Art-appr
Art-appr
Art appreciation in the humanities is being able to look at Three major experience of art (for artist):
a work of art and form a wise opinion of the work, having a. Experience that an artist wants to communicate
the knowledge, background and understanding of the b. Experience in creating the artwork
universal and timeless qualities that comprise all works of c. Experience after creating the artwork
art.
Deals with the learning or understanding and creating Audience Experience of Art:
artworks and enjoying them. a. Sensory Response
Artist explores an individual’s humanity: physical, b. Emotional Response
emotional, psychological, sociological and economic state c. Intellectual Response
- and create art out of these explorations. Becomes the
expression of the artist’s exploration of one’s humanity. 4. Art as Expression
Art has grown out of man’s need to express himself. The
Creativity personal and social values, penetrating psychological
“Creation“ in art refers to the act of combining or insights into human reality. It uses symbols which
reordering already existing materials so that a new object organize into some comprehensible equivalent of the
is formed. Involves skill and expertness in handling experience that an artist is trying to convey. Art is an
materials and organizing them into new, structurally expression of a general vision of the age in which it was
pleasing, and significant units (Ferrer, et al., 2018). created. An artist becomes a kind of historian, recording
in his/her work the attitudes and way of life of his period.
One's life to find solutions or express one's feelings,
changing natural and social circumstances give birth to 5. Art as a form of Creation
new ideas and new methods, solution to a dream, create As a creativity activity, art involves skill or expertness
art, or trigger social change, the process of encounter handling materials and organizing them into new,
with reality. structurally pleasing and significant units. It is a planned
activity that may be produced and executed by an
ASSUMPTIONS OF ART individual or a team.
Emphasis Abstract
It suggests that certain elements should assume more Also called non-objective, non-figurative, Non-
importance than others in the same composition. It representational, geometric abstraction, or concrete art
contributes to organic unity by emphasizing the fact that — is a rather vague umbrella term for any painting or
there is one main feature and that other elements are sculpture which does not portray recognizable objects or
subordinate to it. scenes.
Piscasso thought that there was no such things, while
GENRES OF ART some art critics take the view that all art is abstract — no
painting can hope to be more than a crude summary
Genre is used to group various types of art. It provides (abstraction) of what the painter sees.
rule bound world in which tjere are a predictable range of A similar example is Water-Lilies (1960-20, National
features and expectations. Gallery, London) by Claude Monet (1840-1926). Also,
there is a sliding scale of abstraction: from semi-abstract
Visual Arts to wholly abstract. So even though the theory is relatively
Art forms such as ceramics, drawing, painting, sculpture, clear- abstract art is detached from reality- the practical
printmaking, design, crafts, photography, video, task of separating abstract from non-abstract can be
filmmaking and architecture. Many artistic disciplines much more problematical.
(performing arts, conceptual art, textile arts) invlove
aspects of the visual arts as well as arts of other types. Plastic Arts
Derived from the word "plasticize", meaninf "to mould" -
Baroque describe any form which involves modelling or moulding
In fine art, Baroque (derived from the Portuguese word in three dimensions. The most common example of the
'borocco' meaning 'irregular pearl or stone') describes a plastic arts is sculpture. This is because sculptors chip,
fairly complex idiom, originating in Rome, which flowered carve, shape, or modulate a range of traditional materials,
during the period c.1590-1720, and which embraced such as marble, granite, sandstone, bone, ivory, wood,
painting, and sculpture as well as architecture. and terracotta, as well as contempory materials such as
concrete, aluminum, and foam rubber.
audience to differ from ordinary prose. It may use
Another type of plastic art, in this case uring clay, is condensed or compressed form to convey emotion or
ceramic pottery, including earthenware, maiolica, raku ideas to the reader's listener's mind or ear; it may also use
and stonware, as well as Chinese porcelain and celadon devices such as assonance and repetition to achieve
ware. Yet more types of plastic art include: collage, paper musical or incantatory effects. Poems frequently rely for
art, and origami paper folding; metalworking, glass their effect on imagery, word association, and the musical
blowing and other forms of flass arr, including mosaics; qualities of the language used. The interactive layering of
wood-working, as well as contempory disciplines such as all these effects to generate meaning is what marks
ice sculpture and also, sand art. poetry.
Sculpting
The most enduring and, arguably the greatest form of fine
art known to man, sculpture has played a major role in
the evaluation of Western culture. Its history, and stylistic
development are those of Western art itself.
AUDIO-VISUAL ART
Literary Arts
Literary works include nondramatic textual works with or
without illustrations. They may he published or
nonpublished. Computer programs and database also are
considered literary works. Plays, dramas, and screenplays
are not in the literary works category.
Drama
A mode of fictional representation through dialogue and
performance. It is one of the literary genres, which is an
imitation of some action. Drama is also a type of play
written for theaters, televisions, radios, and films.
