Sanskrit 4
Sanskrit 4
Sanskrit 4
IN TELUGUVERSION
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70- SANSKRIT (PAPER-VI)
4. 1gUA:
INTRODUCTION :
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SANSKRIT (PAPER:V) 71
IN TELUGU VERSION
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72 SANSKRIT (PAPER-VI)
5. HIHHEIHfa:
foremost and ancient. of
INTRODUCTION :- The Sanskrit Dramaticliterature was the
amongthe San., wortd
dramatic literature. Thegreat poet Bhasa was occupies a prominent place
Bhasain the work
dramatists. Mahakavi Kalidasa recollected the dramatist
He was most ancient poet among the Sanskrit
dramatists. "Malavikagnimitra'
LIFE AND PERIOD OF BHASA;
According to
There are different opinions regarding the life and period of Bhasa.
Bharathamuni.
historians, Bhasa was a foremost poet to Kalidasa, Panini and
critics plaes
’ The scholors opined that Bhasa belonged to the period 100 B.C. Literary
him between 2nd century B.Cand 4th century A.D.
’ In 1906, Mahamahopadhyaya Sri T. Ganapathi Shastry, who belonged to Kerala wo
published the thirteen plays of Bhasa under the title of 4IHTICE TA
(Bhasanatakachakram)".
’ He also decided that Bhasa was the predecessor to Kalidasa.
WORKS OF BHASAMAHAKAVI:-The poet Bhasa wrote totally thirteen plays. There are:
’ Plays written based on the plot of Mahabharatha:
1. Madhyamavyayoga 2. Pancharatram
3. Duthavakyam 4. Duthaghatotkacham
5. Urubhangam 6. Karnabharam.
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SANSKRIT (PAPER-VI)73
IN TELUGUVERSION
1. gvarho 2. sosra5
3. rdgo 4. árspodso
5. oño 6. sgoóo
2. asrOBO.
1. 8edaThobordbO
3. Kso (8do)
4
RATNAVAL.:- There are four acts in this play. The love between the king of Vatsa Udayana
Sagarika is the main theme of this play. This isfirst play of Harshavardhana. This play reflects
that he was influenced by the play Malavikagnimitra of Kalidasa.
PRYADARSHIKA:-There are four acts in this play. The love between Udayana and Aaranyika
is the main theme of this play. The main source of this play is romance. Perhaps the books
Ratnavali and Priyadarshika are similar.
NAGANANDAM :- There are five acts in this play. In this the story of Jeemuthavahanawas
described. This story narrated about the setf-sacrifice of Jeemuthavahana for the sake of serpants,
the love theme between Malayavathi -Jeemuthavahana and how Shankhachuda was protected
by Garutman etc. narrated.
’ The writing style of Harshavardhana is able to understand readers easily. Each and every
character is well described natural in his works.
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SANSKRIT (PAPER-VI)75 -
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Tme: 3 Hours
Max. Marks: 80
PART -A ('34 feMTT:) (4x 5 =20 Marks)
Soutions
1. (Refer Page No. 02)
2. (Refer Page No. 09
3 (Refer Page No. 05)
4 (Refer Page No. t1)
5 (Refer Page No. 14)
6. (Refer Page No. 08)
7.
(a)
(31)
M
SANSKRIT (PAPER-MI)
(3)
8.
(1) 34etdrA (2) fa-ft
(4) rfe (Refer Page No. 48 to 53)
(3)
gUufa: ta-414-gq fbyutA? T AUd fb? faqyal Refer Page No. 54)
(3TA)
(Refer Page No. 59)
Time: 3 Hours
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PART A ('A' 4HTT:) (4x 5 =20 Marks)
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(Refer Page No. 02)
2 (Refer Page No. 04)
3 (Refer Page No. 06)
4. (Refer Page No. 11)
5. (Refer Page No. 15)
6. (Refer Page No. 09)
7.
(3)
SANSKRIT (PAPER-VI)
MP.4
(3)
()
(1)
(2) fa-f
(3) fasrf (Refer Page No. 48 to 53)
(4) Tfos
9
(Refer Page No. 54)
(ra)
(Refer Page No. 59)
(2) UI<:
(1) 3IÝ4e:
(4) gqg-:
(3) 1grr
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PAPER VI
Solutions
1. (Refer Page No. 02
2. (Refer Page No. 04)
3 (Refer Page No. 07)
4. (Refer Page No. 1)
5 (Refer Page No. 16)
()
(3r)
P.6 SANSKRIT (PAPER-VI
MP
(3)
9
(Refer Page No. 54)
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(3)
SANSKRIT(PAPER-VI
3)
9.
+tt
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PAPER- VI
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(3)
(3)
LO SANSKRIT (PAPER-VI)
MP.
(3)
9.
(Refer Page No. 54)
(Jeran)
(Refer Page No. 59)
ttt
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(3)
()
8. G: c0GOINYI: GHUHH4fagd |
(3) TytTHI
(3) ef-RAE: (31) rfciTH (Rofer Page No. 4 to 48)