The Expression of The Emotions in Man An

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animals
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the
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Darwin
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S N
THE
EXPRESSION OF THE EMOTIONS
IN
MAN AND ANIMALS .
BY CHARLES DARWIN, M.A., F.R.S. , &c.
WITH PHOTOGRAPHIC AND OTHER ILLUSTRATIONS.
У
LONDON :
JOHN MURRAY, ALBEMARLE STREET.

1872 . F
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The right of Translation is reserved. OXFORD
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AND CHARING CROSS.
!
CONTENTS .
INTRODUCTION .. Pages 1-26
CHAP. I.-GENERAL PRINCIPLES OF EXPRESSION.

The three chief principles stated-The first principle- Serviceable
actions become habitual in association with certain states of the
mind, and are performed whether or not of service in each par-
ticular case —-The force of habit - Inheritance - — Associated
habitual movements in man-Reflex actions— Passage of habits
into reflex actions -Associated habitual movements in the lower
animals-Concluding remarks 27-49
CHAP. II.-GENERAL PRINCIPLES OF EXPRESSION- continued.

The Principle of Antithesis-Instances in the dog and cat—Origin
of the principle-Conventional signs- The principle of anti-
thesis has not arisen from opposite actions being consciously
performed under opposite impulses 50-65
CHAP. III.- GENERAL PRINCIPLES OF EXPRESSION-

concluded.
The principle of the direct action of the excited nervous system on
the body, independently of the will and in part of habit-
Change of colour in the hair - Trembling of the muscles-
Modified secretions-Perspiration- Expression of extreme pain
-Of rage, great joy, and terror- Contrast between the emotions
which cause and do not cause expressive movements- Exciting
and depressing states of the mind- Summary 66-82
CHAP. IV.-MEANS OF EXPRESSION IN ANIMALS.

The emission of sounds - Vocal sounds Sounds otherwise pro-
duced-Erection of the dermal appendages, hairs, feathers, &c.,
under the emotions of anger and terror-The drawing back of
the ears as a preparation for fighting, and as an expression
of anger-Erection of the ears and raising the head, a sign of
attention 83-115
iv CONTENTS.
CHAP. V.- SPECIAL EXPRESSIONS OF ANIMALS.

The Dog, various expressive movements of- Cats -— Horses -
Ruminants - Monkeys , their expression of joy and affection -
Of pain-Anger-Astonishment and terror Pages 116-146
CHAP. VI. - SPECIAL EXPRESSIONS OF MAN : SUFFERING

AND WEEPING.
The screaming and weeping of infants-Form of features-Age at

which weeping commences-The effects of habitual restraint on
weeping - Sobbing -Cause of the contraction of the muscles
round the eyes during screaming - Cause of the secretion of
tears .. .. .. 147-177
CHAP. VII.-LOW SPIRITS, ANXIETY, GRIEF, DEJECTION,

DESPAIR.
General effect of grief on the system - Obliquity of the eye-

brows under suffering - On the cause of the obliquity of
the eyebrows --- On the depression of the corners of the
mouth .. 178-197
CHAP. VIII -JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS,

DEVOTION.
Laughter primarily the expression of joy - Ludicrous ideas

Movements of the features during laughter - Nature of the
sound produced - The secretion of tears during loud laughter
Gradation from loud laughter to gentle smiling - High
spirits The expression of love - Tender feelings - De-
votion .. 198-221
CHAP. IX.- REFLECTION - MEDITATION-ILL-TEMPER—

SULKINESS - DETERMINATION.
The act of frowning - Reflection with an effort or with the per-

ception of something difficult or disagreeable- Abstracted medi-
tation - Ill-temper - Moroseness - Obstinacy - Sulkiness and
pouting Decision or determination - The firm closure of the
mouth .. .. 222-23
CONTENTS.
CHAP. X.- HATRED AND ANGER.

Hatred-kage, effects of, on the system-Uncovering of the teeth
-Rage in the insane—Anger and indignation—As expressed by
the various races of man-Sneering and defiance-The uncovering
of the canine tooth on one side of the face Pages 239-253
CHAP. XI. DISDAIN CONTEMPT DISGUST GUILT

PRIDE, ETC. - HELPLESSNESS PATIENCE AFFIRMATION
AND NEGATION.
Contempt, scorn and disdain, variously expressed-Derisive smile
- Gestures expressive of contempt - Disgust - Guilt, deceit,
pride, &c.-Helplessness or impotence- Patience-Obstinacy-
Shrugging the shoulders common to most of the races of man-
Signs of affirmation and negation 254-277
CHAP. XII.- SURPRISE-ASTONISHMENT -FEAR-HORror.

Surprise, astonishment- Elevation of the eyebrows-Opening the
mouth- Protrusion of the lips-Gestures accompanying surprise
-Admiration-Fear-Terror-Erection of the hair-Contrac-
tion of the platysma muscle-Dilatation of the pupils-Horror
-Conclusion .. 278-309
CHAP. XIII.-SELF-ATTENTION- SHAME- SHYNESS-

MODESTY : BLUSHING.
Nature of a blush -Inheritance- The parts of the body most
affected-Blushing in the various races of man-Accompanying
gestures Confusion of mind - Causes of blushing - Self-
attention, the fundamental element - Shyness - Shame, from
broken moral laws and conventional rules- Modesty-Theory
of blushing- Recapitulation 310-347
CHAP. XIV.- CONCLUDING REMARKS AND SUMMARY.

The three leading principles which have determined the chief move-
ments of expression - Their inheritance - On the part which
the will and intention have played in the acquirement of various
expressions The instinctive recognition of expression -— The
bearing of our subject on the specific unity of the races of man—
On the successive acquirement of various expressions by the
progenitors of man-The importance of expression- Conclusion
348-367
b
( vi )
LIST OF ILLUSTRATIONS.
FIG. PAGE.
1. Diagram of the muscles of the face, from Sir C. Bell 24
2. "9 99 "" Henle .. 24
3. 99 99 99 99 .. 25
4. Small dog watching a cat on a table 43
5. Dog approaching another dog with hostile intentions .. .. 52
6. Dog in a humble and affectionate frame of mind .. .. 53
7. Half-bred shepherd dog 54
8. Dog caressing his master 55
9. Cat, savage, and prepared to fight 58
10. Cat in an affectionate frame of mind .. 59
11. Sound-producing quills from the tail of the porcupine 93
12. Hen driving away a dog from her chickens 98
13. Swan driving away an intruder .. .. 99
14. Head of snarling dog .. 118
15. Cat terrified at a dog .. 128
16. Cynopithecus niger, in a placid condition .. 136
17. The same, when pleased by being caressed 136
18. Chimpanzee disappointed and sulky .. .. 141
19. Photograph of an insane woman .. .. 296
20. Terror 299
21. Horror and agony .. 306
‫די‬
Plate I. tofacepage 148. Plate V. toface page 255.

" II. "" 180. "" VI. 264.
III. "" 202. "" VIL. "" 300.
" IV. 250.
N.B.-Several of the figures in these seven Heliotype Plates have

been reproduced from photographs, instead of from the original
negatives ; and they are in consequence somewhat indistinct.
Nevertheless they are faithful copies, and are much superior for
my purpose to any drawing, however carefully executed.
1
ON THE EXPRESSION
OF THE
EMOTIONS IN MAN AND ANIMALS.
INTRODUCTION.
MANY works have been written on Expression, but a

greater number on Physiognomy,—that is, on the
recognition of character through the study of the per-
manent form of the features. With this latter subject
I am not here concerned . The older treatises, ¹ which
I have consulted, have been of little or no service
to me. The famous 6 Conférences ' 2 of the painter Le
Brun, published in 1667, is the best known ancient
work, and contains some good remarks. Another some-
6
what old essay, namely, the Discours,' delivered
1774-1782, by the well-known Dutch anatomist Cam-
per,³ can hardly be considered as having made any
marked advance in the subject. The following works,
on the contrary, deserve the fullest consideration.
¹ J. Parsons, in his paper in the Appendix to the ' Philosophical

Transactions ' for 1746, p. 41, gives a list of forty-one old authors who
have written on Expression.
2 ' Conférences sur l'expression des différents Caractères des Passions ,'
Paris, 4to, 1667. I always quote from the republication of the ' Con-
férences ' in the edition of Lavater, by Moreau, which appeared in 1820,
as given in vol. ix. p. 257.
3 'Discours par Pierre Camper sur le moyen de représenter les
diverses passions,' &c. 1792.
B
2 INTRODUCTION.
Sir Charles Bell, so illustrious for his discoveries in

physiology, published in 1806 the first edition, and in
1844 the third edition of his Anatomy and Philosophy
of Expression.' He may with justice be said, not
only to have laid the foundations of the subject as a
branch of science, but to have built up a noble struc-
ture. His work is in every way deeply interesting ; it
includes graphic descriptions of the various emotions, and
is admirably illustrated. It is generally admitted that
his service consists chiefly in having shown the intimate
relation which exists between the movements of expres-
sion and those of respiration. One of the most im-
portant points, small as it may at first appear, is
that the muscles round the eyes are involuntarily
contracted during violent expiratory efforts, in order
to protect these delicate organs from the pressure of
the blood. This fact, which has been fully investigated
for me with the greatest kindness by Professor Donders
of Utrecht, throws, as we shall hereafter see, a flood
of light on several of the most important expressions of
the human countenance. The merits of Sir C. Bell's
work have been undervalued or quite ignored by several
foreign writers, but have been fully admitted by some,
for instance by M. Lemoine,5 who with great justice
says : " Le livre de Ch. Bell devrait être médité par
66
quiconque essaye de faire parler le visage de l'homme,
66
par les philosophes aussi bien que par les artistes,
" car, sous une apparence plus légère et sous le prétexte
" de l'esthétique, c'est un des plus beaux monu-
4 I always quote from the third edition, 1844, which was published
after the death of Sir C. Bell, and contains his latest corrections. The
first edition of 1806 is much inferior in merit, and does not include
some of his more important views.
5 'De la Physionomie et de la Parole,' par Albert Lemoine, 1865,
p. 101.
INTRODUCTION. 3
" ments de la science des rapports du physique et du

" moral."
From reasons which will presently be assigned, Sir
C. Bell did not attempt to follow out his views as
far as they might have been carried . He does not try
to explain why different muscles are brought into action
under different emotions ; why, for instance, the inner
ends of the eyebrows are raised, and the corners of the
mouth depressed, by a person suffering from grief or
anxiety.
In 1807 M. Moreau edited an edition of Lavater
6
on Physiognomy, in which he incorporated several
of his own essays, containing excellent descriptions of
the movements of the facial muscles, together with
many valuable remarks. He throws, however, very
little light on the philosophy of the subject. For in-
stance, M. Moreau, in speaking of the act of frowning,
that is, of the contraction of the muscle called by
6 L'Art de connaître les Hommes,' &c., par G. Lavater. The

earliest edition of this work, referred to in the preface to the edition of
1820 in ten volumes, as containing the observations of M. Moreau, is
said to have been published in 1807 ; and I have no doubt that this is cor-
rect, because the Notice sur Lavater ' at the commencement of volume i.
is dated April 13, 1806. In some bibliographical works, however, the
date of 1805-1809 is given ; but it seems impossible that 1805 can
be correct. Dr. Duchenne remarks ( Mécanisme de la Physionomie
"
Humaine,' 8vo edit. 1862, p. 5, and Archives Générales de Médecine,
Jan. et Fév. 1862) that M. Moreau " a composé pour son ouvrage un
article important," &c., in the year 1805 ; and I find in volume i . of the
edition of 1820 passages bearing the dates of December 12, 1805, and
another January 5, 1806, besides that of April 13, 1806, above referred
to. In consequence of some of these passages having thus been com-
posed in 1805, Dr. Duchenne assigns to M. Moreau the priority over
Sir C. Bell, whose work, as we have seen, was published in 1806.
This is a very unusual manner of determining the priority of scientific
works ; but such questions are of extremely little importance in com-
parison with their relative merits. The passages above quoted from
M. Moreau and from Le Brun are taken in this and all other cases
from the edition of 1820 of Lavater, tom. iv. p. 228, and tom. ix. p. 279.
B 2
4 INTRODUCTION.
French writers the sourcilier (corrugator supercilii) ,

remarks with truth :-" Cette action des sourciliers est
" un des symptômes les plus tranchés de l'expression
" des affections pénibles ou concentrées." He then
adds that these muscles, from their attachment and
position, are fitted " à resserrer, à concentrer les princi-
66
paux traits de la face, comme il convient dans toutes
ces passions vraiment oppressives ou profondes, dans
ces affections dont le sentiment semble porter l'orga-
" nisation à revenir sur elle-même, à se contracter et
" à s'amoindrir, comme pour offrir moins de prise et de
" surface à des impressions redoutables ou importunes."
He who thinks that remarks of this kind throw any
light on the meaning or origin of the different expres-
sions, takes a very different view of the subject to
what I do.
In the above passage there is but a slight, if any,
advance in the philosophy of the subject, beyond that
reached by the painter Le Brun, who, in 1667, in de-
scribing the expression of fright, says :-" Le sourcil
" qui est abaissé d'un côté et élevé de l'autre, fait voir
66
que la partie élevée semble le vouloir joindre au
" cerveau pour le garantir du mal que l'âme aperçoit,
" et le côté qui est abaissé et qui paraît enflé, nous fait
" trouver dans cet état par les esprits qui viennent du
66
cerveau en abondance, comme pour couvrir l'âme et
" la défendre du mal qu'elle craint ; la bouche fort
" ouverte fait voir le saisissement du cœur, par le
66
sang qui se retire vers lui, ce qui l'oblige, voulant
66
respirer, à faire un effort qui est cause que la bouche
" s'ouvre extrêmement, et qui, lorsqu'il passe par les
organes de la voix, forme un son qui n'est point
" articulé ; que si les muscles et les veines paraissent
" enflés, ce n'est que par les esprits que le cerveau
" envoie en ces parties-là." I have thought the fore-
INTRODUCTION. 5
going sentences worth quoting, as specimens of the

surprising nonsense which has been written on the
subject.
"The Physiology or Mechanism of Blushing,' by Dr.
Burgess, appeared in 1839, and to this work I shall
frequently refer in my thirteenth Chapter.
In 1862 Dr. Duchenne published two editions, in
folio and octavo, of his ' Mécanisme de la Physionomie
' Humaine, ' in which he analyses by means of elec
tricity, and illustrates by magnificent photographs, the
movements of the facial muscles. He has generously
permitted me to copy as many of his photographs as I
desired. His works have been spoken lightly of, or
quite passed over, by some of his countrymen. It is
possible that Dr. Duchenne may have exaggerated the
importance of the contraction of single muscles in
giving expression ; for, owing to the intimate manner
in which the muscles are connected, as may be
seen in Henle's anatomical drawings -the best I
believe ever published-it is difficult to believe in
their separate action. Nevertheless, it is manifest
that Dr. Duchenne clearly apprehended this and
other sources of error, and as it is known that he
was eminently successful in elucidating the physio
logy of the muscles of the hand by the aid of
electricity, it is probable that he is generally in
the right about the muscles of the face. In my opinion,
Dr. Duchenne has greatly advanced the subject by his
treatment of it. No one has more carefully studied the
contraction of each separate muscle, and the conse
quent furrows produced on the skin. He has also, and
this is a very important service, shown which muscles
7 ' Handbuch der systematischen Anatomie des Menschen,' Band I. ,

dritte Abtheilung, 1858.
6 INTRODUCTION.
are least under the separate control of the will. He

enters very little into theoretical considerations, and
seldom attempts to explain why certain muscles and
not others contract under the influence of certain
emotions.
A distinguished French anatomist, Pierre Gratiolet,
gave a course of lectures on Expression at the Sorbonne,
and his notes were published (1865) after his death ,
under the title of ' De la Physionomie et des Mouve
ments d'Expression.' This is a very interesting work,
full of valuable observations. His theory is rather
complex, and, as far as it can be given in a single sen
tence (p. 65), is as follows :-" Il résulte, de tous les
" faits que j'ai rappelés, que les sens, l'imagination et
" la pensée elle-même, si élevée, si abstraite qu'on la
66
suppose, ne peuvent s'exercer sans éveiller un senti
" ment corrélatif, et que ce sentiment se traduit
" directement, sympathiquement, symboliquement ou
66
métaphoriquement, dans toutes les sphères des or
66
ganes extérieurs, qui le racontent tous, suivant leur
" mode d'action propre, comme si , chacun d'eux avait
" été directement affecté."
Gratiolet appears to overlook inherited habit, and
even to some extent habit in the individual ; and
therefore he fails, as it seems to me, to give the right
explanation, or any explanation at all, of many ges
tures and expressions. As an illustration of what he
calls symbolic movements, I will quote his remarks
(p. 37), taken from M. Chevreul, on a man playing at
billiards. " Si une bille dévie légèrement de la direc
" tion que le joueur prétend lui imprimer, ne l'avez-vous
66
pas vu cent fois la pousser du regard, de la tête et
" même des épaules, comme si ces mouvements , pure
" ment symboliques, pouvaient rectifier son trajet ? Des
" mouvements non moins significatifs se produisent
INTRODUCTION. 7
66
quand la bille manque d'une impulsion suffisante. Et,
" chez les joueurs novices, ils sont quelquefois accusés
66
" au point d'éveiller le sourire sur les lèvres des spec
" tateurs." Such movements, as it appears to me, may
be attributed simply to habit. As often as a man
has wished to move an object to one side, he has always
pushed it to that side ; when forwards, he has pushed
it forwards ; and if he has wished to arrest it, he has
pulled backwards. Therefore, when a man sees his ball
travelling in a wrong direction, and he intensely wishes
it to go in another direction, he cannot avoid, from long
habit, unconsciously performing movements which in
other cases he has found effectual.
As an instance of sympathetic movements Gratiolet
gives (p. 212) the following case :-" un jeune chien à
" oreilles droites, auquel son maître présente de loin
66
quelque viande appétissante, fixe avec ardeur ses
66
yeux sur cet objet dont il suit tous les mouvements,
" et pendant que les yeux regardent, les deux oreilles
"se portent en avant comme si cet objet pouvait être
" entendu." Here, instead of speaking of sympathy
between the ears and eyes, it appears to me more
simple to believe, that as dogs during many gene
rations have, whilst intently looking at any object,
pricked their ears in order to perceive any sound ;
and conversely have looked intently in the direction
of a sound to which they may have listened, the
movements of these organs have become firmly asso
ciated together through long-continued habit.
Dr. Piderit published in 1859 an essay on Expression ,
which I have not seen, but in which, as he states, he
forestalled Gratiolet in many of his views. In 1867
he published his ' Wissenschaftliches System der Mimik
und Physiognomik.' It is hardly possible to give in a
few sentences a fair notion of his views ; perhaps the
8 INTRODUCTION.
two following sentences will tell as much as can be

briefly told : " the muscular movements of expression
" are in part related to imaginary objects, and in part
" to imaginary sensorial impressions. In this propo
" sition lies the key to the comprehension of all
" expressive muscular movements." (s. 25.) Again,
" Expressive movements manifest themselves chiefly
" in the numerous and mobile muscles of the face,
" partly because the nerves by which they are set into
" motion originate in the most immediate vicinity of
" the mind-organ, but partly also because these muscles
" serve to support the organs of sense." (s. 26. ) If Dr.
Piderit had studied Sir C. Bell's work, he would pro
bably not have said (s. 101 ) that violent laughter causes
a frown from partaking of the nature of pain ; or
that with infants (s. 103) the tears irritate the eyes, and
thus excite the contraction of the surrounding muscles.
Many good remarks are scattered throughout this volume,
to which I shall hereafter refer.
Short discussions on Expression may be found in
various works, which need not here be particularised .
Mr. Bain, however, in two of his works has treated the
subject at some length. He says, " I look upon the
66
expression so-called as part and parcel of the feel
" ing. I believe it to be a general law of the mind that,
66
along with the fact of inward feeling or conscious
66
ness, there is a diffusive action or excitement over
" the bodily members." In another place he adds, “ A
" very considerable number of the facts may be brought
" under the following principle : namely, that states of
66 pleasure are connected with an increase, and states
" of pain with an abatement, of some, or all, of the
8 'The Senses and the Intellect,' 2nd edit. 1864, pp. 96 and 288.
The preface to the first edition of this work is dated June, 1855. See
also the 2nd edition of Mr. Bain's work on the ' Emotions and Will.'
INTRODUCTION. 9
" vital functions." But the above law of the diffusive

action of feelings seems too general to throw much light
on special expressions.
Mr. Herbert Spencer, in treating of the Feelings in
his ' Principles of Psychology ' (1855), makes the fol
lowing remarks :-" Fear, when strong, expresses itself
" in cries, in efforts to hide or escape, in palpitations
" and tremblings ; and these are just the manifestations
" that would accompany an actual experience of the
" evil feared. The destructive passions are shown in a
" general tension of the muscular system, in gnashing of
"the teeth and protrusion of the claws, in dilated eyes
" and nostrils, in growls ; and these are weaker forms of
" the actions that accompany the killing of prey."
Here we have, as I believe, the true theory of a
large number of expressions ; but the chief interest
and difficulty of the subject lies in following out the
wonderfully complex results. I infer that some one (but
who he is I have not been able to ascertain) formerly
9
advanced a nearly similar view, for Sir C. Bell says,
" It has been maintained that what are called the ex
" ternal signs of passion, are only the concomitants of
" those voluntary movements which the structure ren
10
" ders necessary." Mr. Spencer has also published
a valuable essay on the physiology of Laughter, in
which he insists on " the general law that feeling
66
passing a certain pitch, habitually vents itself in
66
bodily action ;" and that " an overflow of nerve-force
" undirected by any motive, will manifestly take first
" the most habitual routes ; and if these do not suffice,
" will next overflow into the less habitual ones." This
" The Anatomy of Expression,' 3rd edit. p. 121.

"
10 Essays, Scientific, Political, and Speculative,' Second Series,
1863, p. 111. There is a discussion on Laughter in the First Series of
Essays, which discussion seems to me of very inferior value.
10 INTRODUCTION.
law I believe to be of the highest importance in throw-

ing light on our subject."
All the authors who have written on Expression,
with the exception of Mr. Spencer-the great expounder
of the principle of Evolution -appear to have been
firmly convinced that species, man of course included ,
came into existence in their present condition . Sir C.
Bell, being thus convinced, maintains that many of
our facial muscles are " purely instrumental in ex-
pression ;" or are " a special provision " for this sole
object.12 But the simple fact that the anthropoid
13
apes possess the same facial muscles as we do,¹3
renders it very improbable that these muscles in our
case serve exclusively for expression ; for no one, I
presume, would be inclined to admit that monkeys
have been endowed with special muscles solely for
exhibiting their hideous grimaces. Distinct uses, inde-
pendently of expression, can indeed be assigned with
much probability for almost all the facial muscles.
F Sir C. Bell evidently wished to draw as broad a
distinction as possible between man and the lower
animals ; and he consequently asserts that with "the
11 Since the publication of the essay just referred to, Mr. Spencer
has written another, on " Morals and Moral Sentiments," in the ' Fort-
nightly Review,' April 1, 1871, p. 426. He has, also, now published
his final conclusions in vol. ii. of the second edit. of the ' Principles of
Psychology,' 1872, p. 539. I may state, in order that I may not be
accused of trespassing on Mr. Spencer's domain, that I announced
in my ' Descent of Man,' that I had then written a part of the present
volume : my first MS. notes on the subject of expression bear the
date of the year 1838.
12
Anatomy of Expression,' 3rd edit. pp. 98, 121 , 131.
13 Professor Owen expressly states (' Proc. Zoolog. Soc.' 1830, p. 28)
that this is the case with respect to the Orang, and specifies all the
more important muscles which are well known to serve with man
for the expression of his feelings. See, also, a description of several
of the facial muscles in the Chimpanzee, by Prof. Macalister, in ‘ Annals
and Magazine of Natural History,' vol . vii . May, 1871 , p. 342.
INTRODUCTION. 11
" lower creatures there is no expression but what may

" be referred, more or less plainly, to their acts of
" volition or necessary instincts." He further maintains
that their faces " seem chiefly capable of expressing
66
rage and fear." 14 But man himself cannot express
love and humility by external signs, so plainly as
does a dog, when with drooping ears, hanging lips,
flexuous body, and wagging tail, he meets his beloved
master. Nor can these movements in the dog be
explained by acts of volition or necessary instincts,
any more than the beaming eyes and smiling cheeks
of a man when he meets an old friend. If Sir C. Bell
had been questioned about the expression of affection
in the dog, he would no doubt have answered that this
animal had been created with special instincts, adapt-
ing him for association with man, and that all further
enquiry on the subject was superfluous.
Although Gratiolet emphatically denies 15 that any
muscle has been developed solely for the sake of ex-
pression, he seems never to have reflected on the
principle of evolution. He apparently looks at each
species as a separate creation. So it is with the other
writers on Expression. For instance, Dr. Duchenne,
after speaking of the movements of the limbs, refers
to those which give expression to the face, and
remarks : 16 " Le créateur n'a donc pas eu à se
" préoccuper ici des besoins de la mécanique ; il a
66
pu, selon sa sagesse, ou que l'on me pardonne
" cette manière de parler-par une divine fantaisie,
" mettre en action tel ou tel muscle, un seul ou plu-
" sieurs muscles à la fois, lorsqu'il a voulu que les
66
signes caractéristiques des passions, même les plus
14
Anatomy of Expression,' pp. 121, 138.
15 De la Physionomie,' pp. 12, 73.
6
16 Mécanisme de la Physionomie Humaine,' 8vo edit. p. 31.
12 INTRODUCTION.
" fugaces, fussent écrits passagèrement sur la face de

" l'homme. Ce langage de la physionomie une fois
" créé, il lui a suffi, pour le rendre universel et im
" muable, de donner à tout être humain la faculté
" instinctive d'exprimer toujours ses sentiments par
" la contraction des mêmes muscles."
Many writers consider the whole subject of Expression
as inexplicable. Thus the illustrious physiologist Müller
17
says, " The completely different expression of the
" features in different passions shows that, according to
" the kind of feeling excited, entirely different groups
" of the fibres of the facial nerve are acted on. Of the
66
cause of this we are quite ignorant.”
No doubt as long as man and all other animals are
viewed as independent creations, an effectual stop is put
to our natural desire to investigate as far as possible
the causes of Expression. By this doctrine, anything
and everything can be equally well explained ; and it
has proved as pernicious with respect to Expression
as to every other branch of natural history. With
mankind some expressions, such as the bristling of the
hair under the influence of extreme terror, or the un
covering of the teeth under that of furious rage, can
hardly be understood, except on the belief that man once
existed in a much lower and animal-like condition. The
community of certain expressions in distinct though
allied species, as in the movements of the same facial
muscles during laughter by man and by various mon
keys, is rendered somewhat more intelligible, if we
believe in their descent from a common progenitor. He
who admits on general grounds that the structure and
habits of all animals have been gradually evolved, will
look at [the whole subject of Expression in a new and
interesting light.
17 Elements of Physiology,' English translation, vol. ii. p. 934.
INTRODUCTION. 13
The study of Expression is difficult, owing to the

movements being often extremely slight, and of a
fleeting nature. A difference may be clearly per-
ceived, and yet it may be impossible, at least I have
found it so, to state in what the difference consists.
When we witness any deep emotion , our sympathy is
so strongly excited, that close observation is forgotten
or rendered almost impossible ; of which fact I have
had many curious proofs. Our imagination is another
and still more serious source of error ; for if from the
nature of the circumstances we expect to see any ex-
pression, we readily imagine its presence. Notwith-
standing Dr. Duchenne's great experience, he for a
long time fancied, as he states, that several muscles
contracted under certain emotions, whereas he ulti-
mately convinced himself that the movement was
confined to a single muscle.
In order to acquire as good a foundation as possible,
and to ascertain, independently of common opinion,
how far particular movements of the features and
gestures are really expressive of certain states of the
mind, I have found the following means the most
serviceable. In the first place, to observe infants ;
for they exhibit many emotions, as Sir C. Bell remarks,
"with extraordinary force ; " whereas, in after life, some
of our expressions " cease to have the pure and simple
18
source from which they spring in infancy.'
In the second place, it occurred to me that the
insane ought to be studied, as they are liable to the
strongest passions, and give uncontrolled vent to them.
I had, myself, no opportunity of doing this, so I applied
to Dr. Maudsley, and received from him an intro-
duction to Dr. J. Crichton Browne, who has charge
เ
18 Anatomy of Expression,' 3rd edit. p. 198.
14 INTRODUCTION.
of an immense asylum near Wakefield, and who, as

I found, had already attended to the subject. This
excellent observer has with unwearied kindness sent
me copious notes and descriptions, with valuable sug
gestions on many points ; and I can hardly over-esti
mate the value of his assistance. I owe also, to the
kindness of Mr. Patrick Nicol, of the Sussex Lunatic
Asylum, interesting statements on two or three points.
Thirdly, Dr. Duchenne galvanized, as we have al
ready seen, certain muscles in the face of an old man ,
whose skin was little sensitive, and thus produced
various expressions which were photographed on a
large scale. It fortunately occurred to me to show
several of the best plates, without a word of explana
tion, to above twenty educated persons of various ages
and both sexes, asking them, in each case, by what
emotion or feeling the old man was supposed to be
agitated ; and I recorded their answers in the words
which they used. Several of the expressions were
instantly recognised by almost everyone, though de
scribed in not exactly the same terms ; and these may,
I think, be relied on as truthful, and will hereafter be
specified. On the other hand, the most widely different
judgments were pronounced in regard to some of them.
This exhibition was of use in another way, by convincing
me how easily we may be misguided by our imagina
tion ; for when I first looked through Dr. Duchenne's
photographs, reading at the same time the text, and
thus learning what was intended, I was struck with
admiration at the truthfulness of all, with only a few
exceptions. Nevertheless, if I had examined them with
out any explanation, no doubt I should have been as much
perplexed, in some cases, as other persons have been.
Fourthly, I had hoped to derive much aid from the
great masters in painting and sculpture, who are such
INTRODUCTION. 15
close observers. Accordingly, I have looked at photo-

graphs and engravings of many well-known works ;
but, with a few exceptions, have not thus profited .
The reason no doubt is, that in works of art, beauty
is the chief object ; and strongly contracted facial
muscles destroy beauty.19 The story of the composi-
tion is generally told with wonderful force and truth by
skilfully given accessories.
Fifthly, it seemed to me highly important to ascer-
tain whether the same expressions and gestures prevail,
as has often been asserted without much evidence, with
all the races of mankind, especially with those who
have associated but little with Europeans. Whenever
the same movements of the features or body express the
same emotions in several distinct races of man, we may
infer with much probability, that such expressions are
true ones, that is, are innate or instinctive. Con-
ventional expressions or gestures, acquired by the
individual during early life, would probably have dif-
fered in the different races, in the same manner as do
their languages. Accordingly I circulated, early in
the year 1867, the following printed queries with a
request, which has been fully responded to, that
actual observations, and not memory, might be trusted.
These queries were written after a considerable interval
of time, during which my attention had been otherwise
directed, and I can now see that they might have been
greatly improved. To some of the later copies, I
appended, in manuscript, a few additional remarks :-
(1.) Is astonishment expressed by the eyes and mouth being opened
wide, and by the eyebrows being raised ?
(2.) Does shame excite a blush when the colour of the skin allows
it to be visible ? and especially how low down the body does
the blush extend ?
19 See remarks to this effect in Lessing's ' Laocoon,' translated by

W. Ross, 1836, p. 19.
16 INTRODUCTION.
(3.) When a man is indignant or defiant does he frown, hold his

body and head erect, square his shoulders and clench his fists ?
(4. ) When considering deeply on any subject, or trying to under-
stand any puzzle, does he frown, or wrinkle the skin beneath
the lower eyelids ?
(5.) When in low spirits, are the corners of the mouth depressed,
and the inner corner of the eyebrows raised by that muscle
which the French call the " Grief muscle " ? The eyebrow
in this state becomes slightly oblique, with a little swelling
at the inner end ; and the forehead is transversely wrinkled in
the middle part, but not across the whole breadth, as when
the eyebrows are raised in surprise.
(6.) When in good spirits do the eyes sparkle, with the skin a little
wrinkled round and under them, and with the mouth a little
drawn back at the corners ?
(7.) When a man sneers or snarls at another, is the corner of the
upper lip over the canine or eye tooth raised on the side
facing the man whom he addresses ?
(8.) Can a dogged or obstinate expression be recognized, which is
chiefly shown by the mouth being firmly closed, a lowering
brow and a slight frown?
(9.) Is contempt expressed by a slight protrusion of the lips and by #
turning up the nose, with a slight expiration ?
(10.) Is disgust shown by the lower lip being turned down, the upper
lip slightly raised, with a sudden expiration, something like
incipient vomiting, or like something spit out of the mouth ?
(11.) Is extreme fear expressed in the same general manner as with
Europeans ?
(12.) Is laughter ever carried to such an extreme as to bring tears
into the eyes ?
(13.) When a man wishes to show that he cannot prevent something
being done, or cannot himself do something, does he shrug his
shoulders, turn inwards his elbows, extend outwards his hands
and open the palms ; with the eyebrows raised ?
(14.) Do the children when sulky, pout or greatly protrude the lips ?
(15.) Can guilty, or sly, or jealous expressions be recognized ? though
I know not how these can be defined.
(16.) Is the head nodded vertically in affirmation, and shaken la-
terally in negation ?
Observations on natives who have had little communication with
Europeans would be of course the most valuable, though those made on
any natives would be of much interest to me. General remarks on
expression are of comparatively little value ; and memory is so deceptive
that I earnestly beg it may not be trusted. A definite description of
the countenance under any emotion or frame of mind, with a statement
of the circumstances under which it occurred , would possess much value.
INTRODUCTION. 17
To these queries I have received thirty-six answers

from different observers, several of them missionaries
or protectors of the aborigines, to all of whom I am
deeply indebted for the great trouble which they have
taken, and for the valuable aid thus received. I will
specify their names, &c., towards the close of this
chapter, so as not to interrupt my present remarks.
The answers relate to several of the most distinct
and savage races of man. In many instances, the
circumstances have been recorded under which each
expression was observed, and the expression itself
described . In such cases, much confidence may be
placed in the answers. When the answers have been
simply yes or no, I have always received them with
caution. It follows, from the information thus acquired,
that the same state of mind is expressed throughout
the world with remarkable uniformity ; and this fact
is in itself interesting, as evidence of the close simi-
larity in bodily structure and mental disposition of all
the races of mankind.
Sixthly, and lastly, I have attended, as closely as I
could, to the expression of the several passions in some
of the commoner animals ; and this I believe to be of
paramount importance, not of course for deciding how
far in man certain expressions are characteristic of
certain states of mind, but as affording the safest basis
for generalisation on the causes, or origin, of the various
movements of Expression . In observing animals, we are
not so likely to be biassed by our imagination ; and we
may feel safe that their expressions are not conventional.
From the reasons above assigned, namely, the fleeting

nature of some expressions (the changes in the features
being often extremely slight) ; our sympathy being
easily aroused when we behold any strong emotion ,
с
18 INTRODUCTION .
and our attention thus distracted ; our imagination

deceiving us, from knowing in a vague manner what
to expect, though certainly few of us know what the
exact changes in the countenance are ; and lastly, even
our long familiarity with the subject, -from all these
causes combined, the observation of Expression is by
no means easy, as many persons, whom I have asked
to observe certain points, have soon discovered. Hence
it is difficult to determine, with certainty, what are
the movements of the features and of the body, which
commonly characterize certain states of the mind.
Nevertheless, some of the doubts and difficulties have,
as I hope, been cleared away by the observation of
infants,-of the insane,-of the different races of
man, -of works of art, and lastly, of the facial
muscles under the action of galvanism, as effected by
Dr. Duchenne.
But there remains the much greater difficulty of
understanding the cause or origin of the several ex
pressions, and of judging whether any theoretical
explanation is trustworthy. Besides, judging as well
as we can by our reason, without the aid of any rules,
which of two or more explanations is the most satis
factory, or are quite unsatisfactory, I see only one way
of testing our conclusions. This is to observe whether
the same principle by which one expression can, as it
appears, be explained, is applicable in other allied
cases ; and especially, whether the same general prin
ciples can be applied with satisfactory results, both to
man and the lower animals. This latter method, I
am inclined to think, is the most serviceable of all.
The difficulty of judging of the truth of any theoretical
explanation, and of testing it by some distinct line of
investigation, is the great drawback to that interest
which the study seems well fitted to excite.
INTRODUCTION. 19
Finally, with respect to my own observations, I may

state that they were commenced in the year 1838 ;
and, from that time to the present day, I have occa
sionally attended to the subject . At the above date,
I was already inclined to believe in the principle of
evolution, or of the derivation of species from other and
lower forms. Consequently, when I read Sir C. Bell's
great work, his view, that man had been created with
certain muscles specially adapted for the expression of
his feelings, struck me as unsatisfactory. It seemed
probable that the habit of expressing our feelings by
certain movements, though now rendered innate, had
been in some manner gradually acquired. But to dis
cover how such habits had been acquired was perplexing
in no small degree. The whole subject had to be
viewed under a new aspect, and each expression de
manded a rational explanation. This belief led me to
attempt the present work, however imperfectly it may
have been executed.
I will now give the names of the gentlemen to whom,

as I have said, I am deeply indebted for information in
regard to the expressions exhibited by various races of
man, and I will specify some of the circumstances under
which the observations were in each case made. Owing
to the great kindness and powerful influence of Mr.
Wilson, of Hayes Place, Kent, I have received from
Australia no less than thirteen sets of answers to my
queries. This has been particularly fortunate, as the
Australian aborigines rank amongst the most distinct of
all the races of man. It will be seen that the observa
tions have been chiefly made in the south, in the out
lying parts of the colony of Victoria ; but some excel
lent answers have been received from the north.
C 2
20 INTRODUCTION.
Mr. Dyson Lacy has given me in detail some valu

able observations, made several hundred miles in the
interior of Queensland. To Mr. R. Brough Smyth,
of Melbourne, I am much indebted for observations made
by himself, and for sending me several of the following
letters, namely :-From the Rev. Mr. Hagenauer, of
Lake Wellington, a missionary in Gippsland, Victoria,
who has had much experience with the natives. From
Mr. Samuel Wilson, a landowner, residing at Langere
nong, Wimmera, Victoria. From the Rev. George
Taplin, superintendent of the native Industrial Settle
ment at Port Macleay. From Mr. Archibald G. Lang,
of Coranderik, Victoria, a teacher at a school where
aborigines, old and young, are collected from all parts
of the colony. From Mr. H. B. Lane, of Belfast, Vic
toria, a police magistrate and warden, whose observa
tions, as I am assured, are highly trustworthy. From
Mr. Templeton Bunnett, of Echuca, whose station is on
the borders of the colony of Victoria, and who has thus
been able to observe many aborigines who have had
little intercourse with white men. He compared his
observations with those made by two other gentlemen
long resident in the neighbourhood. Also from Mr. J.
Bulmer, a missionary in a remote part of Gippsland,
Victoria.
I am also indebted to the distinguished botanist, Dr.
Ferdinand Müller, of Victoria, for some observations
made by himself, and for sending me others made
by Mrs. Green, as well as for some of the foregoing
letters.
In regard to the Maoris of New Zealand, the Rev.
J. W. Stack has answered only a few of my queries ;
but the answers have been remarkably full, clear, and
distinct, with the circumstances recorded under which
the observations were made.
INTRODUCTION. 21
The Rajah Brooke has given me some information

with respect to the Dyaks of Borneo.
Respecting the Malays, I have been highly successful ;
for Mr. F. Geach (to whom I was introduced by Mr.
Wallace), during his residence as a mining engineer in
the interior of Malacca, observed many natives, who had
never before associated with white men. He wrote me
two long letters with admirable and detailed observa-
tions on their expression. He likewise observed the
Chinese immigrants in the Malay archipelago.
The well- known naturalist, H.M. Consul, Mr. Swinhoe,
also observed for me the Chinese in their native country ;
and he made inquiries from others whom he could
trust.
In India Mr. H. Erskine, whilst residing in his official
capacity in the Ahmednugur District in the Bombay
Presidency, attended to the expression of the inhabitants,
but found much difficulty in arriving at any safe con-
clusions, owing to their habitual concealment of all
emotions in the presence of Europeans. He also
obtained information for me from Mr. West, the Judge
in Canara, and he consulted some intelligent native
gentlemen on certain points. In Calcutta Mr. J. Scott,
curator of the Botanic Gardens, carefully observed the
various tribes of men therein employed during a con-
siderable period, and no one has sent me such full and
valuable details. The habit of accurate observation,
gained by his botanical studies, has been brought to
bear on our present subject. For Ceylon I am much
indebted to the Rev. S. O. Glenie for answers to some
of my queries.
Turning to Africa, I have been unfortunate with
respect to the negroes, though Mr. Winwood Reade
aided me as far as lay in his power. It would have been
comparatively easy to have obtained information in
22 INTRODUCTION.
regard to the negro slaves in America ; but as they have

long associated with white men, such observations would
have possessed little value. In the southern parts of
the continent Mrs. Barber observed the Kafirs and
Fingoes, and sent me many distinct answers. Mr.J.P.
Mansel Weale also made some observations on the
natives, and procured for me a curious document, namely,
the opinion, written in English, of Christian Gaika,
brother of the Chief Sandilli, on the expressions of his
fellow-countrymen. In the northern regions of Africa
Captain Speedy, who long resided with the Abyssinians,
answered my queries partly from memory and partly
from observations made on the son of King Theodore,
who was then under his charge. Professor and Mrs.
Asa Gray attended to some points in the expressions of
the natives, as observed by them whilst ascending the
Nile.
On the great American continent Mr. Bridges, a
catechist residing with the Fuegians, answered some
few questions about their expression, addressed to him
many years ago. In the northern half of the con
tinent Dr. Rothrock attended to the expressions of the
wild Atnah and Espyox tribes on the Nasse River, in
North-Western America. Mr. Washington Matthews,
Assistant-Surgeon in the United States Army, also ob
served with special care (after having seen my queries,
as printed in the Smithsonian Report ') some of the
wildest tribes in the Western parts of the United States,
namely, the Tetons, Grosventres, Mandans, and Assina
boines ; and his answers have proved of the highest
value.
Lastly, besides these special sources of information, I
have collected some few facts incidentally given in
books of travels.
INTRODUCTION. 23
As I shall often have to refer, more especially in the

latter part of this volume, to the muscles of the human
face, I have had a diagram (fig. 1) copied and reduced from
Sir C. Bell's work, and two others, with more accurate de-
tails (figs. 2 and 3), from Henle's well-known ' Handbuch
der systematischen Anatomie des Menschen.' The same
letters refer to the same muscles in all three figures, but
the names are given of only the more important ones to
which I shall have to allude. The facial muscles blend
much together, and, as I am informed, hardly appear
on a dissected face so distinct as they are here repre-
sented. Some writers consider that these muscles con-
sist of nineteen pairs, with one unpaired ; 20 but others
make the number much larger, amounting even to
fifty-five, according to Moreau. They are, as is ad-
mitted by everyone who has written on the subject,
very variable in structure ; and Moreau remarks that
they are hardly alike in half-a-dozen subjects.21 They
are also variable in function. Thus the power of un-
covering the canine tooth on one side differs much in
different persons . The power of raising the wings of
the nostrils is also, according to Dr. Piderit,22 variable
in a remarkable degree ; and other such cases could be
given.
Finally, I must have the pleasure of expressing
my obligations to Mr. Rejlander for the trouble which
he has taken in photographing for me various expressions
and gestures. I am also indebted to Herr Kindermann,
of Hamburg, for the loan of some excellent negatives of
crying infants ; and to Dr. Wallich for a charming one
20 Mr. Partridge in Todd's ' Cyclopædia of Anatomy and Physiology,'

vol. ii. p. 227.
21 La Physionomie,' par G. Lavater, tom. iv. 1820, p. 274. On the
number of the facial muscles, see vol. iv. pp. 209–211.
22 Mimik und Physiognomik ,' 1867, s. 91 .
24 INTRODUCTION.
B
D C
-E
F
K
L
Fig. 1. Diagram of the muscles of the face, from Sir C. Bell.
C
D
H- 4 E
G F
Fig. 2. Diagram from Henle.

INTRODUCTION. 2.5
Fig. 3. Diagram from Henle.
A. Occipito-frontalis, or frontal muscle. G. Zygomatic.

B. Corrugator supercilii, or corrugator H. Malaris.
muscle. I. Little zygomatic.
c. Orbicularis palpebrarum, or orbicu- K. Triangularis oris, or depressor an
lar muscles ofthe eyes. guli oris.
D. Pyramidalis nasi, or pyramidal L. Quadratus menti.
muscle ofthe nose. M. Risorius, part of the Platysma
F. Levator labii superioris alæque nasi. myoides.
F. Levator labii proprius.
of a smiling girl. I have already expressed my obliga-

tions to Dr. Duchenne for generously permitting me to
have some of his large photographs copied and reduced.
All these photographs have been printed by the Helio-
type process, and the accuracy of the copy is thus
guaranteed. These plates are referred to by Roman
numerals.
I am also greatly indebted to Mr. T. W. Wood for
the extreme pains which he has taken in drawing from
26 INTRODUCTION.
life the expressions of various animals. A distinguished

artist, Mr. Riviere, has had the kindness to give me two
drawings of dogs-one in a hostile and the other in a
humble and caressing frame of mind. Mr. A. May has
also given me two similar sketches of dogs. Mr. Cooper
has taken much care in cutting the blocks. Some
of the photographs and drawings, namely, those by
Mr. May, and those by Mr. Wolf of the Cynopithecus,
were first reproduced by Mr. Cooper on wood by means
of photography, and then engraved : by this means
almost complete fidelity is ensured .
( 27 )
CHAPTER I.
GENERAL PRINCIPLES OF EXPRESSION.
The three chief principles stated - The first principle - Serviceable

actions become habitual in association with certain states of the
mind, and are performed whether or not of service in each par-
ticular case--The force of habit - Inheritance- Associated
habitual movements in man - Reflex actions — Passage of habits
into reflex actions ― Associated habitual movements in the lower
animals - - Concluding remarks.
I WILL begin by giving the three Principles, which

appear to me to account for most of the expressions
and gestures involuntarily used by man and the lower
animals, under the influence of various emotions and
sensations.¹ I arrived, however, at these three Prin-
ciples only at the close of my observations. They
will be discussed in the present and two following
chapters in a general manner. Facts observed both
with man and the lower animals will here be made use
of; but the latter facts are preferable, as less likely
to deceive us. In the fourth and fifth chapters, I will
describe the special expressions of some of the lower
animals ; and in the succeeding chapters those of man.
Everyone will thus be able to judge for himself, how
far my three principles throw light on the theory of
the subject. It appears to me that so many expres-
sions are thus explained in a fairly satisfactory manner,
1 Mr. Herbert Spencer ( Essays,' Second Series, 1863, p . 138) has

drawn a clear distinction between emotions and sensations, the latter
being " generated in our corporeal framework." He classes as Feelings
both emotions and sensations.
28 THE PRINCIPLE OF CHAP. I.
that probably all will hereafter be found to come under

the same or closely analogous heads. I need hardly
premise that movements or changes in any part of the
body, as the wagging of a dog's tail, the drawing
back of a horse's ears, the shrugging of a man's shoul
ders, or the dilatation of the capillary vessels of the
skin,—may all equally well serve for expression . The
three Principles are as follows.
I. The principle of serviceable associated Habits.—
Certain complex actions are of direct or indirect ser
vice under certain states of the mind, in order to relieve
or gratify certain sensations, desires, &c.; and when
ever the same state of mind is induced, however feebly,
there is a tendency through the force of habit and
association for the same movements to be performed ,
though they may not then be of the least use. Some
actions ordinarily associated through habit with certain
states of the mind may be partially repressed through
the will, and in such cases the muscles which are least
under the separate control of the will are the most
liable still to act, causing movements which we recog
nise as expressive. In certain other cases the checking
of one habitual movement requires other slight move
ments ; and these are likewise expressive.
II. The principle of Antithesis.-Certain states of the
mind lead to certain habitual actions, which are of
service, as under our first principle. Now when a
directly opposite state of mind is induced, there is
a strong and involuntary tendency to the performance
of movements of a directly opposite nature, though
these are of no use ; and such movements are in some
cases highly expressive.
III. The principle of actions due to the constitution of
the Nervous System, independently from the first of the
Will, and independently to a certain extent of Habit.—
CHAP. I. SERVICEABLE ASSOCIATED HABITS. 29
When the sensorium is strongly excited , nerve-force

is generated in excess, and is transmitted in certain
definite directions, depending on the connection of
the nerve-cells, and partly on habit : or the supply of
nerve-force may, as it appears, be interrupted. Effects
are thus produced which we recognise as expressive.
This third principle may, for the sake of brevity, be
called that of the direct action of the nervous system.
With respect to our first Principle, it is notorious

how powerful is the force of habit. The most complex
and difficult movements can in time be performed with
out the least effort or consciousness. It is not posi
tively known how it comes that habit is so efficient
in facilitating complex movements ; but physiologists
admit 2 " that the conducting power of the nervous
" fibres increases with the frequency of their excite
66
ment." This applies to the nerves of motion and
sensation, as well as to those connected with the act
of thinking. That some physical change is produced
in the nerve-cells or nerves which are habitually used
can hardly be doubted , for otherwise it is impossible to
understand how the tendency to certain acquired move
ments is inherited . That they are inherited we see
with horses in certain transmitted paces, such as can
tering and ambling, which are not natural to them, -
in the pointing of young pointers and the setting of
young setters- in the peculiar manner of flight of cer
tain breeds of the pigeon, &c. We have analogous
cases with mankind in the inheritance of tricks or
unusual gestures, to which we shall presently recur.
² Müller, ‘ Elements of Physiology,' Eng. translat . vol. ii. p. 939.

See also Mr. H. Spencer's interesting speculations on the same subject,
and on the genesis of nerves, in his ' Principles of Biology,' vol. ii.
p. 346 ; and in his ' Principles of Psychology,' 2nd edit. pp. 511–557.
To those who admit the gradual evolution of species ,

a most striking instance of the perfection with which
the most difficult consensual movements can be trans
mitted, is afforded by the humming-bird Sphinx-moth
(Macroglossa) ; for this moth, shortly after its emer
gence from the cocoon, as shown by the bloom on its
unruffled scales, may be seen poised stationary in the
air, with its long hair-like proboscis uncurled and in
serted into the minute orifices of flowers ; and no one,
I believe, has ever seen this moth learning to perform
its difficult task, which requires such unerring aim.
When there exists an inherited or instinctive ten
dency to the performance of an action, or an in
herited taste for certain kinds of food, some degree of
habit in the individual is often or generally requisite.
We find this in the paces of the horse, and to a certain
extent in the pointing of dogs ; although some young
dogs point excellently the first time they are taken
out, yet they often associate the proper inherited
attitude with a wrong odour, and even with eyesight. I
have heard it asserted that if a calf be allowed to
suck its mother only once, it is much more diffi
cult afterwards to rear it by hand.3 Caterpillars
which have been fed on the leaves of one kind of
tree, have been known to perish from hunger rather
than to eat the leaves of another tree, although this
afforded them their proper food, under a state of
nature ; 4 and so it is in many other cases.
3 A remark to much the same effect was made long ago by Hippo
crates and by the illustrious Harvey ; for both assert that a young
animal forgets in the course of a few days the art of sucking, and
cannot without some difficulty again acquire it. I give these assertions
on the authority of Dr. Darwin, Zoonomia,' 1794, vol. i. p. 140.
4 See for my authorities, and for various analogous facts, ' The
Variation of Animals and Plants under Domestication,' 1868, vol. ii.
p. 304.
The power of Association is admitted by everyone.

Mr. Bain remarks, that " actions, sensations, and states
" of feeling, occurring together or in close succession ,
" tend to grow together, or cohere, in such a way that
" when any one of them is afterwards presented to the
" mind, the others are apt to be brought up in idea. ” 5
It is so important for our purpose fully to recognise that
actions readily become associated with other actions
and with various states of the mind, that I will give a
good many instances, in the first place relating to man,
and afterwards to the lower animals. Some of the
instances are of a very trifling nature, but they are as
good for our purpose as more important habits. It is
known to everyone how difficult, or even impossible it
is, without repeated trials, to move the limbs in certain
opposed directions which have never been practised.
Analogous cases occur with sensations, as in the com-
mon experiment of rolling a marble beneath the tips
of two crossed fingers, when it feels exactly like two
marbles. Everyone protects himself when falling to
the ground by extending his arms, and as Professor
Alison has remarked, few can resist acting thus, when
voluntarily falling on a soft bed . A man when going
out of doors puts on his gloves quite unconsciously ;
and this may seem an extremely simple operation, but
he who has taught a child to put on gloves, knows that
this is by no means the case.
When our minds are much affected, so are the move-
ments of our bodies ; but here another principle be-
The Senses and the Intellect,' 2nd edit . 1864, p. 332. Prof.
Huxley remarks (' Elementary Lessons in Physiology,' 5th edit. 1872 ,
p. 306), " It may be laid down as a rule, that, if any two mental states
" be called up together, or in succession, with due frequency and vivid-
OL
ness, the subsequent production of the one of them will suffice to call
66
up the other, and that whether we desire it or not."
32 1 THE PRINCIPLE OF CHAP. I.
sides habit, namely the undirected overflow of nerve

force, partially comes into play. Norfolk, in speaking
of Cardinal Wolsey , says―
" Some strange commotion
Is in his brain : he bites his lip and starts ;
Stops on a sudden, looks upon the ground,
Then, lays his finger on his temple ; straight ,
Springs out into fast gait ; then, stops again,
Strikes his breast hard ; and anon, he casts
His eye against the moon : in most strange postures
We have seen him set himself."-Hen. VIII. act iii. sc. 2.
A vulgar man often scratches his head when per

plexed in mind ; and I believe that he acts thus from
habit, as if he experienced a slightly uncomfortable
bodily sensation, namely, the itching of his head, to
which he is particularly liable, and which he thus re
lieves . Another man rubs his eyes when perplexed, or
gives a little cough when embarrassed, acting in either
case as if he felt a slightly uncomfortable sensation in
his eyes or windpipe.
From the continued use of the eyes, these organs
are especially liable to be acted on through association
under various states of the mind, although there is mani
festly nothing to be seen. A man, as Gratiolet remarks,
who vehemently rejects a proposition, will almost cer
tainly shut his eyes or turn away his face ; but if he
accepts the proposition, he will nod his head in affirma
tion and open his eyes widely. The man acts in this
latter case as if he clearly saw the thing, and in the
former case as if he did not or would not see it. I
have noticed that persons in describing a horrid sight
often shut their eyes momentarily and firmly, or shake
• Gratiolet ( De la Physionomie,' p. 324) , in his discussion on

this subject, gives many analogous instances. See p. 42, on the opening
and shutting of the eyes. Engel is quoted (p . 323) on the changed
paces of a man, as his thoughts change.
their heads, as if not to see or to drive away some-

thing disagreeable ; and I have caught myself, when
thinking in the dark of a horrid spectacle, closing
my eyes firmly. In looking suddenly at any object,
or in looking all around, everyone raises his eyebrows,
so that the eyes may be quickly and widely opened ;
7
and Duchenne remarks that a person in trying to
remember something often raises his eyebrows, as if to
see it. A Hindoo gentleman made exactly the same
remark to Mr. Erskine in regard to his countrymen .
I noticed a young lady earnestly trying to recollect
a painter's name, and she first looked to one corner of
the ceiling and then to the opposite corner, arching
the one eyebrow on that side ; although, of course, there
was nothing to be seen there.
In most of the foregoing cases, we can understand how
the associated movements were acquired through habit ;
but with some individuals, certain strange gestures or
tricks have arisen in association with certain states of
the mind, owing to wholly inexplicable causes, and are
undoubtedly inherited. I have elsewhere given one
instance from my own observation of an extraordinary
and complex gesture, associated with pleasurable feel-
ings, which was transmitted from a father to his
8
daughter, as well as some other analogous facts.
* : Mécanisme de la Physionomie Humaine,' 1862, p. 17.

8The Variation of Animals and Plants under Domestication,' vol.
ii. p. 6. The inheritance of habitual gestures is so important for us,
that I gladly avail myself of Mr. F. Galton's permission to give in his
own words the following remarkable case :-" The following account
" of a habit occurring in individuals of three consecutive generations is
" of peculiar interest, because it occurs only during sound sleep , and
" therefore cannot be due to imitation, but must be altogether natural.
“ The particulars are perfectly trustworthy, for I have enquired fully
evidence. A
":6 into them, and speak from abundant and independent
gentleman of considerable position was found by his wife to have
" the curious trick, when he lay fast asleep on his back in bed, of
D
Another curious instance of an odd inherited move

ment, associated with the wish to obtain an object, will
be given in the course of this volume.
There are other actions which are commonly per
formed under certain circumstances, independently of
habit, and which seem to be due to imitation or some
sort of sympathy. Thus persons cutting anything
with a pair of scissors may be seen to move their
jaws simultaneously with the blades of the scissors.
Children learning to write often twist about their
tongues as their fingers move, in a ridiculous fashion.
When a public singer suddenly becomes a little hoarse,
many of those present may be heard, as I have been
66
raising his right arm slowly in front of his face, up to his forehead,
" and then dropping it with a jerk, so that the wrist fell heavily on
" the bridge of his nose. The trick did not occur every night, but
66 occasionally, and was independent of any ascertained cause. Some
" times it was repeated incessantly for an hour or more. The gentle
“ man's nose was prominent, and its bridge often became sore from the
" blows which it received . At one time an awkward sore was pro
66
duced, that was long in healing, on account of the recurrence, night
" after night, of the blows which first caused it. His wife had to remove
" the button from the wrist of his night-gown as it made severe scratches,
" and some means were attempted of tying his arm.
66
Many years after his death , his son married a lady who had never
" heard of the family incident. She, however, observed precisely the
66
same peculiarity in her husband ; but his nose, from not being par
" ticularly prominent, has never as yet suffered from the blows. The
"46 trick does not occur when he is half-asleep, as, for example, when
dozing in his arm-chair, but the moment he is fast asleep it is
66
apt to begin. It is, as with his father, intermittent ; sometimes
66
ceasing for many nights, and sometimes almost incessant during a part
" of every night. It is performed, as it was by his father, with his right
" hand.
" One of his children, a girl, has inherited the same trick. She per
"forms it, likewise, with the right hand, but in a slightly modified
66 form ; for, after raising the arm, she does not allow the wrist to drop
66 upon the bridge of the nose, but the palm of the half-closed hand
" falls over and down the nose, striking it rather rapidly. It is also
66
very intermittent with this child, not occurring for periods of some
" months, but sometimes occurring almost incessantly."
assured by a gentleman on whom I can rely, to clear

their throats ; but here habit probably comes into play,
as we clear our own throats under similar circumstances.
I have also been told that at leaping matches, as the
performer makes his spring, many of the spectators,
generally men and boys, move their feet ; but here
again habit probably comes into play, for it is very
doubtful whether women would thus act.
Reflex actions.- Reflex actions, in the strict sense of
the term, are due to the excitement of a peripheral
nerve, which transmits its influence to certain nerve
cells, and these in their turn excite certain muscles or
glands into action ; and all this may take place without
any sensation or consciousness on our part, though often
thus accompanied. As many reflex actions are highly
expressive, the subject must here be noticed at some
little length. We shall also see that some of them
graduate into, and can hardly be distinguished from
9
actions which have arisen through habit. Coughing
and sneezing are familiar instances of reflex actions.
With infants the first act of respiration is often a sneeze,
although this requires the co-ordinated movement of
numerous muscles. Respiration is partly voluntary, but
mainly reflex, and is performed in the most natural and
best manner without the interference of the will. A vast
number of complex movements are reflex. As good an
instance as can be given is the often-quoted one of a
decapitated frog, which cannot of course feel, and cannot
⁹ Prof. Huxley remarks ( Elementary Physiology,' 5th edit. p. 305)

that reflex actions proper to the spinal cord are natural ; but, by the
help of the brain, that is through habit, an infinity of artificial reflex
actions may be acquired. Virchow admits (' Sammlung wissenschaft.
Vorträge,' &c., " Ueber das Rückenmark," 1871, ss. 24, 31) that
some reflex actions can hardly be distinguished from instincts ; and, of
the latter, it may be added , some cannot be distinguished from in
herited habits.
D 2
consciously perform, any movement. Yet if a drop of

acid be placed on the lower surface of the thigh of a
frog in this state, it will rub off the drop with the upper
surface of the foot of the same leg. If this foot be
cut off, it cannot thus act. " After some fruitless efforts,
66
therefore, it gives up trying in that way, seems
66
restless, as though, says Pflüger, it was seeking some
" other way, and at last it makes use of the foot of the
" other leg and succeeds in rubbing off the acid. Notably
" we have here not merely contractions of muscles, but
" combined and harmonized contractions in due sequence
" for a special purpose. These are actions that have
" all the appearance of being guided by intelligence and
" instigated by will in an animal, the recognized organ
" of whose intelligence and will has been removed. "
We see the difference between reflex and voluntary
movements in very young children not being able
to perform, as I am informed by Sir Henry Holland,
certain acts somewhat analogous to those of sneezing
and coughing, namely, in their not being able to blow
their noses (i. e. to compress the nose and blow violently
through the passage), and in their not being able to clear
their throats of phlegm. They have to learn to perform
these acts, yet they are performed by us, when a little
older, almost as easily as reflex actions. Sneezing
and coughing, however, can be controlled by the will
only partially or not at all ; whilst the clearing the
throat and blowing the nose are completely under our
command.
When we are conscious of the presence of an irritating
particle in our nostrils or windpipe -that is, when the
same sensory nerve-cells are excited , as in the case of
sneezing and coughing-we can voluntarily expel the
10 Dr. Maudsley, ' Body and Mind,* 1870, p . 8.

particle by forcibly driving air through these passages ;

but we cannot do this with nearly the same force ,
rapidity, and precision, as by a reflex action. In this
latter case the sensory nerve-cells apparently excite
the motor nerve-cells without any waste of power by
first communicating with the cerebral hemispheres —the
seat of our consciousness and volition. In all cases
there seems to exist a profound antagonism between the
same movements, as directed by the will and by a reflex
stimulant, in the force with which they are performed
and in the facility with which they are excited. As
Claude Bernard asserts, " L'influence du cerveau tend
" donc à entraver les mouvements réflexes, à limiter
" leur force et leur étendue ." 11
The conscious wish to perform a reflex action some-
times stops or interrupts its performance, though the
proper sensory nerves may be stimulated. For in-
stance, many years ago I laid a small wager with a
dozen young men that they would not sneeze if they
took snuff, although they all declared that they in-
variably did so ; accordingly they all took a pinch, but
from wishing much to succeed, not one sneezed , though
their eyes watered, and all, without exception, had to
pay me the wager. Sir H. Holland remarks 12 that
attention paid to the act of swallowing interferes with
the proper movements ; from which it probably follows,
at least in part, that some persons find it so difficult to
swallow a pill.
Another familiar instance of a reflex action is the
involuntary closing of the eyelids when the surface of
the eye is touched . A similar winking movement is
caused when a blow is directed towards the face ; but
11 See the very interesting discussion on the whole subject by Claude

Bernard, 'Tissus Vivants,' 1866, pp. 353–356.
12 6 Chapters on Mental Physiology,' 1858, p. 85.
this is an habitual and not a strictly reflex action, as

the stimulus is conveyed through the mind and not by
the excitement of a peripheral nerve. The whole body
and head are generally at the same time drawn suddenly
backwards. These latter movements, however, can be
prevented, if the danger does not appear to the imagi
nation imminent ; but our reason telling us that there
is no danger does not suffice. I may mention a trifling
fact, illustrating this point, and which at the time
amused me. I put my face close to the thick glass
plate in front of a puff-adder in the Zoological Gardens,
with the firm determination of not starting back if the
snake struck at me ; but, as soon as the blow was struck,
my resolution went for nothing, and I jumped a yard or
two backwards with astonishing rapidity. My will and
reason were powerless against the imagination of a
danger which had never been experienced .
The violence of a start seems to depend partly on the
vividness of the imagination , and partly on the con
dition, either habitual or temporary, of the nervous
system. He who will attend to the starting of his
horse, when tired and fresh, will perceive how per
fect is the gradation from a mere glance at some unex
pected object, with a momentary doubt whether it is
dangerous, to a jump so rapid and violent, that the
animal probably could not voluntarily whirl round in
so rapid a manner. The nervous system of a fresh
and highly-fed horse sends its order to the motory
system so quickly, that no time is allowed for him to
consider whether or not the danger is real. After
one violent start, when he is excited and the blood
flows freely through his brain, he is very apt to start
again ; and so it is, as I have noticed, with young
infants.
A start from a sudden noise, when the stimulus is
conveyed through the auditory nerves, is always accom-

panied in grown-up persons by the winking of the eye-
lids. 13 I observed , however, that though my infants
started at sudden sounds, when under a fortnight old,
they certainly did not always wink their eyes, and I be-
lieve never did so. The start of an older infant appa-
rently represents a vague catching hold of something to
prevent falling. I shook a pasteboard box close before
the eyes of one of my infants, when 114 days old, and
it did not in the least wink ; but when I put a few
comfits into the box, holding it in the same position as
before, and rattled them, the child blinked its eyes
violently every time, and started a little. It was ob-
viously impossible that a carefully-guarded infant could
have learnt by experience that a rattling sound near its
eyes indicated danger to them. But such experience
will have been slowly gained at a later age during a
long series of generations ; and from what we know of
inheritance, there is nothing improbable in the transmis-
sion of a habit to the offspring at an earlier age than
that at which it was first acquired by the parents.
From the foregoing remarks it seems probable that
some actions, which were at first performed consciously,
have become through habit and association converted
into reflex actions, and are now so firmly fixed and in-
herited, that they are performed , even when not of the
least use , 14 as often as the same causes arise, which
originally excited them in us through the volition . In
such cases the sensory nerve-cells excite the motor cells,
13 Müller remarks ( Elements of Physiology, Eng. tr. vol. ii. p.

1311 ) on starting being always accompanied by the closure of the
eyelids.
14 Dr. Maudsley remarks (' Body and Mind,' p. 10) that "reflex
movements which commonly effect a useful end may, under the changed
circumstances of disease, do great mischief, becoming even the occasion
of violent suffering and of a most painful death."
without first communicating with those cells on which

our consciousness and volition depend. It is probable
that sneezing and coughing were originally acquired by
the habit of expelling, as violently as possible, any irri
tating particle from the sensitive air-passages. As far
as time is concerned, there has been more than enough
for these habits to have become innate or converted into
reflex actions ; for they are common to most or all of the
higher quadrupeds, and must therefore have been first
acquired at a very remote period. Why the act of
clearing the throat is not a reflex action, and has to be
learnt by our children, I cannot pretend to say ; but we
can see why blowing the nose on a handkerchief has to
be learnt.
It is scarcely credible that the movements of a
headless frog, when it wipes off a drop of acid or other
object from its thigh, and which movements are so well
co-ordinated for a special purpose, were not at first per
formed voluntarily, being afterwards rendered easy
through long-continued habit so as at last to be per
formed unconsciously, or independently of the cerebral
hemispheres.
So again it appears probable that starting was
originally acquired by the habit of jumping away as
quickly as possible from danger, whenever any of our
senses gave us warning. Starting, as we have seen, is
accompanied by the blinking of the eyelids so as to
protect the eyes, the most tender and sensitive organs
of the body ; and it is, I believe, always accompanied
by a sudden and forcible inspiration, which is the
natural preparation for any violent effort. But when
a man or horse starts, his heart beats wildly against
his ribs, and here it may be truly said we have an
organ which has never been under the control of the
will, partaking in the general reflex movements of
the body. To this point, however, I shall return in

a future chapter.
The contraction of the iris, when the retina is stimu
lated by a bright light, is another instance of a move
ment, which it appears cannot possibly have been at
first voluntarily performed and then fixed by habit ;
for the iris is not known to be under the conscious
control of the will in any animal. In such cases some
explanation, quite distinct from habit, will have to
be discovered. The radiation of nerve-force from
strongly-excited nerve-cells to other connected cells, as
in the case of a bright light on the retina causing a
sneeze, may perhaps aid us in understanding how
some reflex actions originated. A radiation of nerve
force of this kind , if it caused a movement tending to
lessen the primary irritation, as in the case of the con
traction of the iris preventing too much light from
falling on the retina, might afterwards have been taken
advantage of and modified for this special purpose.
It further deserves notice that reflex actions are in
all probability liable to slight variations, as are all
corporeal structures and instincts ; and any variations
which were beneficial and of sufficient importance,
would tend to be preserved and inherited. Thus reflex
actions, when once gained for one purpose, might
afterwards be modified independently of the will or
habit, so as to serve for some distinct purpose. Such
cases would be parallel with those which, as we have
every reason to believe, have occurred with many
instincts ; for although some instincts have been de
veloped simply through long-continued and inherited
habit, other highly complex ones have been developed
through the preservation of variations of pre-existing
instincts-that is, through natural selection.
I have discussed at some little length , though as I
am well aware, in a very imperfect manner, the acquire

ment of reflex actions, because they are often brought
into play in connection with movements expressive of
our emotions ; and it was necessary to show that at least
some of them might have been first acquired through
the will in order to satisfy a desire, or to relieve a
disagreeable sensation.
Associated habitual movements in the lower animals.

