U320用户手册
U320用户手册
U320用户手册
User Manual
Declarations ................................................................................................................................................................ 3
FCC/Warranty ......................................................................................................................................................3
Declarations
FCC/Warranty
Federal Communications Commission (FCC) Statement
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part
15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when
the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio
frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful
interference to radio communications. Operation of this equipment in a residential area may cause harmful
interference, in which case the user will be responsible for correcting any interference.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the
date of commissioning, at latest 30 days after the transfer of risks. In the event of justified notice of compliant, we
can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure
proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or
cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect
damage, and also damage attributed to the operation of software as well as to other service provided by us, being
a component of the system or independent service, will be deemed invalid provided the damage is not proven to
be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of
our company.
If the purchaser or a third party carries out modifications or repairs on goods delivered by us, or if the goods are
handled incorrectly, in particular if the systems are commissioned operated incorrectly or if, after the transfer of
risks, the goods are subject to influences not agreed upon in the contract, all guarantee claims of the purchaser
will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to
programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal
maintenance are not subject to the guarantee provided by us either.
The environmental conditions as well as the servicing and maintenance regulations specified in this manual must
be complied with by the customer.
Power Source
This product is intended to operate from a power source that will not apply more than 230 volts rms between the
supply conductors or between both supply conductor and ground. A protective ground connection by way of
grounding conductor in the power cord is essential for safe operation.
Before opening product shipping box, inspect it for damage. If you find any damage, notify the shipping carrier
immediately for all claims adjustments. As you open the box, compare its contents against the packing slip. If you
find any shortages, contact your sales representative.
Once you have removed all the components from their packaging and checked that all the listed components are
present, visually inspect the system to ensure there was no damage during shipping. If there is damage, notify the
shipping carrier immediately for all claims adjustments.
Site Preparation
The environment in which you install your product should be clean, properly lit, free from static, and have
adequate power, ventilation, and space for all components.
Power Adapter
featuring capabilities to connect directly with applications such as Adobe PremierPro™ and
aura UHD studio is broadcast-grade 4K HDR monitor, equipped with UHD (3840×2160) screen,
supports quad link 12G SDI signal up to 8K input backward compatible with 4K@60Hz, supports
high-precision 3D LUT with tetrahedral interpolation algorithm, supports HDR formats such as
SMPTE ST2084(PQ), hybrid log-gamma HLG, various Gamma curves, camera Log and other
professional functions which are widely used in film, television and advertisement industry.
❶ ❶
❷ ❷
❸ ❹ ❺❻ ❿ ⓫ ⓬ ⓭
② Base Detachable.
❹
❺ ⓫
1 GND GND
2 GND GND
7 NC Not Connected
8 NC Not Connected
6 NC Not Connected
7 NC Not Connected
8 GND GND
Net Weight:8.6kg
Net Weight:11.4kg
Weight:15.3kg
2.1 Menu
Main Menu Status Display
User Preset
Color Management
Picture
Scopes
Auxiliary Function
Display
Marker
Multi Screen
Audio
UMD
System
The monitor comes with OSD menu for parameters adjustment and setting, such as image quality
Use the MENU/EXIT button on the front panel for specific operations of menu.
Auxiliary Function
Display
Multi Screen
Audio
UMD
System
Basic Information
Show Input Source, Resolution, Image Division, Scan Mode, Aspect Ratio, Zoom Mode, Freeze, Flip
Color Information
Show Color Preset Mode, Color Temp, Color Gamut, Gamma (EOTF), HDR Auto Setting, Backlight, Input
Show Waveform, Histogram, Vector Scope , False Color, Zebra, Test Signal, SDI Eye Diagram, Blue
SDI Info
Show SDI Input, Payload ID, Video Standard, Sampling, Picture Rate, Scanning Mode, Bit Depth, Link
Hardware Information
Show Hardware Version, Software Version, FPGA Version, Serial Number, Model Name, IP address,
Picture F3 Button
Scopes F4 Button
Display GPI1
Marker GPI2
Audio GPI4
UMD GPI5
F Button Preset
Four modes with different functions, which are corresponding to the F1-F4 shortcut keys on the front
F1 to F4 Button
expansion, window selection, flip mode, static frame, waveform, single-line waveform, vector,
histogram, audio table, auxiliary focus, false color, zebra, UMD, marker display, cross hatch,
GPI Preset
5 presets available, which can achieve distant control, storage and load.
