Composites 2022x
Composites 2022x
Composites 2022x
TABLE OF CONTENTS
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Composites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Composite Design Workbench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Standard Icons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Grid Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Zone Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Plies Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Skin Swapping and Ply Extensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Solids and Top Surfaces from Plies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Producibility and Splicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Composites Collaboration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Shape Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Composite Manufacturing Workbench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Standard Icons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Plies Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Skin Swapping and Ply Extensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Producibility and Splicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Composites Collaboration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Shape Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Composite Terminology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Preliminary Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Geometry Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Composite Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Review Exercises . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Manual Ply Creation Review Exercise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Designing with Core . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Creating a Core . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Slicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Slicing Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Plies Creation From Slicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Mirroring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Create Mirrored Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Synchronizing a Mirrored Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Analyzing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
On the Fly Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Check Contours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Numerical Analysis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Plies Sectioning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Ply Section Beam Properties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Ply Exploder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Multiple Core Samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Rosette Preview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Rosette Transfer Curve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Darting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Line Darts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
Curve Darts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Darting Review Exercise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 452
Exporting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457
Exporting Ply Data as IGES or DXF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457
XML Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464
Drafting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
Standards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
Creating a Ply Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497
Problems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519
Problem 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 519
Problem 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520
Problem 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 522
Problem 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 525
Problem 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 528
Problem 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 530
Problem 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532
Problem 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 535
Appendix A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 539
App Preferences - 3D Modeling - Multi Discipline Engineering -
Composites Design - Composites Design . . . . . . . . . . . . . . . . . . . . . . . . . 539
App Preferences - 3D Modeling - Multi Discipline Engineering -
Composite Design - Export Ply Data - DXF Setting . . . . . . . . . . . . . . . . . 541
App Preferences - 3D Modeling - Multi Discipline Engineering -
Composite Design - Export Ply Data - IGES2D Setting . . . . . . . . . . . . . . 543
App Preferences - 3D Modeling - Multi Discipline Engineering -
Composite Design - Export Ply Data - IGES3D Setting . . . . . . . . . . . . . . 544
App Preferences - 3D Modeling - Multi Discipline Engineering -
Composite Design - Laser Projection . . . . . . . . . . . . . . . . . . . . . . . . . . . . 545
Introduction
CATIA Composites
Upon completion of this course, the student should have a full understanding of the
following topics:
- Exporting ply definitions for ply nesting, cutting and laser projection
Composites
This course will cover all of the options found in the Composites Design and Composite
Manufacturing Preparation workbenches. The first portion of the book will focus on the
design options. The second portion of the book will delve into the manufacturing side of
composite parts and how they will be created.
Please note that some additional environment variables have been activated for the
Composites Design and Composite Manufacturing Preparation workbenches. These
environment variables provide additional functionality and visualizations within the two
workbenches. If these environment variables are not activated in your CATIA load, your
workbenches may look slightly different.
Review Exercises
This section will review the concepts and operations discussed in the previous sections of
this manual.
Open the COMP - Manual Ply Review model. The model contains wireframe and
surface geometry for the initial definition of the composite part.
Select the Add Material button in the Materials tab. A selection window appears.
In the Search field, key in Carbon and select Enter. The results appear.
Select the Rosettes tab and select the Add Rosette button. The Rosette Definition window
appears.
Select the axis system from the display to define the Axis system for the rosette. Adjust
the size of the rosette and select OK. The rosette is created.
First a ply group will need to be created to define the location for the plies to be stored.
Select the Plies Group icon. The Plies Group window appears.
Select the surface from the display to define the Surface option. The draping direction
should be pointing upwards.
Select the Ply icon and select the Plies Group.1 branch in the specification tree.
The Ply Definition window appears.
Select the Attributes tab and set the Material to be Carbon Fiber Cloth and the
Direction to be 0. This will define the first ply.
Right select on Sequence.1 in the specification tree and select Copy from the contextual
menu.
Notice the name of the ply matches the original ply. This will be fixed eventually. The
new ply will use the same contour and the same attributes as the original. The attributes
will also need to be adjusted eventually.
Select the Limit Contour icon. The Limit Contour window appears.
Be sure the arrow is pointing towards the lower portion of the surface and select OK.
This specifies the lower side of the ply will be kept.
Select the Stacking Management icon. It is located in the Review section. The
Stacking Management window appears. You may have to adjust the options in the Column
button to get the window to appear exactly the same.