-I have already given in the case of Man several
instances of movements, associated with various states
of the mind or body, which are now purposeless, but
1 which were originally of use, and are still of use under
certain circumstances. As this subject is very impor
tant for us, I will here give a considerable number of
analogous facts, with reference to animals ; although
many of them are of a very trifling nature. My ob
ject is to show that certain movements were origi
nally performed for a definite end, and that, under
nearly the same circumstances, they are still pertina
ciously performed through habit when not of the least
use . That the tendency in most of the following cases
is inherited, we may infer from such actions being
performed in the same manner by all the individuals,
young and old, of the same species . We shall also see
that they are excited by the most diversified, often
circuitous, and sometimes mistaken associations.
Dogs, when they wish to go to sleep on a carpet or
other hard surface, generally turn round and round and
scratch the ground with their fore-paws in a sense
less manner, as if they intended to trample down
the grass and scoop out a hollow, as no doubt their
wild parents did , when they lived on open grassy plains
or in the woods. Jackals, fennecs, and other allied
animals in the Zoological Gardens, treat their straw in
this manner ; but it is a rather odd circumstance that

the keepers, after observing for some months, have
never seen the wolves thus behave. A semi-idiotic
dog-and an animal in this condition would be particu
larly liable to follow a senseless habit- was observed
by a friend to turn completely round on a carpet
thirteen times before going to sleep.
Many carnivorous animals, as they crawl towards their
prey and prepare to rush or spring on it, lower their
heads and crouch, partly, as it would appear, to hide
themselves, and partly to get ready for their rush ; and
this habit in an exaggerated form has become here
ditary in our pointers and setters. Now I have
noticed scores of times that when two strange dogs
meet on an open road, the one which first sees the
other, though at the distance of one or two hundred
yards, after the first glance always lowers its head,
generally crouches a little, or even lies down ; that is,
he takes the proper attitude for concealing himself and
for making a rush or spring, although the road is quite
open and the distance great. Again, dogs of all kinds
when intently watching and slowly approaching their
prey, frequently keep one
of their fore-legs doubled
up for a long time, ready
for the next cautious step ;
and this is eminently cha
racteristic of the pointer.
But from habit they be
have in exactly the same
manner whenever their Fig. 4. Small dog watching a cat on a
table. From a photograph taken by Mr.
attention is aroused (fig. Rejlander.
4) . I have seen a dog
at the foot of a high wall, listening attentively to a
sound on the opposite side, with one leg doubled up ;
and in this case there could have been no intention of

making a cautious approach.
Dogs after voiding their excrement often make with
all four feet a few scratches backwards, even on a bare
stone pavement, as if for the purpose of covering up
their excrement with earth, in nearly the same manner
as do cats. Wolves and jackals behave in the Zoo
logical Gardens in exactly the same manner, yet, as I
am assured by the keepers, neither wolves, jackals, nor
foxes, when they have the means of doing so, ever cover
up their excrement, any more than do dogs. All these
animals, however, bury superfluous food. Hence, if we
rightly understand the meaning of the above cat-like
habit, of which there can be little doubt, we have a
purposeless remnant of an habitual movement, which
was originally followed by some remote progenitor of
the dog-genus for a definite purpose, and which has
been retained for a prodigious length of time.
Dogs and jackals 15 take much pleasure in rolling
and rubbing their necks and backs on carrion. The
odour seems delightful to them, though dogs at least do
not eat carrion . Mr. Bartlett has observed wolves for
me, and has given them carrion, but has never seen
them roll on it. I have heard it remarked, and I
believe it to be true, that the larger dogs, which are
probably descended from wolves, do not so often roll in
carrion as do smaller dogs, which are probably descended
from jackals. When a piece of brown biscuit is offered
to a terrier of mine and she is not hungry (and I
have heard of similar instances) , she first tosses it about
and worries it, as if it were a rat or other prey ; she then
repeatedly rolls on it precisely as if it were a piece of
15 See Mr. F. H. Salvin's account of a tame jackal in ' Land and

Water,' October, 1869.
carrion, and at last eats it. It would appear that an

imaginary relish has to be given to the distasteful
morsel ; and to effect this the dog acts in his habitual
manner, as if the biscuit was a live animal or smelt like
carrion, though he knows better than we do that this
is not the case. I have seen this same terrier act in
the same manner after killing a little bird or mouse.
Dogs scratch themselves by a rapid movement of one
of their hind feet ; and when their backs are rubbed
with a stick, so strong is the habit, that they cannot
help rapidly scratching the air or the ground in a use
less and ludicrous manner. The terrier just alluded to,
when thus scratched with a stick, will sometimes show
her delight by another habitual movement, namely, by
licking the air as if it were my hand.
Horses scratch themselves by nibbling those parts of
their bodies which they can reach with their teeth ;
but more commonly one horse shows another where he
wants to be scratched, and they then nibble each other.
A friend whose attention I had called to the subject ,
observed that when he rubbed his horse's neck, the
animal protruded his head, uncovered his teeth , and
moved his jaws, exactly as if nibbling another horse's
neck, for he could never have nibbled his own neck. If
a horse is much tickled , as when curry-combed, his wish
to bite something becomes so intolerably strong, that he
will clatter his teeth together, and though not vicious,
bite his groom . At the same time from habit he
closely depresses his ears, so as to protect them from
being bitten, as if he were fighting with another horse.
A horse when eager to start on a journey makes the
nearest approach which he can to the habitual move
ment of progression by pawing the ground. Now when
horses in their stalls are about to be fed and are eager
for their corn, they paw the pavement or the straw.
Two of my horses thus behave when they see or hear

the corn given to their neighbours. But here we have
what may almost be called a true expression, as pawing
the ground is universally recognized as a sign of eagerness .
Cats cover up their excrements of both kinds with
earth ; and my grandfather 16 saw a kitten scraping
ashes over a spoonful of pure water spilt on the hearth ;
so that here an habitual or instinctive action was falsely
excited, not by a previous act or by odour, but by eyesight.
It is well known that cats dislike wetting their feet,
owing, it is probable, to their having aboriginally inha-
bited the dry country of Egypt ; and when they wet
their feet they shake them violently. My daughter
poured some water into a glass close to the head of a
kitten ; and it immediately shook its feet in the usual
manner ; so that here we have an habitual movement
falsely excited by an associated sound instead of by the
sense of touch.
Kittens, puppies, young pigs and probably many other
young animals, alternately push with their fore-feet
against the mammary glands of their mothers, to
excite a freer secretion of milk, or to make it flow.
Now it is very common with young cats , and not at all
rare with old cats of the common and Persian breeds
(believed by some naturalists to be specifically dis-
tinct), when comfortably lying on a warm shawl or
other soft substance, to pound it quietly and alternately
with their fore-feet ; their toes being spread out and
claws slightly protruded, precisely as when sucking
their mother. That it is the same movement is clearly
shown by their often at the same time taking a bit of
16 Dr. Darwin, Zoonomia,' 1794, vol. i. p. 160. I find that the fact
of cats protruding their feet when pleased is also noticed (p. 151 ) in
this work.
CHAP. I. SERVICEABLE ASSOCIATED HABITS 47
the shawl into their mouths and sucking it ; generally

closing their eyes and purring from delight. This
curious movement is commonly excited only in associa-
tion with the sensation of a warm soft surface ; but I
have seen an old cat, when pleased by having its back
scratched, pounding the air with its feet in the same
manner ; so that this action has almost become the
expression of a pleasurable sensation.
Having referred to the act of sucking, I may add
that this complex movement, as well as the alternate
protrusion of the fore-feet, are reflex actions ; for they
are performed if a finger moistened with milk is placed
in the mouth of a puppy, the front part of whose brain
has been removed. 17 It has recently been stated
in France, that the action of sucking is excited solely
through the sense of smell, so that if the olfactory
nerves of a puppy are destroyed, it never sucks. In
like manner the wonderful power which a chicken
possesses only a few hours after being hatched , of
picking up small particles of food, seems to be started
into action through the sense of hearing ; for with
chickens hatched by artificial heat, a good observer
found that " making a noise with the finger-nail against
" a board, in imitation of the hen-mother, first taught
" them to peck at their meat." 18
I will give only one other instance of an habitual
and purposeless movement. The Sheldrake (Tadorna)
feeds on the sands left uncovered by the tide, and
when a worm-cast is discovered , " it begins patting the
" ground with its feet, dancing as it were, over the
"hole ; " and this makes the worm come to the surface.
Now Mr. St. John says , that when his tame Sheldrakes
17 Carpenter, Principles of Comparative Physiology,' 1854, p. 690 ;

6
and Müller's Elements of Physiology,' Eng. translat. vol. ii. p. 936.
18 Mowbray on ' Poultry,' 6th edit. 1830, p. 54.
" came to ask for food, they patted the ground in an

" impatient and rapid manner." 19 This therefore
may almost be considered as their expression of hun
ger. Mr. Bartlett informs me that the Flamingo and
the Kagu (Rhinochetus jubatus) when anxious to be
fed, beat the ground with their feet in the same odd
manner. So again Kingfishers, when they catch a
fish, always beat it until it is killed ; and in the Zoo
logical Gardens they always beat the raw meat, with
which they are sometimes fed, before devouring it.
We have now, I think, sufficiently shown the truth

of our first Principle, namely, that when any sensation ,
desire, dislike, &c., has led during a long series of
generations to some voluntary movement, then a ten
dency to the performance of a similar movement will
almost certainly be excited, whenever the same, or any
analogous or associated sensation &c., although very
weak, is experienced ; notwithstanding that the move
ment in this case may not be of the least use. Such
habitual movements are often, or generally inherited ;
and they then differ but little from reflex actions .
When we treat of the special expressions of man, the
latter part of our first Principle, as given at the com
mencement of this chapter, will be seen to hold good ;
namely, that when movements, associated through habit
with certain states of the mind, are partially repressed
by the will, the strictly involuntary muscles, as well as
those which are least under the separate control of the
will, are liable still to act ; and their action is often
highly expressive. Conversely, when the will is tempo
rarily or permanently weakened, the voluntary muscles
19 See the account given by this excellent observer in Wild Sports

of the Highlands,' 1846, p. 142.
fail before the involuntary. It is a fact familiar to pa

thologists, as Sir C. Bell remarks, 20 " that when de
" bility arises from affection of the brain, the influence
" is greatest on those muscles which are, in their natural
" condition, most under the command of the will." We
shall, also, in our future chapters, consider another
proposition included in our first Principle ; namely,
that the checking of one habitual movement sometimes
requires other slight movements ; these latter serving
as a means of expression.
20Philosophical Transactions,' 1823, p. 182.
E
( 50 )
CHAPTER II.
GENERAL PRINCIPLES OF EXPRESSION - continued.
-
The Principle of Antithesis — Instances in the dog and cat — Origin
of the principle - Conventional signs- The principle of anti
thesis has not arisen from opposite actions being consciously
performed under opposite impulses.
We will now consider our second Principle, that of

Antithesis. Certain states of the mind lead, as we have
seen in the last chapter, to certain habitual move
ments which were primarily, or may still be, of service ;
and we shall find that when a directly opposite state
of mind is induced, there is a strong and involuntary
tendency to the performance of movements of a directly
opposite nature, though these have never been of any
service. A few striking instances of antithesis will be
given, when we treat of the special expressions of man ;
but as, in these cases, we are particularly liable to
confound conventional or artificial gestures and ex
pressions with those which are innate or universal, and
which alone deserve to rank as true expressions, I will
in the present chapter almost confine myself to the
lower animals.
When a dog approaches a strange dog or man in a
savage or hostile frame of mind he walks upright and
very stiffly ; his head is slightly raised, or not much
lowered ; the tail is held erect and quite rigid ; the
hairs bristle, especially along the neck and back ;
the pricked ears are directed forwards, and the eyes
have a fixed stare : (see figs. 5 and 7). These actions,
as will hereafter be explained, follow from the dog's
CHAP. II. THE PRINCIPLE OF ANTITHESIS . 51
intention to attack his enemy, and are thus to a

large extent intelligible. As he prepares to spring
with a savage growl on his enemy, the canine teeth
are uncovered, and the ears are pressed close back
wards on the head ; but with these latter actions, we
are not here concerned. Let us now suppose that the
dog suddenly discovers that the man whom he is
approaching, is not a stranger, but his master ; and
let it be observed how completely and instantaneously
his whole bearing is reversed. Instead of walking
upright, the body sinks downwards or even crouches, and
is thrown into flexuous movements ; his tail, instead of
being held stiff and upright, is lowered and wagged from
side to side ; his hair instantly becomes smooth ; his
ears are depressed and drawn backwards, but not closely
to the head ; and his lips hang loosely. From the
drawing back of the ears, the eyelids become elongated,
and the eyes no longer appear round and staring. It
should be added that the animal is at such times in an
excited condition from joy ; and nerve-force will be
generated in excess, which naturally leads to action of
some kind. Not one of the above movements, so clearly
expressive of affection, are of the least direct service to
the animal. They are explicable, as far as I can see,
solely from being in complete opposition or antithesis to
the attitude and movements which, from intelligible
causes, are assumed when a dog intends to fight, and
which consequently are expressive of anger. I request
the reader to look at the four accompanying sketches,
which have been given in order to recall vividly the
appearance of a dog under these two states of mind.
It is, however, not a little difficult to represent affection
in a dog, whilst caressing his master and wagging his
tail, as the essence of the expression lies in the con
tinuous flexuous movements.
E 2
52
THE PRINCIPLE OF ANTITHESIS .
approaching
Dog
Fig
another
dog
with
intentions
Bhostile
.5.y
Riviere
.Mr.
CHAP. II.
CHAP. II.
THE PRINCIPLE OF ANTITHESIS.
6.umble
ahFig
in
same
The
Band
mind
of
frame
y
.affectionate
Riviere
Mr.
53
54
Fig
7. Half
Sheph
Dog
in
b-the
same
state red
By
Mr.
A. as
5.Fig
. erd
May
.in
CHAP. II.
CHAP. II. THE PRINCIPLE OF ANTITHESIS. 55
Fig. 8. The same caressing his master, By Mr. A. May.

56 THE PRINCIPLE OF ANTITHESIS. CHAP. II.
We will now turn to the cat. When this animal is

threatened by a dog, it arches its back in a surprising
manner, erects its hair, opens its mouth and spits.
But we are not here concerned with this well-known
attitude, expressive of terror combined with anger ;
we are concerned only with that of rage or anger.
This is not often seen, but may be observed when two
cats are fighting together ; and I have seen it well
.
exhibited by a savage cat whilst plagued by a boy.
The attitude is almost exactly the same as that of
a tiger disturbed and growling over its food, which
every one must have beheld in menageries. The
animal assumes a crouching position, with the body
extended ; and the whole tail, or the tip alone, is
lashed or curled from side to side. The hair is not
in the least erect. Thus far, the attitude and move
ments are nearly the same as when the animal is
prepared to spring on its prey, and when, no doubt ,
it feels savage. But when preparing to fight, there
is this difference, that the ears are closely pressed
backwards ; the mouth is partially opened, showing the
teeth ; the fore feet are occasionally struck out with
protruded claws ; and the animal occasionally utters a
fierce growl. (See figs. 9 and 10.) All, or almost all ,
these actions naturally follow (as hereafter to be
explained) , from the cat's manner and intention of
attacking its enemy.
Let us now look at a cat in a directly opposite
frame of mind, whilst feeling affectionate and caressing
her master ; and mark how opposite is her attitude in
every respect. She now stands upright with her back
slightly arched, which makes the hair appear rather
rough, but it does not bristle ; her tail, instead of being
extended and lashed from side to side, is held quite
stiff and perpendicularly upwards ; her ears are erect
and pointed ; her mouth is closed ; and she rubs against

her master with a purr instead of a growl. Let it
further be observed how widely different is the whole
bearing of an affectionate cat from that of a dog, when
with his body crouching and flexuous, his tail lowered
and wagging, and ears depressed , he caresses his master.
This contrast in the attitudes and movements of these
two carnivorous animals, under the same pleased and
affectionate frame of mind, can be explained , as it
appears to me, solely by their movements standing in
complete antithesis to those which are naturally
assumed, when these animals feel savage and are
prepared either to fight or to seize their prey.
In these cases of the dog and cat, there is every
reason to believe that the gestures both of hostility and
affection are innate or inherited ; for they are almost
identically the same in the different races of the spe
cies, and in all the individuals of the same race,
both young and old.
I will here give one other instance of antithesis in ex
pression. I formerly possessed a large dog, who, like
every other dog, was much pleased to go out walking.
He showed his pleasure by trotting gravely before me
with high steps, head much raised, moderately erected
ears, and tail carried aloft but not stiffly. Not far from
my house a path branches off to the right, leading to
the hot-house, which I used often to visit for a few
moments, to look at my experimental plants. This was
always a great disappointment to the dog, as he did not
know whether I should continue my walk ; and the in
stantaneous and complete change of expression which
came over him, as soon as my body swerved in the least
towards the path (and I sometimes tried this as an
experiment) was laughable. His look of dejection was
known to every member of the family, and was called
58
from
Wood
Mr.
by
life
Fig
.prepared
s9.avage
D,aCat
fight
to
nd
rawn
CHAP. II.
Fig. 10. Cat in an affectionate frame of mind. By Mr. Wood.

60 THE PRINCIPLE OF ANTITHESIS. CHAP. II.
his hot-house face. This consisted in the head drooping

much, the whole body sinking a little and remaining
motionless ; the ears and tail falling suddenly down,
but the tail was by no means wagged. With the
falling of the ears and of his great chaps, the eyes
became much changed in appearance, and I fancied
that they looked less bright. His aspect was that of
piteous, hopeless dejection ; and it was, as I have said,
laughable, as the cause was so slight. Every detail
in his attitude was in complete opposition to his former
joyful yet dignified bearing ; and can be explained, as
it appears to me, in no other way, except through the
principle of antithesis. Had not the change been so
instantaneous, I should have attributed it to his lowered
spirits affecting, as in the case of man, the nervous
system and circulation, and consequently the tone of his
whole muscular frame ; and this may have been in part
the cause .
We will now consider how the principle of antithesis

in expression has arisen. With social animals, the power
of intercommunication between the members of the
same community,-and with other species, between the
opposite sexes, as well as between the young and the
old, —is of the highest importance to them. This
is generally effected by means of the voice , but it is
certain that gestures and expressions are to a certain
extent mutually intelligible. Man not only uses in-
articulate cries, gestures, and expressions, but has
invented articulate language ; if, indeed, the word
invented can be applied to a process, completed by
innumerable steps, half-consciously made. Any one
who has watched monkeys will not doubt that
they perfectly understand each other's gestures and
expression, and to a large extent, as Rengger
asserts,¹ those of man. An animal when going to

attack another, or when afraid of another, often
makes itself appear terrible, by erecting its hair, thus
increasing the apparent bulk of its body, by showing
its teeth, or brandishing its horns, or by uttering fierce
sounds.
As the power of intercommunication is certainly of
high service to many animals, there is no à priori im
probability in the supposition , that gestures manifestly
of an opposite nature to those by which certain feelings
are already expressed , should at first have been volun
tarily employed under the influence of an opposite state
of feeling. The fact of the gestures being now innate,
would be no valid objection to the belief that they
were at first intentional ; for if practised during many
generations, they would probably at last be inherited.
Nevertheless it is more than doubtful , as we shall imme
diately see, whether any of the cases which come under
our present head of antithesis, have thus originated.
With conventional signs which are not innate, such
as those used by the deaf and dumb and by savages,
the principle of opposition or antithesis has been par
tially brought into play. The Cistercian monks thought
it sinful to speak, and as they could not avoid holding
some communication, they invented a gesture language,
in which the principle of opposition seems to have been
employed.2 Dr. Scott, of the Exeter Deaf and Dumb
Institution, writes to me that " opposites are greatly
" used in teaching the deaf and dumb, who have a lively
66 sense of them." Nevertheless I have been surprised
how few unequivocal instances can be adduced. This
1 ' Naturgeschichte der Säugethiere von Paraguay,' 1830, s. 55.

2 Mr. Tylor gives an account of the Cistercian gesture-language in
his Early History of Mankind ' (2nd edit. 1870, p. 40), and makes
some remarks on the principle of opposition in gestures.
62 THE PRINCIPLE OF ANTITHESIS . CHAP. II.
depends partly on all the signs having commonly had

some natural origin ; and partly on the practice of the
deaf and dumb and of savages to contract their signs.
as much as possible for the sake of rapidity.³ Hence
their natural source or origin often becomes doubtful or
is completely lost ; as is likewise the case with articulate
language.
Many signs, moreover, which plainly stand in oppo
sition to each other, appear to have had on both sides
a significant origin. This seems to hold good with
the signs used by the deaf and dumb for light and
darkness, for strength and weakness, &c. In a future
chapter I shall endeavour to show that the opposite
gestures of affirmation and negation, namely, verti
cally nodding and laterally shaking the head, have both
probably had a natural beginning. The waving of the
hand from right to left, which is used as a negative by
some savages, may have been invented in imitation of
shaking the head ; but whether the opposite movement
of waving the hand in a straight line from the face,
which is used in affirmation, has arisen through anti
thesis or in some quite distinct manner, is doubtful.
If we now turn to the gestures which are innate
or common to all the individuals of the same species,
and which come under the present head of antithesis,
it is extremely doubtful, whether any of them were at
first deliberately invented and consciously performed.
With mankind the best instance of a gesture standing
3 See on this subject Dr. W. R. Scott's interesting work, The Deaf

and Dumb,' 2nd edit. 1870, p. 12. He says, " This contracting of
" natural gestures into much shorter gestures than the natural expres
" sion requires, is very common amongst the deaf and dumb. This
" contracted gesture is frequently so shortened as nearly to lose all
" semblance of the natural one, but to the deaf and dumb who use it,
" it still has the force of the original expression."
in direct opposition to other movements, naturally

assumed under an opposite frame of mind, is that of
shrugging the shoulders. This expresses impotence or
an apology, - something which cannot be done, or
cannot be avoided. The gesture is sometimes used
consciously and voluntarily, but it is extremely im
probable that it was at first deliberately invented, and
afterwards fixed by habit ; for not only do young
children sometimes shrug their shoulders under the
above states of mind, but the movement is accompanied,
as will be shown in a future chapter, by various subor
dinate movements, which not one man in a thousand is
aware of, unless he has specially attended to the
subject.
Dogs when approaching a strange dog, may find it
useful to show by their movements that they are friendly,
and do not wish to fight. When two young dogs in
play are growling and biting each other's faces and legs,
it is obvious that they mutually understand each other's
gestures and manners. There seems, indeed , some degree
of instinctive knowledge in puppies and kittens, that
they must not use their sharp little teeth or claws too
freely in their play, though this sometimes happens and
a squeal is the result ; otherwise they would often injure
each other's eyes . When my terrier bites my hand in
play, often snarling at the same time, if he bites too
hard and I say gently, gently, he goes on biting, but
answers me by a few wags of the tail, which seems to
say " Never mind, it is all fun." Although dogs
do thus express, and may wish to express, to other
dogs and to man, that they are in a friendly state of
mind, it is incredible that they could ever have deli
berately thought of drawing back and depressing their
ears, instead of holding them erect, of lowering and
wagging their tails, instead of keeping them stiff and
61 THE PRINCIPLE OF ANTITHESIS. CHAP. II
upright, &c. , because they knew that these movements

stood in direct opposition to those assumed under an
opposite and savage frame of mind.
Again, when a cat, or rather when some early pro-
genitor of the species, from feeling affectionate first
slightly arched its back, held its tail perpendicularly
upwards and pricked its ears, can it be believed that
the animal consciously wished thus to show that its
frame of mind was directly the reverse of that, when
from being ready to fight or to spring on its prey, it
assumed a crouching attitude, curled its tail from side
to side and depressed its ears ? Even still less can I
believe that my dog voluntarily put on his dejected
attitude and “ hot-house face," which formed so complete
a contrast to his previous cheerful attitude and whole
bearing. It cannot be supposed that he knew that I
should understand his expression, and that he could
thus soften my heart and make me give up visiting the
hot-house.
Hence for the development of the movements which
come under the present head, some other principle,
distinct from the will and consciousness, must have
intervened. This principle appears to be that every
movement which we have voluntarily performed through-
out our lives has required the action of certain muscles ;
and when we have performed a directly opposite move-
ment, an opposite set of muscles has been habitually
brought into play, —as in turning to the right or to the
left, in pushing away or pulling an object towards us,
and in lifting or lowering a weight. So strongly are
our intentions and movements associated together, that
if we eagerly wish an object to move in any direction,
we can hardly avoid moving our bodies in the same
direction, although we may be perfectly aware that this
can have no influence. A good illustration of this fact
has already been given in the Introduction, namely, in

the grotesque movements of a young and eager billiard
player, whilst watching the course of his ball. A man
or child in a passion, if he tells any one in a loud voice
to begone, generally moves his arm as if to push him
away, although the offender may not be standing near,
and although there may be not the least need to explain
by a gesture what is meant. On the other hand , if we
eagerly desire some one to approach us closely, we act
as if pulling him towards us ; and so in innumerable
other instances.
As the performance of ordinary movements of an
opposite kind, under opposite impulses of the will, has
become habitual in us and in the lower animals, so when
actions of one kind have become firmly associated with
any sensation or emotion, it appears natural that actions
of a directly opposite kind, though of no use, should be
unconsciously performed through habit and association,
under the influence of a directly opposite sensation or
emotion. On this principle alone can I understand
how the gestures and expressions which come under
the present head of antithesis have originated. If in
deed they are serviceable to man or to any other
animal, in aid of inarticulate cries or language, they
will likewise be voluntarily employed, and the habit
will thus be strengthened. But whether or not of ser
vice as a means of communication, the tendency to
perform opposite movements under opposite sensations
or emotions would, if we may judge by analogy,
become hereditary through long practice ; and there
cannot be a doubt that several expressive movements
due to the principle of antithesis are inherited.
F
66 THE PRINCIPLE OF THE DIRECT CHAP. III.
CHAPTER III.
GENERAL PRINCIPLES OF EXPRESSION- concluded.
The principle of the direct action of the excited nervous system on

the body, independently of the will and in part of habit -
Change of colour in the hair - Trembling of the muscles
Modified secretions - Perspiration - Expression of extreme pain
-Of rage, great joy, and terror - Contrast between the emotions
which cause and do not cause expressive movements - Exciting
and depressing states of the mind - Summary.
We now come to our third Principle, namely, that cer

tain actions, which we recognise as expressive of certain
states of the mind, are the direct result of the con
stitution of the nervous system, and have been from the
first independent of the will, and, to a large extent, of
habit. When the sensorium is strongly excited nerve
force is generated in excess, and is transmitted in certain
directions, dependent on the connection of the nerve
cells, and, as far as the muscular system is concerned,
on the nature of the movements which have been
habitually practised . Or the supply of nerve-force may,
as it appears, be interrupted. Of course every movement
which we make is determined by the constitution of
the nervous system ; but actions performed in obe
dience to the will, or through habit, or through the
principle of antithesis, are here as far as possible ex
cluded. Our present subject is very obscure, but, from
its importance, must be discussed at some little length ;
and it is always advisable to perceive clearly our
ignorance.
The most striking case, though a rare and abnormal
CHAP. III. ACTION OF THE NERVOUS SYSTEM. 67
one, which can be adduced of the direct influence of the

nervous system , when strongly affected, on the body, is
the loss of colour in the hair, which has occasionally
been observed after extreme terror or grief. One
authentic instance has been recorded, in the case of a
man brought out for execution in India, in which the
change of colour was so rapid that it was perceptible
to the eye.¹
Another good case is that of the trembling of the
muscles, which is common to man and to many, or
most, of the lower animals. Trembling is of no service,
often of much disservice, and cannot have been at first
acquired through the will, and then rendered habitual
in association with any emotion. I am assured by an
eminent authority that young children do not tremble,
but go into convulsions under the circumstances which
would induce excessive trembling in adults. Trembling
is excited in different individuals in very different de-
grees, and by the most diversified causes,-by cold to
the surface, before fever-fits, although the temperature
of the body is then above the normal standard ; in
blood -poisoning, delirium tremens, and other diseases ;
by general failure of power in old age ; by exhaustion
after excessive fatigue ; locally from severe injuries ,
such as burns ; and, in an especial manner, by the
passage of a catheter. Of all emotions, fear notoriously
is the most apt to induce trembling ; but so do occa-
sionally great anger and joy. I remember once seeing a
boy who had just shot his first snipe on the wing, and
his hands trembled to such a degree from delight, that
he could not for some time reload his gun ; and I have
1 See the interesting cases collected by M. G. Pouchet in the ‘ Revue

des Deux Mondes,' January 1 , 1872, p. 79. An instance was also
brought some years ago before the British Association at Belfast.
F 2
heard of an exactly similar case with an Australian

savage, to whom a gun had been lent. Fine music,
from the vague emotions thus excited, causes a shiver
to run down the backs of some persons. There seems
to be very little in common in the above several phy-
sical causes and emotions to account for trembling ; and
Sir J. Paget, to whom I am indebted for several of the
above statements, informs me that the subject is a very
obscure one . As trembling is sometimes caused by
rage, long before exhaustion can have set in, and as it
sometimes accompanies great joy, it would appear that
any strong excitement of the nervous system interrupts
the steady flow of nerve-force to the muscles.2
The manner in which the secretions of the alimentary
canal and of certain glands-as the liver, kidneys, or
mammæ are affected by strong emotions, is another
excellent instance of the direct action of the sensorium
on these organs, independently of the will or of any
serviceable associated habit. There is the greatest dif-
ference in different persons in the parts which are thus
affected, and in the degree of their affection.
The heart, which goes on uninterruptedly beating
night and day in so wonderful a manner, is extremely
sensitive to external stimulants. The great physiologist ,
Claude Bernard,³ has shown how the least excitement
of a sensitive nerve reacts on the heart ; even when a
nerve is touched so slightly that no pain can possibly
be felt by the animal under experiment. Hence when
the mind is strongly excited, we might expect that it
would instantly affect in a direct manner the heart ;
2 Müller remarks ( Elements of Physiology,' Eng. translat. vol. ii.

p. 934) that when the feelings are very intense, " all the spinal nerves
" become affected to the extent of imperfect paralysis, or the excitement
" of trembling of the whole body."
* ' Leçons sur les Prop. des Tissus Vivants,' 1866, pp. 457–466.
and this is universally acknowledged and felt to be the

case. Claude Bernard also repeatedly insists, and this
deserves especial notice, that when the heart is affected
it reacts on the brain ; and the state of the brain again
reacts through the pneumo-gastric nerve on the heart ;
so that under any excitement there will be much mu-
tual action and reaction between these, the two most
important organs of the body.
The vaso-motor system, which regulates the diameter
of the small arteries, is directly acted on by the sen-
sorium, as we see when a man blushes from shame ; but
in this latter case the checked transmission of nerve-
force to the vessels of the face can, I think, be partly
explained in a curious manner through habit. We
shall also be able to throw some light, though very
little, on the involuntary erection of the hair under the
emotions of terror and rage. The secretion of tears
depends, no doubt, on the connection of certain nerve-
cells ; but here again we can trace some few of the steps
by which the flow of nerve-force through the requisite
channels has become habitual under certain emotions.
A brief consideration of the outward signs of some of

the stronger sensations and emotions will best serve to
show us, although vaguely, in how complex a manner
the principle under consideration of the direct action
of the excited nervous system on the body, is combined
with the principle of habitually associated, serviceable
movements.
When animals suffer from an agony of pain, they
generally writhe about with frightful contortions ; and
those which habitually use their voices utter piercing
cries or groans. Almost every muscle of the body
is brought into strong action. With man the mouth
may be closely compressed, or more commonly the
lips are retracted, with the teeth clenched or ground

together. There is said to be " gnashing of teeth " in
hell ; and I have plainly heard the grinding of the
molar teeth of a cow which was suffering acutely from Q
inflammation of the bowels. The female hippopotamus
in the Zoological Gardens, when she produced her
young, suffered greatly ; she incessantly walked about,
or rolled on her sides, opening and closing her jaws, and
clattering her teeth together. With man the eyes
stare wildly as in horrified astonishment, or the brows
are heavily contracted. Perspiration bathes the body,
and drops trickle down the face. The circulation and
respiration are much affected. Hence the nostrils are
generally dilated and often quiver ; or the breath may
be held until the blood stagnates in the purple face.
If the agony be severe and prolonged, these signs
all change ; utter prostration follows, with fainting or
convulsions.
A sensitive nerve when irritated transmits some
influence to the nerve-cell, whence it proceeds ; and
this transmits its influence, first to the corresponding
nerve-cell on the opposite side of the body, and then
upwards and downwards along the cerebro- spinal column
to other nerve-cells, to a greater or less extent, according
to the strength of the excitement ; so that, ultimately,
the whole nervous system may be affected.5 This
involuntary transmission of nerve -force may or may
not be accompanied by consciousness. Why the irri
tation of a nerve-cell should generate or liberate nerve
Mr. Bartlett , " Notes on the Birth of a Hippopotamus," Proc.

Zoolog. Soc. 1871 , p. 255.
6
5 See, on this subject, Claude Bernard, Tissus Vivants,' 1866, pp.
316, 337, 358. Virchow expresses himself to almost exactly the same
effect in his essay " Ueber das Rückenmark " (Sammlung wissenschaft.
Vorträge, 1871, s. 28).
force is not known ; but that this is the case seems

to be the conclusion arrived at by all the greatest
physiologists, such as Müller, Virchow, Bernard, &c.
As Mr. Herbert Spencer remarks, it may be received
as an " unquestionable truth that, at any moment, the
66
existing quantity of liberated nerve-force, which in
" an inscrutable way produces in us the state we call
66
feeling, must expend itself in some direction- must
66
generate an equivalent manifestation of force some-
66
where ; " so that, when the cerebro-spinal system is
highly excited and nerve-force is liberated in excess,
it may be expended in intense sensations, active
thought, violent movements, or increased activity of
7
the glands. Mr. Spencer further maintains that an
" overflow of nerve-force, undirected by any motive,
" will manifestly take the most habitual routes ; and , if
"these do not suffice, will next overflow into the less
" habitual ones." Consequently the facial and respira-
tory muscles, which are the most used, will be apt to
be first brought into action ; then those of the upper
extremities, next those of the lower, and finally those of
the whole body.8
An emotion may be very strong, but it will have
little tendency to induce movements of any kind, if it
has not commonly led to voluntary action for its relief or
gratification ; and when movements are excited, their
6 Müller ( Elements of Physiology,' Eng. translat. vol. ii . p. 932) in

66
speaking of the nerves, says, any sudden change of condition of
" whatever kind sets the nervous principle into action." See Virchow
and Bernard on the same subject in passages in the two works referred
to in my last foot-note.
H. Spencer, Essays, Scientific, Political,' &c., Second Series, 1863,
pp. 109, 111 .
s Sir H. Holland, in speaking ( Medical Notes and Reflexions,'
1839, p. 328) of that curious state of body called the fidgets, remarks
that it seems due to " an accumulation of some cause of irritation
" which requires muscular action for its relief.”
nature is, to a large extent, determined by those which

have often and voluntarily been performed for some
definite end under the same emotion. Great pain urges
all animals, and has urged them during endless genera-
tions, to make the most violent and diversified efforts to
escape from the cause of suffering. Even when a limb
or other separate part of the body is hurt, we often sce
a tendency to shake it, as if to shake off the cause,
though this may obviously be impossible. Thus a habit
of exerting with the utmost force all the muscles will
have been established, whenever great suffering is ex-
perienced. As the muscles of the chest and vocal
organs are habitually used, these will be particularly
liable to be acted on, and loud, harsh screams or cries
will be uttered. But the advantage derived from out-
cries has here probably come into play in an important
manner ; for the young of most animals, when in dis-
tress or danger, call loudly to their parents for aid , as
do the members of the same community for mutual aid .
Another principle, namely, the internal consciousness
that the power or capacity of the nervous system is
limited, will have strengthened, though in a subordinate
degree, the tendency to violent action under extreme
suffering. A man cannot think deeply and exert his
utmost muscular force. As Hippocrates long ago ob-
served, if two pains are felt at the same time, the
severer one dulls the other. Martyrs, in the ecstasy of
their religious fervour have often, as it would appear,
been insensible to the most horrid tortures. Sailors
who are going to be flogged sometimes take a piece of
lead into their mouths, in order to bite it with their
utmost force, and thus to bear the pain. Parturient
women prepare to exert their muscles to the utmost in
order to relieve their sufferings .
We thus see that the undirected radiation of nerve-
force from the nerve-cells which are first affected-

the long-continued habit of attempting by struggling
to escape from the cause of suffering-and the con-
sciousness that voluntary muscular exertion relieves
pain, have all probably concurred in giving a tendency
to the most violent, almost convulsive, movements
under extreme suffering ; and such movements, in-
cluding those of the vocal organs, are universally recog-
nised as highly expressive of this condition.
As the mere touching of a sensitive nerve reacts in a
direct manner on the heart, severe pain will obviously
react on it in like manner, but far more energetically.
Nevertheless, even in this case , we must not overlook
the indirect effects of habit on the heart, as we shall
see when we consider the signs of rage.
When a man suffers from an agony of pain, the per-
spiration often trickles down his face ; and I have been
assured by a veterinary surgeon that he has frequently
seen drops falling from the belly and running down the
inside of the thighs of horses, and from the bodies of
cattle, when thus suffering. He has observed this, when
there has been no struggling which would account for
the perspiration. The whole body of the female hippo-
potamus, before alluded to, was covered with red-coloured
perspiration whilst giving birth to her young. So it is
with extreme fear ; the same veterinary has often seen
horses sweating from this cause ; as has Mr. Bartlett
with the rhinoceros ; and with man it is a well- known
symptom. The cause of perspiration bursting forth in
these cases is quite obscure ; but it is thought by some
physiologists to be connected with the failing power of
the capillary circulation ; and we know that the vaso-
motor system, which regulates the capillary circulation ,
is much influenced by the mind. With respect to the
movements of certain muscles of the face under great
suffering, as well as from other emotions, these will be

best considered when we treat of the special expressions
of man and of the lower animals.
We will now turn to the characteristic symptoms of
Rage. Under this powerful emotion the action of the
heart is much accelerated, or it may be much dis-
turbed. The face reddens, or it becomes purple from the
impeded return of the blood , or may turn deadly pale.
The respiration is laboured, the chest heaves, and the
dilated nostrils quiver. The whole body often trembles.
The voice is affected . The teeth are clenched or ground
together, and the muscular system is commonly stimu-
lated to violent, almost frantic action. But the gestures
of a man in this state usually differ from the purposeless
writhings and struggles of one suffering from an agony
of pain ; for they represent more or less plainly the act
of striking or fighting with an enemy.
All these signs of rage are probably in large part,
and some of them appear to be wholly, due to the
direct action of the excited sensorium. But animals
of all kinds, and their progenitors before them, when
attacked or threatened by an enemy, have exerted their
utmost powers in fighting and in defending themselves.
Unless an animal does thus act, or has the intention, or
at least the desire, to attack its enemy, it cannot pro-
perly be said to be enraged. An inherited habit of
muscular exertion will thus have been gained in asso-
ciation with rage ; and this will directly or indirectly
affect various organs, in nearly the same manner as
does great bodily suffering.
The heart no doubt will likewise be affected in a direct
9 I am much indebted to Mr. A. H. Garrod for having informed me

of M. Lorain's work on the pulse, in which a sphygmogram of a woman
in a rage is given ; and this shows much difference in the rate and
other characters from that of the same woman in her ordinary state.
manner ; but it will also in all probability be affected

through habit ; and all the more so from not being
under the control of the will. We know that any great
exertion which we voluntarily make, affects the heart,
through mechanical and other principles which need
not here be considered ; and it was shown in the first
chapter that nerve-force flows readily through habitu-
ally used channels, through the nerves of volun-
tary or involuntary movement, and through those of
sensation. Thus even a moderate amount of exertion
will tend to act on the heart ; and on the principle of
association, of which so many instances have been given ,
we may feel nearly sure that any sensation or emotion,
as great pain or rage, which has habitually led to much
muscular action, will immediately influence the flow of
nerve-force to the heart, although there may not be at
the time any muscular exertion.
The heart, as I have said, will be all the more readily
affected through habitual associations, as it is not under
the control of the will. A man when moderately angry,
or even when enraged, may command the movements of
his body, but he cannot prevent his heart from beating
rapidly. His chest will perhaps give a few heaves, and
his nostrils just quiver, for the movements of respiration
are only in part voluntary. In like manner those
muscles of the face which are least obedient to the will,
will sometimes alone betray a slight and passing emo-
tion . The glands again are wholly independent of
the will, and a man suffering from grief may command
his features, but cannot always prevent the tears from
coming into his eyes. A hungry man, if tempting food
is placed before him, may not show his hunger by any
outward gesture, but he cannot check the secretion of
saliva.
Under a transport of Joy or of vivid Pleasure, there is a
strong tendency to various purposeless movements, and

to the utterance of various sounds. We see this in our
young children, in their loud laughter, clapping of hands,
and jumping for joy ; in the bounding and barking of a
dog when going out to walk with his master ; and in the
frisking of a horse when turned out into an open field.
Joy quickens the circulation, and this stimulates the
brain, which again reacts on the whole body. The
above purposeless movements and increased heart-action
may be attributed in chief part to the excited state of
the sensorium ,10 and to the consequent undirected over-
flow, as Mr. Herbert Spencer insists, of nerve-force. It
deserves notice, that it is chiefly the anticipation of a
pleasure, and not its actual enjoyment, which leads to
purposeless and extravagant movements of the body,
and to the utterance of various sounds. We see this
in our children when they expect any great pleasure or
treat ; and dogs, which have been bounding about at
the sight of a plate of food, when they get it do not
show their delight by any outward sign, not even by
wagging their tails. Now with animals of all kinds,
the acquirement of almost all their pleasures, with the
10 How powerfully intense joy excites the brain, and how the brain
reacts on the body, is well shown in the rare cases of Psychical Intoxica-
tion. Dr. J. Crichton Browne ( Medical Mirror,' 1865) records the case
of a young man of strongly nervous temperament, who, on hearing by a
telegram that a fortune had been bequeathed him, first became pale
then exhilarated, and soon in the highest spirits, but flushed and very
restless. He then took a walk with a friend for the sake of tranquil-
lising himself, but returned staggering in his gait, uproariously laugh-
ing, yet irritable in temper, incessantly talking, and singing louilly
in the public streets. It was positively ascertained that he had
not touched any spirituous liquor, though every one thought that he
was intoxicated. Vomiting after a time came on, and the half-digested
contents of his stomach were examined, but no odour of alcohol
could be detected . He then slept heavily, and on awaking was well,
except that he suffered from headache, nausea, and prostration of
strength,
exception of those of warmth and rest, are associated ,

and have long been associated with active movements,
as in the hunting or search for food, and in their
courtship. Moreover, the mere exertion of the muscles
after long rest or confinement is in itself a pleasure, as
we ourselves feel, and as we see in the play of young
animals. Therefore on this latter principle alone we
might perhaps expect, that vivid pleasure would be apt
to show itself conversely in muscular movements.
With all or almost all animals, even with birds ,
Terror causes the body to tremble. The skin becomes
pale, sweat breaks out, and the hair bristles. The
secretions of the alimentary canal and of the kidneys are
increased, and they are involuntarily voided, owing to the
relaxation of the sphincter muscles, as is known to be
the case with man, and as I have seen with cattle, dogs,
cats, and monkeys. The breathing is hurried. The heart
beats quickly, wildly, and violently ; but whether it
pumps the blood more efficiently through the body may
be doubted, for the surface seems bloodless and the
strength of the muscles soon fails. In a frightened horse
I have felt through the saddle the beating of the heart
so plainly that I could have counted the beats. The
mental faculties are much disturbed. Utter prostration
soon follows, and even fainting. A terrified canary-bird
has been seen not only to tremble and to turn white
about the base of the bill, but to faint ; " and I once
caught a robin in a room, which fainted so completely,
that for a time I thought it dead.
Most ofthese symptoms are probably the direct result,
independently of habit, of the disturbed state of the
sensorium ; but it is doubtful whether they ought to be
wholly thus accounted for. When an animal is alarmed
" Dr. Darwin, ' Zoonomia,' 1794, vol. i. p. 148.

it almost always stands motionless for a moment, in

order to collect its senses and to ascertain the source
of danger, and sometimes for the sake of escaping
detection. But headlong flight soon follows, with no
husbanding of the strength as in fighting, and the
animal continues to fly as long as the danger lasts ,
until utter prostration, with failing respiration and
circulation, with all the muscles quivering and profuse
sweating, renders further flight impossible. Hence it
does not seem improbable that the principle of asso-
ciated habit may in part account for, or at least
augment, some of the above-named characteristic symp-
toms of extreme terror.
That the principle of associated habit has played an

important part in causing the movements expressive of
the foregoing several strong emotions and sensations,
we may, I think, conclude from considering firstly,
some other strong emotions which do not ordinarily
require for their relief or gratification any voluntary
movement ; and secondly the contrast in nature between
the so-called exciting and depressing states of the
mind. No emotion is stronger than maternal love ;
but a mother may feel the deepest love for her helpless
infant, and yet not show it by any outward sign ; or
only by slight caressing movements, with a gentle
smile and tender eyes. But let any one intentionally
injure her infant, and see what a change ! how she
starts up with threatening aspect, how her eyes sparkle
and her face reddens, how her bosom heaves, nostrils
dilate , and heart beats ; for anger, and not maternal
love, has habitually led to action. The love between
the opposite sexes is widely different from maternal
love ; and when lovers meet, we know that their hearts
beat quickly, their breathing is hurried, and their faces
flush ; for this love is not inactive like that of a mother

for her infant.
A man may have his mind filled with the blackest
hatred or suspicion, or be corroded with envy or jealousy ;
but as these feelings do not at once lead to action, and as
they commonly last for some time, they are not shown
by any outward sign, excepting that a man in this state
assuredly does not appear cheerful or good-tempered .
If indeed these feelings break out into overt acts ,
rage takes their place, and will be plainly exhibited.
Painters can hardly portray suspicion , jealousy, envy,
&c. , except by the aid of accessories which tell the
tale ; and poets use such vague and fanciful expres-
sions as " green-eyed jealousy." Spenser describes
suspicion as " Foul, ill-favoured, and grim, under his
" eyebrows looking still askance," &c.; Shakespeare
speaks of envy " as lean-faced in her loathsome case ;"
and in another place he says, " no black envy shall
" make my grave ;" and again as " above pale envy's
" threatening reach."
Emotions and sensations have often been classed as
exciting or depressing. When all the organs of the
body and mind,-those of voluntary and involuntary
movement, of perception, sensation, thought, & c . , -
perform their functions more energetically and rapidly
than usual, a man or animal may be said to be excited,
and, under an opposite state, to be depressed. Anger
and joy are from the first exciting emotions, and they
naturally lead, more especially the former, to energetic
movements, which react on the heart and this again
on the brain. A physician once remarked to me as a
proof of the exciting nature of anger, that a man when
excessively jaded will sometimes invent imaginary
offences and put himself into a passion, unconsciously
for the sake of reinvigorating himself; and since
hearing this remark, I have occasionally recognized

its full truth .
Several other states of mind appear to be at first
exciting, but soon become depressing to an extreme
degree. When a mother suddenly loses her child,
sometimes she is frantic with grief, and must be con-
sidered to be in an excited state ; she walks wildly
about, tears her hair or clothes, and wrings her hands.
This latter action is perhaps due to the principle of
antithesis, betraying an inward sense of helplessness
and that nothing can be done. The other wild and
violent movements may be in part explained by the
relief experienced through muscular exertion, aud in
part by the undirected overflow of nerve-force from the
excited sensorium. But under the sudden loss of a
beloved person, one of the first and commonest thoughts
which occurs, is that something more might have been
done to save the lost one. An excellent observer, ¹2
in describing the behaviour of a girl at the sudden
death of her father, says she " went about the house
" wringing her hands like a creature demented, saying
" It was her fault ; ' I should never have left him ;'
" If I had only sat up with him.' " &c. With such
ideas vividly present before the mind, there would arise,
through the principle of associated habit, the strongest
tendency to energetic action of some kind.
As soon as the sufferer is fully conscious that nothing
can be done, despair or deep sorrow takes the place of
frantic grief. The sufferer sits motionless, or gently
rocks to and fro ; the circulation becomes languid ;
respiration is almost forgotten, and deep sighs are drawu .
All this reacts on the brain, and prostration soon
follows with collapsed muscles and dulled eyes. As
12 Mrs. Oliphant, in her novel of ' Miss Majoribanks,' p . 362 .

associated habit no longer prompts the sufferer to

action, he is urged by his friends to voluntary exertion,
and not to give way to silent, motionless grief. Exer-
tion stimulates the heart, and this reacts on the brain,
and aids the mind to bear its heavy load.
Pain, if severe, soon induces extreme depression or
prostration ; but it is at first a stimulant and excites to
action, as we see when we whip a horse, and as is shown
by the horrid tortures inflicted in foreign lands on ex-
hausted dray-bullocks, to rouse them to renewed exertion .
Fear again is the most depressing of all the emotions ;
and it soon induces utter, helpless prostration, as if in
consequence of, or in association with, the most violent
and prolonged attempts to escape from the danger,
though no such attempts have actually been made.
Nevertheless, even extreme fear often acts at first as a
powerful stimulant. A man or animal driven through
terror to desperation, is endowed with wonderful
strength, and is notoriously dangerous in the highest
degree.
On the whole we may conclude that the principle of

the direct action of the sensorium on the body, due to
the constitution of the nervous system, and from the first
independent of the will, has been highly influential in
determining many expressions. Good instances are
afforded by the trembling of the muscles, the sweating
of the skin, the modified secretions of the alimentary
canal and glands, under various emotions and sensations .
But actions of this kind are often combined with others,
which follow from our first principle, namely, that actions
which have often been of direct or indirect service, under
certain states of the mind, in order to gratify or relieve
certain sensations, desires, &c ., are still performed under
analogous circumstances through mere habit, although
G
82 ACTION OF THE NERVOUS SYSTEM. CHAP. III.
of no service. We have combinations of this kind, at least

in part, in the frantic gestures of rage and in the writhings
of extreme pain ; and, perhaps, in the increased action of
the heart and of the respiratory organs. Even when
these and other emotions or sensations are aroused in a
very feeble manner, there will still be a tendency to simi-
lar actions, owing to the force of long-associated habit ;
and those actions which are least under voluntary control
will generally be longest retained. Our second principle
of antithesis has likewise occasionally come into play.
Finally, so many expressive movements can be ex-

plained, as I trust will be seen in the course of this
volume, through the three principles which have now
been discussed, that we may hope hereafter to see all
thus explained, or by closely analogous principles. It is,
however, often impossible to decide how much weight
ought to be attributed, in each particular case, to one
of our principles, and how much to another ; and very
many points in the theory of Expression remain inex-
plicable.
CHAP. IV. MEANS OF EXPRESSION IN ANIMALS. 83
CHAPTER IV.
MEANS OF EXPRESSION IN ANIMALS.
The emission of sounds - Vocal sounds- Sounds otherwise pro-

duced Erection of the dermal appendages, hairs, feathers, &c. ,
under the emotions of anger and terror---- The drawing back of
the ears as a preparation for fighting, and as an expression
of anger -- Erection of the ears and raising the head, a sign of
attention .
IN this and the following chapter I will describe, but

only in sufficient detail to illustrate my subject, the
expressive movements, under different states of the
mind, of some few well-known animals. But before
considering them in due succession, it will save much
useless repetition to discuss certain means of expression
common to most of them.
The emission of Sounds.- With many kinds of ani-
mals, man included, the vocal organs are efficient in
the highest degree as a means of expression. We have
seen, in the last chapter, that when the sensorium is
strongly excited, the muscles of the body are generally
thrown into violent action ; and as a consequence, loud
sounds are uttered, however silent the animal may
generally be, and although the sounds may be of no
use. Hares and rabbits for instance, never, I believe,
use their vocal organs except in the extremity of
suffering ; as, when a wounded hare is killed by the
sportsmen, or when a young rabbit is caught by a
stoat. Cattle and horses suffer great pain in silence ;
but when this is excessive, and especially when asso-
ciated with terror, they utter fearful sounds. I have
ત 2
84 MEANS OF EXPRESSION CHAP. IV.
often recognized, from a distance on the Pampas, the

agonized death-bellow of the cattle, when caught by
the lasso and hamstrung. It is said that horses, when
attacked by wolves, utter loud and peculiar screams of
distress.
Involuntary and purposeless contractions of the
muscles of the chest and glottis, excited in the above
manner, may have first given rise to the emission of
vocal sounds. But the voice is now largely used by
many animals for various purposes ; and habit seems to
have played an important part in its employment
under other circumstances. Naturalists have remarked ,
I believe with truth, that social animals, from habitually
using their vocal organs as a means of intercommunica
tion, use them on other occasions much more freely
than other animals . But there are marked excep
tions to this rule, for instance, with the rabbit. The
principle, also, of association, which is so widely extended
in its power, has likewise played its part. Hence it
follows that the voice, from having been habitually
employed as a serviceable aid under certain conditions,
inducing pleasure, pain, rage, &c., is commonly used
whenever the same sensations or emotions are excited,
under quite different conditions, or in a lesser degree.
The sexes of many animals incessantly call for each
other during the breeding-season ; and in not a few
cases, the male endeavours thus to charm or excite the
female. This, indeed , seems to have been the primeval
use and means of development of the voice, as I have
attempted to show in my ' Descent of Man.' Thus the
use of the vocal organs will have become associated
with the anticipation of the strongest pleasure which
animals are capable of feeling. Animals which live in
society often call to each other when separated, and
evidently feel much joy at meeting ; as we see with a
CHAP. IV. IN ANIMALS. 85
horse, on the return of his companion, for whom he has

been neighing. The mother calls incessantly for her
lost young ones ; for instance, a cow for her calf; and
the young of many animals call for their mothers.
When a flock of sheep is scattered, the ewes bleat
incessantly for their lambs, and their mutual pleasure
at coming together is manifest. Woe betide the man .
who meddles with the young of the larger and fiercer
quadrupeds, if they hear the cry of distress from
their young. Rage leads to the violent exertion of all
the muscles, including those of the voice ; and some
animals, when enraged, endeavour to strike terror into
their enemies by its power and harshness, as the lion
does by roaring, and the dog by growling. I infer that
their object is to strike terror, because the lion at the
same time erects the hair of its mane, and the dog
the hair along its back, and thus they make themselves
appear as large and terrible as possible. Rival males
try to excel and challenge each other by their voices ,
and this leads to deadly contests. Thus the use of the
voice will have become associated with the emotion of
anger, however it may be aroused. We have also scen
that intense pain, like rage, leads to violent outcries,
and the exertion of screaming by itself gives some
relief; and thus the use of the voice will have become
associated with suffering of any kind.
The cause of widely different sounds being uttered
under different emotions and sensations is a very
obscure subject. Nor does the rule always hold good
that there is any marked difference. For instance
with the dog, the bark of anger and that of joy do
not differ much, though they can be distinguished .
It is not probable that any precise explanation of the
cause or source of each particular sound, under different
states of the mind, will ever be given. We know that
some animals, after being domesticated, have acquired

the habit of uttering sounds which were not natural
to them.¹ Thus domestic dogs, and even tamed jackals,
have learnt to bark, which is a noise not proper to any
species of the genus, with the exception of the Canis
latrans of North America, which is said to bark. Some
breeds, also, of the domestic pigeon have learnt to coo
in a new and quite peculiar manner.
The character of the human voice, under the in-
fluence of various emotions, has been discussed by
Mr. Herbert Spencer 2 in his interesting essay on
Music. He clearly shows that the voice alters much
under different conditions, in loudness and in quality,
that is, in resonance and timbre, in pitch and intervals.
No one can listen to an eloquent orator or preacher,
or to a man calling angrily to another, or to one
expressing astonishment, without being struck with
the truth of Mr. Spencer's remarks. It is curious how
early in life the modulation of the voice becomes ex-
pressive. With one of my children, under the age of
two years, I clearly perceived that his humph of assent
was rendered by a slight modulation strongly emphatic ;
and that by a peculiar whine his negative expressed
obstinate determination. Mr. Spencer further shows
that emotional speech, in all the above respects is
intimately related to vocal music, and consequently
to instrumental music ; and he attempts to explain the
characteristic qualities of both on physiological grounds,
-namely, on " the general law that a feeling is a sti-
"mulus to muscular action. " It may be admitted that
See the evidence on this head in my ' Variation of Animals and

Plants under Domestication,' vol. i . p. 27. On the cooing of pigeons,
vol. i. pp. 154, 155.
"
2 Essays, Scientific, Political, and Speculative,' 1858. ' The Origin
and Function of Music ,' p. 359.
87
f
CHAP. IV. IN ANIMALS . 870.
the voice is affected through this law ; but the expla-

nation appears to me too general and vague to throw
much light on the various differences, with the excep-
tion of that of loudness, between ordinary speech and
emotional speech, or singing.
This remark holds good , whether we believe that the
various qualities of the voice originated in speaking
under the excitement of strong feelings, and that these
qualities have subsequently been transferred to vocal
music ; or whether we believe, as I maintain, that the
habit of uttering musical sounds was first developed, as
a means of courtship, in the early progenitors of man ,
and thus became associated with the strongest emotions
of which they were capable, -namely, ardent love,
rivalry and triumph. That animals utter musical notes
is familiar to every one, as we may daily hear in the
singing of birds. It is a more remarkable fact that an
ape, one of the Gibbons, produces an exact octave of
musical sounds, ascending and descending the scale by
half-tones ; so that this monkey " alone of brute mam-
3
" mals may be said to sing." From this fact, and
from the analogy of other animals, I have been led
to infer that the progenitors of man probably uttered
musical tones, before they had acquired the power of
articulate speech ; and that consequently, when the
voice is used under any strong emotion, it tends to
assume, through the principle of association, a musical
character. We can plainly perceive, with some of the
lower animals, that the males employ their voices to
The Descent of Man,' 1870, vol. ii . p. 332. The words quoted are
from Professor Owen. It has lately been shown that some quadrupeds
much lower in the scale than monkeys, namely Rodents, are able to pro-
duce correct musical tones : see the account of a singing Hesperomys,
6
by the Rev. S. Lockwood, in the American Naturalist,' vol. v. De-
cember, 1871, p. 761 .
please the females, and that they themselves take

pleasure in their own vocal utterances ; but why par-
ticular sounds are uttered, and why these give pleasure
cannot at present be explained .
That the pitch of the voice bears some relation to
certain states of feeling is tolerably clear. A person
gently complaining of ill-treatment, or slightly suffer-
ing, almost always speaks in a high-pitched voice.
Dogs, when a little impatient, often make a high piping
note through their noses, which at once strikes us
4
as plaintive ; but how difficult it is to know whether
the sound is essentially plaintive, or only appears so
in this particular case, from our having learnt by
experience what it means ! Rengger, states that the
monkeys (Cebus azara), which he kept in Paraguay,
expressed astonishment by a half-piping, half-snarling
noise ; anger or impatience, by repeating the sound
hu hu in a deeper, grunting voice ; and fright or pain,
by shrill screams. On the other hand, with mankind,
deep groans and high piercing screams equally express
an agony of pain. Laughter may be either high or
low ; so that, with adult men, as Haller long ago
6
remarked, the sound partakes of the character of
the vowels (as pronounced in German) O and A ; whilst
with children and women, it has more of the character
of E and I; and these latter vowel-sounds naturally
have, as Helmholtz has shown, a higher pitch than
the former ; yet both tones of laughter equally express
enjoyment or amusement.
In considering the mode in which vocal utterances
express emotion, we are naturally led to inquire into
Mr. Tylor (' Primitive Culture,' 1871 , vol. i. p. 166), in his discus-
sion on this subject, alludes to the whining of the dog.
Naturgeschichte der Säugethiere von Paraguay,' 1830, s. 46.
Quoted by Gratiolet, ' De la Physionomie,' 1865, p. 115.
the cause of what is called " expression " in music.

Upon this point Mr. Litchfield, who has long attended
to the subject of music, has been so kind as to give me
the following remarks :-" The question, what is the
" essence of musical ' expression ' involves a number
"of obscure points, which, so far as I am aware, are as
" yet unsolved enigmas. Up to a certain point, how-
" ever, any law which is found to hold as to the expres-
" sion of the emotions by simple sounds must apply to
the more developed mode of expression in song, which
66 may be taken as the primary type of all music. A
66
great part of the emotional effect of a song depends
66
on the character of the action by which the sounds
" are produced. In songs, for instance, which express
66
great vehemence of passion, the effect often chiefly
66
depends on the forcible utterance of some one or two
" characteristic passages which demand great exertion
" of vocal force ; and it will be frequently noticed that
" a song of this character fails of its proper effect when
66
sung by a voice of sufficient power and range to give
" the characteristic passages without much exertion.
" This is, no doubt, the secret of the loss of effect so
" often produced by the transposition of a song from
" one key to another. The effect is thus seen to depend
" not merely on the actual sounds, but also in part on
" the nature of the action which produces the sounds.
" Indeed it is obvious that whenever we feel the ' ex-
" pression ' of a song to be due to its quickness or slow-
66
ness of movement-to smoothness of flow, loudness of
" utterance, and so on—we are, in fact, interpreting the
" muscular actions which produce sound, in the same
66
way in which we interpret muscular action generally.
" But this leaves unexplained the more subtle and more
" specific effect which we call the musical expression of
" the song-the delight given by its melody, or even
66
by the separate sounds which make up the melody.
" This is an effect indefinable in language - one which,
66
so far as I am aware, no one has been able to analyse,
" and which the ingenious speculation of Mr. Herbert
66
Spencer as to the origin of music leaves quite unex
" plained. For it is certain that the melodic effect of a
" series of sounds does not depend in the least on their
" loudness or softness, or on their absolute pitch . A
" tune is always the same tune, whether it is sung loudly
" or softly, by a child or a man ; whether it is played
" on a flute or on a trombone. The purely musical
" effect of any sound depends on its place in what is
66
technically called a ' scale ; ' the same sound producing
66
absolutely different effects on the ear, according as it
" is heard in connection with one or another series of
" sounds .
" It is on this relative association of the sounds that
" all the essentially characteristic effects which are
" summed up in the phrase ' musical expression ,' depend.
" But why certain associations of sounds have such-and
" such effects, is a problem which yet remains to be
" solved. These effects must indeed, in some way or
66
other, be connected with the well-known arithmetical
" relations between the rates of vibration of the sounds
"which form a musical scale. And it is possible
“ but this is merely a suggestion-that the greater or
" less mechanical facility with which the vibrating
" apparatus of the human larynx passes from one state
66
of vibration to another, may have been a primary
" cause of the greater or less pleasure produced by
" various sequences of sounds."
But leaving aside these complex questions and con
fining ourselves to the simpler sounds, we can, at least,
see some reasons for the association of certain kinds of
sounds with certain states of mind. A scream, for
instance, uttered by a young animal, or by one of the

members of a community, as a call for assistance, will
naturally be loud, prolonged , and high , so as to pene-
7
trate to a distance. For Helmholtz has shown that,
owing to the shape of the internal cavity of the human
ear and its consequent power of resonance, high notes
produce a particularly strong impression. When male
animals utter sounds in order to please the females, they
would naturally employ those which are sweet to the
ears of the species ; and it appears that the same
sounds are often pleasing to widely different animals,
owing to the similarity of their nervous systems, as we
ourselves perceive in the singing of birds and even in
the chirping of certain tree-frogs giving us pleasure.
On the other hand, sounds produced in order to strike
terror into an enemy, would naturally be harsh or
displeasing.
Whether the principle of antithesis has come into
play with sounds, as might perhaps have been expected,
is doubtful. The interrupted , laughing or tittering
sounds made by man and by various kinds of monkeys
when pleased, are as different as possible from the pro-
longed screams of these animals when distressed. The
deep grunt of satisfaction uttered by a pig, when pleased
with its food, is widely different from its harsh scream
of pain or terror. But with the dog, as lately remarked ,
the bark of anger and that of joy are sounds which by
no means stand in opposition to each other ; and so it is
in some other cases.
There is another obscure point, namely, whether the
sounds which are produced under various states of the
7 Théorie Physiologique de la Musique,' Paris, 1868, p. 146.

Helmholtz has also fully discussed in this profound work the relation
of the form of the cavity of the mouth to the production of vowel-
sounds.
92 MEANS OF EXPRESSION CHAP. IV
mind determine the shape of the mouth , or whether

its shape is not determined by independent causes, and
the sound thus modified . When young infants cry they
open their mouths widely, and this, no doubt, is neces
sary for pouring forth a full volume of sound ; but the
mouth then assumes, from a quite distinct cause, an
almost quadrangular shape , depending, as will hereafter
be explained, on the firm closing of the eyelids, and con
sequent drawing up of the upper lip. How far this
square shape of the mouth modifies the wailing or
crying sound, I am not prepared to say ; but we know
from the researches of Helmholtz and others that the
form of the cavity of the mouth and lips determines the
nature and pitch of the vowel sounds which are pro
duced.
It will also be shown in a future chapter that, under
the feeling of contempt or disgust, there is a tendency,
from intelligible causes, to blow out of the mouth or
nostrils, and this produces sounds like pooh or pish.
When any one is startled or suddenly astonished, there
is an instantaneous tendency, likewise from an intel
ligible cause, namely, to be ready for prolonged exer
tion, to open the mouth widely, so as to draw a deep and
rapid inspiration . When the next full expiration follows,
the mouth is slightly closed, and the lips, from causes
hereafter to be discussed, are somewhat protruded ; and
this form of the mouth, if the voice be at all exerted,
produces, according to Helmholtz, the sound of the
Vowel O. Certainly a deep sound of a prolonged Oh !
may be heard from a whole crowd of people immediately
after witnessing any astonishing spectacle. If, together
with surprise, pain be felt, there is a tendency to con
tract all the muscles of the body , including those of the
face, and the lips will then be drawn back ; and this
will perhaps account for the sound becoming higher and
assuming the character of Ah ! or Ach ! As fear causes

all the muscles of the body to tremble, the voice naturally
becomes tremulous, and at the same time husky from
the dryness of the mouth, owing to the salivary glands
failing to act. Why the laughter of man and the
tittering of monkeys should be a rapidly reiterated
sound, cannot be explained. During the utterance of
these sounds, the mouth is transversely elongated by
the corners being drawn backwards and upwards ;
and of this fact an explanation will be attempted
in a future chapter. But the whole subject of the
differences of the sounds produced
under different states of the mind is
so obscure, that I have succeeded in
throwing hardly any light on it ; and
the remarks which I have made, have
but little significance.
All the sounds hitherto noticed de

pend on the respiratory organs ; but
sounds produced by wholly different
means are likewise expressive. Rab
bits stamp loudly on the ground as a
signal to their comrades ; and if a man
knows how to do so properly, he may
on a quiet evening hear the rabbits
answering him all around. These ani
mals, as well as some others, also stamp
on the ground when made angry. Por
cupines rattle their quills and vibrate
their tails when angered ; and one be
haved in this manner when a live snake Fig. 11. Sonnd-producing
quills from the tail of
was placed in its compartment. The the Porcupine.
quills on the tail are very different from those on the
body they are short, hollow, thin like a goose-quill,
with their ends transversely truncated, so that they are

open ; they are supported on long, thin, elastic foot
stalks . Now, when the tail is rapidly shaken, these
hollow quills strike against each other and produce,
as I heard in the presence of Mr. Bartlett, a peculiar
continuous sound . We can, I think, understand why
porcupines have been provided, through the modifica
tion of their protective spines, with this special sound
producing instrument. They are nocturnal animals,
and if they scented or heard a prowling beast of prey,
it would be a great advantage to them in the dark to
give warning to their enemy what they were, and that
they were furnished with dangerous spines. They would
thus escape being attacked . They are, as I may add,
so fully conscious of the power of their weapons, that
when enraged they will charge backwards with their
spines erected, yet still inclined backwards.
Many birds during their courtship produce diversified
sounds by means of specially adapted feathers. Storks,
when excited, make a loud clattering noise with their
beaks. Some snakes produce a grating or rattling noise.
Many insects stridulate by rubbing together specially
modified parts of their hard integuments. This stridula
tion generally serves as a sexual charm or call ; but it
8
is likewise used to express different emotions. Every
one who has attended to bees knows that their humming
changes when they are angry ; and this serves as a
warning that there is danger of being stung. I have
made these few remarks because some writers have
laid so much stress on the vocal and respiratory organs
as having been specially adapted for expression, that it
was advisable to show that sounds otherwise produced
serve equally well for the same purpose.
"
8 I have given some details on this subject in my Descent of Man,'
vol. i . pp. 352, 384.
Erection of the dermal appendages.-Hardly any ex-

pressive movement is so general as the involuntary
erection of the hairs, feathers and other dermal appen-
dages ; for it is common throughout three of the great
vertebrate classes. These appendages are erected under
the excitement of anger or terror ; more especially
when these emotions are combined, or quickly succeed
each other. The action serves to make the animal
appear larger and more frightful to its enemies or
rivals, and is generally accompanied by various volun-
tary movements adapted for the same purpose, and by
the utterance of savage sounds. Mr. Bartlett, who has
had such wide experience with animals of all kinds, does
not doubt that this is the case ; but it is a different
question whether the power of erection was primarily
acquired for this special purpose.
I will first give a considerable body of facts showing
how general this action is with mammals, birds and
reptiles ; retaining what I have to say in regard to man
for a future chapter. Mr. Sutton, the intelligent keeper
in the Zoological Gardens, carefully observed for me
the Chimpanzee and Orang ; and he states that when
they are suddenly frightened, as by a thunderstorm , or
when they are made angry, as by being teased , their
hair becomes erect. I saw a chimpanzee who was
alarmed at the sight of a black coalheaver, and the
hair rose all over his body ; he made little starts
forward as if to attack the man, without any real
intention of doing so, but with the hope, as the keeper
remarked, of frightening him. The Gorilla, when
enraged, is described by Mr. Ford as having his
crest of hair " erect and projecting forward, his nostrils
" dilated, and his under lip thrown down ; at the same
As quoted in Huxley's ' Evidence as to Man's Place in Nature,'
1863, p. 52
" time uttering his characteristic yell, designed, it would

" seem, to terrify his antagonists." I saw the hair on the
Anubis baboon, when angered bristling along the back,
from the neck to the loins, but not on the rump or
other parts of the body. I took a stuffed snake into
the monkey-house, and the hair on several of the species
instantly became erect ; especially on their tails, as I
particularly noticed with the Cercopithecus nictitans.
Brehm states 10 that the Midas adipus (belonging to the
American division ) when excited erects its mane, in
order, as he adds, to make itself as frightful as possible.
With the Carnivora the erection of the hair seems to
be almost universal, often accompanied by threatening
movements, the uncovering of the teeth and the utter
ance of savage growls. In the Herpestes, I have seen
the hair on end over nearly the whole body , including the
tail ; and the dorsal crest is erected in a conspicuous
manner by the Hyæna and Proteles. The enraged lion
erects his mane. The bristling of the hair along the
neck and back of the dog, and over the whole body of
the cat, especially on the tail , is familiar to every one.
With the cat it apparently occurs only under fear ; with
the dog, under anger and fear ; but not, as far as I have
observed, under abject fear, as when a dog is going to be
flogged by a severe gamekeeper. If, however, the dog
shows fight, as sometimes happens, up goes his hair.
I have often noticed that the hair of a dog is particu
larly liable to rise, if he is half angry and half afraid ,
as on beholding some object only indistinctly seen in
the dusk.
I have been assured by a veterinary surgeon that he
has often seen the hair erected on horses and cattle, on
which he had operated and was again going to operate.
10 Illust. Thierleben, 1861, B. i . s. 130 .

CHAP. IV. IN ANIMALS . 97.
When I showed a stuffed snake to a Peccary, the hair

rose in a wonderful manner along its back ; and so it
does with the boar when enraged. An Elk which gored
a man to death in the United States, is described as
first brandishing his antlers, squealing with rage and
stamping on the ground ; " at length his hair was seen
"to rise and stand on end," and then he plunged forward
to the attack. 11 The hair likewise becomes erect
on goats, and, as I hear from Mr. Blyth, on some Indian
antelopes. I have seen it erected on the hairy Ant-
eater ; and on the Agouti, one of the Rodents. A
female Bat, 12 which reared her young under con-
finement, when any one looked into the cage " erected
"the fur on her back, and bit viciously at intruding
"fingers."
Birds belonging to all the chief Orders ruffle their
feathers when angry or frightened. Every one must
have seen two cocks, even quite young birds, preparing
to fight with erected neck-hackles ; nor can these
feathers when erected serve as a means of defence,
for cock-fighters have found by experiènce that it is
advantageous to trim them. The male Ruff (Ma-
chetes pugnax) likewise erects its collar of feathers
when fighting. When a dog approaches a common hen
with her chickens, she spreads out her wings, raises her
tail, ruffles all her feathers, and looking as ferocious as
possible, dashes at the intruder. The tail is not always
held in exactly the same position ; it is sometimes
so much erected, that the central feathers, as in the
accompanying drawing, almost touch the back. Swans,
when angered, likewise raise their wings and tail , and
11 The Hon. J. Caton, Ottawa Acad. of Nat. Sciences, May, 1868,

pp. 36, 40. For the Capra Ægagrus, 6 Land and Water,' 1867, p. 37.
12 Land and Water,' July 20, 1867 , p. 659.
H
erect their feathers. They open their beaks, and make

by paddling little rapid starts forwards, against any
one who approaches the water's edge too closely.
Tropic birds 13 when disturbed on their nests are
said not to fly away, but " merely to stick out
"their feathers and scream." The Barn-owl, when ap
Fig. 12. Hen driving away a dog from her chickens. Drawn fromlife by Mr. Wood.
proached " instantly swells out its plumage, extends its

" wings and tail, hisses and clacks its mandibles with
" 14 So do other kinds of owls.
"force and rapidity ."
Hawks, as I am informed by Mr. Jenner Weir, likewise
ruffle their feathers, and spread out their wings and tail
13 Phaeton rubricauda : Ibis,' vol. iii. 1861 , p. 180.

