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FOOTPRINTS : AS A FORENSIC
TEJASVI BHATIA
 Introduction
 Nature of footprints
 Scope of footwear impressions
 Its types
 Gait pattern
 Collection and preservation
 Preservation of prints by photography
 Casting of an impressions
 Electrostatic lifting of dust prints
 Examination procedure of impressions
 Its forensic significance
 References
2
 "Wherever he steps, whatever he touches, whatever
he leaves, even unconsciously, will serve as silent
witness against him. Not only his fingerprints or his
footprints, but his hair, the tool mark he leaves, the
paint he scratches, the blood he deposits or collects.
All of these and more bear mute witness against him.
3
 Footprints are a common type of impression
evidence found at or near the crime scenes.
 Shoeprints are the specific term for prints made by
shoes. They may either be indentations in the ground
or something placed on to the surface that was stuck
to the bottom of the foot.
4
 A Footprint may be a foot impression or a footprint
(dust print).
 Foot impression is described as three dimensional
impression which occurs when the foot trends in
some moldable material such as earth, sand , clay,
snow,and so on.
 Footprints: are formed on hard base when the foot or
the sole and heal of a shoe are contaminated with
some foreign matters such as road dirt , dust , flour ,
blood,moisture etc. They may also be latent.
5
 The foot of a human or animal is unique in its
structure and is readily distinguishable.
 The shapes of foot impressions also differ from
individual to individual.
 Footwear and tyre evidences are also important
because of the individuality imparted to them due
to number of factors including infinite wear and
tear patterns.
6
 Different shoes will leave behind prints of different
sizes and patterns.
7
 Most suspects wear shoes.
 Footprints are always left, it is whether they can be
located and differentiated from other prints.
8
1. Three dimensional impression
 Shoeprint made in soft material (dirt, snow)
 Requires making a cast of the print.
 Composition of dirt or
Snow will determine the
detail of the impression.
9
2. Two dimensional print (visible)
 Dirt or other material picked up by shoe and
deposited onto flat, hard surface
 Variety of surfaces and
materials deposited
makes recovery of
these prints complex.
10
3. Two dimensional print (latent)
 Can leave behind barely visible dust
 Can leave impression in polish/wax/dust
11
3. Two dimensional print (latent)
 Can leave behind barely visible dust
 Can leave impression in polish/wax/dust
12
 Link suspect or victim to scenes
 Link two crime scenes
Location of prints can:
 Lead to more evidence.
 Gait or Tracking information?
13
 A Gait pattern is identified from the direction line ,
the walk line, the foot line ,the foot angle ,the step
angle ,the step length, the width of step of the foot or
footwear.
 Individual marks give indication only rarely,
whereas it is possible to determine the same from the
gait pattern as it varies from man to man according to
his height and habits.
 There are drag or slippage marks if he is walking or
running.
14
 Class Characteristics can be used to eliminate a
suspected shoe or suggest a shoe could have made
the impression.
 Size
 Pattern
 Suspect shoe or test impressions compared
15
 Individual Characteristics can be used to
identify an exact shoe.
 However, these can change over time.
16
 Sequence and manner.
 Links between crime scenes
 The type, size and areas of specific wear on the
shoes.
 Certain seasons or weather conditions lend
themselves to the creation of footprint impressions
than others. Soil trapped in soles can also give useful
leads.
17
 The lack of training and education.
 Not believing that the impressions can be found at
the scene after people have walked over the scene.
 Incomplete searches of the crime scene;
 Weather conditions;
 The impression has been intentionally destroyed.
18
 Due to numerous nuances, all shoeprints
should be recovered from the scene.
 Scene should be controlled to prevent destruction
of evidence.
 Footprints are present outdoor as well as indoor.
 Some indoor prints can be visualized by darkening
a room and using a bright light at a low angle.
19
 Footprints should be documented: Location
recorded and photographed.
 Objects with footprints should be removed if
possible (paper, glass).
 If can’t be removed , an examination quality
photo should be taken.
Ruler : allows for enlargement to real size.
 Preservation of the footprints should be
accomplished by both photographing and casting
and lifting in case of dust prints.
20
 The camera is placed vertically above the impression
on a tripod with a scale placed next to the impression
.
 The film plain should be parallel to the impression.
 Two scales should be used in the photograph at right
angles.
 Both black and white and color photographs should
be taken of the prints.
21
 A glass sheet should be held over the impressions as
close as possible but without touching the
impressions.
 Then the contours of impression are sketched on the
glass plate with maximum possible detail.
