NETFLIX
NETFLIX
2. Netflix's swift growth to 60 mil- Financial statement data for Netflix for
lion paid subscribers in the 2005 through 2018 are shown in Exhibit
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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United States and its promis- 1 and 2. Netflix had never paid a dividend
ing potential for rapidly grow- to its shareholders and the company had
ing its base of international sub- declared it had no present intention of
scribers past 90 million pushed paying any cash dividends in the foresee-
the company's stock price to able future.
$360 per share in mid-May 2019
(and an all-time high of $423 in
July 2018). Already solidly en-
trenched as the world's biggest
and best-known Internet sub-
scription service for watching
TV shows and movies, the only
two questions for Netflix in 2019
seemed to be how big Netflix's
service might one day become in
the world market for on-demand
streaming of movies and TV
episodes and whether the com-
pany had the competitive and fi-
nancial strength to combat the
efforts of larger, resource-rich ri-
vals looking to steal subscribers
away from Netflix.
4. Netflix's Drive to Globalize Its The United States government had in-
Operations stituted restrictions precluding all Unit-
ed States based companies from hav-
Exhibit 3 shows the remarkably ing operations in North Korea, Syria, and
short time frame it took for Net- Crimea.
flix to expand its operations from
a U.S. only subscriber base to Netflix estimated that it usually took about
a global subscriber base. But two years after the initial launch in a new
2 / 45
Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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in 2019, Netflix was still strug- country or geographic region to attract
gling to surmount the barriers sufficient subscribers to generate a pos-
erected by the Chinese govern- itive "contribution profit" - Netflix defined
ment in allowing Netflix to enter "contribution profit (loss)" as revenues
the People's Republic of China, less cost of revenues (which consisted
the world's most massive mar- of amortization of content assets and ex-
ket for entertainment. The Chi- penses directly related to the acquisition,
nese government had for sev- licensing, and production/delivery of such
eral years refused to issue Net- content) and marketing expenses associ-
flix a license to operate in Chi- ated with its domestic streaming and in-
na, preferring instead to control ternational streaming business segments
the content its citizens were al- (the company had ceased all marketing
lowed to see - government cen- activities related to its domestic DVD busi-
sors required that an entire se- ness).
ries of a TV show had to be ap-
proved before it could begin to
be shown on an online platform.
Aside from the censorship issue,
most observers believed the Chi-
nese government also wished to
protect aspiring local providers
of Internet-based entertainment
content from foreign competi-
tors. As a consequence of its
dim prospects for getting an op-
erating license from the Chinese
government any time soon, in
2017 Netflix had negotiated a li-
censing arrangement to exclu-
sively provide some of its orig-
inal content to a fast-growing
Chinese company named iQiyi
(pronounced Q wee), the leading
provider of online entertainment
services in China with some 90
million subscribers (as of early
2019). Use of a licensing strategy
was attractive to Netflix because
it provided a means of gaining
3 / 45
Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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content distribution in China and
building awareness of the Net-
flix brand and Netflix content,
but the licensing arrangement
was expected to generate only
small revenues for some years to
come.
3. The mounting intensity with This shift had permanently undercut the
which well-known, resource-rich once-thriving businesses selling movie
companies were competing for and music DVDs and/or renting DVDs
viewers of entertainment pro- at local brick-and-mortar locations and
grams. standalone rental kiosks (like Redbox
in the United States) or delivering/re-
As of March 31, 2019, almost turning DVDs by mail (as at Netflix)
4.4 billion of the world's popu- and unleashed a fierce battle among
lation of 7.7 billion people (56.8 the providers of streamed content in
percent) used the Internet; the countries across the world to become
number of people with broad- the preferred streamed content provider
4 / 45
Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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band Internet access was mov- (or, at worst, a frequently used content
ing rapidly toward 1 billion - a provider).
number that Netflix viewed as
its near-term market opportu-
nity. YouTube and Facebook al-
ready had 2 billion monthly ac-
tive users, a number that Net-
flix viewed as its long-term mar-
ket opportunity for accessing
and attracting more subscribers.
