The Reign of Jahangir
The Reign of Jahangir
The Reign of Jahangir
During his 50-year reign, Akbar accumulated much wealth from the political and commercial centers in northern India. His immediate successors,
Jahangir and Shah Jahan, were able to surround themselves with a splendor and opulence unequaled by any other Muslim dynasty.
From the beginning, Jahangir's life was overshadowed by the achievements of his father Akbar. Jahangir grew up resentful of his masterful parents and
bitterly jealous of his father's long-established coterie of advisers who must have interfered between father and son. Hambly writes that despite
Jahangir's acute intelligence, the Mughal ruler was generally indifferent to the larger interests of the empire. Moreover, he lacked any obvious inclination
for warfare and was bored by the humdrum details of day-to-day administration. Jahangir was self-indulgent and sensual with a streak of cruelty that
emanated from a weak personality.
Despite Jahangir's disinterest in expansion, the imperial frontiers continued to move forward -- in Bengal, Mewar and Ahamadnagar. The only major
reversal to the expansion came in 1622 when Shah Abbas, the Safavid ruler of Iran, captured Kandahar with impunity.
Jahangir lived under the spell of personalities that were more colorful than his own; the most influential of these personalities was the beautiful Nur Jahan
whom he married in 1611. Nur Jahan then became the real ruler of the empire until the death of her husband Jahangir.
Nur Jahan's Persian grandfather was in the service of Shah Tahmasb; the grandfather died in Yazd laden with honors. His heirs, however, soon fell upon
hard times, and his son, Mirza Ghiyas al-Din Muhammad, was forced to set out for India with his family. In 1577, during the trip to India, his wife gave
birth at Kandahar to a eautiful daughter, Mihr al-Nisa (Sun of Women). Later, Jahangir would give Mihr al-Nisa the name of Nur Mahal (Light of the Palace)
which he later expanded to Nur Jahan (Light of the World).
Mihr al-Nisa's father, Mirza Ghiyas al-Din Muhammad, made his way to Akbar's court at Fatehpur Sikri and rose rapidly in the imperial hierarchy. He held
many important positions including that of diwan of Kabul; he ended his days with the rank of commander and the proud title of Itimad al-Dawleh (Pillar
of the State). His son, Asaf Khan, was an urbane and affable courtier and a sharp fiscal administrator who secured the favor of both Jahangir and Shah
Jahan, writes Hambly.
The son attained the highest provincial governorships and finally the rank of commander-in-chief. Hambly notes that in 1612, a year after Mihr al-Nisa's
marriage to Jahangir, Asaf Khan arranged for his daughter, Arjumand Banu Begum, to marry Prince Khurram, one of Jahangir's younger sons. Fifteen
years later, Khurram would ascend to the throne as the emperor Shah Jahan. Nur Jahan's niece would win immortality as Mumtaz Mahal, the woman in
whose honor the Taj Mahal was built.
According to Hambly, Jahangir's wife, Nur Jahan, was an excellent conversationalist, a fine judge of Persian poetry and a poet herself. Her
accomplishments made her an irresistible companion for the emperor. Nur Jahan was a patron of painting and architecture whose interests also extended
to the decoration of rooms as well as the designing of ornaments, brocades, rugs and dresses. The fashions in women's clothing that she adopted were
still in vogue at the end of the 16th century.
Nur Jahan was Jahangir's favorite companion. She shared his interests in fine artistic objects and precious stones. Nur Jahan also assisted Jahangir in the
layout and design of Persian gardens like the beautiful Shalimar-Bagh on the Dal Lake in Kashmir.
Jahangir's love of flowers and animals is reflected in the numerous miniatures painted by artists who shared their master's keen eye for the beauties of
wild nature. Sir Thomas Roe, the ambassador of James I of England, was amazed at Jahangir's knowledge and discriminating taste where pictures were
concerned.
Jahangir was not particularly interested in architecture, but one of the buildings that dates from his reign ranks among the finest achievements of the
Mughal spirit. This is the tomb of Mirza Ghiyath Beg, usually known by his title I'timad ad-Dawlah (Pillar of the State), built at Agra by Nur Jahan (Light of
the World) for her father who died in 1622. The tomb stands in a quadripartite garden. The enclosure walls, a guest-house on the river Yamuna and the
podium are made of traditional red sandstone inlaid with colored marble.
