Retail Design
Retail Design
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Introduction to Store Layout Management
•Store Image is the overall perception the customer has
of the store’s environment.
•L.L. Bean offers relaxed, classic apparel styles to its
customers. To help convey this image
L.L. Bean’s catalogue and
Advertising reinforces their image.
For cataloge customers, the catalog is
the store environment.
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Store Image
•By incorporating a
café as an integral
part of Barnes &
Noble bookstores, a
very relaxing and
casual ambiance is
created.
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Introduction to Store Layout Management
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Elements That Compose the Store Environment
Visual Communications
• Retail Identity Store Planning
Space Allocation
Graphics Layout
POS Signage Circulation
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Store Image
And
Productivity
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Retailing Truism
•The more
merchandise
customers are
exposed to, the more
they tend to buy.
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Objectives of the Store Environment
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Allocating Space
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Positively influencing purchase
behavior
•Exploration of store,
impulse purchases
•Productivity of space
•Energy, excitement
Circulation: Grid Layout
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Circulation
lLow cost
Disadvantages
lCustomer familiarity •Plain and uninteresting
lMerchandise exposure
• Limited browsing
•Stimulation of rushed shopping
lEase of cleaning behavior
lSimplified security
•Limited creativity in decor
lPossibility of self-service
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Grid Layout
Racetrack Layout
Major and minor loops with multiple entrances &
multiple sight lines,
lines draws shopper around the
store, encourages exploration, impulse buying
Location of departments)
departments men’s vs. women’s
impulse goods – near entrances, to the right, escalators, point-of-sale
demand/destination – upper floors, back corners; complementary –
adjacent
Display areas)
areas – bulk-of-stock + feature areas (walls, promotional areas, point- of-
sale areas, feature fixtures, windows)
Fixtures–
Fixtures feature fixtures – four-way, free-standing/mannequins, glass cases
+ gondolas, rounders & straight racks for bulk-of-stock & sale merchandise
Circulation
lFlexibility
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Free-Form (Boutique)
Layout + Aesthetically
pleasing, relaxing,
Storage,
Storage,Receiving,
Receiving,Marking
Marking asymmetrical, invites
browsing
- Less efficient, more
costly, more sales
Tops
Accessorie
Checkout
Fixtures
•Bulk-of-stock
Bulk-of-stock -
straight racks,
s
Casual Wear
gondolas,
rounders (very
Tops
flexible)
Clearance •Feature
Feature – glass
Items cases, 4-way, free-
standing, custom-
built fixtures
Feature
Jeans
Feature areas
Windows, walls,
feature fixtures,
point-of-sale
Circulation: Loop Layout
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Circulation
LO 2
l Loop Layout is a type of store layout in which a
major customer aisle begins at the entrance, loops
through the store, usually in the shape of a circle,
square, ar rectangle, and then returns the customer
the front of the store.
lAdvantages
lExposes customers to the greatest amount of
merchandise
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Location of Merchandise -
Planograms (map – photos, drawings,
computer generated)
•vertical merchandising-
merchandising eye movement - left to right & down
•high margin merchandise - 15% below horizontal (51” - 53” & 56” - 58”)
•not alphabetical, “flank” new & private label with popular national
brands
Atmospherics
Inform; draw attention,
highlight merchandise,
dramatize, decorate
Sign
s Lighting
Color
Warm versus cool Pop merchandise, set
colors – attract/ a mood, downplay
hurry vs. relax; unsightly areas,
show accurate color
value vs. prestige Store Atmosphere
Scent Music
Easily changed - match
Most direct demographics,
effect on influence shopping
emotions and mood & crowd control
memory
Visual Merchandising
•Visual Merchandising
Is the artistic display of merchandise and theatrical
props used as scene-setting decoration in the store.
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Visual Merchandising is:
l On-Shelf Merchandising
Is the display of merchandise on counters, racks,
shelves, and fixtures throughout the store.
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Visual Merchandising
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Visual Merchandising
•Lead them to
temptation.
Department-store
design incorporates a
gauntlet of goodies to
stimulate impulse
buys. Cosmetics, a
store’s most
profitable department,
should always be at
the main entrance to
the store.
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Design Elements
lColor
lTexture
lLine
l
Color
lThe big attraction point
lColor psychology implications
lColor Schemes
–Analogous
–Complementary
–Split-Complementary
–Contrasting
–Monochromatic
–Neutral
–
Color Examples
Texture
lDefinition:surface treatment or
“feel” of merchandise
lImportant for backgrounds too
lMasculine/feminine
lRough/smooth
lNeutral
lWeight, Balance
Texture Examples
Line
lVertical
lHorizontal
lCurved
lDiagonal
lCan be used to bring initial attention to a
display by catching the eye or to sustain
attention within a display by moving the
eye around.
Line Examples
Design Principles
lBalance
lProportion
lRhythm/Repetition
lDominance/Emphasis
lContrast
lHarmony
Balance
lSymmetric
–Formal balance
lAsymmetric
–Informal balance
lRelates to weight,
texture, color
Proportion
lRelationship of
size, scale or
“weight” of
elements and
between elements.
lOften used to
create emphasis
and capture
attention.
lDon’t take size for
granted.
Rhythm/Repetition
lSelf-contained
movement within a
display.
lCreates path for
the eye.
–Dominant -->
subordinate
lLine
lRepeating motif
establishes
dominance and
movement.
Dominance/Emphasis
lObject which draws
the eye first.