Surveys conducted in December
2018 indicated that the average
amount of time individuals spent
using the Internet on any de-
vice was 6 hours and 42 minutes,
equal to more than 100 days of
online time per year. The world-
wide average fixed Internet con-
nection speed was 54.3 million
bits per second (mbps) and the
worldwide average mobile Inter-
net connection speed was 25.1
mbps. These speeds were ex-
pected to climb steadily toward
75 mbps (or more) by 2025.
14. In recent years, however, Net- information found Outside of Case Study
flix had gradually shrunk the
number of movie titles in its https://www.statista.com/statis-
streaming library to approxi- tics/882490/netflix-original-con-
mately 4,000 as of early 2019 tent-hours/
and dramatically increased its
number of episodes of TV shows By Amy Waston 11/10/2020
to approximately 4,700 in early
2019. Netflix had increased the From relatively humble beginnings as a
number of new original content DVD-by-mail service, Netflix has grown
offerings in each of the past six into one of the most influential video
15 / 45
Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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years. There were two reasons streaming services in the world. The com-
for the shift in the makeup of pany was one of the first to see the
Netflix's streaming content. One potential of video streaming technology
reason was internal data show- and began to transition to a subscrip-
ing that subscribers spent only tion video-on-demand model in 2007.
about one-third of their time on Since this transition, Netflix's revenue has
Netflix watching movies; the sec- grown from 1.36 billion to around 15.8
ond reason was a conviction billion in just ten years. The number of
on the part of Netflix's content Netflix subscribers has followed a similar
executives that if viewers were trend, growing from less than 22 million in
passionate about a movie, they 2011 to nearly 150 million in 2019.
would have already seen it in the-
aters by the time it ended up on Total number of subscription video-on-de-
Netflix. mand households worldwide in 2018: 250
Million.
To make the company's movie
library more valuable for its Netflix Annual Revenue in 2019: 20.15
subscribers, Netflix had begun Billion USD.
releasing a progressively larg-
er number of original movies Number of Netflix paying subscribers
(80 movies were released in worldwide as of Q3 2020: 195.15 Million
2018-the number for 2019 had
not been announced as of May DVD section has declined. At the end of
2019) and creating more mul- 2019, there were just 2.15 million sub-
ti-episode original TV series like scribers to Netflix's DVD rental service
past hits House of Cards, The in the United States, a drop from 11.17
Crown, Orange Is the New Black, million in 2011.
and Stranger Things. Going for-
ward, Netflix was expected to
continue to place greater em- How many paid subscribers does Netflix
phasis on its own original con- have?
tent- both movies and original Netflix had 195.15 million paid sub-
TV series- chiefly as a way to scribers worldwide as of the third quar-
more strongly differentiate itself ter of 2020. Most Netflix subscribers are
from competitors; top manage- based in the United States, with the U.S.
ment had announced its inten- accounting for over 73 million of Netflix's
tion to spend $9.1 billion on orig- total global subscriber base. While the
inal content in 2019, up from popularity of Netflix's streaming service
$6 billion in 2017. Netflix spent has been increasing, the company's DVD
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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more than $12 billion on original section has declined. At the end of 2019,
content production and licens- there were just 2.15 million subscribers to
es to show content produced Netflix's DVD rental service in the United
by outside sources; according States, a drop from 11.17 million in 2011.
to a report byVariety magazine, Who is Netflix's audience?
Netflix's budget for new content Netflix subscribers are a loyal bunch,
(original production plus licens- with the majority reporting that they would
es) was expected to hit $15 bil- keep Netflix even if the monthly subscrip-
lion in 2019 and $17.8 billion in tion price increased, and subscribers also
2020. stated that they would continue using the
service with ads. With a wealth of content
information found Outside of spanning multiple genres and a diverse
Case Study catalogue of TV shows, movies and doc-
https://www.cheatsheet.com/en- umentaries, Netflix appeals to a wide au-
tertainment/you-wont-be- dience and consistently impresses users
lieve-how-many-origi- with its often binge-worthy original con-
nal-movies-and-shows-netflix-re- tent. Subscribers are from diverse ethnic
leased-in-2019.html/ backgrounds - data on Netflix subscribers
by ethnicity found that more Hispanic
Netflix's total output for 2019 is and African Americans watch Netflix than
greater than what the entire U.S. their White counterparts. Netflix consid-
TV industry put out in 2005, ac- ers diversity important and featured al-
cording to an analysis by Va- most five times the number of LGBTQ
riety. 371 new TV shows and characters in its TV series than Hulu in
movies. The nearly 400 Netflix the 2018-19 season. Additionally, openly
originals released this year is a published data on the gender of Netflix
54.6% increase over 2018, when employees in early 2019 revealed that
the streamer released 240 shows the company performs extremely well in
and movies. terms of achieving an even split. Perhaps
unsurprisingly, Netflix appeals to all age
groups and a survey showed that the ma-
jority of adults aged 18 to 54 years old
subscribed to the service.
