Tupelo - Keith Aleo
Tupelo - Keith Aleo
Tupelo - Keith Aleo
By KEITH ALEO
for solo percussion by Keith Aleo
keithaleo.com
Movement 2 - Triangles
The two triangles should be mounted on a Black Swamp
RecPlate to eliminate any external sounds, insuring the purity of
only the triangle sound. Larger triangles, 8” and 10”, would be
preferable for their long sustain and warm sound.
Movement 3 - Tambourines
The three tambourines should be laid flat on a table covered
with foam to allow the instruments to sound when the
performer strikes them with their hands, fingers, and fists.
Techniques for playing are guided by indications in the score,
but different techniques and interpretations are encouraged.
The three tambourines should be clearly pitched low, medium,
high, from left to right.
Program Notes
I’ve always been fascinated by polyrhythms; teaching them, playing them, and seeing them in music. I find myself
tapping them out on my legs as I’m walking somewhere; 2 against 3, then 3 against 2, the same rhythm with a different
feel. There’s nothing like a polyrhythm that grooves! In 2016, when the Black Swamp Percussion Company approached
me about writing a piece for their instruments, I conceived a piece based on polyrhythms. Each of the three movements
is inspired by a different polyrhythm and is scored for a different set of Black Swamp instruments; movement 1 for three
woodblocks or temple blocks, movement 2 for two triangles, and movement 3 for three tambourines.
The name Tupelo comes from a type of tree that grows in swamps in my native home of Florida.
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OL-MP1702
Three low wood blocks or temple blocks
Hard yarn mallets Keith Aleo
I.
Wood Blocks
Vivace q=152
4 3 4
4 8 4
fp f fp
5
5 4 7
8 4 8
f fp
9
7 4 9
8 4 8
f fp
12
9 4
8 4
f p
15
3
4
p fp fp
19
2 1 1
4 4 4
f
26
1 4
4 4
ff p
31 LH - Hand castanet struck
4 3
on low woodblock
4 4
pp
sub. mf
36 mf RH - Hard rubber mallet
3 4 3 4 3 4
4 4 4 4 4 4
mp
LH - (Castanet on woodblock)
OL-MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.
Tupelo - Aleo
Mvt I, page 2 of 2
41
4 3 4 3 4 3
4 4 4 4 4 4
46
3
4
51
56 dim. RH only...
niente
4
4
cresc LH only...
4
LH - Hard yarn mallet
f dim. LH only... niente
68
Tempo I
RH stay f Both hands - Hard yarn
4
4
pp cresc LH only... ff fp
cresc both hands...
73
3 4 5 4
8 4 8 4
f fp f
78
4 7 4
4 8 4
fp f
High triangle
81 L.V.
4 9
4 8
a acca movement II
fp f ff
OL-MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.
Two mounted triangles
Hard yarn mallets
Triangle beaters Keith Aleo
II.
Enter niente while high triangle is s ll Triangles
ringing from 1st movement
10" Freely
10"
5
4
pp mf
q=60
7 q_x=q
mp
LH - to metal
niente
mp dim LH only...
[email protected]
19 q_x=q
mp
niente
23
10"
Both hands begin dim. immediately
f
Freely
25 10"
As notes slow down........change to ra an........then to yarn... L.V.
ppp niente
a acca movement III
OL-MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.
Three graduated tambourines
^
(laid flat on foam)
Play with fingers/hands/fists
= play with fist Keith Aleo
III.
Tambourines
Allegro molto q=110+
fingers (simile)
6
8
f p
cresc bo om voice...
f
11
f
22
p cresc bo om voice...
33
OL‐MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.
Tupelo ‐ Aleo
Mvt III, page 2 of 3
38
p f
43
p f p
48
f p cresc...
with fingers
muffled
53
pp
molto ff
59
p mp p
65
4
mp p
70
4
mp p pp cresc...
pick up tambourine
76 shake roll
4
molto f f
OL‐MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.
Tupelo ‐ Aleo
Mvt III, page 3 of 3
with fingers
82 muffled
4
p f pp p f
6 f p f pp 4 p
3
f 4 f p f pp
101
4
p f 6 p
106
Tempo I
shake roll slam tamb.
110 on table 4
ff pp ff
August 2016
Interlochen, MI
OL‐MP1702
© 2017 Ox and Lamb Music, Lexington, KY. (ASCAP) Interna onal copyright secured. All rights reserved.