This document provides an overview of the Neoclassical and Romantic periods in art between the late 18th and 19th centuries. Neoclassicism emerged after Rococo as a return to order and form inspired by Ancient Greek and Roman art. It featured realistic depictions of history with accurate details. Major Neoclassical artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres of France, who painted grand historical scenes and portraits. Neoclassical sculpture revived Ancient Roman styles, seen in the works of Antonio Canova and Bertel Thorvaldsen, who rendered marble figures with smooth contours. Romanticism focused on emotion and individualism rather than tradition.
This document provides an overview of the Neoclassical and Romantic periods in art between the late 18th and 19th centuries. Neoclassicism emerged after Rococo as a return to order and form inspired by Ancient Greek and Roman art. It featured realistic depictions of history with accurate details. Major Neoclassical artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres of France, who painted grand historical scenes and portraits. Neoclassical sculpture revived Ancient Roman styles, seen in the works of Antonio Canova and Bertel Thorvaldsen, who rendered marble figures with smooth contours. Romanticism focused on emotion and individualism rather than tradition.
This document provides an overview of the Neoclassical and Romantic periods in art between the late 18th and 19th centuries. Neoclassicism emerged after Rococo as a return to order and form inspired by Ancient Greek and Roman art. It featured realistic depictions of history with accurate details. Major Neoclassical artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres of France, who painted grand historical scenes and portraits. Neoclassical sculpture revived Ancient Roman styles, seen in the works of Antonio Canova and Bertel Thorvaldsen, who rendered marble figures with smooth contours. Romanticism focused on emotion and individualism rather than tradition.
This document provides an overview of the Neoclassical and Romantic periods in art between the late 18th and 19th centuries. Neoclassicism emerged after Rococo as a return to order and form inspired by Ancient Greek and Roman art. It featured realistic depictions of history with accurate details. Major Neoclassical artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres of France, who painted grand historical scenes and portraits. Neoclassical sculpture revived Ancient Roman styles, seen in the works of Antonio Canova and Bertel Thorvaldsen, who rendered marble figures with smooth contours. Romanticism focused on emotion and individualism rather than tradition.
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ARTS O F T HE
N EO C L AS S I C A L AND ROMANTIC PERIODS INTRODUCTION
• In the middle of the 18th century, Neoclassicism
was born out of rejection of the Rocco and late Baroque styles. Romanticism began in the same era but its approach had to do with the modern or new rather than the traditional. WHAT TO KNOW • Neoclassicism and Romanticism were the movements after the Rococo period that flourished across Western Europe and the United States which spanned approximately from the late eighteenth to the nineteenth centuries. N EO C L AS S I C I S M 1780-1840 • The word neoclassic came from the Greek word neos meaning “ new ” and the Latin word classicus which is similar in meaning to the English phrase ”first class”. • The Western movement in decorative and visual arts was called Neoclassicism. It also applies to literature, theater, music, and architecture that were influenced by the Classical art and culture of Ancient Greece and Ancient Rome. • Neoclassical art pieces such as paintings, sculpture and architecture generally portrayed Roman history which elevated the Roman heroes. C H A R AC T E R I ST I CS :
• Portrayal of Roman history
• Formal composition • The use of diagonals to show the peak of an emotion or moment (versus a regular moment) • Local color • Overall lighting • Classical geo-structure Neoclassicism Classicism
This is the renewed interest in This is the period which Greek
classical and forms that and Roman principles and influenced European and styles were reflected in American society through idea society. , politics ,and fine arts during the 18th and 19th century. It also refers to the art forms created after but inspired by the ancient times. This period was derived from the Classical movement. • Be careful not to interchange the two terms. Classical refers to the art forms produced in antiquity or inspired by it after ward, while Neoclassical refers to the art forms inspired by ancient times, but created later. N E O C L AS S I C A L PAINTING • Neoclassical artists embraced the ideals of order and moderation in which artistic interpretations of classical Greek and Roman history were restored to realistic portrayals. Neoclassical painters gave great importance to the costumes, setting, and details of classical subject-matter without adding distracting details but with as much historical accuracy as possible. NEO-CLASSICAL ARTISTS
•There are a number of neo-
classical artists from Europe and the United States .Below are some of them . J A C Q U E S -LOUIS DAVID (1748-1825)F R A N C E
Jacques-Louis David was an influential
French painter in the Neoclassical style and considered to be the pre-eminent painter of the era . His subjects of paintings were more FA M O US ARTWORKS: T HE DEATH OF MA RAT(J . DA V ID ) David’s masterpieces shows the portrayal of a revolutionary martyr. This is a painting of the murdered French revolutionary leader Jean-Paul Marat. NAPOLEON C RO S S I N G TH E ALPS ( J.DAVID) The painting that showed a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St. Bernard pass in May 1800. OATH O F T H E HORATII (J.DAVID) It was a large painting that depicts a scene from a Roman legend about the dispute between Rome and Alba Longa . The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown saluting their father who holds their swords out for them. JEAN-AU G USTE - DOMINIQUE INGRES(1780- 1867) F R A N C E Ingres was a pupil of Jacques-Louis David. He was influenced by Italian Renaissance painters like Raphael, Nicolas Pousin , Botticelli, and his mentor, Jacques-Louis David. His paintings were usually nudes, portraits, and mythological themes. He was regarded as one of the great exemplars of academic art and one of the finest Old Masters of his era. FA M O US ARTWORKS: PORTRAIT O F NAPOLEON ON T H E IMPERIAL THRONE( J.INGRES) The painting depicts Napoleon in his decadent coronation costume, seated upon his golden – encrusted throne , hand resting upon smooth ivory balls. During his reign, the painting was owned by the Crops Legislatif which was a part of the French Legislature. The painting was a part of the French Legislature. The paintings was believed to be commissioned by Napoleon as King of Italy. T HE APOTHEOSIS OF HOMER ( J. INGRES) The painting was a state-commission by Charles X to have him remembered in the building works of the Louvre. The painting depicts an image of Homer, receiving all the brilliant men of Rome, G reece, and contemporary times. R E F L EC T I O N :
1. What can you say about Neoclassical
Period? 2. What are the characteristics of the Neoclassical paintings? N E O C LASSIC A L SCULPTUR E S
• The Neoclassical period was one of the great
ages of public sculpture. Artists looked to Roman styles during the time of Alexander the Great for inspiration as well as to mimic their style. ANTONIO CAN OVA Canova was a prolific Italian artist and sculptor who became famous for his marble sculptures that delicately rendered nude flesh. He opened the idea for portraying discrete sexual pleasures by using pure contours with his mythological compositions. B ERT E L THORVALDSEN (1789- 1838) DENMARK • Thorvaldsen was the first internationally acclaimed Danish artist. He executed sculptures of mythological and religious themes characters. C H R I ST (B.THORVALDSEN )
A marble sculpture image
of resurrected Christ currently located at the Thorvaldsen Museum LION O F LU C E R N E (B. THORVALDSEN) A sculpture of a dying lion in Lucerne, Switzerland that commemorates the Swiss Guards who were massacred in 1972 during the French Revolution. REF LECTION:
• 1. What are the characteristics of
the Neoclassical sculptures? • 2. How do the artists convey their ideas in their artworks? THANK YOU!