Anouk Aimée - Wikipedia

6/20/24, 11:57 PM Anouk Aimée - Wikipedia
Anouk Aimée
Nicole Françoise Florence Dreyfus[1] (27 April 1932 –
Anouk Aimée
18 June 2024), known professionally as Anouk Aimée
(French: [anuk ɛme]) or Anouk, was a French film actress who
appeared in 70 films from 1947 until 2019. Having begun her
film career at age 14, she studied acting and dance in her early
years, besides her regular education. Although the majority of
her films were French, she also made films in Spain, the
United Kingdom, Italy and Germany, along with some
American productions.
Among her films are Federico Fellini's La dolce vita (1960),

after which she was considered a "rising star who exploded"
onto the film world.[2] She subsequently acted in Fellini's 8½
(1963), Jacques Demy's Lola (1961), George Cukor's Justine
(1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man
(1981), and Robert Altman's Prêt à Porter (1994). She won the
Golden Globe Award for Best Actress in a Motion Picture – Aimée in 1963
Drama and the BAFTA Award for Best Actress and was
Born Nicole Françoise
nominated for the Academy Award for Best Actress for her
Florence Dreyfus
acting in A Man and a Woman (1966). The film "virtually
27 April 1932
reignited the lush on-screen romance in an era of skeptical
Paris, France
modernism," and brought her international fame.[3]
Died 18 June 2024
She won the Award for Best Actress at the Cannes Film (aged 92)
Festival for Marco Bellocchio's film A Leap in the Dark (1980). Paris, France
In 2002, she received an honorary César Award, France's Occupation Actress
national film award. Years active 1947–2019
Aimée was known for her "striking features" and beauty, and Spouses Edouard
considered "one of the hundred sexiest stars in film history," Zimmermann

(m. 1949; div. 1950)
according to a 1995 poll conducted by Empire magazine.[3] She
often portrayed a femme fatale with a melancholy aura. In the Nikos Papatakis

1960s, Life magazine commented: "after each picture her (m. 1951; div. 1954)
enigmatic beauty lingered" in the memories of her audience, Pierre Barouh

and called her "the Left Bank's most beautiful resident."[4] (m. 1966; div. 1969)
Albert Finney

