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aura UHD studio

aura UHD studio 24/27/32


12G-SDI Professional Film and Television Production
Monitor

User Manual

Article NO: RGB-RD-UM-aura UHD studio E001


Version NO: V1.1
Content

Declarations ................................................................................................................................................................ 3

FCC/Warranty ......................................................................................................................................................3

Operators Safety Summary ............................................................................................................................ 3

Installation Safety Summary .......................................................................................................................... 4

Chapter 1 Your Product ........................................................................................................................................... 5

1.1 In the Box ...................................................................................................................................................... 5

1.2 Product Overview ....................................................................................................................................... 5

1.2.1 Front Panel ........................................................................................................................................ 6

1.2.2 Rear Panel ..........................................................................................................................................7

1.2.3 Side Panel ........................................................................................................................................ 10

1.2.4 Dimensions ......................................................................................................................................11

Chapter 2 Use Your Product ................................................................................................................................. 14

2.1 Menu ............................................................................................................................................................ 14

2.1.1 Status Display ................................................................................................................................. 14

2.1.2 User Preset ...................................................................................................................................... 16

2.1.3 Color Management .......................................................................................................................17

2.1.4 Picture ...............................................................................................................................................21

2.1.5 Scopes .............................................................................................................................................. 22

2.1.6 Auxiliary Function ......................................................................................................................... 24

2.1.7 Display .............................................................................................................................................. 25

2.1.8 Marker .............................................................................................................................................. 27

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2.1.9 Multi Screen ....................................................................................................................................28

2.1.10 Audio .............................................................................................................................................. 29

2.1.11 UMD ................................................................................................................................................31

2.1.12 System ............................................................................................................................................32

Chapter 3 Ordering Codes ....................................................................................................................................34

3.1 Product Code ............................................................................................................................................. 34

Chapter 4 Support ...................................................................................................................................................35

4.1 Contact Us .................................................................................................................................................. 35

Chapter 5 Upgrade ..................................................................................................................................................36

5.1 Network Upgrade Program Description ............................................................................................36

5.2 How to Calibrate Monitor ...................................................................................................................... 41

5.2.1 Universal Calibration .................................................................................................................... 41

5.2.2 Thunderbolt Direct Connection ................................................................................................ 42

5.3 3D LUT File Upload Operating Instructions ......................................................................................44

Chapter 6 Appendix ................................................................................................................................................49

6.1 Specification ...............................................................................................................................................49

6.2 Supported Signal Format .......................................................................................................................51

6.3 UMD Testing Method .............................................................................................................................. 55

6.4 Terms & Definitions ................................................................................................................................. 57

6.5 Revision History ........................................................................................................................................ 63

aura UHD studio User Manual 2


Thank you for choosing our product!
This User Manual is designed to show you how to use this monitor quickly and make use of all the features.
Please read all directions and instructions carefully before using this product.

Declarations

FCC/Warranty
Federal Communications Commission (FCC) Statement

This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part
15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when
the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio
frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful
interference to radio communications. Operation of this equipment in a residential area may cause harmful
interference, in which case the user will be responsible for correcting any interference.

Guarantee and Compensation


We provide a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee.
On receipt, the purchaser must immediately inspect all delivered goods for damage incurred during transport,
as well as for material and manufacturing faults.

The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the
date of commissioning, at latest 30 days after the transfer of risks. In the event of justified notice of compliant, we
can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure
proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or
cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect
damage, and also damage attributed to the operation of software as well as to other service provided by us, being
a component of the system or independent service, will be deemed invalid provided the damage is not proven to
be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of
our company.
If the purchaser or a third party carries out modifications or repairs on goods delivered by us, or if the goods are
handled incorrectly, in particular if the systems are commissioned operated incorrectly or if, after the transfer of
risks, the goods are subject to influences not agreed upon in the contract, all guarantee claims of the purchaser
will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to
programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal
maintenance are not subject to the guarantee provided by us either.
The environmental conditions as well as the servicing and maintenance regulations specified in this manual must
be complied with by the customer.

Operators Safety Summary

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The general safety information in this summary is for operating personnel.

Do Not Remove Covers or Panels


There are no user-serviceable parts within the unit. Removal of the top cover will expose dangerous voltages. To
avoid personal injury, do not remove the top cover. Do not operate the unit without the cover installed.

Power Source

This product is intended to operate from a power source that will not apply more than 230 volts rms between the
supply conductors or between both supply conductor and ground. A protective ground connection by way of
grounding conductor in the power cord is essential for safe operation.

Do Not Operate in Explosive Atmospheres

To avoid explosion, do not operate this product in an explosive atmosphere.

Installation Safety Summary


Safety Precautions
For all product installation procedures, please observe the following important safety and handling rules to avoid
damage to yourself and the equipment.
To protect users from electric shock, ensure that the chassis connects to earth via the ground wire provided in the
AC power Cord.
The AC Socket-outlet should be installed near the equipment and be easily accessible.

Unpacking and Inspection

Before opening product shipping box, inspect it for damage. If you find any damage, notify the shipping carrier
immediately for all claims adjustments. As you open the box, compare its contents against the packing slip. If you
find any shortages, contact your sales representative.
Once you have removed all the components from their packaging and checked that all the listed components are
present, visually inspect the system to ensure there was no damage during shipping. If there is damage, notify the
shipping carrier immediately for all claims adjustments.

Site Preparation
The environment in which you install your product should be clean, properly lit, free from static, and have
adequate power, ventilation, and space for all components.

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Chapter 1 Your Product
1.1 In the Box

Power Adapter

1.2 Product Overview


Next generation of RGBlink aura UHD monitors brings with it a new model, aura UHD studio,

featuring capabilities to connect directly with applications such as Adobe PremierPro™ and

DiVinci Resolve™ via Thunderbolt™ port.

aura UHD studio is broadcast-grade 4K HDR monitor, equipped with UHD (3840×2160) screen,

supports quad link 12G SDI signal up to 8K input backward compatible with 4K@60Hz, supports

high-precision 3D LUT with tetrahedral interpolation algorithm, supports HDR formats such as

SMPTE ST2084(PQ), hybrid log-gamma HLG, various Gamma curves, camera Log and other

professional functions which are widely used in film, television and advertisement industry.

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1.2.1 Front Panel

❶ ❶
❷ ❷

❸ ❹ ❺❻ ❿ ⓫ ⓬ ⓭

① Speaker 2-channel speaker with HDMI and SDI embedded audio.

② Base Detachable.

③ SDI 1~ SDI 4 Buttons For SDI 1~4 signal selection.

Switch between 4-image division mode and optical fiber


④ QSDI/SFP Button
signal.

⑤ HDMI Button For switch between HDMI signal.

⑥ LAYOUT Button Multi-view layout selection button.

⑦ PRESET Button ● Preset setting for F buttons/GPI.

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● Save/load data.

⑧ F1 ~ F4 Buttons Soft Keys for customized function.

⑨ CONTRAST/BRIGHT Button Adjust contrast and brightness value.

⑩ CHROMA/SHARP Button Adjust chroma and sharpness value.

⑪ SELECT/ENTER Button Rotate to select, and press to confirm.

● Open/close OSD menu.


⑫ MENU/EXIT Button
● Go back to previous menu.

● For turn-on (blue light) or turn-off (red light).


⑬ Power Key
● 3-second long press for turn-off, short press for turn-on.

1.2.2 Rear Panel ❻ ❶


❺ ⓫

① Handle For carrying.

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② 3.5mm Earphone Jack The speaker will be turned off when earphone is connected.

③ USB Interface For software upgrade.

④ RS422 Interface In and Loop.

⑤ GPI GPI interface to achieve remote control.

⑥ Network Port For connecting network cable.