Netflix viewer habits
Interestingly, a survey exploring the be-
havior of Netflix viewers with pets found
that a total of 12 percent of respondents
admitted that they had stopped viewing
a show because their pet did not like it,
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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and 22 percent had bribed their pet with
treats in a bid to encourage the animal to
watch the show or movie for longer. Such
behavior may seem strange to some, but
with Netflix available to watch on multiple
devices and in any location, consumers
inevitably have and will continue to tailor
their viewing experience to their prefer-
ences, needs, and lifestyles. Some U.S.
adults have even admitted to watching TV
and movies in public restrooms, and with
Netflix retaining its title as the undisputed
market leader when it comes to video
streaming it's safe to assume that some of
these bathroom binge viewers are Netflix
customers, too.
Netflix's strategy in 2019 was fo- Netflix executives were keenly aware that
cused squarely on: rapid subscriber growth was the key to
boosting the company's profitability and
* Growing the number of domes- justifying the company's lofty stock price
tic and international streaming of $360 (as of May 22, 2019 and as of
subscribers. November 11th 2020: $485.68 at 10:42
AM PST), which was 134 times the com-
* Enhancing the appeal of its li- pany's 2018 diluted earnings per share of
brary of streaming content, with $2.68 and 61 times the consensus EPS of
an increasing emphasis on ex- $5.88 that Wall Street analysts and Netflix
clusive original movies and TV investors were anticipating the company
series produced in-house. would earn in 2019. Netflix executives ex-
pected that close to 80 percent of the
* Spending aggressively on mar- gains in subscriber growth in 2019 and
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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keting and advertising in all of beyond would come in the international
the countries and geographic re- arena- in 2018 the growth in international
gions the company had recent- subscribers was 81.2 percent of total sub-
ly entered to broaden awareness scriber growth (including free trials).
of the Netflix brand and service
and thereby support the compa-
ny's strategic objective to rapid-
ly grow its base of streaming
subscribers.
Over the years, Netflix had Netflix used multiple marketing approach-
spent considerable time and en- es to attract subscribers, but especially
ergy establishing strong ties online advertising (paid search listings,
with various entertainment video banner ads on social media sites, and
providers to both expand its con- permission-based emails) and ads on re-
tent library and gain access to gional and national television. To spur
new releases as soon as possi- subscriber growth, Netflix had boosted
ble after they were released for marketing expenditures of all kinds from
first-run showing in movie the- $25.7 million in 2000 (16.8 percent of
aters. Prior to the recent push by revenues) to $142.0 million in 2005 (20.8
Amazon Prime and Hulu to at- percent of revenues) to $298.8 million in
tract streaming subscribers, Net- 2010 (13.8 percent of revenues) to $1.1
flix had successfully negotiated billion in 2016 (12.4 percent of revenues)
exclusive rights to show titles to $1.44 billion in 2017 (12.3 percent of
produced by a few studios. revenues) and to 2.37 billion in 2018 (15.0
percent of revenues).