 The glass plate can be transferred to the laboratory.
22
 Cast picks up detail; is durable
 Cast after photo
 Use dental stone, or plaster of Paris
23
 Three dimensional impressions should always be cast
if there is clarity and the surface will permit.
 Different materials can be used for casting of
footprints: Plaster of Paris , sulfur casting, dental
stone, plastic powders , modeling clay etc.
 Impression prints , such as shoe prints in soft earth,
wet sand etc. or a similar material that can record the
shape and dimensions of the object can be preserved
by casting.
 Casting is done with plaster of Paris mixed with
water.
24
 Then, the frame is put over the footprint and
saturated soln. of P.O.P is poured carefully into the
print.
 Wire mesh is kept and again the soln. is poured .
 After it gets solidify , soil particles adhered are
removed with a soft brush.
 Before the cast hardens,
it should be marked by a
sharp instrument.
25
 Impression is prepared first by spraying a thin layer
of “ Snow Print Wax” and allow it to set for ten
minutes .
 Talcum powder or gray primer spray can be used .
 Prepare a mix. of dental stone using very cold water.
 Pour the dental stone onto the impression carefully.
 Cover the impression with a box and allow the cast to
dry for about 60 mins.
 Remove and air dry the cast.
 Dental stone donot require the use of fixatives such
as spray lacyuers which are done when plaster of
26
 Sulfur casting is another procedure used for snow
prints.
 In this,the sulfur is melted in a 1-quart aluminium pot
and poured into the print.
 As it comes in contact with snow,it solidifies soon.
 But it is very fragile ,hence care must be taken while
handling.
27
 The impressions can be lifted using photographic
paper/film or transparent adhesive tape, electrostatic
lifting, by carbon paper ,silicone ,etc.
 The fixed photographic film/paper is moistened to
make the emulsion side slightly sticky.
 A uniform gentle pressure is applied without any
slippage or sliding of the film/paper .
 It is then lifted carefully and dried. The impression
transferred into the film can be used as a negative to
make copies.
28
 For a dusty or a light colored print, black photo
bromide paper is utilized.
 And for a blood stained or black print , white photo
bromide paper is used.
 The processed paper so obtained is moistened with
water preferably mixed with a few drops of ammonia
and kept for a few minutes.
29
 A black vinyl sheet is placed over the suspected area
containing the impressions and is covered with
aluminium foil through which a high voltage (1500
volts) is applied.
 The dust particles ,which form the impressions, are
attracted towards the vinyl sheet.
 This can be photographed.
30
Electrostatic Lifting:
 A charge is used to lift dry materials from surface to
black film.
 Lift provides more contrast
 Non-destructive
 Photographed for evidence
31
 It is well established that every mark has an
individuality which cannot be duplicated even with
the best of human skill and scientific technique. The
individuality in a given mark can be established from
the below factors:
1) Dimensions 2) Shapes
3) Patterns
32
 These are frequently found in the investigation of
crime . They sometimes provide positive evidence.
These are identified by the study of following
characteristics:-
 Margins Crease marks
 Toe marks Phalange marks
 Toe or ball line Pits , Cracks &Cut marks
33
 If footwear is recovered from the scene of crime, it is
possible to identify the footwear from the various
characteristics of the footwear like; material used, its
wear and tear, etc. The size and the condition of the
footwear can also reveal the height, health of the
person, etc.
34
 Physical measurements & examination of class and
individual characteristics leads to the examination of
footwear impressions & these are:-
 Dimensions
 Repair marks
 Wear and tear
 Foreign material / inclusions
 Any other characteristic
35
 It is very common in impression evidence in almost
all the cases: although it is a tedious work to examine
footprints.
 Due to the normal walking habit of an individual ,
there is variation at different positions in the foot.
 The length of the step.
 Signs of wear n tear,marks of fittings that have come
off,injuries,marks of nails & repair marks
36
 The size and shape of the shoe or a pattern in the heel
or sole is of lesser evidential value .
 Helps to determine the point of entrance and point of
exit.
 Gait pattern may indicate that the subject had
sustained an injury or walked with a limp.