⑦ 12G-SDI Interface Quad 12G-SDI ( In | Loop).

⑧ HDMI Interface Dual HDMI inputs.

⑨ DC input terminal 4-Pin Cannon interface.

⑩ AC input terminal 220V interface with power switch.

● aura UHD studio support to install V mount battery plate.

● aura UHD studio 24 supports to install one V mount battery


V mount battery plate
⑪ plate.
(optional)
● aura UHD studio 27 and aura UHD studio 32 support to install

two V mount battery plates.

RS422 In/Out Interface Definition:

PIN Name Description

1 GND GND

2 GND GND

3 TX- Data transmission (-)

4 RX+ Data reception (+)

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5 RX- Data reception (-)

6 TX+ Data transmission (+)

7 NC Not Connected

8 NC Not Connected

GPI Interface Definition:

PIN Name Description

1 GPI1 Low level trigger;preset functions in menu.

2 GPI2 Low level trigger;preset functions in menu.

3 GPI3 Low level trigger;preset functions in menu.

4 GPI4 Low level trigger;preset functions in menu.

5 GPI5 Low level trigger;preset functions in menu.

6 NC Not Connected

7 NC Not Connected

8 GND GND

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1.2.3 Side Panel

● Compatible with Thunderbolt 3/Type-C.


Thunderbolt 3/Type-C Input
① ● Only for previewing Davinci app output, does not
Interface
support desktop duplication or extension.

② SFP Interface Insert optical fiber module (module is optional).

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1.2.4 Dimensions
Following is the dimension of monitor for your reference:

aura UHD Studio 24

Net Weight:8.6kg

Dimension:571.7mm × 160mm × 414.85mm

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aura UHD studio 27

Net Weight:11.4kg

Dimension:661mm × 420mm × 179mm

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aura UHD studio 32

Weight:15.3kg

Gross Weight:751mm × 502mm × 179mm

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Chapter 2 Use Your Product

2.1 Menu
Main Menu Status Display
User Preset
Color Management
Picture
Scopes
Auxiliary Function
Display
Marker
Multi Screen
Audio
UMD
System

The monitor comes with OSD menu for parameters adjustment and setting, such as image quality

adjustment, input signal setting and more.

Use the MENU/EXIT button on the front panel for specific operations of menu.

2.1.1 Status Display


Status Display: Show current settings and status information of monitor.

Status Display Basic

User Preset Color Info

Color Management Scopes & Auxiliary

Picture SDI Info

Scopes Hardware Info

Auxiliary Function

Display

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Marker

Multi Screen

Audio

UMD

System

Basic Information

Show Input Source, Resolution, Image Division, Scan Mode, Aspect Ratio, Zoom Mode, Freeze, Flip

Mode, Multi Screen Mode, Key Lock, Audio Source, Volume.

Color Information

Show Color Preset Mode, Color Temp, Color Gamut, Gamma (EOTF), HDR Auto Setting, Backlight, Input

Range, Contrast, Brightness, Chroma, Aperture.

Scopes & Auxiliary Information

Show Waveform, Histogram, Vector Scope , False Color, Zebra, Test Signal, SDI Eye Diagram, Blue

Only/Mono , Screen Saver.

SDI Info

Show SDI Input, Payload ID, Video Standard, Sampling, Picture Rate, Scanning Mode, Bit Depth, Link

Assignment, Colorimetry, Transfer Type.

Hardware Information

Show Hardware Version, Software Version, FPGA Version, Serial Number, Model Name, IP address,

Subnet Mask, Gateway and Port Number.

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2.1.2 User Preset
User Preset: Preset function keys and GPI, and store, load and restore the preset values.

Status Display F Button Preset

User Preset F1 Button

Color Management F2 Button

Picture F3 Button

Scopes F4 Button

Auxiliary Function GPI Preset

Display GPI1

Marker GPI2

Multi Screen GPI3

Audio GPI4

UMD GPI5

System All Data Load

All Data Save

F Button Preset

Four modes with different functions, which are corresponding to the F1-F4 shortcut keys on the front

panel. Users can also modify the four preset modes.

F1 to F4 Button

Functions of F1 to F4 buttons can be set as following:

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Color preset mode, gamut, gamut contrast, gamut warning, camera log, color temperature, black level

expansion, window selection, flip mode, static frame, waveform, single-line waveform, vector,

histogram, audio table, auxiliary focus, false color, zebra, UMD, marker display, cross hatch,

all-blue/black-white mode, time code, audio signal source, and so on.

GPI Preset

5 presets available, which can achieve distant control, storage and load.

GPI1 to GPI5

Functions of GPI1 to GPI5 can be set as following:

SFP, SDI1-4, 4XSDI(SQD), 4XSDI(2SI), HDMI, UMD, marker display, cross hatching, red Tally, green Tally,

yellow Tally, time code, static frame, flip mode, auxiliary focus, false color, zebra crossing, waveform,

single-line waveform , histogram, vector, audio signal source, audio table.

Data Load

Load data of User Preset 1~5.

Data Save

Save data of User Preset 1~5.

2.1.3 Color Management


Color Management: For color setting and adjustment.

Status Display Color Preset Mode

User Preset Backlight

Color Management Gamma(EOTF)

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Picture PQ Option

Scopes HLG System Gamma

Auxiliary Function Color Gamut

Display Color Gamut Warning

Marker Color Gamut Clipping

Multi Screen Luminance Warning

Audio EETF

UMD Camera Log

System User Camera Log

HDR Auto Setting

Gamut Comparison

Left Color Gamut

Right Color Gamut

Color Preset Mode

Show BT.709, BT.2020, DCI-P3, PQ_DCI-P3, PQ_BT.2100, HLG_BT.2100, User 1-5

Backlight

0~100 adjustable

Gamma(EOTF)

Set Gamma(EOTF)as following:

Gamma2.0, Gamma2.2, Gamma2.4, Gamma2.6, SMPTE ST 2084(PQ), ITU-R BT.2100(HLG), S-Log3,

Canon Log, User Gamma LUT1-4

PQ Option

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Show different brightness value:

PQ-300, PQ-500, PQ-1000

HLG System Gamma

1.0, 1.1, 1.2, 1.3, 1.4, 1.5

Color Gamut

Choose from:

Origian, ITU-R BT.709,SMPTE-C,EBU,DCI-P3,ITU-R BT.2020,User 1-5

Gamut Warning: ON/OFF

This function will show image beyond BT.709 in magenta, reminding that the image will not be able to

display the color of the part beyond the monitor screen when editing with Rec.709. This function is

only effective under BT.2020 color gamut.

Luminance Warning: ON/OFF

Maximum brightness shows in magenta.(Only can be chosen under PQ_BT.2100,HLG_BT.2100)

EETF: ON/OFF

This is a conversion function of HDR signal, which can display the HDR information of the monitor's

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actual brightness. When this function is turned on, the highest brightness of HDR is automatically

mapped to the highest brightness of the monitor, and the details of the image will be preserved. When

this function is turned off, the part of the image that exceeds the real brightness of the monitor will be

saturated. This function is only available in PQ mode.

Camera Log

Choose from:

OFF

SLog3 To LC-709TypeA

SLog3 To SLog2-709

SLog3 To Cine+709

SLog3 to Rec709

SLog2 to Rec709

Canon Log to Rec709

Canon Log to Cineon

Arri LogC to Rec709

V-Log to V-709

User Log

User Camera Log

Log1-8 can be customized, which can be achieved via network or USB.

HDR Auto Setting: ON/OFF

The monitor will automatically select the color gamut and EOTF(PQ or HLG) curve according to the

payload id of SDI signal source.

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Gamut Comparison: ON/OFF

Can achieve comparison between left and right windows of different color gamut.

