b. Flashback d.

episodic plot
11. This structure conveys information about events that occurred earlier.
a. Progressive plot c. parallel plot
4th W-MARANATA CHRISTIAN ACADEMY OF DAVAO CITY, INC. b. Flashback d. episodic plot
Second Quarter Examination 12. It consists two or more dramatic plots that are usually linked by a common character.
Discipline and ideas in Social Science-11 a. Progressive plot c. parallel plot
b. Flashback d. episodic plot
General Instruction: No erasures. Erasures means wrong. 13. It happens in a chronological structure.
Test I. Multiple Choice: Choose the letter of the correct answer. a. Progressive plot c. parallel plot
1. These add texture, energy, and excitement to the narrative, grip the reader’s b. Flashback d. episodic plot
imagination, and convey information as a form of a narrative technique 14. At the peak of the story, a major event occurs in which the main character faces a
a. Drama b. one-act play c. intertextuality d. literary devises major enemy, fear, challenge, or other source.
2. It denotes the way in which texts gain meaning through their referencing or evocation a. Rising action c. denouement
of other texts. b. Resolution d. climax
a. Drama b. one-act play c. intertextuality d. literary devises 15. At the beginning of the story, characters, setting, and the main conflict are typically
3. This has only one act and may consist of one or more scenes. There are only a few introduced.
characters with concise dialogue relevant to the plot. a. Climax c. resolution
a. Drama b. one-act play c. intertextuality d. literary devises b. Rising action d. denouement
4. A 10-minute play that emerged as a popular subgenre, especially in writing 16. It is like a concluding paragraph that resolves any remaining issues and ends the
competitions. story.
a. Drama b. one-act play c. flash drama d. intertextuality a. Exposition c. denouement
5. This refers to the words written by the writer and spoken by the characters in the b. Falling action d. climax
play. It connotes action in the play. 17. The story begins to slow down and work towards its end, tying up loose ends.
a. Plotb. scriptc. dialogue d. literary devises a. Exposition c. resolution
6. This identifies the time and place of the story. It consists of the historical period, the b. Falling action d. denouement
moment, day, and season in which the incidents take place. It also includes the 18. The main character is in crisis and events leading up to facing the conflict begin to
sceneries in the performance. unfold. The story becomes complicated.
a. History b. setting c. plot d. theme a. Exposition c. falling action
7. These are the people who portray roles in a play. It is them who move the action, or b. Climax d. rising action
plot of the play forward. 19. A guideline that set over a period of no more than one day.
a. Actors b. plot c. characters d. setting a. Unity of location c. unity of action
8. It refers to the action which also connotes the sequence of events in the story. b. Unity of time d. unity of play
a. Plotb. flashback c. characters d. setting 20. This guideline has one central plot.
9. Artist uses this as a practical method to effectively transfer his message to the public. a. Unity of location c. unity of action
a. Theme b. drama c. one-act play d. technique b. Unity of time d. unity of play
10. This consists of a series of loosely related incidents, usually of chapter length.
a. Progressive plot c. parallel plot
Test II. Identification: Identify which literary device (allusion, parody, adaptation, 38. These are “found space” theatres. Risers are on either side of the playing space for
translation, quotation) was used to highlight intertextuality of the texts. the audience.
39. A stage surrounded by audience on three sides. The fourth side serves as the
21. A film, TV drama or stage play that is based on written work. background.
22. A subtle or indirect reference of a text, historical period or religious. 40. The stage area is often raised to improve line of sight.
23. This ‘carries across', a text into a different language, recreates it anew. 41. It is the usual “theatre” with its primary feature is the “picture frame” in the front of
24. A direct reference to another text by citing its author or composer. the playing area of an end stage. It’s a window that frames where the play is
25. An imitation of other texts for satirical purpose which is usually to mock. happening on the stage.
26. “Am I merely snobbish in thinking that the lower classes have no aptitude or instinct 42. It often serves as venues for Music Concert. It has a rectangular floor plan and a large
for great literature or indeed literature of any kind? This morning I went into the arena stage.
kitchen & found Nelly sitting down reading a cookery book. How will you ever 43. It is sometimes called a “Black Box” theatre. Stages are big empty boxes with black
improve your lower-class mind if you spend your days simply reading receipts? I paint.
asked her, kindly.” (Craig Brown, The Lost Diaries). 44. In this case the audience is located only on the front of the stage and doesn’t extend
27. The rise in poverty will unlock the Pandora's box of crimes. around the sides, although there may be entrances there.
28. The Hunger Games Trilogy was written by Suzanne Collins and was directed by
Gary Ross. Test IV.
29. Haring Lear ni William Shakespeare translated by Nicholas Pichay.
30. “My advice is never do tomorrow what you can do today. Procrastination is the thief 45. -50. Write in order the correct steps in One-Act Play Scriptwriting.
of time.” (Charles, Dickens, David Copperfield)

Test III. Enumeration.

31. This happens when the author is borrowing an idea or phrase from someone else. It is
about giving credit to the original author.
32. It has a less vital impact on the significance of the hypertext.
33. An imitation of another text for satirical purpose; usually to mock.
34. The writer deliberately invokes a comparison or association between two or more
texts.
35. It is stealing another person’s work without giving them proper credit or permission.
36. This is when readers often connect a text with another text, cultural practice, or a
personal experience based on his/her prior knowledge.
37. A particularly common form of deliberate intertextuality – it’s when one text makes a
deliberate, but subtle, reference to another.

Major Types of Staging. (38-44)