GPI1 to GPI5
SFP, SDI1-4, 4XSDI(SQD), 4XSDI(2SI), HDMI, UMD, marker display, cross hatching, red Tally, green Tally,
yellow Tally, time code, static frame, flip mode, auxiliary focus, false color, zebra crossing, waveform,
Data Load
Data Save
Audio EETF
Gamut Comparison
Backlight
0~100 adjustable
Gamma(EOTF)
PQ Option
Color Gamut
Choose from:
This function will show image beyond BT.709 in magenta, reminding that the image will not be able to
display the color of the part beyond the monitor screen when editing with Rec.709. This function is
EETF: ON/OFF
This is a conversion function of HDR signal, which can display the HDR information of the monitor's
mapped to the highest brightness of the monitor, and the details of the image will be preserved. When
this function is turned off, the part of the image that exceeds the real brightness of the monitor will be
Camera Log
Choose from:
OFF
SLog3 To LC-709TypeA
SLog3 To SLog2-709
SLog3 To Cine+709
SLog3 to Rec709
SLog2 to Rec709
V-Log to V-709
User Log
The monitor will automatically select the color gamut and EOTF(PQ or HLG) curve according to the
Can achieve comparison between left and right windows of different color gamut.
Choose from:
2.1.4 Picture
Picture:For adjustment of picture parameter.
Picture Chroma
Scopes Aperture
Copy
Input Range
Limited: 64-940
Extension: 64-1019
Brightness:-1024~1023 (Default:0)
Contrast:-1024~1023 (Default:1024)
Color Temp: Choose from D55,D65(default),D93,DCI-P3,User 1-3(Set the color temperature to save
and load.)
2.1.5 Scopes
Marker Histogram
UMD
System
Waveform
Adjust the waveform with specific lines when displaying single-line waveform. (Only available under
single-line waveform, and the range of line number depends on the current signal format.)
Display height of single-line waveform, choose from 128-lines, 256-lines and 512-line.
The color and saturation of the image are represented by waveform in a vector oscilloscope. The
Histogram:
Multi Screen
UMD
System
Different false-color images are displayed when there are different exposure pictures in the image.
Blue Only/Mono:
Focus Assist:
Zebra: ON/OFF
Count the display area in the image where the Y value is greater than the set value, and mark it with a
white slash.
Zebra Intensity:
Time Code:
This function can directly display the stored color bar or solid color picture without external signal
input, serving as the standard reference color or detecting the monitor screen.
2.1.7 Display
Scopes Freeze
Display
Marker
Multi Screen
Audio
UMD
System
Aspect Ratio
Choose from:AUTO,1:1,16:9,4:3,2.35:1,1.85:1,15:9,16:10
Scan Mode
Choose from: OFF, Upper Left, Top, Upper Right, Left, Right, Bottom, Bottom Left, Bottom Right, Middle
Flip Mode
Freeze
This function can display grid lines to help focus different objects.
2.1.8 Marker
Marker:Settings of various marking lines.
Multi Screen
Audio
UMD
System
Safety Area
Marker Outside:
Line Color
Line Thickness
Multi Screen Mode: Display multiple signal sources on the same screen
Choose from: OFF, Side 3-Split, Bottom 3-Split, Live Broadcast Mode, PBP, PAP
Screen Color Mode: Choose color mode for Screen A and Screen B.
