Critical Theory: Marxist Criticism
Critical Theory: Marxist Criticism
Critical Theory: Marxist Criticism
Marxist Criticism
By: Group 1
Karl Marx (1818-1883)
“Literature reflects
class struggle and
materialism.”
Take a look at this!
SOCIAL STRATIFICATION
Economic Determinist/Marxist
Criticism
Karl Marx (1818-1883)
emphasized that the
primary influence on life
was economics, and
he saw society as an
opposition between the
capitalists and the
working class.
Kurtz
Kurtz on the other hand tries to
receive economic success through
force.
His decisions, too, are based on
money and changing his social class
to better himself.
Both characters represent the idea of
Economic Determinism whereas
neither character consciously thinks of
money, the acquisition of wealth drives
every decision for both characters.
Although implemented
to a great degree in
Soviet Russia (and to
a lesser degree in
other countries),
Marx’s political ideas
were never widely
accepted in the United
States. The idea of
economic determinism
is still considered
credible.
CAPITALISM
VS.
SLAVERY
Marx and Engels
predicted that the
capitalist system,
beginning as a
series of national
states, would create
a world market.
Learn, he said
learn words
that you may pry off
these letters
that have made me
old and bent
I came back
many years later
with the words
I knew he wanted
but by then
it was too late
I listened to him
die with words:
you are lucky
to have learned words
they will keep you
from having bent shoulders
By his deathbed
I cried
and spat out
letter's while
my shoulders bent
with grief
Economic Determinist/Marxist
Critical Questions
1. What is the economic situation of the characters, and
what happens to them as a result of this status?
2. To what extent are the lives of characters influenced or
determined by social (i.e. how an individual is expected
to behave in a given circumstance), political (i.e. the
directives of the state), and economic (i.e. the interplay
between production, supply, and demand) forces?
3. What social forces and institutions are represented in
the work?
4. To what extent does the work overlook the economic,
social, and political implications of its material?