Persian Garden
Persian Garden
Persian Garden
PLANNING
Topic :
Persian garden
Course name and code:
Landscape architecture (ARCH410)
Submitted by:
Mahima chawla
B. Arch ,7th semester
Enrollment no.: A8304019006
Introduction (Garden)
• Garden has been defined as ‘the purest of human pleasures and the
greatest refreshment to the spirits of man’ (Bacon 1883).
• According to Hunt, gardens are “concentrated or perfected forms of
place-making’ (Hunt 2000).
• Garden is also perceived as a symbolic site, resulting from the
human’s attempts to materialize Eden on the earth (Alon-Mozes 2004).
• In the Greek text of the Bible, a garden has been expressed as a
“paradise”.
• In Hebrew “Eden” is translated to an unidentified region or country.
• In Persian literature, the word garden “pardis” derives from the word
“paridaiza” which literally means “walled garden“ and it has been
summed up as a luminous and perfumed place, populated by a number
of angelical and beautiful creatures (Babaie 1997).
Persian
garden
• Persian gardens were designed with a sacred Geometry
representing and illustrating a union Of mortal/material
world and the eternal universe.
• The important Persian garden elements are sunlight, shade, water, buildings.
• These elements provide relaxation in different manners such as spiritual, leisurely (e. g. meetings with friends) etc. which is the
primary aim of Persian garden which is considered as a paradise on earth. The Persian gardens often connect internal yard gardens,
with the surrounding outward gardens.
Geometric structure
• Therefore, the pattern of chahar - bagh is usually defined with the intersected water channels or streams. The
streams usually had a sufficient slope to enable the irrigation system required for the garden
• The water coming from far distances into the water channels had a significant impact on the design of gardens;
to the extent of the claim that the structure of gardens has been shaped according to the irrigation system
• Other than water channels, the front space of the pavilion was usually dedicated to a pond or large pool to reflect
the image of the building and sky connecting the realm of the earthly to the heavenly.
The Entrance
• In line with the concept of introversion as an
Iranian/Islamic approach to design, gardens
were surrounded by non-transparent walls.
Through this inaccessible surface or
boundary, defining the point of entrance
becomes important. Usually the entrance has
a lintel , sometimes in the form of a building
or viewpoint. The entrance is usually located
close to one of the axes which connects the
entrance to the edifice.
The streets or footpath networks of Persian gardens
were always perpendicular straight lines and coincident
with the garden axes.