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of enthusiasm, the Gods; for the material cause, the enthusiastically
energizing soul itself, or the external symbols; for the formal cause,
the inspiration of the Gods about the one of the soul; and for the final
cause, good.
“If, however, the Gods always wish the soul what is good, why does
not the soul always energize enthusiastically? May we not say, that
the Gods indeed always wish the soul what is good, but they are also
willing that the order of the universe should prevail, and that the
soul, through many causes, is not always adapted to enthusiasm, on
which account it does not always enthusiastically energize? But some
say that the telestic art extends as far as to the sublunary region. If,
therefore, they mean that no one of the superlunary and celestial
natures energizes in the sublunary region, they evidently assert what
is absurd. But if they mean that the Telestæ, or mystic operators, are
not able to energize above the lunar sphere, we say, that if all the
allotments of souls are sublunary, their assertion will be true; but if
there are also allotments of souls above the moon, as there are (for
some are the attendants of the sun, others of the moon, and others of
Saturn, since the Demiurgus disseminated some of them into the
earth, others into the moon, and others elsewhere), this being the
case, it will be possible for the soul to energize above the moon. For
what the whole order of things impacts to the soul for a very
extended period of time, this the soul is also able to impart to itself
for a short space of time, when assisted by the Gods through the
telestic art. For the soul can never energize above its own allotment,
but can energize to the extent of it. Thus, for instance, if the
allotment of the soul was as far as to philosophy, the soul would be
able, though it should not choose a philosophic but some other life,
to energize in that life somewhat philosophically. There are also said
to be certain supermundane souls. And thus we have shown how the
soul energizes enthusiastically.
But how are statues said to have an enthusiastic energy? May we
not say, that a statue being inanimate, does not itself energize about
divinity, but the telestic art, purifying the matter of which the statue
consists, and placing round it certain characters and symbols, in the
first place renders it, through these means, animated, and causes it
to receive a certain life from the world; and, in the next place, after
this, it prepares the statue to be illuminated by a divine nature,
through which it always delivers oracles, as long as it is properly
adapted. For the statue, when it has been rendered perfect by the
telestic art, remains afterwards [endued with a prophetic power] till
it becomes entirely unadapted to divine illumination; but he who
receives the inspiring influence of the Gods receives it only at certain
times, and not always. But the cause of this is, that the soul, when
filled with deity, energizes about it. Hence, in consequence of
energizing above its own power, it becomes weary. For it would be a
God, and similar to the souls of the stars, if it did not become weary.
But the statue, conformably to its participations, remains
illuminated. Hence the inaptitude of it entirely proceeds into
privation, unless it is again, de novo, perfected and animated by the
mystic operator. We have sufficiently shown, therefore, that
enthusiasm, properly so called, is effected about the one of the soul,
and that it is an illumination of divinity.