Screen Border:
Border thickness of screen can be chosen from: OFF, 2 pixels, 4 pixels, 6 pixels, 8 pixels
Border Color
2.1.10 Audio
Picture Volume
Display
Marker
Multi Screen
Audio
UMD
System
Audio Source
Meter Direction
Marker UMD ID
UMD
System
Character Color
UMD Position
UMD Size
Choose from:OFF,Low,High
2.1.12 System
System: Settings of Key Lock, Language, Menu Transparency and more.
Multi Screen
Audio
UMD
Full Lock: All function keys are locked and cannot be used. Users need to enter the menu to select OFF
for reuse.
Menu Timer: 5s, 10s, 30s, 60s (OSD disappears after the corresponding time.)
Menu Position:
Menu Transparency
3.2 Others
490-2000-02-0 V mount battery plate kit for aura UHD studio 27/32
4.1 Contact Us
3. Click "Upgrade" in the above interface to display the upgrade interface, as shown in
the following figure.
Upgrading.
6.Update complete.
1.Calibrate software-installed on PC
3.DaVinci Resolve+BMD DeckLink Mini Monitor 4K(or other SDI PCIe output card) --installed on
the same PC
4.Monitor
Connect to PC
PC with
Software:calibration
Camera or probe
+DaVinCi Resolve Monitor
Hardware:BMD decklink
mini monitor 4K
Export 3D LUT
file in .3dl
upload 3D LUT
file to monitor
PC with
software:PD Tool
3. Connect the Thunderbolt cable directly between the monitor and the computer with
Thunderbolt output.
5. Click“Preferences”.
5. Close DaVinci Resolve and restart it. Press the HDMI button on the monitor to select the
Thunderbolt interface.
1.Connect the computer and monitor with Ethernet cable (default IP address is 192.168.1.128).
2.Set Ethernet as fixed IP address at the computer, as shown below, in Internet Protocol Version 4
(TCP/IPv4) Properties interface, choose Use the following IP address, fill the IP address, Subnet
Remark: IP address the 100 can be other values, as long as it does not conflict with
4. Click "Refresh Device" on the interface. If the computer and monitor are connected correctly,
5.Click "Upgrade" in the interface, the pop-up interface is as follows, and click "merge files".
USER2, you only need to click Select behind USER1 and USER2 to select, and then click "Browse"
to select the 3D LUT file to be upgraded, the file should be in .3dl format. Choose 3D LUT.
After output path is selected, optionally filling in project name and user text and then click
“Merge selected files” . The merged file will be stored in the selected file path.
Packaged
12kg 15.3kg 20.6kg
Weight
Net
571.7 × 160 × 414.85mm 661 × 420 × 179mm 751 × 502 × 179mm
Dimensions
Packaged
800 ×250 × 555mm 890 × 270 × 595mm 980 × 270 × 675mm
Dimensions
Contrast
1000:1 1200:1 1000:1
Ratio
Image
12bits 12bits 12bits
Processing
720p@50/59.94/60
3840×[email protected]/24/25/29.97/30/50/59.94/60
3840×2160p@24/25/30
3840×[email protected]/24/25/29.97/30/50/59.94/60
4096×[email protected]/24/25/29.97/30/50/59.94/60
Audio
Audio Support
De-embedding
SMPTE-274M
SMPTE-296M
SMPTE ST 2036-1:2009
SMPTE ST 2048-2:2011
SMPTE ST 2081
SMPTE ST 2082
Model aura UHD studio 24 aura UHD studio 27 aura UHD studio 32
Power
Consumption max 90W 98W 140W
Operating
30%~85%, RH
Humidity
Storage
-20-60℃
Humidity
Single Link
Division
Protocol Resolution Color Space Frame Rate Mode
Method
60P, 60/1.001p, 50p, 30P,