Early years (m. 1970; div. 1978)
Children 1
Aimée was born in Paris to actor Henri Murray (born Henry
Dreyfus; 30 January 1907 – 29 January 1984)[3] and actress Geneviève Sorya (née Durand; 23
June 1912 – 23 March 2008). According to one historian, although some have speculated that her
background may be related to Captain Alfred Dreyfus, this has never been confirmed.[3] Her father
was Jewish, whereas her mother was Roman Catholic. She was raised Catholic but later converted
to Judaism as an adult.[3][5]
https://en.wikipedia.org/wiki/Anouk_Aimée 1/9
Her early education took place at l'École de la rue Milton, in Paris; École de Barbezieux;
Pensionnat de Bandol; and Institution de Megève. She studied dance at Marseille Opera. During
World War II she was a pupil at Mayfield School, East Sussex, but left before taking final exams.
She studied theatre in England, after which she studied dramatic art and dance with Andrée
Bauer-Thérond.[6]
Career
Aimée (then still Françoise Dreyfus) made her film debut, at
the age of fourteen, in the role of Anouk in La Maison sous la
mer (The House Under the Sea, 1946), and she kept the name
afterwards. Jacques Prévert, while writing Les amants de
Vérone (The Lovers of Verona, 1949) specifically for her,
suggested she take the symbolic last name Aimée, "that would
forever associate her with the affective power of her screen
Anouk Aimée in 8½, 1963
roles."[3] In French, it means "beloved."[4][7]
Among her films were Alexandre Astruc's The Crimson Curtain (Le Rideau Cramoisi, 1953),
Federico Fellini's La Dolce Vita (1960), Fellini's 8½ (1963), Jacques Demy's Lola (1961), André
Delvaux's One Night... A Train (Un Soir, un Train, 1968), George Cukor's Justine (1969), Bernardo
Bertolucci's Tragedy of a Ridiculous Man (1981), Robert Altman's Prêt à Porter (Ready to Wear,
1994), and Claude Lelouch's A Man and a Woman (Un Homme et une femme, 1966) — described
as a "film that virtually reignited the lush on-screen romance in an era of skeptical modernism."[3]
Words like "regal," "intelligent", and "enigmatic" are frequently associated with her, notes one
author, giving Aimée "an aura of disturbing and mysterious beauty" that earned her the status of
"one of the hundred sexiest stars in film history," according to a 1995 poll conducted by Empire
Magazine.[3]
Because of her "striking features" and her beauty, she has been compared to Jacqueline Kennedy.
Film historian Ginette Vincendeau has commented that Aimée's films "established her as an
ethereal, sensitive and fragile beauty with a tendency to tragic destinies or restrained suffering."[3]
Her abilities as an actress and the photogenic qualities of her face, its "fine lines, expression of
elation and a suggestive gaze," helped her achieve success in her early films. Émile Savitry made an
early portrait of her at 15, holding a kitten on the set of Carné's La Fleur de l'âge (1947).[8][9]
Among others of her films of this period were Pot-Bouille (1957), Les Amants de Montparnasse
(Montparnasse 19) (The Lovers of Montparnasse, (1958), and La tête contre les murs (Head
Against the Wall, 1958).[6]
Besides the French cinema, Aimée's career included films made in Spain, Great Britain, Italy, and
Germany. She achieved worldwide attention in Fellini's La Dolce Vita (1960) and Lola (1961). She
appeared again in Fellini's 8½, and would remain in Italy during the first half of the 1960s, making
films for a number of Italian directors. Because of her role in La Dolce Vita, biographer Dave
Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that
singer-songwriter Patti Smith, who in her teens saw the film, began to idolise her, and "dreamed of
being an actress like Aimée."[2][10]
Aimée's greatest success came with the film A Man and a Woman (Un homme et une femme,
1966) directed by Claude Lelouch. Primarily due to the excellent acting by its stars, Aimée and
Jean-Louis Trintignant and the beautiful musical score, the film became an international success,
winning both the Grand Prize at the Cannes Film Festival in 1966 and two Oscars including Best
Foreign Language Film. Tabery states that with her "subtle portrayal of the heroine—self-
protective, then succumbing to a new love—Aimée seemed to create a new kind of femme fatale."[6]
Film historian Jurgen Muller adds, "whether one likes the film or not, it's still hard for anyone to
resist the melancholy aura of Anouk Aimée."[11] In many of her subsequent films, she would
continue to play that type of role, "a woman of sensitivity whose emotions are often kept secret."[6]
She starred in the American film production of Justine (1969), costarring Dirk Bogarde and
directed by George Cukor and Joseph Strick. The film contained some nudity, with one writer
observing, "Anouk is always impeccable, oozing the sexy, detached air of the elite . . . when she
drops these trappings, along with her couture clothing, Anouk's naked perfection will annihilate
you."[12] While Aimee garnered some positive reviews, the film itself was a critical and box-office
disaster.
Photojournalist Eve Arnold, assigned to photograph and write a story about Aimée and her role,
spoke to Dirk Bogarde, who had known her since she was fifteen. He said that "She is never so
happy as when she is miserable between love affairs," referencing her recent love affair with Omar
Sharif, her co-star in The Appointment (1969).[5] Arnold photographed Aimée, who talked about
her role as the character Justine. Justine was also Jewish. Arnold recalls one of their talks:
I am still haunted by two things she quoted. They seemed to say more about her than
anything else I experienced with her during the three weeks I knew her on the film:
Quote from Treblinka: 'The Jews are prone to anguish but seldom given to despair.'
And a quote by an anonymous Jewish poet to his wife when the Nazis came to get them:
'Till now we have lived with fear, now we can know hope.'[5]
Another American film, La Brava, starring Dustin Hoffman,

was set to be made in 1984 but was never completed. Hoffman
at first decided it would play better if he were in love with a
younger girl rather than the original story's older woman.
"Where are you going to get a good-looking older woman?" he
asked. He rejected Faye Dunaway, feeling she was "too
obvious." A month later, after a chance meeting with Aimée in
Paris, he changed his mind, telling his producer, "I can fall in
love with the older woman. I met Anouk Aimée over the
weekend. She looks great." He begged his producer to at least
talk to her: "Come on, get on the phone, say hello to her. . . Just
listen to her voice, it's great."[13]
Robert Altman, at another time, wanted to use Aimée in a film

to be called Lake Lugano, about a woman who was a Holocaust
survivor returning long after the war. She "loved the script,"
according to Altman. However, she backed out after discussing
the part with him more thoroughly: Anouk Aimée at Cannes, 2007
I do remember he was like a bomb. He had a strong

