Full Download Management Asia Pacific 6th Edition Schermerhorn Test Bank
Full Download Management Asia Pacific 6th Edition Schermerhorn Test Bank
Full Download Management Asia Pacific 6th Edition Schermerhorn Test Bank
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TRUE/FALSE
1. To gain and/or maintain a competitive advantage, today’s managers must increase the emphasis on
innovation, and shift away from a relentless focus on cost control.
2. Innovations in products, services, management systems, production processes, corporate values etc.
are not strongly correlated with an organisation’s long-term viability.
3. We must consider the new challenges of the workplace at three levels: government, business and
individual.
4. Management is the attainment of organisational goals in an effective and efficient manner through
planning, organising, leading and controlling organisational resources.
5. Managers within the government setting are able to influence organisations directly in their
compliance with policies.
6. The turbulence and change in today’s competitive business environment has led to demand for a
new kind of leader. Organisations now need leaders who can guide their organisation through
turbulence and be able to see patterns in the complexity of changing external environments.
7. ‘Controlling’ defines where an organisation wants to be in the future and how to get there.
8. ‘Organising’ typically follows planning and reflects the way the organisation tries to accomplish
their plans.
10. Organising may be defined as the tasks associated with the motivation of employees in achieving
organisational goals.
11. Controlling concerns monitoring employees’ activities, determining whether the organisation is on
target towards its goals, and making corrections as necessary.
12. ‘Organising’ refers to the use of influence to motivate employees to achieve organisational goals.
13. Creating a shared culture (through the communication of goals to employees throughout the
organisation) in is one of the most important planning functions in management.
14. In a large company, the ideal control mechanism is for the CEO to supervise all the managers
personally.
15. An organisation is a social entity that is goal directed and deliberately structured.
16. Efficiency refers to the extent to which an organisation achieves its stated goals.
17. Effectiveness refers to the amount of resources used to achieve an organisational goal.
18. The necessary skills for managing an apartment or an organisation can be placed into three
categories: conceptual, human and interpersonal.
ANS: F PTS: 1 DIF: Easy NAT: AACSB Analytic
TOP: Management skills
19. Only the top managers in organisations are involved in the planning process.
20. Conceptual skill is the manager’s ability to work with and through other people and to work
effectively as a group member.
21. Technical skills refer to a manager’s ability to see the organisation as a whole as well as the
relationship between its parts.
22. Human skills refer to the ability of a manager to work with and through other people, and to work
effectively as a group member.
23. Technical skill refers to a manager’s understanding of and proficiency in perceiving the
organisation as a whole and the relationship between its parts.
24. Ellie is responsible for a temporary work project that involves the participation of people from
various functional departments in the organisation. Ellie should be classified as a ‘functional
manager’.
25. Top-line managers are the managers who have the responsibility for making the significant
strategic policy decisions, often with staff managers assisting them in these decisions.
26. A manager who is at the second management level (of the Management Level Hierarchy – see
Exhibit 1.6) and directly responsible for production of goods and services is known as a ‘First-Line
Manager '.
VIEWS.
“View of the Tea Gardens at Bayswater,” two oval prints in
Woodward’s Eccentric Excursions, plate v. Woodward del., J. C.
sculp. London, published 1796 by Allen and West.
III
These Wells were situated close to old St. Pancras Church on its
south side. In connection with them was a tavern originally called the
Horns, and its proprietor, Edward Martin, issued in 1697 a handbill
setting forth the virtues of the water, which he declares to have been
found “by long experience” a powerful antidote against rising of the
vapours, also against the stone and gravel. It likewise cleanses the
body and sweetens the blood, and is a general and sovereign help to
nature. For the summer season of this year (beginning on Whit-
Monday) Martin promised to provide dancing every Tuesday and
Thursday. The charge for the “watering” and such other diversions
as were obtainable was threepence.
In 1722 a proprietor of the Wells laments that the credit of the
place had suffered for many years “by encouraging of scandalous
company” (probably some of “the pretty nymphs” mentioned[125] by
Thomas Brown) and by making the Long Room a common dancing
room. He promises to prevent this in the future, and to exclude
undesirable characters from the garden walks.
