Van Sant’s 1989 sophomore feature is a road movie on opioids.
The film’s open affection for the Looney Tunes franchise has a restorative quality.
Godard’s 1987 film is a total deconstruction of the prospect of adaptation.
Amadeus is one of the greatest film portraits of an artist for capturing the essence of their work.
The film is a startling vision of two eras shaped in literal and cultural ways by Black people.
Tatiana Fuentes Sadowski’s film boldly exposes the hypocrisies of Western liberal intervention.
Huo’s second feature is attentive to the everyday rhythms of rural communities.
Mercifully, the jaggedness of the dramatic scenes doesn’t extend to the action.
Fukusaku’s film gets a solid transfer from and a small slate of informative extras.
With these films, Hollywood’s most talented video clerk blossomed into a great artist.
Mann and James Stewart’s first collaboration is a touchstone of the western genre.
One of the greatest films in To’s canon receives a long-overdue video release in the West.
Eustache’s masterpiece finally comes to American home video in an immaculate transfer.
Warner’s excellent new transfer presents Fincher’s film in all its grotesque beauty.
Arrow spotlights Tarsem’s flashy debut feature with a gorgeous A/V transfer.
The series has morphed from a “social experiment” into TV’s most complex competition.
Every film here is defined by careful comic timing and a steady escalation of absurdity.
Hung’s 1987 film is a collision of disparate tones held together through sheer force of will.
The film is as fiercely economical as Jaume Collet-Serra’s best work.
This is another indispensable collection of classics from the vaults of Shaw Brothers Studio.