In August 2011, Netflix intro-
duced a new "Just for Kids" These Expenditures Related To:
section on its website that
contained a large selection * Online and television advertising in the
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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of kid-friendly movies and TV United States and newly entered coun-
shows. By March 2012, over one tries. Advertising campaigns of one type
billion hours of Just for Kids pro- or another were under way more or less
gramming had been streamed to continuously, with the lure of one-month
Netflix members. free trials and announcements of new
and forthcoming original titles usually be-
New content was acquired from ing the prominent ad features. Netflix's ex-
movie studios and distributors penditures for digital and television adver-
through direct purchases, rev- tising were $1.8 billion in 2018, $1.09 in
enue-sharing agreements, and li- 2017, $842.4 million in 2016, and $714.3
censing agreements to stream million in 2015.
content. Netflix acquired many
of its new-release movie DVDs * Costs pertaining to free trial subscrip-
from studios for a low upfront fee tions.
in exchange for a commitment
for a defined period of time either * Payments to the company's partners.
to share a percentage of sub- These partners consisted of mainly of:
scription revenues or to pay a
fee based on content utilization. 1. Consumer products manufacturers
After the revenue-sharing period who produced and distributed devices
expired for a title, Netflix gener- (particularly remote controls) that facili-
ally had the option of returning tated connecting TVs and other media
the title to the studio, purchasing equipment to Netflix.
the title, or destroying its copies
of the title. On occasion, Netflix 2. Certain cable providers and other mul-
also purchased DVDs for a fixed tichannel video programming distributors,
fee per disc from various stu- mobile operators, and Internet service
dios, distributors, and other sup- providers who had begun collaborating
pliers. with Netflix to make it easy for their cus-
tomers to connect to Netflix. For exam-
In the case of movie titles and TV ple, most all brands of Internet-connected
episodes that were streamed to TVs now came with a preinstalled Net-
subscribers via the Internet for flix app that was easily accessed via the
instant viewing, Netflix generally TV remote; some TV remotes even had
paid a fee to license the content Netflix buttons that provided Netflix sub-
for a defined period of time, with scribers with a a one-click connection to
the total fees spread out over the their watchlist.
term of the license agreement
(so as to better match up con- In 2018, multi-channel TV providers like
20 / 45
Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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tent payments with the stream of Comcast and Sky were offering cus-
subscription revenues coming tomers the option to bundel a subscrip-
in for that content). Following the tion to Netflix in with their preferred chan-
expiration of the license term, nel packages. Netflix believed collabo-
Netflix either removed the con- ration with a host of cable and moble
tent from its library of streamed phone operators across all geographic
offerings or negotiated an exten- markets would likely become common
sion or renewal of the license practice very quaickly. Management was
agreement when management particularly interested in partnering with
believed there was still enough mobile operators to create quick and
subscriber interest in the con- easy-to-use procedures for mobile phone
tent to justify the renewal fees. users across the world to access Netflix
streamed or downloadable programming.
Over the past five years, Net- Netflix believed it was particularly impor-
flix's rapidly growing subscriber tant to make mobile streaming from Net-
base (as well as the stream- flix instantly accessible to those people
ing subscriber growth at Ama- who basically only wanted to have their
zon Prime Video, Hulu, and oth- relationship with Netflix on a mobile de-
er providers) gave movie studios vice.
and the network broadcasters of
popular TV shows considerably In 2019, Netflix expected its growth in
more bargaining power to com- marketing expenditures to outpace rev-
mand higher prices for their con- enue growth, partly because it had start-
tent. Netflix management was ed investing in more extensive marketing
acutely aware of its diminish- campaigns for new original titles to create
ing bargaining power in acquir- more density of viewing and conversa-
ing content that would be espe- tion around each title. Netflix CEO Reed
cially appealing to subscribers, Hastings explained the logic behind trying
and the substantial negative im- to make certain new titles a bigger hit in
pact of that paying higher prices a particular nation or among a particular
for streaming content had on demographic segment"
the company's current and fu-
ture profit margins. Nonetheless, "We believe this density off viewing helps
Netflix executives believed there on both retention and acquisition, be-
was still room for the company to cause it makes our original titles even less
earn attractive profits on stream- substitutable. Because we operate in so
ing if it could grow its subscriber many countries, we are able to try dif-
base fast enough to more than ferent [marketing] approaches in different
cover the rising costs of content markets and continue to learn [how best
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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acquisition. to market Netflix's original content and
differentiate Netflix from rival streaming
As indicated earlier, Netflix had providers].
