Spectrum Grade 1 Critical Thinking for

Math Workbook State Standards for 1st

Grade Addition and Subtraction With
Answer Key for Homeschool or
Classroom 128 pgs Spectrum
Visit to download the full and correct content document:
https://ebookmeta.com/product/spectrum-grade-1-critical-thinking-for-math-workbook-
state-standards-for-1st-grade-addition-and-subtraction-with-answer-key-for-homesch
ool-or-classroom-128-pgs-spectrum/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Spectrum Critical Thinking for Math 3rd Grade Workbook

State Standards for Grade 3 Math Strategies With Answer
Key for Homeschool or Classroom 128 pgs Spectrum

https://ebookmeta.com/product/spectrum-critical-thinking-for-
math-3rd-grade-workbook-state-standards-for-grade-3-math-
strategies-with-answer-key-for-homeschool-or-classroom-128-pgs-
spectrum/

Spectrum Grade 5 Critical Thinking for Math Workbook

State Standards for 5th Grade Geometry Fractions
Decimals With Answer Key for Homeschool or Classroom
128 pgs Spectrum
https://ebookmeta.com/product/spectrum-grade-5-critical-thinking-
for-math-workbook-state-standards-for-5th-grade-geometry-
fractions-decimals-with-answer-key-for-homeschool-or-
classroom-128-pgs-spectrum/

Spectrum Grade 7 Critical Thinking for Math Workbook

State Standards for 7th Grade Algebra Integers Geometry
With Answer Key for Homeschool or Classroom 128 pgs
Spectrum
https://ebookmeta.com/product/spectrum-grade-7-critical-thinking-
for-math-workbook-state-standards-for-7th-grade-algebra-integers-
geometry-with-answer-key-for-homeschool-or-classroom-128-pgs-
spectrum/

Spectrum Grade 4 Critical Thinking for Math Workbook

Multiplying and Dividing Fractions and Decimals
Measurement Conversions Geometry Classroom or
Homeschool Curriculum 128 pgs Spectrum
https://ebookmeta.com/product/spectrum-grade-4-critical-thinking-
for-math-workbook-multiplying-and-dividing-fractions-and-
decimals-measurement-conversions-geometry-classroom-or-
Spectrum Grade 2 Critical Thinking for Math Workbook
Adding and Subtracting Through 3 Digit Numbers
Fractions Graphs Measurements Classroom or Homeschool
Curriculum 128 pgs Spectrum
https://ebookmeta.com/product/spectrum-grade-2-critical-thinking-
for-math-workbook-adding-and-subtracting-through-3-digit-numbers-
fractions-graphs-measurements-classroom-or-homeschool-
curriculum-128-pgs-spectrum/

Spectrum Critical Thinking for Math Grade K 1st Edition

Spectrum

https://ebookmeta.com/product/spectrum-critical-thinking-for-
math-grade-k-1st-edition-spectrum/

Second Grade Math With Confidence Instructor Guide Math

with Confidence 7 1st Edition Kate Snow

https://ebookmeta.com/product/second-grade-math-with-confidence-
instructor-guide-math-with-confidence-7-1st-edition-kate-snow/

Spectrum Maths Plus For 5 2022nd Edition Atul Aggrawal

https://ebookmeta.com/product/spectrum-maths-plus-for-5-2022nd-
edition-atul-aggrawal/