About 1730 Pancras Wells seem to have regained their
reputation; at any rate they were industriously advertised, and the
London print-dealers sold views of the gardens and the rooms. The
water could be obtained at the pump-room, or a dozen bottles of it
might be purchased for six shillings of Mr. Richard Bristow,
goldsmith.[126] At this time, and for forty or fifty years later, the
surroundings of the Wells were completely rural, and visitors might
be seen coming across the fields by the foot-paths leading from
Tottenham Court, Gray’s Inn, and Islington. The gardens and
premises had now (1730) reached their full extent. Facing the church
was the House of Entertainment, and behind this was the Long
Room (sixty feet by eighteen) with the Pump Room at its west end.
The gardens lay further south, in the rear of these and other
buildings. A pleasant stroll might be taken in the New Plantation or in
the shaded, but formal, garden known as the Old Walk. Little is
heard of the Wells during the next thirty or forty years. But in June
1769 the proprietor, John Armstrong, advertised the water as being
in the greatest perfection. The place, however, was probably now
chiefly frequented as a “genteel and rural” tea garden, with its hot
loaves, syllabubs, and milk from the cow. Dinners were also
obtainable, and the powerful refreshments of “neat wines, curious
punch, Dorchester, Marlborough, and Ringwood beers.”
VIEWS.
1. A bird’s-eye view of St. Pancras Wells, showing the garden,
house, &c., the old church, &c., with a description of the mineral
waters. A tinted drawing, 1751, Crace, Cat. p. 580, No. 57. The
original engraving is of circ. 1730; see Palmer’s St. Pancras, p. 246,
ff.; Clinch’s Marylebone, p. 156; Walford, v. 336.
2. “The south-west view of Pancras Church and Wells.” Chatelain
del., J. Roberts sc., 1750. Crace, Cat. p. 579, No. 45; W. Coll. (Pl. 30
in Chatelain’s Fifty Views); also the south-east view, Chatelain’s Fifty
Views, pl. 29, with “Adam and Eve.”
3. Pancras Wells. A north view of the garden, house, &c. Copy of
an old drawing, 1775, Crace, Cat. p. 580, No. 58.
4. A view of the Long Room at St. Pancras, and the Trap-Ball
Ground. Copy of an old drawing, 1775. Crace, Cat. p. 580, No. 59.
5. Colonel Jack robbing Mrs. Smith going to Kentish Town (near the
Wells). W. Jett del., J. Basire sc., 1762. Crace, Cat. p. 580, No. 60.
ADAM AND EVE TEA GARDENS, ST. PANCRAS
The Adam and Eve Tavern, situated near the west end of old
Saint Pancras Church, was in existence at least as early as
1730[128], and is mentioned in 1754[129] as a resort of the London
“cit.” In 1778 it could boast of a long room adorned with gilt-framed
oval pier-glasses;[130] and in 1786 the landlord, Charles Eaton,
advertised[131] the attractions of his gardens and pleasure grounds.
About the beginning of the present century it could still be
described as an agreeable retreat “with enchanting prospects,” and
the gardens were well laid out with arbours, flowers and shrubs.
Cows were kept for making syllabubs, and on summer afternoons a
regular company met to play bowls and trap-ball in an adjacent field.
One proprietor fitted out a mimic squadron of frigates in the garden,
and the long room was a good deal used for bean-feasts, and tea-
drinking parties.[132]
In 1803, about three and a half acres of the Adam and Eve tea-
gardens were taken to form the St. Giles-in-the-Fields Cemetery
(adjoining the old St. Pancras Churchyard), though the tavern still
lingered on. In later years (circ. 1865–1874) the Adam and Eve was
an ordinary public-house. It still retained (1874) a portion of its old
grounds, which were used by its frequenters for bowl-playing. This
ground, however, was enclosed by a high wall, and was overlooked
by the mean houses that formed Eve Place. The building has since
been taken down.
[F. Miller’s St. Pancras, pp. 45 and 49; Palmer’s St. Pancras, pp.
244, 245; Roffe’s St. Pancras, p. 3; Picture of London, ed. 1802, p.
370; Wheatley’s London, III., 20, 22, 23; see also notes.]
VIEWS.
The Adam and Eve is shown in the 1730 view of Pancras Wells,
and in the views of old St. Pancras Church, e.g., in the “South view of
the Church of St. Pancras,” printed for Bowles and Carver (W. Coll.).
THE ASSEMBLY HOUSE, KENTISH TOWN
VIEWS.
1. “The Assembly Rooms, Kentish Town, 1750,” Walford, v. p. 313.
2. “The Old Assembly House, Kentish Town,” May 1853; drawn and
etched by W. B. Rye, Etchings, London, 1857.
WHITE CONDUIT HOUSE
VIEWS.