Left/Right Color Gamut

Choose from:

Original,ITU-R BT.709,SMPTE-C,EBU,DCI-P3,ITU-R BT.2020,User 1-5.

2.1.4 Picture
Picture:For adjustment of picture parameter.

Status Display Input Range

User Preset Brightness

Color Management Contrast

Picture Chroma

Scopes Aperture

Auxiliary Function Black Stretch

Display Stretch Intensity

Marker Color Temp

Multi Screen Red Gain

Audio Green Gain

UMD Blue Gain

System Red Bias

Status Display Green Bias

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Blue Bias

Copy

Input Range

Limited: 64-940

Full Range: 0-1023

SDI Range 4-1019

Extension: 64-1019

Brightness:-1024~1023 (Default:0)

Contrast:-1024~1023 (Default:1024)

Chroma: -50~50 (Default:0)

Aperture: 0~100 (Default:50)

Black Stretch: ON/OFF

This function can enhance contrast

Stretch Intensity: 0~1023 (Default:512)

Color Temp: Choose from D55,D65(default),D93,DCI-P3,User 1-3(Set the color temperature to save

and load.)

Red, Green, Blue Gain: 0~2047 (Default:1024)

Red, Green, Blue Bias: -512~511 (Default:0)

Copy: For copy of white balance data of selected color temperature.

Choose from: D55,D65,D93,DCI-P3,User 1-3

2.1.5 Scopes

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Scopes:To monitor, analyze and adjust video signals.

Status Display Waveform

User Preset Waveform Color

Color Management WFM Single Line

Picture WFM Line Count

Scopes Vertical Height

Auxiliary Function Vector Scope

Display Vector Color

Marker Histogram

Multi Screen BG Transparency

Audio Scopes Position

UMD

System

Waveform: OFF/Brightness Waveform/Component Waveform, RGB Waveform, RGB Superimposed

Waveform

Waveform Color: white, green, yellow

WFM Single Line: ON/OFF

WFM Line Count:

Adjust the waveform with specific lines when displaying single-line waveform. (Only available under

single-line waveform, and the range of line number depends on the current signal format.)

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Vertical Height:

Display height of single-line waveform, choose from 128-lines, 256-lines and 512-line.

Vector Scope: ON/OFF

The color and saturation of the image are represented by waveform in a vector oscilloscope. The

higher the saturation, the more stretched the waveform.

Vector Color: white or green

Histogram:

Choose from:OFF,Brightness Histogram, RGB Histogram, RGB Superposition Histogram.

BG Transparency: Dark, low and high

Scopes Position: low, medium and high

2.1.6 Auxiliary Function


Auxiliary Function: To monitor, analyze and adjust video signals.

Status Display False Color

User Preset Full-Blue/Black-White Mode

Color Management Auxiliary Focus

Picture Focus Intensity

Scopes Zebra Crossing

Auxiliary Function Zebra Crossing Intensity

Display Time Code

Marker Test Signal

Multi Screen

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Audio

UMD

System

False Color: ON/OFF

Different false-color images are displayed when there are different exposure pictures in the image.

Blue Only/Mono:

Monochrome Mode Setting:OFF, All-Blue, Black-White, All-Red, All-Green

Focus Assist:

Choose from: OFF, Red, Blue, Green

Focus Intensity: Set auxiliary focus intensity

Zebra: ON/OFF

Count the display area in the image where the Y value is greater than the set value, and mark it with a

white slash.

Zebra Intensity:

Adjust zebra crossing intensity

Time Code:

Set the time code format.:OFF,LTC,VITC

Test Signal: OFF, Color Bar, White, Red, Green, Blue

This function can directly display the stored color bar or solid color picture without external signal

input, serving as the standard reference color or detecting the monitor screen.

2.1.7 Display

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Display: Settings of various display modes.

Status Display Aspect Ratio

User Preset Scan Mode

Color Management Zoom Mode

Picture Flip Mode

Scopes Freeze

Auxiliary Function Cross Hatch

Display

Marker

Multi Screen

Audio

UMD

System

Aspect Ratio

Choose from:AUTO,1:1,16:9,4:3,2.35:1,1.85:1,15:9,16:10

Scan Mode

Choose from: Zero Scan, Overscan.

Zoom Mode: Achieve a partial amplification of the image.

Choose from: OFF, Upper Left, Top, Upper Right, Left, Right, Bottom, Bottom Left, Bottom Right, Middle

Flip Mode

Choose from:OFF, Horizontal Flip, Vertical Flip, Simultaneous Flip

Freeze

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ON: To capture and display a current image.

OFF: Continue to play the video.

Cross Hatch: OFF/ON

This function can display grid lines to help focus different objects.

2.1.8 Marker
Marker:Settings of various marking lines.

Status Display Marker Display

User Preset Aspect Marker

Color Management Center Marker

Picture Safety Area

Scopes Fit Marker

Auxiliary Function Marker Outside

Display Line Color

Marker Line Thickness

Multi Screen

Audio

UMD

System

Mark Display: ON/OFF

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Aspect Marker:

Choose from: OFF,16:9,15:9,14:9,13:9,4:3,2.35:1,1.85:1

Center Mark: OFF,Type 1,Type 2

Safety Area

Choose from: OFF,80%,85%,88%,90%,93%

Fit Marker: ON/OFF

ON: Safe area with aspect ratio

OFF: Safe area with screen ratio

Marker Outside:

Choose from: OFF, Black, Gray, Translucent

Line Color

Choose from:White, Red, Green, Blue, Black, Gray

Line Thickness

Choose from:2 pixels, 4 pixels, 6 pixels, 8 pixels

2.1.9 Multi Screen


Multi Screen:Simultaneous monitoring of multiple screens.

Status Display Multi Screen Mode

User Preset Screen A Input

Color Management Screen B Input

Picture Screen C Input

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Scopes Screen D Input

Auxiliary Function Screen A Color Mode

Display Screen B Color Mode

Marker Screen C Color Mode

Multi Screen Screen D Color Mode

Audio Screen Border

UMD Screen A Border Color

System Screen B Border Color

Screen C Border Color

Screen D Border Color

Multi Screen Mode: Display multiple signal sources on the same screen

Choose from: OFF, Side 3-Split, Bottom 3-Split, Live Broadcast Mode, PBP, PAP

Screen A-D Input:

Input signal can be chosen from: SDI1,SDI2,SDI3,SDI4,HDMI,SFP,HDMI2

Screen Color Mode: Choose color mode for Screen A and Screen B.

Screen Border:

Border thickness of screen can be chosen from: OFF, 2 pixels, 4 pixels, 6 pixels, 8 pixels

Border Color

Choose from: Red, Green, Blue, White, Yellow

2.1.10 Audio

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Audio: Settings of audio and audio meter table.

Status Display Audio Source

User Preset Speaker Out Left

Color Management Speaker Out Right

Picture Volume

Scopes Audio Level Meter

Auxiliary Function Meter Direction

Display

Marker

Multi Screen

Audio

UMD

System

Audio Source

Choose from:Undefined, embedded audio

Speaker Out Left/Right:

Choose from CH1,CH2,CH3,CH4,CH5,CH6,CH7,CH8,CH9,CH10,CH11,CH12,CH13,CH14,CH15,CH16

Volume: 0~100 (Default:30)

Audio Level Meter: OFF,G1

Meter Direction

Choose from: vertical and horizontal.

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2.1.11 UMD
UMD:Settings of UMD, TSL, Baud Rate.

Status Display UMD Display

User Preset Character Color

Color Management UMD Position

Picture UMD Size

Scopes UMD Transparency

Auxiliary Function Display Type

Display UMD Standard

Marker UMD ID

Multi Screen Baud Rate

Audio Source Name

UMD

System

UMD Display: ON/OFF

Character Color

Choose from: White, Red, Green, Yellow, Cyan, Magenta

UMD Position

Position can be set from top or bottom.

