Module 3

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MODULE 3: What is Creative Non-Fiction?

Methods in Creative Non-Fiction Writing, and How to Read and Critique Creative
Non- Fiction?

WORLD LITERATURE

Introduction The lecture will focus on the realm of short story and fiction writing. Writing about literature is
like writing about anything else, it exhibits the same evolution as writing and critiquing on
other subjects. On the other hand, the lecture will provide discussion on how to criticize a
particular literary work.
Lesson Familiarize themselves with the different elements of a short story.
Outcomes Comprehensively discuss the proper method of writing and reading a short story.
Comprehensively discuss the proper method of critiquing a short story.
Present and deliver informative details of a chosen story (fiction and non-fiction)
Differentiate fiction from non-fiction
Content What is Creative Non-Fiction?

To set the tone, the class will watch a short documentary film on creative non-fiction through
this link: https://www.youtube.com/watch?v=BymkRO6xN3o

Creative nonfiction (also known as literary nonfiction or narrative nonfiction or literary journalism or
verfabula) is a genre of writing that uses literary styles and techniques to create factually accurate
narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing
or journalism, which are also rooted in accurate fact though not written to entertain based on prose
style. Many writers view creative nonfiction as overlapping with the essay.

There is only one challenge for creative non-fiction writers, and that is ethics and accuracy. Basically,
creative non-fiction is the opposite of fiction.

Methods in Creative Non-Fiction Writing

(1) selecting a topic, (2) gathering the facts, (3) narrowing toward a thesis, (4) organizing the
material, (5) writing a draft, (6) revising the draft, and (7) writing the final paper.

How to Read and Critique Creative Non- Fiction?


The Novelist’s/ Writers View of Reality- all novelists/ writers are product of a certain
philosophy and social condition. He is not separated to the concrete hence not living in an
alien dimension of fiction like we commonly understand.

Character in the Novel- character/s in a novel is the actualization of the way how the writer
immersed in his material world.

The Novelist’s/ Writers at Work- According to Francois Mauriac, “Every novelist ought to
invent his/her own technique.” But great novelists and writers, after mastering the craft, are

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intended to break the mold like what Balzac did.

Description of the Characters- a storyteller is not a painter, he/she must build the images in
the reader’s mind. The mastery of the details, both on concrete and abstract, will save the
writer from the abys of history.

Point of View- this questions the position of the narrator in/of the story.

Plot, Story, Theme- causality of everything. Writing is like living the actual living.

Style- in every page and sentence/s and paragraph/s construction, the writer may apply
his/her own unique style.

Background/Biography of the Author/ Writer


Activity and Group Literary Analysis on “I Have a Dream” by Martin Luther King, Jr. by applying the
Assessment lecture on How to Read and Critique a Short Story and Fiction?

Mechanics: no number of words, write in Arial font, size 12.

Link: https://static.pbslearningmedia.org/media/media_files/Full_text_I_Have_a_Dream_.pdf

References 1. Knickerbocker, K.L. et al. Interpreting Literature. Quezon City: JMC Press Inc. 1985.
2. Lass, Abraham H. A Student’s Guide to 50 European Novels. New York City: A
Kangaroo Book, 1967 (pg. xi-xx)
3. Moffett, James et al. Points of View: An Anthology of Short Stories. New York City: A
Mentor Book, 1966 (pg. 140-162).
4. https://static.pbslearningmedia.org/media/media_files/
Full_text_I_Have_a_Dream_.pdf

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