Working with Wood : A Beginner’s Guide to Wand and Staff Making.

By
Sarah J Head

I dropped into woodworking by accident. I am not a practical person,

preferring to leave anything like that to the various men around me, but I have
always loved wood. When I began following the Pagan path, it became
evident that if I wanted any “tools for my trade”, I would have to make them.
What I discovered was, creating my own wands and staves was not an
arduous task, but one which brought great peace and joy. In this article I
should like to share with you what I have learned so you can begin your own
way of communicating with those trees and bushes you find around you.

My first wand was a short piece of “Glastonbury thorn” –a tree which flowers
and fruits at the same time, collected from a pile of prunings in Glastonbury
Abbey in 1996. The same year, I began making ogham sticks, or fews, from
the 20 sacred woods of the Druids, using Glennie Kindred’s book, “Tree
Ogham”.  

Later, I became interested in larger “sticks” and started to sandpaper them to

see what difference it made. I found the more you sandpaper, the smoother
the wood becomes until it has a wonderful silky feel when you touch it. This
can best be achieved by beginning with coarse-grained sandpaper and
finishing with a fine grained one. If you then coat the sanded wood with
sunflower oil, this polishes the wood and gives it an even better finish.

This polishing technique came about quite by chance when I found a jar of
home made calendula salve (double infused oil thickened with beeswax)
nearby when I was sanding. I rubbed some salve into the wood to see what
would happen. You would not believe how it changes the colour of the
finished wand!

Gorse is a wonderful wood to work with, the dead wood turns from light brown
to honey-coloured and the live wood, if you’ve sanded it with the bark on goes
gorgeous shades of green, white and brown which resemble snake skin. Birch
wands rubbed with salve after sanding with the bark present glows with a red
tinge.

Each wood has a different spiritual property and a different affinity for the time
of year. I love yew, not only for it’s soft orange colour, but because it is the
gateway between this world and the spirit world. As a healer and counsellor, I
often work with people who are dying or bereaved, so yew is a very special
wood for me.

When my friend lost his parents, I made him two fews (ogham sticks), one of
live gorse for hope and one of yew finished with comfrey oil, so he could sit
and stroke the wood, finding comfort in their touch. Recently, I sent him an
elder few, because elder helps with change and moving on. I made myself a
necklace of elder beads finished with rosemary infused oil for aiding “life

Working with wood: A beginner’s guide to wand and staff making by Sarah J 1
Head
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rites”. It is adorned with kestrel feathers to help with farseeing. I wear it during
rituals or when I want a focus for meditation or visualisation.

It is best to gather wood from living trees when they are asleep during the
winter months or being pruned. You should always discuss your wish to
gather wood with the tree itself. Sometimes there will be a dead twig or
branch which can be removed without harm or maybe you will find just what
you are looking for under the canopy. It may have blown off during a strong
wind or storm or left there after animal damage.

Some wood can be gathered and worked fresh (holly and gorse are good for
this) but most are better left to dry for at least five weeks before you try
scraping or sanding them. The tools I use for woodworking are a pair of
secateurs, a small knife, various grades of sandpaper and vegetable oil or
salve of some description. I make a wide variety of infused herbal oils so I
always have a wide variety of enhancing energetic properties to choose from.
A woodworking apron to protect clothes can also be useful.

You can make wands with both green and dry wood, depending on what
you’ve got to hand and whether you want to work with it with the bark on or
off. It’s easier to remove the bark when the wood is green rather than when
it’s dry. Willow will remain wet for over a year because if you drive a stick into
the ground, it will grow. I have a flourishing willow hedge in my herb garden
which is made from pollarded branches cut down in November 2005 and left
on the ground during the winter. My father trellised the fence for me in April
2006 and they sprouted almost immediately. 

A wand can be used to direct energy as in circle casting, or to aid

concentration or meditation. If I am making wands in public places, I often
refer to them as meditation sticks and show people how to use the property of
the wood to help them relax or focus on particular concepts such as ash for
connecting with the natural world or holly for experiencing universal love.

