Poets, Romanticism and Masculinity Readings

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British Romantic Poets

William Wordsworth (1770-1850, age 80)


Poet Laureate of the United Kingdom 1843-1850
We are Seven (from Lyrical Ballads, 1798)
Tintern Abbey (from Lyrical Ballads, (1798) (optional)
Daffodils (1807)
The world is too much with us (1807)

Samuel Coleridge (1772-1834, age 61)


Great friend of Wordsworth’s, major life-long opium addiction
Inventor of the “conversation poem”
The Rime of the Ancient Mariner (1798)

Lord Byron (George Gordon (1788-1824, age 36)


More famous for his life than for his poetry, wrote miles of verse before dying of
a fever having joined the fight for Greek Independence, for which he is revered
as a national hero. Lady Caroline Lamb (one of his lovers) called him “mad,
bad and dangerous to know”. The first and the quintessential romantic hero.
Darkness

Percy Bysshe Shelley (1792-1822, age 29, a month away from 30))
Drowned while sailing alone in a small craft during a violent storm
Married to Mary Wollstonecraft’s second daughter Mary, author of Frankenstein
Great friend of Byron’s.
Ozymandias
Music, when soft voices die

John Keats (1795-1821, age 25)


Died in Italy of tuberculosis
Ode on a Grecian Urn

William Blake (1757-1827, age 69)


Died quietly, his beloved wife by his side, after finishing his last poem and a
portrait of her (now lost).
The Tyger
Jerusalem
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We are Seven
William Wordsworth (1798)

———A simple Child,


That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:


She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,


And she was wildly clad:
Her eyes were fair, and very fair;
—Her beauty made me glad.

“Sisters and brothers, little Maid,


How many may you be?”
“How many? Seven in all,” she said,
And wondering looked at me.

“And where are they? I pray you tell.”


She answered, “Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

“Two of us in the church-yard lie,


My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother.”

“You say that two at Conway dwell,


And two are gone to sea,
Yet ye are seven! I pray you tell,
Sweet Maid, how this may be.”

Then did the little Maid reply,


“Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree.”

“You run about, my little Maid,


Your limbs they are alive;
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If two are in the church-yard laid,


Then ye are only five.”

“Their graves are green, they may be seen,”


The little Maid replied,
“Twelve steps or more from my mother’s door,
And they are side by side.

“My stockings there I often knit,


My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

“And often after sun-set, Sir,


When it is light and fair,
I take my little porringer,
And eat my supper there.

“The first that died was sister Jane;


In bed she moaning lay,
Till God released her of her pain;
And then she went away.

“So in the church-yard she was laid;


And, when the grass was dry,
Together round her grave we played,
My brother John and I.

“And when the ground was white with snow,


And I could run and slide,
My brother John was forced to go,
And he lies by her side.”

“How many are you, then,” said I,


“If they two are in heaven?”
Quick was the little Maid’s reply,
“O Master! we are seven.”

“But they are dead; those two are dead!


Their spirits are in heaven!”
’Twas throwing words away; for still
The little Maid would have her will,
And said, “Nay, we are seven!”

https://www.poetryfoundation.org/poems/52298/we-are-seven
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Tintern Abbey (1807) (optional but a classic)


William Wordsworth
https://www.poetryfoundation.org/poems/45527/lines-composed-a-few-miles-above-tintern-
abbey-on-revisiting-the-banks-of-the-wye-during-a-tour-july-13-1798

I Wandered Lonely as a Cloud (also called Daffodils) (1807)


William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine


And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they


Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie


In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

https://www.poetryfoundation.org/poems/45521/i-wandered-lonely-as-a-cloud
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The world is too much with us (1807)


William Wordsworth

The world is too much with us; late and soon,


Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

https://www.poetryfoundation.org/poems/45564/the-world-is-too-much-with-us

The Rime of the Ancient Mariner (1798) (part I only, but a great story of a doomed ship
and a man wracked with guilt!)
Samuel Taylor Coleridge
Argument
How a Ship having passed the Line was driven by storms to the cold Country towards the
South Pole; and how from thence she made her course to the tropical Latitude of the
Great Pacific Ocean; and of the strange things that befell; and in what manner the
Ancyent Marinere came back to his own Country.