UMD Size

Set UMD size to be large or small.

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UMD Transparency

Choose from:OFF,Low,High

Display Type: Source ID,UMD

UMD Standard: OFF,TSL V3.1,TSL V4.0,TSL V5.0

UMD ID: 0~127 (Default: 0)

Baud Rate: 38400,8,e,1 ; 115200,8,e,1

Source Name: Set name of UMD source

2.1.12 System
System: Settings of Key Lock, Language, Menu Transparency and more.

Status Display Key Lock

User Preset Language

Color Management Menu Timer

Picture Menu Position

Scopes Menu Transparency

Auxiliary Function Source Display

Display Key LED

Marker Factory Reset

Multi Screen

Audio

UMD

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System

Key Lock: OFF/Full Lock

Full Lock: All function keys are locked and cannot be used. Users need to enter the menu to select OFF

for reuse.

Language: English/Simplified Chinese

Menu Timer: 5s, 10s, 30s, 60s (OSD disappears after the corresponding time.)

Menu Position:

Choose from: Top Left, Top Right, Middle, Left, Right

Menu Transparency

Increase transparency to see the background image directly.

Source Display: OFF/ON

Key LED: OFF/ON

Factory Reset: NO/Reset All Settings

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Chapter 3 Ordering Codes

3.1 Product Code

410-2380-01-1 aura UHD studio 24 23.8 Inch 12G-SDI HDR Monitor

410-2700-01-1 aura UHD studio 27 27 Inch 12G-SDI HDR Monitor

410-3200-01-1 aura UHD studio 32 32 Inch 12G-SDI HDR Monitor

3.2 Others

490-2000-01-0 V mount battery plate kit for aura UHD studio 24

490-2000-02-0 V mount battery plate kit for aura UHD studio 27/32

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Chapter 4 Support

4.1 Contact Us

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Chapter 5 Upgrade
5.1 Network Upgrade Program Description

Preparations before the upgrade:


1. Connect the computer and monitor with Ethernet network cable. (The default IP
address is 192.168.1.128.)

2. Set the Ethernet to a fixed IP address on the PC.


3. Open the "Network Connection" page on the PC, select the corresponding "Ethernet",
double-click, the following interface is displayed.

4.Double-click Internet Protocol Version 4(TCP/IPv4) on the Ethernet Properties page.


The following page is displayed.

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5.On the Internet Protocol Version 4(TCP/IPv4) Properties page, select Use the following
IP addresses and set the following parameters: IP Address, Subnet Mask, Default
Gateway.
Note: 100 in the IP Address figure can be other values as long as it does not conflict with
192.168.1.128 in the monitor, but it must be on the same network segment.

6.Shut down firewall or allow PD Tool through firewall.

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Upgrade monitor program:

1. Double-click pdtools.exe in the pdtools_ folder. The following page is displayed,If a


firewall is displayed to block the change software, please allow access.

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2. Click "Refresh Device" on the interface. If the computer is connected to the monitor
normally, the following interface will be displayed.

If PD TOOL connection fails, disconnect wifi.

3. Click "Upgrade" in the above interface to display the upgrade interface, as shown in
the following figure.

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4.Click browse -choose target Bin File.

5.Click "Upgrade" on the upgrade interface, as shown below.

Upgrading.

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Upgrading.

6.Update complete.

5.2 How to Calibrate Monitor

5.2.1 Universal Calibration

1.Calibrate software-installed on PC

2.Calibration tool-connect to the same PC

3.DaVinci Resolve+BMD DeckLink Mini Monitor 4K(or other SDI PCIe output card) --installed on

the same PC

4.Monitor

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Calibration tool

Connect to PC

PC with
Software:calibration
Camera or probe
+DaVinCi Resolve Monitor
Hardware:BMD decklink
mini monitor 4K

Export 3D LUT
file in .3dl

upload 3D LUT
file to monitor
PC with
software:PD Tool

5.2.2 Thunderbolt Direct Connection

1. Install the Blackmagic_Desktop_Video_Windows driver and download the latest version. ( Go to

the Black Magic website for details.)

2. Install DaVinci Resolve software ( version 17 or above)

3. Connect the Thunderbolt cable directly between the monitor and the computer with

Thunderbolt output.

4. Run DaVinci Resolve and create a new project.

5. Click“Preferences”.

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4. Set “Monitor device” to UltraStudio Monitor 3G,then click “Save”.

5. Close DaVinci Resolve and restart it. Press the HDMI button on the monitor to select the

Thunderbolt interface.

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5.3 3D LUT File Upload Operating Instructions
Prepare:

Before upgrade, unzip the PD tool package.

1.Connect the computer and monitor with Ethernet cable (default IP address is 192.168.1.128).

2.Set Ethernet as fixed IP address at the computer, as shown below, in Internet Protocol Version 4

(TCP/IPv4) Properties interface, choose Use the following IP address, fill the IP address, Subnet

mask, Default gateway.

Remark: IP address the 100 can be other values, as long as it does not conflict with

192.168.1.128, but it must on the same network segment.

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3. Double-click "pdtools.exe" to open the interface as follows. If a firewall pops up to prevent the

software from being changed, click "Allow access".

4. Click "Refresh Device" on the interface. If the computer and monitor are connected correctly,

will display the following interface.

5.Click "Upgrade" in the interface, the pop-up interface is as follows, and click "merge files".

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6.Click "Checked" behind USER1/USER2/USER3/USER4/USER5. If you only upgrade USER1 and

USER2, you only need to click Select behind USER1 and USER2 to select, and then click "Browse"

to select the 3D LUT file to be upgraded, the file should be in .3dl format. Choose 3D LUT.

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7.Finally, click “Browse” to select location file for merged 3d lut file "Merge Selected Files".

After output path is selected, optionally filling in project name and user text and then click

“Merge selected files” . The merged file will be stored in the selected file path.

8.Click "Upgrade Files" on the upgrade interface, as shown below.

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9.Select "browse".

Select the merged file generated from last step.

Finally, click “Upgrade”.

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Chapter 6 Appendix
6.1 Specification
Model aura UHD studio 24 aura UHD studio 27 aura UHD studio 32

Physical Net Weight 8.6kg 11.4kg 15.3kg

Packaged
12kg 15.3kg 20.6kg
Weight

Net
571.7 × 160 × 414.85mm 661 × 420 × 179mm 751 × 502 × 179mm
Dimensions

Packaged
800 ×250 × 555mm 890 × 270 × 595mm 980 × 270 × 675mm
Dimensions

Interface Input 12G-SDI 4xBNC

HDMI 2.0 2xHDMI-A (*HDCP not supported)

SFP 12G Fiber

1xUSB-C (*Only for previewing Davinci app


Type-C/Thunderbolt3 output, does not support desktop duplication
or extension.)
Output 12G-SDI 4×BNC

Performance Screen aura UHD aura UHD aura UHD


Model
studio 24 studio 27 studio 32

Size 23.8 inch 27 inch 32 inch

Brightness 1000 cd/m2 800 cd/m2 1000 cd/m2

Type LCD Panel LCD Panel QLED Panel

Resolution 3840 x 2160 3840 x 2160 3840 x 2160

0.1369(H)× 0.1369 0.1369(H)× 0.1369 0.1369(H)× 0.1369


Pixel Pitch
(V)mm (V)mm (V)mm

Aspect Ratio 16:9 16:9 16:9

Backlight LED LED LED

Contrast
1000:1 1200:1 1000:1
Ratio

Color Depth 10bits(1.07B) 10bits(1.07B) 10bits(1.07B)

Image
12bits 12bits 12bits
Processing

Response 9ms 9ms 9ms

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Viewing
178°/178° 178°/178° 178°/178°
Angle

Video Signal SDI Signal 1080p@50/59.94/60


Format Format
[email protected]/24/25/29.97/30

720p@50/59.94/60

3840×[email protected]/24/25/29.97/30/50/59.94/60

2048×1080@23. 98/24/25/29.97/30p/psf, 47.95/48/50/59.94/60p

3840×2160p@24/25/30

HDMI Signal 720p@50/59.94/60;1080i@50/59.94/60


Format
[email protected]/24/25/29.97/30/50/59.94/60

3840×[email protected]/24/25/29.97/30/50/59.94/60

4096×[email protected]/24/25/29.97/30/50/59.94/60

Audio
Audio Support
De-embedding

Audio Meter 16 channels (Up to 8 channels can be displayed simultaneously.)