Blair and Bloom note that the tomb of I'timad ad-Dawlah is the first structure in India in which white marble replaces red sandstone as the ground for
polychrome pietra dura inlay. The tomb, measuring about 22 yards on a side, contains a central tomb chamber surrounded by square and rectangular
rooms decorated with carved painted plaster in the Persianate style. Blair and Bloom write that broad octagonal towers, like minarets, mark the corners,
and a small pavilion or upper story rises above the roof. Three arched openings on each side provide shadows which contrast with the gleaming surface,
while the cornice and eaves mark strong horizontal lines.
According to Blair and Bloom, the modest, jewel-like building is remarkable for its delicate but exuberant decoration and warm tonality. The traditional
technique of inlay has changed; opus sectile, marble intarsia of various colors, has been replaced by pietra dura, in which hard and rare stones such as
lapis, onyx, jasper, topaz, carnelian and agate were embedded in the marble.
Traditional geometric designs and arabesques are combined with representational motifs of drinking cups, vases with flowers, cypress trees and visual
descriptions of Paradise from the Holy Qur'an. Blair and Bloom add that the intricate inlay in yellow, brown, gray and black, contrasting with the smooth
white marble, prefigures the later phase of white marble garnished with gold and precious stones that marks the most sumptuous buildings constructed
under later Mughal patronage.
Jahangir (1569-1627), the fourth Mughal Emperor of India and patron of the arts, ruled for 22
years.
Jahangir was an amicable, liberal Muslim - an emperor who loved painting, architecture, and
the fine arts. A successful and benevolent ruler, he cherished the well-being of his Indian
subjects, revered both Hindu and Muslim saints, and improved social conditions without
interfering with customs. But Jahangir was not without military ambitions. A capable soldier,
he dreamt of conquering Transoxiana, the seat of the government of the early Timurids.
Jahangir was a child of many prayers - the eldest son of Akbar, one of the most notable rulers
in Islamic history, and his Rajput wife Jodh Bai. The boy was brought up with all possible care
and affection and when he grew up, arrangements were made for his education at the new
capital, Fatehpur-Sikri. Expert tutors taught the prince Persian, Turki, Arabic, Hindi, arithmetic,
history, and geography, but he was most influenced by Abdur Rahim Khan Khana, a versatile
genius, soldier, and successful diplomat. Under his guidance, Prince Salim (Jahangir) also
mastered the technique of composing verses.
In fact, Jahangir was determined to dispense justice fairly. One of his earliest orders was the
setting up of a "chain of justice" made of gold. Anyone who failed to secure justice might pull
the end outside the Agra fort in order to draw the attention of the emperor so that the latter
might redress his grievances.
Internal disturbances in India prompted the Shah of Persia to make a bid for the fortress of
Kandahar. Owing to its strategic and commercial importance, the fort was a bone of contention
between Persia and India during the middle ages. After the death of the second Mughal
ruler Humayun, it was given to Shah Husain Mirza by the Persian emperor. Though Akbar had
recovered it in 1594, it had again passed into Persian hands. Three attempts were made
to recapture the fortress, but the Mughal armies were unsuccessful. These repeated failures had
diminished the prestige of the Empire.
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Sunday, May 31, 2009
Jahangir Part II
The most important development in the first half of Jahangir's reign had been the rise of his
favorite wife Nur Jahan ("Light of the World") and the emergence of this third son Khurram
(whose mother was a Rajput princess). Nur Jahan was a lady of great energy and many talents.
Because of her, Persian poets and artists, architects, and musicians flocked to the Mughal court
at Agra. She became an effective political power in India. But Shah Jahan was the leading
contender for his father's mantle, and Nur Jahan resented his growing influence.
Nur Mahal's first step was simply to persuade the suggestible Jahangir that Shah Jahan should
leave court, get away from the center of affairs, and return to military service against rival
kings in the Deccan. Shah Jahan accepted the commission in ill grace, and took with him
Khusrau, who had remained popular despite his rebellion and had a strong claim to the throne.
Hearing that Jahangir's health was worsening and that his death was imminent, Shah Jahan's
first act was to kill this brother, who would otherwise have become the center of a rival faction.