–Focal point
lDirects viewers eye
(rhythm).
lCan be dominant
due to size, weight,
color, contrast, line
or repetition.
Contrast
lShowing a sharp
difference between
objects.
lEffective use = eye
“feels” object.
lAchieved through
texture, color, size,
directional
placement.
Harmony
lThe careful combination of principles
or elements to create a unified
whole.
lConsider storewide presentation or
image too.
Planning Fixtures and Merchandise Presentation
•Fixture Types
•Merchandise Presentation Planning
•Selecting Fixtures and Merchandise Presentation
Methods
•Visual Merchandising
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Merchandise Presentation Planning
•Shelving
•Hanging
•Pegging
•Folding
•Stacking
•Dumping
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Merchandise Presentation Planning
•Value/fashion image
•Angles and sightlines
•Vertical color blocking
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45-Degree Customer Sightline
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Vertical Color Blocking
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Fixtures
lHold large
quantities
lShows a single
style in depth of
selection.
lUsually the largest
fixtures in the
store.
lUsually placed in
back of store.
Straight Rack
Four-Way Feature Rack and Round Rack
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Rounder
Four-Way
Gondola
Feature Fixtures
lUsed to highlight
categories.
lHold fewer items.
lBest used as lead-
in fixtures.
lAlso interspersed
throughout store
to add variety.
Signature Fixtures
lOne-of-a-Kind units.
lPositioned at store or department
entrance.
lReflects brand image
lDesigned specifically for the store to
catch shoppers’ interest.
Ways to Display
lWindow Displays
lInterior Displays
lWall Assortment Displays
lFocal Point/Aisle End Displays
Window Displays
lClosed Back Window
lOpen Back Window
lStraight Front Window
lAngled Front Window
lArcade Front Window
lCorner Window
Window
Examples
Other Display Methods
lInteriorWindows--create a scene
inside the store by grouping
mannequins, props etc.
lWall Cabinets--create “windows” by
showing merchandise on top.
lEnd of Aisle--displays assortment of
merchandise together for sale.
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Display Examples
Display Types
lOne Item Display
lLine of Goods Display
lRelated Merchandise Display
lVariety or Assortment Display
Display Types
Examples
Display Settings
lRealistic
lEnvironmental
lVignette/Semirealistic
lFantasy
lAbstract
Display
Settings
Thank You !
HBA Space Allocation by Mass Merchandisers
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Visual Merchandising
LO 3
•Its all in the display.
When an item, such
as a watch or a scarf,
is displayed in a glass
case, it implies
luxury. An item in a
glass case with a lot
of space around it
implies real luxury.
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Question to Ponder
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Store Design
LO 4
•Ambience
Is the overall feeling or mood projected by a store
through its aesthetic appeal to human senses.
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Store Design
LO 4
•Storefront Design
•Interior Design
•Lighting Design
•Sounds and Smells: Total Sensory Marketing
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Lighting Design
LO 4
•Crate & Barrel makes
effective use of
lighting to highlight
and feature
merchandise on
display.
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Total Sensory Marketing
LO 4
•Crabtree & Evelyn
makes effective use
of fragrances and
odors to generate
smells that reinforce
its store ambiance.
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Visual Communications
LO 5
•Name, Logo, and Retail Identity
•Institutional Signage
•Directional, Departmental, and Category Signage
•Point-of-Sale (POS) Signage
•Lifestyle Graphics
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Directional, Departmental, and Category Signage
LO 5
•Directional and Departmental Signage are large
signs that are usually placed fairly high, so they can
be seen throughout the store.
•Category Signage are smaller than directional and
departmental signage and are intended to be seen
from a shorter distance; they are located on or
close to the fixture itself where the merchandise is
displayed.
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Departmental Signage
LO 5
l Departmental signage
serve as the highest
level of organization
in an overall signage
program. These
signs are usually
large and placed fairly
high to they can be
seen throughout the
store.
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Category Signage
LO 5
l Category signage
helps consumers
negotiate throughout
the store to find the
product categories
they are looking for.
The size of category
signage varies widely
from a lettering that is
a few feet in height to
merely inches.
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Point-of-Sale (POS) Signage
LO 5
•Point-of-Sale Signage
Is relatively small signage that is placed very close
to the merchandise and is intended to give details
about specific items.
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Point-of-Sale (POS) Signage
LO 5
•POS signage for
clearance and sale
items tend to be in
red to draw a
consumer’s attention.
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Lifestyle Graphics
LO 5
l The Limited uses
lifestyle graphics to
convey the image of
the product to the
consumer. Here the
Limited conveys the
casual nature of one
apparel line.
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Visual Merchandising
LO 3
•Suggestion positioning.
Once the customer has
already purchased one
item, it’s easier to sell an
additional item. Thus
apparel retailers
strategically place
impulse buys like hair
bows and costume jewelry
by the cashier the same
way supermarket
checkouts display candy
and magazines.
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HBA Space Allocation by Mass Merchandisers
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Space Planning
Considerations
lHigh traffic & highly visible areas
–Entrances, escalators, check-out area, end aisles,
feature areas
üProfitability of merchandise
§Private brand, higher margin categories
üCustomer buying considerations
§Impulse products near front
§Demand/destination areas in back, off the beaten path
üPhysical characteristics of product
§Bulky vs. small/easily stolen
üComplementary products should be adjacent
üSales rate
§Display more units of fast-selling merchandise (tonnage
merchandising