“In the next place, let us discuss the order and the use of the four
manias, and show why the philosopher makes mention of these
alone. Is it because there are no other than these, or because these
were sufficient for his purpose? That there are, therefore, many other
divine inspirations and manias Plato himself indicates as he
proceeds, and prior to this, he makes mention of the inspiration from
the Nymphs. But there are also inspirations from Pan, from the
mother of the Gods, and from the Corybantes, which are elsewhere
mentioned by Plato. Here, however, he alone delivers these four
manias; in the first place, because these alone are sufficient to the
soul, in the attainment of its proper apocatastasis, as we shall
afterwards show; and in the next place, because he delivers the
proximate steps of ascent to the soul. For the gifts of the Gods to all
beings are many and incomprehensible. But now he delivers to us the
energies of the Gods which are extended to souls. He delivers,
however, these four manias, not as if one of them was not sufficient,
and especially the amatory, to lead back the soul to its pristine
felicity; but at present the series and regular gradation of them, and
the orderly perfection of the soul, are unfolded. As, therefore, it is
possible for the tyrannic life, when suddenly changed, to become
aristocratic, through employing strenuous promptitude and a divine
allotment, but the gradual ascent is from a tyrannic to a democratic,
and from this to an oligarchic life, afterwards to a timocratic, and at
last to an aristocratic life, but the descent and lapse are vice versa;
thus also here, the soul being about to ascend, and be restored to its
former felicity, is in the first place possessed with the musical mania,
afterwards with the telestic, then with the prophetic, and, in the last
place, with the amatory mania. These inspirations, however;
conspire with, and are in want of, each other; so abundant is their
communion. For the telestic requires the prophetic[159] mania; since
the latter[160] interprets many things pertaining to the former. And
again, the prophetic requires the telestic mania. For the telestic
mania perfects and establishes oracular predictions. Farther still, the
prophetic uses the poetic and musical mania. For prophets, as I may
say, always speak in verse. And again, the musical uses the prophetic
mania spontaneously, as Plato says. But what occasion is there to
speak about the amatory and musical manias? For nearly the same
persons exercise both these, as, for instance, Sappho, Anacreon, and
the like, in consequence of these not being able to subsist without
each other. But it is very evident that the amatory mania contributes
to all these, since it is subservient to enthusiasm of every kind: for no
enthusiasm can be effected without amatory inspiration. And you
may see how Orpheus appears to have applied himself to all these, as
being in want of, and adhering to, each other. For we learn that he
was most telestic, and most prophetic, and was excited by Apollo;
and besides this, that he was most poetic, on which account he is said
to have been the son of Calliope. He was likewise most amatory, as
he himself acknowledges to Musæus, extending to him divine goods,
and rendering him perfect. Hence he appears to have been possessed
with all the manias, and this by a necessary consequence. For there is
an abundant union, conspiration, and alliance with each other, of the
Gods who preside over these manias, viz. of the Muses, Bacchus,
Apollo, and Love.
“It remains, therefore, that we should unfold the nature of each of
the manias, previously observing that those which are internal, and
originate from the soul itself, and give perfection to it, are of one
kind; but the external energies of them, and which preserve the
outward man, and our nature, are of another. The four external,
however, are analogous to the four internal manias. Let us consider,
therefore, in the first place, the internal, and which alone originate
from the soul itself, and let us see what they effect in the soul. In
order, likewise, that this may become manifest, and also their
arrangement, let us survey from on high, the descent, as Plato says,
and defluxion of the wings of the soul. From the beginning,
therefore, and at first, the soul was united to the Gods, and its unity
to their one. But afterwards the soul departing from this divine union
descended into intellect, and no longer possessed real beings
unitedly, and in one, but apprehended and surveyed them by simple
projections, and, as it were, contacts of its intellect. In the next place,
departing from intellect, and descending into reasoning and dianoia,
it no longer apprehended real beings by simple intuitions, but
syllogistically and transitively, proceeding from one thing to another,
from propositions to conclusions. Afterwards, abandoning true
reasoning, and the dissolving peculiarity, it descended into
generation, and became filled with much irrationality and
perturbation. It is necessary, therefore, that it should recur to its
proper principles and again return to the place from whence it came.
To this ascent and apocatastasis, however, these four manias
contribute. And the musical mania, indeed, leads to symphony and
harmony, the agitated and disturbed nature of the parts of the soul,
which were hurried away to indefiniteness and inaptitude, and were
filled with abundant tumult. But the telestic mania causes the soul to
be perfect and entire, and prepares it to energize intellectually. For
the musical mania alone harmonizes and represses the parts of the
soul; but the telestic causes the whole of it to energize, and prepares
it to become entire, so that the intellectual part of it may energize.