personality. He was tall, and he had a big voice. 'I
want this,' and 'I want that.' I remember thinking it
would be very difficult to work with him, and we didn't mak
In 2002, she received an honorary César Award, France's national film award, and in 2003
received an Honorary Golden Bear at the Berlin International Film Festival.[15] In the 1960s, Life
magazine called her "the Left Bank's most beautiful resident ... after each picture her enigmatic
beauty lingered" in the memories of her audience.[4]
In late 2013, the Cinemania film festival in Montreal, Canada, paid tribute to Aimée's career.[16]
Aimée reunited with director Claude Lelouch and co-star Jean-Louis Trintignant for a follow-up to
Un homme et une femme and its sequel, A Man and a Woman: 20 Years Later (Un homme et une
femme, 20 ans deja, 1986) which is her final film.[17] The result, The Best Years of a Life (Les plus
belles années d'une vie, 2019), was shown at Cannes out of competition.[18] [19]
Personal life
Aimée was married and divorced four times: Édouard Zimmermann (1949–1950),[20] director
Nico Papatakis (1951–1954), actor and musical producer Pierre Barouh (1966–1969), and actor
Albert Finney (1970–1978).[21] She had one child, Manuela Papatakis (born 1951), from her second
marriage. She died at her home in Paris on 18 June 2024, at the age of 92.[22]
Status and legacy

Aimée was nominated for Oscar as best actress for her role opposite Jean-Louis Trintignant in A
Man and a Woman, becoming one of a relatively small number of actors to be nominated for a
performance in a foreign film.[23]
The Guardian film critic Peter Bradshaw wrote in an obituary for her that "The enigma, sensuality
and vulnerability of Aimee’s screen persona are all there in essence – and above all the loneliness
that comes with beauty." According to Bradshaw, "She had something of the young Joan Crawford,
or Marlene Dietrich, or her contemporary, the French model and actress Capucine. Aimée radiated
an enigmatic sexual aura flavoured with melancholy, sophistication and worldly reserve" and "had
a unique screen presence that was at once alluring and forbidding"[24] He wrote about her role in
La dolce vita that actress's "natural hauteur made her a natural for the role and, with her airy
detachment and beauty, could be said almost to have invented Italian cinema’s modish ennui
which Michelangelo Antonioni later developed."[24]
French Culture Minister Rachida Dati tweeted on X: "We bid farewell to a world-famous icon, to a
great actress of French cinema who took on roles for some of the biggest names, such as (Jacques)
Demy, Lelouch and (Federico) Fellini."[25]
Selected filmography
Year Title Role Director Ref
1947 La Maison sous la mer Anouk Henri Calef [26][27]
Les amants de Vérone ("The Georgia Maglia (a modern [28]

1949 André Cayatte
Lovers Of Verona") Juliet)
1950 Golden Salamander Anna Ronald Neame [28]
La Bergère et le ramoneur [28]

Voice (the female shepherd) Paul Grimault
(animation film)
1952 Le Rideau cramoisi Albertine Alexandre Astruc [28]
The Man Who Watched Trains [29]

Jeanne Harold French
Go By (a.k.a. "Paris Express")
Contraband Spain Elena Vargas Lawrence Huntington [28]
1955
Les Mauvaises rencontres [28]
Catherine Racan Alexandre Astruc
("Bad Liaisons")
Ich suche Dich ("I seek you") Françoise Maurer O.W. Fischer [28]
1956
Nina Nina Iwanowa Rudolf Jugert [30]
Pot-Bouille ("Lovers of Paris") Marie Julien Duvivier [28]

1957
Anyone Can Kill Me Isabelle Henri Decoin [28]
Les Amants de Montparnasse [28]

1958 Jeanne Hébuterne Jacques Becker
(Montparnasse 19)
The Journey Eva Anatole Litvak [31]
La tête contre les murs Stéphanie Georges Franju [28]

1959
Les Dragueurs ("The [28]
Jeanne Jean-Pierre Mocky
Chasers")
La Dolce Vita Maddalena Federico Fellini [28]

1960
The Joker Hélène Laroche Philippe de Broca [28]
Il giudizio universale ("The [30]

Irene Vittorio De Sica
Last Judgement")
1961
Lola Lola Jacques Demy [30]
Sodom and Gomorrah Queen Bera Robert Aldrich [31]
1962
Il giorno più corto ("The [32]
cameo appearance Sergio Corbucci
shortest Day")
1963 Fellini's 8½ Luisa Anselmi Federico Fellini [28]
Le voci bianche ("White [30]