14 On the Strix flammea, Audubon, Ornithological Biography,'
1864, vol. ii. p. 407. I have observed other cases in the Zoological
Gardens.
under similar circumstances. Some kinds of parrots

erect their feathers ; and I have seen this action in the
Cassowary, when angered at the sight of an Anteater.
Young cuckoos in the nest, raise their feathers, open
their mouths widely, and make themselves as frightful
as possible.
Fig. 13. Swan driving away an intruder. Drawn from life by Mr. Wood.
Small birds, also, as I hear from Mr. Weir, such

as various finches, buntings and warblers , when angry,
ruffle all their feathers, or only those round the
neck ; or they spread out their wings and tail-feathers.
With their plumage in this state, they rush at each
other with open beaks and threatening gestures . Mr.
Weir concludes from his large experience that the
erection of the feathers is caused much more by anger
than by fear. He gives as an instance a hybrid gold
H 2
finch of a most irascible disposition , which when ap-

proached too closely by a servant, instantly assumes
the appearance of a ball of ruffled feathers. He be-
lieves that birds when frightened , as a general rule,
closely adpress all their feathers, and their consequently
diminished size is often astonishing . As soon as they
recover from their fear or surprise, the first thing
which they do is to shake out their feathers. The
best instances of this adpression of the feathers and
apparent shrinking of the body from fear, which Mr.
Weir has noticed, has been in the quail and grass-
parrakeet. 15 The habit is intelligible in these birds
from their being accustomed, when in danger, either
to squat on the ground or to sit motionless on a branch,
so as to escape detection. Though, with birds, anger
may be the chief and commonest cause of the erection
of the feathers, it is probable that young cuckoos when
looked at in the nest, and a hen with her chickens when
approached by a dog, feel at least some terror. Mr.
Tegetmeier informs me that with game-cocks, the
erection of the feathers on the head has long been
recognized in the cock-pit as a sign of cowardice. -
The males of some lizards, when fighting together
during their courtship , expand their throat pouches or
frills, and erect their dorsal crests. 16 But Dr. Günther
does not believe that they can erect their separate
spines or scales.
We thus see how generally throughout the two
higher vertebrate classes, and with some reptiles, the
dermal appendages are erected under the influence
of anger and fear. The movement is effected, as we
15 Melopsittacus undulatus. See an account of its habits by Gould,

"Handbook of Birds of Australia,' 1865, vol. ii. p. 82.
16 See, for instance, the account which I have given (' Descent of •
Man,' vol. ii. p. 32) of an Anolis and Draco,
know from Kölliker's interesting discovery, by the con

traction of minute, unstriped, involuntary muscles,¹7
often called arrectores pili, which are attached to the
capsules of the separate hairs, feathers, &c. By the con
traction of these muscles the hairs can be instantly
erected, as we see in a dog, being at the same time drawn
a little out of their sockets ; they are afterwards quickly
depressed. The vast number of these minute muscles
over the whole body of a hairy quadruped is astonishing.
The erection of the hair is, however, aided in some cases,
as with that on the head of a man, by the striped and
voluntary muscles of the underlying panniculus car
nosus. It is by the action of these latter muscles, that
the hedgehog erects its spines. It appears, also, from
the researches of Leydig 18 and others, that striped
fibres extend from the panniculus to some of the larger
hairs, such as the vibrissæ of certain quadrupeds. The
arrectores pili contract not only under the above emo
tions, but from the application of cold to the surface.
I remember that my mules and dogs, brought from a
lower and warmer country, after spending a night on the
bleak Cordillera, had the hair all over their bodies as
erect as under the greatest terror. We see the same
action in our own goose-skin during the chill before a
fever-fit. Mr. Lister has also found, 19 that tickling
a neighbouring part of the skin causes the erection
and protrusion of the hairs.
From these facts it is manifest that the erection of
the dermal appendages is a reflex action, independent
17 These muscles are described in his well-known works. I am

greatly indebted to this distinguished observer for having given me
in a letter information on this same subject.
18 6 Lehrbuch der Histologie des Menschen,' 1857, s. 82. I owe to
Prof. W. Turner's kindness an extract from this work.
"
19 Quarterly Journal of Microscopical Science,' 1853, vol. i. p. 262.
of the will ; and this action must be looked at, when,

occurring under the influence of anger or fear, not as a
power acquired for the sake of some advantage, but
as an incidental result, at least to a large extent, of the
sensorium being affected. The result, in as far as it is
incidental, may be compared with the profuse sweating
from an agony of pain or terror. Nevertheless, it is
remarkable how slight an excitement often suffices to
cause the hair to become erect ; as when two dogs
pretend to fight together in play. We have, also, seen
in a large number of animals, belonging to widely dis-
tinct classes, that the erection of the hair or feathers is
almost always accompanied by various voluntary move-
ments-by threatening gestures, opening the mouth ,
uncovering the teeth, spreading out of the wings and
tail by birds, and by the utterance of harsh sounds ;
and the purpose of these voluntary movements is un-
mistakable. Therefore it seems hardly credible that
the co-ordinated erection of the dermal appendages, by
which the animal is made to appear larger and more
terrible to its enemies or rivals, should be altogether an
incidental and purposeless result of the disturbance of
the sensorium. This seems almost as incredible as that
the erection by the hedgehog of its spines, or of the
quills by the porcupine, or of the ornamental plumes
by many birds during their courtship, should all be
purposeless actions.
We here encounter a great difficulty. How can the
contraction of the unstriped and involuntary arrectores
pili have been co-ordinated with that of various volun-
tary muscles for the same special purpose ? If we
could believe that the arrectores primordially had been
voluntary muscles, and had since lost their stripes and
become involuntary, the case would be comparatively
simple. I am not, however, aware that there is any
evidence in favour of this view ; although the reversed

transition would not have presented any great diffi
culty, as the voluntary muscles are in an unstriped con
dition in the embryos of the higher animals, and in the
larvæ of some crustaceans. Moreover in the deeper
layers of the skin of adult birds, the muscular network
is, according to Leydig, 20 in a transitional condition ;
the fibres exhibiting only indications of transverse
striation .
Another explanation seems possible. We may admit
that originally the arrectores pili were slightly acted on
in a direct manner, under the influence of rage and
terror, by the disturbance of the nervous system ; as is
undoubtedly the case with our so-called goose-skin
before a fever-fit. Animals have been repeatedly
excited by rage and terror during many generations ;
and consequently the direct effects of the disturbed
nervous system on the dermal appendages will almost
certainly have been increased through habit and through
the tendency of nerve-force to pass readily along accus
tomed channels. We shall find this view of the force
of habit strikingly confirmed in a future chapter, where
it will be shown that the hair of the insane is affected
in an extraordinary manner, owing to their repeated
accesses of fury and terror. As soon as with animals
the power of erection had thus been strengthened or
increased, they must often have seen the hairs or
feathers erected in rival and enraged males, and the
bulk of their bodies thus increased. In this case it
appears possible that they might have wished to make
themselves appear larger and more terrible to their
enemies, by voluntarily assuming a threatening atti
tude and uttering harsh cries ; such attitudes and
20 Lehrbuch der Histologie,' 1857, s. 82.

utterances after a time becoming through habit in

stinctive. In this manner actions performed by the
contraction of voluntary muscles might have been
combined for the same special purpose with those
effected by involuntary muscles. It is even possible
that animals, when excited and dimly conscious of
some change in the state of their hair, might act on
it by repeated exertions of their attention and will ;
for we have reason to believe that the will is able to
influence in an obscure manner the action of some
unstriped or involuntary muscles, as in the period
of the peristaltic movements of the intestines, and in
the contraction of the bladder. Nor must we over
look the part which variation and natural selection
may have played ; for the males which succeeded in
making themselves appear the most terrible to their
rivals, or to their other enemies, if not of overwhelming
power, will on an average have left more offspring to
inherit their characteristic qualities, whatever these
may be and however first acquired, than have other
males.
The inflation of the body, and other means of exciting
fear in an enemy. -Certain Amphibians and Reptiles ,
which either have no spines to erect, or no muscles by
which they can be erected, enlarge themselves when
alarmed or angry by inhaling air. This is well known
to be the case with toads and frogs. The latter animal
is made, in Æsop's fable of the ' Ox and the Frog,' to
blow itself up from vanity and envy until it burst. This
action must have been observed during the most ancient
21
times, as, according to Mr. Hensleigh Wedgwood,
the word toad expresses in several of the languages of
Europe the habit of swelling. It has been observed
6
21 Dictionary of English Etymology, ' p. 403.
with some of the exotic species in the Zoological

Gardens ; and Dr. Günther believes that it is general
throughout the group. Judging from analogy, the
primary purpose probably was to make the body appear
as large and frightful as possible to an enemy ; but
another, and perhaps more important secondary advan-
tage is thus gained. When frogs are seized by snakes,
which are their chief enemies, they enlarge themselves
wonderfully ; so that if the snake be of small size, as
Dr. Günther informs me, it cannot swallow the frog,
which thus escapes being devoured.
Chameleons and some other lizards inflate themselves
when angry. Thus a species inhabiting Oregon, the
Tapaya Douglasii, is slow in its movements and does
not bite, but has a ferocious aspect ; " when irritated
" it springs in a most threatening manner at anything
" pointed at it, at the same time opening its mouth
" wide and hissing audibly, after which it inflates its
66
body, and shows other marks of anger." 22
Several kinds of snakes likewise inflate themselves
when irritated. The puff-adder (Clotho arietans) is
remarkable in this respect ; but I believe, after carefully
watching these animals, that they do not act thus for
the sake of increasing their apparent bulk, but simply
for inhaling a large supply of air, so as to produce their
surprisingly loud, harsh, and prolonged hissing sound.
The Cobras-de-capello, when irritated, enlarge them-
selves a little, and hiss moderately ; but, at the same
time they lift their heads aloft, and dilate by means of
their elongated anterior ribs, the skin on each side
of the neck into a large flat disk,-the so-called hood.
With their widely opened mouths, they then assume a
22 See the account of the habits of this animal by Dr. Cooper, as

quoted in ' Nature,' April 27 , 1871, p. 512.
terrific aspect. The benefit thus derived ought to

be considerable, in order to compensate for the some
what lessened rapidity (though this is still great) with
which, when dilated, they can strike at their enemies
or prey ; on the same principle that a broad , thin
piece of wood cannot be moved through the air so
quickly as a small round stick. An innocuous snake,
the Tropidonotus macrophthalmus, an inhabitant of India,
likewise dilates its neck when irritated ; and conse
quently is often mistaken for its compatriot, the deadly
Cobra. 23 This resemblance perhaps serves as some
protection to the Tropidonotus. Another innocuous
species, the Dasypeltis of South Africa, blows itself
out, distends its neck, hisses and darts at an intruder.24
Many other snakes hiss under similar circumstances.
They also rapidly vibrate their protruded tongues ; and
this may aid in increasing their terrific appearance.
Snakes possess other means of producing sounds
besides hissing. Many years ago I observed in South
America that a venomous Trigonocephalus, when dis
turbed, rapidly vibrated the end of its tail, which striking
against the dry grass and twigs produced a rattling
noise that could be distinctly heard at the distance of
six feet.25 The deadly and fierce Echis carinata
of India produces " a curious prolonged, almost hissing
" sound " in a very different manner, namely by rub
bing " the sides of the folds of its body against each
" other," whilst the head remains in almost the same
position. The scales on the sides, and not on other
parts of the body, are strongly keeled, with the keels
23 Dr. Günther, ' Reptiles of British India,' p. 262.

24 Mr. J. Mansel Weale, ' Nature,' April 27, 1871, p. 508.
25 Journal of Researches during the Voyage of the “ Beagle,” 1845,
p. 96. I here compared the rattling thus produced with that of the
Rattle-snake.
CHAP. IV. IN ANIMALS . 107
toothed like a saw ; and as the coiled-up animal rubs

its sides together, these grate against each other. 26
Lastly, we have the well-known case of the Rattle-snake.
He who has merely shaken the rattle of a dead snake,
can form no just idea of the sound produced by the
living animal. Professor Shaler states that it is indis-
guishable from that made by the male of a large Cicada
(an Homopterous insect), which inhabits the same
district.27 In the Zoological Gardens, when the
rattle-snakes and puff- adders were greatly excited at
the same time, I was much struck at the similarity
of the sound produced by them ; and although that
made by the rattle-snake is louder and shriller than
the hissing of the puff-adder, yet when standing at
some yards distance I could scarcely distinguish the two.
For whatever purpose the sound is produced by the one
species, I can hardly doubt that it serves for the same
purpose in the other species ; and I conclude from the
threatening gestures made at the same time by many
snakes, that their hissing, -the rattling of the rattle-
snake and of the tail of the Trigonocephalus, -the
grating of the scales of the Echis,-and the dilatation
of the hood of the Cobra,-all subserve the same end,
26 See the account by Dr. Anderson, Proc. Zool. Soc. 1871, p. 196.
27 The American Naturalist,' Jan. 1872, p. 32. I regret that I
cannot follow Prof. Shaler in believing that the rattle has been deve-
loped, by the aid of natural selection , for the sake of producing sounds
which deceive and attract birds, so that they may serve as prey to the
snake. I do not, however, wish to doubt that the sounds may occa-
sionally subserve this end. But the conclusion at which I have arrived,
viz. that the rattling serves as a warning to would-be devourers, appears
to me much more probable, as it connects together various classes of
facts. If this snake had acquired its rattle and the habit of rattling,
for the sake of attracting prey, it does not seem probable that it would
have invariably used its instrument when angered or disturbed. Prof.
Shaler takes nearly the same viewas I do of the manner of development
of the rattle ; and I have always held this opinion since observing the
Trigonocephalus in South America.
namely, to make them appear terrible to their

enemies.28
It seems at first a probable conclusion that venomous
snakes, such as the foregoing, from being already so
well defended by their poison-fangs, would never be
attacked by any enemy ; and consequently would
have no need to excite additional terror. But this
is far from being the case, for they are largely preyed
on in all quarters of the world by many animals. It
is well known that pigs are employed in the United
States to clear districts infested with rattle-snakes ,
which they do most effectually.29 In England the
hedgehog attacks and devours the viper. In India,
as I hear from Dr. Jerdon, several kinds of hawks,
and at least one mammal, the Herpestes, kill cobras
and other venomous species ; 30 and so it is in South
Africa. Therefore it is by no means improbable that any
sounds or signs by which the venomous species could
instantly make themselves recognised as dangerous,
would be of more service to them than to the innocuous
species which would not be able, if attacked, to inflict
any real injury.
Having said thus much about snakes, I am tempted
28 From the accounts lately collected, and given in the ' Journal of
' the Linnean Society,' by Mrs. Barber, on the habits of the snakes
of South Africa ; and from the accounts published by several writers,
for instance by Lawson, of the rattle-snake in North America,—it does
not seem improbable that the terrific appearance of snakes and the
sounds produced by them, may likewise serve in procuring prey, by
paralysing, or as it is sometimes called fascinating, the smaller animals.
29 See the account by Dr. R. Brown, in Proc. Zool. Soc. 1871 ,
p. 39. He says that as soon as a pig sees a snake it rushes upon it ;
and a snake makes off immediately on the appearance of a pig.
30 Dr. Günther remarks (' Reptiles of British India,' p. 340) on the
destruction of cobras by the ichneumon or herpestes, and whilst
the cobras are young by the jungle-fowl. It is well known that the
peacock also eagerly kills snakes.
to add a few remarks on the means by which the rattle

of the rattle-snake was probably developed. Various
animals, including some lizards, either curl or vibrate
their tails when excited. This is the case with many
kinds of snakes.31 In the Zoological Gardens, an
innocuous species, the Coronella Sayi, vibrates its tail so
rapidly that it becomes almost invisible. The Trigono
cephalus, before alluded to, has the same habit ; and
the extremity of its tail is a little enlarged, or ends
in a bead. In the Lachesis, which is so closely allied
to the rattle-snake that it was placed by Linnæus in
the same genus, the tail ends in a single, large, lancet
shaped point or scale. With some snakes the skin, as
Professor Shaler remarks, " is more imperfectly de
" tached from the region about the tail than at other
66
parts of the body." Now if we suppose that the end
of the tail of some ancient American species was en
larged, and was covered by a single large scale, this
could hardly have been cast off at the successive moults.
In this case it would have been permanently retained ,
and at each period of growth, as the snake grew larger,
a new scale, larger than the last, would have been
formed above it, and would likewise have been retained .
The foundation for the development of a rattle would
thus have been laid ; and it would have been habitually
used, if the species, like so many others, vibrated its
tail whenever it was irritated. That the rattle has since
31 Prof. Cope enumerates a number of kinds in his ' Method of Crea

tion of Organic Types,' read before the American Phil. Soc., December
15th, 1871, p. 20. Prof. Cope takes the same view as I do of the use of
the gestures and sounds made by snakes. I briefly alluded to this
subject in the last edition of my ' Origin of Species.' Since the passages
in the text above have been printed , I have been pleased to find that
Mr. Henderson (' The American Naturalist,' May, 1872, p . 260) also
takes a similar view of the use of the rattle, namely " in preventing an
" attack from being made."
been specially developed to serve as an efficient sound-

producing instrument, there can hardly be a doubt ; for
even the vertebræ included within the extremity of the
tail have been altered in shape and cohere. But there
is no greater improbability in various structures, such
as the rattle of the rattle-snake,-the lateral scales of
the Echis, the neck with the included ribs of the
Cobra, and the whole body of the puff-adder, -having
been modified for the sake of warning and frightening
away their enemies, than in a bird, namely, the won-
derful Secretary-hawk (Gypogeranus) having had its
whole frame modified for the sake of killing snakes
with impunity. It is highly probable, judging from
what we have before seen, that this bird would ruffle
its feathers whenever it attacked a snake ; and it is
certain that the Herpestes, when it eagerly rushes to
attack a snake, erects the hair all over its body, and
especially that on its tail.32 We have also seen that
some porcupines, when angered or alarmed at the sight
of a snake, rapidly vibrate their tails, thus producing a
peculiar sound by the striking together of the hollow
quills. So that here both the attackers and the at-
tacked endeavour to make themselves as dreadful
as possible to each other ; and both possess for this
purpose specialised means, which, oddly enough, are
nearly the same in some of these cases. Finally we can
see that if, on the one hand, those individual snakes,
which were best able to frighten away their enemies,
escaped best from being devoured ; and if, on the other
hand, those individuals of the attacking enemy survived
in larger numbers which were the best fitted for the
dangerous task of killing and devouring venomous
snakes ; then in the one case as in the other, bene-
32 Mr. des Voeux, in Proc. Zool. Soc. 1871 , p. 3.

ficial variations, supposing the characters in question to

vary, would commonly have been preserved through the
survival of the fittest.
The Drawing back and pressure of the Ears to the

Head. The ears through their movements are highly
expressive in many animals ; but in some, such as
man, the higher apes, and many ruminants, they fail
in this respect. A slight difference in position serves
to express in the plainest manner a different state of
mind, as we may daily see in the dog ; but we are
here concerned only with the ears being drawn closely
backwards and pressed to the head. A savage frame
of mind is thus shown, but only in the case of those
animals which fight with their teeth ; and the care
which they take to prevent their ears being seized by
their antagonists, accounts for this position. Conse-
quently, through habit and association, whenever they
feel slightly savage, or pretend in their play to be
savage, their ears are drawn back. That this is the
true explanation may be inferred from the relation
which exists in very many animals between their manner
of fighting and the retraction of their ears.
All the Carnivora fight with their canine teeth , and
all, as far as I have observed, draw their ears back
when feeling savage. This may be continually seen with
dogs when fighting in earnest, and with puppies
fighting in play. The movement is different from the
falling down and slight drawing back of the ears,
when a dog feels pleased and is caressed by his master.
The retraction of the ears may likewise be seen in
kittens fighting together in their play, and in full-
grown cats when really savage, as before illustrated in
fig. 9 (p. 58). Although their ears are thus to a large
extent protected, yet they often get much torn in old
male cats during their mutual battles. The same

movement is very striking in tigers, leopards, &c. ,
whilst growling over their food in menageries. The lynx
has remarkably long ears ; and their retraction, when
one of these animals is approached in its cage, is very
conspicuous, and is eminently expressive of its savage
disposition. Even one of the Eared Seals, the Otaria
pusilla, which has very small ears , draws them backwards,
when it makes a savage rush at the legs of its keeper.
When horses fight together they use their incisors for
biting, and their fore-legs for striking, much more than
they do their hind-legs for kicking backwards. This
has been observed when stallions have broken loose and
have fought together, and may likewise be inferred
from the kind of wounds which they inflict on each
other. Every one recognises the vicious appear
ance which the drawing back of the ears gives to a
horse. This movement is very different from that of
listening to a sound behind. If an ill-tempered horse
in a stall is inclined to kick backwards, his ears are
retracted from habit, though he has no intention or
power to bite. But when a horse throws up both hind
legs in play, as when entering an open field, or when just
touched by the whip, he does not generally depress
his ears, for he does not then feel vicious. Guanacoes
fight savagely with their teeth ; and they must do so
frequently, for I found the hides of several which I shot
in Patagonia deeply scored. So do camels ; and both
these animals , when savage, draw their ears closely
backwards. Guanacoes, as I have noticed, when not
intending to bite, but merely to spit their offensive
saliva from a distance at an intruder, retract their ears.
Even the hippopotamus, when threatening with its
widely-open enormous mouth a comrade, draws back
its small ears, just like a horse.
Now what a contrast is presented between the

foregoing animals and cattle, sheep, or goats, which
never use their teeth in fighting, and never draw back
their ears when enraged ! Although sheep and goats
appear such placid animals, the males often join in
furious contests. As deer form a closely related family,
and as I did not know that they ever fought with their
teeth, I was much surprised at the account given by
Major Ross King of the Moose-deer in Canada. He
says, when " two males chance to meet, laying back
" their ears and gnashing their teeth together, they
" rush at each other with appalling fury." 33 But
Mr. Bartlett informs me that some species of deer fight
savagely with their teeth , so that the drawing back of
the ears by the moose accords with our rule. Several
kinds of kangaroos, kept in the Zoological Gardens,
fight by scratching with their fore-feet and by kicking
with their hind-legs ; but they never bite each other,
and the keepers have never seen them draw back their
ears when angered . Rabbits fight chiefly by kicking
and scratching, but they likewise bite each other ; and I
have known one to bite off half the tail of its antagonist.
At the commencement of their battles they lay back
their ears, but afterwards, as they bound over and kick
each other, they keep their ears erect, or move them
much about.
Mr. Bartlett watched a wild boar quarrelling rather
savagely with his sow ; and both had their mouths open
and their ears drawn backwards. But this does not
appear to be a common action with domestic pigs when
quarrelling. Boars fight together by striking upwards
with their tusks ; and Mr. Bartlett doubts whether
they then draw back their ears. Elephants, which in
6
33 The Sportsman and Naturalist in Canada,' 1866, p. 53.
I
like manner fight with their tusks, do not retract their

ears, but, on the contrary, erect them when rushing at
each other or at an enemy.
The rhinoceroses in the Zoological Gardens fight with
their nasal horns, and have never been seen to attempt
biting each other except in play ; and the keepers are
convinced that they do not draw back their ears, like
horses and dogs, when feeling savage. The following
statement, therefore, by Sir S. Baker 34 is inex-
plicable, namely, that a rhinoceros, which he shot in
North Africa, " had no ears ; they had been bitten off
" close to the head by another of the same species.
" while fighting ; and this mutilation is by no means
99
" uncommon.'
Lastly, with respect to monkeys. Some kinds, which
have moveable ears, and which fight with their teeth-
for instance the Cercopithecus ruber-draw back their ears
when irritated just like dogs ; and they then have a
very spiteful appearance. Other kinds, as the Inuus
ecaudatus, apparently do not thus act. Again, other
kinds—and this is a great anomaly in comparison with
most other animals- retract their ears, show their teeth ,
and jabber, when they are pleased by being caressed.
I observed this in two or three species of Macacus, and
in the Cynopithecus niger. This expression, owing to
our familiarity with dogs, woul . never be recognised
as one of joy or pleasure by those unacquainted with
monkeys.
Erection ofthe Ears.- This movement requires hardly

any notice. All animals which have the power of freely
moving their ears, when they are startled, or when
they closely observe any object, direct their ears to
34 6 The Nile Tributaries of Abyssinia,' 1867 , p . 443.

the point towards which they are looking, in order to

hear any sound from this quarter. At the same time
they generally raise their heads, as all their organs of
sense are there situated, and some of the smaller animals
rise on their hind legs. Even those kinds which squat
on the ground or instantly flee away to avoid danger,
generally act momentarily in this manner, in order to
ascertain the source and nature of the danger. The
head being raised, with erected ears and eyes directed
forwards, gives an unmistakable expression of close
attention to any animal.
1 2
116 SPECIAL EXPRESSIONS : CHAP. V.
CHAPTER V.
SPECIAL EXPRESSIONS OF ANIMALS.
The Dog, various expressive movements of- Cats - Horses -

Ruminants - Monkeys, their expression of joy and affection—
Of pain - Anger - Astonishment and terror.
The Dog.- I have already described (figs. 5 and 7 )

the appearance of a dog approaching another dog with
hostile intentions, namely, with erected ears, eyes
intently directed forwards, hair on the neck and back
bristling, gait remarkably stiff, with the tail upright
and rigid. So familiar is this appearance to us, that
an angry man is sometimes said " to have his back
" up." Of the above points, the stiff gait and upright
tail alone require further discussion . Sir C. Bell
remarks¹ that, when a tiger or wolf is struck by
its keeper and is suddenly roused to ferocity, " every
" muscle is in tension, and the limbs are in an attitude
" of strained exertion, prepared to spring." This ten-
sion of the muscles and consequent stiff gait may be
accounted for on the principle of associated habit, for
anger has continually led to fierce struggles, and con-
sequently to all the muscles of the body having been
violently exerted. There is also reason to suspect
that the muscular system requires some short pre-
paration, or some degree of innervation, before being
brought into strong action . My own sensations lead
me to this inference ; but I cannot discover that it
6
1 The Anatomy of Expression ,' 1844, p . 190 .
CHAP. V. DOGS. 117
is a conclusion admitted by physiologists. Sir J.

Paget, however, informs me that when muscles are
suddenly contracted with the greatest force, without
any preparation, they are liable to be ruptured, as
when a man slips unexpectedly ; but that this rarely
occurs when an action, however violent, is deliberately
performed.
With respect to the upright position of the tail, it
seems to depend (but whether this is really the case I
know not) on the elevator muscles being more powerful
than the depressors, so that when all the muscles of
the hinder part of the body are in a state of tension,
the tail is raised. A dog in cheerful spirits, and
trotting before his master with high, elastic steps,
generally carries his tail aloft, though it is not held
nearly so stiffly as when he is angered. A horse when
first turned out into an open field, may be seen to trot
with long elastic strides, the head and tail being held.
high aloft. Even cows when they frisk about from
pleasure, throw up their tails in a ridiculous fashion.
So it is with various animals in the Zoological Gardens.
The position of the tail, however, in certain cases, is
determined by special circumstances ; thus as soon as
a horse breaks into a gallop, at full speed, he always
lowers his tail, so that as little resistance as possible
may be offered to the air.
When a dog is on the point of springing on his
antagonist, he utters a savage growl ; the ears are
pressed closely backwards, and the upper lip (fig. 14)
is retracted out of the way of his teeth, especially of his
canines. These movements may be observed with dogs
and puppies in their play. But if a dog gets really
savage in his play, his expression immediately changes.
This, however, is simply due to the lips and ears being
drawn back with much greater energy. If a dog only
snarls at another, the lip is generally retracted on one

side alone, namely towards his enemy.
The movements of a dog whilst exhibiting affection
towards his master were described (figs. 6 and 8) in
our second chapter. These consist in the head and
Fig.14. Head of snarling Dog. From life, by Mr. Wood.
whole body being lowered and thrown into flexuous

movements, with the tail extended and wagged from
side to side. The ears fall down and are drawn some-
what backwards, which causes the eyelids to be elon-
gated, and alters the whole appearance of the face.
The lips hang loosely, and the hair remains smooth.
All these movements or gestures are explicable, as I
believe, from their standing in complete antithesis to
those naturally assumed by a savage dog under a
CHAP. V. DOGS. 119
directly opposite state of mind. When a man merely

speaks to, or just notices, his dog, we see the last
vestige of these movements in a slight wag of the tail,
without any other movement of the body, and without
even the ears being lowered. Dogs also exhibit their
affection by desiring to rub against their masters, and
to be rubbed or patted by them.
Gratiolet explains the above gestures of affection in
the following manner and the reader can judge
whether the explanation appears satisfactory . Speaking
of animals in general, including the dog, he says,²
" C'est toujours la partie la plus sensible de leurs corps
66
qui recherche les caresses ou les donne. Lorsque
" toute la longueur des flancs et du corps est sensible,
" l'animal serpente et rampe sous les caresses ; et ces
❝ondulations se propageant le long des muscles analo-
66
gues des segments jusqu'aux extrémités de la colonne
66
vertébrale, la queue se ploie et s'agite." Further
on, he adds, that dogs, when feeling affectionate, lower
their ears in order to exclude all sounds , so that their
whole attention may be concentrated on the caresses
of their master !
Dogs have another and striking way of exhibiting
their affection, namely, by licking the hands or faces of
their masters. They sometimes lick other dogs, and
then it is always their chops. I have also seen dogs
licking cats with whom they were friends. This habit
probably originated in the females carefully licking
their puppies -the dearest object of their love-for the
sake of cleansing them. They also often give their
puppies, after a short absence, a few cursory licks, appa-
rently from affection. Thus the habit will have become
associated with the emotion of love, however it may
2De la Physionomie,' 1865, pp. 187, 218.

afterwards be aroused. It is now so firmly inherited or

innate, that it is transmitted equally to both sexes. A
female terrier of mine lately had her puppies de
stroyed, and though at all times a very affectionate
creature, I was much struck with the manner in which
she then tried to satisfy her instinctive maternal love
by expending it on me ; and her desire to lick my
hands rose to an insatiable passion.
The same principle probably explains why dogs, when
feeling affectionate, like rubbing against their masters
and being rubbed or patted by them, for from the
nursing of their puppies, contact with a beloved object
has become. firmly associated in their minds with the
emotion of love.
The feeling of affection of a dog towards his master
is combined with a strong sense of submission, which is
akin to fear. Hence dogs not only lower their bodies and
crouch a little as they approach their masters, but some
times throw themselves on the ground with their bellies
upwards. This is a movement as completely opposite
as is possible to any show of resistance. I formerly
possessed a large dog who was not at all afraid to fight
with other dogs ; but a wolf-like shepherd-dog in the
neighbourhood, though not ferocious and not so powerful
as my dog, had a strange influence over him. When
they met on the road, my dog used to run to meet
him, with his tail partly tucked in between his legs and
hair not erected ; and then he would throw himself on
the ground, belly upwards. By this action he seemed
to say more plainly than by words, " Behold , I am
66 your slave. "
A pleasurable and excited state of mind, associated

with affection, is exhibited by some dogs in a very
peculiar manner ; namely, by grinning. This was
noticed long ago by Somerville, who says,
CHAP. V. DOGS. 121
" And with a courtly grin, the fawning hound

Salutes thee cow'ring, his wide op'ning nose
Upward he curls, and his large sloe-black eyes
Melt in soft blandishments, and humble joy.'
The Chase, book i.
Sir W. Scott's famous Scotch greyhound, Maida,

had this habit, and it is common with terriers. I
have also seen it in a Spitz and in a sheep-dog. Mr.
Riviere, who has particularly attended to this expres-
sion, informs me that it is rarely displayed in a perfect
manner, but is quite common in a lesser degree . The
upper lip during the act of grinning is retracted, as in
snarling, so that the canines are exposed, and the ears
are drawn backwards ; but the general appearance of
the animal clearly shows that anger is not felt. Sir
3
C. Bell remarks " Dogs, in their expression of fond-
" ness, have a slight eversion of the lips, and grin
" and sniff amidst their gambols, in a way that re-
" sembles laughter. " Some persons speak of the
grin as a smile, but if it had been really a smile,
we should see a similar, though more pronounced,
movement of the lips and ears, when dogs utter their
bark of joy ; but this is not the case, although a
bark of joy often follows a grin. On the other hand,
dogs, when playing with their comrades or masters,
almost always pretend to bite each other ; and they
then retract, though not energetically, their lips and
ears. Hence I suspect that there is a tendency in some
dogs, whenever they feel lively pleasure combined with
affection, to act through habit and association on the
same muscles, as in playfully biting each other, or their
masters' hands.
I have described, in the second chapter, the gait and
3The Anatomy of Expression,' 1844, p. 140.

appearance of a dog when cheerful, and the marked

antithesis presented by the same animal when dejected
and disappointed, with his head, ears, body, tail, and
chops drooping, and eyes dull. Under the expectation
of any great pleasure, dogs bound and jump about in
an extravagant manner, and bark for joy. The ten
dency to bark under this state of mind is inherited, or
runs in the breed : greyhounds rarely bark, whilst the
Spitz-dog barks so incessantly on starting for a walk
with his master that he becomes a nuisance.
An agony of pain is expressed by dogs in nearly the
same way as by many other animals, namely, by howling,
writhing, and contortions of the whole body.
Attention is shown by the head being raised, with
the ears erected, and eyes intently directed towards the
object or quarter under observation. If it be a sound
and the source is not known, the head is often turned
obliquely from side to side in a most significant manner,
apparently in order to judge with more exactness from
what point the sound proceeds. But I have seen a
dog greatly surprised at a new noise, turning his
head to one side through habit, though he clearly
perceived the source of the noise. Dogs, as formerly
remarked, when their attention is in any way aroused,
whilst watching some object, or attending to some
sound, often lift up one paw (fig. 4) and keep it doubled
up, as if to make a slow and stealthy approach.
A dog under extreme terror will throw himself down ,
howl, and void his excretions ; but the hair, I believe,
does not become erect unless some anger is felt. I have
seen a dog much terrified at a band of musicians who were
playing loudly outside the house, with every muscle of
his body trembling, with his heart palpitating so quickly
that the beats could hardly be counted, and panting for
breath with widely open mouth, in the same manner
CHAP. V. DOGS. 123
as a terrified man does. Yet this dog had not exerted

himself ; he had only wandered slowly and restlessly
about the room, and the day was cold.
Even a very slight degree of fear is invariably shown
by the tail being tucked in between the legs. This
tucking in of the tail is accompanied by the ears being
drawn backwards ; but they are not pressed closely to
the head, as in snarling, and they are not lowered , as
when a dog is pleased or affectionate. When two young
dogs chase each other in play, the one that runs away
always keeps his tail tucked inwards. So it is when a
dog, in the highest spirits, careers like a mad creature
round and round his master in circles, or in figures of
eight. He then acts as if another dog were chasing him.
This curious kind of play, which must be familiar to
every one who has attended to dogs, is particularly apt
to be excited , after the animal has been a little startled
or frightened, as by his master suddenly jumping out
on him in the dusk. In this case, as well as when two
young dogs are chasing each other in play, it appears
as if the one that runs away was afraid ofthe other
catching him by the tail ; but as far as I can find out,
dogs very rarely catch each other in this manner.
I asked a gentleman, who had kept foxhounds all
his life, and he applied to other experienced sports
men, whether they had ever seen hounds thus seize a
fox ; but they never had. It appears that when a dog
is chased, or when in danger of being struck behind, or
of anything falling on him, in all these cases he wishes.
to withdraw as quickly as possible his whole hind
quarters, and that from some sympathy or connection
between the muscles, the tail is then drawn closely
inwards.
A similarly connected movement between the hind
quarters and the tail may be observed in the hyæna.
Mr. Bartlett informs me that when two of these animals

fight together, they are mutually conscious of the won
derful power of each other's jaws, and are extremely
cautious. They well know that if one of their legs were
seized, the bone would instantly be crushed into atoms ;
hence they approach each other kneeling, with their legs
turned as much as possible inwards, and with their whole
bodies bowed, so as not to present any salient point ; the
tail at the same time being closely tucked in between
the legs. In this attitude they approach each other
sideways, or even partly backwards. So again with
deer, several of the species, when savage and fighting,
tuck in their tails. When one horse in a field tries
to bite the hind-quarters of another in play, or when
a rough boy strikes a donkey from behind, the hind
quarters and the tail are drawn in, though it does not
appear as if this were done merely to save the tail from
being injured . We have also seen the reverse of these
movements ; for when an animal trots with high elastic
steps, the tail is almost always carried aloft.
As I have said, when a dog is chased and runs away,
he keeps his ears directed backwards but still open ; and
this is clearly done for the sake of hearing the footsteps
of his pursuer. From habit the ears are often held in
this same position, and the tail tucked in, when the
danger is obviously in front. I have repeatedly noticed ,
with a timid terrier of mine, that when she is afraid
of some object in front, the nature of which she perfectly
knows and does not need to reconnoitre, yet she will
for a long time hold her ears and tail in this position ,
looking the image of discomfort. Discomfort, without
any fear, is similarly expressed : thus, one day I went
out of doors, just at the time when this same dog knew
that her dinner would be brought. I did not call her,
but she wished much to accompany me, and at the same
CHAP. V. DOGS. 125
time she wished much for her dinner ; and there she
stood, first looking one way and then the other, with
her tail tucked in and ears drawn back, presenting an
unmistakable appearance of perplexed discomfort.
Almost all the expressive movements now described,
with the exception of the grinning from joy, are innate
or instinctive, for they are common to all the indivi-
duals, young and old, of all the breeds. Most of them
are likewise common to the aboriginal parents of the
dog, namely the wolf and jackal ; and some of them
to other species of the same group. Tamed wolves and
jackals, when caressed by their masters, jump about
for joy, wag their tails, lower their ears, lick their
master's hands, crouch down, and even throw themselves
on the ground belly upwards. I have seen a rather
fox-like African jackal, from the Gaboon, depress
its ears when caressed. Wolves and jackals, when
frightened, certainly tuck in their tails ; and a tamed
jackal has been described as careering round his master
in circles and figures of eight, like a dog, with his tail
between his legs.
It has been stated 5 that foxes, however tame, never
display any of the above expressive movements ; but
this is not strictly accurate. Many years ago I observed
in the Zoological Gardens, and recorded the fact at the
time, that a very tame English fox, when caressed by
the keeper, wagged its tail, depressed its ears, and then
threw itself on the ground, belly upwards. The black fox
Many particulars are given by Gueldenstädt in his account of

the jackal in Nov. Comm. Acad . Sc. Imp. Petrop. 1775, tom. xx.
p. 449. See also another excellent account of the manners of this
animal and of its play, in ' Land and Water,' October, 1869. Lieut.
Annesley, R.A., has also communicated to me some particulars with
respect to the jackal. I have made many inquiries about wolves and
jackals in the Zoological Gardens, and have observed them for myself.
5 Land and Water,' November 6, 1869.
of North America likewise depressed its ears in a slight

degree. But I believe that foxes never lick the hands
of their masters, and I have been assured that when
frightened they never tuck in their tails. If the
explanation which I have given of the expression of
affection in dogs be admitted, then it would appear
that animals which have never been domesticated
namely wolves, jackals, and even foxes- have never
theless acquired, through the principle of antithesis,
certain expressive gestures ; for it is not probable that
these animals, confined in cages, should have learnt
them by imitating dogs.
Cats. I have already described the actions of a cat

(fig. 9), when feeling savage and not terrified. She
assumes a crouching attitude and occasionally protrudes
her fore-feet, with the claws exserted ready for striking.
The tail is extended, being curled or lashed from side to
side. The hair is not erected-at least it was not so in
the few cases observed by me. The ears are drawn
closely backwards and the teeth are shown. Low
savage growls are uttered. We can understand why
the attitude assumed by a cat when preparing to fight
with another cat, or in any way greatly irritated, is so
widely different from that of a dog approaching another
dog with hostile intentions ; for the cat uses her fore
feet for striking, and this renders a crouching position
convenient or necessary. She is also much more
accustomed than a dog to lie concealed and suddenly
spring on her prey. No cause can be assigned with
certainty for the tail being lashed or curled from side to
side. This habit is common to many other animals - for
instance, to the puma, when prepared to spring ; but
6 6
Azara, Quadrupèdes du Paraguay,' 1801, tom . i. p . 136.
CHAP. V. CATS. 127
it is not common to dogs, or to foxes, as I infer from

Mr. St. John's account of a fox lying in wait and
seizing a hare. We have already seen that some kinds
of lizards and various snakes, when excited, rapidly
vibrate the tips of their tails. It would appear as if,
under strong excitement, there existed an uncontrollable
desire for movement of some kind, owing to nerve-force
being freely liberated from the excited sensorium ; and
that as the tail is left free, and as its movement does
not disturb the general position of the body, it is curled
or lashed about.
All the movements of a cat, when feeling affectionate,
are in complete antithesis to those just described. She
now stands upright, with slightly arched back, tail per-
pendicularly raised, and ears erected ; and she rubs her
cheeks and flanks against her master or mistress. The
desire to rub something is so strong in cats under this
state of mind, that they may often be seen rubbing
themselves against the legs of chairs or tables, or
against door-posts. This manner of expressing affection
probably originated through association, as in the case
of dogs, from the mother nursing and fondling her
young ; and perhaps from the young themselves loving
each other and playing together. Another and very
different gesture, expressive of pleasure, has already
been described, namely, the curious manner in which
young and even old cats, when pleased, alternately pro-
trude their fore-feet, with separated toes, as if pushing
against and sucking their mother's teats. This habit is
so far analogous to that of rubbing against something,
that both apparently are derived from actions performed
during the nursing period. Why cats should show
affection by rubbing so much more than do dogs, though
the latter delight in contact with their masters, and
why cats only occasionally lick the hands of their
friends, whilst dogs always do so, I cannot say. Cats

cleanse themselves by licking their own coats more
regularly than do dogs. On the other hand, their
tongues seem less well fitted for the work than the
longer and more flexible tongues of dogs.
Cats, when terrified, stand at full height , and
Linn et vi
Wood
Fig. 15. Cat terrified at a dog. From life, by Mr. Wood.
arch their backs in a well-known and ridiculous

fashion. They spit, hiss, or growl. The hair over the
CHAP. V. HORSES. 129
whole body, and especially on the tail, becomes erect.

In the instances observed by me the basal part of the
tail was held upright, the terminal part being thrown
on one side ; but sometimes the tail (see fig. 15 ) is only
à little raised, and is bent almost from the base to one
side. The ears are drawn back, and the teeth exposed .
When two kittens are playing together, the one often
thus tries to frighten the other. From what we have
seen in former chapters, all the above points of expres
sion are intelligible, except the extreme arching of the
back. I am inclined to believe that, in the same manner
as many birds, whilst they ruffle their feathers, spread
out their wings and tail, to make themselves look as
big as possible, so cats stand upright at their full height,
arch their backs, often raise the basal part of the tail , and
erect their hair, for the same purpose. The lynx, when
attacked, is said to arch its back, and is thus figured by
Brehm. But the keepers in the Zoological Gardens
have never seen any tendency to this action in the larger
feline animals, such as tigers, lions, &c.; and these have
little cause to be afraid of any other animal.
Cats use their voices much as a means of expression,
and they utter, under various emotions and desires, at
least six or seven different sounds. The purr of satis
faction, which is made during both inspiration and expi
ration, is one of the most curious. The puma, cheetah,
and ocelot likewise purr ; but the tiger, when pleased,
" emits a peculiar short snuffle, accompanied by the
7
" closure of the eyelids." " It is said that the lion,
jaguar, and leopard, do not purr.
Horses .- Horses when savage draw their ears closely
7 Land and Water,' 1867, p. 657. See also Azara on the Puma,
in the work above quoted.
K
back, protrude their heads, and partially uncover their

incisor teeth, ready for biting. When inclined to kick
behind, they generally, through habit, draw back their
ears ; and their eyes are turned backwards in a pecu-
liar manner. 8 When pleased, as when some coveted
food is brought to them in the stable, they raise and
draw in their heads, prick their ears, and looking
intently towards their friend, often whinny. Impa-
tience is expressed by pawing the ground.
The actions of a horse when much startled are highly
expressive. One day my horse was much frightened
at a drilling machine, covered by a tarpaulin, and
lying on an open field. He raised his head so high,
that his neck became almost perpendicular ; and this
he did from habit, for the machine lay on a slope below,
and could not have been seen with more distinctness
through the raising of the head ; nor if any sound had
proceeded from it, could the sound have been more
distinctly heard. His eyes and ears were directed in-
tently forwards ; and I could feel through the saddle
the palpitations of his heart. With red dilated nostrils
he snorted violently, and whirling round, would have
dashed off at full speed, had I not prevented him.
The distension of the nostrils is not for the sake of
scenting the source of danger, for when a horse smells
carefully at any object and is not alarmed, he does not
dilate his nostrils. Owing to the presence of a valve
in the throat, a horse when panting does not breathe
through his open mouth, but through his nostrils ; and
these consequently have become endowed with great
powers of expansion. This expansion of the nostrils
as well as the snorting, and the palpitations of the
Sir C. Bell, Anatomy of Expression,' 3rd edit. p. 123. See also

p. 126, on horses not breathing through their mouths, with reference to
their distended nostrils.
CHAP. V. RUMINANTS . 131
heart, are actions which have become firmly associated

during a long series of generations with the emotion
of terror ; for terror has habitually led the horse to the
most violent exertion in dashing away at full speed
from the cause of danger.
Ruminants. Cattle and sheep are remarkable from

displaying in so slight a degree their emotions or sen-
sations, excepting that of extreme pain. A bull when
enraged exhibits his rage only by the manner in which
he holds his lowered head, with distended nostrils, and
by bellowing. He also often paws the ground ; but
this pawing seems quite different from that of an im-
patient horse, for when the soil is loose, he throws up
clouds of dust. I believe that bulls act in this manner
when irritated by flies, for the sake of driving them
away. The wilder breeds of sheep and the chamois
when startled stamp on the ground, and whistle
through their noses ; and this serves as a danger-
signal, to their comrades. The musk-ox of the Arctic
regions, when encountered, likewise stamps on the
9
ground. How this stamping action arose I cannot
conjecture ; for from inquiries which I have made it,
does not appear that any of these animals fight with
their fore-legs.
Some species of deer, when savage, display far more
expression than do cattle, sheep , or goats, for, as has
already been stated, they draw back their ears, grind
their teeth, erect their hair, squeal, stamp on the ground,
and brandish their horns. One day in the Zoological
Gardens, the Formosan deer (Cervus pseudaxis) ap-
proached me in a curious attitude, with his muzzle
raised high up, so that the horns were pressed back
9 Land and Water,' 1869, p. 152.

K 2
on his neck ; the head being held rather obliquely.

From the expression of his eye I felt sure that he
was savage ; he approached slowly, and as soon as he
came close to the iron bars, he did not lower his head
to butt at me, but suddenly bent it inwards, and struck
his horns with great force against the railings. Mr.
Bartlett informs me that some other species of deer
place themselves in the same attitude when enraged.
Monkeys.-The various species and genera of monkeys

express their feelings in many different ways ; and this
fact is interesting, as in some degree bearing on the
question, whether the so-called races of man should be
ranked as distinct species or varieties ; for, as we
shall see in the following chapters, the different races
of man express their emotions and sensations with
remarkable uniformity throughout the world. Some of
the expressive actions of monkeys are interesting in
another way, namely from being closely analogous to
those of man . As I have had no opportunity of
observing any one species of the group under all cir-
cumstances, my miscellaneous remarks will be best
arranged under different states of the mind.
Pleasure, joy, affection.- It is not possible to distin-
guish in monkeys, at least without more experience
than I have had, the expression of pleasure or joy from
that of affection. Young chimpanzees make a kind of
barking noise, when pleased by the return of any one
to whom they are attached. When this noise, which
the keepers call a laugh, is uttered, the lips are pro-
truded ; but so they are under various other emotions.
Nevertheless I could perceive that when they were
pleased the form of the lips differed a little from that
assumed when they were angered. If a young chim-
panzee be tickled-and the armpits are particularly
CHAP. V. MONKEYS. 133
sensitive to tickling, as in the case of our children, —a

more decided chuckling or laughing sound is uttered ;
though the laughter is sometimes noiseless. The
corners of the mouth are then drawn backwards ; and
this sometimes causes the lower eyelids to be slightly
wrinkled. But this wrinkling, which is so character-
istic of our own laughter, is more plainly seen in some
other monkeys. The teeth in the upper jaw in the
chimpanzee are not exposed when they utter their
laughing noise, in which respect they differ from us.
But their eyes sparkle and grow brighter, as Mr. W. L.
Martin, who has particularly attended to their ex-
pression, states.
Young Orangs, when tickled, likewise grin and make
a chuckling sound ; and Mr. Martin says that their eyes
grow brighter. As soon as their laughter ceases, an
expression may be detected passing over their faces,
which, as Mr. Wallace remarked to me, may be called
a smile. I have also noticed something of the same
kind with the chimpanzee. Dr. Duchenne -and I cannot
quote a better authority-informs me that he kept a
very tame monkey in his house for a year ; and when
he gave it during meal-times some choice delicacy, he
observed that the corners of its mouth were slightly
raised ; thus an expression of satisfaction, partaking of
the nature of an incipient smile, and resembling that
often seen on the face of man, could be plainly per-
ceived in this animal.
The Cebus azara," when rejoiced at again seeing a
beloved person, utters a peculiar tittering (kichernden)
sound. It also expresses agreeable sensations, by
10 Natural History of Mammalia,' 1841 , vol . i . pp. 383, 410.

11 Rengger ( Säugethiere von Paraguay,' 1830, s. 46) kept these
monkeys in confinement for seven years in their native country of
Paraguay,
drawing back the corners of its mouth, without pro

ducing any sound. Rengger calls this movement
laughter, but it would be more appropriately called a
smile. The form of the mouth is different when
either pain or terror is expressed, and high shrieks are
uttered. Another species of Cebus in the Zoological
Gardens ( C. hypoleucus), when pleased, makes a reite
rated shrill note, and likewise draws back the corners
of its mouth, apparently through the contraction of the
same muscles as with us. So does the Barbary ape
(Inuus ecaudatus) to an extraordinary degree ; and I
observed in this monkey that the skin of the lower
eyelids then became much wrinkled . At the same time
it rapidly moved its lower jaw or lips in a spasmodic
manner, the teeth being exposed ; but the noise pro
duced was hardly more distinct than that which we
sometimes call silent laughter. Two of the keepers
affirmed that this slight sound was the animal's
laughter, and when I expressed some doubt on this head
(being at the time quite inexperienced), they made it
attack or rather threaten a hated Entellus monkey,
living in the same compartment. Instantly the whole
expression of the face of the Inuus changed ; the mouth
was opened much more widely, the canine teeth were
more fully exposed, and a hoarse barking noise was
uttered.
The Anubis baboon (Cynocephalus anubis) was first
insulted and put into a furious rage, as was easily
done, by his keeper, who then made friends with him
and shook hands. As the reconciliation was effected
the baboon rapidly moved up and down his jaws and
lips, and looked pleased. When we laugh heartily, a
similar movement, or quiver, may be observed more or
less distinctly in our jaws ; but with man the muscles
of the chest are more particularly acted on, whilst with
CHAP. V. MONKEYS . 135
this baboon, and with some other monkeys, it is the

muscles of the jaws and lips which are spasmodically
affected .
I have already had occasion to remark on the curious
manner in which two or three species of Macacus and
the Cynopithecus niger draw back their ears and utter a
slight jabbering noise, when they are pleased by being
caressed. With the Cynopithecus (fig. 17) , the corners
of the mouth are at the same time drawn backwards
and upwards, so that the teeth are exposed. Hence
this expression would never be recognised by a stranger
as one of pleasure. The crest of long hairs on the
forehead is depressed, and apparently the whole skin
of the head drawn backwards. The eyebrows are thus
raised a little, and the eyes assume a staring appear
ance. The lower eyelids also become slightly wrinkled ;
but this wrinkling is not conspicuous, owing to the
permanent transverse furrows on the face.
Painful emotions and sensations.- With monkeys
the expression of slight pain, or of any painful emotion,
such as grief, vexation, jealousy, &c., is not easily dis
tinguished from that of moderate anger ; and these
states of mind readily and quickly pass into each other.
Grief, however, with some species is certainly exhibited
by weeping. A woman , who sold a monkey to the
Zoological Society, believed to have come from Borneo
(Macacus maurus or M. inornatus of Gray), said that
it often cried ; and Mr. Bartlett, as well as the keeper
Mr. Sutton, have repeatedly seen it, when grieved, or
even when much pitied, weeping so copiously that the
tears rolled down its cheeks. There is, however, some
thing strange about this case, for two specimens subse
quently kept in the Gardens, and believed to be the
same species, have never been seen to weep, though
they were carefully observed by the keeper and myself
Fig. 16. Cynopithecus niger, in a placid condition. Drawn from life by Mr. Wolf.
Fig. 17. The same, when pleased by being caressed.

when much distressed and loudly screaming. Rengger

states 12 that the eyes of the Cebus azaræ fill with
tears, but not sufficiently to overflow, when it is pre-
vented getting some much desired object, or is much
frightened. Humboldt also asserts that the eyes of the
Callithrix sciureus " instantly fill with tears when it is
" seized with fear ; " but when this pretty little monkey
in the Zoological Gardens was teased, so as to cry out
loudly, this did not occur. I do not, however, wish to
throw the least doubt on the accuracy of Humboldt's
statement.
The appearance of dejection in young orangs and
chimpanzees, when out of health, is as plain and almost
as pathetic as in the case of our children. This
state of mind and body is shown by their listless
movements, fallen countenances, dull eyes, and changed
complexion.
Anger. This emotion is often exhibited by many kinds
of monkeys, and is expressed, as Mr. Martin remarks,13 in
many different ways. " Some species, when irritated, pout
" the lips, gaze with a fixed and savage glare on their foe,
" and make repeated short starts as if about to spring
66
forward, uttering at the same time inward guttural
" sounds. Many display their anger by suddenly ad-
vancing, making abrupt starts, at the same time
66
opening the mouth and pursing up the lips, so as to
" conceal the teeth, while the eyes are daringly fixed
" on the enemy, as if in savage defiance . Some again,
" and principally the long-tailed monkeys, or Guenons,
66
display their teeth, and accompany their malicious
" grins with a sharp, abrupt, reiterated cry." Mr.
Sutton confirms the statement that some species un-
12 Rengger, ibid. s . 46. Humboldt, " Personal Narrative,' Eng.

translat. vol. iv. p. 527.
13 Nat. Hist. of Mammalia, 1841, p. 351,
cover their teeth when enraged, whilst others conceal

them by the protrusion of their lips ; and some kinds
draw back their ears. The Cynopithecus niger, lately
referred to, acts in this manner, at the same time de-
pressing the crest of hair on its forehead, and showing
its teeth ; so that the movements of the features from
anger are nearly the same as those from pleasure ;
and the two expressions can be distinguished only by
those familiar with the animal.
Baboons often show their passion and threaten their
enemies in a very odd manner, namely, by opening
their mouths widely as in the act of yawning. Mr.
Bartlett has often seen two baboons, when first placed
in the same compartment, sitting opposite to each
other and thus alternately opening their mouths ; and
this action seems frequently to end in a real yawn .
Mr. Bartlett believes that both animals wish to show
to each other that they are provided with a formidable
set of teeth, as is undoubtedly the case. As I could
hardly credit the reality ofthis yawning gesture,
Mr. Bartlett insulted an old baboon and put him
into a violent passion ; and he almost immediately
thus acted. Some species of Macacus and of Cer-
copithecus 14 behave in the same manner. Baboons
likewise show their anger, as was observed by Brehm
with those which he kept alive in Abyssinia, in another
manner, namely, by striking the ground with one
hand, "like an angry man striking the table with
" his fist." I have seen this movement with the baboons
in the Zoological Gardens ; but sometimes the action
seems rather to represent the searching for a stone or
other object in their beds of straw.
14 Brehm, ' Thierleben ,' B. i . s. 84. On baboons striking the ground,

s. 61 .
Mr. Sutton has often observed the face of the

Macacus rhesus, when much enraged, growing red. As
he was mentioning this to me, another monkey attacked
a rhesus, and I saw its face redden as plainly as that of
a man in a violent passion. In the course of a few
minutes, after the battle, the face of this monkey
recovered its natural tint. At the same time that the
face reddened, the naked posterior part of the body,
which is always red , seemed to grow still redder ; but I
cannot positively assert that this was the case. When
the Mandrill is in any way excited, the brilliantly
coloured, naked parts of the skin are said to become
still more vividly coloured.
With several species of baboons the ridge of the fore
head projects much over the eyes, and is studded with
a few long hairs, representing our eyebrows. These
animals are always looking about them, and in order to
look upwards they raise their eyebrows. They have
thus, as it would appear, acquired the habit of fre
quently moving their eyebrows. However this may be,
many kinds of monkeys, especially the baboons, when
angered or in any way excited, rapidly and incessantly
move their eyebrows up and down, as well as the hairy
skin of their foreheads.15 As we associate in the case
of man the raising and lowering of the eyebrows with
definite states of the mind, the almost incessant move
ment of the eyebrows by monkeys gives them a senseless
expression. I once observed a man who had a trick of
continually raising his eyebrows without any corre
sponding emotion, and this gave to him a foolish
appearance ; so it is with some persons who keep the
corners of their mouths a little drawn backwards and
15 Brehm remarks ( Thierleben,' s. 68) that the eyebrows of the

Inuus ecaudatus are frequently moved up and down when the animal
is angered,
upwards, as if by an incipient smile, though at the

time they are not amused or pleased.
A young orang, made jealous by her keeper attending
to another monkey, slightly uncovered her teeth, and ,
uttering a peevish noise like tish-shist, turned her
back on him. Both orangs and chimpanzees, when
a little more angered, protrude their lips greatly, and
make a harsh barking noise. A young female chim-
panzee, in a violent passion, presented a curious resem-
blance to a child in the same state. She screamed
loudly with widely open mouth, the lips being retracted
so that the teeth were fully exposed. She threw her
arms wildly about, sometimes clasping them over her
head. She rolled on the ground, sometimes on her
back, sometimes on her belly, and bit everything within
reach . A young gibbon (Hylobates syndactylus) in a
16
passion has been described is as behaving in almost
exactly the same manner.
The lips of young orangs and chimpanzees are pro-
truded, sometimes to a wonderful degree, under various
circumstances. They act thus, not only when slightly
angered, sulky, or disappointed, but when alarmed at
anything-in one instance, at the sight of a turtle,"
and likewise when pleased. But neither the degree
of protrusion nor the shape of the mouth is exactly
the same, as I believe, in all cases ; and the sounds
which are then uttered are different. The accom-
panying drawing represents a chimpanzee made sulky
by an orange having been offered him, and then taken
away. A similar protrusion or pouting of the lips,
though to a much slighter degree, may be seen in
sulky children.
16 G. Bennett, Wanderings in New South Wales,' &c. , vol . ii. 1834,

p. 153.
17 W. C. Martin, Nat. Hist. of Mamm. Animals, 1841 , p. 405,
Fig. 18. Chimpanzee disappointed and sulky. Drawn from life by Mr. Wood.
Many years ago, in the Zoological Gardens, I placed

a looking-glass on the floor before two young orangs ,
who, as far as it was known, had never before seen one.
At first they gazed at their own images with the most
steady surprise, and often changed their point of view.
They then approached close and protruded their lips
towards the image, as if to kiss it, in exactly the same
manner as they had previously done towards each other,
when first placed , a few days before, in the same room.
They next made all sorts of grimaces, and put them-
selves in various attitudes before the mirror ; they
pressed and rubbed the surface ; they placed their
hands at different distances behind it ; looked behind
it ; and finally seemed almost frightened, started a
little, became cross, and refused to look any longer.
When we try to perform some little action which is
difficult and requires precision, for instance , to thread
a needle, we enerally close our lips firmly, for the
sake, I presume, of not disturbing our movements by
breathing ; and I noticed the same action in a young
Orang. The poor little creature was sick, and was
amusing itself by trying to kill the flies on the window-
panes with its knuckles ; this was difficult as the flies
buzzed about, and at each attempt the lips were firmly
compressed, and at the same time slightly protruded .
Although the countenances, and more especially the
gestures, of orangs and chimpanzees are in some re-
spects highly expressive, I doubt whether on the whole
they are so expressive as those of some other kinds of
monkeys. This may be attributed in part to their ears
being immoveable, and in part to the nakedness of
their eyebrows, of which the movements are thus ren-
dered less conspicuous. When, however, they raise their
eyebrows their foreheads become, as with us, transversely
wrinkled. In comparison with man, their faces are
inexpressive, chiefly owing to their not frowning under

any emotion of the mind—that is, as far as I have been
able to observe, and I carefully attended to this point.
Frowning, which is one of the most important of all the
expressions in man, is due to the contraction of the
corrugators by which the eyebrows are lowered and
brought together, so that vertical furrows are formed
on the forehead. Both the orang and chimpan-
18
zee are said to possess this muscle, but it seems
rarely brought into action, at least in a conspicuous
manner. I made my hands into a sort of cage, and
placing some tempting fruit within, allowed both a
young orang and chimpanzee to try their utmost to
get it out ; but although they grew rather cross, they
showed not a trace of a frown. Nor was there any
frown when they were enraged. Twice I took two
chimpanzees from their rather dark room suddenly into
bright sunshine, which would certainly have caused us
to frown ; they blinked and winked their eyes, but
H only once did I see a very slight frown. On another
occasion, I tickled the nose of a chimpanzee with a
straw, and as it crumpled up its face, slight vertical
furrows appeared between the eyebrows. I have never
seen a frown on the forehead of the orang.
The gorilla, when enraged, is described as erecting
its crest of hair, throwing down its under lip, dilating
its nostrils, and uttering terrific yells. Messrs. Savage
19
and Wyman ¹º state that the scalp can be freely moved
backwards and forwards, and that when the animal is
excited it is strongly contracted ; but I presume that
18 Prof. Owen on the Orang, Proc. Zool. Soc. 1830, p. 28. On

the Chimpanzee, see Prof. Macalister, in Annals and Mag. of Nat.
Hist. vol. vii. 1871 , p. 342, who states that the corrugator supercilii
is inseparable from the orbicularis palpebrarum.
19 Boston Journal of Nat. Hist. 1845-47, vol. v. p. 423. On the
Chimpanzee, ibid. 1843-44, vol. iv. p. 365.
they mean by this latter expression that the scalp is

lowered ; for they likewise speak of the young chim
panzee, when crying out, " as having the eyebrows
"strongly contracted." The great power of movement
in the scalp of the gorilla, of many baboons and other
monkeys, deserves notice in relation to the power
possessed by some few men, either through reversion
or persistence, of voluntarily moving their scalps.20
Astonishment, Terror. - A living fresh-water turtle
was placed at my request in the same compartment in
the Zoological Gardens with many monkeys ; and they
showed unbounded astonishment, as well as some fear.
This was displayed by their remaining motionless,
staring intently with widely opened eyes, their eye
brows being often moved up and down. Their faces
seemed somewhat lengthened. They occasionally raised
themselves on their hind-legs to get a better view.
They often retreated a few feet, and then turning their
heads over one shoulder, again stared intently. It was
curious to observe how much less afraid they were of
the turtle than of a living snake which I had formerly
placed in their compartment ; 21 for in the course of a
few minutes some of the monkeys ventured to approach
and touch the turtle. On the other hand, some of the
larger baboons were greatly terrified, and grinned as if
on the point of screaming out. When I showed a little
dressed-up doll to the Cynopithecus niger, it stood mo
tionless, stared intently with widely opened eyes, and
advanced its ears a little forwards. But when the
turtle was placed in its compartment, this monkey also
moved its lips in an odd, rapid, jabbering manner,
which the keeper declared was meant to conciliate or
please the turtle.
20 See on this subject, ' Descent of Man,' vol . i . p. 20.

