SEMESTER VI
LAW OF INTELLECTUAL PROPERTY RIGHTS
10
SEMESTER VI