Lorenza Pasquale Festa Campanile
Voices")
1964
La fuga ("The Escape") Luisa Paolo Spinola [30]
1965 The Dreamer ("Il Morbidone") Valeria Massimo Franciosa [30]
Un homme et une femme ("A [30]

1966 Anne Gauthier Claude Lelouch
Man and a Woman")
Un soir, un train (One Night... [30]

1968 Anne André Delvaux
A Train)
Model Shop Lola Jacques Demy [31]
1969 The Appointment Carla Sidney Lumet [31]
Justine Justine George Cukor [31]
Si c'était à refaire ("Second

1976 Sarah Gordon Claude Lelouch
Chance")
1978 Mon premier amour Jane Romain (the mother) Élie Chouraqui
(Salto nel vuoto) ("A Leap in

1979 Marta Ponticelli Marco Bellocchio
the Dark")
La Tragedia di un uomo
1981 ridicolo ("Tragedy of a Barbara Spaggiari Bernardo Bertolucci
Ridiculous Man")
Il generale dell'armata morte
("The General of the Dead Countess Betsy Mirafiore Luciano Tovoli
1983 Army")
Viva la vie Anouk Claude Lelouch
1984 Success Is the Best Revenge Monique Jerzy Skolimowski

Un Homme et une femme :
1986 vingt ans déjà ("A Man and a Anne Gauthier Claude Lelouch
Woman: 20 Years Later")
Bethune: The Making of a

Marie-France Coudaire Phillip Borsos
1990 Hero
Il y a des jours... et des lunes as herself Claude Lelouch
Les Cent et une nuits ("A

Anouk Agnès Varda
Hundred and One Nights")
1994
Prêt-à-Porter (a.k.a. "Ready to [33]
Simone Lowenthal Robert Altman
wear")
Hommes, femmes : mode
1996 the widow Claude Lelouch
d'emploi
1997 Solomon Bathsheba Roger Young
1998 L.A. Without a Map as herself Mika Kaurismäki

1999 Une pour toutes ("One 4 All") the musician's wife Claude Lelouch
Festival in Cannes Millie Marquand Henry Jaglom [34]

2002
Napoléon Letizia Bonaparte Yves Simoneau
Ils se marièrent et eurent

beaucoup d'enfants ("Happily Vincent's mother Yvan Attal
2003 Ever After")
La Petite prairie aux bouleaux Myriam Marceline Loridan-Ivens
2010 Paris Connections Agnès Harley Cokeliss
2011 Tous les soleils Agathe Philippe Claudel