Figuring Out Fluency Addition and Subtraction with

Whole Numbers A Classroom Companion 1st Edition John J.
Sangiovanni

https://ebookmeta.com/product/figuring-out-fluency-addition-and-
subtraction-with-whole-numbers-a-classroom-companion-1st-edition-
john-j-sangiovanni/
Another random document with
no related content on Scribd:
 The Frenchman strolled leisurely across the glade while Sandoff
darted into the bushes and made his way back to Shamarin and
Vera with his burden of joyful news.
Through the remainder of that short afternoon the fugitives lay
concealed among the rocks on the summit of the ridge, and when
darkness came they crept cautiously down to the edge of the bay.
Less than a mile from shore lay the steam yacht Grenelle, easily
distinguished by the red light that swung from its bow.
“If your friend fails to keep his word, we are lost,” said Shamarin.
“He may hesitate to assume such a risk——”
“He won’t hesitate and he won’t fail,” interrupted Sandoff with
decision. “There! What is that now?”
“A boat!” cried Vera joyously, and so indeed it was. It lay upon the
beach, and as the fugitives drew near a man advanced to meet them
—a middle aged bearded sailor, wearing the blue and white uniform
of the Grenelle. He bowed politely to Sandoff and said, “The boat is
waiting, monsieur. I fear we shall have a rough passage, for the surf
is heavy and the wind is rising.”
“Then the sooner we start the better,” said Sandoff, answering the
sailor in his own tongue.
The boat was small, and without difficulty it was dragged down to
the edge of the surf with Vera seated in the stern. The three men
pushed the craft out through the surf. Then they sprang in, and
Sandoff and the sailor fell to the oars, Vera and her brother
meanwhile bailing out the water that had been flung over the sides.
“Pull with all your strength, my friend,” said Sandoff. “It will be no
easy matter to gain the yacht.”
The wind was blowing toward the shore. Each moment it seemed
to increase in violence, and the sea to grow more turbulent. After a
period of steady rowing Sandoff noted with alarm that the boat was
being carried in the direction of the Russian corvette. Again and
again it was headed for the crimson wake of the lantern, and each
time the waves buffeted it persistently out of its course. Shamarin
relieved Sandoff at the oar, but with no better result. The situation
was becoming alarming. The sky was overcast with dark, murky
clouds, and the waves tossed the frail craft about at will.
Suddenly a ruddy blaze was seen on the beach. Then a rocket
with a luminous blue wake whizzed high in the air, and before the
fugitives could recover from their surprise a similar signal was sent
up from the deck of the corvette.
“We have been tracked to the shore,” cried Sandoff. “The
Cossacks must have come up from Vladivostok, and now they are
signaling to the corvette either to be on the lookout or to send a boat
in.”
“Most likely the latter,” said Shamarin. “Look! Lights are moving on
deck, and I can hear the rattling of chains.”
The possibility of recapture when safety was so near at hand
dismayed the fugitives. The boat was in a dangerous position, being
directly between the corvette and the shore.
“We may be saved yet,” cried Sandoff hoarsely. “Pull straight for
the yacht—pull as you never pulled in your lives. It is our last
chance.”
The men tugged desperately at the oars, and to such purpose that
the boat made visible headway toward the Grenelle. A shout for help
might have brought another boat to the rescue, but as it could have
been heard with equal distinctness on board the corvette this
expedient was out of the question.
Another mishap was close at hand. As the sailor pulled
desperately at his oar, it split with a sharp crack. In the momentary
confusion that followed, the boat swung broadside to the waves, and
a fierce blast of wind coming up at that instant, over it went in the
twinkling of an eye.
Sandoff, being on the leeward side, shot out and downward, going
clear under the icy water and coming to the surface a few seconds
later, to find the capsized boat half a dozen feet from him. To the bow
clung Shamarin, submerged to the breast, while the sailor had
managed to crawl upon the stern. Vera was not to be seen, and as
Sandoff made this terrible discovery his heart seemed to stand still
and his chilled limbs to lose their power.
“Victor! Victor! Help me!”
His name was called in feeble accents, and he saw a head and an
arm floating in the waves between him and the boat.
All else was instantly forgotten. With three powerful strokes he
reached the spot, and placed one arm tightly about the girl’s waist,
while with the other he beat the water furiously.
“I will save you, I will save you, Vera—my darling!” he whispered
hoarsely. The words came unbidden from his very soul. This moment
of common peril had wrung from his lips the confession of a passion
that he had cherished in secret for months.
The wind forced the boat down toward him, and throwing up his
arm he caught the keel and clung there, pressing his precious
burden close to his side. Slowly the space between the yacht and
the boat widened. They were drifting nearer and nearer to the long,
black hull of the Russian corvette.
“Better to die now than go back to the mines—back to torture and
a living death,” whispered Shamarin across the boat. “Good by,
Sandoff. I can’t hold on much longer.”
Sandoff could not reply. His own strength was failing, and a deadly
numbness was stealing his senses away. The heroic sailor remained
mute, faithful to his trust, though a single cry would have brought
rescuers to the spot.
Suddenly the quick, sharp rattle of oars was heard. The sound
came nearer and nearer, and finally a dim object passed close to the
drifting boat. It was the gig from the corvette, speeding toward the
shore.
As the dreaded object disappeared in the gloom, Sandoff still held
to the keel, though his arm seemed to be tearing from the socket.
With the other arm he fiercely drew Vera to his breast until her cheek
was almost touching his.
 “I love you, I love you!” he cried passionately. “I tell you now, Vera,
in the presence of death. Would that God had seen fit to spare us for
another and a better life in a land without tyranny and oppression!
But regrets are vain. It is sweeter to die this way together than to be
torn apart and dragged back to the horrors of Siberia.”
His eyes met hers, and he read in their swift, mute glance the
echo of his own words.
With one hand she drew his head down. “Victor,” she whispered,
“you have made death sweet. Its bitterness is gone.” Then their lips
met, and as the waves thundered around them Sandoff felt his hand
slipping from the boat.
A low cry from the sailor roused him, and unconsciously his fingers
tightened anew on the keel. The spot where Shamarin had been was
empty—the brave fellow had gone down. For him there was an end
of toil and suffering.
Again that low cry! The seaman was kneeling on the capsized
craft, staring ahead through the gloom. “A boat! a boat!” he cried
hoarsely.
“He is mad,” thought Sandoff. “He sees no boat,” but even as he
strained Vera to his breast and felt the icy waters rising higher
around him, a dark object shot forward over the waves, and a voice
cried, “Sandoff! Sandoff!”
The next instant he and his burden were snatched from the icy
waters, and then remembrance left him.
When his senses returned, he was lying, warm and comfortable, in
a snug berth on board the Grenelle. As in a dream he saw kind faces
about him and heard Maurice Dupont’s voice:
“Sandoff, my dear fellow, you are safe now. The yacht is already
under way. We are bound for France. It was providence that guided
us when we started out to search for you in the other boat. We
arrived just in time—but too late to save your companion. The brave
fellow had gone down.”
Sandoff made an effort to rise. “Vera, where is she?” he asked.
 “Safe, my dear fellow, safe and well. You will see her tomorrow.”
Sandoff smiled and his eyes closed. He was sleeping peacefully.