SMPTE-296M 1280×720 4:2:2, YCbCr, 10bit // //
30/1.001p, 25p, 24p, 24/1.001p
30p, 30/1.001p, 25p, 24p,
24/1.001p
SMPTE-274M 1920×1080 4:2:2, YCbCr, 10bit 30PsF, 30/1.001PsF, 25PsF, // //
24PsF, 24/1.001PsF
60i, 60/1.001i, 50i
30p, 30/1.001p, 25p, 24p,
SMPTE-2048 24/1.001p
2048×1080 4:2:2, YCbCr, 10bit // //
M-2 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
Level A
SMPTE-274M 1920×1080 4:2:2, YCbCr, 10bit 60p, 60/1.001p, 50p Level //
B-DL
Level A
SMPTE-2048 60p, 60/1.001p, 50p, 48p,
2048×1080 4:2:2, YCbCr, 10bit Level //
M-2 48p/1.001p
B-DL
4:4:4, RGB/RGBA,
10bit 60P, 60/1.001p, 50p, 30P,
SMPTE-296M 1280×720 Level A //
4:4:4, YCbCr/ 30/1.001p, 25p, 24p, 24/1.001p
YCbCrA, 10bit
30p, 30/1.001p, 25p, 24p,
4:4:4, RGB/RGBA,
24/1.001p Level A
10bit
SMPTE-274M 1920×1080 30PsF, 30/1.001PsF, 25PsF, Level //
4:4:4, YCbCr/
24PsF, 24/1.001PsF B-DL
YCbCrA, 10bit
60i, 60/1.001i, 50i
Dual Link
Division
Protocol Resolution Color Space Frame Rate Mode
Method
Quad Link
SMPTE 23.98p,24p,25p,29.97p,30p,50p,
8192×4320 4:2:2, YCbCr, 10bit // 2SI
2082-10 59.94p,60p
30p, 30/1.001p, 25p, 24p,
SMPTE-2036 24/1.001p
3840×2160 4:2:2, YCbCr, 10bit // SQD
M-1 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
30p, 30/1.001p, 25p, 24p,
SMPTE-2048 24/1.001p
4096×2160 4:2:2, YCbCr, 10bit // SQD
M-2 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
Level A
SMPTE-2036 4:2:2, YCbCr, 10bit
3840×2160 60p, 60/1.001p, 50p Level 2SI/SQD
M-1 4:2:0, YCbCr, 10bit
B-DL
Level A
SMPTE-2048 60p, 60/1.001p, 50p, 48p,
4096×2160 4:2:2, YCbCr, 10bit Level 2SI/SQD
M-2 48p/1.001p
B-DL
Level A
SMPTE-2036 4:4:4, RGB, 10bit 30p, 30/1.001p, 25p, 24p,
3840×2160 Level 2SI/SQD
M-1 4:4:4, YCbCr, 10bit 24/1.001p
B-DL
Level A
4:4:4, RGB, 10bit 30PsF, 30/1.001PsF, 25PsF,
3840×2160 Level SQD
4:4:4, YCbCr, 10bit 24PsF, 24/1.001PsF
B-DL
4:4:4, RGB/RGBA,
Level A
SMPTE-2048 10bit 30p, 30/1.001p, 25p, 24p,
4096×2160 Level 2SI/SQD
M-2 4:4:4, YCbCr/ 24/1.001p
B-DL
YCbCrA, 10bit
Level A
4:4:4, RGB, 10bit 30PsF, 30/1.001PsF, 25PsF,
4096×2160 Level SQD
4:4:4, YCbCr, 10bit 24PsF, 24/1.001PsF
B-DL
Level A
SMPTE-2036 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,
3840×2160 Level 2SI/SQD
M-1 4:4:4, YCbCr, 12bit 24/1.001p
B-DL
Level A
4:4:4, RGB, 12bit 30PsF, 30/1.001PsF, 25PsF,
3840×2160 Level SQD
4:4:4, YCbCr, 12bit 24PsF, 24/1.001PsF
B-DL
Level A
SMPTE-2048 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,
4096×2160 Level 2SI/SQD
M-2 4:4:4, YCbCr, 12bit 24/1.001p
B-DL
Level A
4:4:4, RGB, 12bit 30PsF, 30/1.001PsF, 25PsF,
4096×2160 Level SQD
4:4:4, YCbCr, 12bit 24PsF, 24/1.001PsF
B-DL
Level A
SMPTE-2048 30p, 30/1.001p, 25p, 24p,
4096×2160 4:2:2, YCbCr, 12bit Level 2SI/SQD
M-2 24/1.001p
B-DL
Level A
4096×2160 4:4:4, XYZ, 12bit 30p, 25p, 24p, Level 2SI/SQD
B-DL
Level A
4096×2160 4:4:4, XYZ, 12bit 30PsF, 25PsF, 24PsF Level SQD
B-DL
Step 4: Double-click the “Umd V3.1 Test.ptp” file as shown below. Next, double-click “COM3”
in the top right corner of the window, then set the values such as SN serial number, baud rate
Note: ADDR0 corresponds to 0 in “UMD ID” in the menu, ADDR1 corresponds to 1 in “UMD ID”,
● RCA: Connector used primarily in consumer AV equipment for both audio and video. The RCA
connector was developed by the Radio Corporation of America.