2012 Mince alors! mother Charlotte de Turckheim
2019 The Best Years of a Life Anne Gauthier Claude Lelouch
References
1. "Anouk Aimée" (https://web.archive.org/web/20140809210905/http://encinematheque.net/oeil/Y
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2014.
2. Thompson, Dave. Dancing Barefoot: The Patti Smith Story, Chicago Review Press (2011) p.
17
3. Flitterman-Lewis, Sandy. "Anouk Aimée" (http://jwa.org/encyclopedia/article/aimee-anouk)
Archived (https://web.archive.org/web/20160823001006/http://jwa.org/encyclopedia/article/aim
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Historical Encyclopedia
4. Durham, Michael. "Aimée—It Means 'To Be Loved'", Life Magazine, 19 May 1967 pp. 85–86.
5. Arnold, Eve. Film Journal, Bloomsbury Publishing (2002) pp. 193–94
6. Unterburger, Amy L. (ed.) Actors and Actresses, International Dictionary of Films and
Filmmakers (3rd edition), St James Press (1997), pp. 9–11
7. "Aimee - Name Meaning, What does Aimee mean?" (http://www.thinkbabynames.com/meanin
g/0/Aimee). www.thinkbabynames.com. Archived (https://web.archive.org/web/2022112813174
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8. "Port-Musée. La sensibilité de " La Fleur de l'âge " " (https://www.letelegramme.fr/finistere/quim
per/port-musee-la-sensibilite-de-la-fleur-de-l-age-31-07-2014-10280997.php). Le Telegramme
(in French). 31 July 2014. Archived (https://web.archive.org/web/20200607002102/https://www.
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9. " " La Fleur de l'âge " et le secret d'Anouk Aimée" (https://www.nouvelobs.com/documents/2019
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10. Bockris, Victor; Bayley, Roberta. Patti Smith: An Unauthorized Biography, Simon and Schuster
(1999) p. 33
11. Müller, Jürgen. Movies of the 60s, Taschen (2004) cover
12. Mr. Skin's Encyclopedia: A to Z Guide to Finding Your Favorite Actresses Naked, SK
INtertainment (2005) p. 5
13. Grobel, Lawrence. Endangered Species: Writers Talk About Their Craft, Their Visions, Their
Lives, Da Capo Press (2001) pp. 267–268
14. Zuckoff, Mitchell. Robert Altman: An Oral Biography, Random House (2009) pp. 138–39
15. Oscherwitz, Dayna. The A to Z of French Cinema, Scarecrow Press (2007), pg. 18
16. "Anouk Aimée: A charmed cinematic life" (https://montrealgazette.com/entertainment/movie-gui
de/charmed+cinematic+life/9139424/story.html) Archived (https://web.archive.org/web/2013110
9022344/http://www.montrealgazette.com/entertainment/movie-guide/charmed+cinematic+life/
9139424/story.html) 9 November 2013 at the Wayback Machine, The Gazette (Montreal), 8
November 2013.
17. "VIDEO. Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant pour l'épilogue d'"Un
homme et une femme" " (https://www.francetvinfo.fr/culture/people/video-claude-lelouch-retrou
ve-anouk-aimee-et-jean-louis-trintignant-pour-l-epilogue-d-un-homme-et-une-femme_3231329.
html). Franceinfo. 15 March 2019. Archived (https://web.archive.org/web/20190317130924/http
s://www.francetvinfo.fr/culture/people/video-claude-lelouch-retrouve-anouk-aimee-et-jean-louis-
trintignant-pour-l-epilogue-d-un-homme-et-une-femme_3231329.html) from the original on 17
March 2019. Retrieved 18 March 2019.
18. Lodge, Guy (31 May 2019). "Cannes Film Review: The Best Years of a Life" (https://variety.co
m/2019/film/reviews/the-best-years-of-a-life-review-1203222092/). Variety. Archived (https://arc
hive.today/20230402153504/https://variety.com/2019/film/reviews/the-best-years-of-a-life-revie
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19. Pulver, Andrew. "Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92"
(https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-star-of-la-dolce-vita-and-a-
man-and-a-woman-dies-aged-92). The Guardian. Archived (https://web.archive.org/web/20240
618190200/https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-star-of-la-dolce-
vita-and-a-man-and-a-woman-dies-aged-92) from the original on 18 June 2024. Retrieved
18 June 2024.
20. "Anouk Aimee and Edouard Zimmermann" (https://www.whosdatedwho.com/dating/anouk-aim
ee-and-edouard-zimmermann#google_vignette). whos dated who. Archived (https://web.archiv
e.org/web/20240514094616/https://www.whosdatedwho.com/dating/anouk-aimee-and-edouard
-zimmermann#google_vignette) from the original on 14 May 2024. Retrieved 14 May 2024.
21. "Anouk Aimée a 92 ans : Origines, vrai nom, films cultes, amants célèbres... tout ce qu'il faut
savoir" (https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-
privee-carriere-infos/). Journal des femmes. Archived (https://web.archive.org/web/2024051409
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22. Gates, Anita (18 June 2024). "Anouk Aimée, Enigmatic Star of 'A Man and a Woman,' Dies at
92" (https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html). The New York
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27. "La Maison sous la mer - Fiche Film" (http://cinema.encyclopedie.films.bifi.fr/index.php?pk=471
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28. "Anouk Aimée" (https://www.rottentomatoes.com/celebrity/anouk). Rotten Tomatoes. Retrieved
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29. "Paris Express" (https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45