For the soul, by descending into the realms of generation, resembles
a thing broken and relaxed. And the circle of the same, or the
intellectual part of it, is fettered; but the circle of the different, or the
doxastic part, sustains many fractures and turnings. Hence, the soul
energizes partially, and not according to the whole of itself. The
Dionysiacal inspiration, therefore, after the parts of the soul are
coharmonized, renders it perfect, and causes it to energize according
to the whole of itself, and to live intellectually. But the Apolloniacal
mania converts and coexcites all the multiplied powers, and the
whole of the soul, to the one of it. Hence Apollo is denominated as
elevating the soul from multitude to the one. And the remaining
mania, the amatory, receiving the soul united, conjoins this one of
the soul to the Gods, and to intelligible beauty. As the givers,
therefore, of these manias are transcendently united, and are in each
other, the gifts also on this account participate of, and communicate
with, each other, and the recipient, which is the soul, possesses an
adaptation to all the gifts. This, therefore, is the order, and these are
the energies and powers within the soul itself, of these four manias.
“But let us also consider their external energies on man, and what
they outwardly effect about us. The musical mania, therefore, causes
us to speak in verse, and to act and be moved rythmically, and to sing
in metre, the splendid deeds of divine men, and their virtues and
pursuits; and, through these, to discipline our life, in the same
manner as the inward manias coharmonize our soul. But the telestic
mania, expelling every thing foreign, contaminating, and noxious,
preserves our life perfect and innoxious, and banishing an insane
and diabolical phantasy, causes us to be sane, entire, and perfect, just
as the internal telestic mania makes the soul to be perfect and entire.
Again, the prophetic mania contracts into one the extension and
infinity of time, and sees, as in one present now, all things, the past,
the future, and the existing time. Hence it predicts what will be,
which it sees as present to itself. It causes us, therefore, to pass
through life in an irreprehensible manner; just as the internal
prophetic mania contracts and elevates all the multiplied and many
powers and lives of the soul to the one, in order that it may in a
greater degree be preserved and connected. But the amatory mania
converts young persons to us, and causes them to become our
friends, being instructive of youth, and leading them from sensible
beauty to our psychical beauty, and from this sending them to
intelligible beauty; in the same manner as the internal amatory
mania conjoins the one of the soul to the Gods.
“All the above mentioned manias, therefore, are superior to the
prudent and temperate energies of the soul. Nevertheless, there is a
mania which is coordinate with temperance, and which we say has in
a certain respect a prerogative above[161] it. For certain inspirations
are produced, according to the middle and also according to the
doxastic reasons of the soul, conformably to which artists effect
certain things, and discover theorems beyond expectation, as
Asclepius, for instance, in medicine, and Hercules in the practic[162]
life.”
Afterwards, in commenting on what Plato says of the mania from
the Muses, viz. “that it adorns the infinite deeds of the ancients,”
Hermeas observes, “that the inward energy in the soul of the poetic
mania, by applying itself to superior and intelligible natures, imparts
to subordinate natures harmony and order; but that the external
divinely-inspired poetry celebrates the deeds of the ancients, and
instructs both its contemporaries and posterity, extending its
energies every where.” But Plato says, “that he who without the
divinely-inspired mania of the Muses expects to become a divine
poet, will, by thus fancying, become himself imperfect, and his poetry
will be vanquished and concealed by the poetry which is the progeny
of mania.” Hermeas adds, “For what similitude is there between the
poetry of Chærilus and Callimachus, and that of Homer and Pindar?
For the divinely-inspired poets, as being filled from the Muses,
always invoke them, and extend to them all that they say.” For a
fuller and most admirable account of the poetic mania, and of the
different species of poetry by Proclus, see the notes on the tenth book
of the Republic, in my translation of Plato, and also the Introduction
to my translation of the Rhetoric, Poetic, and Nicomachean Ethics of
Aristotle.
From what is here said by Hermeas about enthusiasm, the
intelligent reader will easily see that none of the Roman poets, whose
works have been transmitted to us, possessed that which is
primarily, properly, and truly enthusiasm, or that highest species of
it in which the one of the soul is illuminated by a divine nature, and
through transcendent similitude is united to it. As to Virgil, indeed,
the prince of these poets, though he invokes the Muse in the
beginning of the Æneid, yet his invocation of her is but a partial and
secondary thing. For he only calls on her to unfold to him the causes
that involved a man of such remarkable piety as Æneas in so many
misfortunes:
Musa, mihi causa memora, &c.