Toward the end of the following June the Grenelle entered the
harbor of Marseilles, and Sandoff and Vera journeyed by rail to
Paris, accompanied by Maurice Dupont.
But little more remains to be told. Vera and Sandoff were married
in Paris, where both had friends, and the honeymoon was spent in
Maurice Dupont’s villa at Asnieres. They will never return to Russia,
nor have they any desire to do so. They live happily in their adopted
country, but if they are spared to the extreme limit of old age they
can never forget the terrible adventures they shared together when
escaping from the mines of Kara, or that memorable night off the
Siberian coast when poor Felix Shamarin lost his life in the sea he
toiled so hard to reach.
 EDITORIAL ETCHINGS.
FROM WEEKLY TO MAGAZINE.
In the issue of the 18th of August, Munsey’s Weekly announced
that thereafter that publication would be issued monthly and in
magazine form, instead of weekly, and that the name would
accordingly be changed to Munsey’s Magazine. This departure has
been made in the belief that the Magazine will furnish broader scope
for serious work than the Weekly, that its ample pages and higher
grade of art will remove it to a more desirable distance from the daily
press, which with its illustrations and its great Sunday issues has, to
a very great extent, usurped the position once held by the illustrated
weekly journals of this country.
Now that the transition from Weekly to Magazine is accomplished
it will be the purpose of the management to make Munsey’s
Magazine a publication of the best grade—one that shall be strong
in illustration, instructive in its heavier articles and entertaining in its
fiction. Life is a necessary condition of growth, and as we now have
life so shall growth follow—growth in everything that goes to round
out a magazine in whatever approaches the ideal.

OUR IMMIGRANT ARMIES.