Poetry
Ancient Greek (poieo) = I create. An art form on which
human language is used for its aesthetic qualities in
addition to, or instead of, its notional and semantic
content. It consist largely of oral or literary works in which
language is used in a manner that is felt by its user and
UNIT II SUBJECT OF ART
Art is represented in the artwork. The subject in art is Subject of Art may be:
basically the essence of the piece. To determine subject 1. Landscape, seascapes, cityscapes
matter in a particular piece of art, ask yourself: What is 2. Still life – inanimate objects arranged in indoor setting.
actually depicted in this artwork? What is the artist trying 3. Animals
to express to the world... what is his or her message? And 4. Portraits – the realistic likeness of a person.
how are they conveying that message? Attire, accessories are very much expressive
because they reveal so much of the person and
It is the matter to be described or to be portrayed by the his time.
artist. This may refer to any person, object, scene or 5. Figures – nude/ clothed
event. Greeks – physical beauty was the symbol of moral
and spiritual perfection.
TWO KINDS OF ARTS AS TO SUBJECT 6. Everyday Life – life around the artist, or the actual
setting. E.g. children playing, life at the park
Representational/ Objective Art 7. History and Legends
Depicts objects that are commonly recognized by History – consist of verifiable facts
most people Legends – unverifiable but they have been
Attempt to copy what is real or portray the accepted as true
subject as it is. 8. Religion and Mythology – use to preach and teach
Uses “form” and are concerned with “what” is to Art – handmaid of religion
be depicted 9. Dreams and Fantasy – mostly used by surrealist
painters
Non-Representational/Non-Objective Art
Without any reference or recognizable objects Ways of Presenting the Subject
Abstract; does not represent real objects
Uses “content” and is concerned with “how” the 1. Realism
artwork is depicted This often refers to the artistic movement that
began in France in the 1850s. Realism's popularity
The Artist and His Choice of Subject increased with the advent of the photography-a new
1. Everything under the sun is raw material for the artist visual medium that generated people's desire to
to draw his subject. develop "objectively real" things. This describes what
2. The artist’s choice of subject is usually affected by his the eyes can see, what the ear can hear and what
medium. faculty of sense ca n receive. The painting by Zeuxis,
3. The piece of art depends largely upon the time in which painter of the 5th century, was an example. Grapes
he lived. was his subject. They appeared so perfect, luscious
and appealing when he displayed his painting of
SOURCES OF SUBJECT OF ART grapes that the birds flew down from the sky to peck
at them.
2. Abstraction
Its etymology derives from the Latin "abstractus"
put forward, "or from the Latin past participle"
abstrahere: "from ab(s)-" down "+ trahere" take,
"meaning" removed or isolated from material objects
or practical matters. Through abstract art, the artist
presents the subject in no way as an objective fact,
but just his idea or his feeling (exaggerated
emotionalism) about it. It's all about what the artists
are thinking and what mood they may want to reflect.
All types of visual art, no real-life pictures, scenery or
objects.
An example is the painting of a "Bird in Space" by
Constantin Brancusi In Space. "He'd been so
impressed with the goodness of a Bird in flight, its
body sweeping as it soared over the sea. His
sculptural work doesn't seem like it a bird is intended THE CONTENT OF ART
to convey an image of a Grace and pace to the cat. It is the meaning, message and/or feeling
3. Symbolism imparted by a work of art.
A symbol is a clear indication that anything like an It is the mass of ideas associated with each
idea or a standard is invisible. Symbolism uses artwork and communicated through the
symbols to systematically focus or amplify meaning, following:
rendering the artwork more subjective (rather than a. The Arts’ imagery
objective) and traditional. For instance, a flag is a b. The symbolic meaning
country symbol and it represents the essence of c. Its surroundings where it is used or displayed
nationalism; a lion representing bravery, and a lamb d. The customs, beliefs and values of the culture that
representing meekness. uses it
4. Fauvism e. Writings that help explain the work
It is derived from the French "les fauves," which
means "the wild beasts." It is the last part of the Three levels of meaning according to Cleaver (1966):
19thcentury artistic movement that stressed
spontaneity and the use of excessively bright colors. 1. A Factual Meaning- literal statement or the
For example, to a fauvist a tree trunk doesn't need to narrative content in the work which can be directly
be gray. It may be bright red, purple or any other understood because the objects presented are easily
color. recognized.
5. Dadaism 2. Conventional Meaning- special meaning that
The word "dada" is a French word which means certain object or color has for a particular culture or a
“hobbyhorse”. A hobby-horse is the children's pet toy group of people.
made of a wooden horse mounted on a stick. We may 3. Subjective Meaning- any personal meaning
claim it with this etymology dadaism is a consciously or unconsciously conveyed by the artist
"nonsensical" art movement. Some would say it is not using private symbolism which stems from his own
art since it appears to have absolutely no sense. associations of certain objects, actions, or colors from
6. Futurism past experiences.
Futurism was described as a modernist
movement embracing the future age of technology.
The automobile, the aircraft, the industrial town
reflected the development of urban life and the
technological success of A Man beyond Nature.
7. Surrealism
It is an offshoot or a dada boy. Sometimes known
as "super" realism, "which revolves around the
process of making things look ordinary exceptional. It
focuses on actual objects found in imagination or
fantasy, or it has realistic subjects found in the
subconsciousness; illustrating the inner mind's
dreamlike images.
8. Impressionism
It's also often called optical realism because of its
interest in the actual visual experience, including
things such as the influence of color, light and motion
on the nature of the objects portrayed in the works of
art. Impressionism centered on explaining the visual
stimuli originating from nature, directly.