37
 BARRY A.J.FISHER;Techniques of Crime
scene Investigation (1993); Page (244-253)
 P.L.KIRK; Crime Scene Investigation;
Page(74-80)
 William J. Bodziak ; Footwear Impression
Evidence, Elsevier Series, 1990
 Dr. B.R.Sharma; Forensic Science In Criminal
InvestigationAndTrials, Page(175-215)
 www.crime-scene-investigator.net
38

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Forensic evidence

  • 1. FOOTPRINTS : AS A FORENSIC TEJASVI BHATIA
  • 2.  Introduction  Nature of footprints  Scope of footwear impressions  Its types  Gait pattern  Collection and preservation  Preservation of prints by photography  Casting of an impressions  Electrostatic lifting of dust prints  Examination procedure of impressions  Its forensic significance  References 2
  • 3.  "Wherever he steps, whatever he touches, whatever he leaves, even unconsciously, will serve as silent witness against him. Not only his fingerprints or his footprints, but his hair, the tool mark he leaves, the paint he scratches, the blood he deposits or collects. All of these and more bear mute witness against him. 3
  • 4.  Footprints are a common type of impression evidence found at or near the crime scenes.  Shoeprints are the specific term for prints made by shoes. They may either be indentations in the ground or something placed on to the surface that was stuck to the bottom of the foot. 4
  • 5.  A Footprint may be a foot impression or a footprint (dust print).  Foot impression is described as three dimensional impression which occurs when the foot trends in some moldable material such as earth, sand , clay, snow,and so on.  Footprints: are formed on hard base when the foot or the sole and heal of a shoe are contaminated with some foreign matters such as road dirt , dust , flour , blood,moisture etc. They may also be latent. 5
  • 6.  The foot of a human or animal is unique in its structure and is readily distinguishable.  The shapes of foot impressions also differ from individual to individual.  Footwear and tyre evidences are also important because of the individuality imparted to them due to number of factors including infinite wear and tear patterns. 6
  • 7.  Different shoes will leave behind prints of different sizes and patterns. 7
  • 8.  Most suspects wear shoes.  Footprints are always left, it is whether they can be located and differentiated from other prints. 8
  • 9. 1. Three dimensional impression  Shoeprint made in soft material (dirt, snow)  Requires making a cast of the print.  Composition of dirt or Snow will determine the detail of the impression. 9
  • 10. 2. Two dimensional print (visible)  Dirt or other material picked up by shoe and deposited onto flat, hard surface  Variety of surfaces and materials deposited makes recovery of these prints complex. 10
  • 11. 3. Two dimensional print (latent)  Can leave behind barely visible dust  Can leave impression in polish/wax/dust 11
  • 12. 3. Two dimensional print (latent)  Can leave behind barely visible dust  Can leave impression in polish/wax/dust 12
  • 13.  Link suspect or victim to scenes  Link two crime scenes Location of prints can:  Lead to more evidence.  Gait or Tracking information? 13
  • 14.  A Gait pattern is identified from the direction line , the walk line, the foot line ,the foot angle ,the step angle ,the step length, the width of step of the foot or footwear.  Individual marks give indication only rarely, whereas it is possible to determine the same from the gait pattern as it varies from man to man according to his height and habits.  There are drag or slippage marks if he is walking or running. 14
  • 15.  Class Characteristics can be used to eliminate a suspected shoe or suggest a shoe could have made the impression.  Size  Pattern  Suspect shoe or test impressions compared 15
  • 16.  Individual Characteristics can be used to identify an exact shoe.  However, these can change over time. 16
  • 17.  Sequence and manner.  Links between crime scenes  The type, size and areas of specific wear on the shoes.  Certain seasons or weather conditions lend themselves to the creation of footprint impressions than others. Soil trapped in soles can also give useful leads. 17
  • 18.  The lack of training and education.  Not believing that the impressions can be found at the scene after people have walked over the scene.  Incomplete searches of the crime scene;  Weather conditions;  The impression has been intentionally destroyed. 18
  • 19.  Due to numerous nuances, all shoeprints should be recovered from the scene.  Scene should be controlled to prevent destruction of evidence.  Footprints are present outdoor as well as indoor.  Some indoor prints can be visualized by darkening a room and using a bright light at a low angle. 19
  • 20.  Footprints should be documented: Location recorded and photographed.  Objects with footprints should be removed if possible (paper, glass).  If can’t be removed , an examination quality photo should be taken. Ruler : allows for enlargement to real size.  Preservation of the footprints should be accomplished by both photographing and casting and lifting in case of dust prints. 20
  • 21.  The camera is placed vertically above the impression on a tripod with a scale placed next to the impression .  The film plain should be parallel to the impression.  Two scales should be used in the photograph at right angles.  Both black and white and color photographs should be taken of the prints. 21