21 6 Descent of Man,' vol. i. p. 43.
I was never able clearly to perceive that the eye

brows of astonished monkeys were kept permanently
raised, though they were frequently moved up and
down. Attention, which precedes astonishment, is
expressed by man by a slight raising of the eyebrows ;
and Dr. Duchenne informs me that when he gave to
the monkey formerly mentioned some quite new article
of food, it elevated its eyebrows a little, thus assuming
an appearance of close attention. It then took the
food in its fingers, and, with lowered or rectilinear eye
brows, scratched, smelt, and examined it, -an expression
of reflection being thus exhibited . Sometimes it would
throw back its head a little, and again with suddenly
raised eyebrows re-examine and finally taste the food.
In no case did any monkey keep its mouth open
when it was astonished . Mr. Sutton observed for
me a young orang and chimpanzee during a consider
able length of time ; and however much they were
astonished, or whilst listening intently to some strange
sound, they did not keep their mouths open. This fact
is surprising, as with mankind hardly any expression is
more general than a widely open mouth under the
sense of astonishment. As far as I have been able to
observe, monkeys breathe more freely through their
nostrils than men do ; and this may account for their not
opening their mouths when they are astonished ; for,
as we shall see in a future chapter, man apparently acts
in this manner when startled, at first for the sake of
quickly drawing a full inspiration, and afterwards for
the sake of breathing as quietly as possible.
Terror is expressed by many kinds of monkeys by
the utterance of shrill screams ; the lips being drawn
back, so that the teeth are exposed. The hair becomes
erect, especially when some anger is likewise felt. Mr.
Sutton has distinctly seen the face of the Macacus
L
146 SPECIAL EXPRESSIONS : MONKEYS. CHAP. V.
rhesus grow pale from fear. ' Monkeys also tremble

from fear ; and sometimes they void their excretions.
I have seen one which, when caught, almost fainted
from an excess of terror.
Sufficient facts have now been given with respect to

the expressions of various animals. It is impossible
to agree with Sir C. Bell when he says 22 that "the
" faces of animals seem chiefly capable of expressing
66
rage and fear ;" and again, when he says that all their
expressions " may be referred, more or less plainly, to
" their acts of volition or necessary instincts." He
who will look at a dog preparing to attack another
dog or a man, and at the same animal when caressing
his master, or will watch the countenance of a monkey
when insulted, and when fondled by his keeper, will be
forced to admit that the movements of their features
and their gestures are almost as expressive as those
of man. Although no explanation can be given of
some of the expressions in the lower animals, the
greater number are explicable in accordance with the
three principles given at the commencement of the
first chapter.
"
22 Anatomy of Expression,' 3rd edit. 1844, pp. 138, 121.
CHAP. VI. EXPRESSION OF SUFFERING : WEEPING. 147
CHAPTER VI.
SPECIAL EXPRESSIONS OF MAN : SUFFERING AND WEEPING.
The screaming and weeping of infants-- - Form of features Age at

which weeping commences - - The effects of habitual restraint on
weeping - Sobbing - Cause of the contraction of the muscles
round the eyes during screaming - Cause of the secretion of
tears.
In this and the following chapters the expressions ex-

hibited by Man under various states of the mind will
be described and explained, as far as lies in my power.
My observations will be arranged according to the
order which I have found the most convenient ; and
this will generally lead to opposite emotions and sen-
sations succeeding each other.
Suffering of the body and mind : weeping.- I have
already described in sufficient detail, in the third
chapter, the signs of extreme pain, as shown by screams
or groans, with the writhing of the whole body and
the teeth clenched or ground together. These signs
are often accompanied or followed by profuse sweating,
pallor, trembling, utter prostration, or faintness . No
suffering is greater than that from extreme fear or
horror, but here a distinct emotion comes into play,
and will be elsewhere considered. Prolonged suffering,
especially of the mind, passes into low spirits, grief,
dejection, and despair, and these states will be the
subject of the following chapter. Here I shall almost
confine myself to weeping or crying, more especially in
children.
Infants, when suffering even slight pain, moderate
L 2
148 EXPRESSION OF SUFFERING : CHAP. VI.
hunger, or discomfort, utter violent and prolonged

screams. Whilst thus screaming their eyes are firmly .
closed, so that the skin round them is wrinkled, and
the forehead contracted into a frown. The mouth
is widely opened with the lips retracted in a peculiar
manner, which causes it to assume a squarish form ;
the gums or teeth being more or less exposed . The
breath is inhaled almost spasmodically. It is easy to
observe infants whilst screaming ; but I have found
photographs made by the instantaneous process the best
means for observation, as allowing more deliberation .
I have collected twelve, most of them made purposely
for me ; and they all exhibit the same general cha-
racteristics. I have, therefore, had six of them ¹ (Plate
I. ) reproduced by the heliotype process.
The firm closing of the eyelids and consequent com-
pression of the eyeball, —and this is a most important
element in various expressions, -serves to protect the
eyes from becoming too much gorged with blood, as
will presently be explained in detail. With respect to
the order in which the several muscles contract in
firmly compressing the eyes, I am indebted to Dr.
Langstaff, of Southampton, for some observations,
which I have since repeated. The best plan for
observing the order is to make a person first raise his
eyebrows, and this produces transverse wrinkles across
the forehead ; and then very gradually to contract all
the muscles round the eyes with as much force as
possible. The reader who is unacquainted with the
anatomy of the face, ought to refer to p. 24, and
look at the woodcuts 1 to 3. The corrugators of the brow
The best photographs in my collection are by Mr. Rejlander, of

Victoria Street, London, and by Herr Kindermann, of Hamburg.
Figs. 1, 3, 4, and 6 are by the former ; and figs. 2 and 5, by the latter
gentleman. Fig. 6 is given to show moderate crying in an older child.
Edistype
CHAP.
(corr
contr
inwar
furro
brow
of th
orbi
the
eyes
with
Corr
the
dra
low
the
mu
or
ru
th
t
CHAP. VI. WEEPING. 149
(corrugator supercilii) seem to be the first muscles to

contract ; and these draw the eyebrows downwards and
inwards towards the base of the nose, causing vertical
furrows, that is a frown, to appear between the eye
brows ; at the same time they cause the disappearance
of the transverse wrinkles across the forehead. The
orbicular muscles contract almost simultaneously with
the corrugators, and produce wrinkles all round the
eyes ; they appear, however, to be enabled to contract
with greater force, as soon as the contraction of the
corrugators has given them some support. Lastly,
the pyramidal muscles of the nose contract ; and these
draw the eyebrows and the skin of the forehead still
lower down, producing short transverse wrinkles across
2
the base of the nose. For the sake of brevity these
muscles will generally be spoken of as the orbiculars,
or as those surrounding the eyes.
When these muscles are strongly contracted, those
running to the upper lip³ likewise contract and raise
the upper lip. This might have been expected from
the manner in which at least one of them, the malaris,
is connected with the orbiculars. Any one who will
gradually contract the muscles round his eyes, will feel,
as he increases the force, that his upper lip and the
2 Henle (Handbuch d. Syst. Anat. 1858, B. i. s. 139) agrees with

Duchenne that this is the effect of the contraction of the pyramidalis
nasi.
3 These consist of the levator labii superioris alæque nasi, the levator
labii proprius, the malaris, and the zygomaticus minor, or little zygo
matic. This latter muscle runs parallel to and above the great
zygomatic, and is attached to the outer part of the upper lip. It is
represented in fig. 2 ( I. p. 24) , but not in figs. 1 and 3. Dr. Duchenne
first showed ( Mécanisme de la Physionomie Humaine,' Album, 1862,
p. 39) the importance of the contraction of this muscle in the shape
assumed by the features in crying. Henle considers the above-named
muscles (excepting the malaris) as subdivisions of the quadratus labii
superioris.
wings of his nose (which are partly acted on by one of

the same muscles) are almost always a little drawn up.
If he keeps his mouth firmly shut whilst contracting
the muscles round the eyes, and then suddenly relaxes
his lips, he will feel that the pressure on his eyes imme-
diately increases. So again when a person on a bright,
glaring day wishes to look at a distant object, but is
compelled partially to close his eyelids, the upper lip
may almost always be observed to be somewhat raised.
The mouths of some very short-sighted persons, who
are forced habitually to reduce the aperture of their
eyes, wear from this same reason a grinning expression.
The raising of the upper lip draws upwards the flesh
of the upper parts of the cheeks, and produces a
strongly marked fold on each cheek,-the naso-labial
fold,-which runs from near the wings of the nostrils
to the corners of the mouth and below them. This fold
or furrow may be seen in all the photographs, and is
very characteristic of the expression of a crying child ;
though a nearly similar fold is produced in the act of
laughing or smiling.*
Although Dr. Duchenne has so carefully studied the contraction

of the different muscles during the act of crying, and the furrows on
the face thus produced, there seems to be something incomplete in his
account ; but what this is I cannot say. He has given a figure (Album,
fig. 48) in which one half of the face is made, by galvanizing the
proper muscles, to smile ; whilst the other half is similarly made to
begin crying. Almost all those (viz. nineteen out of twenty-one per-
sons) to whom I showed the smiling half of the face instantly recog-
nized the expression ; but, with respect to the other half, only six
persons out of twenty-one recognized it, that is, if we accept such
terms as 66 grief," " misery," " annoyance," as correct ;-whereas, fifteen
persons were ludicrously mistaken ; some of them saying the face
expressed " fun," " satisfaction," " cunning," " disgust," &c. We may
infer from this that there is something wrong in the expression. Some
of the fifteen persons may, however, have been partly misled by not
expecting to see an old man crying, and by tears not being secreted.
With respect to another figure by Dr. Duchenne (fig. 49), in which the
As the upper lip is much drawn up during the act of

screaming, in the manner just explained, the depressor
muscles of the angles of the mouth (see K in wood
cuts 1 and 2) are strongly contracted in order to keep
the mouth widely open, so that a full volume of sound.
may be poured forth . The action of these opposed
muscles, above and below, tends to give to the mouth
an oblong, almost squarish outline, as may be seen
in the accompanying photographs. An excellent ob
5
server, in describing a baby crying whilst being fed ,
says, " it made its mouth like a square, and let the por
66
ridge run out at all four corners." I believe, but we
shall return to this point in a future chapter, that the
depressor muscles of the angles of the mouth are less
under the separate control of the will than the adjoining
muscles ; so that if a young child is only doubtfully
inclined to cry, this muscle is generally the first to
contract, and is the last to cease contracting. When
older children commence crying, the muscles which
run to the upper lip are often the first to contract ;
and this may perhaps be due to older children not
having so strong a tendency to scream loudly, and con
sequently to keep their mouths widely open ; so that
the above-named depressor muscles are not brought
into such strong action.
With one of my own infants, from his eighth day and
muscles of half the face are galvanized in order to represent a man

beginning to cry, with the eyebrow on the same side rendered oblique,
which is characteristic of misery, the expression was recognized by a
greater proportional number of persons. Out of twenty-three persons,
fourteen answered correctly, " sorrow,"" " distress," " grief," " just going
to cry,"" " endurance of pain," &c. On the other hand, nine persons either
could form no opinion or were entirely wrong, answering, " cunning
leer," " jocund," " looking at an intense light," " looking at a distant
object," &c.
5 Mrs. Gaskell, ' Mary Barton,' new edit. p. 84.
for some time afterwards, I often observed that the first

sign of a screaming-fit, when it could be observed coming
on gradually, was a little frown, owing to the con-
traction of the corrugators of the brows ; the capillaries
of the naked head and face becoming at the same time
reddened with blood. As soon as the screaming- fit
actually began, all the muscles round the eyes were
strongly contracted , and the mouth widely opened in
the manner above described ; so that at this early period
the features assumed the same form as at a more
advanced age .
6
Dr. Piderit lays great stress on the contraction of
certain muscles which draw down the nose and narrow
the nostrils, as eminently characteristic of a crying
expression. The depressores anguli oris, as we have
just seen, are usually contracted at the same time, and
they indirectly tend, according to Dr. Duchenne, to
act in this same manner on the nose. With children
having bad colds a similar pinched appearance of the
nose may be noticed, which is at least partly due, as
remarked to me by Dr. Langstaff, to their constant
snuffling, and the consequent pressure of the atmo-
sphere on the two sides. The purpose of this contraction
of the nostrils by children having bad colds, or whilst
crying, seems to be to check the downward flow of the
mucus and tears, and to prevent these fluids spreading
over the upper lip.
After a prolonged and severe screaming-fit, the scalp ,
face, and eyes are reddened, owing to the return of the
blood from the head having been impeded by the violent
expiratory efforts ; but the redness of the stimulated
eyes is chiefly due to the copious effusion of tears. The
Mimik und Physiognomik,' 1867, s. 102. Duchenne, Mécanisme

de la Phys. Humaine, Album, p. 31.
various muscles of the face which have been strongly

contracted, still twitch a little, and the upper lip is still
slightly drawn up or everted, ' with the corners of the
mouth still a little drawn downwards. I have myself
felt, and have observed in other grown-up persons, that
when tears are restrained with difficulty, as in reading
a pathetic story, it is almost impossible to prevent
the various muscles, which with young children are
brought into strong action during their screaming-fits,
from slightly twitching or trembling.
Infants whilst young do not shed tears or weep, as is
well known to nurses and medical men. This circum
stance is not exclusively due to the lacrymal glands
being as yet incapable of secreting tears. I first noticed
this fact from having accidentally brushed with the
cuff of my coat the open eye of one of my infants,
when seventy-seven days old, causing this eye to water
freely ; and though the child screamed violently, the
other eye remained dry, or was only slightly suffused
with tears. A similar slight effusion occurred ten
days previously in both eyes during a screaming
fit. The tears did not run over the eyelids and roll
down the cheeks of this child , whilst screaming badly,
when 122 days old. This first happened 17 days
later, at the age of 139 days. A few other children
have been observed for me, and the period of free weep
ing appears to be very variable. In one case, the eyes
became slightly suffused at the age of only 20 days ; in
another, at 62 days. With two other children, the tears
did not run down the face at the ages of 84 and 110
days ; but in a third child they did run down at the age
of 104 days. In one instance, as I was positively
assured, tears ran down at the unusually early age of
Dr. Duchenne makes this remark, ibid. p. 39.

42 days. It would appear as if the lacrymal glands

required some practice in the individual before they
are easily excited into action, in somewhat the same
manner as various inherited consensual movements and
tastes require some exercise before they are fixed and
perfected. This is all the more likely with a habit
like weeping, which must have been acquired since the
period when man branched off from the common pro-
genitor of the genus Homo and of the non-weeping
anthropomorphous apes.
The fact of tears not being shed at a very early age
from pain or any mental emotion is remarkable, as,
later in life, no expression is more general or more
strongly marked than weeping. When the habit has
once been acquired by an infant, it expresses in the
clearest manner suffering of all kinds, both bodily
pain and mental distress, even though accompanied by
other emotions, such as fear or rage. The character
of the crying, however, changes at a very early age,
as I noticed in my own infants, the passionate cry
differing from that of grief. A lady informs me that
her child, nine months old, when in a passion screams
loudly, but does not weep ; tears, however, are shed
when she is punished by her chair being turned with
its back to the table. This difference may perhaps be
attributed to weeping being restrained, as we shall im-
mediately see, at a more advanced age, under most
circumstances excepting grief ; and to the influence of
such restraint being transmitted to an earlier period of
life, than that at which it was first practised.
With adults, especially of the male sex, weeping soon
ceases to be caused by, or to express, bodily pain . This
may be accounted for by its being thought weak and
unmanly by men, both of civilized and barbarous
races, to exhibit bodily pain by any outward sign. With
this exception, savages weep copiously from very slight

causes, of which fact Sir J. Lubbock has collected
instances. A New Zealand chief " cried like a child
" because the sailors spoilt his favourite cloak by
66
powdering it with flour." I saw in Tierra del Fuego
a native who had lately lost a brother, and who alter-
nately cried with hysterical violence, and laughed hear-
tily at anything which amused him. With the civilized
nations of Europe there is also much difference in the
frequency of weeping. Englishmen rarely cry, except
under the pressure of the acutest grief ; whereas in
some parts of the Continent the men shed tears much
more readily and freely.
The insane notoriously give way to all their emo-
tions with little or no restraint ; and I am informed
by Dr. J. Crichton Browne, that nothing is more cha-
racteristic of simple melancholia, even in the male sex,
than a tendency to weep on the slightest occasions, or
from no cause. They also weep disproportionately on
the occurrence of any real cause of grief. The length
of time during which some patients weep is astonishing,
as well as the amount of tears which they shed. One
melancholic girl wept for a whole day, and afterwards
confessed to Dr. Browne, that it was because she re-
membered that she had once shaved off her eyebrows
to promote their growth. Many patients in the asylum
sit for a long time rocking themselves backwards and
forwards ; " and if spoken to, they stop their move-
" ments, purse up their eyes, depress the corners of
" the mouth, and burst out crying." In some of these
cases, the being spoken to or kindly greeted appears
to suggest some fanciful and sorrowful notion ; but
in other cases an effort of any kind excites weeping,
The Origin of Civilization,' 1870, p. 355.

independently of any sorrowful idea. Patients suffering

from acute mania likewise have paroxysms of violent
crying or blubbering, in the midst of their incoherent
ravings. We must not, however, lay too much stress
on the copious shedding of tears by the insane, as
being due to the lack of all restraint ; for certain brain-
diseases, as hemiplegia, brain-wasting, and senile decay,
have a special tendency to induce weeping. Weeping
is common in the insane, even after a complete state
of fatuity has been reached and the power of speech
9
lost. Persons born idiotic likewise weep ; but it is said
that this is not the case with cretins.
Weeping seems to be the primary and natural expres-
sion, as we see in children , of suffering of any kind ,
whether bodily pain short of extreme agony, or
mental distress. But the foregoing facts and common
experience show us that a frequently repeated effort to
restrain weeping, in association with certain states of
the mind, does much in checking the habit. On the
other hand, it appears that the power of weeping can be
increased through habit ; thus the Rev. R. Taylor,10 who
long resided in New Zealand, asserts that the women
can voluntarily shed tears in abundance ; they meet for
this purpose to mourn for the dead, and they take pride
in crying " in the most affecting manner."
A single effort of repression brought to bear on the
lacrymal glands does little, and indeed seems often to
lead to an opposite result. An old and experienced
physician told me that he had always found that the 1
only means to check the occasional bitter weeping of
ladies who consulted him, and who themselves wished
See, for instance, Mr. Marshall's account of an idiot in Philosoph.

Transact. 1864, p. 526. With respect to cretins, see Dr. Piderit,
' Mimik und Physiognomik,' 1867 , s. 61 .
10 6 New Zealand and its Inhabitants,' 1855, p. 175,
to desist, was earnestly to beg them not to try, and

to assure them that nothing would relieve them so
much as prolonged and copious crying.
The screaming of infants consists of prolonged expi-
rations, with short and rapid, almost spasmodic inspira-
tions, followed at a somewhat more advanced age by
sobbing. According to Gratiolet, " the glottis is chiefly
affected during the act of sobbing. This sound is
heard " at the moment when the inspiration conquers
" the resistance of the glottis, and the air rushes into the
" chest." But the whole act of respiration is likewise
spasmodic and violent. The shoulders are at the same
time generally raised, as by this movement respiration
is rendered easier. With one of my infants, when
seventy-seven days old, the inspirations were so rapid
and strong that they approached in character to sobbing ;
when 138 days old I first noticed distinct sobbing,
which subsequently followed every bad crying - fit.
The respiratory movements are partly voluntary and
partly involuntary, and I apprehend that sobbing is at
least in part due to children having some power to
command after early infancy their vocal organs and to
stop their screams, but from having less power over
their respiratory muscles, these continue for a time
to act in an involuntary or spasmodic manner, after
having been brought into violent action. Sobbing
seems to be peculiar to the human species ; for the
keepers in the Zoological Gardens assure me that they
have never heard a sob from any kind of monkey ;
though monkeys often scream loudly whilst being
chased and caught, and then pant for a long time.
We thus see that there is a close analogy between sob-
bing and the free shedding of tears ; for with children ,
De la Physionomie,' 1865, p. 126.

158 EXPRESSION OF SUFFERING : CHAP. VI,
sobbing does not commence during early infancy, but

afterwards comes on rather suddenly and then follows
every bad crying-fit, until the habit is checked with
advancing years.
On the cause of the contraction of the muscles round
the eyes during screaming.-We have seen that infants
and young children, whilst screaming, invariably close
their eyes firmly, by the contraction of the surrounding
muscles, so that the skin becomes wrinkled all around.
With older children, and even with adults, whenever
there is violent and unrestrained crying, a tendency to
the contraction of these same muscles may be observed ;
though this is often checked in order not to interfere
with vision.
Sir C. Bell explains ¹² this action in the following
manner :-"During every violent act of expiration,
" whether in hearty laughter, weeping, coughing, or
" sneezing, the eyeball is firmly compressed by the
" fibres of the orbicularis ; and this is a provision for
66
supporting and defending the vascular system of the
" interior of the eye from a retrograde impulse com
" municated to the blood in the veins at that time.
"When we contract the chest and expel the air, there
" is a retardation of the blood in the veins of the neck
" and head ; and in the more powerful acts of expul
" sion, the blood not only distends the vessels, but is
66 even regurgitated into the minute branches. Were
" the eye not properly compressed at that time, and a

" resistance given to the shock, irreparable injury might
" be inflicted on the delicate textures of the interior of
" the eye." He further adds, " If we separate the eye
12The Anatomy of Expression,' 1844, p. 106. See also his paper in

the Philosophical Transactions,' 1822, p. 284, ibid. 1823, pp. 166 and
289. Also The Nervous System of the Human Body,' 3rd edit. 1836,
p. 175.
" lids of a child to examine the eye, while it cries and

66
struggles with passion, by taking off the natural
66
support to the vascular system of the eye, and means
" of guarding it against the rush of blood then occur
66
ring, the conjunctiva becomes suddenly filled with
" blood, and the eyelids everted."
Not only are the muscles round the eyes strongly
contracted, as Sir C. Bell states and as I have often
observed, during screaming, loud laughter, coughing, and
sneezing, but during several other analogous actions.
A man contracts these muscles when he violently blows
his nose. I asked one of my boys to shout as loudly as
he possibly could, and as soon as he began, he firmly
contracted his orbicular muscles ; I observed this re
peatedly, and on asking him why he had every time
so firmly closed his eyes, I found that he was quite
unaware of the fact : he had acted instinctively or
unconsciously.
It is not necessary, in order to lead to the contraction
of these muscles, that air should actually be expelled
from the chest ; it suffices that the muscles of the chest
and abdomen should contract with great force, whilst by
the closure of the glottis no air escapes. In violent
vomiting or retching the diaphragm is made to descend
by the chest being filled with air ; it is then held in
this position by the closure of the glottis, " as well as by
"the contraction of its own fibres.” 13 The abdominal
muscles now contract strongly upon the stomach, its
proper muscles likewise contracting, and the contents
are thus ejected. During each effort of vomiting " the
" head becomes greatly congested, so that the features
" are red and swollen, and the large veins of the face
13 See Dr. Brinton's account of the act of vomiting, in Todd's

Cyclop. of Anatomy and Physiology, 1859, vol. v. Supplement, p. 318.
" and temples visibly dilated." At the same time, as I

know from observation, the muscles round the eyes are
strongly contracted. This is likewise the case when
the abdominal muscles act downwards with unusual
force in expelling the contents of the intestinal canal.
The greatest exertion of the muscles of the body, if
those of the chest are not brought into strong action in
expelling or compressing the air within the lungs, does
not lead to the contraction of the muscles round the
eyes. I have observed my sons using great force in
gymnastic exercises, as in repeatedly raising their sus-
pended bodies by their arms alone, and in lifting heavy
weights from the ground, but there was hardly any
trace of contraction in the muscles round the eyes.
As the contraction of these muscles for the protection
of the eyes during violent expiration is indirectly, as
we shall hereafter see, a fundamental element in several
of our most important expressions, I was extremely
anxious to ascertain how far Sir C. Bell's view could be
substantiated. Professor Donders, of Utrecht," well
known as one of the highest authorities in Europe on
vision and on the structure of the eye, has most kindly
undertaken for me this investigation with the aid of the
many ingenious mechanisms of modern science, and has
published the results.15 He shows that during violent
expiration the external, the intra-ocular, and the retro-
14 I am greatly indebted to Mr. Bowman for having introduced me

to Prof. Donders, and for his aid in persuading this great physiologist
to undertake the investigation of the present subject. I am likewise
much indebted to Mr. Bowman for having given me, with the utmost
kindness, information on many points.
15 This memoir first appeared in the Nederlandsch Archief voor
Genees en Natuurkunde,' Deel 5, 1870. It has been translated by
Dr. W. D. Moore, under the title of " On the Action of the Eyelids in
determination of Blood from expiratory effort," in · Archives of Medi-
cine,' edited by Dr. L. S. Beale, 1870, vol . v. p. 20.
ocular vessels of the eye are all affected in two ways,

namely by the increased pressure of the blood in the
arteries, and by the return of the blood in the veins
being impeded. It is, therefore, certain that both the
arteries and the veins of the eye are more or less dis
tended during violent expiration. The evidence in
detail may be found in Professor Donders' valuable
memoir. We see the effects on the veins of the head,
in their prominence, and in the purple colour of the
face of a man who coughs violently from being half
choked. I may mention, on the same authority, that
the whole eye certainly advances a little during each
violent expiration. This is due to the dilatation of the
retro-ocular vessels, and might have been expected from
the intimate connection of the eye and brain ; the brain
being known to rise and fall with each respiration, when
a portion of the skull has been removed ; and as may
be seen along the unclosed sutures of infants' heads.
This also, I presume, is the reason that the eyes of
a strangled man appear as if they were starting from
their sockets.
With respect to the protection of the eye during
violent expiratory efforts by the pressure of the eyelids,
Professor Donders concludes from his various obser
vations that this action certainly limits or entirely re
moves the dilatation of the vessels.16 At such times, he
16 Prof. Donders remarks (ibid. p . 28), that, " After injury to the
66
eye, after operations, and in some forms of internal inflammation , we
" great value to the uniform support of the closed eyelids, and
66 attach
we increase this in many instances by the application of a bandage.
" In both cases we carefully endeavour to avoid great expiratory pressure,
" the disadvantage of which is well known." Mr. Bowman informs
me that in the excessive photophobia, accompanying what is called
scrofulous ophthalmia in children, when the light is so very painful
that during weeks or months it is constantly excluded by the most
forcible closure of the lids, he has often been struck on opening the
M
adds, we not unfrequently see the hand involuntarily

laid upon the eyelids, as if the better to support and
defend the eyeball .
Nevertheless much evidence cannot at present be
advanced to prove that the eye actually suffers injury
from the want of support during violent expiration ; but
there is some. It is " a fact that forcible expiratory
" efforts in violent coughing or vomiting, and especially
" in sneezing, sometimes give rise to ruptures of the
“ little (external) vessels " of the eye." With respect
to the internal vessels, Dr. Gunning has lately recorded
a case of exophthalmos in consequence of whooping
cough, which in his opinion depended on the rupture
of the deeper vessels ; and another analogous case has
been recorded. But a mere sense of discomfort would
probably suffice to lead to the associated habit of pro
:
tecting the eyeball by the contraction of the sur
rounding muscles. Even the expectation or chance of
injury would probably be sufficient, in the same
manner as an object moving too near the eye induces
involuntary winking of the eyelids. We may, there
fore, safely conclude from Sir C. Bell's observations,
and more especially from the more careful investiga
tions by Professor Donders, that the firm closure of
the eyelids during the screaming of children is an
1 action full of meaning and of real service.
We have already seen that the contraction of the
orbicular muscles leads to the drawing up of the upper
lip, and consequently, if the mouth is kept widely
lids by the paleness of the eye,-not an unnatural paleness, but an

absence of the redness that might have been expected when the sur
face is somewhat inflamed, as is then usually the case ; and this
paleness he is inclined to attribute to the forcible closure of the
eyelids.
17 Donders, ibid. p . 36.
CHAP. VI. WEEPING . 163
open, to the drawing down of the corners by the con

traction of the depressor muscles. The formation of the
naso-labial fold on the cheeks likewise follows from the
drawing up of the upper lip. Thus all the chief ex
pressive movements of the face during crying apparently
result from the contraction of the muscles round the
eyes. We shall also find that the shedding of tears
depends on, or at least stands in some connection with,
the contraction of these same muscles.
In some of the foregoing cases, especially in those of
sneezing and coughing, it is possible that the contrac
tion of the orbicular muscles may serve in addition to
protect the eyes from too severe a jar or vibration. I
think so, because dogs and cats, in crunching hard
bones, always close their eyelids, and at least sometimes
in sneezing ; though dogs do not do so whilst barking
loudly. Mr. Sutton carefully observed for me a young
orang and chimpanzee, and he found that both always
closed their eyes in sneezing and coughing, but not
whilst screaming violently. I gave a small pinch of
snuff to a monkey of the American division, namely, a
Cebus, and it closed its eyelids whilst sneezing ; but
not on a subsequent occasion whilst uttering loud cries.
Cause of the secretion of tears.- It is an important
fact which must be considered in any theory of the
secretion of tears from the mind being affected, that
whenever the muscles round the eyes are strongly
and involuntarily contracted in order to compress
the blood-vessels and thus to protect the eyes, tears
are secreted, often in sufficient abundance to roll
down the cheeks. This occurs under the most opposite
emotions, and under no emotion at all. The sole ex
ception, and this is only a partial one, to the existence
of a relation between the involuntary and strong
contraction of these muscles and the secretion of tears,
M 2
is that of young infants, who, whilst screaming violently

with their eyelids firmly closed , do not commonly weep
until they have attained the age of from two to three
or four months. Their eyes, however, become suffused
with tears at a much earlier age. It would appear, as
already remarked, that the lacrymal glands do not,
from the want of practice or some other cause, come to
full functional activity at a very early period of life .
With children at a somewhat later age, crying out or
wailing from any distress is so regularly accompanied
by the shedding of tears, that weeping and crying are
synonymous terms.18
Under the opposite emotion of great joy or amuse-
ment, as long as laughter is moderate there is hardly
any contraction of the muscles round the eyes, so that
there is no frowning ; but when peals of loud laughter
are uttered, with rapid and violent spasmodic expira-
tions , tears stream down the face. I have more than
once noticed the face of a person, after a paroxysm
of violent laughter, and I could see that the orbicular
muscles and those running to the upper lip were still
partially contracted, which together with the tear-
stained cheeks gave to the upper half of the face an
expression not to be distinguished from that of a child
still blubbering from grief. The fact of tears streaming
down the face during violent laughter is common to
all the races of mankind, as we shall see in a future
chapter.
In violent coughing, especially when a person is half-
choked, the face becomes purple, the veins distended,
the orbicular muscles strongly contracted, and tears
18 Mr. Hensleigh Wedgwood (Dict. of English Etymology, 1859,

vol. i. p. 410) says, "the verb to weep comes from Anglo-Saxon wop,
" the primary meaning of which is simply outcry."
run down the cheeks. Even after a fit of ordinary

coughing, almost every one has to wipe his eyes. In
violent vomiting or retching, as I have myself expe-
rienced and seen in others, the orbicular muscles are
strongly contracted, and tears sometimes flow freely
down the cheeks. It has been suggested to me that
this may be due to irritating matter being injected into
the nostrils , and causing by reflex action the secretion
of tears. Accordingly I asked one of my informants,
a surgeon, to attend to the effects of retching when
nothing was thrown up from the stomach ; and, by an
odd coincidence, he himself suffered the next morning
from an attack of retching, and three days subsequently
observed a lady under a similar attack ; and he is cer-
tain that in neither case an atom of matter was ejected
from the stomach ; yet the orbicular muscles were
strongly contracted, and tears freely secreted. I can
also speak positively to the energetic contraction of
these same muscles round the eyes, and to the coin-
cident free secretion of tears, when the abdominal
muscles act with unusual force in a downward direction
on the intestinal canal.
Yawning commences with a deep inspiration , fol-
lowed by a long and forcible expiration ; and at the
same time almost all the muscles of the body are
strongly contracted, including those round the eyes.
During this act tears are often secreted, and I have
seen them even rolling down the cheeks.
I have frequently observed that when persons scratch
some point which itches intolerably, they forcibly close
their eyelids ; but they do not, as I believe, first draw a
deep breath and then expel it with force ; and I have
never noticed that the eyes then become filled with
tears ; but I am not prepared to assert that this does
not occur. The forcible closure of the eyelids is, per-
haps, merely a part of that general action by which

almost all the muscles of the body are at the same time
rendered rigid. It is quite different from the gentle
closure of the eyes which often accompanies, as Gratiolet
remarks,19 the smelling a delicious odour, or the tasting
a delicious morsel, and which probably originates in
the desire to shut out any disturbing impression
through the eyes.
Professor Donders writes to me to the following effect :
“ I have observed some cases of a very curious affection
" when, after a slight rub (attouchement) , for example,
" from the friction of a coat, which caused neither
" a wound nor a contusion, spasms of the orbicular
" muscles occurred, with a very profuse flow of tears,
" lasting about an hour. Subsequently, sometimes after
" an interval of several weeks, violent spasms of the
66
same muscles re-occurred, accompanied by the secre
" tion of tears, together with primary or secondary red
66
ness of the eye." Mr. Bowman informs me that he
has occasionally observed closely analogous cases, and
that, in some of these, there was no redness or inflamma
tion of the eyes.
I was anxious to ascertain whether there existed in
any of the lower animals a similar relation between
the contraction of the orbicular muscles during violent
expiration and the secretion of tears ; but there are
very few animals which contract these muscles in a
prolonged manner, or which shed tears. The Macacus
maurus, which formerly wept so copiously in the Zoo
logical Gardens, would have been a fine case for observa
tion ; but the two monkeys now there, and which are
believed to belong to the same species, do not weep.
Nevertheless they were carefully observed by Mr.
19 · De la Physionomic,' 1865, p . 217.

Bartlett and myself, whilst screaming loudly, and they

seemed to contract these muscles ; but they moved
about their cages so rapidly, that it was difficult to
observe with certainty. No other monkey, as far as
I have been able to ascertain, contracts its orbicular
muscles whilst screaming.
The Indian elephant is known sometimes to weep.
Sir E. Tennent, in describing those which he saw cap-
tured and bound in Ceylon, says, some " lay motionless
" on the ground, with no other indication of suffering
" than the tears which suffused their eyes and flowed
incessantly." Speaking of another elephant he says ,
" When overpowered and made fast, his grief was most
" affecting ; his violence sank to utter prostration, and
" he lay on the ground, uttering choking cries, with
" tears trickling down his cheeks." 20 In the Zoological
Gardens the keeper of the Indian elephants positively
asserts that he has several times seen tears rolling down
the face of the old female, when distressed by the
20Ceylon,' 3rd edit. 1859, vol. ii. pp. 364, 376. I applied to Mr.
Thwaites, in Ceylon, for further information with respect to the weep-
ing of the elephant ; and in consequence received a letter from the
Rev. Mr. Glenie, who, with others, kindly observed for me a herd of
recently captured elephants. These, when irritated, screamed violently ;
but it is remarkable that they never when thus screaming contracted
the muscles round the eyes. Nor did they shed tears ; and the native
hunters asserted that they had never observed elephants weeping.
Nevertheless, it appears to me impossible to doubt Sir E. Tennent's
distinct details about their weeping, supported as they are by the positive
assertion of the keeper in the Zoological Gardens. It is certain that
the two elephants in the Gardens, when they began to trumpet loudly,
invariably contracted their orbicular muscles. I can reconcile these
conflicting statements only by supposing that the recently captured
elephants in Ceylon, from being enraged or frightened, desired to ob-
serve their persecutors, and consequently did not contract their orbicular
muscles, so that their vision might not be impeded . Those seen weeping
by Sir E. Tennent were prostrate, and had given up the contest in
despair. The elephants which trumpeted in the Zoological Gardens at
the word of command, were, of course, neither alarmed nor enraged .
removal of the young one. Hence I was extremely

anxious to ascertain , as an extension of the relation
between the contraction of the orbicular muscles and
the shedding of tears in man, whether elephants when
screaming or trumpeting loudly contract these muscles .
At Mr. Bartlett's desire the keeper ordered the old and
the young elephant to trumpet ; and we repeatedly saw
in both animals that, just as the trumpeting began, the
orbicular muscles, especially the lower ones, were dis
tinctly contracted . On a subsequent occasion the keeper
made the old elephant trumpet much more loudly, and
invariably both the upper and lower orbicular muscles
were strongly contracted , and now in an equal degree.
It is a singular fact that the African elephant, which,
however, is so different from the Indian species that it
is placed by some naturalists in a distinct sub-genus,
when made on two occasions to trumpet loudly, exhi
hibited no trace of the contraction of the orbicular
muscles.
From the several foregoing cases with respect to
Man, there can, I think, be no doubt that the con
traction of the muscles round the eyes, during violent
expiration or when the expanded chest is forcibly com
pressed, is, in some manner, intimately connected with
the secretion of tears. This holds good under widely
different emotions, and independently of any emotion.
It is not, of course, meant that tears cannot be secreted
without the contraction of these muscles ; for it is noto
rious that they are often freely shed with the eyelids
not closed, and with the brows unwrinkled . The con
traction must be both involuntary and prolonged, as
during a choking fit, or energetic, as during a sneeze.
The mere involuntary winking of the eyelids, though
often repeated, does not bring tears into the eyes.
Nor does the voluntary and prolonged contraction of
the several surrounding muscles suffice. As the

lacrymal glands of children are easily excited , I per-
suaded my own and several other children of different
ages to contract these muscles repeatedly with their
utmost force, and to continue doing so as long as they
possibly could ; but this produced hardly any effect.
There was sometimes a little moisture in the eyes,
but not more than apparently could be accounted for
by the squeezing out of the already secreted tears within
the glands.
The nature of the relation between the involuntary
and energetic contraction of the muscles round the eyes,
and the secretion of tears, cannot be positively ascer-
tained, but a probable view may be suggested. The
primary function of the secretion of tears, together
with some mucus, is to lubricate the surface of the
eye ; and a secondary one, as some believe, is to keep
the nostrils damp, so that the inhaled air may be
moist,21 and likewise to favour the power of smelling.
But another, and at least equally important function
of tears, is to wash out particles of dust or other
minute objects which may get into the eyes. That
this is of great importance is clear from the cases in
which the cornea has been rendered opaque through
inflammation, caused by particles of dust not being
removed, in consequence of the eye and eyelid becoming
immovable.22 The secretion of tears from the irritation.
of any foreign body in the eye is a reflex action ;-
that is, the body irritates a peripheral nerve which
sends an impression to certain sensory nerve- cells ; these
transmit an influence to other cells, and these again
21 Bergeon, as quoted in the ' Journal of Anatomy and Physiology ,'

Nov. 1871 , p. 235.
22 See, for instance, a case given by Sir Charles Bell, Philosophical
Transactions,' 1823, p. 177.
to the lacrymal glands. The influence transmitted to

these glands causes, as there is good reason to believe,
the relaxation of the muscular coats of the smaller
arteries ; this allows more blood to permeate the
glandular tissue, and this induces a free secretion of
tears. When the small arteries of the face, including
those of the retina, are relaxed under very different
circumstances, namely, during an intense blush, the
lacrymal glands are sometimes affected in a like manner,
for the eyes become suffused with tears.
It is difficult to conjecture how many reflex actions
have originated, but, in relation to the present case of
the affection of the lacrymal glands through irritation
of the surface of the eye, it may be worth remarking
that, as soon as some primordial form became semi
terrestrial in its habits, and was liable to get particles
of dust into its eyes, if these were not washed out they
would cause much irritation ; and on the principle of
the radiation of nerve-force to adjoining nerve-cells, the
lacrymal glands would be stimulated to secretion.
As this would often recur, and as nerve-force readily
passes along accustomed channels, a slight irritation
would ultimately suffice to cause a free secretion of
tears.
As soon as by this, or by some other means, a
reflex action of this nature had been established and
rendered easy, other stimulants applied to the surface
of the eye- such as a cold wind, slow inflammatory
action, or a blow on the eyelids- would cause a copious
secretion of tears, as we know to be the case. The glands
are also excited into action through the irritation of
adjoining parts. Thus when the nostrils are irritated
by pungent vapours, though the eyelids may be kept
firmly closed, tears are copiously secreted ; and this like
wise follows from a blow on the nose, for instance from a
boxing-glove. A stinging switch on the face produces,

as I have seen, the same effect. In these latter cases
the secretion of tears is an incidental result, and of no
direct service. As all these parts of the face, including
the lacrymal glands, are supplied with branches of the
same nerve, namely, the fifth, it is in some degree intel-
ligible that the effects of the excitement of any one
branch should spread to the nerve- cells or roots of the
other branches.
The internal parts of the eye likewise act, under cer-
tain conditions, in a reflex manner on the lacrymal
glands. The following statements have been kindly
communicated to me by Mr. Bowman ; but the subject
is a very intricate one, as all the parts of the eye are
so intimately related together, and are so sensitive to
various stimulants. A strong light acting on the retina,
when in a normal condition, has very little tendency to
cause lacrymation ; but with unhealthy children having
small, old-standing ulcers on the cornea, the retina be-
comes excessively sensitive to light, and exposure even
to common daylight causes forcible and sustained closure
of the lids, and a profuse flow of tears. When persons
who ought to begin the use of convex glasses habitually
strain the waning power of accommodation, an undue
secretion of tears very often follows, and the retina is
liable to become unduly sensitive to light. In general,
morbid affections of the surface of the eye, and of the
ciliary structures concerned in the accommodative act,
are prone to be accompanied with excessive secretion of
tears. Hardness of the eyeball, not rising to inflamma-
tion, but implying a want of balance between the fluids
poured out and again taken up by the intra-ocular
vessels, is not usually attended with any lacrymation.
When the balance is on the other side , and the eye
becomes too soft, there is a greater tendency to lacry-
mation. Finally, there are numerous morbid states and

structural alterations of the eyes, and even terrible
inflammations, which may be attended with little or no
secretion of tears.
It also deserves notice, as indirectly bearing on our
subject, that the eye and adjoining parts are subject to
an extraordinary number of reflex and associated move-
ments, sensations, and actions, besides those relating to
the lacrymal glands. When a bright light strikes the
retina of one eye alone, the iris contracts, but the iris
of the other eye moves after a measurable interval of
time. The iris likewise moves in accommodation to
near or distant vision, and when the two eyes are made
to converge.23 Every one knows how irresistibly the
eyebrows are drawn down under an intensely bright
light. The eyelids also involuntarily wink when an
object is moved near the eyes, or a sound is suddenly
heard. The well-known case of a bright light causing
some persons to sneeze is even more curious ; for nerve-
force here radiates from certain nerve-cells in con-
nection with the retina , to the sensory nerve- cells of
the nose, causing it to tickle ; and from these, to the
cells which command the various respiratory muscles
(the orbiculars included) which expel the air in so
peculiar a manner that it rushes through the nostrils.
alone.
To return to our point : why are tears secreted during
a screaming-fit or other violent expiratory efforts ? As
a slight blow on the eyelids causes a copious secretion
of tears, it is at least possible that the spasmodic con-
traction of the eyelids, by pressing strongly on the
eyeball, should in a similar manner cause some secre-
23 See, on these several points, Prof. Donders On the Anomalies of

Accommodation and Refraction of the Eye,' 1864, p . 573.
tion. This seems possible, although the voluntary con

traction of the same muscles does not produce any such
effect. We know that a man cannot voluntarily sneeze
or cough with nearly the same force as he does auto
matically ; and so it is with the contraction of the
orbicular muscles : Sir C. Bell experimented on them,
and found that by suddenly and forcibly closing
the eyelids in the dark, sparks of light are seen, like
those caused by tapping the eyelids with the fingers ;
" but in sneezing the compression is both more rapid
" and more forcible, and the sparks are more brilliant.”
That these sparks are due to the contraction of the
eyelids is clear, because if they " are held open during
" the act of sneezing, no sensation of light will be
" experienced." In the peculiar cases referred to by
Professor Donders and Mr. Bowman, we have seen
that some weeks after the eye has been very slightly
injured, spasmodic contractions of the eyelids ensue,
and these are accompanied by a profuse flow of tears.
In the act of yawning, the tears are apparently due
solely to the spasmodic contraction of the muscles
round the eyes. Notwithstanding these latter cases,
it seems hardly credible that the pressure of the eyelids
on the surface of the eye, although effected spasmodi
cally and therefore with much greater force than can
be done voluntarily, should be sufficient to cause
by reflex action the secretion of tears in the many
cases in which this occurs during violent expiratory
efforts.
Another cause may come conjointly into play. We
have seen that the internal parts of the eye, under
certain conditions, act in a reflex manner on the
lacrymal glands. We know that during violent
expiratory efforts the pressure of the arterial blood
within the vessels of the eye is increased, and that the
return of the venous blood is impeded. It seems, there

fore, not improbable that the distension of the ocular
vessels, thus induced, might act by reflection on the
lacrymal glands - the effects due to the spasmodic
pressure of the eyelids on the surface of the eye being
thus increased.
In considering how far this view is probable, we
should bear in mind that the eyes of infants havə
been acted on in this double manner during numberless
generations, whenever they have screamed ; and on the
principle of nerve-force readily passing along accus
tomed channels, even a moderate compression of the
eyeballs and a moderate distension of the ocular vessels
would ultimately come, through habit, to act on the
glands. We have an analogous case in the orbicular
muscles being almost always contracted in some slight
degree, even during a gentle crying-fit, when there can
be no distension of the vessels and no uncomfortable
sensation excited within the eyes.
Moreover, when complex actions or movements have
long been performed in strict association ' together, and
these are from any cause at first voluntarily and after
wards habitually checked, then if the proper exciting
conditions occur, any part of the action or movement
which is least under the control of the will, will often
still be involuntarily performed. The secretion by a
gland is remarkably free from the influence of the will
therefore, when with the advancing age of the indi
vidual , or with the advancing culture of the race, the
habit of crying out or screaming is restrained, and there
is consequently no distension of the blood-vessels of the
eye, it may nevertheless well happen that tears should
still be secreted. We may see, as lately remarked, the
muscles round the eyes of a person who reads a pathetic
story, twitching or trembling in so slight a degree as
hardly to be detected . In this case there has been no

screaming and no distension of the blood-vessels, yet
through habit certain nerve-cells send a small amount
of nerve-force to the cells commanding the muscles
round the eyes ; and they likewise send some to the cells.
commanding the lacrymal glands, for the eyes often
become at the same time just moistened with tears.
If the twitching of the muscles round the eyes and the
secretion of tears had been completely prevented , never-
theless it is almost certain that there would have been
some tendency to transmit nerve-force in these same
directions ; and as the lacrymal glands are remarkably
free from the control of the will, they would be emi-
nently liable still to act, thus betraying, though there
were no other outward signs, the pathetic thoughts
which were passing through the person's mind.
As a further illustration of the view here advanced, I
may remark that if, during an early period of life, when
habits of all kinds are readily established , our infants,
when pleased, had been accustomed to utter loud peals
of laughter (during which the vessels of their eyes are
distended) as often and as continuously as they have
yielded when distressed to screaming-fits, then it is
probable that in after life tears would have been as
copiously and as regularly secreted under the one
state of mind as under the other. Gentle laughter,
or a smile, or even a pleasing thought, would have
sufficed to cause a moderate secretion of tears. There
does indeed exist an evident tendency in this direction,
as will be seen in a future chapter, when we treat of
the tender feelings. With the Sandwich Islanders,
according to Freycinet,24 tears are actually recog
nized as a sign of happiness ; but we should require
24 Quoted by Sir J. Lubbock, ' Prehistoric Times,' 1865, p. 458.

better evidence on this head than that of a passing

voyager. So again if our infants, during many genera
tions, and each of them during several years, had almost
daily suffered from prolonged choking-fits, during which
the vessels of the eye are distended and tears copiously
secreted, then it is probable, such is the force of asso
ciated habit, that during after life the mere thought of
a choke, without any distress of mind, would have
sufficed to bring tears into our eyes.
To sum up this chapter, weeping is probably the
result of some such chain of events as follows. Children ,
when wanting food or suffering in any way, cry out
loudly, like the young of most other animals, partly as a
call to their parents for aid, and partly from any great
exertion serving as a relief. Prolonged screaming in
evitably leads to the gorging of the blood-vessels of
the eye ; and this will have led, at first consciously
and at last habitually, to the contraction of the muscles
round the eyes in order to protect them. At the
same time the spasmodic pressure on the surface of the
eye, and the distension of the vessels within the eye,
without necessarily entailing any conscious sensation ,
will have affected, through reflex action, the lacry
mal glands. Finally, through the three principles of
nerve-force readily passing along accustomed channels
-of association, which is so widely extended in its
power -and of certain actions, being more under the
control of the will than others- it has come to pass
that suffering readily causes the secretion of tears,
without being necessarily accompanied by any other
action.
Although in accordance with this view we must look
at weeping as an incidental result, as purposeless as
the secretion of tears from a blow outside the eye,
or as a sneeze from the retina being affected by a
bright light, yet this does not present any difficulty

in our understanding how the secretion of tears serves
as a relief to suffering. And by as much as the
weeping is more violent or hysterical, by so much will
the relief be greater, —on the same principle that the
writhing of the whole body, the grinding of the teeth,
and the uttering of piercing shrieks, all give relief
under an agony of pain.
N
178 EXPRESSION OF GRIEF : CHAP. VII.
CHAPTER VII.
Low SPIRITS, ANXIETY, GRIEF, DEJECTION, DESPAIR.
General effect of grief on the system - Obliquity of the eyebrows

under suffering.- On the cause of the obliquity of the eyebrows
-On the depression of the corners of the mouth.
AFTER the mind has suffered from an acute paroxysm of

grief, and the cause still continues, we fall into a state
of low spirits ; or we may be utterly cast down and
dejected. Prolonged bodily pain, if not amounting to
an agony, generally leads to the same state of mind .
If we expect to suffer, we are anxious ; if we have no
hope of relief, we despair.
Persons suffering from excessive grief often seek relief
by violent and almost frantic movements, as described
in a former chapter ; but when their suffering is some-
what mitigated, yet prolonged, they no longer wish
for action, but remain motionless and passive, or may
occasionally rock themselves to and fro. The circula-
tion becomes languid ; the face pale ; the muscles flaccid ;
the eyelids droop ; the head hangs on the contracted
chest ; the lips, cheeks, and lower jaw all sink down-
wards from their own weight. Hence all the features
are lengthened ; and the face of a person who hears bad
news is said to fall. A party of natives in Tierra del
Fuego endeavoured to explain to us that their friend,
the captain of a sealing vessel , was out of spirits, by
pulling down their cheeks with both hands, so as to
make their faces as long as possible. Mr. Bunnet
informs me that the Australian aborigines when out of
CHAP. VII. OBLIQUE EYEBROWS. 179
spirits have a chop-fallen appearance. After prolonged

suffering the eyes become dull and lack expression ,
and are often slightly suffused with tears. The eye-
brows not rarely are rendered oblique, which is due
to their inner ends being raised. This produces pecu-
liarly-formed wrinkles on the forehead, which are very
different from those of a simple frown ; though in some
cases a frown alone may be present. The corners of the
mouth are drawn downwards, which is so universally
recognised as a sign of being out of spirits, that it is
almost proverbial .
The breathing becomes slow and feeble, and is often
interrupted by deep sighs. As Gratiolet remarks,
whenever our attention is long concentrated on any
subject, we forget to breathe, and then relieve ourselves
by a deep inspiration ; but the sighs of a sorrowful per-
son, owing to his slow respiration and languid circula-
tion, are eminently characteristic. As the grief of a
person in this state occasionally recurs and increases
into a paroxysm, spasms affect the respiratory muscles,
and he feels as if something, the so-called globus
hystericus, was rising in his throat. These spasmodic
movements are clearly allied to the sobbing of children,
and are remnants of those severer spasms which occur
when a person is said to choke from excessive grief."
Obliquity of the eyebrows.-Two points alone in the
above description require further elucidation, and these
are very curious ones ; namely, the raising of the inner
The above descriptive remarks are taken in part from my own

observations, but chiefly from Gratiolet ( De la Physionomie,' pp. 53,
337 ; on Sighing, 232), who has well treated this whole subject. See,
also, Huschke, ' Mimices et Physiognomices, Fragmentum Physio-
logicum,' 1821, p . 21. On the dulness of the eyes, Dr. Piderit, ' Mimik
und Physiognomik,' 1867, s. 65.
2 On the action of grief on the organs of respiration, see more espe-
cially Sir C. Bell, Anatomy of Expression,' 3rd edit. 1844, p. 151 .
N 2
ends of the eyebrows, and the drawing down of the

corners of the mouth. With respect to the eyebrows,
they may occasionally be seen to assume an oblique
position in persons suffering from deep dejection or
anxiety ; for instance, I have observed this movement
in a mother whilst speaking about her sick son ; and
it is sometimes excited by quite trifling or momentary
causes of real or pretended distress. The eyebrows
assume this position owing to the contraction of certain
muscles (namely, the orbiculars, corrugators, and pyra-
midals of the nose, which together tend to lower and
contract the eyebrows) being partially checked by the
more powerful action of the central fascia of the frontal
muscle. These latter fascia by their contraction raise
the inner ends alone of the eyebrows ; and as the corru-
gators at the same time drawthe eyebrows together, their
inner ends become puckered into a fold or lump. This
fold is a highly characteristic point in the appearance of
the eyebrows when rendered oblique, as may be seen in
figs. 2 and 5, Plate II. The eyebrows are at the same
time somewhat roughened, owing to the hairs being made
to project. Dr. J. Crichton Browne has also often noticed
in melancholic patients who keep their eyebrows per-
sistently oblique, " a peculiar acute arching of the upper
" eyelid." A trace of this may be observed by comparing
the right and left eyelids of the young man in the
photograph (fig. 2, Plate II.) ; for he was not able to act
equally on both eyebrows. This is also shown by the
unequal furrows on the two sides of his forehead. The
acute arching of the eyelids depends, I believe , on the
inner end alone of the eyebrows being raised ; for when
the whole eyebrow is elevated and arched, the upper
eyelid follows in a slight degree the same movement.
But the most conspicuous result of the opposed con-
traction of the above-named muscles, is exhibited by the
6
7
CHAP. VII.
peculiar
when thu
for the
person e
whole fr
the who
case the
quently
part alo
parts of
wards a
tions of
brough
of the
3 In t
are mad
1 opinion
action
Hence t
of the c
muscles
whichh
called E
brows a
muscle
Humai
p. 43 te
the eye
frown.
eyebro
muscle
am ur
fig. 3
Duche
'Arch
SO we
inform
action
impo
obliq
origi
peculiar furrows formed on the forehead. These muscles,

when thus in conjoint yet opposed action , may be called,
for the sake of brevity, the grief-muscles. When a
person elevates his eyebrows by the contraction of the
whole frontal muscle, transverse wrinkles extend across
the whole breadth of the forehead ; but in the present
case the middle fascia alone are contracted ; conse-
quently, transverse furrows are formed across the middle
part alone of the forehead. The skin over the exterior
parts of both eyebrows is at the same time drawn down-
wards and smoothed, by the contraction of the outer por-
tions ofthe orbicular muscles . The eyebrows are likewise
brought together through the simultaneous contraction
of the corrugators ; ³ and this latter action generates
3 In the foregoing remarks on the manner in which the eyebrow

are made oblique, I have followed what seems to be the universal
opinion of all the anatomists, whose works I have consulted on the
action of the above-named muscles, or with whom I have conversed.
Hence throughout this work I shall take a similar view of the action
of the corrugator supercilii, orbicularis, pyramidalis nasi, and frontalis
muscles. Dr. Duchenne, however, believes, and every conclusion at
which he arrives deserves serious consideration, that it is the corrugator,
called by him the sourcilier, which raises the inner corner of the eye-
brows and is antagonistic to the upper and inner part of the orbicular
muscle, as well as to the pyramidalis nasi ( see Mécanisme de la Phys.
Humaine, 1862, folio, art. v., text and figures 19 to 29 : octavo edit. 1862,
p. 43 text). He admits , however, that the corrugator draws together
the eyebrows, causing vertical furrows above the base of the nose, or a
frown. He further believes that towards the outer two-thirds of the
eyebrow the corrugator acts in conjunction with the upper orbicular
muscle ; both here standing in antagonism to the frontal muscle. I
am unable to understand, judging from Henle's drawings (woodcut,
fig. 3), how the corrugator can act in the manner described by
Duchenne. See, also, on this subject, Prof. Donders' remarks in the
' Archives of Medicine,' 1870, vol. v. p. 34. Mr. J. Wood, who is
so well known for his careful study of the muscles of the human frame,
informs me that he believes the account which I have given of the
action of the corrugator to be correct. But this is not a point of any
importance with respect to the expression which is caused by the
obliquity of the eyebrows, nor of much importance to the theory of its
origin.
vertical furrows, separating the exterior and lowered

part of the skin of the forehead from the central and
raised part. The union of these vertical furrows with
the central and transverse furrows (see figs. 2 and 3)
produces a mark on the forehead which has been com-
pared to a horse-shoe ; but the furrows more strictly
form three sides of a quadrangle. They are often con-
spicuous on the foreheads of adult or nearly adult persons,
when their eyebrows are made oblique ; but with young
children, owing to their skin not easily wrinkling, they
are rarely seen, or mere traces of them can be detected.
These peculiar furrows are best represented in fig. 3,
Plate II. , on the forehead of a young lady who has the
power in an unusual degree of voluntarily acting on
the requisite muscles. As she was absorbed in the
attempt, whilst being photographed, her expression was
not at all one of grief ; I have therefore given the fore-
head alone. Fig. 1 on the same plate, copied from Dr.
Duchenne's work, represents, on a reduced scale, the
face, in its natural state, of a young man who was a
good actor. In fig. 2 he is shown simulating grief, but
the two eyebrows, as before remarked, are not equally
acted on. That the expression is true, may be inferred
from the fact that out of fifteen persons, to whom the
original photograph was shown, without any clue to what
was intended being given them, fourteen immediately
answered, " despairing sorrow," " suffering endurance,"
" melancholy," and so forth. The history of fig . 5 is
rather curious : I sawthe photograph in a shop-window,
and took it to Mr. Rejlander for the sake of finding out
I am greatly indebted to Dr. Duchenne for permission to have

these two photographs (figs. 1 and 2) reproduced by the heliotype pro-
cess from his work in folio. Many of the foregoing remarks on the
furrowing of the skin, when the eyebrows are rendered oblique, are
taken from his excellent discussion on this subject.
by whom it had been made ; remarking to him how

pathetic the expression was. He answered, " I made it,
" and it was likely to be pathetic, for the boy in a few
" minutes burst out crying." He then showed me a
photograph of the same boy in a placid state, which
I have had (fig. 4) reproduced. In fig. 6, a trace of
obliquity in the eyebrows may be detected ; but this
figure, as well as fig. 7, is given to show the depression
of the corners of the mouth, to which subject I shall pre
sently refer.
Few persons, without some practice, can voluntarily
act on their grief-muscles ; but after repeated trials a con
siderable number succeed , whilst others never can. The
degree of obliquity in the eyebrows, whether assumed
voluntarily or unconsciously, differs much in different
persons. With some who apparently have unusually
strong pyramidal muscles, the contraction of the central
fascia of the frontal muscle, although it may be ener
getic, as shown by the quadrangular furrows on the fore
head, does not raise the inner ends of the eyebrows, but
only prevents their being so much lowered as they
otherwise would have been. As far as I have been
able to observe, the grief-muscles are brought into action
much more frequently by children and women than by
men. They are rarely acted on, at least with grown-up
persons, from bodily pain, but almost exclusively from
mental distress. Two persons who, after some practice,
succeeded in acting on their grief-muscles, found by
looking at a mirror that when they made their eyebrows
oblique, they unintentionally at the same time depressed
the corners of their mouths ; and this is often the case
when the expression is naturally assumed.
The power to bring the grief-muscles freely into play
appears to be hereditary, like almost every other human
faculty. A lady belonging to a family famous for
having produced an extraordinary number of great

actors and actresses, and who can herself give this
expression " with singular precision ," told Dr. Crichton
Browne that all her family had possessed the power in a
remarkable degree. The same hereditary tendency is
said to have extended, as I likewise hear from Dr.
Browne, to the last descendant of the family, which
6
gave rise to Sir Walter Scott's novel of Red Gauntlet ; '
but the hero is described as contracting his forehea´l
into a horse-shoe mark from any strong emotion . I
have also seen a young woman whose forehead seemed
almost habitually thus contracted, independently of any
emotion being at the time felt.
The grief-muscles are not very frequently brought
into play ; and as the action is often momentary,
it easily escapes observation. Although the expres
sion, when observed, is universally and instantly re
cognized as that of grief or anxiety, yet not one person
out of a thousand who has never studied the subject,
is able to say precisely what change passes over
the sufferer's face. Hence probably it is that this
expression is not even alluded to, as far as I have
noticed, in any work of fiction, with the exception of
' Red Gauntlet ' and of one other novel ; and the
authoress of the latter, as I am informed, belongs to
the famous family of actors just alluded to ; so that her
attention may have been specially called to the subject.
The ancient Greek sculptors were familiar with the
expression, as shown in the statues of the Laocoon and
Arrotino ; but, as Duchenne remarks, they carried
the transverse furrows across the whole breadth of the
forehead, and thus committed a great anatomical mis
take : this is likewise the case in some modern statues.
It is, however, more probable that these wonderfully
accurate observers intentionally sacrificed truth for the
sake of beauty, than that they made a mistake ; for

rectangular furrows on the forehead would not have
had a grand appearance on the marble. The expres-
sion, in its fully developed condition, is, as far as I can
discover, not often represented in pictures by the old
masters, no doubt owing to the same cause ; but a
lady who is perfectly familiar with this expression,
informs me that in Fra Angelico's Descent from the
Cross,' in Florence, it is clearly exhibited in one of
the figures on the right-hand ; and I could add a few
other instances.
Dr. Crichton Browne, at my request, closely attended
to this expression in the numerous insane patients
under his care in the West Riding Asylum ; and he
is familiar with Duchenne's photographs of the action
of the grief-muscles. He informs me that they may
constantly be seen in energetic action in cases of melan-
cholia, and especially of hypochondria ; and that the
persistent lines or furrows, due to their habitual con-
traction, are characteristic of the physiognomy of the
insane belonging to these two classes. Dr. Browne
carefully observed for me during a considerable period
three cases of hypochondria, in which the grief-muscles
were persistently contracted . In one of these, a widow,
aged 51 , fancied that she had lost all her viscera, and
that her whole body was empty. She wore an expres-
sion of great distress, and beat her semi-closed hands
rhythmically together for hours. The grief-muscles were
permanently contracted, and the upper eyelids arched .
This condition lasted for months ; she then recovered ,
and her countenance resumed its natural expression.
A second case presented nearly the same peculiarities,
with the addition that the corners of the mouth were
depressed .
Mr. Patrick Nicol has also kindly observed for me
several cases in the Sussex Lunatic Asylum, and has

communicated to me full details with respect to three
of them ; but they need not here be given. From his
observations on melancholic patients, Mr. Nicol con
cludes that the inner ends of the eyebrows are almost
always more or less raised, with the wrinkles on the
forehead more or less plainly marked. In the case of
one young woman , these wrinkles were observed to be
in constant slight play or movement. In some cases
the corners of the mouth are depressed, but often only
in a slight degree. Some amount of difference in the
expression of the several melancholic patients could
almost always be observed. The eyelids generally
droop ; and the skin near their outer corners and
beneath them is wrinkled. The naso-labial fold, which
runs from the wings of the nostrils to the corners of
the mouth, and which is so conspicuous in blubbering
children, is often plainly marked in these patients.
Although with the insane the grief- muscles often act 1
persistently ; yet in ordinary cases they are sometimes
brought unconsciously into momentary action by ludi
crously slight causes. A gentleman rewarded a young
lady by an absurdly small present ; she pretended to
be offended, and as she upbraided him, her eyebrows
became extremely oblique, with the forehead properly
wrinkled. Another young lady and a youth, both in
the highest spirits, were eagerly talking together with
extraordinary rapidity ; and I noticed that, as often
as the young lady was beaten, and could not get out
her words fast enough, her eyebrows went obliquely
upwards, and rectangular furrows were formed on her
forehead. She thus each time hoisted a flag of dis
tress ; and this she did half-a-dozen times in the course
of a few minutes. I made no remark on the subject,
but on a subsequent occasion I asked her to act
on her grief-muscles ; another girl who was present,

and who could do so voluntarily, showing her what
was intended . She tried repeatedly, but utterly
failed ; yet so slight a cause of distress as not being
able to talk quickly enough, sufficed to bring these
muscles over and over again into energetic action.
The expression of grief, due to the contraction of the
grief-muscles, is by no means confined to Europeans,
but appears to be common to all the races of mankind.
I have, at least, received trustworthy accounts in re
gard to Hindoos, Dhangars (one of the aboriginal
hill-tribes of India, and therefore belonging to a quite
distinct race from the Hindoos) , Malays, Negroes and
Australians. With respect to the latter, two observers
answer my query in the affirmative, but enter into
no details. Mr. Taplin, however, appends to my de
scriptive remarks the words " this is exact." With
respect to negroes, the lady who told me of Fra
Angelico's picture, saw a negro towing a boat on the
Nile, and as he encountered an obstruction, she observed
his grief-muscles in strong action, with the middle
of the forehead well wrinkled . Mr. Geach watched
a Malay man in Malacca, with the corners of his
mouth much depressed, the eyebrows oblique, with
deep short grooves on the forehead. This expression
lasted for a very short time ; and Mr. Geach remarks
it " was a strange one, very much like a person about
" to cry at some great loss."
In India Mr. H. Erskine found that the natives
were familiar with this expression ; and Mr. J.
Scott, of the Botanic Gardens, Calcutta , has obli
gingly sent me a full description of two cases. He
observed during some time, himself unseen, a very
young Dhangar woman from Nagpore , the wife of
one of the gardeners, nursing her baby who was at
the point of death ; and he distinctly saw the eye-

brows raised at the inner corners, the eyelids drooping,
the forehead wrinkled in the middle, the mouth slightly
open, with the corners much depressed. He then came
from behind a screen of plants and spoke to the poor
woman, who started , burst into a bitter flood of tears,
and besought him to cure her baby. The second case
was that of a Hindustani man, who from illness and
poverty was compelled to sell his favourite goat. After
receiving the money, he repeatedly looked at the money
in his hand and then at the goat, as if doubting whether
he would not return it. He went to the goat, which was
tied up ready to be led away, and the animal reared up
and licked his hands. His eyes then wavered from
side to side ; his " mouth was partially closed , with the
" corners very decidedly depressed." At last the poor
man seemed to make up his mind that he must part
with his goat, and then, as Mr. Scott saw, the eyebrows
became slightly oblique, with the characteristic puck-
ering or swelling at the inner ends, but the wrinkles
on the forehead were not present. The man stood thus
for a minute, then heaving a deep sigh , burst into tears,
raised up his two hands, blessed the goat, turned round ,
and without looking again, went away.
On the cause of the obliquity of the eyebrows under
-
suffering. During several years no expression seemed
to me so utterly perplexing as this which we are here
considering. Why should grief or anxiety cause the
central fascia alone of the frontal muscle together
with those round the eyes, to contract ? Here we seem
to have a complex movement for the sole purpose of
expressing grief ; and yet it is a comparatively rare
expression, and often overlooked. I believe the expla-
nation is not so difficult as it at first appears. Dr.
Duchenne gives a photograph of the young man before

referred to , who, when looking upwards at a strongly

illuminated surface, involuntarily contracted his grief
muscles in an exaggerated manner. I had entirely for
gotten this photograph , when on a very bright day with
the sun behind me, I met, whilst on horseback, a girl
whose eyebrows, as she looked up at me, became ex
tremely oblique, with the proper furrows on her forehead.
I have observed the same movement under similar cir
cumstances on several subsequent occasions. On my
return home I made three of my children, without
giving them any clue to my object, look as long and
as attentively as they could, at the summit of a tall
tree standing against an extremely bright sky. With
all three, the orbicular, corrugator, and pyramidal
muscles were energetically contracted, through reflex
action, from the excitement of the retina, so that their
eyes might be protected from the bright light. But
they tried their utmost to look upwards ; and now a
curious struggle, with spasmodic twitchings, could be
observed between the whole or only the central portion
of the frontal muscle, and the several muscles which
serve to lower the eyebrows and close the eyelids.
The involuntary contraction of the pyramidal caused
the basal part of their noses to be transversely and
deeply wrinkled . In one of the three children, the
whole eyebrows were momentarily raised and lowered
by the alternate contraction of the whole frontal muscle
and of the muscles surrounding the eyes, so that the
whole breadth of the forehead was alternately wrinkled
and smoothed. In the other two children the forehead
became wrinkled in the middle part alone, rectangular
furrows being thus produced ; and the eyebrows wele
rendered oblique, with their inner extremities puckered
and swollen ;-in the one child in a slight degree, in
the other in a strongly marked manner. This differ
ence in the obliquity of the eyebrows apparently de-

pended on a difference in their general mobility, and
in the strength of the pyramidal muscles. In both
these cases the eyebrows and forehead were acted on
under the influence of a strong light, in precisely the
same manner, in every characteristic detail, as under
the influence of grief or anxiety.
Duchenne states that the pyramidal muscle of the
nose is less under the control of the will than are
the other muscles round the eyes. He remarks that
the young man who could so well act on his grief-
muscles, as well as on most of his other facial mus-
cles, could not contract the pyramidals. This power,
however, no doubt differs in different persons. The
pyramidal muscle serves to draw down the skin of the
forehead between the eyebrows, together with their
inner extremities. The central fascia of the frontal
are the antagonists of the pyramidal ; and if the action
of the latter is to be specially checked, these central
fasciæ must be contracted. So that with persons
having powerful pyramidal muscles, if there is under
the influence of a bright light an unconscious desire
to prevent the lowering of the eyebrows, the central
fascia of the frontal muscle must be brought into play ;
and their contraction, if sufficiently strong to over-
master the pyramidals, together with the contraction
of the corrugator and orbicular muscles, will act in the
manner just described on the eyebrows and forehead.
When children scream or cry out, they contract,
as we know, the orbicular, corrugator, and pyramidal
muscles, primarily for the sake of compressing their
eyes, and thus protecting them from being gorged
with blood, and secondarily through habit. I there-
3 Mécanisme de la Phys. Humaine, Album, p. 15.

fore expected to find with children, that when they

endeavoured either to prevent a crying-fit from coming
on, or to stop crying, they would check the contraction
of the above-named muscles, in the same manner as
when looking upwards at a bright light ; and conse
quently that the central fascia of the frontal muscle
would often be brought into play. Accordingly, I began
myself to observe children at such times, and asked
others, including some medical men, to do the same . It
is necessary to observe carefully, as the peculiar opposed
action of these muscles is not nearly so plain in chil
dren, owing to their foreheads not easily wrinkling, as
in adults. But I soon found that the grief- muscles
were very frequently brought into distinct action on
these occasions. It would be superfluous to give all the
cases which have been observed ; and I will specify
only a few. A little girl, a year and a half old, was
teased by some other children, and before bursting
into tears her eyebrows became decidedly oblique.
With an older girl the same obliquity was observed,
with the inner ends of the eyebrows plainly puckered ;
and at the same time the corners of the mouth were
drawn downwards. As soon as she burst into tears,
the features all changed and this peculiar expression
vanished . Again, after a little boy had been vacci
nated, which made him scream and cry violently, the
surgeon gave him an orange brought for the purpose,
and this pleased the child much ; as he stopped crying
all the characteristic movements were observed, in
cluding the formation of rectangular wrinkles in the
middle of the forehead. Lastly, I met on the road a
little girl three or four years old, who had been fright
ened by a dog, and when I asked her what was the
matter, she stopped whimpering, and her eyebrows in
stantly became oblique to an extraordinary degree.
Here then, as I cannot doubt, we have the key

to the problem why the central fascia of the frontal
muscle and the muscles round the eyes contract in
opposition to each other under the influence of grief ;
-whether their contraction be prolonged, as with the
melancholic insane, or momentary, from some trifling
cause of distress. We have all of us, as infants,
repeatedly contracted our orbicular, corrugator, and
pyramidal muscles, in order to protect our eyes whilst
screaming ; our progenitors before us have done the
same during many generations ; and though with ad
vancing years we easily prevent, when feeling distressed,
the utterance of screams , we cannot from long habit
always prevent a slight contraction of the above-named
muscles ; nor indeed do we observe their contraction
in ourselves, or attempt to stop it, if slight. But the
pyramidal muscles seem to be less under the command of
the will than the other related muscles ; and if they
be well developed, their contraction can be checked
only by the antagonistic contraction of the central
fascia of the frontal muscle. The result which neces
sarily follows, if these fascia contract energetically, is
the oblique drawing up of the eyebrows, the puckering
of their inner ends, and the formation of rectangular
furrows on the middle of the forehead. As children
and women cry much more freely than men, and as
grown-up persons of both sexes rarely weep except from
mental distress, we can understand why the grief-muscles
are more frequently seen in action, as I believe to be the
case, with children and women than with men ; and
with adults of both sexes from mental distress alone.
In some of the cases before recorded , as in that of
the poor Dhangar woman and of the Hindustani man,
the action of the grief-muscles was quickly followed
by bitter weeping. In all cases of distress, whether
CHAP. VII. DEPRESSED CORNERS OF THE MOUTH. 193
great or small, our brains tend through long habit to

send an order to certain muscles to contract, as if we
were still infants on the point of screaming out ; but
this order we, by the wondrous power of the will,
and through habit, are able partially to counteract ;
although this is effected unconsciously, as far as the
means of counteraction are concerned.
On the depression of the corners of the mouth. - This

action is effected by the depressores anguli oris (see
letter K in figs. 1 and 2). The fibres of this muscle
diverge downwards, with the upper convergent ends
attached round the angles of the mouth, and to the
6
lower lip a little way within the angles. Some of
the fibres appear to be antagonistic to the great zygo-
matic muscle, and others to the several muscles running
to the outer part of the upper lip. The contraction of
this muscle draws downwards and outwards the corners
of the mouth, including the outer part of the upper
lip, and even in a slight degree the wings of the nostrils.
When the mouth is closed and this muscle acts, the
commissure or line of junction of the two lips forms a
curved line with the concavity downwards,' and the lips
themselves are generally somewhat protruded, especially
the lower one. The mouth in this state is well repre-
sented in the two photographs ( Plate II., figs . 6 and 7)
by Mr. Rejlander. The upper boy (fig. 6) had just
stopped crying, after receiving a slap on the face from
another boy ; and the right moment was seized for
photographing him.
The expression of low spirits, grief or dejection , due
6 Henle, Handbuch der Anat. des Menschen, 1858, B. i. s. 148,

figs. 68 and 69.
See the account of the action of this muscle by Dr. Duchenne,
' Mécanisme de la Physionomie Humaine,' Album (1862), viii. p. 34.
to the contraction of this muscle has been noticed by

every one who has written on the subject. To say that
a person " is down'in the mouth," is synonymous with
saying that he is out of spirits. The depression of
the corners may often be seen, as already stated on the
authority of Dr. Crichton Browne and Mr. Nicol, with
the melancholic insane, and was well exhibited in some
photographs sent to me by the former gentleman, of
patients with a strong tendency to suicide. It has
been observed with men belonging to various races,
namely with Hindoos, the dark hill-tribes of India,
Malays, and, as the Rev. Mr. Hagenauer informs me,
with the aborigines of Australia.
When infants scream they firmly contract the muscles
round their eyes, and this draws up the upper lip ; and
as they have to keep their mouths widely open, the
depressor muscles running to the corners are likewise
brought into strong action. This generally, but not
invariably, causes a slight angular bend in the lower
lip on both sides, near the corners of the mouth. The
result of the upper and lower lip being thus acted on,
is that the mouth assumes a squarish outline. The
contraction of the depressor muscle is best seen in
infants when not screaming violently, and especially
just before they begin, or when they cease to scream .
Their little faces then acquire an extremely piteous
expression, as I continually observed with my own
infants between the ages of about six weeks and tw
or three months. Sometimes, when they are struggli
against a crying-fit, the outline of the mouth is curv
in so exaggerated a manner as to be like a horseshoe ;
and the expression of misery then becomes a ludicrous
caricature .
The explanation of the contraction of this muscle,
under the influence of low spirits or dejection, appa-
CHAP. VII. DEPRESSED CORNERS OF THE MOUTH . 195
rently follows from the same general principles as in the

case of the obliquity of the eyebrows. Dr. Duchenne
informs me that he concludes from his observations,
now prolonged during many years, that this is one of
the facial muscles which is least under the control
of the will. This fact may indeed be inferred from
what has just been stated with respect to infants when
doubtfully beginning to cry, or endeavouring to stop
crying ; for they then generally command all the other
facial muscles more effectually than they do the de-
pressors of the corners of the mouth. Two excellent
observers who had no theory on the subject, one of
them a surgeon, carefully watched for me some older
children and women as with some opposed struggling
they very gradually approached the point of bursting
out into tears ; and both observers felt sure that the
depressors began to act before any of the other
muscles. Now as the depressors have been repeatedly
brought into strong action during infancy in many
generations, nerve-force will tend to flow, on the prin-
ciple of long associated habit, to these muscles as well
as to various other facial muscles, whenever in after
life even a slight feeling of distress is experienced . But
as the depressors are somewhat less under the control
of the will than most of the other muscles, we might
expect that they would often slightly contract, whilst
the others remained passive. It is remarkable how
mall a depression of the corners of the mouth gives
the countenance an expression of low spirits or dejec-
tion, so that an extremely slight contraction of these
muscles would be sufficient to betray this state of mind.
I may here mention a trifling observation, as it will

serve to sum up our present subject. An old lady
with a comfortable but absorbed expression sat nearly
0 2
opposite to me in a railway carriage. Whilst I was

looking at her, I saw that her depressores anguli oris
became very slightly, yet decidedly, contracted ; but as
her countenance remained as placid as ever, I reflected
how meaningless was this contraction, and how easily
one might be deceived. The thought had hardly
occurred to me when I saw that her eyes suddenly
became suffused with tears almost to overflowing, and
her whole countenance fell. There could now be no
doubt that some painful recollection , perhaps that of a
long-lost child, was passing through her mind. As soon
as her sensorium was thus affected, certain nerve-cells
from long habit instantly transmitted an order to
all the respiratory muscles, and to those round the
mouth, to prepare for a fit of crying. But the order
was countermanded by the will, or rather by a later
acquired habit, and all the muscles were obedient,
excepting in a slight degree the depressores anguli
oris. The mouth was not even opened ; the respiration
was not hurried ; and no muscle was affected except
those which draw down the corners of the mouth.
As soon as the mouth of this lady began, involun-
tarily and unconsciously on her part, to assume the
proper form for a crying-fit, we may feel almost sure
that some nerve-influence would have been transmitted
through the long accustomed channels to the various
respiratory muscles, as well as to those round the eyes,
and to the vaso-motor centre which governs the supply of
blood sent to the lacrymal glands . Of this latter fact we
have indeed clear evidence in her eyes becoming slightly
suffused with tears ; and we can understand this, as the
lacrymal glands are less under the control of the will
than the facial muscles. No doubt there existed at the
same time some tendency in the muscles round the eyes
to contract, as if for the sake of protecting them from
CHAP. VII. DEPRESSED CORNERS OF THE MOUTH. 197
being gorged with blood, but this contraction was com

pletely overmastered, and her brow remained unruffled .
Had the pyramidal, corrugator, and orbicular muscles
been as little obedient to the will, as they are in many
persons, they would have been slightly acted on ; and
then the central fascia of the frontal muscle would
have contracted in antagonism, and her eyebrows would
have become oblique, with rectangular furrows on her
forehead. Her countenance would then have expressed
still more plainly than it did a state of dejection, or
rather one of grief.
Through steps such as these we can understand how
it is, that as soon as some melancholy thought passes
through the brain , there occurs a just perceptible
drawing down of the corners of the mouth, or a slight
raising up of the inner ends of the eyebrows, or both
movements combined , and immediately afterwards a
slight suffusion of tears. A thrill of nerve- force is
transmitted along several habitual channels, and pro
duces an effect on any point where the will has not
acquired through long habit much power of interference.
The above actions may be considered as rudimental
vestiges of the screaming-fits, which are so frequent
and prolonged during infancy. In this case, as well as
in many others, the links are indeed wonderful which
connect cause and effect in giving rise to various ex
pressions on the human countenance ; and they explain
to us the meaning of certain movements, which we in
voluntarily and unconsciously perform, whenever certain
transitory emotions pass through our minds.
198 EXPRESSION OF JOY : CHAP. VIII.
CHAPTER VIII.
JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS, DEVOTION.
Laughter primarily the expression of joy - Ludicrous ideas - Move-

ments of the features during laughter · Nature of the sound
produced - The secretion of tears during loud laughter — Gra-
dation from loud laughter to gentle smiling- High spirits-
The expression of love - Tender feelings - Devotion .
Joy, when intense, leads to various purposeless move-

ments -to dancing about, clapping the hands, stamping,
&c., and to loud laughter. Laughter seems primarily
to be the expression of mere joy or happiness. We
clearly see this in children at play, who are almost inces-
santly laughing. With young persons past childhood,
when they are in high spirits, there is always much
meaningless laughter. The laughter of the gods is
described by Homer as " the exuberance of their celes-
" tial joy after their daily banquet." A man smiles—
and smiling, as we shall see, graduates into laughter—
at meeting an old friend in the street, as he does at any
trifling pleasure, such as smelling a sweet perfume.¹
Laura Bridgman, from her blindness and deafness,
could not have acquired any expression through imi-
tation, yet when a letter from a beloved friend was
communicated to her by gesture-language, she " laughed
" and clapped her hands, and the colour mounted to
" her cheeks." On other occasions she has been seen to
stamp for joy.2
¹ Herbert Spencer, ' Essays Scientific,' &c., 1858, p . 360.
2 F. Lieber on the vocal sounds of L. Bridgman, Smithsonian
Contributions,' 1851 , vol. ii . p. 6,
CHAP. VIII. LAUGHTER. 199
Idiots and imbecile persons likewise afford good

evidence that laughter or smiling primarily expresses
mere happiness or joy. Dr. Crichton Browne, to whom,
as on so many other occasions, I am indebted for the
results of his wide experience, informs me that with
idiots laughter is the most prevalent and frequent of all
the emotional expressions . Many idiots are morose, pas
sionate, restless, in a painful state of mind, or utterly
stolid, and these never laugh. Others frequently
laugh in a quite senseless manner. Thus an idiot
boy, incapable of speech, complained to Dr. Browne, by
the aid of signs, that another boy in the asylum had
given him a black eye ; and this was accompanied by
66
explosions of laughter and with his face covered with
"the broadest smiles." There is another large class of
idiots who are persistently joyous and benign, and who
3
are constantly laughing or smiling. Their counte
nances often exhibit a stereotyped smile ; their joyous
ness is increased, and they grin, chuckle, or giggle,
whenever food is placed before them, or when they
are caressed, are shown bright colours, or hear music.
Some of them laugh more than usual when they walk
about, or attempt any muscular exertion. The joyous
ness of most of these idiots cannot possibly be associated,
as Dr. Browne remarks, with any distinct ideas : they
simply feel pleasure, and express it by laughter or
smiles. With imbeciles rather higher in the scale,
personal vanity seems to be the commonest cause of
laughter, and next to this, pleasure arising from the
approbation of their conduct.
With grown-up persons laughter is excited by causes
considerably different from those which suffice during
childhood ; but this remark hardly applies to smiling.
3 See, also, Mr. Marshall, in Phil. Transact, 1864, p. 526,