Built-in Speaker 1×8 ohm/0.5W

Headphone Stereo mini jack×1

General Control/Update 1×RJ45

GPI GPI1-5, 1×RJ-45

Serial Port RS-422, 2×RJ-45 (1 in | 1 out)

Supported HDMI IN1 HDCP 1.X | HDCP 2.2


Standard
SDI SMPTE-425M-A/B

SMPTE-274M

SMPTE-296M

SMPTE ST 2036-1:2009

SMPTE ST 2048-2:2011

SMPTE ST 2081

SMPTE ST 2082

Power Input Voltage AC100~240V 50/60Hz

Model aura UHD studio 24 aura UHD studio 27 aura UHD studio 32
Power
Consumption max 90W 98W 140W

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Environment Operating
-10℃~55℃ (14°F to 155°F)
Temperature

Operating
30%~85%, RH
Humidity

Storage
-20-60℃
Humidity

6.2 Supported Signal Format


SDI Signal Format

Single Link

Division
Protocol Resolution Color Space Frame Rate Mode
Method
60P, 60/1.001p, 50p, 30P,
SMPTE-296M 1280×720 4:2:2, YCbCr, 10bit // //
30/1.001p, 25p, 24p, 24/1.001p
30p, 30/1.001p, 25p, 24p,
24/1.001p
SMPTE-274M 1920×1080 4:2:2, YCbCr, 10bit 30PsF, 30/1.001PsF, 25PsF, // //
24PsF, 24/1.001PsF
60i, 60/1.001i, 50i
30p, 30/1.001p, 25p, 24p,
SMPTE-2048 24/1.001p
2048×1080 4:2:2, YCbCr, 10bit // //
M-2 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
Level A
SMPTE-274M 1920×1080 4:2:2, YCbCr, 10bit 60p, 60/1.001p, 50p Level //
B-DL

Level A
SMPTE-2048 60p, 60/1.001p, 50p, 48p,
2048×1080 4:2:2, YCbCr, 10bit Level //
M-2 48p/1.001p
B-DL
4:4:4, RGB/RGBA,
10bit 60P, 60/1.001p, 50p, 30P,
SMPTE-296M 1280×720 Level A //
4:4:4, YCbCr/ 30/1.001p, 25p, 24p, 24/1.001p
YCbCrA, 10bit
30p, 30/1.001p, 25p, 24p,
4:4:4, RGB/RGBA,
24/1.001p Level A
10bit
SMPTE-274M 1920×1080 30PsF, 30/1.001PsF, 25PsF, Level //
4:4:4, YCbCr/
24PsF, 24/1.001PsF B-DL
YCbCrA, 10bit
60i, 60/1.001i, 50i

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4:4:4, RGB/RGBA, 30p, 30/1.001p, 25p, 24p,
Level A
SMPTE-2048 10bit 24/1.001p
2048×1080 Level //
M-2 4:4:4, YCbCr/ 30PsF, 30/1.001PsF, 25PsF,
B-DL
YCbCrA, 10bit 24PsF, 24/1.001PsF

30p, 30/1.001p, 25p, 24p,


24/1.001p Level A
4:4:4, RGB, 12bit
SMPTE-274M 1920×1080 30PsF, 30/1.001PsF, 25PsF, Level //
4:4:4, YCbCr, 12bit
24PsF, 24/1.001PsF B-DL
60i, 60/1.001i, 50i
30p, 30/1.001p, 25p, 24p,
Level A
SMPTE-2048 4:4:4, RGB, 12bit 24/1.001p
2048×1080 Level //
M-2 4:4:4, YCbCr, 12bit 30PsF, 30/1.001PsF, 25PsF,
B-DL
24PsF, 24/1.001PsF
30p, 30/1.001p, 25p, 24p,
24/1.001p Level A
SMPTE-274M 1920×1080 4:2:2, YCbCr, 12bit 30PsF, 30/1.001PsF, 25PsF, Level //
24PsF, 24/1.001PsF B-DL
60i, 60/1.001i, 50i
30p, 30/1.001p, 25p, 24p,
Level A
SMPTE-2048 24/1.001p
2048×1080 4:2:2, YCbCr, 12bit Level //
M-2 30PsF, 30/1.001PsF, 25PsF,
B-DL
24PsF, 24/1.001PsF
Level A
30p, 25p, 24p
2048×1080 4:4:4, XYZ, 12bit Level //
30PsF, 25PsF, 24PsF
B-DL
SMPTE-2036 30p, 30/1.001p, 25p, 24p,
3840×2160 4:2:2, YCbCr, 10bit MODE-1 2SI/SQD
M-1 24/1.001p

SMPTE-2048 30p, 30/1.001p, 25p, 24p,


4096×2160 4:2:2, YCbCr, 10bit MODE-1 2SI/SQD
M-2 24/1.001p
SMPTE-2036 4:2:2, YCbCr, 10bit
3840×2160 60p, 60/1.001p, 50p MODE-1 2SI/SQD
M-1 4:2:0, YCbCr, 10bit
SMPTE-2048 60p, 60/1.001p, 50p, 48p,
4096×2160 4:2:2, YCbCr, 10bit MODE-1 2SI/SQD
M-2 48p/1.001p
SMPTE-2036 4:4:4, RGB, 10bit 30p, 30/1.001p, 25p, 24p,
3840×2160 MODE-1 2SI/SQD
M-1 4:4:4, YCbCr, 10bit 24/1.001p
4:4:4, RGB/RGBA,
SMPTE-2048 10bit 30p, 30/1.001p, 25p, 24p,
4096×2160 MODE-1 2SI/SQD
M-2 4:4:4, YCbCr/ 24/1.001p
YCbCrA, 10bit
SMPTE-2036 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,
3840×2160 MODE-1 2SI/SQD
M-1 4:4:4, YCbCr, 12bit 24/1.001p

SMPTE-2048 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,


4096×2160 MODE-1 2SI/SQD
M-2 4:4:4, YCbCr, 12bit 24/1.001p

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SMPTE-2036 30p, 30/1.001p, 25p, 24p,
3840×2160 4:2:2, YCbCr, 12bit MODE-1 2SI/SQD
M-1 24/1.001p

SMPTE-2048 30p, 30/1.001p, 25p, 24p,


4096×2160 4:2:2, YCbCr, 12bit MODE-1 2SI/SQD
M-2 24/1.001p

4096×2160 4:4:4, XYZ, 12bit 30p, 25p, 24p MODE-1 2SI/SQD

Dual Link

Division
Protocol Resolution Color Space Frame Rate Mode
Method

SMPTE-274M 1920×1080 4:2:2, YCbCr, 10bit 60p, 60/1.001p, 50p // //

SMPTE-2048 60p, 60/1.001p, 50p, 48p,


2048×1080 4:2:2, YCbCr, 10bit // //
M-2 48p/1.001p
30p, 30/1.001p, 25p, 24p,
24/1.001p
4:4:4, RGB, 10bit
SMPTE-274M 1920×1080 30PsF, 30/1.001PsF, 25PsF, // //
4:4:4, YCbCr, 10bit
24PsF, 24/1.001PsF
60i, 60/1.001i, 50i

