Gandhi Ghat Barrack Pore, 1949

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ANDHI GHAT BARRACK PORE,1949.

• Gandhi Ghat is a memorial designed for


Mahatma Gandhiji, on the banks of the
Hoogly, near Calcutta.
• The brief demanded the reflection of the
personality and philosophy of the Mahatma
Gandhi.
• There was a budgetary limit of five lakh rupees
and the deadline stipulated was January 30,
1949, Gandhiji’s first death anniversary.
• Initially the architect did not have any example
of such a structure to draw inspiration from,
and no one available to guide him.
• However, Gandhiji’s respect and love for all
religions inspired the architect to design a
structure that harmoniously and aesthetically
reflected and symbolized the three main
religions of India. i.e Hinduism, Islam and
Christanity.
• The structure comprises of a temple
shikhara, capped with an Islamic
dome.
• A horizontal cantilevered slab
projecting from both sides appears
like a cross.
• Gandhi Ghat was completed before
the first anniversary of Gandhiji and
was opened by Pandit Jawaharlal
Nehru on January 15, 1949.

Under construction images, 1948 .

Jawaharlal Nehru at the opening, Gandhi Ghat, January 15, 1949 

Gandhi Ghat, 2016.


Entrance that leads to the structure.

Reference
https://architexturez.net/doc/az-cf-177919#:~:text=The%2040%20ft%20ca
ntilever%20was,Panditji%20on%20January%2015%2C%201949.
RABINDRA BHAWAN NEW DELHI
• Rabindra Bhavan was built to mark the birth centenary of
Tagore, who in addition to being a poet and novelist, was an
artist, playwright and composer.
•The building is thus the home of three National
Academies: Lalit Kala (Plastic Arts), Sangeet Natak (Dance,
Drama and Music) and Sahitya (Literature).
•The complex stands on a 1.45 hectare site amongst other
art institutions forming the cultural centre of New Delhi.

•“Rabindra Bhawan, which was nominated for the Aga Khan


award in 1980, was the first building where I could free myself
from the influence of Walter Gropius and Oscar Niemeyer. This building belongs to India. Here I used
tradtional Indian elements such as chhajjas, jalis and overhanging roof. It was the first functional building to
give me aesthetical satistfaction. Maybe it was Rabindranath’s artistic genius that inspired me to give an
emotionally moving quality to the building. I feel proud to have been able to design memorials to both the
Mahatma and Gurudev.” Rahman Habib 1965
• The design solution as it emerged consists of the administrative block with
three wings of more or less equal length at an angle of 120° to each other,
and a pentagon shaped exhibition block the form of which follows the curve
of the traffic island.
• The administration block: RCC sun shades in two continuous rows over all
the windows have been provided, the lower row in each case being placed
on cantilevered brackets so that it is away from the wall and is no
obstruction to breeze.
• The long walls of the administrative block are load¬bearing in brick
masonry, whilst the end walls of the wings are in random rubble stone
masonry.: According to the architect the angle of the sun shades is designed
to eliminate the strong morning and afternoon sun.
• The main entrance into the administrative block. This is where the three
wings meet, and the entrance hall, lift and staircase are placed here,
though each of the three wings have their own staircase for internal
vertical circulation.

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