Laughter in this respect is analogous with weeping,

which with adults is almost confined to mental distress,
whilst with children it is excited by bodily pain or any
suffering, as well as by fear or rage. Many curious
discussions have been written on the causes of laughter
with grown-up persons. The subject is extremely
complex. Something incongruous or unaccountable,
exciting surprise and some sense of superiority in the
laugher, who must be in a happy frame of mind, seems
to be the commonest cause. The circumstances must
not be of a momentous nature : no poor man would
laugh or smile on suddenly hearing that a large fortune
had been bequeathed to him. If the mind is strongly
excited by pleasurable feelings, and any little unex-
pected event or thought occurs, then, as Mr. Herbert
Spencer remarks,5 " a large amount of nervous energy,
" instead of being allowed to expend itself in producing
" an equivalent amount of the new thoughts and emo-
" tion which were nascent, is suddenly checked in its
" flow." ... " The excess must discharge itself in some
" other direction, and there results an efflux through the
" motor nerves to various classes of the muscles, pro-
66
ducing the half-convulsive actions we term laughter."
An observation, bearing on this point, was made by
a correspondent during the recent siege of Paris,
namely, that the German soldiers, after strong excite-
ment from exposure to extreme danger, were particularly
apt to burst out into loud laughter at the smallest joke.
So again when young children are just beginning to cry,
an unexpected event will sometimes suddenly turn their
+ Mr. Bain ( The Emotions and the Will,' 1865, p. 247) has a long
and interesting discussion on the Ludicrous. The quotation above
given about the laughter of the gods is taken from this work. See,
also,6 Mandeville, ‘ The Fable of the Bees ,' vol. ii. p. 168.
The Physiology of Laughter,' Essays, Second Series, 1863, p . 114.
crying into laughter, which apparently serves equally

well to expend their superfluous nervous energy.
The imagination is sometimes said to be tickled by a
ludicrous idea ; and this so-called tickling of the mind
is curiously analogous with that of the body. Every one
knows how immoderately children laugh, and how their
whole bodies are convulsed when they are tickled . The
anthropoid apes, as we have seen, likewise utter a re
iterated sound, corresponding with our laughter, when
they are tickled, especially under the armpits. I
touched with a bit of paper the sole of the foot of
one of my infants, when only seven days old, and it
was suddenly jerked away and the toes curled about, as
in an older child. Such movements, as well as laughter
from being tickled , are manifestly reflex actions ; and
this is likewise shown by the minute unstriped muscles,
which serve to erect the separate hairs on the body,
contracting near a tickled surface. Yet laughter from
a ludicrous idea, though involuntary, cannot be called a
strictly reflex action . In this case, and in that of laughter
from being tickled , the mind must be in a pleasurable
condition ; a young child, if tickled by a strange man ,
would scream from fear. The touch must be light, and
an idea or event, to be ludicrous, must not be of grave
import. The parts of the body which are most easily
tickled are those which are not commonly touched, such
as the armpits or between the toes, or parts such as the
soles of the feet, which are habitually touched by a broad
surface ; but the surface on which we sit offers a marked
exception to this rule. According to Gratiolet,' certain
nerves are much more sensitive to tickling than others.
From the fact that a child can hardly tickle itself, or in
J. Lister in Quarterly Journal of Microscopical Science,' 1853,

vol. i, p. 266, › ‘ De la Physionomie,' p . 186,
a much less degree than when tickled by another person,

it seems that the precise point to be touched must not
be known ; so with the mind, something unexpected - a
novel or incongruous idea which breaks through an
habitual train of thought- appears to be a strong ele-
ment in the ludicrous.
The sound of laughter is produced by a deep inspira-
tion followed by short, interrupted, spasmodic contrac-
tions of the chest, and especially of the diaphragm.8
Hence we hear of " laughter holding both his sides. "
From the shaking of the body, the head nods to and fro.
The lower jaw often quivers up and down, as is like-
wise the case with some species of baboons, when they
are much pleased.
During laughter the mouth is opened more or less
widely, with the corners drawn much backwards, as
well as a little upwards ; and the upper lip is somewhat
raised. The drawing back of the corners is best seen
in moderate laughter, and especially in a broad smile-
the latter epithet showing how the mouth is widened .
In the accompanying figs. 1-3, Plate III., different
degrees of moderate laughter and smiling have been
photographed . The figure of the little girl, with the
hat, is by Dr. Wallich, and the expression was a genuine
one ; the other two are by Mr. Rejlander. Dr. Duchenne
9
repeatedly insists that, under the emotion of joy, the
mouth is acted on exclusively by the great zygo-
matic muscles, which serve to draw the corners back-
wards and upwards ; but judging from the manner in
which the upper teeth are always exposed during
laughter and broad smiling, as well as from my own
sensations, I cannot doubt that some of the muscles
8 Sir C. Bell (Anat. of Expression, p. 147) makes some remarks on

the movement of the diaphragm during laughter.
9 Mécanisme de la Physionomie Humaine,' Album, Légende vi ,
"
3
Holictype
running to the upper lip are likewise brought into

moderate action. The upper and lower orbicular
muscles of the eyes are at the same time more or less
contracted ; and there is an intimate connection , as
explained in the chapter on weeping, between the
orbiculars, especially the lower ones, and some of the
muscles running to the upper lip. Henle remarks 10
on this head, that when a man closely shuts one eye
he cannot avoid retracting the upper lip on the same
side ; conversely, if any one will place his finger on his
lower eyelid, and then uncover his upper incisors as
much as possible, he will feel, as his upper lip is drawn
strongly upwards, that the muscles of the lower eyelid
contract. In Henle's drawing, given in woodcut, fig. 2,
the musculus malaris (H) which runs to the upper lip
may be seen to form an almost integral part of the
lower orbicular muscle.
Dr. Duchenne has given a large photograph of an old
man (reduced on Plate III. fig. 4), in his usual passive
condition, and another of the same man (fig. 5) , naturally
smiling. The latter was instantly recognised by every
one to whom it was shown as true to nature. He has
also given, as an example of an unnatural or false smile,
another photograph (fig. 6) of the same old man, with
the corners of his mouth strongly retracted by the gal
vanization of the great zygomatic muscles. That the
expression is not natural is clear, for I showed this pho
tograph to twenty-four persons, of whom three could not
in the least tell what was meant, whilst the others,
though they perceived that the expression was of the
nature of a smile, answered in such words as " a wicked
66
"joke," " trying to laugh," " grinning laughter," " half
10 Handbuch der System. Anat, des Menschen, 1858, B. i, s. 144,

See my woodcut (H. fig. 2),
?
"amazed laughter," &c. Dr. Duchenne attributes the
falseness of the expression altogether to the orbicular
muscles of the lower eyelids not being sufficiently con-
tracted ; for he justly lays great stress on their contrac-
tion in the expression of joy. No doubt there is much
truth in this view, but not, as it appears to me, the
whole truth. The contraction of the lower orbiculars is
always accompanied, as we have seen, by the drawing up
of the upper lip. Had the upper lip, in fig. 6 , been thus
acted on to a slight extent, its curvature would have
been less rigid, the naso-labial furrow would have been
slightly different, and the whole expression would, as
I believe, have been more natural, independently
of the more conspicuous effect from the stronger con-
traction of the lower eyelids. The corrugator muscle,
moreover, in fig. 6, is too much contracted, causing a
frown ; and this muscle never acts under the influence
of joy except during strongly pronounced or violent
laughter.
By the drawing backwards and upwards of the corners
of the mouth, through the contraction of the great
zygomatic muscles, and by the raising of the upper lip,
the cheeks are drawn upwards. Wrinkles are thus
formed under the eyes, and, with old people, at their
outer ends ; and these are highly characteristic of
laughter or smiling. As a gentle smile increases into
a strong one, or into a laugh, every one may feel and
see, if he will attend to his own sensations and look
at himself in a mirror, that as the upper lip is drawn
up and the lower orbiculars contract, the wrinkles in
the lower eyelids and those beneath the eyes are much
strengthened or increased. At the same time, as I have
repeatedly observed , the eyebrows are slightly lowered,
which shows that the upper as well as the lower orbicu-
lars contract at least to some degree, though this passes
unperceived, as far as our sensations are concerned. If

the original photograph of the old man , with his counte
nance in its usual placid state (fig. 4), be compared with
that (fig. 5) in which he is naturally smiling, it may be
seen that the eyebrows in the latter are a little lowered.
I presume that this is owing to the upper orbiculars
being impelled, through the force of long-associated
habit, to act to a certain extent in concert with the
lower orbiculars, which themselves contract in connec
tion with the drawing up of the upper lip.
The tendency in the zygomatic muscles to contract
under pleasurable emotions is shown by a curious fact,
communicated to me by Dr. Browne, with respect to
patients suffering from general paralysis of the insane.¹¹
" In this malady there is almost invariably optimism
" delusions as to wealth, rank, grandeur- insane joyous
" ness, benevolence, and profusion, while its very earliest
66
physical symptom is trembling at the corners of the
" mouth and at the outer corners of the eyes. This is a
66
well-recognized fact. Constant tremulous agitation
" of the inferior palpebral and great zygomatic muscles
" is pathognomic of the earlier stages of general para
66
lysis. The countenance has a pleased and benevolent
" expression. As the disease advances other muscles
" become involved, but until complete fatuity is reached ,
" the prevailing expression is that of feeble benevo
" lence ."
As in laughing and broadly smiling the cheeks and
upper lip are much raised, the nose appears to be
shortened, and the skin on the bridge becomes finely
wrinkled in transverse lines, with other oblique longi
tudinal lines on the sides. The upper front teeth are
11 See, also, remarks to the same effect by Dr. J. Crichton Browne

in Journal of Mental Science,' April , 1871 , p. 149.
commonly exposed . A well-marked naso-labial fold is

formed, which runs from the wing of each nostril to
the corner of the mouth ; and this fold is often double
in old persons .
A bright and sparkling eye is as characteristic of a
pleased or amused state of mind, as is the retraction
of the corners of the mouth and upper lip with
the wrinkles thus produced. Even the eyes of mi-
crocephalous idiots, who are so degraded that they
never learn to speak, brighten slightly when they are
pleased.¹² Under extreme laughter the eyes are too
much suffused with tears to sparkle ; but the moisture
squeezed out of the glands during moderate laughter
or smiling may aid in giving them lustre ; though this
must be of altogether subordinate importance, as they
become dull from grief, though they are then often
moist. Their brightness seems to be chiefly due to
their tenseness,13 owing to the contraction of the orbi-
cular muscles and to the pressure of the raised cheeks.
But, according to Dr. Piderit, who has discussed this
point more fully than any other writer,14 the tenseness
may be largely attributed to the eyeballs becoming
filled with blood and other fluids, from the accelera-
tion of the circulation, consequent on the excitement
of pleasure. He remarks on the contrast in the
appearance of the eyes of a hectic patient with a rapid
circulation, and of a man suffering from cholera with
almost all the fluids of his body drained from him.
Any cause which lowers the circulation deadens the
eye. I remember seeing a man utterly prostrated by
prolonged and severe exertion during a very hot day,
12 C. Vogt, ‘ Mémoire sur les Microcéphales,' 1867, p . 21.

13 Sir C. Bell, ‘ Anatomy of Expression,' p. 133.
14 6 Mimik und Physiognomik,' 1837 , s, C3-67.
and a bystander compared his eyes to those of a boiled

codfish.
To return to the sounds produced during laughter.
We can see in a vague manner how the utterance of
sounds of some kind would naturally become associated
with a pleasurable state of mind ; for throughout a
large part of the animal kingdom vocal or instrumental
sounds are employed either as a call or as a charm by
one sex for the other. They are also employed as the
means for a joyful meeting between the parents and
their offspring, and between the attached members of
the same social community. But why the sounds
which man utters when he is pleased have the peculiar
reiterated character of laughter we do not know.
Nevertheless we can see that they would naturally be
as different as possible from the screams or cries of dis-
tress ; and as in the production of the latter, the expira-
tions are prolonged and continuous, with the inspirations
short and interrupted, so it might perhaps have been
expected with the sounds uttered from joy, that the ex-
pirations would have been short and broken with the
inspirations prolonged ; and this is the case.
It is an equally obscure point why the corners of the
mouth are retracted and the upper lip raised during
ordinary laughter. The mouth must not be opened to its
utmost extent, for when this occurs during a paroxysm
of excessive laughter hardly any sound is emitted ; or
it changes its tone and seems to come from deep down
in the throat. The respiratory muscles, and even
those of the limbs, are at the same time thrown into
rapid vibratory movements. The lower jaw often par-
takes of this movement, and this would tend to prevent
the mouth from being widely opened. But as a full
volume of sound has to be poured forth, the orifice of
the mouth must be large ; and it is perhaps to gain
this end htat the corners are retracted and the upper
lip raised. Although we can hardly account for the
shape of the mouth during laughter, which leads to
wrinkles being formed beneath the eyes, nor for
the peculiar reiterated sound of laughter, nor for the
quivering of the jaws, nevertheless we may infer that
all these effects are due to some common cause. For
they are all characteristic and expressive of a pleased
state of mind in various kinds of monkeys.
A graduated series can be followed from violent to
moderate laughter, to a broad smile, to a gentle smile,
and to the expression of mere cheerfulness. During
excessive laughter the whole body is often thrown
backward and shakes, or is almost convulsed ; the
respiration is much disturbed ; the head and face
become gorged with blood , with the veins distended ;
and the orbicular muscles are spasmodically contracted
in order to protect the eyes. Tears are freely shed.
Hence, as formerly remarked, it is scarcely possible
to point out any difference between the tear-stained
face of a person after a paroxysm of excessive laughter
and after a bitter crying-fit.15 It is probably due to
the close similarity of the spasmodic movements caused
by these widely different emotions that hysteric patients
alternately cry and laugh with violence, and that young
children sometimes pass suddenly from the one to the
other state. Mr. Swinhoe informs me that he has often
seen the Chinese, when suffering from deep grief, burst
out into hysterical fits of laughter.
I was anxious to know whether tears are freely shed
15 Sir J. Reynolds remarks ( ' Discourses,' xii. p. 100), " It is curious

" to observe, and it is certainly true, that the extremes of contrary
66
passions are, with very little variation, expressed by the same action."
He gives as an instance the frantic joy of a Bacchante and the grief of
a Mary Magdalen.
during excessive laughter by most of the races of men,

and I hear from my correspondents that this is the case.
One instance was observed with the Hindoos, and they
themselves said that it often occurred. So it is with
the Chinese. The women of a wild tribe of Malays in
the Malacca peninsula, sometimes shed tears when they
laugh heartily, though this seldom occurs. With the
Dyaks of Borneo it must frequently be the case, at
least with the women, for I hear from the Rajah C.
Brooke that it is a common expression with them
to say " we nearly made tears from laughter." The
aborigines of Australia express their emotions freely, and
they are described by my correspondents as jumping
about and clapping their hands for joy, and as often
roaring with laughter. No less than four observers
have seen their eyes freely watering on such occasions ;
and in one instance the tears rolled down their cheeks.
Mr. Bulmer, a missionary in a remote part of Victoria,
remarks, " that they have a keen sense of the ridiculous ;
66
they are excellent mimics, and when one of them is
" able to imitate the peculiarities of some absent
" member of the tribe, it is very common to hear all in
" the camp convulsed with laughter." With Euro-
peans hardly anything excites laughter so easily as
mimicry ; and it is rather curious to find the same fact
with the savages of Australia, who constitute one of
the most distinct races in the world.
In Southern Africa with two tribes of Kafirs, espe-
cially with the women, their eyes often fill with tears
during laughter. Gaika, the brother of the chief
Sandilli, answers my query on this head, with the
words, " Yes, that is their common practice." Sir
Andrew Smith has seen the painted face of a Hottentot
woman all furrowed with tears after a fit of laughter.
In Northern Africa, with the Abyssinians, tears are
Р
210 EXPRESSION OF JOY : CHAP. VIII .
secreted under the same circumstances. Lastly, in

North America, the same fact has been observed in a
remarkably savage and isolated tribe, but chiefly with
the women ; in another tribe it was observed only on
a single occasion.
Excessive laughter, as before remarked, graduates
into moderate laughter. In this latter case the muscles
round the eyes are much less contracted, and there is
little or no frowning. Between a gentle laugh and a
broad smile there is hardly any difference, excepting
that in smiling no reiterated sound is uttered, though a
single rather strong expiration, or slight noise -a rudi
ment of a laugh-may often be heard at the com
mencement of a smile. On a moderately smiling
countenance the contraction of the upper orbicular

muscles can still just be traced by a slight lowering of
the eyebrows. The contraction of the lower orbicular
and palpebral muscles is much plainer, and is shown
by the wrinkling of the lower eyelids and of the skin
beneath them, together with a slight drawing up of
the upper lip . From the broadest smile we pass by the
finest steps into the gentlest one. In this latter case
the features are moved in a much less degree, and
much more slowly, and the mouth is kept closed .
The curvature of the naso-labial furrow is also slightly
different in the two cases. We thus see that no abrupt
line of demarcation can be drawn between the move
ment of the features during the most violent laughter
and a very faint smile.16
A smile, therefore, may be said to be the first stage
in the development of a laugh. But a different and
more probable view may be suggested ; namely, that
the habit of uttering loud reiterated sounds from a
16 Dr. Piderit has come to the same conclusion, ibid. s. 99.

sense of pleasure, first led to the retraction of the

corners of the mouth and of the upper lip, and to
the contraction of the orbicular muscles ; and that
now, through association and long-continued habit,
the same muscles are brought into slight play when-
ever any cause excites in us a feeling which, if
stronger, would have led to laughter ; and the result is
a smile.
Whether we look at laughter as the full development
of a smile, or, as is more probable, at a gentle smile as
the last trace of a habit, firmly fixed during many
generations, of laughing whenever we are joyful, we
can follow in our infants the gradual passage of the one
into the other. It is well known to those who have the
charge of young infants, that it is difficult to feel sure
when certain movements about their mouths are really
expressive ; that is, when they really smile. Hence I
carefully watched my own infants. One of them at the
age of forty-five days, and being at the time in a happy
frame of mind, smiled ; that is, the corners of the mouth
were retracted, and simultaneously the eyes became
decidedly bright . I observed the same thing on the
following day ; but on the third day the child was not
quite well and there was no trace of a smile, and this
renders it probable that the previous smiles were real.
Eight days subsequently and during the next succeeding
week, it was remarkable how his eyes brightened when-
ever he smiled, and his nose became at the same time
transversely wrinkled . This was now accompanied by
a little bleating noise, which perhaps represented a
laugh. At the age of 113 days these little noises,
which were always made during expiration, assumed a
slightly different character, and were more broken or
interrupted, as in sobbing ; and this was certainly
incipient laughter. The change in tone seemed
P 2
212 EXPRESSION OF HIGH SPIRITS. CHAP. VIII.
to me at the time to be connected with the greater

lateral extension of the mouth as the smiles became
broader.
In a second infant the first real smile was observed
at about the same age, viz. forty-five days ; and in a
third, at a somewhat earlier age. The second infant,
when sixty-five days old, smiled much more broadly
and plainly than did the one first mentioned at the
same age ; and even at this early age uttered noises
very like laughter. In this gradual acquirement,
by infants, of the habit of laughing, we have a case in
some degree analogous to that of weeping. As practice
1
is requisite with the ordinary movements of the body,
such as walking, so it seems to be with laughing and
weeping. The art of screaming, on the other hand,
from being of service to infants, has become finely
developed from the earliest days.
t
High spirits, cheerfulness.-A man in high spirits,
though he may not actually smile, commonly exhibits
some tendency to the retraction of the corners of his
mouth. From the excitement of pleasure, the circula
tion becomes more rapid ; the eyes are bright, and the
colour of the face rises. The brain, being stimu
lated by the increased flow of blood, reacts on the
mental powers ; lively ideas pass still more rapidly
through the mind, and the affections are warmed. I
heard a child, a little under four years old, when
asked what was meant by being in good spirits, answer,
" It is laughing, talking, and kissing." It would
be difficult to give a truer and more practical defini
tion. A man in this state holds his body erect, his
head upright, and his eyes open. There is no droop
ing of the features, and no contraction of the eye
brows. On the contrary, the frontal muscle, as Moreau
CHAP. VIII. EXPRESSION OF HIGH SPIRITS. 213
17
observes, tends to contract slightly ; and this smooths
the brow, removes every trace of a frown, arches the eye
brows a little, and raises the eyelids. Hence the Latin
phrase, exporrigere frontem--to unwrinkle the brow
means, to be cheerful or merry. The whole expression of
a manin good spirits is exactly the opposite of that of one
suffering from sorrow. According to Sir C. Bell, " In
" all the exhilarating emotions the eyebrows, eyelids,
" the nostrils, and the angles of the mouth are raised.
" In the depressing passions it is the reverse." Under
the influence of the latter the brow is heavy, the eye
lids, cheeks, mouth, and whole head droop ; the eyes
are dull ; the countenance pallid , and the respiration
slow. In joy the face expands, in grief it lengthens.
Whether the principle of antithesis has here come into
play in producing these opposite expressions, in aid of
the direct causes which have been specified and which
are sufficiently plain, I will not pretend to say.
With all the races of man the expression of good
spirits appears to be the same, and is easily recognised .
My informants, from various parts of the Old and New
Worlds, answer in the affirmative to my queries on
this head, and they give some particulars with respect to
Hindoos, Malays, and New Zealanders. The brightness
of the eyes of the Australians has struck four observers,
and the same fact has been noticed with Hindoos, New
Zealanders, and the Dyaks of Borneo.
Savages sometimes express their satisfaction not only
by smiling, but by gestures derived from the pleasure
of eating. Thus Mr. Wedgwood 18 quotes Petherick
17‘La Physionomie,' par G. Lavater, edit. of 1820, vol. iv. p. 224.

•
See, also, Sir C. Bell, Anatomy of Expression,' p. 172, for the quota
tion given below.
18 A ' Dictionary of English Etymology,' 2nd edit. 1872, Introduc
tion, p. xliv.
214 EXPRESSION OF HIGH SPIRITS. CHAP. VIII.
that the negroes on the Upper Nile began a general

rubbing of their bellies when he displayed his beads ;
and Leichhardt says that the Australians smacked and
clacked their mouths at the sight of his horses and
bullocks, and more especially of his kangaroo dogs.
The Greenlanders, " when they affirm anything with
66
pleasure, suck down air with a certain sound ;" 19 and
this may be an imitation of the act of swallowing
savoury food.
Laughter is suppressed by the firm contraction of the
orbicular muscles of the mouth, which prevents the great
zygomatic and other muscles from drawing the lips
backwards and upwards. The lower lip is also some-
times held by the teeth, and this gives a roguish
expression to the face, as was observed with the blind
and deaf Laura Bridgman.20 The great zygomatic
muscle is sometimes variable in its course, and I have
seen a young woman in whom the depressores anguli oris
were brought into strong action in suppressing a smile ;
but this by no means gave to her countenance a melan-
choly expression, owing to the brightness of her eyes.
Laughter is frequently employed in a forced manner
to conceal or mask some other state of mind, even
anger. We often see persons laughing in order to conceal
their shame or shyness. When a person purses up his
mouth, as if to prevent the possibility of a smile, though
there is nothing to excite one, or nothing to prevent its
free indulgence, an affected , solemn, or pedantic expres-
sion is given ; but of such hybrid expressions nothing
more need here be said. In the case of derision , a real
or pretended smile or laugh is often blended with the
expression proper to contempt, and this may pass into
19 Crantz, quoted by Tylor, ' Primitive Culture,' 1871 , vol. i.

p. 169.
6
20 F. Lieber, Smithsonian Contributions,' 1851, vol. ii . p. 7.
CHAP. VIII. EXPRESSION OF LOVE, ETC. 215
angry contempt or scorn. In such cases the meaning

of the laugh or smile is to show the offending person
that he excites only amusement.
Love, tender feelings, &c. —Although the emotion of
love, for instance that of a mother for her infant, is one
of the strongest of which the mind is capable, it can
hardly be said to have any proper or peculiar means of
expression ; and this is intelligible, as it has not habi
tually led to any special line of action . No doubt, as
affection is a pleasurable sensation , it generally causes a
gentle smile and some brightening of the eyes. A
strong desire to touch the beloved person is commonly
felt ; and love is expressed by this means more plainly
than by any other.21 Hence we long to clasp in our
arms those whom we tenderly love. We probably owe
this desire to inherited habit, in association with the
nursing and tending of our children, and with the mutual
caresses of lovers.
With the lower animals we see the same principle of
pleasure derived from contact in association with love.
Dogs and cats manifestly take pleasure in rubbing
against their masters and mistresses, and in being
rubbed or patted by them . Many kinds of monkeys,
as I am assured by the keepers in the Zoological
Gardens, delight in fondling and being fondled by
each other, and by persons to whom they are attached.
Mr. Bartlett has described to me the behaviour of two
chimpanzees, rather older animals than those generally
imported into this country, when they were first brought
together. They sat opposite, touching each other with
their much protruded lips ; and the one put his hand on
the shoulder of the other. They then mutually folded
21 Mr. Bain remarks (' Mental and Moral Science,' 1868, p. 239) ,
" Tenderness is a pleasurable emotion, variously stimulated, whose
" effort is to draw human beings into mutual embrace."
216 EXPRESSION OF LOVE, ETC. CHAP. VIII.
each other in their arms. Afterwards they stood up,

each with one arm on the shoulder of the other, lifted
up their heads, opened their mouths, and yelled with
delight.
We Europeans are so accustomed to kissing as a
mark of affection, that it might be thought to be innate
in mankind ; but this is not the case. Steele was mis
taken when he said " Nature was its author, and it
" began with the first courtship." Jemmy Button, the
Fuegian, told me that this practice was unknown in his
land . It is equally unknown with the New Zealanders,
Tahitians, Papuans, Australians, Somals of Africa, and
the Esquimaux.22 But it is so far innate or natural
that it apparently depends on pleasure from close
contact with a beloved person ; and it is replaced in
various parts of the world, by the rubbing of noses, as
with the New Zealanders and Laplanders, by the rub
bing or patting of the arms, breasts, or stomachs, or by
one man striking his own face with the hands or feet of
another. Perhaps the practice of blowing, as a mark
of affection, on various parts of the body may depend
on the same principle.23
The feelings which are called tender are difficult to
analyse ; they seem to be compounded of affection, joy,
and especially of sympathy. These feelings are in
themselves of a pleasurable nature, excepting when pity
is too deep, or horror is aroused , as in hearing of a tor
tured man or animal. They are remarkable under our
present point of view from so readily exciting the secre
tion of tears. Many a father and son have wept on
22 Sir J. Lubbock, Prehistoric Times,' 2nd edit. 1869, p . 552, gives

full authorities for these statements. The quotation from Stecle is
taken from this work.
23 See a full account, with references, by E. B. Tylor, ' Researches
into the Early History of Mankind ,' 2nd edit. 1870 , p . 51 .
meeting after a long separation , especially if the meet-

ing has been unexpected . No doubt extreme joy by
itself tends to act on the lacrymal glands ; but on
such occasions as the foregoing vague thoughts of the
grief which would have been felt had the father and
son never met, will probably have passed through their
minds ; and grief naturally leads to the secretion of
tears. Thus on the return of Ulysses :
"Telemachus
Rose, and clung weeping round his father's breast.
There the pen grief rained o'er them, yearning thus.
* * * * * *
Thus piteously they wailed in sore unrest,
And on their weepings had gone down the day,
But that at last Telemachus found words to say."
Worsley's Translation of the Odyssey,
Book xvi. st. 27.
So again when Penelope at last recognised her hus-

band :-
“ Then from her eyelids the quick tears did start
And she ran to him from her place, and threw
Her arms about his neck, and a warm dew
Of kisses poured upon him, and thus spake :"
Book xxiii . st. 27.
The vivid recollection of our former home, or of long-

past happy days, readily causes the eyes to be suffused
with tears ; but here, again, the thought naturally
occurs that these days will never return. In such cases
we may be said to sympathize with ourselves in our
present, in comparison with our former, state. Sym-
pathy with the distresses of others, even with the
imaginary distresses of a heroine in a pathetic story,
for whom we feel no affection, readily excites tears. So
does sympathy with the happiness of others, as with
that of a lover, at last successful after many hard trials
in a well-told tale.
218 EXPRESSION OF LOVE, ETC. CHAP. VIII.
Sympathy appears to constitute a separate or distinct

emotion ; and it is especially apt to excite the lacrymal
glands. This holds good whether we give or receive
sympathy. Every one must have noticed how readily
children burst out crying if we pity them for some
small hurt. With the melancholic insane, as Dr.
Crichton Browne informs me, a kind word will often
plunge them into unrestrained weeping. As soon as we
express our pity for the grief of a friend, tears often
come into our own eyes. The feeling of sympathy is
commonly explained by assuming that, when we see or
hear of suffering in another, the idea of suffering is
called up so vividly in our own minds that we ourselves
suffer. But this explanation is hardly sufficient, for it
does not account for the intimate alliance between sym-
pathy and affection. We undoubtedly sympathize far
more deeply with a beloved than with an indifferent
person ; and the sympathy of the one gives us far
more relief than that of the other. Yet assuredly
we can sympathize with those for whom we feel no
affection.
Why suffering, when actually experienced by our-
selves, excites weeping, has been discussed in a former
chapter. With respect to joy, its natural and universal
expression is laughter ; and with all the races of man
loud laughter leads to the secretion of tears more freely
than does any other cause excepting distress. The suf-
fusion of the eyes with tears, which undoubtedly occurs
under great joy, though there is no laughter, can, as it
seems to me, be explained through habit and associa-
tion on the same principles as the effusion of tears from
grief, although there is no screaming. Nevertheless it
is not a little remarkable that sympathy with the dis-
tresses of others should excite tears more freely than
our own distress ; and this certainly is the case. Many
a man, from whose eyes no suffering of his own could

wring a tear, has shed tears at the sufferings of a
beloved friend. It is still more remarkable that sym
pathy with the happiness or good fortune of those whom
we tenderly love should lead to the same result, whilst
a similar happiness felt by ourselves would leave our
eyes dry. We should, however, bear in mind that the
long-continued habit of restraint which is so powerful
in checking the free flow of tears from bodily pain , has
not been brought into play in preventing a moderate
effusion of tears in sympathy with the sufferings or
happiness of others.
Music has a wonderful power, as I have elsewhere
attempted to show,24 of recalling in a vague and inde
finite manner, those strong emotions which were felt
during long-past ages, when, as is probable, our early
progenitors courted each other by the aid of vocal
tones. And as several of our strongest emotions-grief,
great joy, love, and sympathy- lead to the free secre
tion of tears, it is not surprising that music should be
apt to cause our eyes to become suffused with tears,
especially when we are already softened by any of the
tenderer feelings. Music often produces another pecu
liar effect. We know that every strong sensation,
emotion, or excitement - extreme pain, rage, terror,
joy, or the passion of love-all have a special tendency
to cause the muscles to tremble ; and the thrill or
slight shiver which runs down the backbone and limbs
of many persons when they are powerfully affected by
music, seems to bear the same relation to the above
trembling of the body, as a slight suffusion of tears
from the power of music does to weeping from any
strong and real emotion.
24 6
The Descent of Man,' vol. ii. p. 336.
220 EXPRESSION OF DEVOTION. CHAP. VIII.
Devotion -As devotion is, in some degree, related to

affection, though mainly consisting of reverence, often
combined with fear, the expression of this state of mind
may here be briefly noticed. With some sects, both
past and present, religion and love have been strangely
combined ; and it has even been maintained, lamentable
as the fact may be, that the holy kiss of love differs but
little from that which a man bestows on a woman, or a
woman on a man.25 Devotion is chiefly expressed by
the face being directed towards the heavens, with the
eyeballs upturned. Sir C. Bell remarks that, at the ap-
1
proach of sleep, or of a fainting-fit, or of death, the
pupils are drawn upwards and inwards ; and he believes
that " when we are wrapt in devotional feelings, and
" outward impressions are unheeded , the eyes are raised
66
by an action neither taught nor acquired ; " and that
this is due to the same cause as in the above cases . 26
That the eyes are upturned during sleep is, as I hear from
Professor Donders, certain. With babies, whilst sucking
their mother's breast, this movement of the eyeballs
often gives to them an absurd appearance of ecstatic
delight ; and here it may be clearly perceived that a
struggle is going on against the position naturally
assumed during sleep. But Sir C. Bell's explanation of
the fact, which rests on the assumption that certain
muscles are more under the control of the will than
others is, as I hear from Professor Donders, incorrect.
As the eyes are often turned up in prayer, without
the mind being so much absorbed in thought as to
approach to the unconsciousness of sleep, the movement
is probably a conventional one-the result of the
25 Dr. Maudsley has a discussion to this effect in his ' Body and
Mind,' 1870, p. 85.
26 6 The Anatomy
of Expression,' p. 103, and ' Philosophical Trans-
actions,' 1823, p. 182 .
CHAP. VIII. EXPRESSION OF DEVOTION. 221
common belief that Heaven, the source of Divine power

to which we pray, is seated above us.
A humble kneeling posture, with the hands upturned
and palms joined, appears to us, from long habit, a
gesture so appropriate to devotion, that it might be
thought to be innate ; but I have not met with any
evidence to this effect with the various extra- Euro-
pean races of mankind. During the classical period
of Roman history it does not appear, as I hear from an
excellent classic , that the hands were thus joined during
prayer. Mr. Hensleigh Wedgwood has apparently
given 27 the true explanation, though this implies that
the attitude is one of slavish subjection. "When the
66
suppliant kneels and holds up his hands with the palms
"joined, he represents a captive who proves the com-
66
pleteness of his submission by offering up his hands to
"be bound by the victor. It is the pictorial representa-
❝tion of the Latin dare manus, to signify submission ."
Hence it is not probable that either the uplifting of the
eyes or the joining of the open hands, under the influ-
ence of devotional feelings, are innate or truly express-
ive actions ; and this could hardly have been expected,
for it is very doubtful whether feelings, such as we
should now rank as devotional, affected the hearts of
men, whilst they remained during past ages in an
uncivilized condition.
27The Origin of Language,' 1866, p. 146. Mr. Tylor ( Early

History of Mankind,' 2nd edit. 1870, p. 48) gives a more complex origin
to the position of the hands during prayer.
222 REFLECTION. CHAP. IX.
CHAPTER IX.
REFLECTION -MEDITATION-ILL-TEMPER- SULKINESS

DETERMINATION.
The act of frowning - Reflection with an effort, or with the per

ception of something difficult or disagreeable - Abstracted
meditation — Ill-temper― Moroseness — Obstinacy -- Sulkiness
and pouting - Decision or determination The firm closure of
the mouth.
THE Corrugators, by their contraction, lower the eye

brows and bring them together, producing vertical
furrows on the forehead-that is, a frown. Sir C.
Bell, who erroneously thought that the corrugator was
peculiar to man, ranks it as "the most remarkable
" muscle of the human face. It knits the eyebrows with
" an energetic effort, which unaccountably, but irre
66
sistibly, conveys the idea of mind." Or, as he else
where says, " when the eyebrows are knit, energy of
" mind is apparent, and there is the mingling of thought
" and emotion with the savage and brutal rage of the
" mere animal." There is much truth in these remarks,
1 ' Anatomy of Expression,' pp. 137 , 139. It is not surprising that

the corrugators should have become much more developed in man
than in the anthropoid apes ; for they are brought into incessant
action by him under various circumstances, and will have been
strengthened and modified by the inherited effects of use. We have
seen how important a part they play, together with the orbiculares, in
protecting the eyes from being too much gorged with blood during
violent expiratory movements. When the eyes are closed as quickly
and as forcibly as possible, to save them from being injured by a blow,
the corrugators contract. With savages or other men whose heads are
uncovered, the eyebrows are continually lowered and contracted to serve
CHAP. IX. REFLECTION. 223
but hardly the whole truth. Dr. Duchenne has called

the corrugator the muscle of reflection ; 2 but this name,
without some limitation , cannot be considered as quite
correct.
A man may be absorbed in the deepest thought,
and his brow will remain smooth until he encounters
some obstacle in his train of reasoning, or is inter
rupted by some disturbance, and then a frown passes
like a shadow over his brow. A half-starved man may
think intently how to obtain food, but he probably
will not frown unless he encounters either in thought
or action some difficulty, or finds the food when obtained
nauseous. I have noticed that almost everyone in
stantly frowns if he perceives a strange or bad taste in
what he is eating. I asked several persons, without
explaining my object, to listen intently to a very gentle
tapping sound, the nature and source of which they
all perfectly knew, and not one frowned ; but a man
who joined us, and who could not conceive what we were
all doing in profound silence, when asked to listen ,
frowned much, though not in an ill-temper, and
said he could not in the least understand what we all
wanted. Dr. Piderit,³ who has published remarks to
the same effect, adds that stammerers generally frown
in speaking ; and that a man in doing even so trifling a
thing as pulling on a boot, frowns if he finds it too
tight. Some persons are such habitual frowners, that
as a shade against a too strong light ; and this is effected partly by

the corrugators. This movement would have been more especially
serviceable to man, as soon as his early progenitors held their heads
erect. Lastly, Prof. Donders believes ( Archives of Medicine,' ed . by
L. Beale, 1870, vol. v. p. 34 ), that the corrugators are brought into
action in causing the eyeball to advance in accommodation for
proximity in vision.
26 Mécanisme de la Physionomie Humaine,' Album, Légende iii.
3 Mimik und Physiognomik,' s. 46.
the mere effort of speaking almost always causes their

brows to contract.
Men of all races frown when they are in any way
perplexed in thought, as I infer from the answers which
I have received to my queries ; but I framed them
badly, confounding absorbed meditation with perplexed
reflection. Nevertheless , it is clear that the Aus
tralians, Malays , Hindoos, and Kafirs of South Africa
frown, when they are puzzled. Dobritzhoffer remarks
that the Guaranies of South America on like occasions
knit their brows.
From these considerations, we may conclude that
frowning is not the expression of simple reflection, how
ever profound, or of attention, however close, but of
something difficult or displeasing encountered in a train
of thought or in action. Deep reflection can , however,
seldom be long carried on without some difficulty, so
that it will generally be accompanied by a frown. Hence
it is that frowning commonly gives to the countenance,
as Sir C. Bell remarks, an aspect of intellectual energy .
But in order that this effect may be produced, the
eyes must be clear and steady, or they may be cast
downwards, as often occurs in deep thought. The
countenance must not be otherwise disturbed, as in the
case of an ill-tempered or peevish man , or of one who
shows the effects of prolonged suffering, with dulled
eyes and drooping jaw, or who perceives a bad taste
in his food, or who finds it difficult to perform some
trifling act, such as threading a needle. In these
cases a frown may often be seen, but it will be accom
panied by some other expression, which will entirely
prevent the countenance having an appearance of in
tellectual energy or of profound thought.
·
4 History of the Abipones,' Eng. translat. vol . ii . p. 59, as quoted
by Lubbock, · Origin of Civilisation,' 1870, p. 355.
1
CHAP. IX. REFLECTION. 225
We may now inquire how it is that a frown should

express the perception of something difficult or dis
agreeable, either in thought or action. In the same
way as naturalists find it advisable to trace the em
bryological development of an organ in order fully to
understand its structure, so with the movements of ex
pression it is advisable to follow as nearly as possible
the same plan. The earliest and almost sole expression
seen during the first days of infancy, and then often
exhibited, is that displayed during the act of screaming ;
and screaming is excited, both at first and for some time
afterwards, by every distressing or displeasing sensation
and emotion,-by hunger, pain, anger, jealousy, fear, & c
At such times the muscles round the eyes are strongly
contracted ; and this, as I believe, explains to a large
extent the act of frowning during the remainder of
our lives. I repeatedly observed my own infants,
from under the age of one week to that of two or
three months, and found that when a screaming-fit
came on gradually, the first sign was the contraction
of the corrugators, which produced a slight frown,
quickly followed by the contraction of the other
muscles round the eyes. When an infant is uncom
fortable or unwell , little frowns-as I record in my
notes -may be seen incessantly passing like shadows
over its face ; these being generally, but not always,
followed sooner or later by a crying-fit. For instance, I
watched for some time a baby, between seven and eight
weeks old, sucking some milk which was cold, and there
fore displeasing to him ; and a steady little frown was
maintained all the time. This was never developed into
an actual crying-fit, though occasionally every stage of
close approach could be observed.
As the habit of contracting the brows has been
followed by infants during innumerable generations.
¡
at the commencement of every crying or screaming

fit, it has become firmly associated with the incipient
sense of something distressing or disagreeable. Hence
under similar circumstances it would be apt to be
continued during maturity, although never then de
veloped into a crying-fit. Screaming or weeping
begins to be voluntarily restrained at an early period
of life, whereas frowning is hardly ever restrained at
any age. It is perhaps worth notice that with children
much given to weeping, anything which perplexes their
minds, and which would cause most other children
merely to frown, readily makes them weep. So with
certain classes of the insane, any effort of mind, however
slight, which with an habitual frowner would cause a
slight frown, leads to their weeping in an unrestrained
manner. It is not more surprising that the habit of
contracting the brows at the first perception of some
thing distressing, although gained during infancy, should
be retained during the rest of our lives, than that many
other associated habits acquired at an early age should
be permanently retained both by man and the lower
animals. For instance, full-grown cats, when feeling
warm and comfortable, often retain the habit of alter
nately protruding their fore-feet with extended toes,
which habit they practised for a definite purpose whilst
sucking their mothers.
Another and distinct cause has probably strengthened
the habit of frowning, whenever the mind is intent on
any subject and encounters some difficulty. Vision is
the most important of all the senses, and during
primeval times the closest attention must have been
incessantly directed towards distant objects for the
sake of obtaining prey and avoiding danger. I re
member being struck, whilst travelling in parts of
South America, which were dangerous from the presence
CHAP. IX . REFLECTION. 227
of Indians, how incessantly, yet as it appeared uncon-

sciously, the half-wild Gauchos closely scanned the
whole horizon. Now, when any one with no covering
on his head (as must have been aboriginally the case
with mankind) , strives to the utmost to distinguish
in broad daylight, and especially if the sky is bright, a
distant object, he almost invariably contracts his brows
to prevent the entrance of too much light ; the lower
eyelids, cheeks, and upper lip being at the same time
raised, so as to lessen the orifice of the eyes. I have
purposely asked several persons, young and old, to look,
under the above circumstances, at distant objects, making
them believe that I only wished to test the power of
their vision ; and they all behaved in the manner just
described. Some of them, also, put their open, flat
hands over their eyes to keep out the excess of light.
Gratiolet, after making some remarks to nearly the
5
same effect, says, " Ce sont là des attitudes de vision
" difficile." He concludes that the muscles round the
eyes contract partly for the sake of excluding too
much light (which appears to me the more important
end), and partly to prevent all rays striking the retina,
except those which come direct from the object that
is scrutinized. Mr. Bowman, whom I consulted on this
point, thinks that the contraction of the surrounding
muscles may, in addition, " partly sustain the consensual
" movements of the two eyes, by giving a firmer support
" while the globes are brought to binocular vision by
" their own proper muscles."
As the effort of viewing with care under a bright
light a distant object is both difficult and irksome, and
5 ' De la Physionomie,' pp. 15, 144, 146. Mr. Herbert Spencer

accounts for frowning exclusively by the habit of contracting the
brows as a shade to the eyes in a bright light : see ' Principles of
Psychology, 2nd edit. 1872, p. 546.
Q 2
228 MEDITATION. CHAP. IX.
as this effort has been habitually accompanied , during

numberless generations, by the contraction of the eye-
brows, the habit of frowning will thus have been much
strengthened ; although it was originally practised
during infancy from a quite independent cause, namely,
as the first step in the protection of the eyes during
screaming. There is, indeed, much analogy, as far
as the state of the mind is concerned, between intently
scrutinizing a distant object, and following out an ob-
scure train of thought, or performing some little and
troublesome mechanical work. The belief that the
habit of contracting the brows is continued when
there is no need whatever to exclude too much light,
receives support from the cases formerly alluded to, in
which the eyebrows or eyelids are acted on under
certain circumstances in a useless manner, from having
been similarly used, under analogous circumstances,
for a serviceable purpose. For instance, we voluntarily
close our eyes when we do not wish to see any object,
and we are apt to close them, when we reject a pro-
position, as if we could not or would not see it ; or
when we think about something horrible. We raise
our eyebrows when we wish to see quickly all round
us, and we often do the same, when we earnestly
desire to remember something ; acting as if we endea-
voured to see it.
Abstraction. Meditation.- When a person is lost in

thought with his mind absent, or, as it is sometimes
said, " when he is in a brown study," he does not
frown, but his eyes appear vacant. The lower eyelids
are generally raised and wrinkled, in the same manner
as when a short-sighted person tries to distinguish a
distant object ; and the upper orbicular muscles are at
the same time slightly contracted. The wrinkling of
CHAP. IX. MEDITATION. 229
the lower eyelids under these circumstances has been

observed with some savages, as by Mr. Dyson Lacy
with the Australians of Queensland, and several times
by Mr. Geach with the Malays of the interior of
Malacca. What the meaning or cause of this action
may be, cannot at present be explained ; but here we
have another instance of movement round the eyes in
relation to the state of the mind.
The vacant expression of the eyes is very peculiar, and
at once shows when a man is completely lost in thought.
Professor Donders has, with his usual kindness, investi-
gated this subject for me. He has observed others in
this condition, and has been himself observed by Pro-
fessor Engelmann. The eyes are not then fixed on any
object, and therefore not, as I had imagined, on some
distant object. The lines of vision of the two eyes
even often become slightly divergent ; the divergence,
if the head be held vertically, with the plane of vision
horizontal, amounting to an angle of 2° as a maximum.
This was ascertained by observing the crossed double
image of a distant object. When the head droops for-
ward, as often occurs with a man absorbed in thought,
owing to the general relaxation of his muscles, if the
plane of vision be still horizontal, the eyes are neces-
sarily a little turned upwards, and then the divergence
is as much as 3º, or 3° 5′ : if the eyes are turned still
more upwards, it amounts to between 6° and 7°. Pro-
fessor Donders attributes this divergence to the almost
complete relaxation of certain muscles of the eyes, which
would be apt to follow from the mind being wholly
absorbed. The active condition of the muscles of the
Gratiolet remarks (De la Phys. p. 35), " Quand l'attention est

" fixée sur quelque image intérieure, l'œil regarde dans le vide et
" s'associe automatiquement à la contemplation de l'esprit." But this
view hardly deserves to be called an explanation.
230 ILL-TEMPER. CHAP. IX.
eyes is that of convergence ; and Professor Donders re-

marks, as bearing on their divergence during a period of
complete abstraction, that when one eye becomes blind,
it almost always, after a short lapse of time, deviates
outwards ; for its muscles are no longer used in moving
the eyeball inwards for the sake of binocular vision .
Perplexed reflection is often accompanied by certain
movements or gestures. At such times we commonly
raise our hands to our foreheads, mouths, or chins ; but
we do not act thus, as far as I have seen, when we are
quite lost in meditation, and no difficulty is encountered .
7
Plautus, describing in one of his plays a puzzled
man, says, " Now look, he has pillared his chin upon
" his hand." Even so trifling and apparently unmeaning
a gesture as the raising of the hand to the face has
been observed with some savages. Mr. J. Mansel Weale
has seen it with the Kafirs of South Africa ; and the
native chief Gaika adds, that men then " sometimes
66
pull their beards. " Mr. Washington Matthews, who
attended to some of the wildest tribes of Indians in the
western regions of the United States, remarks that
he has seen them when concentrating their thoughts,
bring their " hands, usually the thumb and index
66
finger, in contact with some part of the face, com-
66
monly the upper lip." We can understand why the
forehead should be pressed or rubbed, as deep thought
tries the brain ; but why the hand should be raised to
the mouth or face is far from clear.
Ill-temper. — We have seen that frowning is the

natural expression of some difficulty encountered, or of
something disagreeable experienced either in thought or
action, and he whose mind is often and readily affected
7 Miles Gloriosus,' act ii. sc. 2. 1

CHAP. IX. ILL-TEMPER. 231
in this way, will be apt to be ill-tempered , or slightly

angry, or peevish, and will commonly show it by
frowning. But a cross expression , due to a frown, may
be counteracted, if the mouth appears sweet, from being
habitually drawn into a smile, and the eyes are bright
and cheerful. So it will be if the eye is clear and
steady, and there is the appearance of earnest reflec-
tion. Frowning, with some depression of the corners
of the mouth, which is a sign of grief, gives an air of
8
peevishness. If a child (see Plate IV., fig. 2) frowns
much whilst crying, but does not strongly contract in
the usual manner the orbicular muscles, a well- marked
expression of anger or even of rage, together with
misery, is displayed.
If the whole frowning brow be drawn much down-
' ward by the contraction of the pyramidal muscles of
the nose, which produces transverse wrinkles or folds.
across the base of the nose, the expression becomes
one of moroseness. Duchenne believes that the con-
traction of this muscle, without any frowning, gives the
9
appearance of extreme and aggressive hardness. But
I much doubt whether this is a true or natural ex-
pression. I have shown Duchenne's photograph of a
young man, with this muscle strongly contracted by
means of galvanism, to eleven persons, including some
artists, and none of them could form an idea what
was intended, except one, a girl, who answered
correctly, " surly reserve." When I first looked at this
photograph, knowing what was intended, my imagina-
tion added, as I believe, what was necessary, namely,
* The original photograph by Herr Kindermann is much more

expressive than this copy, as it shows the frown on the brow more
plainly.
' Mécanisme de la Physionomie Humaine,' Album, Légende iv.
figs. 16-18.
232 SULKINESS. CHAP. IX .
a frowning brow ; and consequently the expression

appeared to me true and extremely morose.
A firmly closed mouth, in addition to a lowered and
frowning brow, gives determination to the expression ,
or may make it obstinate and sullen . How it comes
that the firm closure of the mouth gives the appear
ance of determination will presently be discussed. An
expression of sullen obstinacy has been clearly recog
nized by my informants, in the natives of six different
regions of Australia. It is well marked, according to
Mr. Scott, with the Hindoos. It has been recognized
with the Malays, Chinese, Kafirs, Abyssinians, and in
a conspicuous degree, according to Dr. Rothrock, with
the wild Indians of North America, and according to
Mr. D. Forbes, with the Aymaras of Bolivia. I have
also observed it with the Araucanos of southern Chili.
Mr. Dyson Lacy remarks that the natives of Australia,
when in this frame of mind, sometimes fold their arms
across their breasts, an attitude which may be seen
with us. A firm determination , amounting to obsti
nacy, is, also, sometimes expressed by both shoulders
being kept raised, the meaning of which gesture will
be explained in the following chapter.
With young children sulkiness is shown by pouting,
or, as it is sometimes called, " making a snout." 10
When the corners of the mouth are much depressed,
the lower lip is a little everted and protruded ; and
this is likewise called a pout. But the pouting here re
ferred to, consists of the protrusion of both lips into a
tubular form, sometimes to such an extent as to project
as far as the end of the nose, if this be short. Pouting
is generally accompanied by frowning, and sometimes
by the utterance of a booing or whooing noise. This
10 Hensleigh Wedgwood on ' The Origin of Language,' 1866, p. 78.

CHAP. IX. SULKINESS. 233
expression is remarkable, as almost the sole one, as far

as I know, which is exhibited much more plainly during
childhood, at least with Europeans, than during ma
turity. There is, however, some tendency to the
protrusion of the lips with the adults of all races under
the influence of great rage. Some children pout when
they are shy, and they can then hardly be called
sulky.
From inquiries which I have made in several large
families, pouting does not seem very common with
European children ; but it prevails throughout the
world, and must be both common and strongly marked
with most savage races, as it has caught the atten
tion of many observers. It has been noticed in eight
different districts of Australia ; and one of my in
formants remarks how greatly the lips of the children
are then protruded. Two observers have seen pouting
with the children of Hindoos ; three, with those of the
Kafirs and Fingoes of South Africa, and with the
Hottentots ; and two, with the children of the wild
Indians of North America. Pouting has also been
observed with the Chinese, Abyssinians, Malays of
Malacca, Dyaks of Borneo, and often with the New
Zealanders. Mr. Mansel Weale informs me that he
has seen the lips much protruded, not only with the
children of the Kafirs, but with the adults of both sexes
when sulky ; and Mr. Stack has sometimes observed
the same thing with the men, and very frequently with
the women of New Zealand. A trace of the same
expression may occasionally be detected even with adult
Europeans.
We thus see that the protrusion of the lips , espe
cially with young children, is characteristic of sulkiness
throughout the greater part of the world. This move
ment apparently results from the retention, chiefly
234 SULKINESS. CHAP. IX.
during youth, of a primordial habit, or from an occa-

sional reversion to it. Young orangs and chimpanzees
protrude their lips to an extraordinary degree, as
described in a former chapter, when they are dis-
contented, somewhat angry, or sulky ; also when they
are surprised, a little frightened, and even when
slightly pleased. Their mouths are protruded appa-
rently for the sake of making the various noises proper
to these several states of mind ; and its shape, as I
observed with the chimpanzee, differed slightly when
the cry of pleasure and that of anger were uttered .
As soon as these animals become enraged, the shape
of the mouth wholly changes, and the teeth are ex-
posed. The adult orang when wounded is said to
emit " a singular cry, consisting at first of high notes,
" which at length deepen into a low roar. While
66
giving out the high notes he thrusts out his lips
" into a funnel shape, but in uttering the low notes
" 11
" he holds his mouth wide open." With the gorilla,
the lower lip is said to be capable of great elonga-
tion. If then our semi-human progenitors protruded
their lips when sulky or a little angered, in the same
manner as do the existing anthropoid apes, it is not
an anomalous, though a curious fact, that our children
should exhibit, when similarly affected, a trace of the
same expression, together with some tendency to utter
a noise. For it is not at all unusual for animals to
retain, more or less perfectly, during early youth, and
subsequently to lose, characters which were aboriginally
possessed by their adult progenitors, and which are still
retained by distinct species, their near relations.
Nor is it an anomalous fact that the children of
11 Müller, as quoted by Huxley, ' Man's Place in Nature,' 1863,

P. 38.
CHAP. IX. DECISION. 235
savages should exhibit a stronger tendency to protrude

their lips, when sulky, than the children of civilized
Europeans ; for the essence of savagery seems to consist
in the retention of a primordial condition, and this occa
sionally holds good even with bodily peculiarities.12 It
may be objected to this view of the origin of pouting,
that the anthropoid apes likewise protrude their lips
when astonished and even when a little pleased ; whilst
with us this expression is generally confined to a sulky
frame of mind. But we shall see in a future chapter
that with men of various races surprise does sometimes
lead to a slight protrusion of the lips, though great
surprise or astonishment is more commonly shown by
the mouth being widely opened . As when we smile
or laugh we draw back the corners of the mouth, we
have lost any tendency to protrude the lips, when
pleased, if indeed our early progenitors thus expressed
pleasure.
A little gesture made by sulky children may here be
noticed, namely, their " showing a cold shoulder." This
has a different meaning, as, I believe, from the keeping
both shoulders raised. A cross child, sitting on its
parent's knee, will lift up the near shoulder, then jerk
it away as if from a caress, and afterwards give a back
ward push with it, as if to push away the offender.
I have seen a child, standing at some distance from
any one, clearly express its feelings by raising one
shoulder, giving it a little backward movement, and
then turning away its whole body.
Decision or determination. - The firm closure of the

mouth tends to give an expression of determination
12 I have given several instances in my ' Descent of Man,' vol. i.

chap. iv.
236 DECISION. CHAP. IX.
or decision to the countenance . No determined man

probably ever had an habitually gaping mouth. Hence ,
also, a small and weak lower jaw, which seems to
indicate that the mouth is not habitually and firmly
closed, is commonly thought to be characteristic of
feebleness of character. A prolonged effort of any
kind, whether of body or mind, implies previous de-
termination ; and if it can be shown that the mouth
is generally closed with firmness before and during
a great and continued exertion of the muscular
system, then, through the principle of association, the
mouth would almost certainly be closed as soon as any
determined resolution was taken. Now several observers
have noticed that a man, in commencing any violent mus-
cular effort, invariably first distends his lungs with air,
and then compresses it by the strong contraction of the
muscles of the chest ; and to effect this the mouth must
be firmly closed. Moreover, as soon as the man is
compelled to draw breath, he still keeps his chest as
much distended as possible.
Various causes have been assigned for this manner of
acting. Sir C. Bell maintains 13 that the chest is dis-
tended with air, and is kept distended at such times, in
order to give a fixed support to the muscles which are
thereto attached. Hence, as he remarks, when two men
are engaged in a deadly contest, a terrible silence
prevails, broken only by hard stifled breathing. There
is silence, because to expel the air in the utterance of
any sound would be to relax the support for the muscles
of the arms. If an outcry is heard, supposing the struggle
to take place in the dark, we at once know that one
of the two has given up in despair.
Gratiolet admits 14 that when a man has to struggle
13 Anatomy of Expression,' p. 190.
14 De la Physionomie,' pp. 118-121 .
CHAP. IX. DECISION. 237
with another to his utmost, or has to support a great

weight, or to keep for a long time the same forced atti-
tude, it is necessary for him first to make a deep inspi-
ration, and then to cease breathing ; but he thinks that
Sir C. Bell's explanation is erroneous. He maintains
that arrested respiration retards the circulation of the
blood, of which I believe there is no doubt, and he
adduces some curious evidence from the structure of the
lower animals, showing, on the one hand, that a retarded
circulation is necessary for prolonged muscular exertion,
and, on the other hand, that a rapid circulation is neces-
sary for rapid movements. According to this view, when
we commence any great exertion, we close our mouths
and stop breathing, in order to retard the circulation of
the blood. Gratiolet sums up the subject by saying,
" C'est là la vraie théorie de l'effort continu ;" but how
far this theory is admitted by other physiologists I
do not know.
Dr. Piderit accounts 15 for the firm closure of the
mouth during strong muscular exertion, on the principle
that the influence of the will spreads to other muscles
besides those necessarily brought into action in making
any particular exertion ; and it is natural that the
muscles of respiration and of the mouth, from being so
habitually used, should be especially liable to be thus
acted on. It appears to me that there probably is some
truth in this view, for we are apt to press the teeth hard
together during violent exertion , and this is not re-
quisite to prevent expiration , whilst the muscles of the
chest are strongly contracted. '
Lastly, when a man has to perform some delicate and
difficult operation, not requiring the exertion of any
strength, he nevertheless generally closes his mouth and
15 Mimik und Physiognomik,' 8. 79.

238 DECISION. CHAP. IX
ceases for a time to breathe ; but he acts thus in order

that the movements of his chest may not disturb those
of his arms. A person, for instance, whilst threading a
needle, may be seen to compress his lips and either to
stop breathing, or to breathe as quietly as possible. So
it was, as formerly stated, with a young and sick chim
panzee, whilst it amused itself by killing flies with its
knuckles, as they buzzed about on the window-panes.
To perform an action, however trifling, if difficult, implies
some amount of previous determination.
There appears nothing improbable in all the above
assigned causes having come into play in different
degrees, either conjointly or separately, on various occa
sions. The result would be a well-established habit,
now perhaps inherited , of firmly closing the mouth at
the commencement of and during any violent and pro
longed exertion, or any delicate operation. Through
the principle of association there would also be a strong
tendency towards this same habit, as soon as the mind .
had resolved on any particular action or line of con
duct, even before there was any bodily exertion, or if
none were requisite. The habitual and firm closure
of the mouth would thus come to show decision of
character ; and decision readily passes into obstinacy.
CHAP. X. ANGER. 239
CHAPTER X.
HATRED AND ANGER.
Hatred― Rage, effects of on the system Uncovering of the teeth

- Rage in the insane -Anger and indignation - — As expressed
by the various races of man ― Sneering and defiance - The un
covering of the canine tooth on one side of the face.
IF we have suffered or expect to suffer some wilful

injury from a man, or if he is in any way offensive to
us, we dislike him ; and dislike easily rises into hatred.
Such feelings, if experienced in a moderate degree, are
not clearly expressed by any movement of the body
or features, excepting perhaps by a certain gravity
of behaviour, or by some ill-temper. Few individuals,
however, can long reflect about a hated person, without
feeling and exhibiting signs of indignation or rage.
But if the offending person be quite insignificant, we
experience merely disdain or contempt. If, on the
other hand, he is all-powerful, then hatred passes into
terror, as when a slave thinks about a cruel master, or
a savage about a bloodthirsty malignant deity. Most
of our emotions are so closely connected with their ex
pression, that they hardly exist if the body remains
passive-the nature of the expression depending in
chief part on the nature of the actions which have
been habitually performed under this particular state of
the mind. A man, for instance, may know that his life
is in the extremest peril, and may strongly desire to
¹ See some remarks to this effect by Mr. Bain, ' The Emotions and
the Will,' 2nd edit. 1865, p. 127.
240 ANGER. CHAP. X.
save it ; yet, as Louis XVI. said, when surrounded by

a fierce mob, " Am I afraid ? feel my pulse." So a man
may intensely hate another, but until his bodily frame
is affected, he cannot be said to be enraged.
Rage.—I have already had occasion to treat of this
emotion in the third chapter, when discussing the direct
influence of the excited sensorium on the body, in com-
bination with the effects of habitually associated actions.
Rage exhibits itself in the most diversified manner.
The heart and circulation are always affected ; the face
reddens or becomes purple , with the veins on the fore-
head and neck distended . The reddening of the skin
has been observed with the copper-coloured Indians
of South America,2 and even, as it is said, on the white
cicatrices left by old wounds on negroes.3 Monkeys
also redden from passion. With one of my own infants,
under four months old, I repeatedly observed that the
first symptom of an approaching passion was the rushing
of the blood into his bare scalp . On the other hand,
the action of the heart is sometimes so much impeded by
great rage, that the countenance becomes pallid or livid,
and not a few men with heart-disease have dropped
down dead under this powerful emotion.
The respiration is likewise affected ; the chest heaves,
and the dilated nostrils quiver.5 As Tennyson writes,
66
sharp breaths of anger puffed her fairy nostrils out. ”
2 Rengger, Naturgesch. der Säugethiere von Paraguay, 1830, s. 3.