The Crace, Fillinham, and other collections contain numerous
views, from which the following may be selected:—
1. South view of White Conduit House in Lempriere’s Set of Views,
1731; reproduced in Lewis’s Islington and Pinks’s Clerkenwell.
2. White Conduit House, 1749. Engraving in Knight’s Old England,
vol. ii. fig. 2,402.
3. White Conduit House near Islington (circa 1771). A print, Crace,
Cat. No. 200.
4. White Conduit House in the last century (circa 1780). A woodcut,
Crace, Cat. No. 201.
5. The Old White Conduit Tea Gardens, Islington. Coloured view,
1822 (W. Coll.).
6. Old White Conduit House Tea Gardens. Sepia drawing, signed
C. H. M. Fillinham Coll. p. 46.
7. White Conduit House Tavern and Tea Gardens, 1828. Engraved
heading of a White Conduit bill. Fillinham Coll.
8. General View of the Gardens, White Conduit House. Fillinham
Coll. p. 46.
9. White Conduit House. Engraving in Cromwell’s Clerkenwell, p.
216.
10. White Conduit Gardens from Islington Terrace. Sepia drawing,
signed C. H. M. 1829. Fillinham Coll. p. 46.
11. Old White Conduit House. P. H. D. 1831, engraved in Rogers’s
Views of Pleasure Gardens of London, p. 53 (showing balloon and old
conduit).
12. The White Conduit Gardens, north view. Sepia drawing by C. H.
Matthews, 1832. Crace, Cat. No. 204.
13. View in Gardens showing stage, &c. Water-colour drawing,
signed I. F., June 2, 1832. Fillinham Coll. p. 48.
14. A view in the Gardens of White Conduit House with the rope-
dancing and fireworks. Sepia drawing, 1848. Crace, Cat. No. 207; cp.
Ashton’s The Fleet.
15. White Conduit House, Hotel and Tavern. North-west view of
front. A water-colour drawing by Matthews, 1849. Crace, Cat. No. 208.
16. Bird’s-eye view of the gardens of White Conduit House, taken
from the balcony. A coloured drawing by Mr. Crace, 1849. Crace, Cat.
No. 209.
DOBNEY’S BOWLING GREEN, OR PROSPECT HOUSE
VIEWS.
1. A drawing of Prospect House taken about 1780 was at one time
in the possession of Mr. Upcott (Notes and Queries, 1st series, ix.
1854, p. 572).
2. “A representation of the surprising performances of Mr. Price,”
engraved for the Universal Museum and Comp. Mag. (circ. 1767), W.
Coll.
BELVIDERE TEA GARDENS, PENTONVILLE ROAD
VIEWS.
1. South front of Busby’s Folly, one of C. Lempriere’s Set of Views,
1731 (woodcut in Pinks, p. 530); cp. woodcut in Tomlins’s
Perambulation of Islington, p. 164, and a water-colour drawing by C.
H. Matthews in Crace, Cat. p. 606, No. 212.
2. The Belvidere Gardens, early in the present century, woodcut in
Cromwell’s Clerkenwell (1828), p. 414, J. and H. S. Storer del. et
sculp. (copied in Pinks, p. 531).
3. The “Belvidere Gardens at the present time” (circ. 1860?), Pinks,
p. 532.
THE CASTLE INN AND TEA-GARDENS, COLEBROOKE ROW,
ISLINGTON
The Three Hats was a picturesque old inn standing in the Upper
Street, Islington, a few doors from the corner of the Liverpool Road
and on the site of the present Islington branch of the London and
County Bank.
It first became known as a place of amusement in 1758, when, in
the field adjoining, Thomas Johnson, “the Irish Tartar,” one of the
earliest equestrian performers in England, made his début. He
galloped round the field standing first on one horse, then on a pair,
then on three horses. At one time he rode the single horse standing
on his head, but as this posture “gave pain to the spectators” he
discontinued it. His feats seem to have been of a simpler kind than
those afterwards performed by the rider Price at Dobney’s in 1767.
One of Johnson’s performances at the Three Hats (17 July, 1766)
took place in the presence of the Duke of York and of about five
hundred spectators.
In the spring of 1767 Johnson was succeeded by the equestrian
Sampson, who announced his appearance at five o’clock at a
commodious place built in a field adjoining the Three Hats. “A proper
band of music” was engaged for this entertainment. In the summer of
this year Sampson introduced his wife into his entertainment, and
inserted the following advertisement in the Public Advertiser for 23
July: “Horsemanship at Dingley’s, Three Hats, Islington. Mr.