PART I
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?

The Bridegroom's doors are opened wide,


And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din.'

He holds him with his skinny hand,


'There was a ship,' quoth he.
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'Hold off! unhand me, grey-beard loon!'


Eftsoons his hand dropt he.

He holds him with his glittering eye—


The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:


He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

'The ship was cheered, the harbour cleared,


Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The Sun came up upon the left,


Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,


Till over the mast at noon—'
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,


Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,


Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

And now the STORM-BLAST came, and he


Was tyrannous and strong:
He struck with his o'ertaking wings,
And chased us south along.

With sloping masts and dipping prow,


As who pursued with yell and blow
Still treads the shadow of his foe,
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And forward bends his head,


The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,


And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts


Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,


The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,


Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.

It ate the food it ne'er had eat,


And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;


The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!

In mist or cloud, on mast or shroud,


It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white Moon-shine.'

'God save thee, ancient Mariner!


From the fiends, that plague thee thus!—
Why look'st thou so?'—With my cross-bow
I shot the ALBATROSS.
https://www.poetryfoundation.org/poems/43997/the-rime-of-the-ancient-mariner-text-of-
1834
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Darkness
Lord Byron (George Gordon)

I had a dream, which was not all a dream.


The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
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Immediate and inglorious; and the pang


Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.

https://www.poetryfoundation.org/poems/43825/darkness-56d222aeeee1b
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Ozymandias
Percy Bysshe Shelley

I met a traveller from an antique land,


Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

https://www.poetryfoundation.org/poems/46565/ozymandias

Music, when soft voices die


Percy Bysshe Shelley

Music, when soft voices die,


Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,


Are heaped for the belovèd's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

https://www.poetryfoundation.org/poems/45132/music-when-soft-voices-die-to-
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Ode on a Grecian Urn


John Keats

Thou still unravish'd bride of quietness,


       Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
       A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
       Of deities or mortals, or of both,
               In Tempe or the dales of Arcady?
       What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
               What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard


       Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
       Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
       Thy song, nor ever can those trees be bare;
               Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
       She cannot fade, though thou hast not thy bliss,
               For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed


         Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
         For ever piping songs for ever new;
More happy love! more happy, happy love!
         For ever warm and still to be enjoy'd,
                For ever panting, and for ever young;
All breathing human passion far above,
         That leaves a heart high-sorrowful and cloy'd,
                A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?


         To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
         And all her silken flanks with garlands drest?
What little town by river or sea shore,
         Or mountain-built with peaceful citadel,
                Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
         Will silent be; and not a soul to tell
                Why thou art desolate, can e'er return.
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O Attic shape! Fair attitude! with brede


         Of marble men and maidens overwrought,
With forest branches and the trodden weed;
         Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
         When old age shall this generation waste,
                Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
         "Beauty is truth, truth beauty,—that is all
                Ye know on earth, and all ye need to know."

https://www.poetryfoundation.org/poems/44477/ode-on-a-grecian-urn

Jerusalem
William Blake (1757-1827, aged 69)

And did those feet in ancient time


Walk upon Englands mountains green:
And was the holy Lamb of God,
On Englands pleasant pastures seen!
 
And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?
 
Bring me my Bow of burning gold:
Bring me my arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!
 
I will not cease from Mental Fight,
Nor shall my sword sleep in my hand:
Till we have built Jerusalem,
In Englands green & pleasant Land.

https://www.poetryfoundation.org/poems/54684/jerusalem-and-did-those-feet-in-ancient-
time
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The Tyger

Tyger Tyger, burning bright, 


In the forests of the night; 
What immortal hand or eye, 
Could frame thy fearful symmetry?

In what distant deeps or skies. 


Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,


Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain, 


In what furnace was thy brain?
What the anvil? what dread grasp, 
Dare its deadly terrors clasp! 

When the stars threw down their spears 


And water'd heaven with their tears: 
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger Tyger burning bright, 


In the forests of the night: 
What immortal hand or eye,
Dare frame thy fearful symmetry?

https://www.poetryfoundation.org/poems/43687/the-tyger
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