6
3 Sir C. Bell, Anatomy of Expression,' p. 96. On the other hand ,
Dr. Burgess ( Physiology of Blushing,' 1839, p. 31 ) speaks of the
reddening of a cicatrix in a negress as of the nature of a blush.
4 Moreau and Gratiolet have discussed the colour of the face under
the influence of intense passion : sec the edit. of 1820 of Lavater, vol .
iv. pp. 282 and 300 ; and Gratiolet, ' De la Physionomie,' p. 345 .
5 Sir C. Bell ( Anatomy of Expression,' pp. 91, 107) has fully dis-
cussed this subject. Moreau remarks (in the edit. of 1820 of La
Physionomie, par G. Lavater,' vol. iv. p. 237) , and quotes Portal in
CHAP. X. ANGER. 241
Hence we have such expressions as " breathing out ven-

6
"geance," and " fuming with anger." "
The excited brain gives strength to the muscles, and
at the same time energy to the will. The body is com-
monly held erect ready for instant action, but sometimes
it is bent forward towards the offending person, with
the limbs more or less rigid. The mouth is generally
closed with firmness, showing fixed determination, and
the teeth are clenched or ground together. Such
gestures as the raising of the arms, with the fists
clenched, as if to strike the offender, are common. Few
men in a great passion, and telling some one to begone,
can resist acting as if they intended to strike or push
the man violently away. The desire, indeed, to strike
often becomes so intolerably strong, that inanimate
objects are struck or dashed to the ground ; but the
gestures frequently become altogether purposeless or
frantic. Young children, when in a violent rage roll
on the ground on their backs or bellies, screaming,
kicking, scratching, or biting everything within reach .
So it is, as I hear from Mr. Scott, with Hindoo children ;
and, as we have seen, with the young of the anthropo-
morphous apes.
But the muscular system is often affected in a wholly
different way ; for trembling is a frequent consequence
confirmation, that asthmatic patients acquire permanently expanded

nostrils, owing to the habitual contraction of the elevatory muscles of
the wings of the nose. The explanation by Dr. Piderit (' Mimik und
Physiognomik,' s . 82) of the distension of the nostrils, namely, to allow
free breathing whilst the mouth is closed and the teeth clenched,
does not appear to be nearly so correct as that by Sir C. Bell, who
attributes it to the sympathy (i.e. habitual co-action) of all the
respiratory muscles. The nostrils of an angry man may be seen to
become dilated, although his mouth is open.
6 Mr. Wedgwood, On the Origin of Language,' 1866, p. 76. ' He
also observes that the sound of hard breathing " is represented by the
" syllables puff, huff, whiff, whence a huff is a fit of ill-temper."
R
242 ANGER. CHAP. X.
of extreme rage. The paralysed lips then refuse to obey

the will, " and the voice sticks in the throat ; " 7 or it
is rendered loud, harsh, and discordant. If there be
much and rapid speaking, the mouth froths. The hair
sometimes bristles ; but I shall return to this subject
in another chapter, when I treat of the mingled emo-
tions of rage and terror. There is in most cases a
strongly-marked frown on the forehead ; for this follows
from the sense of anything displeasing or difficult,
together with concentration of mind. But sometimes
the brow, instead of being much contracted and lowered,
remains smooth, with the glaring eyes kept widely
open. The eyes are always bright, or may, as Homer
expresses it, glisten with fire. They are sometimes
bloodshot, and are said to protrude from their sockets-
the result, no doubt, of the head being gorged with blood,
as shown by the veins being distended . According to
Gratiolet, the pupils are always contracted in rage, and
I hear from Dr. Crichton Browne that this is the case
in the fierce delirium of meningitis ; but the movements
of the iris under the influence of the different emotions
is a very obscure subject.
Shakspeare sums up the chief characteristics of rage
as follows :-
"In peace there's nothing so becomes a man,
As modest stillness and humility ;
But when the blast of war blows in our ears,
Then imitate the action of the tiger :
Stiffen the sinews, summon up the blood,
Then lend the eye a terrible aspect ;
Now set the teeth, and stretch the nostril wide,
Hold hard the breath, and bend up every spirit
To his full height ! On, on, you noblest English."
Henry V., act iii. sc. 1.
7 Sir C. Bell ( Anatomy of Expression,' p. 95) has some excellent
remarks on the expression of rage.
8 De la Physionomie,' 1865, p. 316.
CHAP. X. ANGER. 243
The lips are sometimes protruded during rage in a

manner, the meaning of which I do not understand,
unless it depends on our descent from some ape-like
animal. Instances have been observed, not only with
.
Europeans, but with the Australians and Hindoos.
The lips, however, are much more commonly retracted,
the grinning or clenched teeth being thus exposed .
This has been noticed by almost every one who has
written on expression. The appearance is as if the
teeth were uncovered, ready for seizing or tearing
an enemy, though there may be no intention of acting
in this manner. Mr. Dyson Lacy has seen this grinning
expression with the Australians, when quarrelling, and so
has Gaika with the Kafirs of South Africa. Dickens, 10
in speaking of an atrocious murderer who had just been
caught, and was surrounded by a furious mob, describes
" the people as jumping up one behind another, snarling
" with their teeth, and making at him like wild beasts."
Every one who has had much to do with young children
must have seen how naturally they take to biting, when
in a passion. It seems as instinctive in them as in
young crocodiles, who snap their little jaws as soon as
they emerge from the egg.
A grinning expression and the protrusion of the lips
appear sometimes to go together. A close observer says
9 Sir C. Bell, 6 Anatomy of Expression,' p. 177. Gratiolet (De la

Phys. p. 369) says, " les dents se découvrent, et imitent symbolique
" ment l'action de déchirer et de mordre." If, instead of using the vague
term symboliquement, Gratiolet had said that the action was a remnant
of a habit acquired during primeval times when our semi-human pro
genitors fought together with their teeth, like gorillas and orangs at
the present day, he would have been more intelligible. Dr. Piderit
('Mimik,' &c., s. 82) also speaks of the retraction of the upper lip during
rage. In an engraving of one of Hogarth's wonderful pictures, passion
is represented in the plainest manner by the open glaring eyes, frowning
forehead, and exposed grinning teeth.
10 Oliver Twist,' vol. iii. p. 245.
R 2
244 ANGER. CHAP. X.
that he has seen many instances of intense hatred (which

can hardly be distinguished from rage, more or less sup
pressed) in Orientals, and once in an elderly English
woman. In all these cases there " was a grin, not a
" scowl - the lips lengthening, the cheeks settling
66
downwards, the eyes half-closed, whilst the brow
" remained perfectly calm ." "1
This retraction of the lips and uncovering of the teeth
during paroxysms of rage, as if to bite the offender,
is so remarkable, considering how seldom the teeth are
used by men in fighting, that I inquired from Dr.
J. Crichton Browne whether the habit was common
in the insane whose passions are unbridled. He informs
me that he has repeatedly observed it both with the
insane and idiotic, and has given me the following illus
trations :
Shortly before receiving my letter, he witnessed an
uncontrollable outbreak of anger and delusive jealousy
in an insane lady. At first she vituperated her husband,
and whilst doing so foamed at the mouth. Next she
approached close to him with compressed lips, and a
virulent set frown. Then she drew back her lips, espe
cially the corners of the upper lip, and showed her teeth ,
at the same time aiming a vicious blow at him. A
second case is that of an old soldier, who, when he is
requested to conform to the rules of the establishment,
gives way to discontent, terminating in fury. He com -
monly begins by asking Dr. Browne whether he is not
ashamed to treat him in such a manner. He then swears
and blasphemes, paces up and down, tosses his arms
wildly about, and menaces any one near him. At last,
as his exasperation culminates, he rushes up towards
Dr. Browne with a peculiar sidelong movement, shaking
11 The Spectator,' July 11 , 1868, p . 819.

CHAP X. ANGER. 245
his doubled fist, and threatening destruction. Then his

upper lip may be seen to be raised, especially at the
corners, so that his huge canine teeth are exhibited .
He hisses forth his curses through his set teeth , and
his whole expression assumes the character of extreme
ferocity. A similar description is applicable to another
man, excepting that he generally foams at the mouth
and spits, dancing and jumping about in a strange rapid
manner, shrieking out his maledictions in a shrill fal
setto voice.
Dr. Browne also informs me of the case of an epileptic
idiot, incapable of independent movements, and who
spends the whole day in playing with some toys ; but
his temper is morose and easily roused into fierceness.
When any one touches his toys , he slowly raises his
head from its habitual downward position, and fixes
his eyes on the offender, with a tardy yet angry scowl .
If the annoyance be repeated, he draws back his thick
lips and reveals a prominent row of hideous fangs (large
canines being especially noticeable), and then makes a
quick and cruel clutch with his open hand at the offend
ing person. The rapidity of this clutch, as Dr. Browne
remarks, is marvellous in a being ordinarily so torpid
that he takes about fifteen seconds, when attracted
by any noise, to turn his head from one side to the
other. If, when thus incensed, a handkerchief, book, or
other article, be placed into his hands, he drags it to his
mouth and bites it. Mr. Nicol has likewise described
to me two cases of insane patients, whose lips are re
tracted during paroxysms of rage.
Dr. Maudsley, after detailing various strange animal
like traits in idiots, asks whether these are not due to
the reappearance of primitive instincts-" a faint echo
" from a far-distant past, testifying to a kinship which
66
man has almost outgrown ." He adds, that as every
246 ANGER. CHAP. X.
human brain passes, in the course of its development,

through the same stages as those occurring in the lower
vertebrate animals, and as the brain of an idiot is in an
arrested condition, we may presume that it " will mani
" fest its most primitive functions, and no higher
" functions." Dr. Maudsley thinks that the same view
may be extended to the brain in its degenerated con
dition in some insane patients ; and asks, whence come
" the savage snarl, the destructive disposition, the
" obscene language, the wild howl, the offensive habits,
66
displayed by some of the insane ? Why should a
" human being, deprived of his reason, ever become so
" brutal in character, as some do, unless he has the
" brute nature within him ?" 12 This question must, as
it would appear, be answered in the affirmative.
Anger, indignation.-These states of the mind differ
from rage only in degree, and there is no marked
distinction in their characteristic signs. Under moderate
anger the action of the heart is a little increased, the
colour heightened, and the eyes become bright. The
respiration is likewise a little hurried ; and as all the
muscles serving for this function act in association ,
the wings of the nostrils are somewhat raised to allow
of a free indraught of air ; and this is a highly charac
teristic sign of indignation. The mouth is commonly
compressed, and there is almost always a frown on
the brow. Instead of the frantic gestures of extreme
rage, an indignant man unconsciously throws himself
into an attitude ready for attacking or striking his
enemy, whom he will perhaps scan from head to foot in
defiance . He carries his head erect, with his chest well
expanded, and the feet planted firmly on the ground.
He holds his arms in various positions, with one or both
12 ، Pody and Mind, ' 1870, pp. 51-53.

CHAP. X. ANGER. 247
elbows squared, or with the arms rigidly suspended by

his sides. With Europeans the fists are commonly
clenched.13 The figures 1 and 2 in Plate VI. are fairly
good representations of men simulating indignation .
Any one may see in a mirror, if he will vividly imagine
that he has been insulted and demands an explanation
in an angry tone of voice, that he suddenly and uncon
sciously throws himself into some such attitude.
Rage, anger, and indignation are exhibited in nearly
the same manner throughout the world ; and the fol
lowing descriptions may be worth giving as evidence of
this, and as illustrations ofsome of the foregoing remarks.
There is, however, an exception with respect to clenching
the fists, which seems confined chiefly to the men who
fight with their fists. With the Australians only one
of my informants has seen the fists clenched. All agree
about the body being held erect ; and all, with two ex
ceptions, state that the brows are heavily contracted.
Some of them allude to the firmly-compressed mouth, the
distended nostrils, and flashing eyes. According to the
Rev. Mr. Taplin, rage, with the Australians, is expressed
by the lips being protruded, the eyes being widely open ;
and in the case of the women by their dancing about
and casting dust into the air. Another observer speaks
of the native men, when enraged, throwing their arms
wildly about.
I have received similar accounts, except as to the
clenching of the fists, in regard to the Malays of the
Malacca peninsula, the Abyssinians, and the natives of
South Africa. So it is with the Dakota Indians of
13 Le Brun, in his well-known ' Conférence sur l'Expression ' (' La

Physionomie, par Lavater,' edit. of 1820, vol. ix. p. 268), remarks that
anger is expressed by the clenching of the fists. See, to the same effect,
Huschke, 6 Mimices et Physiognomices, Fragmentum Physiologicum,
1824, p. 20. Also Sir C. Bell, Anatomy of Expression,' p. 219.
248 ANGER. CHAP. X.
North America ; and, according to Mr. Matthews, they

then hold their heads erect, frown, and often stalk away
with long strides. Mr. Bridges states that the Fuegians,
when enraged, frequently stamp on the ground, walk
distractedly about, sometimes cry and grow pale. The
Rev. Mr. Stack watched a New Zealand man and
woman quarrelling, and made the following entry in
his note-book : " Eyes dilated, body swayed violently
" backwards and forwards, head inclined forwards, fists
66
clenched, now thrown behind the body, now directed
" towards each other's faces." Mr. Swinhoe says that
my description agrees with what he has seen of the
Chinese, excepting that an angry man generally inclines
his body towards his antagonist, and pointing at him,
pours forth a volley of abuse.
Lastly, with respect to the natives of India, Mr. J.
Scott has sent me a full description of their gestures
and expression when enraged. Two low-caste Ben-
galees disputed about a loan. At first they were calm,
but soon grew furious and poured forth the grossest
abuse on each other's relations and progenitors for
many generations past. Their gestures were very
different from those of Europeans ; for though their
chests were expanded and shoulders squared, their arms
remained rigidly suspended, with the elbows turned
inwards and the hands alternately clenched and opened .
Their shoulders were often raised high, and then again
lowered. They looked fiercely at each other from under
their lowered and strongly wrinkled brows, and their
protruded lips were firmly closed. They approached
each other, with heads and necks stretched forwards,
and pushed, scratched, and grasped at each other. This
protrusion of the head and body seems a common ges-
ture with the enraged ; and I have noticed it with
degraded English women whilst quarrelling violently in
CHAP. X. SNEERING AND DEFIANCE. 249
the streets. In such cases it may be presumed that

neither party expects to receive a blow from the other.
A Bengalee employed in the Botanic Gardens was
accused, in the presence of Mr. Scott, by the native
overseer of having stolen a valuable plant. He listened
silently and scornfully to the accusation ; his attitude
erect, chest expanded , mouth closed, lips protruding,
eyes firmly set and penetrating. He then defiantly
maintained his innocence, with upraised and clenched
hands, his head being now pushed forwards, with the
eyes widely open and eyebrows raised . Mr. Scott also
watched two Mechis, in Sikhim, quarrelling about their
share of payment. They soon got into a furious pas-
sion, and then their bodies became less erect, with their
heads pushed forwards ; they made grimaces at each
other ; their shoulders were raised ; their arms rigidly
bent inwards at the elbows, and their hands spasmo-
dically closed, but not properly clenched. They con-
tinually approached and retreated from each other, and
often raised their arms as if to strike, but their hands
were open, and no blow was given. Mr. Scott made
similar observations on the Lepchas whom he often saw
quarrelling, and he noticed that they kept their arms
rigid and almost parallel to their bodies, with the hands
pushed somewhat backwards and partially closed, but
not clenched.
Sneering, Defiance : Uncovering the canine tooth on

one side. The expression which I wish here to consider
differs but little from that already described, when the
lips are retracted and the grinning teeth exposed. The
difference consists solely in the upper lip being retracted
in such a manner that the canine tooth on one side of
the face alone is shown ; the face itself being generally
a little upturned and half averted from the person
250 SNEERING AND DEFIANCE. CHAP, X.
causing offence. The other signs of rage are not neces-

sarily present. This expression may occasionally be
observed in a person who sneers at or defies another,
though there may be no real anger ; as when any one
is playfully accused of some fault, and answers , “ I
" scorn the imputation." The expression is not a
common one, but I have seen it exhibited with perfect
distinctness by a lady who was being quizzed by another
person. It was described by Parsons as long ago as
1746, with an engraving, showing the uncovered canine
on one side.¹ Mr. Rejlander, without my having made
any allusion to the subject, asked me whether I had
ever noticed this expression, as he had been much struck
by it. He has photographed for me (Plate IV. fig. 1 )
a lady, who sometimes unintentionally displays the
canine on one side, and who can do so voluntarily with
unusual distinctness .
The expression of a half-playful sneer graduates into
one of great ferocity when, together with a heavily
frowning brow and fierce eye, the canine tooth is exposed .
A Bengalee boy was accused before Mr. Scott of some
misdeed . The delinquent did not dare to give vent to
his wrath in words, but it was plainly shown on his
countenance, sometimes by a defiant frown, and some-
times " by a thoroughly canine snarl." When this was
exhibited, " the corner of the lip over the eye-tooth,
" which happened in this case to be large and pro-
66
jecting, was raised on the side of his accuser, a strong
" frown being still retained on the brow." Sir C. Bell
states 15 that the actor Cooke could express the most
determined hate " when with the oblique cast of his
14 Transact. Philosoph. Soc., Appendix, 1746, p. 65.

"
15 Anatomy of Expression,' p. 136. Sir C. Bell calls (p. 131) the
muscles which uncover the canines the snarling muscles.
Pl.4
Heliotype 2
CHA
66 e
d
T
dou
is d
mus
up
can
this
proc
its
a s
ofte
faci
Sam
mer
I
in
are
oft
ride
par
mo
not
smi
one
sli
out
car
WO
Par
1
CHAP. X. १
SNEERING AND DEFIANCE. 251
66
eyes he drew up the outer part of the upper lip, and
" discovered a sharp angular tooth."
The uncovering of the canine tooth is the result of a
double movement . The angle or corner of the mouth
is drawn a little backwards, and at the same time a
muscle which runs parallel to and near the nose draws
up the outer part of the upper lip, and exposes the
canine on this side of the face. The contraction of
this muscle makes a distinct furrow on the cheek, and
produces strong wrinkles under the eye, especially at
its inner corner. The action is the same as that of
a snarling dog ; and a dog when pretending to fight
often draws up the lip on one side alone, namely that
facing his antagonist. Our word sneer is in fact the
same as snarl, which was originally snar, the 7 " being
merely an element implying continuance of action." 16
I suspect that we see a trace of this same expression
in what is called a derisive or sardonic smile. The lips
are then kept joined or almost joined, but one corner
of the mouth is retracted on the side towards the de-
rided person ; and this drawing back of the corner is
part of a true sneer. Although some persons smile
more on one side of their face than on the other, it is
not easy to understand why in cases of derision the
smile, if a real one, should so commonly be confined to
one side. I have also on these occasions noticed a
slight twitching of the muscle which draws up the
outer part of the upper lip ; and this movement, if fully
carried out, would have uncovered the canine, and
would have produced a true sneer.
Mr. Bulmer, an Australian missionary in a remote
part of Gipps' Land, says, in answer to my query about
16 Hensleigh Wedgwood, ' Dictionary of English Etymology,' 1865,

vol. iii. pp. 240 , 243.
LI
252 SNEERING AND DEFIANCE. CHAP. X.
the uncovering of the canine on one side, " I find that

" the natives in snarling at each other speak with the
" teeth closed, the upper lip drawn to one side, and a
66
general angry expression of face ; but they look direct
" at the person addressed." Three other observers in
Australia, one in Abyssinia, and one in China, answer
my query on this head in the affirmative ; but as the
expression is rare, and as they enter into no details ,
I am afraid of implicitly trusting them. It is, how-
ever, by no means improbable that this animal-like
expression may be more common with savages than
with civilized races. Mr. Geach is an observer who
may be fully trusted, and he has observed it on one
occasion in a Malay in the interior of Malacca. The
Rev. S. O. Glenie answers, " We have observed this
" expression with the natives of Ceylon, but not often."
Lastly, in North America, Dr. Rothrock has seen it
with some wild Indians, and often in a tribe adjoining
the Atnahs .
Although the upper lip is certainly sometimes raised
on one side alone in sneering at or defying any one, I
do not know that this is always the case, for the face
is commonly half averted, and the expression is often
momentary. The movement being confined to one side
may not be an essential part of the expression, but may
depend on the proper muscles being incapable of move-
ment excepting on one side. I asked four persons to
endeavour to act voluntarily in this manner ; two could
expose the canine only on the left side, one only on the
right side, and the fourth on neither side. Neverthe-
less it is by no means certain that these same persons,
if defying any one in earnest, would not unconsciously
have uncovered their canine tooth on the side, which-
ever it might be, towards the offender. For we have
seen that some persons cannot voluntarily make their
CHAP. X. SNEERING AND DEFIANCE . 253
eyebrows oblique, yet instantly act in this manner when

affected by any real, although most trifling, cause of
distress. The power of voluntarily uncovering the
canine on one side of the face being thus often wholly
lost, indicates that it is a rarely used and almost
abortive action. It is indeed a surprising fact that man
should possess the power, or should exhibit any ten
dency to its use ; for Mr. Sutton has never noticed
a snarling action in our nearest allies, namely, the
monkeys in the Zoological Gardens, and he is positive
that the baboons, though furnished with great canines ,
never act thus, but uncover all their teeth when feeling
savage and ready for an attack. Whether the adult
anthropomorphous apes, in the males of whom the
canines are much larger than in the females, uncover
them when prepared to fight, is not known.
The expression here considered, whether that of a
playful sneer or ferocious snarl, is one of the most
curious which occurs in man. It reveals his animal
descent ; for no one, even if rolling on the ground in
a deadly grapple with an enemy, and attempting to
bite him, would try to use his canine teeth more than
his other teeth. We may readily believe from our
affinity to the anthropomorphous apes that our male
semi-human progenitors possessed great canine teeth,
and men are now occasionally born having them of
unusually large size, with interspaces in the opposite
jaw for their reception. " We may further suspect, not
withstanding that we have no support from analogy,
that our semi-human progenitors uncovered their canine
teeth when prepared for battle, as we still do when
feeling ferocious, or when merely sneering at or defy
ing some one, without any intention of making a real
attack with our teeth.
17 The Descent of Man,' 1871 , vol . i . p. 126 .
г.
251 CONTEMPT. CHAP. XI.
CHAPTER XI.
DISDAIN CONTEMPT DISGUST - - GUILT PRIDE, ETC.

HELPLESSNESS PATIENCE ――――- AFFIRMATION AND NEGATION.
Contempt, scorn and disdain, variously expressed -- Derisive smile

Gestures expressive of contempt — Disgust -- Guilt, deceit,
pride, &c.-Helplessness or impotence- Patience -Obstinacy—
Shrugging the shoulders common to most of the races of man—
Signs of affirmation and negation.
SCORN and disdain can hardly be distinguished from

contempt, excepting that they imply a rather more angry
frame of mind. Nor can they be clearly distinguished
from the feelings discussed in the last chapter under
the terms of sneering and defiance. Disgust is a sensa
tion rather more distinct in its nature, and refers to
something revolting, primarily in relation to the sense
of taste, as actually perceived or vividly imagined ;
and secondarily to anything which causes a similar
feeling, through the sense of smell, touch, and even of
eyesight. Nevertheless, extreme contempt, or as it is
often called loathing contempt, hardly differs from dis
gust. These several conditions of the mind are, there
fore, nearly related ; and each of them may be exhibited
in many different ways. Some writers have insisted
chiefly on one mode of expression, and others on a
different mode. From this circumstance M. Lemoine
has argued¹ that their descriptions are not trustworthy.
But we shall immediately see that it is natural that the
feelings which we have here to consider should be ex
1 De la Physionomie et la Parole,' 1865, p. 89.

[
I
1
=
ાં
Her
to
d:
Pl. 5
3
2
CHAP. XI. CONTEMPT. 255
pressed in many different ways, 3 inasmuch as various

habitual actions serve equally well, through the prin-
ciple of association, for their expression.
Scorn and disdain, as well as sneering and defiance,
may be displayed by a slight uncovering of the canine
tooth on one side of the face ; and this movement
appears to graduate into one closely like a smile. Or
the smile or laugh may be real, although one of derision ;
and this implies that the offender is so insignificant
that he excites only amusement ; but the amusement
is generally a pretence. Gaika in his answers to my
queries remarks, that contempt is commonly shown by
his countrymen, the Kafirs, by smiling ; and the Rajah
Brooke makes the same observation with respect to the
Dyaks of Borneo. As laughter is primarily the expres-
sion of simple joy, very young children do not, I believe,
ever laugh in derision.
2
The partial closure of the eyelids, as Duchenne
insists, or the turning away of the eyes or of the whole
body, are likewise highly expressive of disdain. These
actions seem to declare that the despised person is not
worth looking at, or is disagreeable to behold . The ac-
companying photograph (Plate V. fig. 1) .by Mr. Rejlan-
der, shows this form of disdain. It represents a young
lady, who is supposed to be tearing up the photograph
of a despised lover.
The most common method of expressing contempt is
by movements about the nose, or round the mouth ; but
the latter movements, when strongly pronounced, indi-
cate disgust. The nose may be slightly turned up,
which apparently follows from the turning up of the
upper lip ; or the movement may be abbreviated into
2 ' Physionomie Humaine,' Album, Légende viii. p. 35. Gratiolet

also speaks (De la Phys. 1865, p. 52) of the turning away of the eyes
and body.
256 CONTEMPT. CHAP. XI.
the mere wrinkling of the nose. The nose is often

slightly contracted , so as partly to close the passage ; 3
and this is commonly accompanied by a slight snort or
expiration. All these actions are the same with those
which we employ when we perceive an offensive odour,
and wish to exclude or expel it. In extreme cases , as
4
Dr. Piderit remarks, we protrude and raise both lips,
or the upper lip alone, so as to close the nostrils as by
a valve, the nose being thus turned up. We seem
thus to say to the despised person that he smells offen
sively, in nearly the same manner as we express to
him by half-closing our eyelids, or turning away our
faces, that he is not worth looking at. It must not,
however, be supposed that such ideas actually pass
through the mind when we exhibit our contempt ; but
as whenever we have perceived a disagreeable odour
or seen a disagreeable sight, actions of this kind have
been performed, they have become habitual or fixed,
and are now employed under any analogous state of
mind.
Various odd little gestures likewise indicate con
Dr. W. Ogle, in an interesting paper on the Sense of Smell

( Medico-Chirurgical Transactions,' vol . liii. p. 268), shows that when we
wish to smell carefully, instead of taking one deep nasal inspiration ,
we draw in the air by a succession of rapid short sniffs. If " the
" nostrils be watched during this process, it will be seen that, so far
" from dilating, they actually contract at each sniff. The contraction
" does not include the whole anterior opening, but only the posterior
66 portion." He then explains the cause of this movement. When, on
the other hand, we wish to exclude any odour, the contraction, I pre
sume, affects only the anterior part of the nostrils.
4 ' Mimik und Physiognomik, ' ss. 84, 93. Gratiolet (ibid . p. 155)
takes nearly the same view with Dr. Piderit respecting the expression
of contempt and disgust.
Scorn implies a strong form of contempt ; and one of the roots of
the word ' scorn ' means, according to Mr. Wedgwood (Dict. of English
Etymology, vol. iii . p . 125), ordure or dirt. A person who is scorned
is treated like dirt.
CHAP. XI. DISGUST. 257
tempt ; for instance, snapping one's fingers. This , as

6
Mr. Tylor remarks, " is not very intelligible as we
" generally see it ; but when we notice that the same
66
sign made quite gently, as if rolling some tiny object
66
away between the finger and thumb, or the sign of
"6
flipping it away with the thumb-nail and forefinger,
" are usual and well-understood deaf-and-dumb gestures,
66
denoting anything tiny, insignificant, contemptible, it
66
seems as though we had exaggerated and conven-
" tionalized a perfectly natural action, so as to lose
66
sight of its original meaning. There is a curious
" mention of this gesture by Strabo." Mr. Washington
Matthews informs me that, with the Dakota Indians of
North America, contempt is shown not only by move-
ments of the face, such as those above described, but
66
conventionally, by the hand being closed and held
" near the breast, then, as the forearm is suddenly
" extended, the hand is opened and the fingers sepa-
" rated from each other. Ifthe person at whose ex-
66
pense the sign is made is present, the hand is moved
" towards him, and the head sometimes averted from
" him ." This sudden extension and opening of the
hand perhaps indicates the dropping or throwing away
a valueless object.
6
The term disgust,' in its simplest sense, means some .
thing offensive to the taste. It is curious how readily
this feeling is excited by anything unusual in the
appearance, odour, or nature of our food. In Tierra del
Fuego a native touched with his finger some cold pre-
served meat which I was eating at our bivouac, and
plainly showed utter disgust at its softness ; whilst I
felt utter disgust at my food being touched by a naked
savage, though his hands did not appear dirty. A
smear of soup on a man's beard looks disgusting, thougli
66 Early History of Mankind,' 2nd edit. 1870, p. 45.
S
258 DISGUST. CHAP. XI.
there is of course nothing disgusting in the soup itself.

I presume that this follows from the strong association
in our minds between the sight of food, however circum
stanced, and the idea of eating it.
As the sensation of disgust primarily arises in con
nection with the act of eating or tasting, it is natural
that its expression should consist chiefly in movements
round the mouth. But as disgust also causes annoyance,
it is generally accompanied by a frown, and often by
gestures as if to push away or to guard oneself against
the offensive object. In the two photographs (figs. 2
and 3, on Plate V. ) Mr. Rejlander has simulated this ex
pression with some success. With respect to the face,
moderate disgust is exhibited in various ways ; by the
mouth being widely opened, as if to let an offensive morsel
drop out ; by spitting ; by blowing out of the protruded
lips ; or by a sound as of clearing the throat. Such
guttural sounds are written ach or ugh ; and their utter
ance is sometimes accompanied by a shudder, the arms
being pressed close to the sides and the shoulders raised
in the same manner as when horror is experienced .”
Extreme disgust is expressed by movements round the
mouth identical with those preparatory to the act of
vomiting. The mouth is opened widely, with the upper
lip strongly retracted, which wrinkles the sides of the
nose, and with the lower lip protruded and everted as
much as possible. This latter movement requires the
contraction of the muscles which draw downwards the
corners of the mouth.8
It is remarkable how readily and instantly retching
See, to this effect, Mr. Hensleigh Wedgwood's Introduction to

the ' Dictionary of English Etymology,' 2nd edit. 1872, p. xxxvii.
Duchenne believes that in the eversion of the lower lip, the corners
are drawn downwards by the depressores anguli oris. Henle (Hand
buch d. Anat. des Menschen, 1858, B. i. s. 151 ) concludes that this is
effected by the musculus quadratus menti.
or actual vomiting is induced in some persons by the

mere idea of having partaken of any unusual food, as
of an animal which is not commonly eaten ; although
there is nothing in such food to cause the stomach to
reject it. When vomiting results, as a reflex action,
from some real cause-as from too rich food, or tainted
meat, or from an emetic -it does not ensue immediately,
but generally after a considerable interval of time.
Therefore, to account for retching or vomiting being so
quickly and easily excited by a mere idea, the suspicion
arises that our progenitors must formerly have had the
power (like that possessed by ruminants and some
other animals) of voluntarily rejecting food which dis-
agreed with them, or which they thought would disagree
with them ; and now, though this power has been
lost, as far as the will is concerned, it is called into
involuntary action, through the force of a formerly well-
established habit, whenever the mind revolts at the idea
of having partaken of any kind of food, or at anything
disgusting. This suspicion receives support from the
fact, of which I am assured by Mr. Sutton, that the
monkeys in the Zoological Gardens often vomit whilst
in perfect health, which looks as if the act were volun-
tary. We can see that as man is able to communicate
by language to his children and others, the knowledge
of the kinds of food to be avoided, he would have
little occasion to use the faculty of voluntary rejection ;
so that this power would tend to be lost through
disuse.
As the sense of smell is so intimately connected with
that of taste, it is not surprising that an excessively
bad odour should excite retching or vomiting in some
persons, quite as readily as the thought of revolting
food does ; and that, as a further consequence, a
moderately offensive odour should cause the various
s 2
260 DISGUST. CHAP. XI.
expressive movements of disgust. The tendency to

retch from a fetid odour is immediately strengthened
in a curious manner by some degree of habit, though
soon lost by longer familiarity with the cause of offence
and by voluntary restraint. For instance, I wished to
clean the skeleton of a bird, which had not been suffi
ciently macerated, and the smell made my servant and
myself (we not having had much experience in such
work) retch so violently, that we were compelled to
desist. During the previous days I had examined some
other skeletons, which smelt slightly ; yet the odour did
not in the least affect me, but, subsequently for several
days, whenever I handled these same skeletons, they
made me retch.
From the answers received from my correspondents it
appears that the various movements, which have now
been described as expressing contempt and disgust, pre
vail throughout a large part of the world. Dr. Rothrock,
for instance, answers with a decided affirmative with
respect to certain wild Indian tribes of North America.
Crantz says that when a Greenlander denies anything
with contempt or horror he turns up his nose, and gives
a slight sound through it. Mr. Scott has sent me
a graphic description of the face of a young Hindoo
at the sight of castor- oil, which he was compelled occa
sionally to take. Mr. Scott has also seen the same
expression on the faces of high-caste natives who have
approached close to some defiling object. Mr. Bridges
says that the Fuegians " express contempt by shooting
❝out the lips and hissing through them, and by turning
66
up the nose." The tendency either to snort through
the nose, or to make a noise expressed by ugh or ach, is
noticed by several of my correspondents.
Spitting seems an almost universal sign of contempt
" As quoted by Tylor, ‘ Primitive Culture,' 1871, vol. i. p. 169.
or disgust ; and spitting obviously represents the rejec

tion of anything offensive from the mouth. Shakspeare
makes the Duke of Norfolk say, " I spit at him— call
" him a slanderous coward and a villain." So, again,
Falstaff says, " Tell thee what, Hal,-if I tell thee a
" lie, spit in my face." Leichhardt remarks that the
Australians " interrupted their speeches by spitting, and
66
uttering a noise like pooh ! pooh ! apparently express
" ive of their disgust." And Captain Burton speaks
of certain negroes " spitting with disgust upon the
" ground." 10 Captain Speedy informs me that this is
likewise the case with the Abyssinians. Mr. Geach
says that with the Malays of Malacca the expression
of disgust " answers to spitting from the mouth ; " and
with the Fuegians, according to Mr. Bridges " to spit
" at one is the highest mark of contempt."
I never saw disgust more plainly expressed than on
the face of one of my infants at the age of five months,
when, for the first time, some cold water, and again
a month afterwards, when a piece of ripe cherry was
put into his mouth. This was shown by the lips and
whole mouth assuming a shape which allowed the
contents to run or fall quickly out ; the tongue being
likewise protruded . These movements were accom
panied by a little shudder. It was all the more comical,
as I doubt whether the child felt real disgust - the eyes
and forehead expressing much surprise and considera
tion. The protrusion of the tongue in letting a nasty
object fall out of the mouth, may explain how it is that
lolling out the tongue universally serves as a sign of
contempt and hatred."1
·
10 Both these quotations are given by Mr. H. Wedgwood , On the
Origin of Language,' 1866, p. 75.
" This is stated to be the case by Mr. Tylor (Early Hist. of Mankind,
2nd edit. 1870, p. 52) ; and he adds, " it is not clear why this should
be so,"
262 GUILT. CHAP. XI.
We have now seen that scorn, disdain, contempt, and

disgust are expressed in many different ways, by move-
ments of the features, and by various gestures ; and that
these are the same throughout the world. They • all
consist of actions representing the rejection or exclu-
sion of some real object which we dislike or abhor, but
which does not excite in us certain other strong emo-
tions, such as rage or terror ; and through the force of
habit and association similar actions are performed,
whenever any analogous sensation arises in our minds.
Jealousy, Envy, Avarice, Revenge, Suspicion, Deceit,

Slyness, Guilt, Vanity, Conceit, Ambition , Pride, Humility,
de.It is doubtful whether the greater number of
the above complex states of mind are revealed by any
fixed expression, sufficiently distinct to be described or
delineated. When Shakspeare speaks of Envy as lean-
faced, or black, or pale, and Jealousy as "the green-eyed
" monster;" and when Spenser describes Suspicion as
"foul, ill-favoured, and grim," they must have felt this
difficulty. Nevertheless, the above feelings—at least
many of them— can be detected by the eye ; for instance,
conceit ; but we are often guided in a much greater
degree than we suppose by our previous knowledge of
the persons or circumstances.
My correspondents almost unanimously answer in the
affirmative to my query, whether the expression of guilt
and deceit can be recognised amongst the various races
of man ; and I have confidence in their answers, as they
generally deny that jealousy can thus be recognised. In
the cases in which details are given, the eyes are almost
always referred to. The guilty man is said to avoid
looking at his accuser, or to give him stolen looks. The
eyes are said “ to be turned askant," or " to waver from
" side to side," or " the eyelids to be lowered and partly
CHAP. XI. PRIDE. 263
" closed." This latter remark is made by Mr. Hagenauer

with respect to the Australians, and by Gaika with re-
spect to the Kafirs. The restless movements of the eyes
apparently follow, as will be explained when we treat of
blushing, from the guilty man not enduring to meet the
gaze of his accuser. I may add, that I have observed
a guilty expression, without a shade of fear, in some of
my own children at a very early age. In one instance
the expression was unmistakably clear in a child two
years and seven months old, and led to the detection
of his little crime.It was shown, as I record in my
notes made at the time, by an unnatural brightness in
the eyes, and by an odd, affected manner, impossible to
describe.
Slyness is also, I believe, exhibited chiefly by move-
ments about the eyes ; for these are less under the
control of the will, owing to the force of long-continued
habit, than are the movements of the body. Mr.
Herbert Spencer remarks,12 " When there is a desire to
66 see something on one side of the visual field without
" being supposed to see it, the tendency is to check the

" conspicuous movement of the head, and to make the
66
required adjustment entirely with the eyes ; which
" are, therefore, drawn very much to one side. Hence,
" when the eyes are turned to one side, while the face is
" not turned to the same side, we get the natural
66 99
language of what is called slyness.'
Of all the above-named complex emotions, Pride, per-
haps, is the most plainly expressed. A proud man
exhibits his sense of superiority over others by holding
his head and body erect. He is haughty (haut), or
high, and makes himself appear as large as possible ; so
that metaphorically he is said to be swollen or puffed up
12 Principles of Psychology,' 2nd edit. 1872, p . 552.

264 HELPLESSNESS : CHAP. XI.
with pride. A peacock or a turkey-cock strutting about

with puffed-up feathers, is sometimes said to be an em-
blem of pride.13 The arrogant man looks down on
others, and with lowered eyelids hardly condescends to
see them ; or he may show his contempt by slight
movements, such as those before described, about the
nostrils or lips . Hence the muscle which everts the
lower lip has been called the musculus superbus. In
some photographs of patients affected by a monomania
of pride, sent me by Dr. Crichton Browne, the head
and body were held erect, and the mouth firmly
closed. This latter action, expressive of decision ,
follows, I presume, from the proud man feeling perfect
self-confidence in himself. The whole expression of
pride stands in direct antithesis to that of humility ; so
that nothing need here be said of the latter state of
mind.
1
Helplessness, Impotence : Shrugging the shoulders.—
When a man wishes to show that he cannot do some-
thing, or prevent something being done, he often
raises with a quick movement both shoulders. At
the same time, if the whole gesture is completed ,
he bends his elbows closely inwards, raises his open
hands, turning them outwards, with the fingers separated .
The head is often thrown a little on one side ; the
eyebrows are elevated , and this causes wrinkles across
the forehead. The mouth is generally opened. I may
mention, in order to show how unconsciously the fea-
tures are thus acted on, that though I had often inten-
tionally shrugged my shoulders to observe how my
18 Gratiolet (De la Phys. p. 351 ) makes this remark, and las foe
good observations on the expression of pride. See Sir C. Bell (' Anatomy
of Expression,' p. 111) on the action of the musculus superbus.
CHAP. XI. SHRUGGING THE SHOULDERS. 265
arms were placed, I was not at all aware that my eye-

brows were raised and mouth opened , until I looked at
myself in a glass ; and since then I have noticed the
same movements in the faces of others. In the accom-
panying Plate VI. , figs. 3 and 4, Mr. Rejlander has suc-
cessfully acted the gesture of shrugging the shoulders.
Englishmen are much less demonstrative than the
men of most other European nations, and they shrug
their shoulders far less frequently and energetically than
Frenchmen or Italians do. The gesture varies in all
degrees from the complex movement, just described, to
only a momentary and scarcely perceptible raising of
both shoulders ; or, as I have noticed in a lady sitting in
an arm-chair, to the mere turning slightly outwards of
the open hands with separated fingers. I have never
seen very young English children shrug their shoulders,
but the following case was observed with care by a
medical professor and excellent observer, and has been
communicated to me by him. The father of this gen-
tleman was a Parisian, and his mother a Scotch lady.
His wife is of British extraction on both sides, and my
informant does not believe that she ever shrugged her
shoulders in her life. His children have been reared in
England, and the nursemaid is a thorough English-
woman, who has never been seen to shrug her shoulders.
Now, his eldest daughter was observed to shrug her
shoulders at the age of between sixteen and eighteen
months ; her mother exclaiming at the time, " Look at
" the little French girl shrugging her shoulders ! " At
first she often acted thus, sometimes throwing her head
a little backwards and on one side, but she did not, as
far as was observed, move her elbows and hands in the
usual manner . The habit gradually wore away, and
now, when she is a little over four years old, she is never
seen to act thus. The father is told that he sometimes
266 HELPLESSNESS : CHAP XI.
shrugs his shoulders, especially when arguing with any

one ; but it is extremely improbable that his daughter
should have imitated him at so early an age ; for, as he
remarks, she could not possibly have often seen this
gesture in him. Moreover, if the habit had been ac
quired through imitation, it is not probable that it
would so soon have been spontaneously discontinued by
this child, and, as we shall immediately see, by a second
child, though the father still lived with his family.
This little girl, it may be added, resembles her Parisian
grandfather in countenance to an almost absurd degree.
She also presents another and very curious resemblance
to him, namely, by practising a singular trick. When
she impatiently wants something, she holds out her
little hand, and rapidly rubs the thumb against the
index and middle finger : now this same trick was fre
quently performed under the same circumstances by her
grandfather.
This gentleman's second daughter also shrugged
her shoulders before the age of eighteen months, and
afterwards discontinued the habit. It is of course pos
sible that she may have imitated her elder sister ; but
she continued it after her sister had lost the habit. She
at first resembled her Parisian grandfather in a less
degree than did her sister at the same age, but now in a
greater degree. She likewise practises to the present
time the peculiar habit of rubbing together, when im
patient, her thumb and two of her fore-fingers.
In this latter case we have a good instance, like those
given in a former chapter, of the inheritance of a trick
or gesture ; for no one, I presume, will attribute to mere
coincidence so peculiar a habit as this, which was com
mon to the grandfather and his two grandchildren who
had never seen him.
Considering all the circumstances with reference to
these children shrugging their shoulders, it can hardly

be doubted that they have inherited the habit from
their French progenitors, although they have only one
quarter French blood in their veins, and although their
grandfather did not often shrug his shoulders. There
is nothing very unusual, though the fact is interesting,
in these children having gained by inheritance a habit
during early youth, and then discontinuing it ; for it is
of frequent occurrence with many kinds of animals that
certain characters are retained for a period by the
young, and are then lost.
As it appeared to me at one time improbable in a
high degree that so complex a gesture as shrugging
the shoulders, together with the accompanying move-
ments, should be innate, I was anxious to ascertain
whether the blind and deaf Laura Bridgman, who could
not have learnt the habit by imitation, practised it.
And I have heard, through Dr. Innes, from a lady who
has lately had charge of her, that she does shrug her
shoulders, turn in her elbows, and raise her eyebrows in
the same manner as other people, and under the same
circumstances. I was also anxious to learn whether this
gesture was practised by the various races of man, espe-
cially by those who never have had much intercourse
with Europeans. We shall see that they act in this
manner ; but it appears that the gesture is sometimes
confined to merely raising or shrugging the shoulders,
without the other movements.
Mr. Scott has frequently seen this gesture in the
Bengalees and Dhangars (the latter constituting a dis-
tinct race) who are employed in the Botanic Garden at
Calcutta ; when, for instance, they have declared that
they could not do some work, such as lifting a heavy
weight. He ordered a Bengalee to climb a lofty tree ;
but the man, with a shrug of his shoulders and a lateral
shake of his head, said he could not. Mr. Scott know

ing that the man was lazy, thought he could , and in
sisted on his trying. His face now became pale, his
arms dropped to his sides, his mouth and eyes were
widely opened, and again surveying the tree, he looked
askant at Mr. Scott, shrugged his shoulders, inverted
his elbows, extended his open hands, and with a few
quick lateral shakes of the head declared his inability.
Mr. H. Erskine has likewise seen the natives of India
shrugging their shoulders ; but he has never seen the
elbows turned so much inwards as with us ; and whilst
shrugging their shoulders they sometimes lay their un
crossed hands on their breasts.
With the wild Malays of the interior of Malacca, and
with the Bugis (true Malays, though speaking a different
language), Mr. Geach has often seen this gesture. I
presume that it is complete, as, in answer to my query
descriptive of the movements of the shoulders, arms ,
hands, and face, Mr. Geach remarks, " it is performed
" in a beautiful style." I have lost an extract from a
scientific voyage, in which shrugging the shoulders by
some natives (Micronesians) of the Caroline Archipelago
in the Pacific Ocean, was well described. Capt. Speedy
informs me that the Abyssinians shrug their shoulders,
but enters into no details. Mrs. Asa Gray saw an Arab
dragoman in Alexandria acting exactly as described in
my query, when an old gentleman, on whom he
attended, would not go in the proper direction which
had been pointed out to him.
Mr. Washington Matthews says, in reference to the
wild Indian tribes of the western parts of the United
States, " I have on a few occasions detected men using
" a slight apologetic shrug, but the rest of the demon
" stration which you describe I have not witnessed."
Fritz Müller informs me that he has seen the negroes
in Brazil shrugging their shoulders ; but it is of course

possible that they may have learnt to do so by imitating
the Portuguese. Mrs. Barber has never seen this ges-
ture with the Kafirs of South Africa ; and Gaika, judging
from his answer, did not even understand what was
meant by my description. Mr. Swinhoe is also doubtful
about the Chinese ; but he has seen them, under the
circumstances which would make us shrug our shoulders ,
press their right elbow against their side, raise their
eyebrows, lift up their hand with the palm directed
towards the person addressed, and shake it from right
to left. Lastly, with respect to the Australians, four
of my informants answer by a simple negative, and
one by a simple affirmative. Mr. Bunnett, who has
had excellent opportunities for observation on the
borders of the Colony of Victoria, also answers by a
yes," adding that the gesture is performed " in a more
66 subdued and less demonstrative manner than is the
"case with civilized nations." This circumstance may
account for its not having been noticed by four of my
informants .
These statements, relating to Europeans, Hindoos, the
hill-tribes of India, Malays, Micronesians, Abyssinians,
Arabs, Negroes, Indians of North America, and appa-
rently to the Australians— many of these natives having
had scarcely any intercourse with Europeans- are suffi-
cient to show that shrugging the shoulders, accompanied
in some cases by the other proper movements, is a ges-
ture natural to mankind.
This gesture implies an unintentional or unavoidable
action on our own part, or one that we cannot perform ;
or an action performed by another person which we
cannot prevent. It accompanies such speeches as, " It
" was not my fault ; " " It is impossible for me to grant
" this favour ;" " He must follow his own course, I can-
" not stop him." Shrugging the shoulders likewise ex-

presses patience, or the absence of any intention to resist.
Hence the muscles which raise the shoulders are some-
times called, as I have been informed by an artist, "the
66
patience muscles." Shylock the Jew, says,
" Signor Antonio, many a time and oft

In the Rialto have you rated me
About my monies and usances ;
Still have I borne it with a patient shrug."
Merchant of Venice, act i. sc. 3.
Sir C. Bell has given ¹4 ¹ a life-like figure of a man,
who is shrinking back from some terrible danger, and is
on the point of screaming out in abject terror. He is
represented with his shoulders lifted up almost to his
ears ; and this at once declares that there is no thought
of resistance.
As shrugging the shoulders generally implies " I
" cannot do this or that," so by a slight change, it
sometimes implies " I won't do it." The movement
then expresses a dogged determination not to act.
Olmsted describes 15 an Indian in Texas as giving a
great shrug to his shoulders , when he was informed that
a party of men were Germans and not Americans, thus
expressing that he would have nothing to do with
them. Sulky and obstinate children may be seen
with both their shoulders raised high up ; but this
movement is not associated with the others which
generally accompany a true shrug. An excellent ob-
server 16 in describing a young man who was deter-
mined not to yield to his father's desire, says, “ He
" thrust his hands deep down into his pockets, and
" set up his shoulders to his ears, which was a good
"
15 Journey through Texas,' p. 352.
16 Mrs. Oliphant, The Brownlows,' vol. ii. p . 206.
" warning that, come right or wrong, this rock should

66
fly from its firm base as soon as Jack would ; and
" that any remonstrance on the subject was purely I
" futile." As soon as the son got his own way, he
"put his shoulders into their natural position." J
Resignation is sometimes shown by the open hands
being placed, one over the other, on the lower part of
the body. I should not have thought this little gesture
worth even a passing notice, had not Dr. W. Ogle re
marked to me that he had two or three times observed 1
it in patients who were preparing for operations under
chloroform. They exhibited no great fear, but seemed
to declare by this posture of their hands, that they had
made up their minds, and were resigned to the inevi
table.
We may now inquire why men in all parts of the
world when they feel, -whether or not they wish to
show this feeling,-that they cannot or will not do
something, or will not resist something if done by
another, shrug their shoulders, at the same time often
bending in their elbows, showing the palms of their
hands with extended fingers, often throwing their heads
a little on one side, raising their eyebrows, and opening
their mouths . These states of the mind are either
simply passive, or show a determination not to act.
None of the above movements are of the least service.
The explanation lies, I cannot doubt, in the principle
of unconscious antithesis. This principle here seems
to come into play as clearly as in the case of a dog,
who, when feeling savage, puts himself in the proper
attitude for attacking and for making himself appear
terrible to his enemy ; but as soon as he feels affectionate,
throws his whole body into a directly opposite attitude,
though this is of no direct use to him.
Let it be observed how an indignant man, who resents,
and will not submit to some injury, holds his head erect,
squares his shoulders, and expands his chest. He often
clenches his fists, and puts one or both arms in the
proper position for attack or defence, with the muscles
of his limbs rigid. He frowns, -that is, he contracts
and lowers his brows, and, being determined, closes
his mouth. The actions and attitude of a helpless man
are, in every one of these respects, exactly the reverse.
In Plate VI. we may imagine one of the figures on the
left side to have just said, " What do you mean by
66
insulting me?" and one of the figures on the right
side to answer, " I really could not help it." The help
less man unconsciously contracts the muscles of his fore
head which are antagonistic to those that cause a frown,
and thus raises his eyebrows ; at the same time he re
laxes the muscles about the mouth, so that the lower jaw
drops. The antithesis is complete in every detail , not
only in the movements of the features, but in the position
of the limbs and in the attitude of the whole body, as may
be seen in the accompanying plate. As the helpless or
apologetic man often wishes to show his state of mind,
he then acts in a conspicuous or demonstrative manner.
In accordance with the fact that squaring the elbows
and clenching the fists are gestures by no means uni
versal with the men of all races, when they feel indig
nant and are prepared to attack their enemy, so it
appears that a helpless or apologetic frame of mind is
expressed in many parts of the world by merely shrug
ging the shoulders, without turning inwards the elbows
and opening the hands. The man or child who is
obstinate, or one who is resigned to some great mis
fortune, has in neither case any idea of resistance by
active means ; and he expresses this state of mind, by
simply keeping his shoulders raised ; or he may possibly
fold his arms across his breast.
CHAP. XI. SIGNS OF AFFIRMATION, ETC. 273
Signs of affirmation or approval, and of negation or

disapproval : nodding and shaking the head.-- I was
curious to ascertain how far the common signs used by
us in affirmation and negation were general throughout
the world. These signs are indeed to a certain extent
expressive of our feelings, as we give a vertical nod of
approval with a smile to our children, when we approve
of their conduct ; and shake our heads laterally with a
frown, when we disapprove. With infants, the first act
of denial consists in refusing food ; and I repeatedly
noticed with my own infants, that they did so by
withdrawing their heads laterally from the breast, or
from anything offered them in a spoon. In accepting
food and taking it into their mouths, they incline their
heads forwards. Since making these observations I
have been informed that the same idea had occurred
17
to Charma. It deserves notice that in accepting or
taking food, there is only a single movement forward,
and a single nod implies an affirmation. On the other
hand, in refusing food, especially if it be pressed on
them, children frequently move their heads several
times from side to side, as we do in shaking our heads
in negation. Moreover, in the case of refusal, the head
is not rarely thrown backwards, or the mouth is closed,
so that these movements might likewise come to serve
as signs of negation . Mr. Wedgwood remarks on this
subject,18 that " when the voice is exerted with closed
" teeth or lips, it produces the sound of the letter n or
66 m . Hence we may account for the use of the particle
66
ne to signify negation, and possibly also of the Greek
66 ""
un in the same sense.'
17 Essai sur le Langage,' 2nd edit. 1846. I am much indebted to

Miss Wedgwood for having given me this information, with an extract
from the work.
18 ' On the Origin of Language,' 1866, p. 91 .
T
274 SIGNS OF AFFIRMATION CHAP. XI.
That these signs are innate or instinctive, at least

with Anglo-Saxons, is rendered highly probable by the
blind and deaf Laura Bridgman " constantly accom
66
panying her yes with the common affirmative nod ,
" and her no with our negative shake of the head."
Had not Mr. Lieber stated to the contrary,19 I should
have imagined that these gestures might have been
acquired or learnt by her, considering her wonderful
sense of touch and appreciation of the movements of
others. With microcephalous idiots, who are so de
graded that they never learn to speak, one of them
is described by Vogt,20 as answering, when asked
whether he wished for more food or drink, by inclining
or shaking his head. Schmalz, in his remarkable dis
sertation on the education of the deaf and dumb, as well
as of children raised only one degree above idiotcy,
assumes that they can always both make and under
stand the common signs of affirmation and negation.21
Nevertheless if we look to the various races of man,
these signs are not so universally employed as I should
have expected ; yet they seem too general to be ranked
as altogether conventional or artificial. My informants
assert that both signs are used by the Malays, by the
natives of Ceylon, the Chinese, the negroes of the
Guinea coast, and, according to Gaika, by the Kafirs of
South Africa, though with these latter people Mrs.
Barber has never seen a lateral shake used as a nega
tive. With respect to the Australians, seven observers
agree that a nod is given in affirmation ; five agree
about a lateral shake in negation, accompanied or not
19 On the Vocal Sounds of L. Bridgman ;' Smithsonian Contribu

tions, 1851 , vol. ii. p. 11 .
20 " Mémoire sur les Microcéphales ,' 1867, p. 27.
6
21 Quoted by Tylor, Early History of Mankind,' 2nd edit. 1870,
p. 38.
CHAP. XI. AND NEGATION. 275
by some word ; but Mr. Dyson Lacy has never seen

this latter sign in Queensland, and Mr. Bulmer says
that in Gipps' Land a negative is expressed by throwing
the head a little backwards and putting out the tongue.
At the northern extremity of the continent, near Torres
Straits, the natives when uttering a negative " don't
" shake the head with it, but holding up the right
66
hand, shake it by turning it half round and back
" again two or three times." 22 The throwing back of
the head with a cluck of the tongue is said to be used
as a negative by the modern Greeks and Turks, the
latter people expressing yes by a movement like that
made by us when we shake our heads.23 The Abys-
sinians, as I am informed by Captain Speedy, express a
negative by jerking the head to the right shoulder,
together with a slight cluck, the mouth being closed ;
an affirmation is expressed by the head being thrown
backwards and the eyebrows raised for an instant. The
Tagals of Luzon, in the Philippine Archipelago, as I
hear from Dr. Adolf Meyer, when they say " yes," also
throw the head backwards. According to the Rajah
Brooke, the Dyaks of Borneo express an affirmation by
raising the eyebrows, and a negation by slightly con-
tracting them, together with a peculiar look from the
eyes. With the Arabs on the Nile, Professor and Mrs.
Asa Gray concluded that nodding in affirmation was
rare, whilst shaking the head in negation was never
used, and was not even understood by them. With the
24
Esquimaux a nod means yes and a wink no. The
New Zealanders " elevate the head and chin in place
" of nodding acquiescence." 25J
22 Mr. J. B. Jukes, ' Letters and Extracts,' &c. , 1871 , p. 248.

23 F. Lieber, ' On the Vocal Sounds,' &c., p . 11. Tylor, ibid . p . 53.
24 Dr. King, Edinburgh Phil. Journal, 1845, p. 313.
25 Tylor, " Early History of Mankind,' 2nd edit. 1870, p. 53.
T 2
L
276 SIGNS OF AFFIRMATION CHAP. XI.
With the Hindoos Mr. H. Erskine concludes from

inquiries made from experienced Europeans, and from
native gentlemen, that the signs of affirmation and
negation vary— a nod and a lateral shake being some
times used as we do ; but a negative is more commonly
expressed by the head being thrown suddenly back
wards and a little to one side, with a cluck of the
tongue. What the meaning may be of this cluck
of the tongue, which has been observed with various
people, I cannot imagine. A native gentleman stated
that affirmation is frequently shown by the head being
thrown to the left. I asked Mr. Scott to attend par
ticularly to this point, and , after repeated observations,
he believes that a vertical nod is not commonly used
by the natives in affirmation, but that the head is first
thrown backwards either to the left or right, and then
jerked obliquely forwards only once. This movement
would perhaps have been described by a less careful
observer as a lateral shake. He also states that in
negation the head is usually held nearly upright, and
shaken several times.
Mr. Bridges informs me that the Fuegians nod their
heads vertically in affirmation , and shake them laterally
in denial. With the wild Indians of North America,
according to Mr. Washington Matthews, nodding and
shaking the head have been learnt from Europeans,
and are not naturally employed. They express affirma
tion " by describing with the hand (all the fingers
" except the index being flexed) a curve downwards
" and outwards from the body, whilst negation is ex
" pressed by moving the open hand outwards, with the
66
palm facing inwards." Other observers state that
the sign of affirmation with these Indians is the fore
finger being raised, and then lowered and pointed to the
ground, or the hand is waved straight forward from the
CHAP. XI. AND NEGATION. 277
face ; and that the sign of negation is the finger or whole

hand shaken from side to side.26 This latter movement
probably represents in all cases the lateral shaking of
the head. The Italians are said in like manner to
move the lifted finger from right to left in negation, as
indeed we English sometimes do.
On the whole we find considerable diversity in the
signs of affirmation and negation in the different races
of man . With respect to negation, if we admit that
the shaking of the finger or hand from side to side is
symbolic of the lateral movement of the head ; and if
we admit that the sudden backward movement of the
head represents one of the actions often practised by
young children in refusing food, then there is much
uniformity throughout the world in the signs of negation,
and we can see how they originated. The most marked
exceptions are presented by the Arabs, Esquimaux,
some Australian tribes, and Dyaks. With the latter a
frown is the sign of negation, and with us frowning
often accompanies a lateral shake of the head.
With respect to nodding in affirmation, the excep-
tions are rather more numerous, namely with some of
the Hindoos, with the Turks, Abyssinians, Dyaks ,
Tagals, and New Zealanders. The eyebrows are some-
times raised in affirmation , and as a person in bending
his head forwards and downwards naturally looks up
to the person whom he addresses, he will be apt to
raise his eyebrows, and this sign may thus have arisen
as an abbreviation. So again with the New Zealanders,
the lifting up the chin and head in affirmation may
perhaps represent in an abbreviated form the upward
movement of the head after it has been nodded forwards
and downwards.
26 Lubbock, 6 The Origin of Civilization ,' 1870, p. 277. Tylor, ibid.

p. 38. Lieber (ibid. p. 11) remarks on the negative of the Italians.
278 SURPRISE. CHAP. XII.
CHAPTER XII.
SURPRISE - ASTONISHMENT - FEAR -- HORROR.
-
Surprise, astonishment - Elevation of the eyebrows - Opening
the mouth - Protrusion of the lips - Gestures accompanying
surprise Admiration - Fear -- Terror - Erection of the hair
― Contraction of the platysma muscle- Dilatation of the
pupils - Horror - Conclusion.
ATTENTION, if sudden and close, graduates into sur-

prise ; and this into astonishment ; and this into.
stupefied amazement. The latter frame of mind is
closely akin to terror. Attention is shown by the eye-
brows being slightly raised ; and as this state increases
into surprise, they are raised to a much greater extent,
with the eyes and mouth widely open. The raising of
the eyebrows is necessary in order that the eyes should
be opened quickly and widely ; and this movement
produces transverse wrinkles across the forehead. The
degree to which the eyes and mouth are opened corre-
sponds with the degree of surprise felt ; but these
movements must be co-ordinated ; for a widely opened
mouth with eyebrows only slightly raised results in a
meaningless grimace, as Dr. Duchenne has shown in
one of his photographs.¹ On the other hand, a person
may often be seen to pretend surprise by merely raising
his eyebrows .
Dr. Duchenne has given a photograph of an old
man with his eyebrows well elevated and arched by the
galvanization of the frontal muscle ; and with his
1 ' Mécanisme de la Physionomic,' Album, 1862, p. 42.

CHAP. XII. SURPRISE. 279
mouth voluntarily opened. This figure expresses sur

prise with much truth. I showed it to twenty-four
persons without a word of explanation, and one alone
did not at all understand what was intended. A second
person answered terror, which is not far wrong ; some
of the others, however, added to the words surprise or
astonishment, the epithets horrified, woful, painful, or
disgusted.
The eyes and mouth being widely open is an expres
sion universally recognised as one of surprise or aston
ishment. Thus Shakspeare says, " I saw a smith stand
" with open mouth swallowing a tailor's news." ( King
John,' act iv. scene ii.) And again, " They seemed
" almost, with staring on one another, to tear the cases
" of their eyes ; there was speech in their dumbness,
66
language in their very gesture ; they looked as they
“ had heard of a world destroyed ." ( Winter's Tale,'
act v. scene ii. )
My informants answer with remarkable uniformity to
the same effect, with respect to the various races of
man ; the above movements of the features being often
accompanied by certain gestures and sounds, presently
to be described. Twelve observers in different parts of
Australia agree on this head. Mr. Winwood Reade
has observed this expression with the negroes on the
Guinea coast. The chief Gaika and others answer yes
to my query with respect to the Kafirs of South Africa ;
and so do others emphatically with reference to the
Abyssinians, Ceylonese, Chinese, Fuegians, various
tribes of North America, and New Zealanders. With
the latter, Mr. Stack states that the expression is more
plainly shown by certain individuals than by others,
though all endeavour as much as possible to conceal
their feelings. The Dyaks of Borneo are said by the
Rajah Brooke to open their eyes widely, when aston
280 ASTONISHMENT. CHAP. XII.
ished, often swinging their heads to and fro, and beating

their breasts. Mr. Scott informs me that the workmen
in the Botanic Gardens at Calcutta are strictly ordered
not to smoke ; but they often disobey this order, and
when suddenly surprised in the act, they first open their
eyes and mouths widely. They then often slightly shrug
their shoulders, as they perceive that discovery is in-
evitable, or frown and stamp on the ground from vexa-
tion. Soon they recover from their surprise, and abject
fear is exhibited by the relaxation of all their muscles ;
their heads seem to sink between their shoulders ; their
fallen eyes wander to and fro ; and they supplicate
forgiveness.
The well-known Australian explorer, Mr. Stuart, has
2
given a striking account of stupefied amazement
together with terror in a native who had never before
seen a man on horseback. Mr. Stuart approached
unseen and called to him from a little distance. " He
" turned round and saw me. What he imagined I
" was I do not know ; but a finer picture of fear and
" astonishment I never saw. He stood incapable of
" moving a limb, riveted to the spot, mouth open and
66 eyes staring. ... He remained motionless until our
" black got within a few yards of him, when suddenly

66
throwing down his waddies, he jumped into a mulga
“ bush as high as he could get." He could not speak,
and answered not a word to the inquiries made by
the black, but, trembling from head to foot, " waved
" with his hand for us to be off."
That the eyebrows are raised by an innate or instinc-
tive impulse may be inferred from the fact that Laura
Bridgman invariably acts thus when astonished, as I
have been assured by the lady who has lately had
2 The Polyglot News Letter,' Melbourne, Dee. 1858, p. 2 .

CHAP. XII. ASTONISHMENT. 281
charge of her. As surprise is excited by something

unexpected or unknown, we naturally desire, when
startled , to perceive the cause as quickly as possible ;
and we consequently open our eyes fully, so that the
field of vision may be increased, and the eyeballs moved
easily in any direction . But this hardly accounts for
the eyebrows being so greatly raised as is the case, and
for the wild staring of the open eyes. The explanation
lies, I believe , in the impossibility of opening the eyes
with great rapidity by merely raising the upper lids.
To effect this the eyebrows must be lifted energetically .
Any one who will try to open his eyes as quickly as
possible before a mirror will find that he acts thus ; and
the energetic lifting up of the eyebrows opens the eyes
so widely that they stare, the white being exposed all
round the iris. Moreover, the elevation of the eyebrows
is an advantage in looking upwards ; for as long as they
are lowered they impede our vision in this direction .
Sir C. Bell gives 3 a curious little proof of the part
which the eyebrows play in opening the eyelids . In a
stupidly drunken man all the muscles are relaxed, and
the eyelids consequently droop , in the same manner as
when we are falling asleep. To counteract this ten-
dency the drunkard raises his eyebrows ; and this gives
to him a puzzled, foolish look, as is well represented
in one of Hogarth's drawings. The habit of raising the
eyebrows having once been gained in order to see as
quickly as possible all around us, the movement would
follow from the force of association whenever astonish-
ment was felt from any cause, even from a sudden
sound or an idea.
With adult persons, when the eyebrows are raised ,
the whole forehead becomes much wrinkled in trans-
3 6 Tlc Anatomy of Expression,' p 106.

verse lines ; but with children this occurs only to a slight

degree. The wrinkles run in lines concentric with each
eyebrow, and are partially confluent in the middle . They
are highly characteristic of the expression of surprise
or astonishment . Each eyebrow, when raised, becomes
4
also, as Duchenne remarks, more arched than it was
before.
The cause of the mouth being opened when astonish
ment is felt, is a much more complex affair ; and several
causes apparently concur in leading to this movement.
5
It has often been supposed that the sense of hearing
is thus rendered more acute ; but I have watched
persons listening intently to a slight noise, the nature
and source of which they knew perfectly, and they
did not open their mouths. Therefore I at one time
imagined that the open mouth might aid in dis
tinguishing the direction whence a sound proceeded ,
by giving another channel for its entrance into the ear
6
through the eustachian tube . But Dr. W. Ogle has
been so kind as to search the best recent authorities on
the functions of the eustachian tube ; and he informs
me that it is almost conclusively proved that it remains
closed except during the act of deglutition ; and that in
persons in whom the tube remains abnormally open, the
sense of hearing, as far as external sounds are con
cerned, is by no means improved ; on the contrary, it
is impaired by the respiratory sounds being rendered
more distinct. If a watch be placed within the mouth ,
but not allowed to touch the sides, the ticking is heard
much less plainly than when held outside. In persons
4 'Mécanisme de la Physionomic,' Album, p. 6 .

See, for instance, Dr. Piderit (' Mimik und Physiognomik,' s. 88),
who has a good discussion on the expression of surprise.
6 Dr. Murie has also given me information leading to the same con
clusion, derived in part from comparative anatomy.
in whom from disease or a cold the eustachian tube is

permanently or temporarily closed, the sense of hearing
is injured ; but this may be accounted for by mucus
accumulating within the tube, and the consequent
exclusion of air. We may therefore infer that the
mouth is not kept open under the sense of astonish-
ment for the sake of hearing sounds more distinctly ;
notwithstanding that most deaf people keep their mouths
open.
Every sudden emotion, including astonishment,
quickens the action of the heart, and with it the
respiration. Now we can breathe, as Gratiolet remarks "
and as appears to me to be the case, much more
quietly through the open mouth than through the
nostrils. Therefore, when we wish to listen intently to
any sound, we either stop breathing, or breathe as
quietly as possible, by opening our mouths, at the same
time keeping our bodies motionless. One of my sons
was awakened in the night by a noise under circum-
stances which naturally led to great care, and after a
few minutes he perceived that his mouth was widely
open. He then became conscious that he had opened
it for the sake of breathing as quietly as possible.
This view receives support from the reversed case
which occurs with dogs. A dog when panting after
exercise, or on a hot day, breathes loudly ; but if his
attention be suddenly aroused , he instantly pricks his
ears to listen, shuts his mouth, and breathes quietly, as
he is enabled to do, through his nostrils.
When the attention is concentrated for a length of
time with fixed earnestness on any object or subject,
all the organs of the body are forgotten and neglected ;8
6 De la Physionomie,' 1865, p. 234.

See, on this subject, Gratiolet, ibid. p . 254.
and as the nervous energy of each individual is limited

in amount, little is transmitted to any part of the
system, excepting that which is at the time brought into
energetic action. Therefore many of the muscles tend
to become relaxed, and the jaw drops from its own
weight. This will account for the dropping of the jaw
and open mouth of a man stupefied with amazement,
and perhaps when less strongly affected. I have noticed
this appearance, as I find recorded in my notes, in very
young children when they were only moderately sur-
prised .
There is still another and highly effective cause,
leading to the mouth being opened, when we are
astonished, and more especially when we are suddenly
startled. We can draw a full and deep inspiration
much more easily through the widely open mouth
than through the nostrils. Now when we start at any
sudden sound or sight, almost all the muscles of the
body are involuntarily and momentarily thrown into
strong action, for the sake of guarding ourselves against
or jumping away from the danger, which we habitually
associate with anything unexpected. But we always
unconsciously prepare ourselves for any great exertion ,
as formerly explained, by first taking a deep and full
inspiration, and we consequently open our mouths. If
no exertion follows, and we still remain astonished, we
cease for a time to breathe, or breathe as quietly as
possible, in order that every sound may be distinctly
heard. Or again, if our attention continues long and
earnestly absorbed , all our muscles become relaxed, and
the jaw, which was at first suddenly opened, remains
dropped. Thus several causes concur towards this same
movement, whenever surprise, astonishment , or amaze-
ment is felt.
Although when thus affected, our mouths are gene-
rally opened, yet the lips are often a little protruded.

This fact reminds us of the same movement, though
in a much more strongly marked degree, in the chim-
panzee and orang when astonished . As a strong ex-
piration naturally follows the deep inspiration which
accompanies the first sense of startled surprise, and as
the lips are often protruded, the various sounds which
are then commonly uttered can apparently be accounted
for. But sometimes a strong expiration alone is heard ;
thus Laura Bridgman, when amazed, rounds and pro-
trudes her lips, opens them, and breathes strongly.⁹
One of the commonest sounds is a deep Oh ; and this
would naturally follow, as explained by Helmholtz, from
the mouth being moderately opened and the lips pro-
truded. On a quiet night some rockets were fired
from the ' Beagle,' in a little creek at Tahiti, to amuse
the natives ; and as each rocket was let off there was
absolute silence, but this was invariably followed by a
deep groaning Oh, resounding all round the bay. Mr.
Washington Matthews says that the North American
Indians express astonishment by a groan ; and the
negroes on the West Coast of Africa , according to
Mr. Winwood Reade, protrude their lips, and make
a sound like heigh, heigh. If the mouth is not much
opened, whilst the lips are considerably protruded, a
blowing, hissing, or whistling noise is produced. Mr.
R. Brough Smyth informs me that an Australian from
the interior was taken to the theatre to see an acrobat
rapidly turning head over heels : " he was greatly
66
astonished, and protruded his lips, making a noise
"with his mouth as if blowing out a match." Accord-
ing to Mr. Bulmer the Australians, when surprised, utter
9 Lieber, ' On the Vocal Sounds of Laura Bridgman,' Smithsonian

Contributions, 1851 , vol. ii . p. 7 .
the exclamation korki, " and to do this the mouth is

" drawn out as if going to whistle." We Europeans
often whistle as a sign of surprise ; thus, in a recent
novel 10 it is said, " here the man expressed his aston-
" ishment and disapprobation by a prolonged whistle."
A Kafir girl, as Mr. J. Mansel Weale informs me, " on
66
hearing of the high price of an article, raised her
66
eyebrows and whistled just as a European would."
Mr. Wedgwood remarks that such sounds are written
down as whew, and they serve as interjections for sur-
prise.
According to three other observers, the Australians
often evince astonishment by a clucking noise. Euro-
peans also sometimes express gentle surprise by a little
clicking noise of nearly the same kind. We have seen
that when we are startled , the mouth is suddenly
opened ; and if the tongue happens to be then pressed
closely against the palate, its sudden withdrawal will
produce a sound of this kind, which might thus come
to express surprise.
Turning to gestures of the body. A surprised person
often raises his opened hands high above his head, or by
bending his arms only to the level of his face. The flat
palms are directed towards the person who causes this
feeling, and the straightened fingers are separated .
This gesture is represented by Mr. Rejlander in Plate
VII. fig. 1. In the Last Supper,' by Leonardo da Vinci,
two of the Apostles have their hands half uplifted,
clearly expressive of their astonishment. A trust-
worthy observer told me that he had lately met his wife
under most unexpected circumstances : " She started,
" opened her mouth and eyes very widely, and threw
66
up both her arms above her head." Several years
10 6 Wenderholme,' vol. ii . p. 91 .
ago I was surprised by seeing several of my young

children earnestly doing something together on the
ground ; but the distance was too great for me to ask
what they were about. Therefore I threw up my open
hands with extended fingers above my head ; and as soon
as I had done this, I became conscious of the action . I
then waited, without saying a word, to see if my children
had understood this gesture ; and as they came running
to me they cried out, " We saw that you were astonished
" at us." I do not know whether this gesture is common
to the various races of man, as I neglected to make
inquiries on this head. That it is innate or natural may
be inferred from the fact that Laura Bridgman, when
amazed, " spreads her arms and turns her hands with
" extended fingers upwards ; " 11 nor is it likely, con-
sidering that the feeling of surprise is generally a brief
one, that she should have learnt this gesture through
her keen sense of touch.
Huschke describes 12 a somewhat different yet allied
gesture, which he says is exhibited by persons when
astonished. They hold themselves erect, with the fea-
tures as before described, but with the straightened
arms extended backwards-the stretched fingers being
separated from each other. I have never myself seen
this gesture ; but Huschke is probably correct ; for a
friend asked another man how he would express great
astonishment, and he at once threw himself into this
attitude.
These gestures are, I believe, explicable on the prin-
11 Lieber, · On the Vocal Sounds,' &c., ibid. p. 7.

