Mannerism
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The document discusses the Mannerist style of art and architecture that emerged in the 16th century in Florence and Rome as a reaction against the ideals of the High Renaissance. Some key features of Mannerism include elongated proportions, asymmetrical and irregular compositions, and an emphasis on complex poses and artificial effects rather than balance and rational order. Mannerist works also featured unusual lighting, expressive forms, and a revival of elements of Roman architecture. The style represented a shift away from the naturalism, symmetry, and classical restraint of the Renaissance in favor of a more complex, anti-structural, and exaggerated mode of expression.
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Presentation1
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baroquearchitecture-140202083520-phpapp01.pptx
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ppt.pdf
ppt.pdfDivyaBalani7 Baroque architecture developed from the late 16th century to 1750 across Europe and America. It was characterized by dramatic use of light, large-scale ceiling frescoes, and interiors designed as shells for painting and sculpture. In Italy, architects like Bernini and Borromini created buildings fusing architecture, painting and sculpture, using techniques like false perspective. In France, architecture under Louis XIV aimed to show the power of the monarchy through ordered, rational designs like the Louvre and Versailles palaces. The Rococo style later emphasized luxurious interior decoration with asymmetrical designs and exotic influences in countries across Europe.
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Art and Architecture in Renaissance period
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Contemporary arts
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Ancien regime iii
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Italian renaissance 15th century
Italian renaissance 15th centurysmolinskiel The document provides an overview of developments in Italian Renaissance art and architecture during the 15th century. It discusses how art was influenced by classical styles and humanism, with an emphasis on realistic perspective in paintings and nude figures. Important architects like Brunelleschi and Alberti designed buildings using mathematics, symmetry, and light-filled spaces. Painters like Masaccio and del Castagno created frescoes applying linear perspective and individualized figures.
Review 
Review J Luque The document provides an overview of Hispanic art from prehistoric times through the Baroque period. It begins with Paleolithic art dating back 40,000 years, then discusses Mesolithic and Neolithic art between 10,000-1,000 BCE. Specific styles are outlined such as Levantine art featuring human figures and identifiable animals. Schematic and Macro Schematic art of the early metalworking cultures is also summarized. The document then reviews Iberian art from the 2nd Iron Age and prominent works like the Lady of Baza and Lady of Elche. Roman and Romanesque architecture is briefly covered before discussing the Mudejar style under Christian rule in Spain. Gothic, Renaissance, Mannerism, and Baroque periods are all outlined
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Mannerism
- 1. Presented By:- Farhan Asim Varsha Kapoor Saumya Kamboj Prashant Awasthi Ankit Vaswani Pooja Pandey MANNERISM HISTORY OF ARCHITECTURE 2014-2015
- 2. MANNERISM • Post Renaissance Pre-Baroque • 16th century (1520-1590) • In Florence & Rome. • Evolved from Italian word ‘Maniera’ – ‘style’ or ‘way of working’. • Artificial style in contrast to the naturalism of the high renaissance. • Distortion of elements such as proportion and space. • Expressive forms of arts rather than classical forms. • Details out the lives and works of key artists of the Mannerist style. • Recognition of artistic elements of Mannerist painting, sculpture and architecture. • Irrational spaces.
- 3. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 4. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 5. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 6. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 7. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 8. MANNERISM – basic features • Elongated features. • Figura Serpentinate. • Less emphasis on balance, symmetry and rational composition (values of High Renaissance). • Unusual lighting effects. • Expressive forms. • Adopted from Roman Architecture style.
- 9. MANNERISM – characteristics • PERFECTION & REACTION – THE NEXT STEP AFTER EXTREME END.
- 10. MANNERISM – characteristics • ABSTRACTION OF THE ORDERS – HIDING OR COVERING UP THE ORDERS OR COLUMNS.
- 11. MANNERISM – characteristics • RUSTICATION – RELIEF IN EXTERIOR THROUGH CHISELLED TEXTURE • EXPOSED BRICK / STONE WORK. • EARLIER THE EXTERIOR WAS COVERED WITH EITHER STUCCO OR PLASTER
- 12. MANNERISM – characteristics • ANTISTRUCTURALISM – NOT USING THE STRUCTURE FOR WHAT IT STANDS FOR.
- 13. MANNERISM – characteristics • EXAGGERATION & DISMEMBERMENT – EXTENDING BEYOND LIMITS AND IN A SEPARATED WAY THUS EACH EXTENDED ELEMENT HAS ITS OWN IDENTITY.
Editor's Notes
- #2: To view this presentation, first, turn up your volume and second, launch the self-running slide show.