“Hundreds of thousands of able bodied immigrants arriving in our
ports every year! What a tremendous addition to the wealth and
prosperity of the country!”
“Hundreds of thousands of penniless immigrants arriving in our
ports every year! No wonder that in the American labor market
competition grows fiercer and fiercer!”
 Here we have two expressions of opinion that may be heard every
day, and that give diametrically opposite views of one of the most
familiar and important facts of the day. Which of the two is correct? Is
the arrival of a foreigner, whose sole capital is his ability to labor, a
benefit or an injury to the country? It is surely time that the question
should be definitely decided in the popular mind. The annual influx of
about half a million foreigners cannot but have a tremendous effect
upon the industrial, social and political development of the country. If
its effect is beneficial, then the influx should be encouraged and
even stimulated; if injurious, it should be regulated and restricted.
The question is one for political economists and statesmen.
Politicians of the ordinary sort will no doubt prefer to let it severely
alone. It was indeed raised as a political issue by the defunct
Knownothing party, but the shape in which it was presented, and the
answer that it met, belong to a past generation. We have to deal with
the subject anew, and at a more advanced point in our national
history. Our condition, our needs, and our dangers are widely
different from those of our predecessors, and changed
circumstances may require altered policies.
Few will question the truth of the axiom that the great need of a
new country is industrious immigrants. In the youth of the American
commonwealth, its pioneers found themselves possessed of a vast
continent of almost boundless natural resources, upon whose
eastern edge a handful of scanty population was scattered. Had
immigration ceased at the beginning of the present century, the
development of those resources would have been incalculably
retarded. This would be today a comparatively small, weak and
indigent nation—more closely resembling, perhaps, the Canada of
today than the United States of today.
So much for the past. Now for the future. Do not common sense
and experience show that communities, like individuals, must have
their birth, their adolescence, and their maturity? And must there not
come a time in their development when accessions to their numbers
are rather a burden than an aid? We have all heard of over
populated countries, and it is not necessary to be a follower of
Malthus to recognize that while population tends to multiply in an
ever increasing ratio, there must always be a limit to the means of
subsistence. That we are within measurable distance of such a limit
we do not maintain; that we are advancing toward it cannot be
denied.
Take England as an example of a country in the state of social and
industrial development that we are approaching. She is old and
crowded with population. Her resources have been exploited, her
railroads have been built, her canals have been dug. Her industries
are of course vast in extent, but their expansion becomes more and
more difficult, and it grows harder and harder to find employment for
the increasing hosts who demand work. If it were proposed to bring
into England, from some other country, a hundred thousand, or even
a thousand, penniless laborers, what a unanimous outcry would be
raised against the inexpediency of such action! The vehemence with
which the idea would be opposed may be judged from the
uneasiness and even indignation already excited there by the
gathering in London of a colony, comparatively insignificant in
numbers, of immigrants from Eastern Europe.
The condition of the United States is still very different from that of
England. She has over five hundred inhabitants to the square mile—
we have but twenty. There are still fertile plains in the West that have
not felt the plow, and lodes of ore in our mountains awaiting the
miner’s pick. We have still great resources to develop. But there
evidently is a point in a country’s history at which foreign
immigration, once vitally beneficial, becomes injurious. The question
that calls for earnest discussion and speedy settlement is whether
we are now approaching that point—whether we have not already
arrived there.

RULING OUT ART.

In their dealings with Art, Congress and the Treasury Department
have not been fortunate. The legislative and executive authorities at
Washington seem to think that the great and glorious principle of
protection to American industries demands the exclusion or heavy
taxation of every product of foreign art. The Treasury recently
distinguished itself by issuing an order that all engravings, etchings,
and photographs found in the mails from abroad should be
confiscated. Under this ruling an American traveling or residing in
Europe cannot mail a photograph to his relatives at home. An
immigrant from Ireland or Germany cannot receive the likeness of
his mother or sister in the “old country” unless it is sent him by an
express company and through the custom house, whose expenses
and delays are almost prohibitory.
It may be gathered from the preceding article that we believe in
the exercise of the government’s powers for the encouragement of
American industries and the protection of American labor. We are
also patriotic enough to think that America is a civilized country, and
that a policy of hostility to foreign art is unworthy of her. Art knows no
international boundaries and is not a mere matter of dollars and
cents. Even if it were, the prohibition or restriction of importations
would make us poorer and not richer. Inspection of representative
work from abroad is in a hundred ways beneficial to our own
educational, artistic, and mechanical advancement. All this has been
so fully and frequently pointed out, that we may hope some day to
see it recognized in our fiscal system. The McKinley bill did indeed
take a step in the right direction by reducing the duty on paintings
and statuary from thirty to fifteen per cent ad valorem, leaving the
tariff upon photographs, etchings, and all kinds of prints at twenty
five per cent. It is difficult to see why the arguments that led
Congress to cut off one half the tax upon paintings should not apply
with equal force to the abolition of the other half. The Treasury order
excluding photographs from the mails is surely oppressive enough to
excite forcible protests. It is true that the ruling is in strict accordance
with the letter of the law, which had previously been in abeyance.
The annoyances—individually trifling, perhaps, but collectively
serious—that its enforcement will cause, may result in strengthening
the demand for the liberation of art from the customs officials.