●BNC: Stands for Bayonet Neill-Concelman. A cable connector used extensively in television (named for its
inventors). A cylindrical bayonet connector that operates with a twist-locking motion .
●CVBS: CVBS or Composite video, is an analog video signal without audio. Most commonly CVBS is used
for transmission of standard definition signals. In consumer applications the connector is typically RCA type,
while in professional applications the connector is BNC type.
●YPbPr: Used to describe the colour space for progressive-scan. Otherwise known as component video.
● VGA: Video Graphics Array. VGA is an analog signal typically used on earlier computers. The signal is
non-interlaced in modes 1, 2, and 3 and interlaced when using in mode.
●DVI: Digital Visual Interface. The digital video connectivity standard that was developed by DDWG (Digital
Display Work Group). This connection standard offers two different connectors: one with 24 pins that handles
digital video signals only, and one with 29 pins that handles both digital and analog video.
●SDI: Serial Digital Interface. Standard definition video is carried on this 270 Mbps data transfer rate. Video pixels
are characterized with a 10-bit depth and 4:2:2 color quantization. Ancillary data is included on this interface and
typically includes audio or other metadata. Up to sixteen audio channels can be transmitted. Audio is organised
into blocks of 4 stereo pairs. Connector is BNC.
●HD-SDI: High-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M this provides a nominal
data rate of 1.485 Gbit/s.
●3G-SDI: Standardized in SMPTE 424M, consists of a single 2.970 Gbit/s serial link that allows replacing dual link
HD-SDI.
●6G-SDI: Standardized in SMPTE ST-2081 released in 2015, 6Gbit/s bitrate and able to support 2160p@30.
●12G-SDI: Standardized in SMPTE ST-2082 released in 2015, 12Gbit/s bitrate and able to support 2160p@60.
●U-SDI: Technology for transmitting large-volume 8K signals over a single cable. a signal interface called the ultra
high definition signal/data interface (U-SDI) for transmitting 4K and 8K signals using a single optical cable. The
interface was standardized as the SMPTE ST 2036-4.
●HDMI: High Definition Multimedia Interface: An interface used for the transmission of uncompressed high
definition video, up to 8 channels of audio, and control signals, over a single cable.
● HDMI 1.3: Released on June 22 2006, and increased the maximum TMDS clock to 340 MHz (10.2 Gbit/s).
●HDMI 1.4: Released on June 5, 2009, added support for 4096 × 2160 at 24 Hz, 3840 × 2160 at 24, 25, and 30 Hz,
and 1920 × 1080 at 120 Hz. Compared to HDMI 1.3, 3 more features added which are HDMI Ethernet Channel
(HEC) , audio return channel (ARC),3D Over HDMI, a new Micro HDMI Connector, an expanded set of color spaces.
●HDMI 2.0: Released on September 4, 2013 increases the maximum bandwidth to 18.0 Gbit/s. Other features of
HDMI 2.0 include up to 32 audio channels, up to 1536 kHz audio sample frequency, the HE-AAC and DRA audio
standards, improved 3D capability, and additional CEC functions.