30p, 30/1.001p, 25p, 24p,


SMPTE-2048 4:4:4, RGB, 10bit 24/1.001p
2048×1080 // //
M-2 4:4:4, YCbCr, 10bit 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
30p, 30/1.001p, 25p, 24p,
24/1.001p
4:4:4, RGB, 12bit
SMPTE-274M 1920×1080 30PsF, 30/1.001PsF, 25PsF, // //
4:4:4, YCbCr, 12bit
24PsF, 24/1.001PsF
60i, 60/1.001i, 50i
30p, 30/1.001p, 25p, 24p,
SMPTE-2048 4:4:4, RGB, 12bit 24/1.001p
2048×1080 // //
M-2 4:4:4, YCbCr, 12bit 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
30p, 30/1.001p, 25p, 24p,
24/1.001p
SMPTE-274M 1920×1080 4:2:2, YCbCr, 12bit // //
30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
SMPTE-2048 30p, 30/1.001p, 25p, 24p,
2048×1080 4:2:2, YCbCr, 12bit // //
M-2 24/1.001p
30p, 25p, 24p
2048×1080 4:4:4, XYZ, 12bit // //
30PsF, 25PsF, 24PsF

Quad Link

aura UHD studio User Manual 53


23.98p,24p,25p,29.97p,30p,50p,
SMPTE 2082-1 7680×4320 4:2:2, YCbCr, 10bit // 2SI
59.94p,60p

SMPTE 23.98p,24p,25p,29.97p,30p,50p,
8192×4320 4:2:2, YCbCr, 10bit // 2SI
2082-10 59.94p,60p
30p, 30/1.001p, 25p, 24p,
SMPTE-2036 24/1.001p
3840×2160 4:2:2, YCbCr, 10bit // SQD
M-1 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
30p, 30/1.001p, 25p, 24p,
SMPTE-2048 24/1.001p
4096×2160 4:2:2, YCbCr, 10bit // SQD
M-2 30PsF, 30/1.001PsF, 25PsF,
24PsF, 24/1.001PsF
Level A
SMPTE-2036 4:2:2, YCbCr, 10bit
3840×2160 60p, 60/1.001p, 50p Level 2SI/SQD
M-1 4:2:0, YCbCr, 10bit
B-DL
Level A
SMPTE-2048 60p, 60/1.001p, 50p, 48p,
4096×2160 4:2:2, YCbCr, 10bit Level 2SI/SQD
M-2 48p/1.001p
B-DL
Level A
SMPTE-2036 4:4:4, RGB, 10bit 30p, 30/1.001p, 25p, 24p,
3840×2160 Level 2SI/SQD
M-1 4:4:4, YCbCr, 10bit 24/1.001p
B-DL

Level A
4:4:4, RGB, 10bit 30PsF, 30/1.001PsF, 25PsF,
3840×2160 Level SQD
4:4:4, YCbCr, 10bit 24PsF, 24/1.001PsF
B-DL
4:4:4, RGB/RGBA,
Level A
SMPTE-2048 10bit 30p, 30/1.001p, 25p, 24p,
4096×2160 Level 2SI/SQD
M-2 4:4:4, YCbCr/ 24/1.001p
B-DL
YCbCrA, 10bit
Level A
4:4:4, RGB, 10bit 30PsF, 30/1.001PsF, 25PsF,
4096×2160 Level SQD
4:4:4, YCbCr, 10bit 24PsF, 24/1.001PsF
B-DL
Level A
SMPTE-2036 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,
3840×2160 Level 2SI/SQD
M-1 4:4:4, YCbCr, 12bit 24/1.001p
B-DL
Level A
4:4:4, RGB, 12bit 30PsF, 30/1.001PsF, 25PsF,
3840×2160 Level SQD
4:4:4, YCbCr, 12bit 24PsF, 24/1.001PsF
B-DL
Level A
SMPTE-2048 4:4:4, RGB, 12bit 30p, 30/1.001p, 25p, 24p,
4096×2160 Level 2SI/SQD
M-2 4:4:4, YCbCr, 12bit 24/1.001p
B-DL

Level A
4:4:4, RGB, 12bit 30PsF, 30/1.001PsF, 25PsF,
4096×2160 Level SQD
4:4:4, YCbCr, 12bit 24PsF, 24/1.001PsF
B-DL

aura UHD studio User Manual 54


Level A
SMPTE-2036 30p, 30/1.001p, 25p, 24p,
3840×2160 4:2:2, YCbCr, 12bit Level 2SI/SQD
M-1 24/1.001p
B-DL

Level A
SMPTE-2048 30p, 30/1.001p, 25p, 24p,
4096×2160 4:2:2, YCbCr, 12bit Level 2SI/SQD
M-2 24/1.001p
B-DL
Level A
4096×2160 4:4:4, XYZ, 12bit 30p, 25p, 24p, Level 2SI/SQD
B-DL
Level A
4096×2160 4:4:4, XYZ, 12bit 30PsF, 25PsF, 24PsF Level SQD
B-DL

HDMI Signal Format

4096×2160p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98)

3840×2160p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98)

1080p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98)

1080i (60 / 59.94 / 50)

720p (60 / 59.94 / 50)

6.3 UMD Testing Method


Step 1: Use a USB to RS422 cable to connect the RS422 IN of the monitor. The following is RS422

In/Out Interface Definition for your reference:

PIN Name Description


1 GND GND
2 GND GND

3 TX- Data transmission (-)


4 RX+ Data reception (+)
5 RX- Data reception (-)
6 TX+ Data transmission (+)
7 NC Not Connected
8 NC Not Connected

Step 2: Install“Docklight” software on your computer.

Step 3: Choose“UMD” in the MENU, set“UMD Display”to“ON” and “UMD Standard” to

aura UHD studio User Manual 55


“TSL V3.1”.

Step 4: Double-click the “Umd V3.1 Test.ptp” file as shown below. Next, double-click “COM3”

in the top right corner of the window, then set the values such as SN serial number, baud rate

(here is ” 38400,Even,8,1”) by checking the USB to RS422 connection recognized by your

computer. Then, click in the top left corner for connection.

Step 5: Click “ ” circled in the red box to test Tally status.

Note: ADDR0 corresponds to 0 in “UMD ID” in the menu, ADDR1 corresponds to 1 in “UMD ID”,

ADDR2 corresponds to 2 in “UMD ID” , and ADDR3 corresponds to 3 in “UMD ID”.

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6.4 Terms & Definitions

● RCA: Connector used primarily in consumer AV equipment for both audio and video. The RCA
connector was developed by the Radio Corporation of America.

●BNC: Stands for Bayonet Neill-Concelman. A cable connector used extensively in television (named for its
inventors). A cylindrical bayonet connector that operates with a twist-locking motion .

●CVBS: CVBS or Composite video, is an analog video signal without audio. Most commonly CVBS is used
for transmission of standard definition signals. In consumer applications the connector is typically RCA type,
while in professional applications the connector is BNC type.

●YPbPr: Used to describe the colour space for progressive-scan. Otherwise known as component video.
● VGA: Video Graphics Array. VGA is an analog signal typically used on earlier computers. The signal is
non-interlaced in modes 1, 2, and 3 and interlaced when using in mode.

●DVI: Digital Visual Interface. The digital video connectivity standard that was developed by DDWG (Digital
Display Work Group). This connection standard offers two different connectors: one with 24 pins that handles
digital video signals only, and one with 29 pins that handles both digital and analog video.