Sampson begs to inform the public that besides the usual feats
which he exhibits, Mrs. Sampson, to diversify the entertainment and
prove that the fair sex are by no means inferior to the male, either in
courage or agility, will this and every evening during the summer
season perform various exercises in the same art, in which she
hopes to acquit herself to the universal approbation of those ladies
and gentlemen whose curiosity may induce them to honour her
attempt with their company.”
JOHNSON AT THE THREE HATS, 1758.
The Three Hats had other attractions besides the horsemanship
and at least as early as 1768 had become a favourite Sunday resort.
In Bickerstaffe’s comedy the “Hypocrite,” published in 1768,
Mawworm says: “Till I went after him (Dr. Cantwell) I was little better
than the devil. My conscience was tanned with sin like a piece of
neat’s leather, and had no more feeling than the sole of my shoe,
always aroving after fantastical delights. I used to go every Sunday
evening to the Three Hats at Islington—mayhap your ladyship may
know it. I was a great lover of skittles, but now I can’t bear them.”
Sampson’s performances still continued in 1770 and additional
diversions were occasionally provided: “At the Three Hats, Islington,
this day, the 1st of May (1770) will be played a grand match at that
ancient and much renowned manly diversion called Double Stick by
a sett of chosen young men at that exercise from different parts of
the West country, for two guineas given free; those who brake the
most heads to bear away the prize.” “To begin precisely at four.”
“Before the above mentioned diversion begins, Mr. Sampson and his
young German will display alternately on one, two, and three horses,
various surprising and curious feats of famous horsemanship in like
manner as at the Grand Jubilee at Stratford-upon-Avon. Admittance
one shilling each person.”
In 1771 Sampson was under a cloud—he is said to have been
ensnared “into gay company” by Price, his rival at Dobney’s—and
sold his horses to Coningham, who performed in the evening at the
Three Hats (1771 and 1772), and was announced as follows:
—“First: He rides a gallop, standing upright on a single horse, three
times round the room without holding. Second: He rides a single
horse on full speed, dismounts, fires a pistol, and performs the
boasted feat of Hughes’s leaping over him backwards and forwards
for forty times without ceasing; also flies over three horses on full
speed, leaps over one and two horses on full speed as they leap the
bar, plays a march on the flute, without holding, upon two horses,
standing upright.” It was also announced that “Mr. and Mrs.
Sampson, Mr. Brown, &c., will perform to make these nights the
completest in the kingdom. The Tailor and Sailor upon the drollest
horses in the kingdom. The doors to be opened exactly at five, and
to mount at a quarter to five. Admittance in the front seats two
shillings, and the back seats one. Mr. Coningham will engage to fly
through a hogshead of fire upon two horses’ backs, without touching
them, and, for a single person, will perform activity with any man in
the world.”
In 1772 Sampson resumed his performances at the Riding School
of the Three Hats and gave lessons there. On Whit Monday some
other curious attractions were advertised in the Gazetteer (June 6,
1772): “A young gentleman will undertake to walk and pick up one
hundred eggs (each egg to be the distance of one yard apart) and
put them in a basket within an hour and fifteen minutes; if any egg
breaks he puts down one in its place, for a wager of ten guineas.
And on Whitsun Tuesday will be run for an holland shift by a number
of smart girls, six times round the School.”
About this period the riding seems to have come to an end,[157]
though the Three Hats continued for many years to be a favourite
tea-garden until the ground at the back of the house was built over.
The Morning Chronicle gives us a glimpse of the place in 1779 (21
July): “Yesterday morning upwards of twenty fellows who were
dancing with their ladies at the Three Hats, Islington, were taken by
the constables as fit persons to serve his Majesty, and lodged in
Clerkenwell Bridewell, in order to be carried before the
commissioners.”
On 6 January, 1839, a fire (which destroyed two neighbouring
houses) so damaged the roof of the Three Hats, then a mere public-
house, that in April of the same year the whole place was
demolished, and the present branch office of the London and County
Bank was erected on the site.
[Lewis’s Islington; Pinks’s Clerkenwell.]
VIEWS.
1. Engraving of Three Hats and other old houses adjacent, in Gent.
Mag. 1823, pt. 2, frontispiece; cp. p. 113.
2. A sepia drawing by C. H. Matthews, 1839. Crace, Cat. p. 596,
No. 110.
3. Engraving in the Grand Magazine, showing Johnson’s equestrian
feats, 1758, W. Coll.; cp. Crace, Cat. p. 596, No. 108.