●HDMI 2.0a: Was released on April 8, 2015, and added support for High Dynamic Range (HDR) video with static
metadata.
● HDMI 2.0b: Was released March, 2016, support for HDR Video transport and extends the static metadata
signaling to include Hybrid Log-Gamma (HLG).
● HDMI 2.1: Released on November 28, 2017. It adds support for higher resolutions and higher refresh rates,
Dynamic HDR including 4K 120 Hz and 8K 120 Hz.
●DisplayPort: A VESA standard interface primarily for video, but also for audio, USB and other data. DisplayPort
(or DP) is backwards compatible with HDMI, DVI and VGA.
●DP 1.1: Was ratified on 2 April 2007, and version 1.1a was ratified on 11 January 2008. DisplayPort 1.1 allow a
maximum bandwidth of 10.8 Gbit/s (8.64 Gbit/s data rate) over a standard 4-lane main link, enough to support
1920x1080@60Hz
●DP 1.2: Introduced on 7 January 2010, effective bandwidth to 17.28 Gbit/s support increased resolutions, higher
refresh rates, and greater color depth, maximum resolution 3840 × 2160@60Hz
● DP 1.4: Publish on 1 Mar, 2016.overall transmission bandwidth 32.4 Gbit/s ,DisplayPort 1.4 adds support for
Display Stream Compression 1.2 (DSC), DSC is a "visually lossless" encoding technique with up to a 3:1
compression ratio. Using DSC with HBR3 transmission rates, DisplayPort 1.4 can support 8K UHD (7680 × 4320) at
60 Hz or 4K UHD (3840 × 2160) at 120 Hz with 30 bit/px RGB color and HDR. 4K at 60 Hz 30 bit/px RGB/HDR can
be achieved without the need for DSC.
● Multi-mode Fiber: Fibers that support many propagation paths or transverse modes are called multi-mode
fibers, generally have a wider core diameter and are used for short-distance communication links and for
applications where high power must be transmitted.
●Single-mode Fiber: Fiber that support a single mode are called single-mode fibers. Single-mode fibers are used
for most communication links longer than 1,000 meters (3,300 ft).
● Optical Fiber Connector: Terminates the end of an optical fiber, and enables quicker connection and
disconnection than splicing. The connectors mechanically couple and align the cores of fibers so light can pass. 4
most common types of optical fiber connectors are SC, FC, LC,ST.
●SC: (Subscriber Connector), also known as the square connector was also created by the Japanese company –
Nippon Telegraph and Telephone. SC is a push-pull coupling type of connector and has a 2.5mm diameter.
Nowadays, it is used mostly in single mode fiber optic patch cords, analog, GBIC, and CATV. SC is one of the most
popular options, as its simplicity in design comes along with great durability and affordable prices.
●LC:(Lucent Connector) is a small factor connector (uses only a 1.25mm ferrule diameter) that has a snap coupling
mechanism. Because of its small dimensions, it is the perfect fit for high-density connections, XFP, SFP, and SFP+
transceivers.
●FC: (Ferrule Connector) is a screw type connector with a 2.5mm ferrule. FC is a round shaped threaded fiber optic
connector,mostly used on Datacom, telecom, measurement equipment, single-mode laser.
●ST: (Straight Tip) was invented by AT&T and uses a bayonet mount along with a long spring-loaded ferrule to
support the fiber.
●USB: Universal Serial Bus is a standard that was developed in the mid-1990s that defines cables, connectors and
communication protocols. This technology is designed to allow a connection, communication and power supply
for peripheral devices and computers.
●USB 1.1: Full–Bandwidth USB, specification was the first release to be widely adopted by the consumer market.
This specification allowed for a maximum bandwidth of 12Mbps.
●USB 2.0: or Hi–Speed USB, specification made many improvements over USB 1.1. The main improvement was an
increase in bandwidth to a maximum of 480Mbps.