recently begun devoting the ma-
jority of its new content acqui-
sition budget to producing its
own original movies and TV se-
ries in-house. Several of these
shows were being launched in
local languages with local pro-
ducers to appeal directly, if
not exclusively, to subscribers
in a particular country or re-
gion. A new 2017 Brazilian sci-
ence-fiction show had scored
well with audiences around the
world, even though it had been
produced in Portuguese for
Brazil-Netflix's first instance of
a local-language program work-
ing well in locations where oth-
er languages dominated. In the
second half of 2018, Netflix in-
troduced a new original series
produced in Denmark, called The
Rain, that Netflix executives be-
lieved would have broad glob-
al appeal, along with the sec-
ond season of the Brazilian pro-
gram (called 3%). Other new
original content scheduled for
2018 included the second sea-
son of 13 Reasons Why (one
of Netflix's most watched tele-
vision shows around the world
in 2017), returning seasons of
hits like Luke Cage, GLOW, Dear
White People, Unbreakable Kim-
my Schmidt, Santa Clarita Diet,
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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Series of Unfortunate Events,
and a comedy feature film with
Adam Sandler and Chris Rock,
called The Week Of.
17. Netflix's Title Selection Software The Financial Strain of Netflix's Grow-
and Efforts to Enhance Its Inter- ing Expenditures for Original Content and
face With Users. Other Content Acquisitions
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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20. What factors are acting to inten- a. Amazon Prime, YouTube, and Hulu are
sify/weaken rivalry in the sub- exerting tremendous competitive pres-
scription video-on-demand in- sure on Netflix to maintain its pace as
dustry? the creator of "must-watch" on-demand
content. YES
Select "yes" for those state-
ments below that are accurate b. Local providers in both developed and
and choose "no" for those that emerging markets are also rivals with
are not. possibly lower cost structures and more
localized content. YES
a. Amazon Prime, YouTube, and
Hulu are exerting tremendous c. Rivalry is centered on two main factors:
competitive pressure on Netflix price and breadth of selection; providers
to maintain its pace as the cre- with the largest content library will most
ator of "must-watch" on-demand likely have the most subscribers. NO
content.
d. The competitive pressures associated
b. Local providers in both devel- with rivalry among providers of subscrip-
oped and emerging markets are tion video on demand is intense due to
also rivals with possibly lower price competition and price wars. YES
cost structures and more local-
ized content. e. Rivalry among subscription-based
providers of streamed video content is a
c. Rivalry is centered on two moderate competitive force that is likely to
main factors: price and breadth intensify in the years ahead. NO
of selection; providers with the
largest content library will most f. Deep-pocketed newer entrants such
likely have the most subscribers. as Apple, Disney, and Warner Media will
ratchet up that pressure. YES
d. The competitive pressures
associated with rivalry among
providers of subscription video
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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on demand is intense due to
price competition and price
wars.
21. What factors are acting to inten- a. The cost of licensing studio-produced
sify/weaken the bargaining pow- content involving top writers, location
er and leverage of suppliers shooting, and actors with box-office ap-
in the subscription video-on-de- peal will rise as competitors emerge and
mand industry? bid for content and talent that Netflix de-
sires. YES
Select "yes" for those state-
ments below that are accurate b. The competitive pressures associated
and choose "no" for those that with the bargaining power of suppliers
are not. to providers of subscription video on de-
mand is weak to moderate. YES
a. The cost of licensing stu-
dio-produced content involving c. All streaming/VOD providers will un-
top writers, location shooting, doubtedly have to compete on the basis
and actors with box-office ap- of having a large library of titles available
peal will rise as competitors for streaming. NO
emerge and bid for content and
talent that Netflix desires. d. As technology improves and decreas-
es in cost, more consumers will be able
b. The competitive pressures as- to create as well as download content
sociated with the bargaining quickly via the web and play it on their
power of suppliers to providers televisions or alternative devices. YES
of subscription video on de-
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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mand is weak to moderate. e. The bargaining power and leverage of
suppliers is a moderate to very strong
c. All streaming/VOD providers competitive force, depending on the type
will undoubtedly have to com- of supplier. NO
pete on the basis of having a
large library of titles available for f. The cost to deliver content over broad-
streaming. band and cellular networks provided by
third parties could increase, and the need
d. As technology improves and to pay for fast-lane network access could
decreases in cost, more con- drag on margins. YES
sumers will be able to create as
well as download content quick-
ly via the web and play it on
their televisions or alternative
devices.
