Early Customs and Practices
Early Customs and Practices
Early Customs and Practices
HOUSES
Built to suit the tropical climate, the ancient house was made of wood, bamboo, and nipa palm.
Among the descendants of the Indonesians, such as the Ilongots and the Kalingas of northern
Luzon and the Mandayas and the Bagobos of Mindanao, the houses were built on tree tops,
presumably to prevent their enemies from surprising them in raid.
On the other hands, the Bajaos, or Sea Gypsies of Sulu, made their houses in their boats, for
they were a sea-roving people whose life depended upon the wealth of the seas.
SOCIAL CLASSES
Philippines Society was divided into three classes:
The nobles
The freemen
The dependents
The Nobles, consisting of the chiefs and their families, wielded tremendous influence in the
barangay and enjoyed rights that were not usually enjoyed by the other member of society. In
the Tagalog region, they usually carried the title of Gat or Lakan Dula or Gat Matian.
The Freemen, were called mahadlika by the tagalogs. They were composed of free men and
likewise of dependents who had earned their freedom.
Occupying the lowest stratum were the dependents, known as Alipin among Tagalogs. A
dependent acquired his low status in the society by inheritance, by captivity in war, by failing to
pay his debts, by purchase or by committing a crime for which he was duly sentenced.
TAGALOG ALIPIN CLASSIFICATION
Aliping namamahay – had his own family and house and served his master during
planting and harvest seasons, rowed for him, helped in the construction of his house,
and served his visitors.
Aliping Sagigilid – had no property of his own, lived with the master, and could not even
marry without the master’s consent.
VISAYAS ALIPIN CLASSIFICATION
Tumataban – worked for his master when summoned to do so
Tumarampuk – worked one day for his master
Ayuey – worked three days for his lord.
Gradation among dependents:
PRE-COLONIAL CULTURE
The ancient Filipinos had a culture that was basically Malayan in structure and form. They had
written languages that traced their origin to the Austronesian parent stock and used them not
only as media of daily communication, but also as vehicles for the expression of their literary
moods. The bulk of their literature was folk literature which represented a group heritage and
reflected their daily lives. They had music and dances for almost all occasions and a wide variety
of musical instruments indicative of their ingenuity.
LANGUAGES
Eight major considered languages:
Tagalog
Iloko
Pangasinan
Pampangan
Sugbuhanon
Hiligaynon
Samarnon or Samar-Leyte
Magindanao
These languages are sister-languages whose lexicon shows that they are descended from one
parent stock, the Austronesian or Malayo Polynesian language.
Primitive National Iloko Sugbuhanon English
Austronesian Language
abara abaga Abaga abaga shoulder
agav agaw agaw agaw Snatch
Among the Philippine languages, Tagalog and Pampangan show a close affinity to the Malay
Language, whether Bahasa Indonesia or that of Malaya.
SYSTEM OF WRITING
Father Pedro Chirino, writing at the beginning of the 17th century, said of the Filipinos: “I found
in this language, four qualities of the four greatest language of the world – Hebrew, Greek,
Latin and Spanish. It has the mysticism and difficulties of the Hebrew; the distinctive terms of
the Greek not only in the common but also in the proper names; the fullness and elegance of
Latin; and the civility and courtesy of Spanish.”
The Filipinos before the arrival of the Spaniards had a syllabary which was probably of Sanskrit
or Arabic provenance. The syllabary consisted of seventeen symbols of which three were
vowels standing for the present five vowels, (a) (e,i) (o,u); while the consonant are (ba) (ka) (da)
(ga) (ha) (la) (ma) (na) (nga) (pa) (sa) (ta) (wa) (ya).
LITERATURE
The literature of the Tagalog consisted of sabi (maxim), sawikain (saying), bugtong (riddle),
suliranin and indulanin (street song), talindaw (boat song), diyuna (song of revelry), kumintang
(war song which envolved into a love song), dalit at umbay (dirge), tagumpay, balikungkong,
dupayinin and biliraw (war song), uyayi and hele (lullabies), ihiman (bridal song), tagulaylay
(mournful song), tigpasin (rowing song), tinagod (household song), and kutang-kutang
(couplets usually chanted by the bling).
MUSIC AND THE DANCE
The Filipinos are born musician for they easily learn tunes by ear. Many Filipino who play two or
more musical instruments have never been in music academies nor have they any knowledge of
the musical notations except what they know by ear. This inborn quality they inherited from
their ancestors of pre-Spanish days who were themselves somewhat accomplished musicians.
It should be noted that the ancient Filipinos had music and dances for all occasions and that
because of their frequent associations, their social organization was more well-knit than it is
today. Looking backwards, one may say that during the Spanish empire days, the Filipino social
organization remained substantially as it was before the conquest, but under the impact of
American influenced that same organization has suffered a little loosening of the social ties.
ART
The first glimpse of the artistic sense of the primitive inhabitant of the Philippines can be had in
the remains of their tools and weapons.