6
12 Huschke, Mimices et Physiognomices,' 1821 , p. 18. Gratiolet
(De la Phys. p. 255) gives a figure of a man in this attitude, which,
however, seems to me expressive of fear combined with astonishment.
Le Brun also refers (Lavater, vol. ix. p. 299) to the hands of an
astonished man being opened.
288 ASTONISHMENT . CHAP. XII.
ciple of antithesis. We have seen that an indignant

man holds his head erect, squares his shoulders, turns
out his elbows, often clenches his fist, frowns, and closes
his mouth ; whilst the attitude of a helpless man is in
every one of these details the reverse.
Now, a man in an
ordinary frame of mind, doing nothing and thinking of
nothing in particular, usually keeps his two arms sus
pended laxly by his sides, with his hands somewhat
flexed, and the fingers near together. Therefore, to
raise the arms suddenly, either the whole arms or the
fore-arms, to open the palms flat, and to separate the
fingers,—or, again, to straighten the arms, extending
them backwards with separated fingers, -are move
ments in complete antithesis to those preserved under
an indifferent frame of mind, and they are, in conse
quence, unconsciously assumed by an astonished man .
There is, also, often a desire to display surprise in a
conspicuous manner, and the above attitudes are well
fitted for this purpose. It may be asked why should
surprise, and only a few other states of the mind, be
exhibited by movements in antithesis to others. But
this principle will not be brought into play in the case
of those emotions, such as terror, great joy, suffering,
or rage, which naturally lead to certain lines of
action and produce certain effects on the body, for
the whole system is thus preoccupied ; and these
emotions are already thus expressed with the greatest
plainness.
There is another little gesture, expressive of astonish
ment, of which I can offer no explanation ; namely, the
hand being placed over the mouth or on some part of
the head. This has been observed with so many races
of man, that it must have some natural origin. A
wild Australian was taken into a large room full of
official papers, which surprised him greatly, and he
CHAP. XII. FEAR. 289
cried out, cluck, cluck, cluck, putting the back of his

hand towards his lips. Mrs. Barber says that the Kafirs
and Fingoes express astonishment by a serious look and
by placing the right hand upon the mouth, uttering
the word mawo, which means ' wonderful.' The Bush-
men are said 13 to put their right hands to their necks
bending their heads backwards. Mr. Winwood Reade
has observed that the negroes on the West Coast of Africa
when surprised, clap their hands to their mouths, saying
at the same time, " My mouth cleaves to me," i. e. to
my hands ; and he has heard that this is their usual
gesture on such occasions. Captain Speedy informs me
that the Abyssinians place their right hand to the fore-
head, with the palm outside. Lastly, Mr. Washington
Matthews states that the conventional sign of astonish-
ment with the wild tribes of the western parts of the
United States " is made by placing the half-closed hand
" over the mouth ; in doing this, the head is often bent
" forwards, and words or low groans are sometimes
" uttered." Catlin 14 makes the same remark about the
hand being pressed over the mouth by the Mandans
and other Indian tribes.
Admiration.- Little need be said on this head. Ad-

miration apparently consists of surprise associated with
some pleasure and a sense of approval. When vividly
felt, the eyes are opened and the eyebrows raised ; the
eyes become bright, instead of remaining blank, as
under simple astonishment ; and the mouth, instead of
gaping open, expands into a smile. •
Fear, Terror.- The word ' fear ' seems to be derived
13 Huschke, ibid. p. 18.

14North American Indians,' 3rd edit. 1842, vol. i. p. 105.
U
290 FEAR. CHAP. XII.
from what is sudden and dangerous ; 15 and that of terror

from the trembling of the vocal organs and body.
I use the word ' terror ' for extreme fear ; but some
writers think it ought to be confined to cases in which
the imagination is more particularly concerned. Fear
is often preceded by astonishment, and is so far akin to
it, that both lead to the senses of sight and hearing
being instantly aroused. In both cases the eyes and
mouth are widely opened, and the eyebrows raised .
The frightened man at first stands like a statue mo
tionless and breathless, or crouches down as if instinc
tively to escape observation.
The heart beats quickly and violently, so that it pal
pitates or knocks against the ribs ; but it is very doubt
ful whether it then works more efficiently than usual,
so as to send a greater supply of blood to all parts of
the body ; for the skin instantly becomes pale, as during
incipient faintness . This paleness of the surface, how
ever, is probably in large part, or exclusively, due to the
vaso-motor centre being affected in such a manner as to
cause the contraction of the small arteries of the skin.
That the skin is much affected under the sense of great
fear, we see in the marvellous and inexplicable manner in
which perspiration immediately exudes from it. This
exudation is all the more remarkable, as the surface
is then cold, and hence the term a cold sweat ; whereas,
the sudorific glands are properly excited into action
when the surface is heated. The hairs also on the
skin stand erect ; and the superficial muscles shiver.
In connection with the disturbed action of the heart,
the breathing is hurried. The salivary glands act im
15 H. Wedgwood, Dict. of English Etymology, vol . ii. 1862, p. 35.

See, also, Gratiolet ( De la Physionomie,' p. 135) on the sources of
such words as ' terror, horror, rigidus, frigidus,' &c.
perfectly ; the mouth becomes dry,16 and is often opened

and shut. I have also noticed that under slight fear
there is a strong tendency to yawn. One of the best
marked symptoms is the trembling of all the muscles
of the body ; and this is often first seen in the lips.
From this cause, and from the dryness of the mouth,
the voice becomes husky or indistinct, or may alto
66 Obstupui, steteruntque comæ, et vox
gether fail.
" faucibus hæsit."
Of vague fear there is a well-known and grand de
scription in Job :-" In thoughts from the visions of the
66
night, when deep sleep falleth on men, fear came upon
66
me, and trembling, which made all my bones to shake.
“ Then a spirit passed before my face ; the hair of my
" flesh stood up. It stood still, but I could not discern
"the form thereof : an image was before my eyes, there
66
was silence, and I heard a voice, saying, Shall mortal
66
man be more just than God ? Shall a man be more
66
pure than his Maker ? " (Job iv. 13.)
As fear increases into an agony of terror, we behold,
as under all violent emotions, diversified results. The
heart beats wildly, or may fail to act and faintness
ensue ; there is a death-like pallor ; the breathing is
laboured ; the wings of the nostrils are widely dilated ;
" there is a gasping and convulsive motion of the lips, a
" tremor on the hollow cheek, a gulping and catching of
" the throat ; "17 the uncovered and protruding eye
balls are fixed on the object of terror ; or they may roll
16 Mr. Bain (' The Emotions and the Will ,' 1865, p. 54) explains in
the following manner the origin of the custom “ of subjecting criminals
" in India to the ordeal of the morsel of rice. The accused is made to
" take a mouthful of rice, and after a little time to throw it out. If
" the morsel is quite dry, the party is believed to be guilty, his own
" evil conscience operating to paralyse the salivating organs."
17 Sir C. Bell, Transactions of Royal Phil. Soc. 1822 , p. 308.
'Anatomy of Expression,' p. 88 and pp. 164-169.
U 2
restlessly from side to side, huc illuc volvens oculos

totumque pererrat.18 The pupils are said to be enor
mously dilated . All the muscles of the body may
become rigid, or may be thrown into convulsive
movements. The hands are alternately clenched and
opened, often with a twitching movement. The arms
may be protruded, as if to avert some dreadful danger,
or may be thrown wildly over the head. The Rev. Mr.
Hagenauer has seen this latter action in a terrified
Australian . In other cases there is a sudden and un
controllable tendency to headlong flight ; and so strong
is this, that the boldest soldiers may be seized with
sudden panic .
As fear rises to an extreme pitch, the dreadful scream
of terror is heard. Great beads of sweat stand on the
skin. All the muscles of the body are relaxed. Utter
prostration soon follows, and the mental powers fail.
The intestines are affected. The sphincter muscles
cease to act, and no longer retain the contents of the
body.
Dr. J. Crichton Browne has given me so striking an
account of intense fear in an insane woman, aged thirty
five, that the description though painful ought not to
be omitted. When a paroxysm seizes her, she screams
66
out, " This is hell ! " " There is a black woman !" I
" can't get out ! "—and other such exclamations. When
thus screaming, her movements are those of alternate
tension and tremor. For one instant she clenches her
hands, holds her arms out before her in a stiff semi
flexed position ; then suddenly bends her body forwards,
sways rapidly to and fro, draws her fingers through
her hair, clutches at her neck, and tries to tear off her
18 See Moreau on the rolling of the eyes, in the edit. of 1820 of

Lavater, tome iv. p. 263. Also, Gratiolet, De la Phys. p. 17.
clothes. The sternocleido-mastoid muscles (which

serve to bend the head on the chest) stand out pro-
minently, as if swollen , and the skin in front of them is
much wrinkled. Her hair, which is cut short at the
back of her head, and is smooth when she is calm, now
stands on end ; that in front being dishevelled by the
movements of her hands. The countenance expresses
great mental agony. The skin is flushed over the face
and neck, down to the clavicles, and the veins of the
forehead and neck stand out like thick cords. The
lower lip drops, and is somewhat everted. The mouth
is kept half open, with the lower jaw projecting. The
cheeks are hollow and deeply furrowed in curved lines
running from the wings of the nostrils to the corners of
the mouth. The nostrils themselves are raised and ex-
tended. The eyes are widely opened , and beneath them
the skin appears swollen ; the pupils are large. The
forehead is wrinkled transversely in many folds, and at
the inner extremities of the eyebrows it is strongly fur-
} rowed in diverging lines, produced by the powerful and
persistent contraction of the corrugators.
Mr. Bell has also described 19 an agony of terror and
of despair, which he witnessed in a murderer, whilst
carried to the place of execution in Turin. " On each
S " side of the car the officiating priests were seated ;
[ " and in the centre sat the criminal himself. It was
1 66
impossible to witness the condition of this unhappy
" wretch without terror ; and yet, as if impelled by
66
some strange infatuation, it was equally impossible
" not to gaze upon an object so wild, so full of horror.
" He seemed about thirty-five years of age ; of large
" and muscular form ; his countenance marked by
19 Observations on Italy,' 1825, p. 48, as quoted in ' The Anatomy

of Expression,' p. 168.
66
strong and savage features ; half naked, pale as death,
" agonized with terror, every limb strained in anguish,
" his hands clenched convulsively, the sweat breaking
" out on his bent and contracted brow, he kissed in-
66
cessantly the figure of our Saviour, painted on the
66
flag which was suspended before him ; but with an
66 agony of wildness and despair, of which nothing ever
" exhibited on the stage can give the slightest con-
66
ception."
I will add only one other case, illustrative of a man
utterly prostrated by terror. An atrocious murderer of
two persons was brought into a hospital, under the
mistaken impression that he had poisoned himself ; and
Dr. W. Ogle carefully watched him the next morning,
while he was being handcuffed and taken away by the
police. His pallor was extreme, and his prostration so
great that he was hardly able to dress himself. His
skin perspired ; and his eyelids and head drooped so
much that it was impossible to catch even a glimpse
of his eyes. His lower jaw hung down. There was no
contraction of any facial muscle, and Dr. Ogle is almost
certain that the hair did not stand on end, for he ob-
served it narrowly, as it had been dyed for the sake of
concealment.
With respect to fear, as exhibited by the various
races of man, my informants agree that the signs are
the same as with Europeans. They are displayed in
an exaggerated degree with the Hindoos and natives of
Ceylon. Mr. Geach has seen Malays when terrified
turn pale and shake ; and Mr. Brough Smyth states
that a native Australian " being on one occasion much
" frightened, showed a complexion as nearly approach-
" ing to what we call paleness, as can well be con-
" ceived in the case of a very black man." Mr. Dyson
Lacy has seen extreme fear shown in an Australian ,
CHAP. XII. ERECTION OF THE HAIR. 295
by a nervous twitching of the hands, feet, and lips ;

and by the perspiration standing on the skin. Many
savages do not repress the signs of fear so much as
Europeans ; and they often tremble greatly. With
the Kafir, Gaika says, in his rather quaint English, the
shaking " of the body is much experienced, and the eyes
66
are widely open." With savages, the sphincter muscles
are often relaxed, just as may be observed in much
frightened dogs, and as I have seen with monkeys when
terrified by being caught.
The erection of the hair. -Some of the signs of fear

deserve a little further consideration . Poets continually
speak of the hair standing on end ; Brutus says to the
ghost of Cæsar, " that mak'st my blood cold, and my
" hair to stare ." And Cardinal Beaufort, after the
murder of Gloucester exclaims, " Comb down his hair ;
" look, look, it stands upright." As I did not feel
sure whether writers of fiction might not have applied
to man what they had often observed in animals, I
begged for information from Dr. Crichton Browne with
respect to the insane. He states in answer that he has
repeatedly seen their hair erected under the influence
of sudden and extreme terror. For instance, it is occa-
sionally necessary to inject morphia under the skin of
an insane woman, who dreads the operation extremely,
though it causes very little pain ; for she believes that
poison is being introduced into her system, and that her
bones will be softened, and her flesh turned into dust .
She becomes deadly pale ; her limbs are stiffened by a
sort of tetanic spasm, and her hair is partially erected
on the front of the head.
Dr. Browne further remarks that the bristling of the
hair which is so common in the insane, is not always
associated with terror. It is perhaps most frequently
seen in chronic maniacs, who rave'incoherently and have

destructive impulses ; but it is during their paroxysms
of violence that the bristling is most observable. The
fact of the hair becoming erect under the influence both
of rage and fear agrees perfectly with what we have seen
in the lower animals. Dr. Browne adduces several cases
in evidence. Thus with a man now in the Asylum, before
the recurrence of each maniacal paroxysm, " the hair
" rises up from his forehead like the mane of a Shetland
66 ""
pony. He has sent me photographs of two women,
taken in the intervals between their paroxysms, and he
adds with respect to one of these women, " that the
" state of her hair is a sure and convenient criterion
" of her mental condition." I have had one of these
photographs copied, and the engraving gives, if viewed
Fig. 19. From a photograph of an insane woman, to showthe condition of her hair.
from a little distance, a faithful representation of the

original, with the exception that the hair appears
rather too coarse and too much curled. The extraor-
dinary condition of the hair in the insane is due, not
CHAP. XII. ERECTION OF THE HAIR. 297
only to its erection, but to its dryness and harshness,

consequent on the subcutaneous glands failing to act.
Dr. Bucknill has said 20 that a lunatic " is a lunatic to
" his finger's ends ; " he might have added, and often
to the extremity of each particular hair.
Dr. Browne mentions as an empirical confirmation
of the relation which exists in the insane between the
state of their hair and minds, that the wife of a medical
man, who has charge of a lady suffering from acute
melancholia, with a strong fear of death, for herself,
her husband and children, reported verbally to him
the day before receiving my letter as follows, " I think
" Mrs. will soon improve, for her hair is getting
" smooth ; and I always notice that our patients get
" better whenever their hair ceases to be rough and
" unmanageable."
Dr. Browne attributes the persistently rough condi-
tion of the hair in many insane patients, in part to
their minds being always somewhat disturbed, and in
part to the effects of habit, —that is, to the hair being
frequently and strongly erected during their many
recurrent paroxysms. In patients in whom the bristling
of the hair is extreme, the disease is generally per-
manent and mortal ; but in others, in whom the brist-
ling is moderate, as soon as they recover their health
of mind the hair recovers its smoothness.
In a previous chapter we have seen that with animals
the hairs are erected by the contraction of minute, un-
striped, and involuntary muscles, which run to each
separate follicle. In addition to this action, Mr. J. Wood
has clearly ascertained by experiment, as he informs
me, that with man the hairs on the front of the
head which slope forwards, and those on the back
6
20 Quoted by Dr. Maudsley, Body and Mind,' 1870, p . 41.
which slope backwards, are raised in opposite directions

by the contraction of the occipito-frontalis or scalp
muscle. So that this muscle seems to aid in the erec-
tion of the hairs on the head of man, in the same
manner as the homologous panniculus carnosus aids, or
takes the greater part, in the erection of the spines on
the backs of some of the lower animals.
Contraction of the platysma myoides muscle. -This

muscle is spread over the sides of the neck, extending
downwards to a little beneath the collar-bones, and
upwards to the lower part of the cheeks. A portion,
called the risorius, is represented in the woodcut (M)
fig. 2. The contraction of this muscle draws the
corners of the mouth and the lower parts of the cheeks
downwards and backwards. It produces at the same
time divergent, longitudinal, prominent ridges on the
sides of the neck in the young ; and , in old thin per-
sons, fine transverse wrinkles. This muscle is some-
times said not to be under the control of the will ; but
almost every one, if told to draw the corners of his
mouth backwards and downwards with great force,
brings it into action . I have, however, heard of a man
who can voluntarily act on it only on one side of his
neck.
Sir C. Bell 21 and others have stated that this muscle
is strongly contracted under the influence of fear ;
and Duchenne insists so strongly on its importance in
the expression of this emotion, that he calls it the
muscle of fright.22 He admits, however, that its con- 1
traction is quite inexpressive unless associated with
widely open eyes and mouth . He has given a pho-
21 " Anatomy of Expression ,' p. 168.

22 Mécanisme de la Phys. Humaine, Album, Légende xi.
CHAP. XII. CONTRACTION OF THE PLATYSMA. 299
tograph (copied and reduced in the accompanying

woodcut) of the same old man as on former occa-
sions, with his eyebrows strongly raised, his mouth
opened, and the platysma contracted, all by means
Fig. 20. Terror. From a photograph by Dr. Duchenne.
of galvanism . The original photograph was shown to

twenty-four persons, and they were separately asked,
without any explanation being given, what expression
was intended : twenty instantly answered, " intense
66
fright " or " horror ; " three said pain , and one ex-
treme discomfort. Dr. Duchenne has given another
photograph of the same old man, with the platysma
contracted, the eyes and mouth opened, and the eye-
brows rendered oblique, by means of galvanism. The
expression thus induced is very striking (see Plate VII.
fig. 2) ; the obliquity of the eyebrows adding the appear-
ance of great mental distress . The original was shown
to fifteen persons ; twelve answered terror or horror,
and three agony or great suffering. From these cases,
and from an examination of the other photographs
given by Dr. Duchenne, together with his remarks
thereon, I think there can be little doubt that the con-
traction of the platysma does add greatly to the expres-
sion of fear. Nevertheless this muscle ought hardly to
be called that of fright, for its contraction is certainly
not a necessary concomitant of this state of mind.
A man may exhibit extreme terror in the plainest
manner by death-like pallor, by drops of perspiration on
his skin, and by utter prostration, with all the muscles
of his body, including the platysma, completely re-
laxed. Although Dr. Browne has often seen this muscle
quivering and contracting in the insane, he has not
been able to connect its action with any emotional con-
dition in them , though he carefully attended to patients
suffering from great fear. Mr. Nicol, on the other
hand, has observed three cases in which this muscle
appeared to be more or less permanently contracted
under the influence of melancholia, associated with
much dread ; but in one of these cases, various other
muscles about the neck and head were subject to spas-
modic contractions.
Dr. W. Ogle observed for me in one of the London
hospitals about twenty patients, just before they were
put under the influence of chloroform for operations.
Pl.7
Helistype
1
་
1
1
8
SC
th
0
tr
CHAP. XII. CONTRACTION OF THE PLATYSMA. 301
They exhibited some trepidation, but no great terror.

In only four of the cases was the platysma visibly
contracted ; and it did not begin to contract until the
patients began to cry. The muscle seemed to contract
at the moment of each deep-drawn inspiration ; so that
it is very doubtful whether the contraction depended at
all on the emotion of fear. In a fifth case, the patient,
who was not chloroformed, was much terrified ; and
his platysma was more forcibly and persistently con
tracted than in the other cases. But even here there
is room for doubt, for the muscle which appeared to
be unusually developed, was seen by Dr. Ogle to con
tract as the man moved his head from the pillow, after
the operation was over.
As I felt much perplexed why, in any case, a super
ficial muscle on the neck should be especially affected
by fear, I applied to my many obliging correspondents
for information about the contraction of this muscle
under other circumstances. It would be superfluous
to give all the answers which I have received. They
show that this muscle acts, often in a variable manner
and degree, under many different conditions. It is
violently contracted in hydrophobia, and in a somewhat
less degree in lockjaw ; sometimes in a marked manner
during the insensibility from chloroform. Dr. W. Ogle
observed two male patients, suffering from such diffi
culty in breathing, that the trachea had to be opened,
and in both the platysma was strongly contracted.
One of these men overheard the conversation of the
surgeons surrounding him, and when he was able to
speak, declared that he had not been frightened. In
some other cases of extreme difficulty of respiration ,
though not requiring tracheotomy, observed by Drs.
Ogle and Langstaff, the platysma was not con- ,
tracted.
Mr. J. Wood, who has studied with such care the

muscles of the human body, as shown by his various
publications, has often seen the platysma contracted in
vomiting, nausea, and disgust ; also in children and
adults under the influence of rage, -for instance, in
Irishwomen, quarrelling and brawling together with
angry gesticulations. This may possibly have been
due to their high and angry tones ; for I know a
lady, an excellent musician, who, in singing certain
high notes, always contracts her platysma. So does a
young man, as I have observed, in sounding certain
notes on the flute . Mr. J. Wood informs me that he
has found the platysma best developed in persons with
thick necks and broad shoulders ; and that in families
inheriting these peculiarities, its development is usually
associated with much voluntary power over the homo
logous occipito-frontalis muscle, by which the scalp can
be moved.
None of the foregoing cases appear to throw any light
on the contraction of the platysma from fear ; but it
is different, I think, with the following cases. The
gentleman before referred to, who can voluntarily act
on this muscle only on one side of his neck, is positive
that it contracts on both sides whenever he is startled .
Evidence has already been given showing that this
muscle sometimes contracts, perhaps for the sake of
opening the mouth widely, when the breathing is ren
dered difficult by disease, and during the deep inspira
tions of crying-fits before an operation . Now, when
ever a person starts at any sudden sight or sound , he
instantaneously draws a deep breath ; and thus the
contraction of the platysma may possibly have become
associated with the sense of fear. But there is, I
believe, a more efficient relation. The first sensation
of fear, or the imagination of something dreadful, com
CHAP. XII. DILATATION OF THE PUPILS. 303
monly excites a shudder. I have caught myself giving

a little involuntary shudder at a painful thought, and
I distinctly perceived that my platysma contracted ; so
it does if I simulate a shudder. I have asked others
to act in this manner ; and in some the muscle con-
tracted, but not in others. One of my sons, whilst
getting out of bed, shuddered from the cold, and, as he
happened to have his hand on his neck, he plainly
felt that this muscle strongly contracted. He then
voluntarily shuddered , as he had done on former
occasions, but the platysma was not then affected.
Mr. J. Wood has also several times observed this
muscle contracting in patients, when stripped for exa-
mination, and who were not frightened, but shivered
slightly from the cold . Unfortunately I have not been
able to ascertain whether, when the whole body shakes,
as in the cold stage of an ague fit, the platysma con-
tracts. But as it certainly often contracts during a
shudder ; and as a shudder or shiver often accompanies
the first sensation of fear, we have, I think, a clue to its
action in this latter case.23 Its contraction, however, is
not an invariable concomitant of fear ; for it probably
never acts under the influence of extreme, prostrating
terror.
Dilatation ofthe Pupils. -Gratiolet repeatedly insists 24

that the pupils are enormously dilated whenever terror
is felt. I have no reason to doubt the accuracy of
this statement, but have failed to obtain confirmatory
23 Duchenne takes, in fact, this view (ibid. p. 45), as he attributes

the contraction of the platysma to the shivering of fear (frisson de la
peur) ; but he elsewhere compares the action with that which causes
the hair of frightened quadrupeds to stand erect ; and this can hardly
be considered as quite correct.
6
24 De la Physionomie ,' pp. 51, 256, 346.
304 HORROR. CHAP. XII.
evidence, excepting in the one instance before given of

an insane woman suffering from great fear. When
writers of fiction speak of the eyes being widely dilated ,
I presume that they refer to the eyelids. Munro's state
ment,25 that with parrots the iris is affected by the pas
sions, independently of the amount of light, seems to
bear on this question ; but Professor Donders informs me,
that he has often seen movements in the pupils of these
birds which he thinks may be related to their power of
t
accommodation to distance, in nearly the same manner
as our own pupils contract when our eyes converge for
near vision. Gratiolet remarks that the dilated pupils
appear as if they were gazing into profound darkness.
No doubt the fears of man have often been excited in the
dark ; but hardly so often or so exclusively, as to account
for a fixed and associated habit having thus arisen. It
seems more probable, assuming that Gratiolet's state
ment is correct, that the brain is directly affected by
the powerful emotion of fear and reacts on the pupils ;
but Professor Donders informs me that this is an ex
tremely complicated subject. I may add, as possibly
throwing light on the subject, that Dr. Fyffe, of Netley
Hospital, has observed in two patients that the pupils
were distinctly dilated during the cold stage of an ague
fit. Professor Donders has also often seen dilatation
of the pupils in incipient faintness.
Horror.-The state of mind expressed by this term

implies terror, and is in some cases almost synony
mous with it. Many a man must have felt, before
the blessed discovery of chloroform, great horror at
the thought of an impending surgical operation . He
who dreads, as well as hates a man, will feel, as Milton
25 As quoted in White's ' Gradation in Man,' p. 57.

CHAP. XII. HORROR. 305
uses the word, a horror of him. We feel horror if we

see any one, for instance a child, exposed to some instant
and crushing danger. Almost every one would experi-
ence the same feeling in the highest degree in witness-
ing a man being tortured or going to be tortured. In
these cases there is no danger to ourselves ; but from
the power of the imagination and of sympathy we put
ourselves in the position of the sufferer, and feel some-
thing akin to fear.
Sir C. Bell remarks,26 that " horror is full of energy ;
" the body is in the utmost tension, not unnerved by
" fear." It is, therefore, probable that horror would
generally be accompanied by the strong contraction of
the brows ; but as fear is one of the elements, the eyes
and mouth would be opened, and the eyebrows would
be raised, as far as the antagonistic action of the
corrugators permitted this movement. Duchenne has
given a photograph 27 (fig. 21 ) of the same old man as
before, with his eyes somewhat staring, the eyebrows
partially raised, and at the same time strongly con-
tracted, the mouth opened , and the platysma in action ,
all effected by the means of galvanism. He considers
that the expression thus produced shows extreme terror
with horrible pain or torture. A tortured man, as long
as his sufferings allowed him to feel any dread for the
future, would probably exhibit horror in an extreme
degree. I have shown the original of this photograph
to twenty-three persons of both sexes and various ages ;
and thirteen immediately answered horror, great pain,
torture, or agony ; three answered extreme fright ; so
that sixteen answered nearly in accordance with Du-
chenne's belief. Six, however, said anger, guided no

27 Mécanisme de la Physionomie,' Album, pl. 65, pp. 44, 45.
X
306 HORROR. CHAP. XII.
doubt, by the strongly contracted brows, and overlooking

the peculiarly opened mouth. One said disgust . On
the whole, the evidence indicates that we have here a
Fig. 21. Horror and Agony. Copied from a photograph by Dr. Duchenne.
fairly good representation of horror and agony. The

photograph before referred to (Pl. VII. fig. 2) likewise
exhibits horror ; but in this the oblique eyebrows in
dicate great mental distress in place of energy.
CHAP. XII. CONCLUSION. 307
Horror is generally accompanied by various gestures,

which differ in different individuals. Judging from
pictures, the whole body is often turned away or shrinks ;
or the arms are violently protruded as if to push
away some dreadful object. The most frequent gesture,
as far as can be inferred from the acting of persons
who endeavour to express a vividly-imagined scene of
horror, is the raising of both shoulders, with the bent
arms pressed closely against the sides or chest. These
movements are nearly the same with those commonly
made when we feel very cold ; and they are generally
accompanied by a shudder, as well as by a deep
expiration or inspiration, according as the chest hap
pens at the time to be expanded or contracted. The
sounds thus made are expressed by words like uh
or ugh.28 It is not, however, obvious why, when we
feel cold or express a sense of horror, we press our
bent arms against our bodies, raise our shoulders, and
shudder.
Conclusion. I have now endeavoured to describe the

diversified expressions of fear, in its gradations from
mere attention to a start of surprise , into extreme
terror and horror. Some of the signs may be accounted
for through the principles of habit, association, and
inheritance, such as the wide opening of the mouth
and eyes, with upraised eyebrows, so as to see as
quickly as possible all around us, and to hear dis
tinctly whatever sound may reach our ears. For we
have thus habitually prepared ourselves to discover
and encounter any danger. Some of the other signs
of fear may likewise be accounted for, at least in
28 See remarks to this effect by Mr. Wedgwood, in the Intro

duction to his ' Dictionary of English Etymology,' 2nd edit. 1872,
p. xxxvii.
x 2
308 FEAR AND HORROR. CHAP. XII.
part, through these same principles. Men, during

numberless generations, have endeavoured to escape
from their enemies or danger by headlong flight, or
by violently struggling with them ; and such great
exertions will have caused the heart to beat rapidly, the
breathing to be hurried, the chest to heave, and the
nostrils to be dilated. As these exertions have often
been prolonged to the last extremity, the final result
will have been utter prostration, pallor, perspiration,
trembling of all the muscles, or their complete relaxa-
tion. And now, whenever the emotion of fear is
strongly felt, though it may not lead to any exertion,
the same results tend to reappear, through the force of
inheritance and association.
Nevertheless, it is probable that many or most of the
above symptoms of terror, such as the beating of the heart,
the trembling of the muscles, cold perspiration, &c., are
in large part directly due to the disturbed or interrupted
transmission of nerve-force from the cerebro-spinal
system to various parts of the body, owing to the mind
being so powerfully affected. We may confidently look
to this cause, independently of habit and association, in
such cases as the modified secretions of the intestinal
canal, and the failure of certain glands to act. With
respect to the involuntary bristling of the hair, we
have good reason to believe that in the case of animals
this action, however it may have originated, serves,
together with certain voluntary movements, to make
them appear terrible to their enemies ; and as the same
involuntary and voluntary actions are performed by
animals nearly related to man , we are led to believe
that man has retained through inheritance a relic of
them, now become useless. It is certainly a remarkable
fact, that the minute unstriped muscles, by which the
hairs thinly scattered over man's almost naked body
"
CHAP. XII. CONCLUSION. 309
are erected, should have been preserved to the present

day ; and that they should still contract under the
same emotions, namely, terror and rage, which cause
the hairs to stand on end in the lower members of the
Order to which man belongs.
1
1
310 BLUSHING. CHAP. XIII.
CHAPTER XIII.
SELF-ATTENTION ― - SHAME - SHYNESS MODESTY : BLUSHING.
Nature of a blush Inheritance - The parts of the body most

affected - Blushing in the various races of man - Accompanying
gestures - Confusion of mind - Causes of blushing - Self-
attention, the fundamental element - Shyness - Shame, from
broken moral laws and conventional rules - Modesty - Theory
of blushing Recapitulation.
BLUSHING is the most peculiar and the most human of

all expressions. Monkeys redden from passion, but it
would require an overwhelming amount of evidence to
make us believe that any animal could blush. The red-
dening of the face from a blush is due to the relaxation
of the muscular coats of the small arteries, by which
the capillaries become filled with blood ; and this de-
pends on the proper vaso-motor centre being affected.
No doubt if there be at the same time much mental agi-
tation, the general circulation will be affected ; but it is
not due to the action of the heart that the network of
minute vessels covering the face becomes under a
sense of shame gorged with blood. We can cause
laughing by tickling the skin, weeping or frowning
by a blow, trembling from the fear of pain, and so
forth ; but we cannot cause a blush, as Dr. Burgess
remarks ,¹ by any physical means, that is by any
action on the body. It is the mind which must be
affected. Blushing is not only involuntary ; but the
The Physiology or Mechanism of Blushing,' 1839, p. 156. I

shall have occasion often to quote this work in the present chapter.
CHAP. XIII . BLUSHING. 311
wish to restrain it, by leading to self-attention, actually

increases the tendency.
The young blush much more freely than the old,
but not during infancy, which is remarkable, as we
know that infants at a very early age redden from
passion. I have received authentic accounts of two
little girls blushing at the ages of between two and
three years ; and of another sensitive child, a year
older, blushing, when reproved for a fault. Many
children, at a somewhat more advanced age blush in a
strongly marked manner. It appears that the mental
powers of infants are not as yet sufficiently developed
to allow of their blushing. Hence, also, it is that idiots
rarely blush. Dr. Crichton Browne observed for me
those under his care, but never saw a genuine blush,
though he has seen their faces flush, apparently from
joy, when food was placed before them, and from
anger. Nevertheless some, if not utterly degraded, are
capable of blushing. A microcephalous idiot, for in-
stance, thirteen years old, whose eyes brightened a
little when he was pleased or amused, has been de-
scribed by Dr. Behn,3 as blushing and turning to one
side, when undressed for medical examination.
Women blush much more than men. It is rare to
see an old man, but not nearly so rare to see an old
woman blushing. The blind do not escape . Laura
Bridgman, born in this condition, as well as completely
deaf, blushes. The Rev. R. H. Blair, Principal of the
Worcester College, informs me that three children
2 Dr. Burgess , ibid . p. 56. At p. 33 he also remarks on women

blushing more freely than men, as stated below.
"
3 Quoted by Vogt, Mémoire sur les Microcéphales,' 1867, p. 20. Dr.
Burgess (ibid. p. 56) doubts whether idiots ever blush.
Lieber On the Vocal Sounds,' & c.; Smithsonian Contributions,
1851, vol. ii. p. 6.
born blind, out of seven or eight then in the Asylum,

are great blushers. The blind are not at first conscious
that they are observed, and it is a most important
part of their education, as Mr. Blair informs me, to
impress this knowledge on their minds ; and the im-
pression thus gained would greatly strengthen the ten-
dency to blush, by increasing the habit of self-attention.
The tendency to blush is inherited. Dr. Burgess
5
gives the case of a family consisting of a father,
mother, and ten children, all of whom, without excep-
tion, were prone to blush to a most painful degree.
The children were grown up ; " and some of them were
" sent to travel in order to wear away this diseased
66
sensibility, but nothing was of the slightest avail.”
Even peculiarities in blushing seem to be inherited .
Sir James Paget, whilst examining the spine of a girl,
was struck at her singular manner of blushing ; a big
splash of red appeared first on one cheek, and then
other splashes, variously scattered over the face and
neck. He subsequently asked the mother whether
her daughter always blushed in this peculiar manner ;
and was answered, " Yes, she takes after me." Sir J.
Paget then perceived that by asking this question he
had caused the mother to blush ; and she exhibited
the same peculiarity as her daughter.
In most cases the face, ears and neck are the sole
parts which redden ; but many persons, whilst blushing
intensely, feel that their whole bodies grow hot and
tingle ; and this shows that the entire surface must be
in some manner affected. Blushes are said sometimes
to commence on the forehead, but more commonly on
6
the cheeks, afterwards spreading to the ears and neck.
In two Albinos examined by Dr. Burgess, the blushes
Ibid. p. 182. 6 Moreau, in edit. of 1820 of Lavater, vol. iv. p. 303.

CHAP. XIII. BLUSHING. 313
commenced by a small circumscribed spot on the cheeks,

over the parotidean plexus of nerves, and then increased
into a circle ; between this blushing circle and the
blush on the neck there was an evident line of demar-
cation ; although both arose simultaneously. The
retina, which is naturally red in the Albino, invariably
7
increased at the same time in redness. Every one
must have noticed how easily after one blush fresh
blushes chase each other over the face. Blushing is
preceded by a peculiar sensation in the skin. According
to Dr. Burgess the reddening of the skin is generally
succeeded by a slight pallor, which shows that the capil-
lary vessels contract after dilating. In some rare cases
paleness instead of redness is caused under conditions
which would naturally induce a blush. For instance, a
young lady told me that in a large and crowded party
she caught her hair so firmly on the button of a passing
servant, that it took some time before she could be
extricated ; from her sensations she imagined that she
had blushed crimson ; but was assured by a friend that
she had turned extremely pale.
I was desirous to learn how far down the body
blushes extend ; and Sir J. Paget, who necessarily has
frequent opportunities for observation, has kindly at-
tended to this point for me during two or three years.
He finds that with women who blush intensely on the
face, ears, and nape of neck, the blush does not com-
monly extend any lower down the body. It is rare to see
it as low down as the collar-bones and shoulder-blades ;
and he has never himself seen a single instance in which
it extended below the upper part of the chest. He has
also noticed that blushes sometimes die away down-
wards, not gradually and insensibly, but by irregular
7 Burgess, ibid. p. 38, on paleness after blushing, p. 177,

ruddy blotches. Dr. Langstaff has likewise observed

for me several women whose bodies did not in the least
redden while their faces were crimsoned with blushes.
With the insane, some of whom appear to be particularly
liable to blushing, Dr. J. Crichton Browne has several
times seen the blush extend as far down as the collar
bones, and in two instances to the breasts. He gives
me the case of a married woman, aged twenty-seven,
who suffered from epilepsy. On the morning after her
arrival in the Asylum, Dr. Browne, together with his
assistants, visited her whilst she was in bed. The mo
ment that he approached , she blushed deeply over her
cheeks and temples ; and the blush spread quickly to
her ears. She was much agitated and tremulous. He
unfastened the collar of her chemise in order to ex
amine the state of her lungs ; and then a brilliant
blush rushed over her chest, in an arched line over the
upper third of each breast, and extended downwards
between the breasts nearly to the ensiform cartilage of
the sternum . This case is interesting, as the blush did
not thus extend downwards until it became intense by
her attention being drawn to this part of her person.
As the examination proceeded she became composed,
and the blush disappeared ; but on several subsequent
occasions the same phenomena were observed .
The foregoing facts show that, as a general rule,
with English women, blushing does not extend beneath
the neck and upper part of the chest. Nevertheless Sir
J. Paget informs me that he has lately heard of a case,
on which he can fully rely, in which a little girl, shocked
by what she imagined to be an act of indelicacy, blushed
all over her abdomen and the upper parts of her legs.
8
Moreau also relates, on the authority of a celebrated
8 See Lavater, edit. of 1820, vol. iv. p . 303.

painter, that the chest, shoulders, arms, and whole body

of a girl, who unwillingly consented to serve as a model,
reddened when she was first divested of her clothes.
It is a rather curious question why, in most cases
the face, ears, and neck alone redden, inasmuch as the
whole surface of the body often tingles and grows hot.
This seems to depend, chiefly, on the face and adjoining
parts of the skin having been habitually exposed to the
air, light, and alternations of temperature, by which
the small arteries not only have acquired the habit of
readily dilating and contracting, but appear to have
become unusually developed in comparison with other
parts of the surface. It is probably owing to this
same cause, as M. Moreau and Dr. Burgess have
remarked, that the face is so liable to redden under
various circumstances, such as a fever-fit, ordinary
heat, violent exertion, anger, a slight blow, &c.; and on
the other hand that it is liable to grow pale from cold
and fear, and to be discoloured during pregnancy. The
face is also particularly liable to be affected by cuta
neous complaints, by small-pox, erysipelas, &c. This
view is likewise supported by the fact that the men of
certain races, who habitually go nearly naked, often
blush over their arms and chests and even down to
their waists. A lady, who is a great blusher, informs
Dr. Crichton Browne, that when she feels ashamed or
is agitated, she blushes over her face, neck, wrists,
and hands, —that is, over all the exposed portions of
her skin. Nevertheless it may be doubted whether
the habitual exposure of the skin of the face and
neck, and its consequent power of reaction under
stimulants of all kinds, is by itself sufficient to account
Burgess, ibid. pp. 114, 122. Moreau in Lavater, ibid. vol. iv.
p. 293.
for the much greater tendency in English women of

these parts than of others to blush ; for the hands are
well supplied with nerves and small vessels, and have
been as much exposed to the air as the face or neck,
and yet the hands rarely blush. We shall presently
see that the attention of the mind having been directed
much more frequently and earnestly to the face than
to any other part of the body, probably affords a suffi
cient explanation .
Blushing in the various races of man.-The small

vessels of the face become filled with blood, from the
emotion of shame, in almost all the races of man,
though in the very dark races no distinct change of
colour can be perceived. Blushing is evident in all
the Aryan nations of Europe, and to a certain extent
with those of India. But Mr. Erskine has never
noticed that the necks of the Hindoos are decidedly
affected . With the Lepchas of Sikhim, Mr. Scott has
often observed a faint blush on the cheeks, base of the
ears, and sides of the neck, accompanied by sunken
eyes and lowered head . This has occurred when he
has detected them in a falsehood, or has accused them
of ingratitude. The pale, sallow complexions of these
men render a blush much more conspicuous than in
most of the other natives of India. With the latter,
shame, or it may be in part fear, is expressed, according
to Mr. Scott, much more plainly by the head being
averted or bent down, with the eyes wavering or turned
askant, than by any change of colour in the skin.
The Semitic races blush freely, as might have been
expected, from their general similitude to the Aryans.
Thus with the Jews, it is said in the Book of Jeremiah
(chap. vi. 15) , " Nay, they were not at all ashamed,
" neither could they blush." Mrs. Asa Gray saw an
Arab managing his boat clumsily on the Nile, and

when laughed at by his companions, "he blushed
" quite to the back of his neck." Lady Duff Gordon
remarks that a young Arab blushed on coming into
10
her presence.
Mr. Swinhoe has seen the Chinese blushing, but he
thinks it is rare ; yet they have the expression “ to
"redden with shame." Mr. Geach informs me that the
Chinese settled in Malacca and the native Malays of
the interior both blush. Some of these people go nearly
naked, and he particularly attended to the downward
extension of the blush. Omitting the cases in which
the face alone was seen to blush, Mr. Geach observed
that the face, arms, and breast of a Chinaman, aged 1
24 years, reddened from shame ; and with another
Chinese, when asked why he had not done his work in
better style, the whole body was similarly affected .
In two Malays¹¹ he saw the face, neck, breast, and arms
blushing ; and in a third Malay (a Bugis) the blush
extended down to the waist.
The Polynesians blush freely. The Rev. Mr. Stack
has seen hundreds of instances with the New Zea-
landers. The following case is worth giving, as it
relates to an old man who was unusually dark-coloured
and partly tattooed. After having let his land to an
Englishman for a small yearly rental, a strong passion
seized him to buy a gig, which had lately become the
fashion with the Maoris. He consequently wished to
draw all the rent for four years from his tenant, and
consulted Mr. Stack whether he could do so. The man
10 Letters from Egypt,' 1865, p. 66. Lady Gordon is mistaken when

she says Malays and Mulattoes never blush.
11 Capt. Osborn (' Quedah,' p. 199), in speaking of a Malay, whom
he reproached for cruelty, says he was glad to see that the man
blushed.
1
318 BLUSHING. CHAP. XIII
was old, clumsy, poor, and ragged, and the idea of his
driving himself about in his carriage for display amused
Mr. Stack so much that he could not help bursting out
into a laugh ; and then " the old man blushed up to the
" roots of his hair." Forster says that " you may easily
" distinguish a spreading blush " on the cheeks of the
fairest women in Tahiti.12 The natives also of several
of the other archipelagoes in the Pacific have been
seen to blush.
Mr. Washington Matthews has often seen a blush on
the faces of the young squaws belonging to various
wild Indian tribes of North America. At the opposite
extremity of the continent in Tierra del Fuego, the
natives, according to Mr. Bridges, " blush much, but
66
chiefly in regard to women ; but they certainly blush
" also at their own personal appearance." This latter
statement agrees with what I remember of the Fuegian,
Jemmy Button, who blushed when he was quizzed about
the care which he took in polishing his shoes, and in
otherwise adorning himself. With respect to the Ay-
mara Indians on the lofty plateaus of Bolivia, Mr.
Forbes says,13 that from the colour of their skins it is
impossible that their blushes should be as clearly
12 J. R. Forster, ' Observations during a Voyage round the World ,'

4to, 1778, p. 229. Waitz gives (' Introduction to Anthropology,' Eng.
translat. 1863, vol. i . p. 135) references for other islands in the Pacific .
See, also, Dampier ' On the Blushing of the Tunquinese ' (vol. ii . p. 40) ;
but I have not consulted this work. Waitz quotes Bergmann, that the
Kalmucks do not blush, but this may be doubted after what we have
seen with respect to the Chinese. He also quotes Roth, who denies
that the Abyssinians are capable of blushing. Unfortunately, Capt.
Speedy, who lived so long with the Abyssinians, has not answered my
inquiry on this head. Lastly, I must add that the Rajah Brooke has
never observed the least sign of a blush with the Dyaks of Borneo ;
on the contrary, under circumstances which would excite a blush in
us, they assert " that they feel the blood drawn from their faces."
13 Transact. of the Ethnological Soc. 1870, vol . ii . p. 16.
visible as in the white races ; still under such circum

stances as would raise a blush in us, " there can always
"be seen the same expression of modesty or confusion ;
"and even in the dark, a rise of temperature of the
"skin of the face can be felt, exactly as occurs in the
" European." With the Indians who inhabit the hot,
equable, and damp parts of South America, the skin
apparently does not answer to mental excitement so
readily as with the natives of the northern and southern
parts of the continent, who have long been exposed to
great vicissitudes of climate ; for Humboldt quotes
without a protest the sneer of the Spaniard, " How can
" those be trusted, who know not how to blush ? " 14
Von Spix and Martius, in speaking of the aborigines
of Brazil, assert that they cannot properly be said
to blush ; " it was only after long intercourse with the
" whites, and after receiving some education , that we
66
perceived in the Indians a change of colour express
" ive of the emotions of their minds." 15 It is, however,
incredible that the power of blushing could have thus
originated ; but the habit of self-attention, consequent
on their education and new course of life, would have
much increased any innate tendency to blush.
Several trustworthy observers have assured me that
they have seen on the faces of negroes an appearance
resembling a blush, under circumstances which would
have excited one in us, though their skins were of an
ebony-black tint. Some describe it as blushing brown,
but most say that the blackness becomes more intense.
An increased supply of blood in the skin seems in some
manner to increase its blackness ; thus certain exan
thematous diseases cause the affected places in the
14 Humboldt, ' Personal Narrative,' Eng. translat. vol. iii. p. 229.

15 Quoted by Prichard, Phys. Hist. of Mankind, 4th edit. 1851 ,
vol. i. p. 271 .
negro to appear blacker, instead of, as with us, redder.16

The skin, perhaps, from being rendered more tense by
the filling of the capillaries, would reflect a somewhat
different tint to what it did before. That the capil-
laries of the face in the negro become filled with blood ,
under the emotion of shame, we may feel confident ;
because a perfectly characterized albino negress, de-
scribed by Buffon, " showed a faint tinge of crimson
on her cheeks when she exhibited herself naked. Cica-
trices of the skin remain for a long time white in the
negro, and Dr. Burgess, who had frequent opportu-
nities of observing a scar of this kind on the face of a
negress, distinctly saw that it " invariably became red
" whenever she was abruptly spoken to, or charged with
.6
any trivial offence." 18 The blush could be seen pro-
ceeding from the circumference of the scar towards the
middle, but it did not reach the centre. Mulattoes are
often great blushers, blush succeeding blush over their
faces. From these facts there can be no doubt that
negroes blush, although no redness is visible on the
skin.
I am assured by Gaika and by Mrs. Barber that the
Kafirs of South Africa never blush ; but this may only
mean that no change of colour is distinguishable. Gaika
adds that under the circumstances which would make a
European blush, his countrymen " look ashamed to
" keep their heads up."
16 See, on this head, Burgess, ibid. p. 32. Also Waitz, ' Introduc-
tion to Anthropology,' Eng. edit. vol. i. p. 135. Moreau gives a detailed
account ( Lavater,' 1820, tom. iv. p. 302) of the blushing of a Mada-
gascar negress-slave when forced by her brutal master to exhibit her
naked bosom.
17 Quoted by Prichard, Phys. Hist. of Mankind, 4th edit. 1851 ,
vol. i. p. 225.
18 Burgess, ibid. p . 31. On mulattoes blushing, see p. 33. I have
received similar accounts with respect to mulattoes.
It is asserted by four of my informants that the

Australians, who are almost as black as negroes, never
blush. A fifth answers doubtfully, remarking that
only a very strong blush could be seen, on account of
the dirty state of their skins. Three observers state
that they do blush ; 19 Mr. S. Wilson adding that this
is noticeable only under a strong emotion, and when
the skin is not too dark from long exposure and
want of cleanliness. Mr. Lang answers, " I have
" noticed that shame almost always excites a blush,
" which frequently extends as low as the neck." Shame
is also shown, as he adds, " by the eyes being turned
" from side to side." As Mr. Lang was a teacher in
a native school, it is probable that he chiefly observed
children ; and we know that they blush more than
adults. Mr. G. Taplin has seen half-castes blushing,
and he says that the aborigines have a word expressive
of shame. Mr. Hagenauer, who is one of those who
has never observed the Australians to blush, says that
66
he has seen them looking down to the ground on
"account of shame ; " and the missionary, Mr. Bulmer,
remarks that though " I have not been able to detect
"anything like shame in the adult aborigines, I have
"noticed that the eyes of the children, when ashamed,
66
present a restless, watery appearance, as if they did
" not know where to look.”
The facts now given are sufficient to show that blush-
ing, whether or not there is any change of colour, is
common to most, probably to all, of the races of man.
Movements and gestures which accompany Blushing.-

Under a keen sense of shame there is a strong desire
19 Barrington also says that the Australians of New South Wales

blush, as quoted by Waitz, ibid. p. 135.
Y
for concealment.20 We turn away the whole body,

more especially the face, which we endeavour in some
manner to hide. An ashamed person can hardly endure
to meet the gaze of those present, so that he almost
invariably casts down his eyes or looks askant. As
there generally exists at the same time a strong wish to
avoid the appearance of shame, a vain attempt is made
to look direct at the person who causes this feeling ;
and the antagonism between these opposite tendencies
leads to various restless movements in the eyes. I
have noticed two ladies who, whilst blushing, to which
they are very liable, have thus acquired, as it ap
pears, the oddest trick of incessantly blinking their
eyelids with extraordinary rapidity. An intense blush
is sometimes accompanied by a slight effusion of
tears ; 21 and this, I presume, is due to the lacrymal
glands partaking of the increased supply of blood,
which we know rushes into the capillaries of the adjoin
ing parts, including the retina.
Many writers, ancient and modern, have noticed the
foregoing movements ; and it has already been shown
that the aborigines in various parts of the world often
exhibit their shame by looking downwards or askant,
or by restless movements of their eyes. Ezra cries out
(ch. ix. 6), " O, my God ! I am ashamed, and blush to
" lift up my head to thee, my God." In Isaiah (ch. 1.
20 Mr. Wedgwood says (Dict. of English Etymology, vol. iii. 1865 ,

p. 155) that the word shame " may well originate in the idea of shade
" or concealment, and may be illustrated by the Low German scheme,
" shade or shadow." Gratiolet (De la Phys. pp. 357-362 ) has a good
discussion on the gestures accompanying shame ; but some of his re
marks seem to me rather fanciful. See, also, Burgess (ibid. pp. 69 ,
134) on the same subject.
21 Burgess, ibid. pp. 181, 182. Boerhaave also noticed (as quoted by
Gratiolet, ibid. p. 361) the tendency to the secretion of tears during
intense blushing. Mr. Bulmer, as we have seen, speaks of the " watery
eyes " of the children of the Australian aborigines when ashamed.
6) we meet with the words, " I hid not my face from

" shame." Seneca remarks (Epist. xi. 5) " that the
" Roman players hang down their heads, fix their eyes
66 on
the ground and keep them lowered, but are unable
" to blush in acting shame." According to Macrobius,
who lived in the fifth century (' Saturnalia,' B. vii. c. 11),
" Natural philosophers assert that nature being moved
" by shame spreads the blood before herself as a veil,
" as we see any one blushing often puts his hands before
" his face." Shakspeare makes Marcus ( Titus An
dronicus,' act ii. sc. 5) say to his niece, " Ah ! now
" thou turn'st away thy face for shame." A lady
informs me that she found in the Lock Hospital a
girl whom she had formerly known, and who had
become a wretched castaway, and the poor creature,
when approached, hid her face under the bed-clothes,
and could not be persuaded to uncover it. We often
see little children, when shy or ashamed, turn away, and
still standing up, bury their faces in their mother's
gown ; or they throw themselves face downwards on
her lap .
Confusion of mind. -Most persons, whilst blushing

intensely, have their mental powers confused. This
is recognized in such common expressions as " she
66 was covered with confusion." Persons in this con
dition lose their presence of mind, and utter singularly
inappropriate remarks. They are often much distressed,
stammer, and make awkward movements or strange
grimaces. In certain cases involuntary twitchings of
some of the facial muscles may be observed. I have
been informed by a young lady, who blushes excessively,
that at such times she does not even know what she is
saying. When it was suggested to her that this might
be due to her distress from the consciousness that her
Y 2
blushing was noticed, she answered that this could

not be the case, " as she had sometimes felt quite
66
as stupid when blushing at a thought in her own
CC room."
L
I will give an instance of the extreme disturbance
of mind to which some sensitive men are liable. A
gentleman, on whom I can rely, assured me that he
had been an eye-witness of the following scene : —A
small dinner-party was given in honour of an extremely
shy man, who, when he rose to return thanks, rehearsed
the speech, which he had evidently learnt by heart, in
absolute silence, and did not utter a single word ; but he
acted as if he were speaking with much emphasis. His
friends, perceiving how the case stood, loudly applauded
the imaginary bursts of eloquence, whenever his ges
tures indicated a pause, and the man never discovered
that he had remained the whole time completely
silent. On the contrary, he afterwards remarked to
my friend, with much satisfaction, that he thought
he had succeeded uncommonly well.
When a person is much ashamed or very shy, and
blushes intensely, his heart beats rapidly and his
breathing is disturbed . This can hardly fail to affect
the circulation of the blood within the brain, and per
haps the mental powers. It seems however doubtful,
judging from the still more powerful influence of anger
and fear on the circulation , whether we can thus satis
factorily account for the confused state of mind in
persons whilst blushing intensely.
The true explanation apparently lies in the intimate
sympathy which exists between the capillary circula
tion of the surface of the head and face, and that of the
brain. On applying to Dr. J. Crichton Browne for
information, he has given me various facts bearing on
this subject. When the sympathetic nerve is divided
on one side of the head, the capillaries on this side

are relaxed and become filled with blood, causing
the skin to redden and to grow hot, and at the same
time the temperature within the cranium on the
same side rises. Inflammation of the membranes of
the brain leads to the engorgement of the face, ears,
and eyes with blood. The first stage of an epileptic fit
appears to be the contraction of the vessels of the brain,
and the first outward manifestation is an extreme pallor
of countenance. Erysipelas of the head commonly in
duces delirium. Even the relief given to a severe
headache by burning the skin with strong lotion ,
?
depends, I presume, on the same principle.
Dr. Browne has often administered to his patients
the vapour of the nitrite of amy1,22 which has the sin
gular property of causing vivid redness of the face
in from thirty to sixty seconds. This flushing re
sembles blushing in almost every detail : it begins at
several distinct points on the face, and spreads till it
involves the whole surface of the head, neck, and front
of the chest ; but has been observed to extend only in one
case to the abdomen. The arteries in the retina become
enlarged ; the eyes glisten, and in one instance there
was a slight effusion of tears. The patients are at first
pleasantly stimulated , but, as the flushing increases, they
become confused and bewildered . One woman to whom
the vapour had often been administered asserted that,
as soon as she grew hot, she grew muddled. With
persons just commencing to blush it appears, judging
from their bright eyes and lively behaviour, that their
mental powers are somewhat stimulated . It is only
when the blushing is excessive that the mind grows
22 See also Dr. J. Crichton Browne's ' Memoir ' on this subject in the
West Riding Lunatic Asylum Medical Report, 1871 , pp. 95-98.
confused. Therefore it would seem that the capillaries

of the face are affected , both during the inhalation of
the nitrite of amyl and during blushing, before that part
of the brain is affected on which the mental powers
depend.
Conversely when the brain is primarily affected , the
circulation of the skin is so in a secondary manner. 2
Dr. Browne has frequently observed, as he informs me,
scattered red blotches and mottlings on the chests of
epileptic patients. In these cases, when the skin on
the thorax or abdomen is gently rubbed with a pencil
or other object, or, in strongly-marked cases, is merely
touched by the finger, the surface becomes suffused in
less than half a minute with bright red marks, which
spread to some distance on each side of the touched
point, and persist for several minutes. These are the
cerebral maculæ of Trousseau ; and they indicate, as
Dr. Browne remarks, a highly modified condition of the
cutaneous vascular system . If, then, there exists , as
cannot be doubted , an intimate sympathy between the
capillary circulation in that part of the brain on which
our mental powers depend, and in the skin of the face,
it is not surprising that the moral causes which induce
intense blushing should likewise induce, independently of
their own disturbing influence, much confusion of mind.
The Nature of the Mental States which induce Blush

ing. These consist of shyness, shame, and modesty ;
the essential element in all being self-attention. Many
reasons can be assigned for believing that originally
self-attention directed to personal appearance, in relation
to the opinion of others, was the exciting cause ; the
same effect being subsequently produced, through
the force of association, by self-attention in relation to
moral conduct. It is not the simple act of reflecting
on our own appearance, but the thinking what others

think of us, which excites a blush. In absolute
solitude the most sensitive person would be quite
indifferent about his appearance. We feel blame or
disapprobation more acutely than approbation ; and
consequently depreciatory remarks or ridicule, whether
of our appearance or conduct, causes us to blush much
more readily than does praise. But undoubtedly praise
and admiration are highly efficient : a pretty girl
blushes when a man gazes intently at her, though she
may know perfectly well that he is not depreciating
her. Many children, as well as old and sensitive per-
sons blush, when they are much praised . Hereafter the
question will be discussed, how it has arisen that the
consciousness that others are attending to our personal
appearance should have led to the capillaries, espe-
cially those of the face, instantly becoming filled with
blood.
My reasons for believing that attention directed to
personal appearance, and not to moral conduct, has been
the fundamental element in the acquirement of the habit
of blushing, will now be given. They are separately
light, but combined possess, as it appears to me, con-
siderable weight. It is notorious that nothing makes
a shy person blush so much as any remark, however
slight, on his personal appearance. One cannot notice
even the dress of a woman much given to blushing,
without causing her face to crimson . It is sufficient
to stare hard at some persons to make them, as Cole-
ridge remarks, blush, " account for that he who
66 can." 23
With the two albinos observed by Dr. Burgess,24
"
23 In a discussion on so-called animal magnetism in Table Talk,'
vol. i. 24 Ibid. p. 40.
328 BLUSHING . CHAP. XIII.
"the slightest attempt to examine their peculiarities

66
invariably " caused them to blush deeply. Women
are much more sensitive about their personal appearance
than men are, especially elderly women in comparison
with elderly men, and they blush much more freely.
The young of both sexes are much more sensitive on
this same head than the old, and they also blush much
more freely than the old. Children at a very early
age do not blush ; nor do they show those other signs
of self- consciousness which generally accompany blush-
ing ; and it is one of their chief charms that they think
nothing about what others think of them. At this early
age they will stare at a stranger with a fixed gaze and
unblinking eyes, as on an inanimate object, in a manner
which we elders cannot imitate.
It is plain to every one that young men and women
are highly sensitive to the opinion of each other
with reference to their personal appearance ; and
they blush incomparably more in the presence of the
opposite sex than in that of their own.25 A young
man, not very liable to blush, will blush intensely at
any slight ridicule of his appearance from a girl whose
judgment on any important subject he would disregard.
No happy pair of young lovers, valuing each other's
admiration and love more than anything else in the
world, probably ever courted each other without many
a blush. Even the barbarians of Tierra del Fuego,
according to Mr. Bridges, blush " chiefly in regard to
" women, but certainly also at their own personal
66
appearance."
Of all parts of the body, the face is most considered
25 Mr. Bain ( The Emotions and the Will,' 1865, p. 65) remarks on
" the shyness of manners which is induced between the sexes . . . .
" from the influence of mutual regard, by the apprehension on either
" side of not standing well with the other."
and regarded, as is natural from its being the chief seat

of expression and the source of the voice. It is also the
chief seat of beauty and of ugliness, and throughout
the world is the most ornamented.26 The face, there-
fore, will have been subjected during many generations
to much closer and more earnest self-attention than any
other part of the body ; and in accordance with the
principle here advanced we can understand why it
should be the most liable to blush. Although exposure
to alternations of temperature, &c., has probably much
increased the power of dilatation and contraction in the
capillaries of the face and adjoining parts, yet this by
itself will hardly account for these parts blushing much
more than the rest of the body ; for it does not explain
the fact of the hands rarely blushing. With Europeans
the whole body tingles slightly when the face blushes
intensely ; and with the races of men who habitually
go nearly naked, the blushes extend over a much larger
surface than with us. These facts are, to a certain
extent, intelligible , as the self-attention of primeval man,
as well as of the existing races which still go naked, will
not have been so exclusively confined to their faces, as
is the case with the people who now go clothed.
We have seen that in all parts of the world persons
who feel shame for some moral delinquency, are apt to
avert, bend down, or hide their faces, independently
of any thought about their personal appearance. The
object can hardly be to conceal their blushes, for
the face is thus averted or hidden under circumstances
which exclude any desire to conceal shame, as when
guilt is fully confessed and repented of. It is, however,
probable that primeval man before he had acquired
26 See, for evidence on this subject, ' The Descent of Man ,' &c.,
vol. ii. pp. 71 , 341,
much moral sensitiveness would have been highly sen-

sitive about his personal appearance, at least in refer-
ence to the other sex, and he would consequently have
felt distress at any depreciatory remarks about his
appearance ; and this is one form of shame. And as
the face is the part of the body which is most regarded ,
it is intelligible that any one ashamed of his personal
appearance would desire to conceal this part of his
body. The habit having been thus acquired, would
naturally be carried on when shame from strictly moral
causes was felt ; and it is not easy otherwise to see why
under these circumstances there should be a desire to
hide the face more than any other part of the body.
The habit, so general with every one who feels
ashamed, of turning away, or lowering his eyes, or rest-
lessly moving them from side to side, probably follows
from each glance directed towards those present, bringing
home the conviction that he is intently regarded ;
and he endeavours, by not looking at those present, and
especially not at their eyes, momentarily to escape from
this painful conviction.
Shyness. This odd state of mind, often called

shamefacedness, or false shame, or mauvaise honte, ap-
pears to be one of the most efficient of all the causes of
blushing. Shyness is, indeed, chiefly recognized by the
face reddening, by the eyes being averted or cast down,
and by awkward, nervous movements of the body. Many
a woman blushes from this cause, a hundred, perhaps
a thousand times, to once that she blushes from having
done anything deserving blame, and of which she
is truly ashamed. Shyness seems to depend on sen-
sitiveness to the opinion , whether good or bad, of
others, more especially with respect to external appear-
ance. Strangers neither know nor care anything about
our conduct or character, but they may, and often

do, criticize our appearance : hence shy persons are
particularly apt to be shy and to blush in the presence
of strangers. The consciousness of anything peculiar,
or even new, in the dress, or any slight blemish on the
person, and more especially on the face-points which are
likely to attract the attention of strangers-makes the
shy intolerably shy. On the other hand, in those cases
in which conduct and not personal appearance is con-
cerned, we are much more apt to be shy in the presence
of acquaintances, whose judgment we in some degree
value, than in that of strangers. A physician told me
that a young man, a wealthy duke, with whom he had
travelled as medical attendant, blushed like a girl, when
he paid him his fee ; yet this young man probably
would not have blushed and been shy, had he been
paying a bill to a tradesman. Some persons, however,
are so sensitive, that the mere act of speaking to
almost any one is sufficient to rouse their self-conscious-
ness, and a slight blush is the result.
Disapprobation or ridicule, from our sensitiveness
on this head, causes shyness and blushing much more
readily than does approbation ; though the latter with
some persons is highly efficient. The conceited are
rarely shy ; for they value themselves much too highly
to expect depreciation. Why a proud man is often
shy, as appears to be the case, is not so obvious, unless
it be that, with all his self-reliance, he really thinks
much about the opinion of others, although in a dis-
dainful spirit. Persons who are exceedingly shy are rarely
shy in the presence of those with whom they are quite
familiar, and of whose good opinion and sympathy
they are perfectly assured ; -for instance, a girl in
the presence of her mother. I neglected to inquire
in my printed paper whether shyness can be detected
in the different races of man ; but a Hindoo gentle

man assured Mr. Erskine that it is recognizable in his
countrymen.
Shyness, as the derivation of the word indicates in
several languages," is closely related to fear ; yet it is
distinct from fear in the ordinary sense. A shy man no
doubt dreads the notice of strangers, but can hardly be
said to be afraid of them ; he may be as bold as a hero
in battle, and yet have no self-confidence about trifles.
in the presence of strangers. Almost every one is
extremely nervous when first addressing a public
assembly, and most men remain so throughout their
lives ; but this appears to depend on the consciousness
of a great coming exertion, with its associated effects
on the system, rather than on shyness ; 28 although a
timid or shy man no doubt suffers on such occasions
infinitely more than another. With very young children
it is difficult to distinguish between fear and shyness ;
but this latter feeling with them has often seemed to
me to partake of the character of the wildness of an
untamed animal. Shyness comes on at a very early
age. In one of my own children, when two years and
three months old, I saw a trace of what certainly
appeared to be shyness, directed towards myself after
an absence from home of only a week. This was
shown not by a blush, but by the eyes being for a
few minutes slightly averted from me. I have noticed
on other occasions that shyness or shamefacedness and
real shame are exhibited in the eyes of young children
before they have acquired the power of blushing.
27 H. Wedgwood, Dict. English Etymology, vol. iii. 1865, p. 184.
So with the Latin word verecundus.
28 Mr. Bain (' The Emotions and the Will,' p. 64) has discussed the
" abashed " feelings experienced on these occasions, as well as the
stage-fright of actors unused to the stage. Mr. Bain apparently attri
butes these feelings to simple apprehension or dread. I
As shyness apparently depends on self- attention, we

can perceive how right are those who maintain that re
prehending children for shyness, instead of doing them
any good, does much harm, as it calls their attention
still more closely to themselves. It has been well
urged that " nothing hurts young people more than to
" be watched continually about their feelings, to have
" their countenances scrutinized, and the degrees of their
66
sensibility measured by the surveying eye of the un
" merciful spectator . Under the constraint of such
" examinations they can think of nothing but that they
" are looked at, and feel nothing but shame or appre
" hension ."
" 29
Moral causes : guilt.-With respect to blushing from

strictly moral causes, we meet with the same funda
mental principle as before, namely, regard for the
opinion of others. It is not the conscience which raises
a blush, for a man may sincerely regret some slight
fault committed in solitude, or he may suffer the
deepest remorse for an undetected crime, but he will not
blush. " I blush," says Dr. Burgess,30 " in the presence
66 of my accusers ."" It is not the sense of guilt,
but the
thought that others think or know us to be guilty which
crimsons the face. A man may feel thoroughly ashamed
at having told a small falsehood, without blushing ; but
if he even suspects that he is detected he will instantly
blush, especially if detected by one whom he reveres.
On the other hand, a man may be convinced that
God witnesses all his actions, and he may feel deeply
conscious of some fault and pray for forgiveness ; but
296
Essays on Practical Education,' by Maria and R. L. Edgeworth,
new edit. vol. ii. 1822, p . 38. Dr. Burgess (ibid. p. 187) insists strongly
to the same effect. 30 Ibid. p. 50.
this will not, as a lady who is a great blusher believes,

ever excite a blush. The explanation of this difference
between the knowledge by God and man of our actions
lies, I presume, in man's disapprobation of immoral
conduct being somewhat akin in nature to his depre
ciation of our personal appearance, so that through
association both lead to similar results ; whereas the
disapprobation of God brings up no such association.
Many a person has blushed intensely when accused
of some crime, though completely innocent of it. Even
the thought, as the lady before referred to has observed
to me, that others think that we have made an unkind
or stupid remark, is amply sufficient to cause a blush,
although we know all the time that we have been com -
pletely misunderstood. An action may be meritorious
or of an indifferent nature, but a sensitive person, if he
suspects that others take a different view of it, will blush.
For instance, a lady by herself may give money to a
beggar without a trace of a blush, but if others are
present, and she doubts whether they approve, or
suspects that they think her influenced by display, she
will blush. So it will be, if she offers to relieve the
distress of a decayed gentlewoman, more particularly of
one whom she had previously known under better
circumstances, as she cannot then feel sure how her
conduct will be viewed. But such cases as these blend
into shyness.
Breaches of etiquette. - The rules of etiquette always

refer to conduct in the presence of, or towards others.
They have no necessary connection with the moral
sense, and are often meaningless. Nevertheless as they
depend on the fixed custom of our equals and superiors,
whose opinion we highly regard, they are considered
almost as binding as are the laws of honour to a
gentleman. Consequently the breach of the laws of

etiquette, that is, any impoliteness or gaucherie, any
impropriety, or an inappropriate remark, though quite
accidental, will cause the most intense blushing of
which a man is capable. Even the recollection of such
an act, after an interval of many years, will make the
whole body to tingle . So strong, also, is the power
of sympathy that a sensitive person, as a lady has
assured me, will sometimes blush at a flagrant breach
of etiquette by a perfect stranger, though the act may
in no way concern her.
Modesty. This is another powerful agent in exciting

blushes ; but the word modesty includes very different
states of the mind . It implies humility, and we often
judge of this by persons being greatly pleased and
blushing at slight praise, or by being annoyed at praise
which seems to them too high according to their own
humble standard of themselves. Blushing here has the
usual signification of regard for the opinion of others.
But modesty frequently relates to acts of indelicacy ;
and indelicacy is an affair of etiquette, as we clearly see
with the nations that go altogether or nearly naked.
He who is modest, and blushes easily at acts of this
nature, does so because they are breaches of a firmly
and wisely established etiquette. This is indeed shown
by the derivation of the word modest from modus, a
measure or standard of behaviour. A blush due to this
form of modesty is, moreover, apt to be intense, because
it generally relates to the opposite sex ; and we have
seen how in all cases our liability to blush is thus in-
creased. We apply the term " modest," as it would
appear, to those who have an humble opinion of them
selves , and to those who are extremely sensitive about
an indelicate word or deed, simply because in both cases
blushes are readily excited, for these two frames of

mind have nothing else in common. Shyness also, from
this same cause, is often mistaken for modesty in the
sense of humility.
Some persons flush up, as I have observed and have
been assured, at any sudden and disagreeable recol
lection. The commonest cause seems to be the sudden
remembrance of not having done something for another
person which had been promised. In this case it may
be that the thought passes half unconsciously through
the mind, " What will he think of me ? " and then the
flush would partake of the nature of a true blush.
But whether such flushes are in most cases due to the
capillary circulation being affected, is very doubtful ;
for we must remember that almost every strong emo
tion, such as anger or great joy, acts on the heart,
and causes the face to redden.
The fact that blushes may be excited in absolute

solitude seems opposed to the view here taken, namely
that the habit originally arose from thinking about
what others think of us. Several ladies, who are great
blushers, are unanimous in regard to solitude ; and some
of them believe that they have blushed in the dark.
From what Mr. Forbes has stated with respect to the
Aymaras, and from my own sensations, I have no doubt
that this latter statement is correct. Shakspeare,
therefore, erred when he made Juliet, who was not
even by herself, say to Romeo (act ii. sc. 2) : —
" Thou know'st the mask of night is on my face ;
Else would a maiden blush bepaint my cheek,
For that which thou hast heard me speak to-night."
But when a blush is excited in solitude, the cause
almost always relates to the thoughts of others about
us -to acts done in their presence, or suspected by them ;
or again when we reflect what others would have

thought of us had they known of the act. Nevertheless.
one or two of my informants believe that they have
blushed from shame at acts in no way relating to others.
If this be so, we must attribute the result to the force of
inveterate habit and association, under a state of mind
closely analogous to that which ordinarily excites a
blush ; nor need we feel surprise at this, as even sym
pathy with another person who commits a flagrant
breach of etiquette is believed, as we have just seen,
sometimes to cause a blush.
Finally, then, I conclude that blushing,-whether
due to shyness -to shame for a real crime-to shame
from a breach of the laws of etiquette-to modesty
from humility-to modesty from an indelicacy-depends
in all cases on the same principle ; this principle being
a sensitive regard for the opinion, more particularly
for the depreciation of others, primarily in relation to
our personal appearance, especially of our faces ; and
secondarily, through the force of association and habit,
in relation to the opinion of others on our conduct.
Theory of Blushing.—We have now to consider, why

should the thought that others are thinking about us
affect our capillary circulation ? Sir C. Bell insists 31
that blushing " is a provision for expression, as may be
" inferred from the colour extending only to the surface
" of the face, neck, and breast, the parts most exposed .
" It is not acquired ; it is from the beginning." Dr.
Burgess believes that it was designed by the Creator
in " order that the soul might have sovereign power of
66
displaying in the cheeks the various internal emotions
31 Bell, Anatomy of Expression,' p. 95. Burgess, as quoted below,

ibid. p. 49. Gratiolet, De la Phys . p. 94.
Z
""
" of the moral feelings ; so as to serve as a check on
ourselves, and as a sign to others, that we were violating
rules which ought to be held sacred. Gratiolet merely
remarks,-" Or, comme il est dans l'ordre de la nature
66
que l'être social le plus intelligent soit aussi le plus
66
intelligible, cette faculté de rougeur et de pâleur qui
66
distingue l'homme , est un signe naturel de sa haute
66
perfection ."
The belief that blushing was specially designed by
the Creator is opposed to the general theory of evolu
tion, which is now so largely accepted ; but it forms
no part of my duty here to argue on the general ques
tion. Those who believe in design, will find it difficult
to account for shyness being the most frequent and
efficient of all the causes of blushing, as it makes the
blusher to suffer and the beholder uncomfortable, with
out being of the least service to either of them. They
will also find it difficult to account for negroes and
other dark-coloured races blushing, in whom a change
of colour in the skin is scarcely or not at all visible.
No doubt a slight blush adds to the beauty of a
maiden's face ; and the Circassian women who are
capable of blushing, invariably fetch a higher price in
the seraglio of the Sultan than less susceptible women.32
But the firmest believer in the efficacy of sexual selec
tion will hardly suppose that blushing was acquired as
a sexual ornament. This view would also be opposed
to what has just been said about the dark- coloured
races blushing in an invisible manner.
4
The hypothesis which appears to me the most pro
bable, though it may at first seem rash, is that atten
tion closely directed to any part of the body tends to
32 On the authority of Lady Mary Wortley Montague ; see Burgess,

ibid. p. 43.
CHAP. XIII. BLUSHING . 339
interfere with the ordinary and tonic contraction of the

small arteries of that part. These vessels, in conse-
quence, become at such times more or less relaxed, and
are instantly filled with arterial blood. This tendency
will have been much strengthened, if frequent attention
has been paid during many generations to the same part,
owing to nerve-force readily flowing along accustomed
channels, and by the power of inheritance. Whenever
we believe that others are depreciating or even con-
sidering our personal appearance, our attention is
vividly directed to the outer and visible parts of our
bodies ; and of all such parts we are most sensitive
about our faces, as no doubt has been the case during
many past generations. Therefore, assuming for the
moment that the capillary vessels can be acted on by
close attention, those of the face will have become
eminently susceptible. Through the force of associa-
tion, the same effects will tend to follow whenever we
think that others are considering or censuring our
actions or character.
As the basis of this theory rests on mental attention
having some power to influence the capillary circula-
tion, it will be necessary to give a considerable body
of details, bearing more or less directly on this subject.
Several observers,33 who from their wide experience
33 In England , Sir H. Holland was, I believe, the first to consider

the influence of mental attention on various parts of the body, in his
'Medical Notes and Reflections,' 1839, p. 64. This essay, much en-
larged, was reprinted by Sir H. Holland in his Chapters on Mental
Physiology,' 1858 , p . 79, from which work I always quote. At nearly
the same time, as well as subsequently, Prof. Laycock discussed the
same subject : see Edinburgh Medical and Surgical Journal,' 1839,
July, pp. 17-22. Also his Treatise on the Nervous Diseases of Women,'
1840, p. 110 ; and ' Mind and Brain,' vol. ii . 1860, p. 327. Dr. Car-
penter's views on mesmerism have a nearly similar bearing. The great
physiologist Müller treated ( Elements of Physiology,' Eng. translat,
z 2
and knowledge are eminently capable of forming a

sound judgment, are convinced that attention or con-
sciousness (which latter term Sir H. Holland thinks
the more explicit) concentrated on almost any part
of the body produces some direct physical effect on
it. This applies to the movements of the involuntary
muscles, and of the voluntary muscles when acting
involuntarily,—to the secretion of the glands, —to the
activity of the senses and sensations, and even to
the nutrition of parts.
It is known that the involuntary movements of the
heart are affected if close attention be paid to them.
Gratiolet 34 gives the case of a man, who by continually
watching and counting his own pulse, at last caused
one beat out of every six to intermit. On the other
hand, my father told me of a careful observer, who
certainly had heart-disease and died from it, and who
positively stated that his pulse was habitually irre-
gular to an extreme degree ; yet to his great disap-
pointment it invariably became regular as soon as my
father entered the room. Sir H. Holland remarks,35
that " the effect upon the circulation of a part from the
" consciousness suddenly directed and fixed upon it,
" is often obvious and immediate." Professor Laycock,
who has particularly attended to phenomena of this
nature,36 insists that " when the attention is directed
" to any portion of the body, innervation and circula-
❝tion are excited locally, and the functional activity of
" that portion developed ."
vol. ii. pp. 937, 1085) of the influence of the attention on the senses.
Sir J. Paget discusses the influence of the mind on the nutrition of
parts, in his Lectures on Surgical Pathology,' 1853, vol. i. p. 39 : I
quote from the 3rd edit. revised by Prof. Turner, 1870, p. 28. See,
also, Gratiolet, De la Phys. pp. 283–287. 34 De la Phys. p. 283,
35 Chapters on Mental Physiology,' 1858, p. 111.
36 Mind and Brain ,' vol. ii . 1860, p . 327.
It is generally believed that the peristaltic move

ments ofthe intestines are influenced by attention being
paid to them at fixed recurrent periods ; and these
movements depend on the contraction of unstriped
and involuntary muscles. The abnormal action of the
voluntary muscles in epilepsy, chorea, and hysteria is
known to be influenced by the expectation of an
attack, and by the sight of other patients similarly
affected.37 So it is with the involuntary acts of yawning
and laughing.
Certain glands are much influenced by thinking of
them, or of the conditions under which they have been
habitually excited. This is familiar to every one in
the increased flow of saliva, when the thought, for in
stance, of intensely acid fruit is kept before the mind.38
It was shown in our sixth chapter, that an earnest
and long-continued desire either to repress, or to in
crease, the action of the lacrymal glands is effectual.
Some curious cases have been recorded in the case of
women, of the power of the mind on the mammary
glands ; and still more remarkable ones in relation to
the uterine functions.39
37 Chapters on Mental Physiology,' pp. 101-106.