●SDI: Serial Digital Interface. Standard definition video is carried on this 270 Mbps data transfer rate. Video pixels
are characterized with a 10-bit depth and 4:2:2 color quantization. Ancillary data is included on this interface and
typically includes audio or other metadata. Up to sixteen audio channels can be transmitted. Audio is organised
into blocks of 4 stereo pairs. Connector is BNC.

●HD-SDI: High-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M this provides a nominal
data rate of 1.485 Gbit/s.

●3G-SDI: Standardized in SMPTE 424M, consists of a single 2.970 Gbit/s serial link that allows replacing dual link
HD-SDI.

●6G-SDI: Standardized in SMPTE ST-2081 released in 2015, 6Gbit/s bitrate and able to support 2160p@30.

●12G-SDI: Standardized in SMPTE ST-2082 released in 2015, 12Gbit/s bitrate and able to support 2160p@60.

●U-SDI: Technology for transmitting large-volume 8K signals over a single cable. a signal interface called the ultra
high definition signal/data interface (U-SDI) for transmitting 4K and 8K signals using a single optical cable. The
interface was standardized as the SMPTE ST 2036-4.

●HDMI: High Definition Multimedia Interface: An interface used for the transmission of uncompressed high
definition video, up to 8 channels of audio, and control signals, over a single cable.

● HDMI 1.3: Released on June 22 2006, and increased the maximum TMDS clock to 340 MHz (10.2 Gbit/s).

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Support resolution 1920 × 1080 at 120 Hz or 2560 × 1440 at 60 Hz). It added support for 10 bpc, 12 bpc, and
16 bpc color depth (30, 36, and 48 bit/px), called deep color.

●HDMI 1.4: Released on June 5, 2009, added support for 4096 × 2160 at 24 Hz, 3840 × 2160 at 24, 25, and 30 Hz,
and 1920 × 1080 at 120 Hz. Compared to HDMI 1.3, 3 more features added which are HDMI Ethernet Channel
(HEC) , audio return channel (ARC),3D Over HDMI, a new Micro HDMI Connector, an expanded set of color spaces.

●HDMI 2.0: Released on September 4, 2013 increases the maximum bandwidth to 18.0 Gbit/s. Other features of
HDMI 2.0 include up to 32 audio channels, up to 1536 kHz audio sample frequency, the HE-AAC and DRA audio
standards, improved 3D capability, and additional CEC functions.

●HDMI 2.0a: Was released on April 8, 2015, and added support for High Dynamic Range (HDR) video with static
metadata.

● HDMI 2.0b: Was released March, 2016, support for HDR Video transport and extends the static metadata
signaling to include Hybrid Log-Gamma (HLG).

● HDMI 2.1: Released on November 28, 2017. It adds support for higher resolutions and higher refresh rates,
Dynamic HDR including 4K 120 Hz and 8K 120 Hz.

●DisplayPort: A VESA standard interface primarily for video, but also for audio, USB and other data. DisplayPort
(or DP) is backwards compatible with HDMI, DVI and VGA.

●DP 1.1: Was ratified on 2 April 2007, and version 1.1a was ratified on 11 January 2008. DisplayPort 1.1 allow a
maximum bandwidth of 10.8 Gbit/s (8.64 Gbit/s data rate) over a standard 4-lane main link, enough to support
1920x1080@60Hz

●DP 1.2: Introduced on 7 January 2010, effective bandwidth to 17.28 Gbit/s support increased resolutions, higher
refresh rates, and greater color depth, maximum resolution 3840 × 2160@60Hz

● DP 1.4: Publish on 1 Mar, 2016.overall transmission bandwidth 32.4 Gbit/s ,DisplayPort 1.4 adds support for
Display Stream Compression 1.2 (DSC), DSC is a "visually lossless" encoding technique with up to a 3:1
compression ratio. Using DSC with HBR3 transmission rates, DisplayPort 1.4 can support 8K UHD (7680 × 4320) at
60 Hz or 4K UHD (3840 × 2160) at 120 Hz with 30 bit/px RGB color and HDR. 4K at 60 Hz 30 bit/px RGB/HDR can
be achieved without the need for DSC.

● Multi-mode Fiber: Fibers that support many propagation paths or transverse modes are called multi-mode
fibers, generally have a wider core diameter and are used for short-distance communication links and for
applications where high power must be transmitted.

●Single-mode Fiber: Fiber that support a single mode are called single-mode fibers. Single-mode fibers are used
for most communication links longer than 1,000 meters (3,300 ft).

aura UHD studio User Manual 58


● SFP: Small form-factor pluggable , is a compact, hot-pluggable network interface module used for
both telecommunication and data communications applications.

● Optical Fiber Connector: Terminates the end of an optical fiber, and enables quicker connection and
disconnection than splicing. The connectors mechanically couple and align the cores of fibers so light can pass. 4
most common types of optical fiber connectors are SC, FC, LC,ST.

●SC: (Subscriber Connector), also known as the square connector was also created by the Japanese company –
Nippon Telegraph and Telephone. SC is a push-pull coupling type of connector and has a 2.5mm diameter.
Nowadays, it is used mostly in single mode fiber optic patch cords, analog, GBIC, and CATV. SC is one of the most
popular options, as its simplicity in design comes along with great durability and affordable prices.

●LC:(Lucent Connector) is a small factor connector (uses only a 1.25mm ferrule diameter) that has a snap coupling
mechanism. Because of its small dimensions, it is the perfect fit for high-density connections, XFP, SFP, and SFP+
transceivers.

●FC: (Ferrule Connector) is a screw type connector with a 2.5mm ferrule. FC is a round shaped threaded fiber optic
connector,mostly used on Datacom, telecom, measurement equipment, single-mode laser.

●ST: (Straight Tip) was invented by AT&T and uses a bayonet mount along with a long spring-loaded ferrule to
support the fiber.

●USB: Universal Serial Bus is a standard that was developed in the mid-1990s that defines cables, connectors and
communication protocols. This technology is designed to allow a connection, communication and power supply
for peripheral devices and computers.

●USB 1.1: Full–Bandwidth USB, specification was the first release to be widely adopted by the consumer market.
This specification allowed for a maximum bandwidth of 12Mbps.

●USB 2.0: or Hi–Speed USB, specification made many improvements over USB 1.1. The main improvement was an
increase in bandwidth to a maximum of 480Mbps.

●USB 3.2: Super Speed USB with 3 varieties of 3.2 Gen 1(original name USB 3.0), 3.2Gen 2(original name USB 3.1),
3.2 Gen 2x2 (original name USB 3.2) with speed up to 5Gbps,10Gbps,20Gbps respectively.

USB version and connectors figure:

Type Type B Mini Mini Micro- Micro Type C


A A B A -B
USB 2.0

USB 3.0

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USB
3.1&3.2

●NTSC: The colour video standard used in North America and some other parts of the world created by
the National Television Standards Committee in the 1950s. NTSC utilizes an interlaced video signals.

●PAL: Phase Alternate Line. A television standard in which the phase of the colour carrier is alternated from line to
line. It takes four full images (8 fields) for the colour-to-horizontal images (8 fields) for the colour-to-horizontal
phase relationship to return to the reference point. This alternation helps cancel out phase errors. For this reason,
the hue control is not needed on a PAL TV set. PAL, is widely used in needed on a PAL TV set. PAL, is widely used in
Western Europe, Australia, Africa, the Middle East, and Micronesia. PAL uses 625-line, 50-field (25 fps)
composite colour transmission system.

●SMPTE: Society of Motion image and Television Engineers. A global organization, based in the United States, that
sets standards for baseband visual communications. This includes film as well as video and television standards.

●VESA: Video Electronics Standards Association. An organization facilitating computer graphics through standards.