To which may be added, that this placing himself before the Muse,
resembles the ego et meus rex of Wolsey. On the contrary, divinely-
inspired poets, as Hermeas well observes, knock, as it were, at the
gates of the Muses, and thus being filled from thence exclaim,
Εσπετε νυν μοι Μουσαι
And,
Μηνιν αειδε θεα—
And,
Ανδρα μοι εννεπε Μουσα.
For being always extended to them, they dispose the whole of what
they afterwards say as derived from their inspiring influence. With
an arrogance too, peculiar to the Romans, who, as a certain Greek
poet[163] says, were a people
Beyond measure proud.
P. 67. The attentive power of the soul. This is that part or power of
the rational soul which primarily apprehends the operations of the
senses. For the rational soul not only has intellect in capacity, the
dianoetic power, will, and choice, but another power, which is called
by the best of the Greek interpreters of Aristotle, as well as by
Iamblichus, το προσεκτικον, the attentive. This power investigates
and perceives whatever is transacted in man; and says, I understand,
I think, I opine, I am angry, I desire. And, in short, this attentive part
of the rational soul passes through all the rational, irrational,
vegetable, or physical powers. If, therefore, it is requisite it should
pass through all these powers, it will also proceed through the
senses, and say, I see, I hear; for it is the peculiarity of that which
apprehends energies thus to speak. Hence if it is the attentive power
which says these things, it is this power which apprehends the energy
of sensibles; for it is necessary that the nature which apprehends all
things should be one, since man also is one. For if one part of it
should apprehend these, and another those things, it is just, as
Aristotle says, as if you should perceive this thing, and I that. It is
necessary, therefore, that the attentive power should be one
indivisible thing.
P. 74. For the human soul is on all sides darkened by body, which
he who denominates the river of Negligence, or the water of
Oblivion, &c.——will not by such appellations sufficiently express its
turpitude. “The whole of generation, as well as the human body,”
says Proclus in Tim. lib. v. p. 339, “may be called a river, through its
rapid, impetuous, and unstable flux. Thus also in the Republic, Plato
calls the whole genesiurgic nature the river of Lethe; in which are
contained, as Empedocles says, Oblivion, and the meadow of Ate; the
voracity of matter, and the light-hating world, as the Gods say; and
the winding streams under which many are drawn down, as the
Chaldean oracles assert.”
P. 123. For the books which are circulated under the name of
Hermes, contain Hermaic opinions, though they frequently employ
the language of the philosophers: for they were translated from the
Egyptian tongue by men who were not unskilled in philosophy. A
few only of these books are now extant, but what is here said by
Iamblichus sufficiently proves their authenticity, and that they
contain the genuine doctrines of Hermes. They have doubtless,
however, been occasionally interpolated by some of the early
Christians, though not to that extent which modern critics, and that
mitred sophist Warburton, suppose.
P. 125. So that what you add from Homer, “that the Gods are
flexible,” it is not holy to assert. The words of Homer are στρεπτοι δε
τε και θεοι αυτοι, and are to be found in Iliad ix. v. 493. But when
Iamblichus says, it is not holy to assert the Gods are flexible, he
means that it is not holy according to the literal signification of the
words; divine flexibility indicating nothing more than this, that those
who through depravity were before unadapted to receive the
illuminations of the Gods, and in consequence of this were subject to
the power of avenging dæmons; when afterwards they obtain pardon
of their guilt through prayers and sacrifices, and through methods of
this kind apply a remedy to their vices, again become partakers of the
goodness of the Gods. So that divine flexibility is a resumption of the
participation of divine light and goodness by those who through
inaptitude were before deprived of it.
