Can't

Take My Eyes Off You

1-Conductor Full Score

1-Alto Saxophone 1
1-Alto Saxophone 2
1-Tenor Saxophone
1-Baritone Saxophone
1-Trumpet 1
2-Trumpet 2
2 -Trumpet 3
2-Trombone 1
2-Trombone 2
1-Piano
1-Double Bass
Instrumentation
Frankie Valli
1-Drumset Arr. Seth Weeks
     = 118     8    10
         
9
            
2 3 4 5 6 7


    
Alto Sax 1

      
            
        

    
Alto Sax 2

            

         
      
    
Tenor Sax

        
                  
 
    
Baritone Sax

 
                    
3 3 3
Trumpet 1

    
   
You're just too good to be true can't take my

Trumpet 2         
   
   
Trumpet 3         
  
      
                    

    
Trombone 1

   
                      


  
    
Trombone 2

           

           
Piano

     
                     


Double Bass

             
                         

Drums
2
 11     12   14   16
                       
13 15 17 18 19


Alto 1

    
                       
      
3
Alto 2


                        
Tenor
     
      
                      
Bari
 
   
   

                                  
3 3 3 3 3 3
Tpt. 1

         
eyes off of you you'd be like Hea ven to touch I wan na hold you so much At long last love has a rrived and I thank God I'm a live

Tpt. 2 
         
Tpt. 3  

      
                      
Tbn. 1

    
                      


       
3
Tbn. 2

         

         
Piano

           
                                                   
Db.
      
             
Drums   
                 
               
3
 20       26  
         
25

               
21 22 23 24 27

    

Alto 1

   
                        
 
3

      
 
Alto 2

    
                       
       

Tenor

       
                      
     
 
Bari

   
 
          
                         
3 3


3 3 3
Tpt. 1

         
  
             
You're just too good to be true can't take my eyes off you Par don the way that I stare there's no thing else to com pare

Tpt. 2   


  
                 
Tpt. 3
        

      
                     
    

Tbn. 1

 
                       


  
3

        
 
Tbn. 2

       


        
Piano

                  
                                    
   
Db.

             
Drums                         
4
 28     30   32
                    
29 31 33 34 35


Alto 1

  
                
          
3


Alto 2


                     
Tenor
   
     
                  
Bari
 
   
                                 
3 3 3 3 3 3
Tpt. 1

                                
   
the sight of you leaves me weak there are no words left to speak but if you feel like I feel please let me know that it's real

Tpt. 2                       
                    
     
          
Tpt. 3
                      
    
Tbn. 1                    

  
                  


        
3
Tbn. 2

        

        
Piano

              
                  

 
 
 

 

    
   

Db.

           
Drums                             
5
 36         40   
                     
       
41

   
37 38 39 42 43

     
Alto 1

  
                           
3

        
Alto 2

       

                
                  

Tenor

  
              
                        

Bari

  
                 
                          
 
3 3 3 3
Tpt. 1

   
                                 
You're just too good to be true can'ttake my eyesoff of you

Tpt. 2     
      
Tpt. 3          
  
            
                    
  
Tbn. 1

            



3

             
             
Tbn. 2

       


        
Piano

              
                                      
 
Db.

                        
Drums                               
6
 44        45          
       
                  
50
   
46 47 48 49 51

  

Alto 1

    
                                         
       
  
Alto 2

      
                                       

Tenor

  
                  
                           
 
Bari

        
                                       
             
Tpt. 1

              
                                      
Tpt. 2
  
   
    
                 
 
  
Tpt. 3


         
 
                        

        

Tbn. 1

 
              
          


                    
 
Tbn. 2


       


        
Piano

                           
              
      
Db.

                                   
        
                   

Drums

7
 52      56
                               
53 54 55 57 58 59

Alto 1
   
      
                
                
Alto 2

 
   
       
           
   
     
  
Tenor

    
       
     
            
Bari
      
        
                     
                
Tpt. 1

                         

Tpt. 2   
           
    

             
                       
     
Tpt. 3

   
                            
Tbn. 1
     
      
            
          


Tbn. 2
        
       


        
Piano

                     

                                
Db.         
                                    
Drums                           
8
 60    
   
66

                             
61 62 63 64 65 67 68

 

Alto 1

     
         
    
   

Alto 2

   
                                


Tenor

    
                             
   

Bari

     
             
          
              
Tpt. 1

                     
 
3 3 3 3

         

Tpt. 2
     
   
     
            
              
  
Tpt. 3


  
                               
 

Tbn. 1

    
     
   


       

Tbn. 2

         


          
Piano

                                                  
Db.        
              
                            

Drums

9
 69   
              
70 71 72 73 74 75 76 77

Alto 1


         
       
Alto 2

     
Tenor            

  
Bari
               

                                        
3 3


Tpt. 1

               
                                                     
3 3 3 3 3

     
     
Tpt. 2

    
                                                         
Tpt. 3
      
    
            
Tbn. 1

 
   


Tbn. 2
             
         


          
Piano

                                               
     
Db.
                
                    
Drums                            
10
 78                                           
82

    
79 80 81 83 84 85

Alto 1
   

                               
          

Alto 2

          
                                

Tenor

           
  
                      

Bari

 
            
                                    
3

  
3


Tpt. 1

                                        
Tpt. 2
   

   
Tpt. 3     

             
                     
 
Tbn. 1

           


                            
   
Tbn. 2

        


         
Piano

         
            
                    
   
        
Db.

                                      
Drums                         
11
 86                                     
91

        
   
87 88 89 90 92 93 94

Alto 1
    
      
                                                 
     
Alto 2

 
   
                    
Tenor                           

              
           
Bari
                        
    
                                           
           
Tpt. 1
 
                 
                                  
Tpt. 2
       
        
        
                 
Tpt. 3
            

                             
                       
Tbn. 1

    
                           
     


                       
Tbn. 2

           


          
Piano

                                            
           
        
Db.

                       
               
       
Drums                           
12
 95     97 
                                    
   
96 98 99 100 101 102

Alto 1
   
       
                             
           
Alto 2

 
 
                    
  
       
Tenor             
    
                      
         
Bari
         
        
                   
         
Tpt. 1
         
                   
        
     
Tpt. 2
           
            
                             
     
Tpt. 3

     
  
                
               
        
Tbn. 1

        
                           
   


Tbn. 2
         
        


         
Piano

                         
                         
                     
  
Db.

                                    
Drums                           
13
   
    
            
103 104 105 106 107 108


Alto 1

   
  
Alto 2
     

          
 

 
Tenor

  
         
Bari
   
   
 
    
      
Tpt. 1

     
Tpt. 2   
  
    
 
Tpt. 3

  
    
          

Tbn. 1

  
   
  


Tbn. 2
  
      


       
Piano

 
     
  
Db.


  
          
 
Drums
14