38 See Gratiolet on this subject, De la Phys. p. 287.
39 Dr. J. Crichton Browne, from his observations on the insane, is
convinced that attention directed for a prolonged period on any part or
organ may ultimately influence its capillary circulation and nutrition .
He has given me some extraordinary cases ; one of these, which
cannot here be related in full, refers to a married woman fifty years of
age, who laboured under the firm and long-continued delusion that
she was pregnant. When the expected period arrived, she acted pre
cisely as if she had been really delivered of a child, and seemed to
suffer extreme pain, so that the perspiration broke out on her forehead.
The result was that a state of things returned , continuing for three
days, which had ceased during the six previous years. Mr. Braid
gives, in his ' Magic, Hypnotism,' &c., 1852, p. 95, and in his other
works, analogous cases, as well as other facts showing the great in
fluence of the will on the mammary glands, even on one breast alone.
When we direct our whole attention to any one

sense, its acuteness is increased ; 40 and the continued
habit of close attention, as with blind people to that
of hearing, and with the blind and deaf to that of
touch, appears to improve the sense in question per
manently. There is, also, some reason to believe ,
judging from the capacities of different races of man ,
that the effects are inherited . Turning to ordinary
sensations, it is well known that pain is increased
by attending to it ; and Sir B. Brodie goes so far as to
believe that pain may be felt in any part of the body
to which attention is closely drawn." Sir H. Holland
also remarks that we become not only conscious of the
existence of a part subjected to concentrated attention ,
but we experience in it various odd sensations, as of
42
weight, heat, cold , tingling, or itching.*
Lastly, some physiologists maintain that the mind
can influence the nutrition of parts. Sir J. Paget
has given a curious instance of the power, not in
deed of the mind, but of the nervous system, on the
hair. A lady " who is subject to attacks of what is
" called nervous headache, always finds in the morning
" after such an one, that some patches of her hair
" are white, as if powdered with starch. The change
" is effected in a night, and in a few days after, the
" 43
" hairs gradually regain their dark brownish colour."
40 Dr. Maudsley has given (' The Physiology and Pathology of Mind ,'
2nd edit. 1868, p. 105), on good authority, some curious statements with
respect to the improvement of the sense of touch by practice and atten
tion. It is remarkable that when this sense has thus been rendered
more acute at any point of the body, for instance, in a finger, it is likewise
improved at the corresponding point on the opposite side of the body.
41 The Lancet,' 1838, pp. 39-40, as quoted by Prof. Laycock,
' Nervous Diseases of Women,' 1840, p. 110.
42 Chapters on Mental Physiology,' 1858, pp. 91-93.
43
Lectures on Surgical Pathology,' 3rd edit. revised by Prof.
Turner, 1870, pp. 28, 31.
We thus see that close attention certainly affects

various parts and organs, which are not properly under
the control of the will. By what means attention
perhaps the most wonderful of all the wondrous powers
of the mind- is effected, is an extremely obscure
44
subject. According to Müller, the process by which
the sensory cells of the brain are rendered, through
the will, susceptible of receiving more intense and dis
tinct impressions, is closely analogous to that by which
the motor cells are excited to send nerve-force to the
voluntary muscles. There are many points of analogy
in the action of the sensory and motor nerve-cells ; for
instance, the familiar fact that close attention to any
one sense causes fatigue, like the prolonged exertion
of any one muscle.45 When therefore we voluntarily
concentrate our attention on any part of the body, the
cells of the brain which receive impressions or sensa
tions from that part are, it is probable, in some un
known manner stimulated into activity. This may
account, without any local change in the part to which
our attention is earnestly directed, for pain or odd sen
sations being there felt or increased .
If, however, the part is furnished with muscles, we
cannot feel sure, as Mr. Michael Foster has remarked .
to me, that some slight impulse may not be uncon
sciously sent to such muscles ; and this would probably
cause an obscure sensation in the part.
In a large number of cases, as with the salivary and
lacrymal glands, intestinal canal, &c., the power of
attention seems to rest, either chiefly, or as some phy
siologists think, exclusively, on the vaso-motor system
being affected in such a manner that more blood is
44 Elements of Physiology,' Eng. translat. vol. ii. p. 938.

45 Prof. Laycock has discussed this point in a very interesting
manner. See his Nervous Diseases of Women,' 1840, p. 110.
allowed to flow into the capillaries of the part in ques

tion. This increased action of the capillaries may in
some cases be combined with the simultaneously in
creased activity of the sensorium .
The manner in which the mind affects the vaso
motor system may be conceived in the following
manner. When we actually taste sour fruit, an im
pression is sent through the gustatory nerves to a
certain part of the sensorium ; this transmits nerve
force to the vaso-motor centre, which consequently
allows the muscular coats of the small arteries that
permeate the salivary glands to relax. Hence more
blood flows into these glands, and they secrete a copious
supply of saliva . Now it does not seem an improbable
assumption, that, when we reflect intently on a sensa
tion, the same part of the sensorium, or a closely con
nected part of it, is brought into a state of activity, in
the same manner as when we actually perceive the
sensation. If so, the same cells in the brain will be
excited, though, perhaps, in a less degree, by vividly
thinking about a sour taste, as by perceiving it ; and
they will transmit in the one case, as in the other, nerve
force to the vaso-motor centre with the same results.
To give another, and, in some respects, more appro
priate illustration. If a man stands before a hot fire,
his face reddens. This appears to be due, as Mr.
Michael Foster informs me, in part to the local action
of the heat, and in part to a reflex action from the
vaso-motor centres.46 In this latter case, the heat affects
the nerves of the face ; these transmit an impression
to the sensory cells of the brain, which act on the
46 See, also, Mr. Michael Foster, on the action of the vaso-motor

system, in his interesting Lecture before the Royal Institution, as
translated in the ' Revue des Cours Scientifiques,' Sept. 25, 1869,
p. 683.
vaso- motor centre, and this reacts on the small arteries

of the face, relaxing them and allowing them to become
filled with blood . Here, again, it seems not improbable
that if we were repeatedly to concentrate with great
earnestness our attention on the recollection of our
heated faces, the same part of the sensorium which
gives us the consciousness of actual heat would be in
some slight degree stimulated, and would in conse
quence tend to transmit some nerve-force to the vaso
motor centres, so as to relax the capillaries of the face .
Now as men during endless generations have had their
attention often and earnestly directed to their personal
appearance, and especially to their faces, any incipient
tendency in the facial capillaries to be thus affected
will have become in the course of time greatly strength
ened through the principles just referred to, namely,
nerve-force passing readily along accustomed channels .
and inherited habit. Thus, as it appears to me, a
plausible explanation is afforded of the leading pheno
mena connected with the act of blushing.
-
Recapitulation. Men and women, and especially the
young, have always valued, in a high degree, their
personal appearance ; and have likewise regarded the
appearance of others. The face has been the chief object
of attention, though, when man aboriginally went naked,
the whole surface of his body would have been attended
to. Our self-attention is excited almost exclusively by
the opinion of others, for no person living in absolute
solitude would care about his appearance. Every one
feels blame more acutely than praise. Now, whenever
we know, or suppose, that others are depreciating our
personal appearance, our attention is strongly drawn
towards ourselves, more especially to our faces. The
probable effect of this will be, as has just been ex
plained, to excite into activity that part of the senso

rium which receives the sensory nerves of the face ;
and this will react through the vaso-motor system on
the facial capillaries. By frequent reiteration during
numberless generations, the process will have become
so habitual, in association with the belief that others
are thinking of us, that even a suspicion of their
depreciation suffices to relax the capillaries, without
any conscious thought about our faces. With some
sensitive persons it is enough even to notice their
dress to produce the same effect. Through the force,
also, of association and inheritance our capillaries are
relaxed, whenever we know, or imagine, that any one
is blaming, though in silence, our actions, thoughts, or
character ; and, again, when we are highly praised .
On this hypothesis we can understand how it is that
the face blushes much more than any other part of the
body, though the whole surface is somewhat affected ,
more especially with the races which still go nearly
naked. It is not at all surprising that the dark
coloured races should blush, though no change of
colour is visible in their skins. From the principle
of inheritance it is not surprising that persons born.
blind should blush. We can understand why the
young are much more affected than the old, and women
more than men ; and why the opposite sexes especially
excite each other's blushes. It becomes obvious why
personal remarks should be particularly liable to cause
blushing, and why the most powerful of all the causes
is shyness ; for shyness relates to the presence and
opinion of others, and the shy are always more or less
self-conscious. With respect to real shame from moral
delinquencies, we can perceive why it is not guilt, but
the thought that others think us guilty, which raises a
blush. A man reflecting on a crime committed in
室
solitude, and stung by his conscience, does not blush ;

yet he will blush under the vivid recollection of a
detected fault, or of one committed in the presence of
others, the degree of blushing being closely related to
the feeling of regard for those who have detected ,
witnessed, or suspected his fault. Breaches of con
ventional rules of conduct, if they are rigidly insisted
on by our equals or superiors, often cause more intense
blushes even than a detected crime ; and an act which
is really criminal, if not blamed by our equals, hardly
raises a tinge of colour on our cheeks. Modesty from
humility, or from an indelicacy, excites a vivid blush,
as both relate to the judgment or fixed customs of others.
From the intimate sympathy which exists between the
capillary circulation of the surface of the head and of
the brain, whenever there is intense blushing, there will
be some, and often great, confusion of mind. This is fre
quently accompanied by awkward movements, and some
times by the involuntary twitching of certain muscles.
As blushing, according to this hypothesis, is an in
direct result of attention, originally directed to our
personal appearance, that is to the surface of the body,
and more especially to the face, we can understand the
meaning of the gestures which accompany blushing
throughout the world. These consist in hiding the
face, or turning it towards the ground, or to one side.
The eyes are generally averted or are restless, for to
look at the man who causes us to feel shame or shy
ness, immediately brings home in an intolerable man
ner the consciousness that his gaze is directed on us.
Through the principle of associated habit, the same
movements of the face and eyes are practised, and
can, indeed, hardly be avoided, whenever we know
or believe that others are blaming, or too strongly
praising, our moral conduct.
1
318 CONCLUDING REMARKS CHAP. XIV .
CHAPTER XIV.
CONCLUDING REMARKS AND SUMMARY.
The three leading principles which have determined the chief move-
ments of expression - Their inheritance - On the part which
the will and intention have played in the acquirement of various
expressions - The instinctive recognition of expression — The
bearing of our subject on the specific unity of the races of man -
On the successive acquirement of various expressions by the pro-
genitors of man - The importance of expression Conclusion.
I HAVE now described, to the best of my ability, the

chief expressive actions in man, and in some few of
the lower animals. I have also attempted to explain
the origin or development of these actions through the
three principles given in the first chapter. The first
of these principles is, that movements which are ser-
viceable in gratifying some desire, or in relieving some
sensation, if often repeated, become so habitual that
they are performed, whether or not of any service,
whenever the same desire or sensation is felt, even in a
very weak degree.
Our second principle is that of antithesis. The habit
of voluntarily performing opposite movements under
opposite impulses has become firmly established in us
by the practice of our whole lives. Hence, if certain
actions have been regularly performed , in accordance
with our first principle, under a certain frame of mind,
there will be a strong and involuntary tendency to the
performance of directly opposite actions, whether or not
these are of any use, under the excitement of an oppo-
site frame of mind.
CHAP. XIV. AND SUMMARY. 349
Our third principle is the direct action of the excited

nervous system on the body, independently of the will ,
and independently, in large part, of habit. Experience
shows that nerve-force is generated and set free
whenever the cerebro-spinal system is excited . The
direction which this nerve-force follows is necessarily
determined by the lines of connection between the
nerve-cells, with each other and with various parts
of the body. But the direction is likewise much in
fluenced by habit ; inasmuch as nerve-force passes
readily along accustomed channels.
The frantic and senseless actions of an enraged man
may be attributed in part to the undirected flow of
nerve-force, and in part to the effects of habit, for these
actions often vaguely represent the act of striking.
They thus pass into gestures included under our first
principle ; as when an indignant man unconsciously
throws himself into a fitting attitude for attacking his
opponent, though without any intention of making an
actual attack. We see also the influence of habit in
all the emotions and sensations which are called ex
citing ; for they have assumed this character from
having habitually led to energetic action ; and action
affects, in an indirect manner, the respiratory and
circulatory system ; and the latter reacts on the
brain. Whenever these emotions or sensations are
even slightly felt by us, though they may not at the
time lead to any exertion, our whole system is never
theless disturbed through the force of habit and asso
ciation. Other emotions and sensations are called
depressing, because they have not habitually led to
energetic action, excepting just at first, as in the case
.
of extreme pain, fear, and grief, and they have ulti
mately caused complete exhaustion ; they are con
sequently expressed chiefly by negative sigs and by
prostration. Again, there are other emotions, such

as that of affection , which do not commonly lead to
action of any kind, and consequently are not exhibited
by any strongly marked outward signs. Affection
indeed, in as far as it is a pleasurable sensation ,
excites the ordinary signs of pleasure.
On the other hand, many of the effects due to the
excitement of the nervous system seem to be quite
independent of the flow of nerve-force along the chan-
nels which have been rendered habitual by former
exertions of the will. Such effects, which often reveal
the state of mind of the person thus affected, cannot
at present be explained ; for instance, the change of
colour in the hair from extreme terror or grief,—the
cold sweat and the trembling of the muscles from fear,
-the modified secretions of the intestinal canal, -and
the failure of certain glands to act.
Notwithstanding that much remains unintelligible
in our present subject, so many expressive movements
and actions can be explained to a certain extent through
the above three principles, that we may hope hereafter
to see all explained by these or by closely analogous
principles.
Actions of all kinds, if regularly accompanying any
state of the mind, are at once recognised as expressive.
These may consist of movements of any part of the
body, as the wagging of a dog's tail, the shrugging of
a man's shoulders, the erection of the hair, the exuda-
tion of perspiration, the state of the capillary circu-
lation, laboured breathing, and the use of the vocal
or other sound-producing instruments. Even insects
express anger, terror, jealousy, and love by their stridu-
lation. With man the respiratory organs are of especial
importance in expression, not only in a direct, but in a
still higher degree in an indirect manner.
Few points are more interesting in our present sub

ject than the extraordinarily complex chain of events
which lead to certain expressive movements. Take,
for instance, the oblique eyebrows of a man suffering
from grief or anxiety. When infants scream loudly
from hunger or pain, the circulation is affected, and
the eyes tend to become gorged with blood : conse
quently the muscles surrounding the eyes are strongly
contracted as a protection : this action, in the course
of many generations, has become firmly fixed and in
herited but when, with advancing years and culture,
the habit of screaming is partially repressed, the
muscles round the eyes still tend to contract, when
ever even slight distress is felt : of these muscles , the
pyramidals of the nose are less under the control of
the will than are the others, and their contraction can
be checked only by that of the central fascia of the
frontal muscle : these latter fascia draw up the inner
ends of the eyebrows, and wrinkle the forehead in a
peculiar manner, which we instantly recognise as the
expression of grief or anxiety. Slight movements, such
as these just described, or the scarcely perceptible
drawing down of the corners of the mouth, are the
last remnants or rudiments of strongly marked and
intelligible movements. They are as full of signifi
cance to us in regard to expression, as are ordinary
rudiments to the naturalist in the classification and
genealogy of organic beings.
That the chief expressive actions, exhibited by man
and by the lower animals, are now innate or inherited,
—that is, have not been learnt by the individual,—is
admitted by every one. So little has learning or imi
tation to do with several of them that they are
from the earliest days and throughout life quite be
yond our control ; for instance, the relaxation of
352 CONCLUDING REMARKS CHAP. XIV.
the arteries of the skin in blushing, and the increased

action of the heart in anger. We may see children,
only two or three years old, and even those born blind ,
blushing from shame ; and the naked scalp of a very
young infant reddens from passion. Infants scream
from pain directly after birth, and all their features
then assume the same form as during subsequent years.
These facts alone suffice to show that many of our most
important expressions have not been learnt ; but it is
remarkable that some, which are certainly innate ,
require practice in the individual, before they are per-
formed in a full and perfect manner ; for instance,
weeping and laughing. The inheritance of most of
our expressive actions explains the fact that those born
blind display them, as I hear from the Rev. R. H.
Blair, equally well with those gifted with eyesight.
We can thus also understand the fact that the young
and the old of widely different races, both with man
and animals, express the same state of mind by the
same movements.
We are so familiar with the fact of young and old
animals displaying their feelings in the same manner,
that we hardly perceive how remarkable it is that a
young puppy should wag its tail when pleased, depress
its ears and uncover its canine teeth when pretending
to be savage, just like an old dog ; or that a kitten
should arch its little back and erect its hair when
frightened and angry, like an old cat. When , how-
ever, we turn to less common gestures in ourselves,
which we are accustomed to look at as artificial or
conventional, such as shrugging the shoulders, as a
sign of impotence, or the raising the arms with open
hands and extended fingers, as a sign of wonder,—we
feel perhaps too much surprise at finding that they are
innate. That these and some other gestures are in-
CHAP. XIV. AND SUMMARY . 353
herited, we may infer from their being performed by

very young children, by those born blind, and by the
most widely distinct races of man. We should also
bear in mind that new and highly peculiar tricks, in
association with certain states of the mind, are known
to have arisen in certain individuals, and to have been
afterwards transmitted to their offspring, in some cases,
for more than one generation .
Certain other gestures, which seem to us so natural
that we might easily imagine that they were innate,
apparently have been learnt like the words of a lan-
guage. This seems to be the case with the joining of
the uplifted hands, and the turning up of the eyes, in
prayer. So it is with kissing as a mark of affection ;
but this is innate, in so far as it depends on the plea-
sure derived from contact with a beloved person. The
evidence with respect to the inheritance of nodding
and shaking the head, as signs of affirmation and nega-
tion, is doubtful ; for they are not universal, yet seem
too general to have been independently acquired by all
the individuals of so many races.
We will now consider how far the will and conscious-

ness have come into play in the development of the
various movements of expression. As far as we can
judge, only a few expressive movements, such as those
just referred to, are learnt by each individual ; that is,
were consciously and voluntarily performed during
the early years of life for some definite object, or in
imitation of others, and then became habitual. The
far greater number of the movements of expression,
and all the more important ones, are, as we have seen ,
innate or inherited ; and such cannot be said to depend
on the will of the individual. Nevertheless, all those
included under our first principle were at first volun-
2 A
tarily performed for a definite object, —namely, to

escape some danger, to relieve some distress, or to
gratify some desire. For instance, there can hardly
be a doubt that the animals which fight with their
teeth, have acquired the habit of drawing back their
ears closely to their heads, when feeling savage, from
their progenitors having voluntarily acted in this
manner in order to protect their ears from being torn
by their antagonists ; for those animals which do not
fight with their teeth do not thus express a savage state
of mind. We may infer as highly probable that we
ourselves have acquired the habit of contracting the
muscles round the eyes, whilst crying gently, that is,
without the utterance of any loud sound, from our
progenitors, especially during infancy, having expe-
rienced, during the act of screaming, an uncomfortable
sensation in their eyeballs. Again, some highly ex-
pressive movements result from the endeavour to check
or prevent other expressive movements ; thus the obli-
quity of the eyebrows and the drawing down of the
corners of the mouth follow from the endeavour to
prevent a screaming-fit from coming on, or to check it
after it has come on. Here it is obvious that the con-
sciousness and will must at first have come into play ;
not that we are conscious in these or in other such
cases what muscles are brought into action, any more
than when we perform the most ordinary voluntary
movements.
With respect to the expressive movements due to
the principle of antithesis, it is clear that the will has
intervened, though in a remote and indirect manner.
So again with the movements coming under our third
principle ; these, in as far as they are influenced by
nerve-force readily passing along habitual channels,
have been determined by former and repeated exer-
tions of the will. The effects indirectly due to this

latter agency are often combined in a complex manner,
through the force of habit and association, with those
directly resulting from the excitement of the cerebro-
spinal system. This seems to be the case with the in-
creased action of the heart under the influence of any
strong emotion. When an animal erects its hair, as-
sumes a threatening attitude, and utters fierce sounds,
in order to terrify an enemy, we see a curious combi-
nation of movements which were originally voluntary
with those that are involuntary. It is, however,
possible that even strictly involuntary actions, such as
the erection of the hair, may have been affected by the
mysterious power of the will.
Some expressive movements may have arisen spon-
taneously, in association with certain states of the mind,
like the tricks lately referred to, and afterwards been
inherited. But I know of no evidence rendering this
view probable.
The power of communication between the members
of the same tribe by means of language has been of
paramount importance in the development of man ;
and the force of language is much aided by the expres-
sive movements of the face and body. We perceive
this at once when we converse on an important sub-
ject with any person whose face is concealed. Never-
theless there are no grounds, as far as I can discover,
for believing that any muscle has been developed or
even modified exclusively for the sake of expression.
The vocal and other sound-producing organs, by which
various expressive noises are produced, seem to form a
partial exception ; but I have elsewhere attempted to
show that these organs were first developed for sexual
purposes, in order that one sex might call or charm the
other. Nor can I discover grounds for believing that
2 A 2
any inherited movement, which now serves as a means

of expression, was at first voluntarily and consciously
performed for this special purpose, -like some of the
gestures and the finger-language used by the deaf and
dumb. On the contrary, every true or inherited move
ment of expression seems to have had some natural and
independent origin. But when once acquired, such
movements may be voluntarily and consciously em
ployed as a means of communication. Even infants, if
carefully attended to, find out at a very early age that
their screaming brings relief, and they soon voluntarily
practise it. We may frequently see a person volun
tarily raising his eyebrows to express surprise, or
smiling to express pretended satisfaction and acqui
escence. A man often wishes to make certain gestures
conspicuous or demonstrative, and will raise his ex
tended arms with widely opened fingers above his head,
to show astonishment, or lift his shoulders to his ears,
to show that he cannot or will not do something. The
tendency to such movements will be strengthened or
increased by their being thus voluntarily and repeatedly
performed ; and the effects may be inherited.
It is perhaps worth consideration whether move
ments at first used only by one or a few individuals to
express a certain state of mind may not sometimes
have spread to others, and ultimately have become
universal, through the power of conscious and uncon
scious imitation. That there exists in man a strong
tendency to imitation, independently of the conscious
will, is certain. This is exhibited in the most extra
ordinary manner in certain brain diseases, especially at
the commencement of inflammatory softening of the
brain, and has been called the " echo sign." Patients
thus affected imitate, without understanding, every
absurd gesture which is made, and every word which
is uttered near them, even in a foreign language.¹ In

the case of animals, the jackal and wolf have learnt
under confinement to imitate the barking of the dog.
How the barking of the dog, which serves to express
various emotions and desires, and which is so remark
able from having been acquired since the animal was
domesticated, and from being inherited in different
degrees by different breeds, was first learnt, we do not
know ; but may we not suspect that imitation has had
something to do with its acquisition, owing to dogs
having long lived in strict association with so loqua
cious an animal as man ?
In the course of the foregoing remarks and through
out this volume, I have often felt much difficulty about
the proper application of the terms, will, consciousness,
and intention . Actions, which were at first volun
tary, soon become habitual, and at last hereditary,
and may then be performed even in opposition to the
will. Although they often reveal the state of the
mind, this result was not at first either intended or ex
pected . Even such words as that " certain movements
serve as a means of expression " are apt to mislead , as
they imply that this was their primary purpose or
object. This, however, seems rarely or never to have
been the case ; the movements having been at first
either of some direct use, or the indirect effect of the
excited state of the sensorium. An infant may scream
either intentionally or instinctively to show that it
wants food ; but it has no wish or intention to draw
its features into the peculiar form which so plainly
indicates misery ; yet some of the most characteristic
expressions exhibited by man are derived from the act
of screaming, as has been explained.
¹ See the interesting facts given by Dr. Bateman on ' Aphasia,' 1870,
p. 110.
Although most of our expressive actions are innate

or instinctive, as is admitted by everyone, it is a dif
ferent question whether we have any instinctive power
of recognising them . This has generally been assumed
to be the case ; but the assumption has been strongly
controverted by M. Lemoine.2 Monkeys soon learn
to distinguish, not only the tones of voice of their
masters, but the expression of their faces, as is asserted
by a careful observer.3 Dogs well know the difference
between caressing and threatening gestures or tones ;
and they seem to recognise a compassionate tone. But
as far as I can make out, after repeated trials, they
do not understand any movement confined to the
features, excepting a smile or laugh ; and this they
appear, at least in some cases, to recognise. This
limited amount of knowledge has probably been gained ,
both by monkeys and dogs, through their associating
harsh or kind treatment with our actions ; and the
knowledge certainly is not instinctive. Children, no
doubt, would soon learn the movements of expression
in their elders in the same manner as animals learn
those of man. Moreover, when a child cries or laughs,
he knows in a general manner what he is doing
and what he feels ; so that a very small exertion
of reason would tell him what crying or laughing
meant in others. But the question is, do our chil
dren acquire their knowledge of expression solely
by experience through the power of association and
reason ?
As most of the movements of expression must have
been gradually acquired, afterwards becoming instinc
2 La Physionomie et la Parole,' 1865, pp . 103, 118.

3 Rengger, ' Naturgeschichte der Säugethiere von Paraguay,' 1830,
s. 55.
tive, there seems to be some degree of à priori proba-

bility that their recognition would likewise have become
instinctive. There is, at least, no greater difficulty in
believing this than in admitting that, when a female
quadruped first bears young, she knows the cry of dis-
tress of her offspring, or than in admitting that many
animals instinctively recognise and fear their enemies ;
and of both these statements there can be no reasonable
doubt. It is however extremely difficult to prove that
our children instinctively recognise any expression. I
attended to this point in my first- born infant, who could
not have learnt anything by associating with other
children, and I was convinced that he understood a
smile and received pleasure from seeing one, answering
it by another, at much too early an age to have learnt
anything by experience. When this child was about
four months old, I made in his presence many odd
noises and strange grimaces, and tried to look savage ;
but the noises, if not too loud, as well as the grimaces,
were all taken as good jokes ; and I attributed this at
the time to their being preceded or accompanied by
smiles. When five months old, he seemed to under-
stand a compassionate expression and tone of voice.
When a few days over six months old, his nurse pre-
tended to cry, and I saw that his face instantly assumed
a melancholy expression, with the corners of the mouth
strongly depressed ; now this child could rarely have
seen any other child crying, and never a grown-up
person crying, and I should doubt whether at so early
an age he could have reasoned on the subject. There-
fore it seems to me that an innate feeling must have
told him that the pretended crying of his nurse ex-
pressed grief ; and this through the instinct of sympathy
excited grief in him.
M. Lemoine argues that, if man possessed an innate
knowledge of expression, authors and artists would not

have found it so difficult, as is notoriously the case, to
describe and depict the characteristic signs of each
particular state of mind. But this does not seem to
me a valid argument. We may actually behold the
expression changing in an unmistakable manner in a
man or animal , and yet be quite unable, as I know
from experience, to analyse the nature of the change.
In the two photographs given by Duchenne of the same
old man (Plate III. figs. 5 and 6), almost every one re
cognised that the one represented a true, and the other a
false smile ; but I have found it very difficult to decide
in what the whole amount of difference consists. It
has often struck me as a curious fact that so many
shades of expression are instantly recognised without
any conscious process of analysis on our part. No one,
I believe, can clearly describe a sullen or sly expres
sion ; yet many observers are unanimous that these
expressions can be recognised in the various races of
man. Almost everyone to whom I showed Duchenne's
photograph of the young man with oblique eyebrows
(Plate II. fig. 2) at once declared that it expressed
grief or some such feeling ; yet probably not one of
these persons , or one out of a thousand persons,
could beforehand have told anything precise about
the obliquity of the eyebrows with their inner ends
puckered , or about the rectangular furrows on the fore
head. So it is with many other expressions, of which I
have had practical experience in the trouble requisite
in instructing others what points to observe. If, then,
great ignorance of details does not prevent our recog
nising with certainty and promptitude various expres
sions, I do not see how this ignorance can be advanced
as an argument that our knowledge, though vague and
general, is not innate.
CHAP. XIV. AND SUMMARY, 361
I have endeavoured to show in considerable detail

that all the chief expressions exhibited by man are the
same throughout the world. This fact is interesting,
as it affords a new argument in favour of the several
races being descended from a single parent-stock, which
must have been almost completely human in structure,
and to a large extent in mind, before the period at which
the races diverged from each other. No doubt similar
structures, adapted for the same purpose, have often
been independently acquired through variation and
natural selection by distinct species ; but this view will
not explain close similarity between distinct species in
a multitude of unimportant details. Now if we bear in
mind the numerous points of structure having no rela-
tion to expression, in which all the races of man closely
agree, and then add to them the numerous points,
some of the highest importance and many of the most
trifling value, on which the movements of expression
directly or indirectly depend, it seems to me improbable
in the highest degree that so much similarity, or rather
identity of structure, could have been acquired by
independent means. Yet this must have been the case
if the races of man are descended from several abori-
ginally distinct species. It is far more probable that
the many points of close similarity in the various races
are due to inheritance from a single parent-form, which
had already assumed a human character.
It is a curious, though perhaps an idle speculation,
how early in the long line of our progenitors the various
expressive movements, now exhibited by man, were
successively acquired. The following remarks will at
least serve to recall some of the chief points discussed
in this volume. We may confidently believe that
laughter, as a sign of pleasure or enjoyment, was
practised by our progenitors long before they deserved
to be called human ; for very many kinds of monkeys,

when pleased, utter a reiterated sound, clearly analogous
to our laughter, often accompanied by vibratory move-
ments of their jaws or lips, with the corners of the
mouth drawn backwards and upwards, by the wrinkling
of the cheeks, and even by the brightening of the
eyes.
We may likewise infer that fear was expressed from
an extremely remote period, in almost the same manner
as it now is by man ; namely, by trembling, the erec-
tion of the hair, cold perspiration, pallor, widely opened
eyes, the relaxation of most of the muscles, and by the
whole body cowering downwards or held motionless.
Suffering, if great, will from the first have caused
screams or groans to be uttered, the body to be con-
torted, and the teeth to be ground together. But our
progenitors will not have exhibited those highly expres-
sive movements of the features which accompany
screaming and crying until their circulatory and respi-
ratory organs, and the muscles surrounding the eyes,
had acquired their present structure. The shedding
of tears appears to have originated through reflex
action from the spasmodic contraction of the eyelids ,
together perhaps with the eyeballs becoming gorged
with blood during the act of screaming. Therefore
weeping probably came on rather late in the line of
our descent ; and this conclusion agrees with the fact
that our nearest allies, the anthropomorphous apes, do
not weep. But we must here exercise some caution, for
as certain monkeys, which are not closely related to
man, weep, this habit might have been developed long
ago in a sub-branch of the group from which man is
derived. Our early progenitors, when suffering from
grief or anxiety, would not have made their eyebrows
oblique, or have drawn down the corners of their mouth ,
until they had acquired the habit of endeavouring to

restrain their screams. The expression, therefore, of
grief and anxiety is eminently human.
Rage will have been expressed at a very early period
by threatening or frantic gestures, by the reddening of
the skin, and by glaring eyes, but not by frowning.
For the habit of frowning seems to have been acquired
chiefly from the corrugators being the first muscles to
contract round the eyes, whenever during infancy pain,
anger, or distress is felt, and there consequently is a near
approach to screaming ; and partly from a frown serving
as a shade in difficult and intent vision. It seems pro-
bable that this shading action would not have become
habitual until man had assumed a completely upright
position, for monkeys do not frown when exposed to a
glaring light. Our early progenitors, when enraged ,
would probably have exposed their teeth more freely
than does man, even when giving full vent to his
rage, as with the insane. We may, also, feel almost
certain that they would have protruded their lips,
when sulky or disappointed, in a greater degree than
is the case with our own children, or even with the
children of existing savage races.
Our early progenitors, when indignant or moderately
angry, would not have held their heads erect, opened
their chests, squared their shoulders, and clenched their
fists, until they had acquired the ordinary carriage and
upright attitude of man, and had learnt to fight with
their fists or clubs. Until this period had arrived the
antithetical gesture of shrugging the shoulders, as a
sign of impotence or of patience, would not have been
developed. From the same reason astonishment would
not then have been expressed by raising the arms with
open hands and extended fingers. Nor, judging from
the actions of monkeys, would astonishment have been
exhibited by a widely open mouth ; but the eyes would

have been opened and the eyebrows arched . Disgust
would have been shown at a very early period by
movements round the mouth, like those of vomiting,
-that is, if the view which I have suggested respecting
the source of the expression is correct, namely, that
our progenitors had the power, and used it, of volun-
tarily and quickly rejecting any food from their
stomachs which they disliked. But the more refined
manner of showing contempt or disdain, by lowering
the eyelids, or turning away the eyes and face, as if
the despised person were not worth looking at, would not
probably have been acquired until a much later period .
Of all expressions, blushing seems to be the most
strictly human ; yet it is common to all or nearly all
the races of man, whether or not any change of colour
is visible in their skin. The relaxation of the small
arteries of the surface, on which blushing depends,
seems to have primarily resulted from earnest attention
directed to the appearance of our own persons, especially
of our faces, aided by habit, inheritance, and the ready
flow of nerve-force along accustomed channels ; and
afterwards to have been extended by the power of as-
sociation to self-attention directed to moral conduct.
It can hardly be doubted that many animals are capable
of appreciating beautiful colours and even forms, as is
shown by the pains which the individuals of one sex
take in displaying their beauty before those of the
opposite sex. But it does not seem possible that any
animal, until its mental powers had been developed to
an equal or nearly equal degree with those of man ,
would have closely considered and been sensitive about
its own personal appearance. Therefore we may con-
clude that blushing originated at a very late period in
the long line of our descent.
From the various facts just alluded to, and given in

the course of this volume, it follows that, if the struc-
ture of our organs of respiration and circulation had
differed in only a slight degree from the state in which
they now exist, most of our expressions would have been
wonderfully different. A very slight change in the
course of the arteries and veins which run to the head,
would probably have prevented the blood from accu-
mulating in our eyeballs during violent expiration ;
for this occurs in extremely few quadrupeds. In this
case we should not have displayed some of our most
characteristic expressions. If man had breathed water
by the aid of external branchia (though the idea is
hardly conceivable), instead of air through his mouth
and nostrils, his features would not have expressed his
feelings much more efficiently than now do his hands
or limbs. Rage and disgust, however, would still have
been shown by movements about the lips and mouth,
and the eyes would have become brighter or duller
according to the state of the circulation. If our ears
had remained movable, their movements would have
been highly expressive, as is the case with all the
animals which fight with their teeth ; and we may
infer that our early progenitors thus fought, as we
still uncover the canine tooth on one side when we
sneer at or defy any one, and we uncover all our teeth
when furiously enraged.
The movements of expression in the face and body,

whatever their origin may have been, are in themselves
of much importance for our welfare. They serve as
the first means of communication between the mother
and her infant ; she smiles approval, and thus encourages
her child on the right path, or frowns disapproval. We
readily perceive sympathy in others by their expres-
sion ; our sufferings are thus mitigated and our plea

sures increased ; and mutual good feeling is thus
strengthened. The movements of expression give vivid
ness and energy to our spoken words. They reveal
the thoughts and intentions of others more truly than
do words, which may be falsified . Whatever amount
of truth the so-called science of physiognomy may
contain, appears to depend, as Haller long ago re
marked, on different persons bringing into frequent
use different facial muscles, according to their disposi
tions ; the development of these muscles being perhaps
thus increased, and the lines or furrows on the face,
due to their habitual contraction, being thus rendered
A
deeper and more conspicuous. The free expression by
outward signs of an emotion intensifies it. On the
other hand, the repression, as far as this is possible,
of all outward signs softens our emotions.5 He who
gives way to violent gestures will increase his rage ; he
who does not control the signs of fear will experience
fear in a greater degree ; and he who remains passive
when overwhelmed with grief loses his best chance of
recovering elasticity of mind. These results follow
partly from the intimate relation which exists between
almost all the emotions and their outward manifesta
tions ; and partly from the direct influence of exertion on
the heart, and consequently on the brain. Even the
simulation of an emotion tends to arouse it in our
minds. Shakespeare, who from his wonderful knowledge
of the human mind ought to be an excellent judge,
says :
" Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
• Quoted by Moreau, in his edition of Lavater, 1820, tom. iv. p. 211 . I

› Gratiolet (' De la Physionomie,' 1865, p. 66) insists on the truth of
this conclusion.
Could force his soul so to his own conceit,

That, from her working, all his visage wann'd ;
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit ? And all for nothing ! "
Hamlet, act ii. sc. 2.
We have seen that the study of the theory of ex-

pression confirms to a certain limited extent the con-
clusion that man is derived from some lower animal
form , and supports the belief of the specific or sub-
specific unity of the several races ; but as far as my
judgment serves, such confirmation was hardly needed.
We have also seen that expression in itself, or the
language of the emotions, as it has sometimes been
called, is certainly of importance for the welfare of
mankind. To understand, as far as is possible, the
source or origin of the various expressions which may
be hourly seen on the faces of the men around us, not
to mention our domesticated animals, ought to possess
much interest for us. From these several causes, we
may conclude that the philosophy of our subject has
well deserved the attention which it has already received
from several excellent observers, and that it deserves
still further attention, especially from any able physio-
logist.
( 368 )
INDEX .
ABSTRACTION. BULMER.
Baker, Sir Samuel, 114.

A. Barber, Mrs., 22, 108, n. 28 , 269, 289.
ABSTRACTION, 228. Bartlett, Mr., 44, 48, 113, 124, 138.
Actions, reflex, 35 ; coughing, sneez- Behn, Dr. , 311 .
ing, &c., 35 ; muscular action of Bell, Mr., 293 .
closing the Sir Charles, 2, 9, 49, 116 , 121 ,
T decapitated frog, 35 ; 38-40 ; con- 158, 173, 213, 220, 222, 305, 337.
eyelids, 37 ; starting, Bennett, G. , 140, n. 16.
traction of the iris, 41. Bergeon, 169, n. 21 .
Admiration, 289. Bernard, Claude, 37, 68, 70, n. 5.
Affirmation, signs of, 273. Billiard-player, gestures of the, 6.
Albinos, blushing in, 313, 327. Birds ruffle their feathers when angry,
Alison, Professor, 31 . 97 ; when frightened adpress them,
Ambition, 262. 100.
Anatomical drawings by Henle, 5. Blair, the Rev. R. H., 311 , 352.
Anatomy and Philosophy of expres- Blind, tendency of the, to blush, 312.
sion, 2. Blush, the tendency to, inherited,
Anderson, Dr., 107 , n. 26. 312.
Anger, 246 ; in monkeys, 137.
Animals, special expressions of, 116. Blushing, 310 ; inheritance of, 312 ;
in the various races of man, 316 ;
See Expression . movements and gestures which ac-
" habitual associated movements company, 321 ; confusion of mind,
in the lower, 42-45 ; wolves and
323 ; the nature of the mental
jackals, 44 ; horses, 45 ; cats, 46 ; states which induce, 326 ; shyness ,
chickens, 47 ; sheldrakes, 47 ; fla-
mingo, kagu, and kingfisher, 47, 330 ; moral causes : guilt, 333 ;
breaches of etiquette, 334 ; modesty ,
48. 335 ; theory of, 337.
Annesley, Lieut. , R.A., 125, n. 4.
Antithesis, the principles of, 50 ; dogs, the physiology or mechanism
50, 57 ; cats, 56 ; conventional of, 5, 310, n. I.
Blyth, Mr., 97.
signs, 61. Bowman, Mr., 160, n. 14, 161 , n. 16,
Anxiety, 178. 171 , 227.
Ape, the Gibbon, produces musical
Brehm, 96, 129, 138, n. 14, 139, n. 15.
sounds, 87. Bridges, Mr., 22, 248, 261 , 318.
Arrectores pili, the, 101 , 103. Bridgman, Laura, 198, 214, 267, 274,
Association, the power of, 31 ; in- 285, 311.
stances of, 31 , 32. Brinton, Dr., 159 , n. 13.
Astonishment, 278 ; in monkeys, 144.
Brodie, Sir B., 342.
Audubon, 98, n. 14. Brooke, the Rajah, 21, 209.
Avarice, 262. Brown, Dr. R., 108 , n. 29.
Azara, 126, n. 6, 129, n. 7. Browne, Dr. J. Crichton, 13, 76, n. 10,
155, 185, 199, 205, 244, 292, 295,
B. 314, 341 , n. 39.
Baboon, the Anubis, 96, 134, 138. Bucknill, Dr., 297.
Bain, Mr., 8, 31, 200, n. 4, 291 , n. 16, Bulmer, Mr. J., 20, 209, 251 , 285,
328, n. 25. 321.
BUNNETT. INDEX. EXPRESSION. 369
Bunnett, Mr. Templeton, 20, 178, horses and cattle, 96 ; elk, 97 ; bat,
269. 97 ; birds, 97 ; under the influence
Burgess, Dr., 5, 310, 320, 337. of anger and fear, 100.
Burton, Captain, 261. Despair, 178.
Button, Jemmy, the Fuegian, 216, Devotion, the expression of, 220, 221.
318. Diagrams of the muscles of the face,
24, 25.
C. Dickens, Charles, 243.
Dilatation of the pupils, 303.
Camper, Pierre, 1 and n. 3 . Disdain, 254.
Canine tooth, uncovering the, 249. Disgust, 257 ; spitting a sign of, 261.
Carpenter on the principles of Com- Dog, the, sympathetic movements of,
parative Physiology, 47, n. 17. 7; turning round before lying down,
Cat, the, 46, 126 ; preparing to fight, 42 ; pointing, 43 ; scratching, &c.,
56 ; caressing her master, 56 ; 45 ; various gestures of, 63 ; bark-
drawing back the ears, 111 ; lash- ing a means of expression, 85 ;
ing the tail, 126 ; movements of whining, 88 ; drawing back the
affection, 127 ; when terrified, 128 ; ears, 111 ; various movements of,
erecting the tail, 129 ; purring, &c., 116 ; gestures of affection, 119 ;
129.
grinning, 120 ; pain, 122 ; atten-
Catlin, 289. tion, 122 ; terror, 122 ; playing,
Caton, the Hon. J., 97, n. 11. 123.
Cebus azaræ, the, 133. Donders, Professor, 160, 166, 229,
Chameleons, 105. 304.
Cheerfulness, 212. Duchenne, Dr., 5, 11, 14, 133, 150, n.
Chevreul, M., 6. 4, 182.
Chimpanzee, the, 95, 132 .
Cistercian Monks, the, 61 ; gesture- E.
language of, 61 .
Cobra-de-capello, the, 105. Ears, the, drawing back, &c., 111 ; in
Conceit, 262. fighting, dogs, cats, tigers, &c.,
Contempt, 254 ; snapping the fingers, 111 ; horses, 112 ; guanacoes, &c.,
257. 112 ; moose-deer, 113 ; rabbits,
Cooke, the actor, 250. 113 ; wild boars, 113 ; monkeys,
Cooper, Dr., 105, n. 22. 114; erection of the, 114.
Cope, Professor, 109, n. 31 . Edgeworth, Maria and R. L. , 333.
Coughing, 164. Elephants, 113 ; weeping, 167.
Crantz, 260. Emission of sounds, 83. See Sounds.
Engelmann, Professor, 229.
D. Envy, 262.
Erection of the dermal appendages ,
Darwin, Dr., 30, n . 3 , 46, n. 16, 77 , 95-104.
2. II. Erskine, Mr. H., 21 , 33, 187, 268,
Deaf and dumb, opposites used in 276.
teaching them, 61 , 62, n. 3. Etiquette, breaches of, 334.
Deceit, 262. Expression, anatomy and philosophy
Decision, or determination , 235 ; of, 2.
closing of the mouth, 236. general principles of, 27 ; the
Defiance, 249. three chief, 27 ; of serviceable asso-
Dejection, 178. ciated habits, 29 ; of antithesis , 50 ;
Depression of mind, 80. action of the nervous system, 67.
Dermal appendages, erection of, 95 ; means of, in animals, 83 ; emis-
in the chimpanzee and orang, 95 ; sion of sounds, 83-94 ; erection of
lion, &c. , 96 ; dog and cat, 96 ; the dermal appendages, 95-104 ;
2B
370 EXPRESSIONS. INDEX. HIPPOCRATES.
inflation of the body, 104-111 ; Garrod, Mr. A. H., 74, n. 9.

drawing back the ears, 111-114 ; Gaskell, Mrs., 151, n. 5.
erection of the ears, 114. Geach, Mr. F., 21 , 187, 252, 261 , 268,
Expressions, special, of animals, 116 ; 317.
dogs, 116-126 ; cats, 126-129 ; Gesture-language, 61.
horses, 129-131 ; ruminants, 131- Gestures, 32, 62 ; inheritance of ha-
132 ; monkeys, baboons, chimpan- bitual, 33, n. 8 ; accompanying
zees, 132-146. blushing, 321.
special, of man, 147 ; suffering, Glenie, the Rev. S. O. , 21 , 167 , 252 .
114 ; weeping in children, 148 ; Goose-skin, 101 , 103.
contraction of the muscles round Gordon, Lady Duff, 317.
the eyes during screaming, 158 ; Gorilla, the, 95, 143.
secretion of tears, 163 ; grief, 178 ; Gould, 100, n. 14.
obliquity of the eyebrows, 179 ; Gratiolet, Pierre, 6, 32, 119, 227,
grief-muscles, 181 ; depression of 229, n. 6, 236, 243, n. 9, 338.
the corners of the mouth, 193 ; Gray, Professor, and Mrs. Asa, 22,
joy, 198 ; high spirits, cheerful- 268, 316.
ness, 212 ; love, tender feelings, Green, Mrs., 20.
215 ; devotion, 220. Grief, 80 ; expression of, 178 ; obli-
Eyebrows, obliquity of the, 179. quity ofthe eyebrows, 179 ; depres-
Eyes, the, contraction of the muscles sion of the corners of the mouth,
during screaming, 158. 193 ; in monkeys, 135.
Grief-muscles, 181-193.
F. Gueldenstädt, 125, n. 4.
Guilt, 262 ; causes blushing, 333.
Fear, 81 , 289 ; description of, by Job, Gunning, Dr., 162.
291. Günther, Dr., 100, 105, 108, n. 30.
Feelings, tender, 216 ; excited by
sympathy, 217. H.
Fighting, mode of, in animals, 111 ;
all carnivora fight with their canine Habit, force of, 29.
teeth, 111 ; dogs, cats, 111 ; horses, Hagenauer, the Rev., 20, 194, 262,
guanacoes, &c., 112 ; moose-deer, 321.
113 ; rabbits, 113 ; boars, 113 ; Hair, change of colour in the, 67,
elephants, 113 ; rhinoceros, 114 ; 342 ; erection.of the, 101, 295.
monkeys, 114. Haller, 88.
Forbes, Mr. D., 232, 318, 336. ' Handbuch der Anatomie des Men-
Ford, Mr., 95. schen,' 5, n. 7.
Forster, J. R., 318. Hares, 83.
Foster, Mr. Michael, 343, 344. Harvey, 30, n. 3.
Fox, the, 125. Hatred, 239 ; rage, 240 ; anger, indig-
Freycinet, 175. nation, 246 ; sneering, defiance, un-
Frogs, 35, 104. covering the canine tooth, 249.
Frowning, the act of, 3, 223 ; men of Heart, the, sensitive to external emo-
all races frown, 224 ; in infants, tions, 68 ; re-acts on the brain, 69 ;
225 ; to assist vision, 226 ; to ex- affected by rage, 74.
clude the bright light, 227. Helmholtz, 88, 91.
Fyffe, Dr., 304. Helplessness, 264.
Henderson, Mr., 409, n. 31.
G. Henle, 149, n. 2, 193, n. 6, 203.
Herpestes, the, 98, 108, 110.
Gaika, Christian, 22, 209, 255, 295, High spirits, 212 ; definition of, by a
320. child, 212.
Galton, Mr. F., 33, n. 8. Hippocrates, 30, n. 3, 72.
HOLLAND. INDEX. MÉCANISME. 371
Holland, Sir Henry, 36, 37, 71, n. 8,

339, n. 33, 340. L.
Homer's description of laughter, 198.
Horror, 304. Lacy, Mr. Dyson, 20, 232, 243.
Horse, the, 45 ; nibbling, pawing of, Lane, Mr. H. B., 20.
45 ; scream in distress, 84 ; fight- Lang, Mr. Archibald G., 20.
ing, 112 ; expression of fear, plea- Langstaff, Dr., 148, 152, 314.
sure, &c., 130. Language, gesture, 61.
Humboldt, 137, 319. Laughter, 93, 133, 164 ; in monkeys,
Humility, 262. 132 ; joy expressed by, 198 ; in
Huschke, 287. children, 198 ; in idiots, 199 ; in
Huxley , Professor, 31 , n. 5 , 35, n. 9. grown-up persons, 199 ; caused by
Hyæna, the, 123. tickling, 201 ; sparkling eye, 206 ;
tears caused by excessive, 208 ;
I. among Hindoos, Malays, &c., 209 ;
to conceal feelings, 214 ; incipient,
Idiots, expression of joy in, 199 ; in a baby, 211.
blushing, 311. Lavater, G., 3, n. 6.
Ill-temper, 230. Laycock, Professor, 340.
Impotence, 264. Le Brun, 1 , 4, 247, n. 13.
Indignation, 246. Leichhardt, 261.
Infants, expression in, 13 ; crying of, Lemoine, M., 2, 359.
148 ; weeping, 153. Lessing's Laocoon, 15, n. 19.
Inflation of the body, &c., 104 ; in Leydig, 101, 103.
toads and frogs, 104 ; chameleons, Lieber, Mr. F., 198, n. 2, 274.
&c., 105 ; snakes, 105-111. Lister, Mr., 101 , 201 , n. 6.
Inheritance of habitual gestures, 33, Litchfield, Mr., 89.
n. 8 ; blushing, 312. Lizards, 105.
Innes, Dr. , 267. Lockwood, the Rev. S., 87, n. 3 .
Intercommunication, power of, with Lorain, M., 74, n. 9.
social animals, 60 ; deaf and dumb, Love, maternal, 78 ; of the opposite
61 ; dogs and cats, 63. sexes, 78 ; expression of, 215 ; kiss-
ing, a mark of, 216 ; excites tears ,
216.
J. Low spirits, 178.
Jealousy, 79, 262. Lubbock, Sir John, 155, 216 , n. 22.
Jerdon, Dr., 108.
Job, description of fear by, 291. M.
Joy, expression of, 75, 198 ; in young
children, 76 ; dogs, horses, 76 ; Man, special expressions of, 147. See
monkeys, 132 ; laughter, 198 ; high Expression.
spirits, cheerfulness , 212 ; love, Mankind, early history of, 257 , n. 6.
tender feelings , 215. Marshall, Mr., 155, n. 9, 199, n. 3.
Jukes, Mr. J. B., 275. Martin, W. L., 133, 137, 140, n. 17.
Martius, 319.
Matthews, Mr. Washington, 22, 230,
K. 257, 268, 276, 289.
Maudsley, Dr., 36, n. 10, 39, n. 14,
Kangaroos, 113. 245, 342, n. 40.
Kindermann, Herr, 23, 148, n. 1 . Mauvaise honte, 330.
King, Major Ross, 113. May, Mr. A., 26.
Kissing, 216. Mécanisme de la Physionomie Hu-
Kölliker, 101. maine,' 33, n. 7.
2 c
372 MEDITATION. INDEX. RUMINANTS.
Meditation, 228 ; often accompanied Pain, outward signs of, in animals,

by certain gestures, 230. 69 ; in man, 69 ; in the hippopota-
Meyer, Dr. Adolf, 275. mus, 70 ; induces perspiration, 73 ;
Mind, confusion of, while blushing, depression, 81.
323. Parsons, J., 1 , n. г.
Modesty, 335. Perspiration caused by pain, 73.
Monkeys, 60 ; power of intercommu- Physiology of laughter, 9.
nication and expression of, 60, 88, 'Physionomie, de la, et des Mouve-
96; their special expressions, 132 ; ments d'Expression,' 6.
pleasure, joy, &c. , 132 ; painful Piderit, Dr. , 7 , 23, 152, 206, 223, 237,
emotions, 135 ; anger, 137 ; redden 256.
with passion, 138 ; screaming, 140 ; Pigs employed to destroy rattlesnakes,
sulkiness in, 140 ; frowning in, 143 ; 108.
astonishment, terror in, 144. Platysma myoides muscle, contraction
Moose-deer, the, 113. of the, 298.
Moreau, M., 3, 314. Plautus, 230.
Movements, symbolic, 6 ; sympa- Porcupines, 93.
thetic, 7. Pouchet, M. G., 67, n. I.
associated habitual, in the lower Pride, 263.
animals, 42 ; dogs, 42-45 ; wolves Psychology, principles of, 9.
and jackals, 44 ; horses, 45 ; cats, Puff-adder, the, 105.
46 ; chickens, 47 ; sheldrakes, &c., Pupils, dilatation of the, 303.
47, 48.
Mowbray on Poultry, 47, n. 18.
Müller, Dr. Ferdinand, 20.
Fritz, 12, 29, n. 2, 68, n. 2, 71 , Q.
n. 6, 268.
Music, 219. Queries regarding expression, & c., 15.
N.
R.
Negation, signs of, 273.
Nervous system, direct action of the, Rabbits, 83, 93, 113.
66 ; change of colour in the hair, Rage, 74, 240 ; trembling a conse-
67, 342 ; trembling of the muscles, quence of, 241 ; Shakespeare's de-
67 ; secretions affected, 68 ; perspi- scription of, 242 ; snarling with the
ration, 73 ; rage, 74 ; joy, 75 ; teeth, 243.
terror, 77 ; love, 78 ; jealousy, 79 ; Rattlesnake, the, 107, 109.
grief, 80. Reade, Mr. Winwood, 21 , 279, 289.
Nicol, Mr. Patrick, 14, 185, 300. Reflection, 222 ; deep, generally ac-
companied with a frown, 224.
0. Reflex actions, 35.
Rejlander, Mr. , 23, 148, n. 1, 183, 202 ,
250.
Ogle, Dr. W., 256, n. 3 , 271 , 294, 306.
Oliphant, Mrs., 80, n. 12, 270. Rengger, 60, 88, 133 , n. 11 , 137.
Olmsted, 270. Resignation, 271.
Owen, Professor, 10, n. 13 , 87, n. 3 , Retching or vomiting, 159.
143, n. 18. Revenge, 262.
Reynolds, Sir J., 208, n. 15.
Rhinoceros, 73, 114.
P. Riviere, Mr., 26, 121.
Rothrock, Dr., 22, 232, 252, 260.
Paget, Sir J., 68, 117, 312, 342. Ruminants, their emotions, 131 .
SALVIN , INDEX. VOICE. 373
Spix, von, 319.

St. John, Mr., 47.
S. Stack, the Rev. J. W., 20, 233, 248,
317.
Salvin, Mr. F., 44, n. 15 . Stuart, Mr., 280.
Sandwich islanders, 175 . Suffering of body and mind, 147.
- Savage and Wyman, Messrs., 143. Sulkiness, 232 ; expression of, prevails
Schmalz, 274. throughout the world, 233 ; in mon-
Scorn, 254. keys, 140 ; in young orangs, &c.,
Scott, Sir W., 121 . 234.
Mr. J., 21 , 187, 248-250, 260, Summary, 348.
267. Surprise, 278.
Dr. W. R., 62, n. 3. Suspicion, 262.
Scream, as a call for assistance, 91 . Sutton, Mr., 95, 139 , 145, 167, 259.
Secretary -hawk, the, 110. Swinhoe, Mr., 21, 208, 248, 317.
Secretions, affected by strong emo- Sympathy, 217.
tions, 68.
Senses, the, and the Intellect, 8, n. 8,
31 . T.
Shaler, Professor, 107 , 109.
Shame, gestures of, 321 ; description Taplin, the Rev. George, 20, 187, 247,
of, in Isaiah, Ezra, &c., 322. 321 .
Sheldrake, the, 47. Taylor, the Rev. R. , 156.
Shrugging the shoulders, 264. Tears, cause of the secretion of, 163 ;
Shyness, 330. laughing, coughing, 164 ; yawning,
Signs of affirmation and negation, 273 ; 165 ; reflex action, 170.
conventional, 61. Tegetmeier, Mr. , 100.
Slyness, 263. Tendencies, inherited or instinctive,
Smiling, 204, 211 ; in infants, 212 ; 30.
in savages, 213. Tennent, Sir J. Emerson, 167.
Smith, Sir Andrew, 209. Terror, 77 , 289 ; in an insane woman ,
Smyth, Mr. Brough, 20, 285, 294. 292 ; in murderers, 293 ; dilatation
Snakes, 105-111. of the pupils, 303.
Snapping the fingers, 257. Thwaites, Mr., 167.
Sneering or snarling, 249. Tickling, 201.
Sobbing, peculiar to the human Toads, 104.
species, 157. Trembling, induced by fear, 67 ; by
Somerville, 121. delight, 67 ; by fine music, 68 ; by
Sounds, the emission of, efficient as a rage, 68 ; by terror, 77.
means of expression, 83 ; between Turuer, Professor W., 101 , n. 18.
the sexes, 84 ; to animals when Tylor, Mr., 61 , n. 2, 257 , 261 , n. II .
separated, 84 ; of rage, 85 ; the
bark of a dog, 85 ; tamed jackals,
86 ; pigeons, 86 ; human voice, 86 ; V.
as a means of courtship, 87 ; music,
89 ; in young infants, 92 ; of sur- Vanity, 262.
prise, contempt , and disgust, 92 ; Variation of animals and plants under
rabbits, 93 ; porcupines, 93 ; in- domestication, 33, n. 8.
sects, 94 ; birds, 94. Vaso-motor system, the, 69.
Speedy, Captain, 22, 261 , 268. Virchow, 35, n. 9.
Spencer, Mr. Herbert, 9, 10, n. 11 , 27, Vœux, Mr. des, 110, n. 32.
n. 1, 71, 86, 200, 227 , n. 5 , 263. Vogt, C., 206, n. 12, 274.
Sphinx-moth, the humming-bird, 30. Voice, the human, 86.
Spitting, a sign of disgust, 261 .
2 c 2
374 WALLICH. INDEX. YAWNING.
Weir, Mr. Jenner, 98.

W. West, Mr. , 21.
Wallich, Dr., 23, 202. Wild-boar, 113.
Weale, Mr. J. P. Mansel, 22, 230, 233, Wilson, Mr., 19.
286. Mr. Samuel, 20, 320.
Wedgwood, Mr. Hensleigh, 104, 164, "Wissenschaftliches System der Mi-
mik und Physiognomik ,' 7.
n. 18, 221 , 232, n. 10, 241 , n. 6, Wolf, Mr., 26.
273.
Weeping, 147 ; the period of first Wood, Mr. J., 181 , n. 3 , 297, 302.
shedding tears in infants quite un- Mf. T. W., 25.
certain, 153 ; in savages, 155 ; in Wrinkles, 204.
the insane, 155 ; checking or in-
creasing the habit of, 156 ; scream- Y.
ing and sobbing of infants, 157.
See Tears. Yawning, 134, 165.
THE END.
LONDON PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET,

AND CHARING CROSS.
WNING.
er, 98.
el, 20,320.
hes System de
ognomik, 7.
1, n.3,297,
25.
Y.
5.
CKET,

The Expression of The Emotions in Man An

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This is a reproduction of a library book that was digitized

by Google as part of an ongoing effort to preserve the

Given to the Library by

2AN NOV 2006

$16 FEB 2007

EXPRESSION OF THE EMOTIONS

MAN AND ANIMALS .

BY CHARLES DARWIN, M.A., F.R.S. , &c.

WITH PHOTOGRAPHIC AND OTHER ILLUSTRATIONS.

JOHN MURRAY, ALBEMARLE STREET.

BY THE SAME AUTHOR.

FACTS AND ARGUMENTS FOR DARWIN. By FRITZ MÜLLER.

LONDON : PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET,

INTRODUCTION .. Pages 1-26

CHAP. I.-GENERAL PRINCIPLES OF EXPRESSION.

CHAP. II.-GENERAL PRINCIPLES OF EXPRESSION- continued.

CHAP. III.- GENERAL PRINCIPLES OF EXPRESSION-

CHAP. IV.-MEANS OF EXPRESSION IN ANIMALS.

CHAP. V.- SPECIAL EXPRESSIONS OF ANIMALS.

CHAP. VI. - SPECIAL EXPRESSIONS OF MAN : SUFFERING

The screaming and weeping of infants-Form of features-Age at

CHAP. VII.-LOW SPIRITS, ANXIETY, GRIEF, DEJECTION,

General effect of grief on the system - Obliquity of the eye-

CHAP. VIII -JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS,

Laughter primarily the expression of joy - Ludicrous ideas

CHAP. IX.- REFLECTION - MEDITATION-ILL-TEMPER—

The act of frowning - Reflection with an effort or with the per-

CHAP. X.- HATRED AND ANGER.

CHAP. XI. DISDAIN CONTEMPT DISGUST GUILT

CHAP. XII.- SURPRISE-ASTONISHMENT -FEAR-HORror.

CHAP. XIII.-SELF-ATTENTION- SHAME- SHYNESS-

CHAP. XIV.- CONCLUDING REMARKS AND SUMMARY.

Plate I. tofacepage 148. Plate V. toface page 255.

N.B.-Several of the figures in these seven Heliotype Plates have

EMOTIONS IN MAN AND ANIMALS.

MANY works have been written on Expression, but a

¹ J. Parsons, in his paper in the Appendix to the ' Philosophical

Sir Charles Bell, so illustrious for his discoveries in

" ments de la science des rapports du physique et du

6 L'Art de connaître les Hommes,' &c., par G. Lavater. The

French writers the sourcilier (corrugator supercilii) ,

going sentences worth quoting, as specimens of the

7 ' Handbuch der systematischen Anatomie des Menschen,' Band I. ,

are least under the separate control of the will. He

two following sentences will tell as much as can be

" vital functions." But the above law of the diffusive

" The Anatomy of Expression,' 3rd edit. p. 121.

law I believe to be of the highest importance in throw-

" lower creatures there is no expression but what may

" fugaces, fussent écrits passagèrement sur la face de

The study of Expression is difficult, owing to the

of an immense asylum near Wakefield, and who, as

close observers. Accordingly, I have looked at photo-

19 See remarks to this effect in Lessing's ' Laocoon,' translated by

(3.) When a man is indignant or defiant does he frown, hold his

To these queries I have received thirty-six answers

From the reasons above assigned, namely, the fleeting

and our attention thus distracted ; our imagination

Finally, with respect to my own observations, I may