OPTIONS:
YES OR NO
OPTIONS:YES OR NO
23. What factors are acting to inten- a. Individual subscribers/viewers may opt
sify/weaken the bargaining pow- to switch to a different provider and nego-
er of buyers in the subscription tiate for a better rate at any time. NO
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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video-on-demand industry?
b. The competitive pressures associated
Select "yes" for those state- with the bargaining power of buyers of
ments below that are accurate subscription video on demand is moder-
and choose "no" for those that ate. YES
are not.
c. Buyers have a variety of streaming ser-
a. Individual subscribers/view- vices from which to choose (Amazon, Ap-
ers may opt to switch to a differ- ple TV, Hulu, Netflix, Roku, etc.). YES
ent provider and negotiate for a
better rate at any time. d. Switching costs for buyers are moder-
ately low compared to switching among
b. The competitive pressures as- cable and satellite TV providers. YES
sociated with the bargaining
power of buyers of subscription e. Consumers in most markets have mul-
video on demand is moderate. tiple ways to view archival and new con-
tent, either via traditional broadcast TV or
c. Buyers have a variety of via rentals of DVD/Blue-Ray media. YES
streaming services from which
to choose (Amazon, Apple TV, f. Most consumers already possess a
Hulu, Netflix, Roku, etc.). tablet, mobile device, or smart TV, there
is no need to purchase add-on boxes or
d. Switching costs for buyers purpose-specific viewing equipment. YES
are moderately low compared
to switching among cable and
satellite TV providers.
OPTIONS:YES OR NO
24. What factors are acting to in- a. The competitive pressures associated
tensify/weaken the threat of new with the threat of new entry into the mar-
entrants into the subscription ket for subscription video on demand is
video-on-demand industry? weak to moderate. YES
Select "yes" for those state- b. Some markets, such as China, Crimea,
ments below that are accurate North Korea, and Syria, remain closed
and choose "no" for those that to external providers of streaming media
are not. services (or do not allow such services to
exist). YES
a. The competitive pressures as-
sociated with the threat of new c. The entry threat into the market for
entry into the market for sub- subscription video on demand should be
scription video on demand is viewed as moderate to strong. NO
weak to moderate.
d. The entry into the subscription video
b. Some markets, such as Chi- on demand has become prohibitively high
na, Crimea, North Korea, and and is rising. YES
Syria, remain closed to exter-
nal providers of streaming media
services (or do not allow such
services to exist).
OPTIONS:YES OR NO
25.
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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What do you see as the key dri- a. Social/Demographic—global popula-
vers impacting growth and key tion growth and increasing urbanization,
success factors for rivals com- accompanied by rising standards of living
peting in the market for sub- and technology adoption YES
scription video on demand?
b. Economic—changes in per capita dis-
Select "yes" for those state- posable income in emerging economies,
ments below that are accurate some of which are located in the Southern
and choose "no" for those that Hemisphere, offsetting economic slow-
are not. downs in countries in the Northern Hemi-
sphere YES
a. Social/Demographic—global
population growth and increas- c. Increased competition—low barriers to
ing urbanization, accompanied entry will increase the number of competi-
by rising standards of living and tors NO
technology adoption
d. Government/Political/Legal—absence
b. Economic—changes in per or presence of subsidies, low-interest
capita disposable income in rates, barriers to trade, presence or ab-
emerging economies, some of sence of high-speed Internet, cellphone
which are located in the South- and tablet adoption rates, and currency
ern Hemisphere, offsetting eco- exchange rates YES
nomic slowdowns in countries in
the Northern Hemisphere e. Technology—increasing reliance on
innovation and R&D to develop new
c. Increased competition—low programming content, increase video
barriers to entry will increase the streaming throughput, differentiate prod-
number of competitors ucts, and mine or analyze customer data
YES
d. Government/Political/Le-
gal—absence or presence of f. Industry growth—the mass entry
subsidies, low-interest rates, of video-on-demand competitors has
barriers to trade, presence or caused growth to slow down at least for
absence of high-speed Internet, a short period NO
cellphone and tablet adoption
rates, and currency exchange
rates
e. Technology—increasing re-
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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liance on innovation and R&D to
develop new programming con-
tent, increase video streaming
throughput, differentiate prod-
ucts, and mine or analyze cus-
tomer data
OPTIONS:
YES OR NO
c. differentiated, cutting-edge,
critically acclaimed content
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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track and query customer analyt-
ical data
OPTIONS:
YES OR NO
OPTIONS:YES OR NO
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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c. vast potential in world's second largest
b. increasing installed base of economy (China), and second most pop-
devices capable of showing ulous market (India and Southeast Asia)
streaming content YES
OPTIONS:
YES OR NO
30. Which of the following represent a. hacking of consumer data and illegal
external threats to Netflix's fu- reproduction of proprietary content YES
ture well-being?