Modify the Orientation Name for each ply as shown. You will use the Multiple Row
Edition icon or the contextual menu.
Now the plies will be symmetried to create the other half of the laminate.
Select the Symmetric Plies Stacking icon. The Ply Symmetry window appears.
Select the Plies Group.1 to define the Selection for the operation.
Be sure the Non pivot option is selected and select OK. The plies are symmetried as
shown.
Select the Ply option for the Entity Level and select all of the plies in the window. You
will want to use the Shift key.
Right select on the selected plies in the window and select Multiple Row Edition. The
Rows Edition window appears.
In the Rename section, set the Name to be PLY- and the Nb of Digits to be 3 as shown.
Select OK. The laminate is finished. Now we will take a quick look at the cross section.
Select the Plies Section icon. The Plies Section window appears.
Select the Cross Section Plane from Geometrical Set.1 to define the Sectioning planes or
curves.
Notice the laminate is completely symmetric. This provides an easy method for creating a
very simple layup of plies without having to use an advanced design method. Keep in mind
that if you wanted to have any staggering in the plies that are dropped off, you would have
to create wireframe curves to be able to manually select the shape of each ply. For this
reason, this method only works well for pretty simple laminates.
Open the COMP - Grid Design Review document. The model contains a surface and
wireframe elements.
Select the Grid Panel icon and define the Surface option with the surface in the
display. Select Rosette.1 for the Rosette. Be sure the Draping direction is pointing
upward.
Next, the reference elements will be defined with the necessary default offsets and
staggering.
Select all of the curves from the display as shown to define the first reference element
group. The curves could be split into multiple reference element groups if necessary. In
this case, only one group will be used.
Select the Grid icon. The Grid Definition window appears. The computed cells
should appear in the display as well. Keep in mind the cell names may be different based
on the order the reference elements were selected in. This shouldn’t matter.
First, the cells that will be a common thickness will be merged together to simplify the
panel definition. Keep in mind this is typically not recommended. Leaving the cells in
their default definition will yield more robustness to the design.
Select the cell as shown and select the Edit button. The name and stacking sequence for
the cell will be modified.
Change the Cell name to be 9 Ply Zone and select the New button for the Laminate
option. The Laminate window appears.
Set the Material drop down to be Graphite Unitape and the Orientation to be 0 and
select the Add button. The first ply will be a 0 degree ply.
Change the Orientation to be 45 and select the Add button again. The second ply is
defined.
Define three more plies as shown. This will complete half of the laminate.
Select OK. This defines the thickness law as well as the actual order of the stacking for
constant area. The Cell Definition should appear as shown.
Select OK.
Select the center cell and select the Edit button. The Cell Definition window appears.
Set the name of the final cell to be 5 Ply Zone with a new laminate called LAM003
with the following stackup.
Select the Reference option under Import/Export Management and select the Browse
icon for the Export to file option. A File Selection window appears.
Browse to your area, key in SS Export for the File name and select Open. This will
define where to create the spreadsheet.
This is the format for using the stacking sequence option rather than the thickness law. In
this case, the full stacking sequence definition was defined in CATIA so the spreadsheet
may not really be necessary. However, the spreadsheet could be used to make changes in
the future.
Close the spreadsheet. You should be back to the Grid Definition window in CATIA.
Select the Virtual Stacking icon and select Grid.1 from the tree. The Virtual
Stacking Management window appears.
Since the stacking sequences were already defined for the cells, it is not necessary to
rearrange the rows in this window. If any changes were needed, they could be made
though.
Select the Plies From Virtual Stacking icon. The Plies Creation window
appears.
Select the Minimum Crossing & Weight Savings algorithm and the Backslash pattern
and select OK. The plies are created.
Most of the drop offs are correct, but a few need to be modified to have the correct
staggering. Fortunately, the original grid panel definition can be modified and the plies will
automatically update.
Double select on Grid Panel.1 from the tree. The Panel Definition window appears.
Select the reference group and select Parallel.7 in the window. It should highlight as
shown in the display.
This curve should have a drop off staggering of 0.375 in the negative X direction instead of
0.25. This will be fixed now.
Turn off the Same on both sides option and create a new ramp definition for the
positive side.
Set the Step to be 0.375 for the new ramp support. It should appear as shown.