●HDCP: High-bandwidth Digital Content Protection (HDCP) was developed by Intel Corporation an is in wide
use for protection of video during transmission between devices.

● HDBaseT: A video standard for the transmission of uncompressed video (HDMI signals) and related features
using Cat 5e/Cat6 cabling infrastructure.

●ST2110: A SMPTE developed standard, ST2110 describes how to send digital video over and IP networks. Video
is transmitted uncompressed with audio and other data in a separate streams.
SMPTE2110 is intended principally for broadcast production and distribution facilities where quality and flexibility
are more important.

● SDVoE: Software Defined Video over Ethernet (SDVoE) is a method for transmission, distribution and
management AV signals using a TCP/IP Ethernet infrastructure for transport with low latency. SDVoE is commonly
used in integration applications.

●Dante AV: The Dante protocol was developed for and widely adopted in audio systems for the transmission of
uncompressed digital audio on IP based networks. The more recent Dante AV specification includes support for
digital video.

●NDI: Network Device interface (NDI) is a software standard developed by NewTek to enable video-compatible
products to communicate, deliver, and receive broadcast quality video in a high quality, low latency manner that is
frame-accurate and suitable for switching in a live production environment over TCP (UDP) Ethernet based
networks. NDI is commonly found in broadcast applications.

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●RTMP: Real-Time Messaging Protocol (RTMP) was initially a proprietary protocol developed by Macromedia (now
Adobe) for streaming audio, video and data over the Internet, between a Flash player and a server.

●RTSP: The Real Time Streaming Protocol (RTSP) is a network control protocol designed for use in entertainment

and communications systems to control streaming media servers. The protocol is used for establishing and
controlling media sessions between end points.

●MPEG: Moving Picture Experts Group is a working group formed from ISO and IEC developing standards that
allow audio/video digital compression and Transmission.

●H.264: Also known as AVC (Advanced Video Coding) or MPEG-4i is a common video compression standard.
H.264 was standardized by the ITU-T Video Coding Experts Group (VCEG) together with the ISO/IEC JTC1
Moving Picture Experts Group (MPEG).

● H.265: Also known as HEVC (High Efficiency Video Coding ) H.265 is the successor to the widely used
H.264/AVC digital video coding standard. Developed under the auspices of ITU, resolutions up to 8192x4320
may be compressed.

●API: An Application Programming Interface (API) provides a predefined function which allows access
capabilities and features or routines via a software or hardware, without accessing source code or understanding
the details of inner working mechanism. An API call may execute a function and/or provide data feedback/report.

●DMX512: The communication standard developed by USITT for entertainment and digital lighting
systems.The wide adoption of the Digital Multiplex (DMX) protocol has seen the protocol used for a wide range of
other devices including video controllers. DMX512 is delivered over cable of 2 twisted pairs with 5pin XLR cables for
connection.
●ArtNet: An ethernet protocol based on TCP/IP protocol stack, mainly used in entertainment/events applications.
Built on the DMX512 data format, ArtNet enables multiple “ universes ” of DMX512 to be transmitted using
ethernet networks for transport.

●MIDI: MIDI is the abbreviation of Musical Instrument Digital Interface. As the name indicates the protocol was
developed for communication between electronical musical instruments and latterly computers. MIDI instructions are
triggers or commands sent over twisted pair cables, typically using 5pin DIN connectors.

●OSC: The principle of Open Sound Control (OSC) protocol is for networking sound synthesizers, computers, and

multimedia devices for musical performance or show control. As with XML and JSON, the OSC protocol allows
sharing data. OSC is transported via UDP packets between devices connected on an Ethernet.

●Brightness: Usually refers to the amount or intensity of video light produced on a screen without regard to

colour. Sometimes called black level.

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●Contrast Ratio: The ratio of the high light output level divided by the low light output level. In theory, the
contrast ratio of the television system should be at least 100:1, if not 300:1. In reality, there are several
limitations. Well-controlled viewing conditions should yield a practical contrast ratio of 30:1 to 50:1.

●Colour Temperature: The colour quality, expressed in degrees Kelvin (K), of a light source. The higher the colour
temperature, the bluer the light. The lower the temperature, the redder the light. Benchmark colour
temperature for the A/V industry include 5000°K, 6500°K, and 9000°K.

●Saturation: Chroma, Chroma gain. The intensity of the colour, or the extent to which a given colour in any image
is free from white. The less white in a colour, the truer the colour or the greater its saturation. Saturation is the
amount of pigment in a colour, and not the intensity.

●Gamma: The light output of a CRT is not linear with respect to the voltage input. The difference between
what you should have and what is actually output is known as gamma.

●Frame: In interlaced video, a frame is one complete image.A video frame is made up of two fields, or two sets of
interlaced lines. In a film, a frame is one still image of a series that makes up a motion image.

●Genlock: Allows synchronisation of otherwise video devices. A signal generator provides a signal pulses which
connected devices can reference. Also see Black Burst and Color Burst.

●Blackburst: The video waveform without the video elements.It includes the vertical sync, horizontal sync,
and the Chroma burst information. Blackburst is used to synchronize video equipment to align the video
output.

●Colour Burst: In colour TV systems, a burst of subcarrier frequency located on the back part of the composite
video signal. This serves as a colour synchronizing signal to establish a frequency and phase reference for the
Chroma signal. Colour burst is 3.58 MHz for NTSC and 4.43 MHz for PAL.

●Colour Bars: A standard test pattern of several basic colours (white, yellow, cyan, green, magenta, red, blue, and

black) as a reference for system alignment and testing. In NTSC video, the most commonly used colour bars are
the SMPTE standard colour bars. In PAL video, the most commonly used colour bars are eight full field bars. On
computer monitors the most commonly used colour bars are two rows of reversed colour bars

●Seamless Switching: A feature found on many video switchers. This feature causes the switcher to wait until the
vertical interval to switch. This avoids a glitch (temporary scrambling) which often is seen when switching between
sources.

● Scaling: A conversion of a video or computer graphic signal from a starting resolution to a new resolution.
Scaling from one resolution to another is typically done to optimize the signal for input to an image processor,
transmission path or to improve its quality when presented on a particular display.

●PIP: Picture-In-Picture. A small image within a larger image created by scaling down one of image to make it
smaller. Other forms of PIP displays include Picture-By-Picture (PBP) and Picture- With-Picture (PWP), which are

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commonly used with 16:9 aspect display devices. PBP and PWP image formats require a separate scaler for each
video window .

● HDR: is a high dynamic range (HDR) technique used in imaging and photography to reproduce a
greater dynamic range of luminosity than what is possible with standard digital imaging or photographic
techniques. The aim is to present a similar range of luminance to that experienced through the human visual
system.

●UHD: Standing for Ultra High Definition and comprising 4K and 8K television standards with a 16:9 ratio, UHD

follows the 2K HDTV standard. A UHD 4K display has a physical resolution of 3840x2160 which is four times the
area and twice both the width and height ofa HDTV/FullHD (1920 x1080) video signal.

●EDID: Extended Display Identification Data. EDID is a data structure used to communicate video display
information, including native resolution and vertical interval refresh rate requirements, to a source device. The source
device will then output the provided EDID data, ensuring proper video image quality.

6.5 Revision History


The table below lists the changes to the User Manual.

Format Time ECO# Description Principal

V1.0 2023-11-28 0000# First release Aster

V1.1 2023-12-14 0001# Add UMD Testing Method Aster

All information herein is Xiamen RGBlink Science & Technology Co Ltd. excepting noted.

is a registered trademark of Xiamen RGBlink Science & Technology Co Ltd.

While all efforts are made for accuracy at time of printing, we reserve the right to alter

otherwise make change without notice.

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