0% found this document useful (0 votes)
97 views15 pages

Thematic Apperception Test: Administration and Scoring

The document provides information about the Thematic Apperception Test (TAT), a projective psychological test using ambiguous picture stimuli. It discusses the test's development, administration, scoring, and interpretation. The current version contains 31 picture cards and standardized protocols, though interpretation involves clinical judgment. Scoring considers elements like story content and structure, themes, and character analysis to understand subjects' unconscious thoughts, feelings, and motivations.

Uploaded by

adcpdevils
Copyright
© © All Rights Reserved
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
Download as pptx, pdf, or txt
0% found this document useful (0 votes)
97 views15 pages

Thematic Apperception Test: Administration and Scoring

The document provides information about the Thematic Apperception Test (TAT), a projective psychological test using ambiguous picture stimuli. It discusses the test's development, administration, scoring, and interpretation. The current version contains 31 picture cards and standardized protocols, though interpretation involves clinical judgment. Scoring considers elements like story content and structure, themes, and character analysis to understand subjects' unconscious thoughts, feelings, and motivations.

Uploaded by

adcpdevils
Copyright
© © All Rights Reserved
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1/ 15

Thematic

Apperception Test
: Administration
and Scoring
General Information

 Thematic Apperception Test (TAT) is a projective technique…


 ….involving projection based on ambiguous stimuli
 …premised on projective hypothesis

 Advantages of projective techniques


 Assessing subconscious personality traits, needs and desires
 It is felt that projective techniques provide insights into personality that
could not be obtained otherwise
General Information

 Popularity of the TAT


 The test is reportedly widely used and formal training is recommended by many graduate
program directors

 History and Current Availability


 The TAT was developed by Henry Murray, of Harvard University, with the assistance of
Christiana Morgan
 It is currently published by Pearson Assessment and may be purchased by qualified individuals –
a high level of qualification is required to use the TAT
Test Contents

 The current version of the TAT (Series D) consists of 31 picture cards and a manual

 The images on the picture cards are intentionally ambiguous to facilitate free projection

 The cards may be viewed at the following link:


 Murray established detailed test protocols, with
choice of protocol determined by age and sex of the
respondent
 All respondents are asked to provide an imaginative
story based on the picture cards

Test Contents  Current test protocol has this basic structure but is
more flexible, and variable, than Murray intended.
 Interpretation of the TAT is usually a matter of
clinical judgment – this was what Murray intended.
 There are several standardized scoring schemes for
the TAT but they do not appear to be widely used.
 Editions of the TAT
 Series A, B, C and D

Test  Selection and preparation of images for inclusion in


the TAT
Development  Selection of images from the arts and popular media
 Careful re-drawing of these images by Christiana
Morgan and others
 Most of the development work on the TAT occurred
within 10 years of its introduction in 1935

Test  Key influences on the TAT:


Development  Earlier picture-story tests, e.g. of Binet
 Ideas of Carl Jung
 Thomas Wolfe’s Look Homeward, Angel
Mandatory Conditions for Story

 Current Situation – what is happening at the moment


 Thoughts and feelings - of the characters
 Preceding Events – What has led to the events in the story
 Final Outcome – what was the outcome
Recording considerations

 Time – Latency and total time taken for story telling

 Behavioral Observation – exclamation, speech blocks / difficulties, level of involvement,


pauses, facial expression, non verbal cues

 Questioning and inquiry – questions should be asked at the end of the story not during
the free association phase
Recording considerations

 Complete responses presented by a subject should be recorded.

 behavioral observations: stuttering, voice tone, body posture, hand movements,


exclamation, and so on.
Interpretation

 Themes – noting the nature of conflicts, types of emotions elicited, the way conflicts are
resolved

 Outcomes – analyzing how the stories end, nature of the ending, extent to which ending is
controlled by hero and /or environmental forces
General considerations

 The main content of the stories


 Feelings and tone of the stories
 Assessee’s behavior apart from responses (verbal remarks, affective comments,
nervous gestures, stress gestures etc)
 Story content – inner conflicts, attitudes, fantasies, wishes related to the outside
world
 Story structure – feelings, assumptions related to world in general, inclination
towards pessimism or optimism)
Themes or Levels

 Descriptive level – mere description of the story


 Interpretative Level – extension of the story , added
inferences
 Diagnostic Level – clinical inferences are made
 The Hero – identifying the central character of the
story
 Needs of the Hero – needs, motives, and desires of
the hero
 Identifying presses – important environmental
Interpretation factor influencing or interfering the needs of the
hero
 Conception of environment (world- the perception
of the environment
 Figures seen as - understanding how the client
views other people in their environment
 Significant conflicts - The major conflicts within the
hero/heroine should be noted by reviewing the client’s current
feelings and behaviors (conflicts between id, ego and super-
ego).
 Nature of anxieties – like physical harm and/or punishment;
of disapproval of lack or loss of love; of illness or injury of
being deserted; of deprivation of being overpowered and
Interpretation helpless lonely; of being devoured.
 Main defenses – like repression, projection; undoing; reaction
formation etc.
 Adequacy of superego as manifested by punishment for crime
 Integration of the ego - indicated by the quality with which
the hero/heroine mediates between different conflicts.

You might also like