The length of a wand is historically the distance from your elbow to your
longest finger, but it can be much shorter. Cut your wand roughly to size from
a longer branch or twig using secateurs or pruning shears when you start
working on it. A wand does not have to be straight nor from a single branch, it
can curve and twist and have Ts or Ys at the end depending on what the
piece of wood tells you to do. I use my penknife when I’m working on knots in
the wood, or to shape the tip or handpiece. You can also use inexpensive
metal files to make whirls or spirals in the wood if this is what you feel called
to do. 

Sanding does take time and it can be quite hard work. Start with the coarsest
grain of sandpaper and work up to the finest sandpaper you have. It’s using
more than one grade which really makes the wood smooth. Once you are
satisfied with the smoothness, take some plain sunflower oil or herbal infused
oil or salve if you have some and smooth it on until the wood stops soaking it
up. Put a little on your fingertips and keep rubbing.

Working with wood: A beginner’s guide to wand and staff making by Sarah J 2
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When finished, you can decorate your wand however you wish, but I prefer to
use fairly natural materials such as seashells, ribbons, crystals, hagstones or
other small objects such as acorn cups.

Staff making is a similar process, but slightly different. Your staff should be a
thickness which is comfortable to hold in the palm of your hand and a length
you feel happy with. It can be shoulder or head height or taller depending on
your planned use.

I have a large hazel staff with runes inscribed on it for rituals, a much shorter
blackthorn staff with a monkjack deer antler on the top which I use
occasionally for stick dancing in Tai Chi and a lighter willow staff which I use
most of the time when we are working with sticks. Do remember staves were
originally weapons and could seriously injure someone if handled carelessly.

 When you have chosen your piece of wood, leave it to dry for several
months, then sand it down with the bark still on it. It doesn’t need to be as
smooth as a wand, just until you feel happy with the smoothness. Some
people prefer to remove all the bark, but I knew someone who did this and
then had great trouble identifying the wood afterwards.

If you want to decorate your staff with carving or runes, do this now. Rune
carving is much more difficult than you think – take care not to cut yourself.
The runes can then be coloured in with a red dye of some description. If you
can make a natural dye out of madder or dyers woodruff – both of which yield
a bright red colour - all the better.

Once you have decorated your staff to your satisfaction, it then needs to be
sealed in some way either with varnish or a clear wood sealant. Leave it to dry
somewhere away from dust and particles which may adhere to the sticky
surface. It can then be decorated with hag stones, seashells, crystals or
whatever you fancy.

If you have made a staff with a Y-shaped top, this can be used as a ‘stang’ or
outdoor altar. The stang is placed in the ground and decorated with animal
skulls, flowers and ribbons. Again this acts as a focus for personal or group
rites or ceremonies.

Although my family sigh a great deal at the number of different “sticks” I have
lying around the house or when I bring new ones in to work on, I love my
wands and staves. I use them for workshops with my healer development
group and people seem to enjoy sensing their energy or meditating with them.

I hope this article will help you to feel confident to try working with wood. It’s a
very forgiving medium to work with, offering great fun and freedom from the
stresses of everyday life.

REFERENCES
Kindred, G The Tree Ogham ISBN 0 9532227 2 1
Paterson, JM Tree Wisdom Thorsons 1996
Working with wood: A beginner’s guide to wand and staff making by Sarah J 3
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West, K Real Witches’ Year Element Thorsons 2004

Author Biography
Sarah Head B Soc Sci, Dip SFT, MNFSH is a practicing HedgeDruid in the
UK. Sarah is a member of the Herb Society and has been studying the
medicinal uses of herbs for the past thirteen years, growing over eighty
different varieties in her two herb gardens. She is a solution focused therapist
and trainer, helping to support distressed individuals on a local and national
basis through her work with a leading clinical negligence and personal injury
law firm and voluntary counselling. Sarah is also a spiritual healer, providing
healing to the public and helping others to develop their healing capacity
through a local Healer Development Group. Sarah writes a wide variety of
fiction and non-fiction, publishing in the US and UK.

Word Count: 1566

Contact details (Please do not print my address in the magazine)

Mrs S J Head
212 Kineton Green Road
Solihull
West Midlands
B92 7ER
UK

Email: [email protected]

Working with wood: A beginner’s guide to wand and staff making by Sarah J 4
Head
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