P. 130. Dæmons preside over the parts of our body. Proclus in the
fragments of his Ten Doubts concerning Providence, preserved by
Fabricius in the eighth vol. of his Bibliotheca Græca, observes, “That
the Gods, with an exempt transcendency, extend their providence to
all things, but that dæmons, dividing their superessential
subsistence, receive the guardianship of different herds of animals,
distributing the providence of the Gods, as Plato says, as far as to the
most ultimate division. Hence some of them preside over men,
others over lions or other animals, and others over plants; and still
more partially, some are the inspective guardians of the eye, others
of the heart, and others of the liver.” He adds, “all things, however,
are full of Gods, some of whom exert their providential energies
immediately, but others through dæmons as media: not that the
Gods are incapable of being present to all things, but that ultimate
are themselves unable to participate primary natures.” Hence it must
be said that there is one principal dæmon, who is the guardian and
governor of every thing that is in us, and many dæmons subordinate
to him, who preside over our parts.
THE END.
And thus snatched his host Anchilus from death, and the youth from the crime
of homicide. It is also related, that the youth from that time became the most
celebrated of the disciples of Pythagoras. Farther still, the whole Pythagoric school
produced, by certain appropriate songs, what they called exartysis, or adaptation;
synarmoga, or elegance of manners; and epaphe, or contact, usefully conducting
the dispositions of the soul to passions contrary to those which it before possessed.
For when they went to bed, they purified the reasoning power from the
perturbations and noises to which it had been exposed during the day, by certain
odes and peculiar songs, and by this means procured for themselves tranquil sleep,
and few and good dreams. But when they rose from bed, they again liberated
themselves from the torpor and heaviness of sleep, by songs of another kind.
Sometimes, also, by musical sounds alone, unaccompanied with words, they healed
the passions of the soul and certain diseases, enchanting, as they say, in reality.
And it is probable that from hence this name epode, i. e. enchantment, came to be
generally used. After this manner, therefore, Pythagoras, through music, produced
the most beneficial correction of human manners and lives.”
Proclus also, in his MS. Commentary on the First Alcibiades of Plato, observes,
“that of musical instruments some are repressive, and others motive; some are
adapted to rest, and others to motion. The repressive, therefore, are most useful for
education, leading our manners into order, repressing the turbulency of youth, and
bringing its agitated nature to quietness and temperance. But the motive
instruments are adapted to enthusiastic energy; and hence, in the mysteries and
mystic sacrifices, the pipe is useful; for the motive power of it is employed for the
purpose of exciting the reasoning power to a divine nature. For here it is requisite
that the irrational part should be laid asleep, and the rational excited. Hence those
that instruct youth use repressive instruments, but initiators such as are motive.
For that which is disciplined is the irrational part; but it is reason which is
initiated, and which energizes enthusiastically.”
See, likewise, on this subject, Ptolem. Harmonic, lib. iii. cap. 7 and 8, who
observes among other things, “that our souls directly sympathize with the energies
of melody, recognizing, as it were, their alliance to them—and that at one time the
soul is changed to a quiet and repressed condition, but at another to fury and
enthusiasm. Ταις ενεργειαις της μελῳδιας συμπασχειν ημων αντικρυς τας ψυχας,
την συγγενειαν ωσπερ επιγινωσκουσας——et, ποτε μεν εις ησυχιαν και κατασολην
τρεπεσθαι, ποτε δε εις οἱσρον και ενθυσιασμον. And, in the last place, see Plato in
his Io, and Aristotle in his Politics.
52. Proclus in Polit. p. 865, says, “that the melodies of Olympus were the
causes of ecstasy.” Τα του Ολυμπου μελη εκσατικα.
53. The nature of the Corybantes, and the order to which they belong, is
unfolded as follows by Proclus, in Plat. Theol. lib. vi. cap. 13. “To what has been
said we shall add the theory pertaining to the unpolluted[54] Gods among the ruling