Digital Platforms and The Global South: Reconfiguring Power Relations in The Cultural Industries. 1st Edition Philippe Bouquillion
Digital Platforms and The Global South: Reconfiguring Power Relations in The Cultural Industries. 1st Edition Philippe Bouquillion
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Digital Platforms and the
Global South
This book addresses the issues raised by digital platforms in the Global South,
with an emphasis on the cultural stakes involved.
It brings together an interdisciplinary team of researchers – including
political economists, socio-economists, geographers, media sociologists or
anthropologists – who each explore these issues through an insightful case
study at a local, national, regional or international scale. While studying
the strategies of some of the main US-based Big Tech platforms or video
streaming platforms towards the Global South, the chapters also consider the
often-neglected active role local or regional actors play in the expansion of
those Western digital players, and highlight the existence of a constellation of
local or regional platforms that have emerged in Africa, Asia, Latin America
or the Middle East. In addition to analysing the complex relationships of
competition, collaboration or dependence between these diverse actors, this
volume examines the ways in which the rise of these digital platforms has
generated new forms of cultural entrepreneurship and participated in the
reconfiguring of the conditions in which cultural contents are produced and
circulated in the Global South.
This volume will appeal to readers interested in the transnationalisation
of cultural industries or in the social, political, economic, cultural and
geopolitical dimensions of digital transformations and will be an important
resource for students, teachers and researchers in media, communication,
cultural studies, international relations and area studies programmes.
Edited by
Philippe Bouquillion, Christine Ithurbide
and Tristan Mattelart
First published 2024
by Routledge
4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
605 Third Avenue, New York, NY 10158
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2024 selection and editorial matter, Philippe Bouquillion, Christine
Ithurbide and Tristan Mattelart; individual chapters, the contributors
The right of Philippe Bouquillion, Christine Ithurbide and Tristan
Mattelart to be identified as the authors of the editorial material,
and of the authors for their individual chapters, has been asserted in
accordance with sections 77 and 78 of the Copyright, Designs and
Patents Act 1988.
All rights reserved. No part of this book may be reprinted or
reproduced or utilised in any form or by any electronic, mechanical,
or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or retrieval
system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks
or registered trademarks, and are used only for identification and
explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Bouquillion, Philippe, editor. | Ithurbide, Christine, editor. |
Mattelart, Tristan, editor.
Title: Digital platforms and the global south : reconfiguring power
relations in the cultural industries / edited by Philippe Bouquillion,
Christine Ithurbide, Tristan Mattelart.
Description: London ; New York : Routledge, 2024. |
Series: Routledge advances in internationalizing media studies |
Includes bibliographical references and index.
Identifiers: LCCN 2023034063 (print) | LCCN 2023034064 (ebook) |
ISBN 9781032489919 (hardback) | ISBN 9781032489933 (paperback) |
ISBN 9781003391746 (ebook)
Subjects: LCSH: Digital media—Social aspects—Developing countries. |
Digital media—Developing countries. | Cultural industries—Developing
countries.
Classification: LCC HM851 .D54375 2024 (print) | LCC HM851
(ebook) | DDC 303.48/33—dc23/eng/20230907
LC record available at https://lccn.loc.gov/2023034063
LC ebook record available at https://lccn.loc.gov/2023034064
ISBN: 978-1-032-48991-9 (hbk)
ISBN: 978-1-032-48993-3 (pbk)
ISBN: 978-1-003-39174-6 (ebk)
DOI: 10.4324/9781003391746
Typeset in Sabon
by codeMantra
Contents
Introduction 1
PHILIPPE BOUQUILLION, CHRISTINE ITHURBIDE AND TRISTAN MATTELART
Index 233
Figure
focuses on cultural and creative industries. His most recent research deals
with audiovisual digital platforms in Europe and India.
Leonardo De Marchi is a Professor at the School of Communication at the
Federal University of Rio de Janeiro (UFRJ), Brazil, and Researcher at
the Post-Graduation Program in Communication and Culture at the same
university. His research focuses on the culture industries, platformisation
of culture production, cultural policies and fintech 3.0.
Ana Atem Diamante is an undergraduate in the Law School at the Catholic
Pontifical University of Rio de Janeiro, Brazil (PUC-Rio).
Christine Ithurbide is a Research fellow at the CNRS with UMR 5319 Pas-
sages, France. Her research focuses on the socio-economic transformation
of cultural industries in India and more recently on the deployment of
digital platforms in music, audiovisual and craft. She is principal investiga-
tor of the International Research Network SOUTH-STREAM exploring
cultural platforms made in Africa, Asia and Latin America.
Alessandro Jedlowski is an Associate Professor in African Studies at the Bor-
deaux Institute of Political Studies (Sciences Po Bordeaux), in France. His
work focuses particularly on African screen media industries (in Nigeria,
Ethiopia and Côte d’Ivoire) and on networks of cultural circulations that
take place across regions of the ‘Global South’.