Select OK.
Select the Update icon. The plies should update. The final ply manipulation will
require a new grid ramp support.
Select the curve as shown. The Grid Ramp Support window appears.
Select the Side + option and set the Curves count to be 3. This specifies which side of the
reference element and the number of curves to be created.
Select the Override reference element spec with option and select the New button. The
Ramp Definition appears.
This should have all of the ply drops in the correct direction and with the correct staggering.
Hide the ramp supports in the tree. The plies should appear as shown.
Explode the plies with the Shell Constant Offset option and a Scale of 10. They
should appear as shown. The plies should be symmetric.
Remove the exploded surfaces and save and close the document.
Select the Producibility for Hand Layup icon. The Producibilty for Hand Layup
window appears.
Select the first ply in the tree, set the Mesh Step Length to be Scaled with a value of 0.5
and select the Optimize button next to the Seed point definition. The Optimization
window appears.
Variable Specifies whether the seed point locations for the selected plies can vary
Objective Specifies the optimization criteria: Mean Absolute, Weighted or Greatest for
the shearing angle
Settings Specifies the number of points to be analyzed over the ply during the
optimization
Select Shearing angle - Weighted in the window, then right select on it. The contextual
menu will appear as shown.
This is how you can edit the various options for the optimization.
Right select under the Settings column and select Edit. The Optimization Settings
window appears. This would allow you to modify the number of points to be included in
the optimization.
Select Cancel.
Select OK. The optimization is run. You may get a Diagnostic List window which you
may close.
Notice 50 locations were analyzed for producibility. The location yielding the lowest
maximum shearing angle was selected.
Select the Results tab and turn on the Statistics option. The Producibility Statistics
window appears. Note, the values may differ if you aren’t using CFM Optimized Energy.
Notice the maximum shearing angle for the weighted computation is 23 degrees.
Feel free to select any of the other locations and preview their results.
Select Cancel when you are done. The producibility will be computed and optimized for
all plies now.
Select the Edit Producibility Table icon. The Edit Producibility Table window
appears.
Select all of the plies in the window. You may use the Shift key.
Select the Producibility for Hand Layup icon in the window. Many of the
columns in the window will populate.
The producibility has been setup for all of the plies according to the last producibility
analysis that you ran.
Turn on the Optimize option and select the Parameters button. The Optimization
window appears.
Notice you can also transfer 3D geometry to 2D for a group of plies within this window as
well.
Select OK. The optimization begins and will be computed for each ply. When it is
completed, the Edit Producibility Table will reappear.
The Optimize option is very useful for determining the best position of the seed point
without manually reviewing the producibility.
Open the COMP - Flattening document. The producibility has already been computed
for all of the plies.
Location Point Specifies the location each flat pattern will be located at on the
flattening plane
Transfer draping... Allows you to flip the flat patterns on the flatten plane
Material roll Flat patterns are positioned on the flattening plane according
to the fiber directions of the ply and the axis of the plane.
This is typically what will be needed for exporting the dxf
files correctly for a cutting software.
Check material... Performs a material width analysis to be sure the ply will fit on the
specified material. If any ply ever fails this analysis, a mask will
appear on the features in the tree as shown. In this case Ply.1 is
failing the material width check.
Create Flatten... Specifies the flat pattern will be created as a sketch rather than a
wireframe curve
Select the Sequence.1 to define the ply to flatten. Select the Flattening Plane from
Geometrical Set.1 and select the point from the Flattening Points geometrical set.
Notice the original point that was selected during the producibility operation is positioned at
the specified point from the flattening operation.
Select Cancel in the window. Since you want to create a flat pattern for all of the plies,
you will do it all at once.
Notice there are 9 plies selected and 9 point locations as well. Selecting a pattern will
automatically assign the plies or cut pieces to each point in the pattern.
Select the Multi Selection icon for the Location Point option in the window. The
Location Points window appears.
Notice all of the plies are listed and each ply was assigned a location point. You can
manually specify which ply is assigned to which point from this window if you wanted to.
Select the Material roll option and select Apply. The flattened plies are created, but are
randomly located at the points. This is typically how you want to export create flat patterns
for export to dxf files.
Notice the categories under the Flatten Body allow you to organize the contents of the
flattening. This is important when it comes to exporting the flat patterns. This will be
discussed in more detail in the Exporting section.