DEFECTS IN OUR PENAL CODE.

 Nineteenth century ingenuity has identified and christened the
science of penology, but has hitherto failed to make any thorough
application of its principles. The practical side of the matter is indeed
in a state of partial chaos. Take, for instance, the various
contemporary methods of dealing with homicides. England hangs
them, France guillotines them, Spain garottes them, New York
invokes electrical science to slay them with artificial lightning. The
great West takes them without any tiresome legal process and
suspends them upon the nearest tree. And meanwhile the best
thought of the day seems to be turning toward the opinion that
capital punishment in any form is unjust and inexpedient.
Another anomaly in existing penal systems is their failure to deal
adequately with the chronic “jail bird”—the man whose inveterate
tendency to crime breaks out again and again, with only such
enforced intervals as may be imposed by periodical incarcerations.
Such cases are, unfortunately, far from rare. For instance, the daily
press last month recorded a fiendish plot to rob and murder an aged
couple in a Long Island village. Of the two conspirators, one had
spent a total of seventeen years in prison as the result of a series of
convictions for similar offenses, while the other—a lad of eighteen—
had just finished a term of imprisonment for a previous attempt to
murder.
At almost the same time a miscreant made an effort, which
narrowly missed success, to blow up a crowded train on the Lehigh
Valley railroad by placing dynamite on the track. Investigation of his
antecedents revealed that most of his life had been passed in jail, to
which he had been repeatedly sentenced for a variety of more or
less serious crimes, among which was an attempt to destroy a
Hudson River passenger steamboat. For his last offense he was
tried, convicted, and sentenced to ten years’ imprisonment. With the
usual commutations, his term will probably expire in five or six years,
when we may expect him to renew his attacks upon his fellow men.
The dual purpose of the penal law is, we take it, the reformation of
the criminal and the protection of society. Now in the cases cited,
and in scores of similar ones, it is entirely clear that repeated terms
of imprisonment have not the slightest corrective or deterrent effect
upon the offender, while they afford only a temporary safeguard to
the community upon which he preys. As soon as he is released from
jail, his perverted mental bent impels him to resume his warfare
against mankind. It is mere fatuity to give such a man his liberty,
when liberty simply means another opportunity to attack the lives or
property of others. And yet, under existing laws, he is again and
again set loose to resume his predatory career. There is no statute
under which his incurable hostility to society can be rendered
innocuous by imprisonment for life. And yet it is evident that such is
the only rational method of dealing with a large number of cases.
*** END OF THE PROJECT GUTENBERG EBOOK MUNSEY'S
MAGAZINE, VOL. VI, NO. 1, OCTOBER 1891 ***

Updated editions will replace the previous one—the old editions

will be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States copyright
in these works, so the Foundation (and you!) can copy and
distribute it in the United States without permission and without
paying copyright royalties. Special rules, set forth in the General
Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the

free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree to
abide by all the terms of this agreement, you must cease using
and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only

be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project
Gutenberg™ works in compliance with the terms of this
agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms
of this agreement by keeping this work in the same format with
its attached full Project Gutenberg™ License when you share it
without charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project

Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United

States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it
away or re-use it under the terms of the Project Gutenberg
License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country where
you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is

derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is

posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
 1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or

providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
 about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project

Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite
these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,”
such as, but not limited to, incomplete, inaccurate or corrupt
data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other
medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES -

Except for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU
AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE,
STRICT LIABILITY, BREACH OF WARRANTY OR BREACH
OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER
THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF
THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If

you discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person or
entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set

forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS
OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the

Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission of

Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project