a0-816c-8bce2c636bdd&sr=6.170568&cp=1&pos=5&cxt=Filmography1). AFI. Catalog.
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30. "Anouk Aimée" (https://web.archive.org/web/20180422185253/http://www.bfi.org.uk/films-tv-pe
ople/4ce2ba118432d). BFI. Archived from the original (http://www.bfi.org.uk/films-tv-people/4ce
2ba118432d) on 22 April 2018. Retrieved 20 June 2024.
31. "Anouk Aimée" (https://catalog.afi.com/Person/14177-Anouk-Aime). AFI. Catalog. Retrieved
19 June 2024.
32. Il giorno più corto (https://www.cinematografo.it/film/il-giorno-piu-corto-awnk1zpn) (in Italian).
Retrieved 20 June 2024 – via www.cinematografo.it.
33. "Ready to wear" (https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography). AFI.
Catalog. Retrieved 19 June 2024.
34. "Festival in Cannes" (https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmograp
hy). AFI. Catalog. Retrieved 19 June 2024.
External links
Anouk Aimée (https://www.imdb.com/name/nm0000733/) at IMDb
Anouk Aimée (https://www.allmovie.com/artist/p534) at AllMovie
Anouk Aimée (https://www.allocine.fr/personne/fichepersonne_gen_cpersonne=1159.html?nop
ub=1) at AlloCiné (in French)
Anouk Aimée (https://www.discogs.com/artist/Anouk+Aim%C3%A9e) discography at Discogs
AIMÉE Anouk (http://www.worldwhoswho.com/views/entry.html?id=sl445487) Archived (https://
web.archive.org/web/20191016100939/http://www.worldwhoswho.com/LOGIN?sessionid=8451
6fc76f0b8722244598042a8c237d&authstatuscode=400) 16 October 2019 at the Wayback
Machine International Who's Who. Retrieved 1 September 2006.
Sandy Flitterman-Lewis, Anouk Aimée (http://jwa.org/encyclopedia/article/aimee-anouk),
Jewish Women Encyclopedia
Photographs and literature (http://film.virtual-history.com/person.php?personid=2317)
video Interview at Cannes, 1966 (https://www.youtube.com/watch?v=Sd0b8kSZPFs) on
YouTube
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Anouk Aimée - Wikipedia

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6/20/24, 11:57 PM Anouk Aimée - Wikipedia

Among her films are Federico Fellini's La dolce vita (1960),

Another American film, La Brava, starring Dustin Hoffman,

Robert Altman, at another time, wanted to use Aimée in a film

I do remember he was like a bomb. He had a strong

would be very difficult to work with him, and we didn't mak

Status and legacy

1947 La Maison sous la mer Anouk Henri Calef [26][27]

Les amants de Vérone ("The Georgia Maglia (a modern [28]

1950 Golden Salamander Anna Ronald Neame [28]

La Bergère et le ramoneur [28]

1952 Le Rideau cramoisi Albertine Alexandre Astruc [28]

The Man Who Watched Trains [29]

Contraband Spain Elena Vargas Lawrence Huntington [28]

Pot-Bouille ("Lovers of Paris") Marie Julien Duvivier [28]

Les Amants de Montparnasse [28]

The Journey Eva Anatole Litvak [31]

La tête contre les murs Stéphanie Georges Franju [28]

La Dolce Vita Maddalena Federico Fellini [28]

Il giudizio universale ("The [30]

Sodom and Gomorrah Queen Bera Robert Aldrich [31]

1963 Fellini's 8½ Luisa Anselmi Federico Fellini [28]

Le voci bianche ("White [30]

1965 The Dreamer ("Il Morbidone") Valeria Massimo Franciosa [30]

Year Title Role Director Ref

Un homme et une femme ("A [30]

Un soir, un train (One Night... [30]

Model Shop Lola Jacques Demy [31]

1969 The Appointment Carla Sidney Lumet [31]

Justine Justine George Cukor [31]

Si c'était à refaire ("Second

(Salto nel vuoto) ("A Leap in

Viva la vie Anouk Claude Lelouch

1984 Success Is the Best Revenge Monique Jerzy Skolimowski

Bethune: The Making of a

Les Cent et une nuits ("A

1997 Solomon Bathsheba Roger Young

1998 L.A. Without a Map as herself Mika Kaurismäki

Festival in Cannes Millie Marquand Henry Jaglom [34]

Ils se marièrent et eurent

2010 Paris Connections Agnès Harley Cokeliss

2011 Tous les soleils Agathe Philippe Claudel

Year Title Role Director Ref

2019 The Best Years of a Life Anne Gauthier Claude Lelouch

29. "Paris Express" (https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45

Retrieved from "https://en.wikipedia.org/w/index.php?title=Anouk_Aimée&oldid=1230116302"

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