In 1623, Shah Jahan marched in open rebellion toward Agra. At Nur Mahal's behest an
imperial army set out to track down Shah Jahan's forces, but the shrewd prince evaded his
pursuers rather than meet them at a military disadvantage. The rebellious Shah Jahan was
chased around southeast India for three years before finally agreeing to return to his father's
fold.
Meanwhile, Jahangir held an impressive court. For one thing, he was fond of religious
discourse. Sir Thomas Roe of England would testify that the Emperor accorded equal welcome
to Christians, Jews, and Muslims. Once again, Hindu festivals like Rakhi, Dasahra, etc., were
allowed to be celebrated. Because of his father, Jahangir had come in contact with the Jesuits at
an early age and treated them with great courtesy. He was too good a Muslim and too proud a
Mughal, however, to convert to Christianity as they had hoped. The veneration he showed to
the paintings of Jesus and Mary was due to his passion for works of art. Though in the spirit of
the times there were incidents of fanaticism, for the most part Jahangir followed the policy of
Akbar in showing general tolerance for Christianity and contributing large sums for the
erection of churches.
Soon the Jesuit mission at the Mughal court assumed the character and functions of an embassy
with the intention of outplaying the English and furthering the interests of the Portuguese. But
Portuguese power, owing to its contempt for orientals, was already on the decline. The English
seized the opportunity and made a significant impression on Jahangir. English trade was then
secured.
In 1608, Captain William Hawkins arrived with a letter from James I of England. Though the
emperor was impressed, the Portuguese effectively prevented Hawkins from gaining
any tangible success from his mission. In 1615, came the aforementioned Sir Thomas Roe,
England's first official ambassador to India, who tried to secure from the Mughal ruler a trade
agreement for the young East India Company. The Portuguese had a head start in
the lucrative business of exporting calicoes and indigo from India, and the Dutch also were
ahead of the English. Though Roe failed to enter into any agreement with Jahangir, he secured
some privileges for the English trading company that made it a factor in Indian politics. Roe's
accounts provide valuable insight into the royal court.
A notable military success of Jahangir's reign was the capture of the strong fortress of Kangra
in the northeast Punjab on November 16, 1620. But this event, which Jahangir found cause
for exultation, was quickly followed by disasters and rebellions which continued until he died.
Alienated by the intrigues of his wife Nur Jahan, his son Shah Jahan rose in rebellion against
him. Facing Persian pressure from the northwest and the defection of Shah Jahan within the
heart of the empire, Jahangir's situation was grave. Though Shah Jahan's rebellion ended
in futility, it caused substantial damage to the empire.
A shaken emperor turned north to the only place where he now found solace. For several years,
he had made an almost annual journey to Kashmir. There, he had found a natural paradise, but
he and his court had done much to make it an artificial one. The Mughal gardens, which are
one of the main glories of Srinagar, are the direct result of his enthusiasm. The Shalimar Bagh,
built by Jahangir, is distinguished by a series of pavilions on carved pillars, surrounded by
pools with seats which can only be reached by stepping stones.
When Jahangir died in October on 1627 in a village at the foot of the Kashmir hills, Asaf Khan
betrayed his sister by backing his son-in-law, Shah Jahan. Informed by Asaf's courier of his
father's death, Shah Jahan rushed north to claim his throne, reaching the capital in 1628. Nur
Jahan was pensioned off and went to live in solitude in Lahore until she died in 1645.
While some European historians consider Jahangir as a fickle-minded tyrant, Indian authors
regard him as a just and noble ruler. Most writers now agree that he was a highly educated and
cultured man. His autobiography is a testimony of his interest in subjects
like botany and zoology. Among the notable buildings renovated by him, Akbar's tomb at
Sikandra is the most remarkable. He altered its design and partly rebuilt it. Under his
patronage, a great mosque was built in Lahore; it rivals the grand mosque in Delhi, built by his
son, Shah Jahan.
But he did not possess the high idealism and genius of Akbar. The administrative machinery of
his father was allowed to remain untouched. The vakil (chief minister) remained the
highest dignitary next to the emperor. A liberal ruler, he made no departure from his father's
policy of admitting Hindus to higher public services. On the whole, Jahangir was a successful
ruler and his people were well off. Agriculture, industries, and commerce flourished. Jahangir's
diary is brimming with his ideas for promoting social justice and administrative efficiency, and
in most cases he tried to follow or outdo the liberal ideas of his father, but he was less
successful in putting them into effect.