Joe F. Khalil is an Associate Professor of Global Media in Residence at North-
western University in Qatar. With a focus on the Middle East, his research
and teaching explore changes and continuities in media, incorporating an
interdisciplinary and transnational approach. Khalil’s work delves into
media industries, production studies, social movements and digital cul-
tures, emphasising both mainstream and alternative media.
Fernando Krakowiak is Doctor in Social Sciences from the University of
Buenos Aires. He works as a Professor in the subjects ‘Communication
Policies and Planning’ at the Faculty of Social Sciences of the Univer-
sity of Buenos Aires and ‘Economics of the Entertainment Industry’ at
the Argentine University of Enterprise (UADE). His lines of research are
communication policies, political economy of the media and audiovisual
digitisation processes.
Tristan Mattelart is a Professor at the French Institute of the Press, Paris-Pan-
théon-Assas University, and Researcher at the Centre for Interdisciplinary
Analysis and Research of the Media (CARISM), France. After working
extensively on the processes of media transnationalisation, he now studies
the ways in which global digital platforms reconfigure the transnational
circulation of news and cultural content.
Emmanuelle Olivier is an Ethnomusicologist, Research Fellow at the French
National Centre for Scientific Research (CNRS), Georg Simmel Research
Contributors xiii
Centre, and Lecturer at the École des Hautes Études en Sciences Sociales
(EHESS), Paris. Her work in Western Africa focuses on the creative pro-
cess of popular music production, questioning how the digital revolution
impacts practices, professions and mediations. She is currently directing
an international partnership funded by the National Research Agency on
Digital Cultures in Western Africa.
Vibodh Parthasarathi maintains a multidisciplinary interest in media policy,
digital transitions and policy literacy. Associate Professor at Jamia Mil-
lia Islamia, New Delhi, he has been a visiting scholar at the University of
Queensland, KU Leuven, University of Helsinki and IIT Bombay. His re-
cent edited works include Platform Capitalism in India (2020) and Peda-
gogy in Practice (2022).
Jeremy Vachet is Associate Professor of Media and Communication at
Audencia Business School in Nantes, France. His work focuses on po-
litical economy of communication and working conditions in the cultural
and creative industries. His most recent research looked at working lives
in the music and audiovisual industries in Europe and in the United States.
Mohamed Zayani is an award-winning author and Professor of critical the-
ory at the Georgetown University School of Foreign Service in Qatar. His
works include The Digital Double Bind (with Joe F. Khalil, 2023), Digi-
tal Middle East (2018) and Networked Publics and Digital Contention
(2015).
Yuwen Zhang is a Researcher at the Interdisciplinary Research Group on
Information and Communication Processes (GRIPIC) of Sorbonne Uni-
versity, France. Her research interests focus on media transformation,
the QR code-isation phenomenon, Chinese social media and the internet
economy. Her most recent research concerns the evolution of the QR code
during the Covid-19 period.
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Language: Finnish
Eläintarinoita
Kirj.
LOUIS PERGAUD
—i —a
Alkusana.
Mikko Repolaisen surullinen seikkailu.
Maan alla.
Kaamea tie vapauteen.
Kultarinnan kuolema.
Kaniinien salakapina.
Uteliaan palkka.
Kuolemaa pakoon.
Hölpän vankeus.
ALKUSANA.
Suomentaja.
MIKKO REPOLAISEN SURULLINEN
SEIKKAILU.
I.
Mikko Repolainen tunsi hänet hyvin. Mutta tällä kertaa hän ei ollut
vavahtanut pyssynpamausta, joka aina ilmaisi näiden kahden
vihollisen yhteenjoutumista; hän ei ollut kuullut korvissaan
tuulennopeiden ja vihlovien lyijyrakeiden vinkunaa, joiden puremat,
talvisesta turkista huolimatta, ovat polttavampia ja syvempiä kuin
orjantappuranokaiden pistokset. Hän oli epäluuloinen, ja hänen
asemansa epävarmuus synnytti mielessä salaista levottomuutta,
herättäen pahoja aavistuksia, jotka pakottivat hänen pysymään
luolassa lähellä aavistamaansa vaaraa, ennenkuin kova
välttämättömyys häntä vaatikaan sinne jäämään.
II.
III.
IV.
Kettu kuuli kylästä tulevat äänet, jotka hän melkein osasi erottaa,
koska oli ennenmuinoin melua kaikoten niitä etäältä tutkinut.
Muutamat olivat hänelle yhdentekeviä, toiset erikoisesti liikuttivat
häntä kissojen metsästäjänä ja takapihojen nuuskijana, muutamat
taas, kaikkein kauheimmat, muistuttivat hänelle, että ihminen ja
hänen uskottunsa, koira, olivat vihollisia, joiden lempeyteen ei
koskaan ollut luottamista. Sieltä kuului lehmien ammuntaa, ajopelien
räminää, siipikarjan kaakotusta, koirain haukuntaa ja asumusten
kynnyksillä leikkivien ja kinastelevien poikasien kimeitä ääniä.
Voitettu oli jo näkevinään itsensä verenhimoisen joukon,
läpäisemättömän vihollisrivin ympäröimänä ja tunsi yhä selvemmin
tuhonsa lähenevän.
V.