  • 22.  A glass sheet should be held over the impressions as close as possible but without touching the impressions.  Then the contours of impression are sketched on the glass plate with maximum possible detail.  The glass plate can be transferred to the laboratory. 22
  • 23.  Cast picks up detail; is durable  Cast after photo  Use dental stone, or plaster of Paris 23
  • 24.  Three dimensional impressions should always be cast if there is clarity and the surface will permit.  Different materials can be used for casting of footprints: Plaster of Paris , sulfur casting, dental stone, plastic powders , modeling clay etc.  Impression prints , such as shoe prints in soft earth, wet sand etc. or a similar material that can record the shape and dimensions of the object can be preserved by casting.  Casting is done with plaster of Paris mixed with water. 24
  • 25.  Then, the frame is put over the footprint and saturated soln. of P.O.P is poured carefully into the print.  Wire mesh is kept and again the soln. is poured .  After it gets solidify , soil particles adhered are removed with a soft brush.  Before the cast hardens, it should be marked by a sharp instrument. 25
  • 26.  Impression is prepared first by spraying a thin layer of “ Snow Print Wax” and allow it to set for ten minutes .  Talcum powder or gray primer spray can be used .  Prepare a mix. of dental stone using very cold water.  Pour the dental stone onto the impression carefully.  Cover the impression with a box and allow the cast to dry for about 60 mins.  Remove and air dry the cast.  Dental stone donot require the use of fixatives such as spray lacyuers which are done when plaster of 26
  • 27.  Sulfur casting is another procedure used for snow prints.  In this,the sulfur is melted in a 1-quart aluminium pot and poured into the print.  As it comes in contact with snow,it solidifies soon.  But it is very fragile ,hence care must be taken while handling. 27
  • 28.  The impressions can be lifted using photographic paper/film or transparent adhesive tape, electrostatic lifting, by carbon paper ,silicone ,etc.  The fixed photographic film/paper is moistened to make the emulsion side slightly sticky.  A uniform gentle pressure is applied without any slippage or sliding of the film/paper .  It is then lifted carefully and dried. The impression transferred into the film can be used as a negative to make copies. 28
  • 29.  For a dusty or a light colored print, black photo bromide paper is utilized.  And for a blood stained or black print , white photo bromide paper is used.  The processed paper so obtained is moistened with water preferably mixed with a few drops of ammonia and kept for a few minutes. 29
  • 30.  A black vinyl sheet is placed over the suspected area containing the impressions and is covered with aluminium foil through which a high voltage (1500 volts) is applied.  The dust particles ,which form the impressions, are attracted towards the vinyl sheet.  This can be photographed. 30
  • 31. Electrostatic Lifting:  A charge is used to lift dry materials from surface to black film.  Lift provides more contrast  Non-destructive  Photographed for evidence 31
  • 32.  It is well established that every mark has an individuality which cannot be duplicated even with the best of human skill and scientific technique. The individuality in a given mark can be established from the below factors: 1) Dimensions 2) Shapes 3) Patterns 32
  • 33.  These are frequently found in the investigation of crime . They sometimes provide positive evidence. These are identified by the study of following characteristics:-  Margins Crease marks  Toe marks Phalange marks  Toe or ball line Pits , Cracks &Cut marks 33
  • 34.  If footwear is recovered from the scene of crime, it is possible to identify the footwear from the various characteristics of the footwear like; material used, its wear and tear, etc. The size and the condition of the footwear can also reveal the height, health of the person, etc. 34
  • 35.  Physical measurements & examination of class and individual characteristics leads to the examination of footwear impressions & these are:-  Dimensions  Repair marks  Wear and tear  Foreign material / inclusions  Any other characteristic 35
  • 36.  It is very common in impression evidence in almost all the cases: although it is a tedious work to examine footprints.  Due to the normal walking habit of an individual , there is variation at different positions in the foot.  The length of the step.  Signs of wear n tear,marks of fittings that have come off,injuries,marks of nails & repair marks 36
  • 37.  The size and shape of the shoe or a pattern in the heel or sole is of lesser evidential value .  Helps to determine the point of entrance and point of exit.  Gait pattern may indicate that the subject had sustained an injury or walked with a limp. 37
  • 38.  BARRY A.J.FISHER;Techniques of Crime scene Investigation (1993); Page (244-253)  P.L.KIRK; Crime Scene Investigation; Page(74-80)  William J. Bodziak ; Footwear Impression Evidence, Elsevier Series, 1990  Dr. B.R.Sharma; Forensic Science In Criminal InvestigationAndTrials, Page(175-215)  www.crime-scene-investigator.net 38