●USB 3.2: Super Speed USB with 3 varieties of 3.2 Gen 1(original name USB 3.0), 3.2Gen 2(original name USB 3.1),
3.2 Gen 2x2 (original name USB 3.2) with speed up to 5Gbps,10Gbps,20Gbps respectively.
USB 3.0
●NTSC: The colour video standard used in North America and some other parts of the world created by
the National Television Standards Committee in the 1950s. NTSC utilizes an interlaced video signals.
●PAL: Phase Alternate Line. A television standard in which the phase of the colour carrier is alternated from line to
line. It takes four full images (8 fields) for the colour-to-horizontal images (8 fields) for the colour-to-horizontal
phase relationship to return to the reference point. This alternation helps cancel out phase errors. For this reason,
the hue control is not needed on a PAL TV set. PAL, is widely used in needed on a PAL TV set. PAL, is widely used in
Western Europe, Australia, Africa, the Middle East, and Micronesia. PAL uses 625-line, 50-field (25 fps)
composite colour transmission system.
●SMPTE: Society of Motion image and Television Engineers. A global organization, based in the United States, that
sets standards for baseband visual communications. This includes film as well as video and television standards.
●VESA: Video Electronics Standards Association. An organization facilitating computer graphics through standards.
●HDCP: High-bandwidth Digital Content Protection (HDCP) was developed by Intel Corporation an is in wide
use for protection of video during transmission between devices.
● HDBaseT: A video standard for the transmission of uncompressed video (HDMI signals) and related features
using Cat 5e/Cat6 cabling infrastructure.
●ST2110: A SMPTE developed standard, ST2110 describes how to send digital video over and IP networks. Video
is transmitted uncompressed with audio and other data in a separate streams.
SMPTE2110 is intended principally for broadcast production and distribution facilities where quality and flexibility
are more important.
● SDVoE: Software Defined Video over Ethernet (SDVoE) is a method for transmission, distribution and
management AV signals using a TCP/IP Ethernet infrastructure for transport with low latency. SDVoE is commonly
used in integration applications.
●Dante AV: The Dante protocol was developed for and widely adopted in audio systems for the transmission of
uncompressed digital audio on IP based networks. The more recent Dante AV specification includes support for
digital video.
●NDI: Network Device interface (NDI) is a software standard developed by NewTek to enable video-compatible
products to communicate, deliver, and receive broadcast quality video in a high quality, low latency manner that is
frame-accurate and suitable for switching in a live production environment over TCP (UDP) Ethernet based
networks. NDI is commonly found in broadcast applications.
●RTSP: The Real Time Streaming Protocol (RTSP) is a network control protocol designed for use in entertainment
and communications systems to control streaming media servers. The protocol is used for establishing and
controlling media sessions between end points.
●MPEG: Moving Picture Experts Group is a working group formed from ISO and IEC developing standards that
allow audio/video digital compression and Transmission.
●H.264: Also known as AVC (Advanced Video Coding) or MPEG-4i is a common video compression standard.
H.264 was standardized by the ITU-T Video Coding Experts Group (VCEG) together with the ISO/IEC JTC1
Moving Picture Experts Group (MPEG).
● H.265: Also known as HEVC (High Efficiency Video Coding ) H.265 is the successor to the widely used
H.264/AVC digital video coding standard. Developed under the auspices of ITU, resolutions up to 8192x4320
may be compressed.
●API: An Application Programming Interface (API) provides a predefined function which allows access
capabilities and features or routines via a software or hardware, without accessing source code or understanding
the details of inner working mechanism. An API call may execute a function and/or provide data feedback/report.
●DMX512: The communication standard developed by USITT for entertainment and digital lighting
systems.The wide adoption of the Digital Multiplex (DMX) protocol has seen the protocol used for a wide range of
other devices including video controllers. DMX512 is delivered over cable of 2 twisted pairs with 5pin XLR cables for
connection.
●ArtNet: An ethernet protocol based on TCP/IP protocol stack, mainly used in entertainment/events applications.