b. continued political and legal barriers to
a. hacking of consumer data and enter China and other emerging markets
illegal reproduction of propri- YES
etary content
c. continued jockeying for position among
b. continued political and legal existing rivals plus entry of Apple, Disney,
barriers to enter China and other and Warner Media that will change the
emerging markets game for subscription services YES
OPTIONS:YES OR NO
31. Considering all four SWOT lists, C. Netflix's overall situation is strong and
which of the following accurately its long-term outlook is promising.
characterize the attractiveness
of Netflix's overall situation?Se-
lect the best response from the
options provided.
32. How have Netflix's business a. CEO Reed Hastings has, over time,
strategy choices strengthened successfully transitioned Netflix from a
or weakened its competitive po- DVD rental service to the premier stream-
sition in the streaming video ing video on demand service. YES
on-demand industry?
b. Netflix's internal recommendation soft-
Discuss how the company's se- ware and large subscriber base have af-
nior management has chosen to forded the company an edge when de-
increase the horizontal or verti- ciding which content to acquire in future
cal scope of the firm. years. YES
a. CEO Reed Hastings has, over c. Netflix is not the current market leader;
time, successfully transitioned this increases the bargaining power of
Netflix from a DVD rental service suppliers. NO
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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to the premier streaming video
on demand service. d. Netflix has built a substantial content
library that will benefit the firm over the
b. Netflix's internal recommen- long term. YES
dation software and large sub-
scriber base have afforded the e. Rivalry has been moderate between
company an edge when deciding Amazon Prime, Hulu, YouTube, and Net-
which content to acquire in fu- flix. NO
ture years.
f. Netflix incurs a cost to localize con-
c. Netflix is not the current mar- tent and production of content to sustain
ket leader; this increases the access to global markets and grow sub-
bargaining power of suppliers. scriber base in those markets. YES
OPTIONS:YES OR NO
33.
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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Has Netflix's increase in scope a. It is expected that Netflix will expand
also been a part of its interna- further into local-language programming
tional strategy? Is the interna- to offset the weakness of its relatively
tional strategy best character- more modest offerings in many countries.
ized as a multidomestic strate- YES
gy, global strategy, or transna-
tional strategy? Which strategy b. Netflix's expansion outside the United
for entering international mar- States could continue to drag on cash
kets should be selected for Chi- flow due to different tastes and lower
na? video consumption. YES
f. A global/international strategy
allows Netflix the opportunity to
customize product offerings and
marketing in accordance with lo-
cal responsiveness.
OPTIONS:YES OR NO
34. What do the data in case Exhibits a. Netflix's year-on-year and Compound
1, 2, and 5 reveal about Netflix's Annual Growth Rates (CAGR) are ex-
financial and operating perfor- tremely robust. YES
mance?
b. Total operating expenses have re-
a. Netflix's year-on-year and mained steady between 2016 and 2018.
Compound Annual Growth YES
Rates (CAGR) are extremely ro-
bust. c. Operating income declined dramatical-
ly between 2017 and 2018. NO
b. Total operating expenses have
remained steady between 2016 d. Net income has almost doubled year
and 2018. after year from 2016 to 2018. YES
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Case 6: Netflix in 2019: Striving to Solidify Its Position as the Global Leade
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d. Net income has almost dou-
bled year after year from 2016 to
2018.
OPTIONS:YES OR NO
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