Built on the DMX512 data format, ArtNet enables multiple “ universes ” of DMX512 to be transmitted using
ethernet networks for transport.
●MIDI: MIDI is the abbreviation of Musical Instrument Digital Interface. As the name indicates the protocol was
developed for communication between electronical musical instruments and latterly computers. MIDI instructions are
triggers or commands sent over twisted pair cables, typically using 5pin DIN connectors.
●OSC: The principle of Open Sound Control (OSC) protocol is for networking sound synthesizers, computers, and
multimedia devices for musical performance or show control. As with XML and JSON, the OSC protocol allows
sharing data. OSC is transported via UDP packets between devices connected on an Ethernet.
●Brightness: Usually refers to the amount or intensity of video light produced on a screen without regard to
●Colour Temperature: The colour quality, expressed in degrees Kelvin (K), of a light source. The higher the colour
temperature, the bluer the light. The lower the temperature, the redder the light. Benchmark colour
temperature for the A/V industry include 5000°K, 6500°K, and 9000°K.
●Saturation: Chroma, Chroma gain. The intensity of the colour, or the extent to which a given colour in any image
is free from white. The less white in a colour, the truer the colour or the greater its saturation. Saturation is the
amount of pigment in a colour, and not the intensity.
●Gamma: The light output of a CRT is not linear with respect to the voltage input. The difference between
what you should have and what is actually output is known as gamma.
●Frame: In interlaced video, a frame is one complete image.A video frame is made up of two fields, or two sets of
interlaced lines. In a film, a frame is one still image of a series that makes up a motion image.
●Genlock: Allows synchronisation of otherwise video devices. A signal generator provides a signal pulses which
connected devices can reference. Also see Black Burst and Color Burst.
●Blackburst: The video waveform without the video elements.It includes the vertical sync, horizontal sync,
and the Chroma burst information. Blackburst is used to synchronize video equipment to align the video
output.
●Colour Burst: In colour TV systems, a burst of subcarrier frequency located on the back part of the composite
video signal. This serves as a colour synchronizing signal to establish a frequency and phase reference for the
Chroma signal. Colour burst is 3.58 MHz for NTSC and 4.43 MHz for PAL.
●Colour Bars: A standard test pattern of several basic colours (white, yellow, cyan, green, magenta, red, blue, and
black) as a reference for system alignment and testing. In NTSC video, the most commonly used colour bars are
the SMPTE standard colour bars. In PAL video, the most commonly used colour bars are eight full field bars. On
computer monitors the most commonly used colour bars are two rows of reversed colour bars
●Seamless Switching: A feature found on many video switchers. This feature causes the switcher to wait until the
vertical interval to switch. This avoids a glitch (temporary scrambling) which often is seen when switching between
sources.
● Scaling: A conversion of a video or computer graphic signal from a starting resolution to a new resolution.
Scaling from one resolution to another is typically done to optimize the signal for input to an image processor,
transmission path or to improve its quality when presented on a particular display.
●PIP: Picture-In-Picture. A small image within a larger image created by scaling down one of image to make it
smaller. Other forms of PIP displays include Picture-By-Picture (PBP) and Picture- With-Picture (PWP), which are
● HDR: is a high dynamic range (HDR) technique used in imaging and photography to reproduce a
greater dynamic range of luminosity than what is possible with standard digital imaging or photographic
techniques. The aim is to present a similar range of luminance to that experienced through the human visual
system.
●UHD: Standing for Ultra High Definition and comprising 4K and 8K television standards with a 16:9 ratio, UHD
follows the 2K HDTV standard. A UHD 4K display has a physical resolution of 3840x2160 which is four times the
area and twice both the width and height ofa HDTV/FullHD (1920 x1080) video signal.
●EDID: Extended Display Identification Data. EDID is a data structure used to communicate video display
information, including native resolution and vertical interval refresh rate requirements, to a source device. The source
device will then output the provided EDID data, ensuring proper video image quality.
All information herein is Xiamen RGBlink Science & Technology Co Ltd. excepting noted.
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