The 76th Cannes Film Festival has already delivered a slew of breathtaking red-carpet looks, from Elle Fanning’s Alexander McQueen “dress of dreams” to Natalie Portman's bespoke Dior gown. And if you didn't know already, the Black Swan actor’s arrival at the May December premiere in a glittering custom Dior number was an ode to a museum piece that has really captivated die-hard fashion enthusiasts.
The ivory strapless gown that Natalie Portman wore — meticulously adorned with ornate beading and featuring a layered skirt reminiscent of a fan of eyeless peacock feathers — is inspired by the Junon dress that Christian Dior himself created for his 1949-1950 autumn/winter collection (named after the Ancient Roman goddess, who was wife to Jupiter and patron goddess of Rome). Although it’s not currently on display, the original dress is a part of The Metropolitan Museum of Art’s Costume Institute collection.
While Natalie look — which was dreamt up by Dior’s current creative director Maria Grazia Chiuri — pays homage to the legendary piece, the construction and fabrication of the garment are not identical to the original. It’s divided the internet’s style-watchers, with some praising the reference (“This is insane,” asserts fashion Twitter account @SaintDoII), and others, like Cherie Balch of Shrimpton Couture, suggesting that certain historic gowns just shouldn’t be recreated. (Naturally, the vintage expert advocates for true archive over recreations on the red carpet.)
“Natalie Portman looked stunning, and her place as a long time ambassador of the house certainly justifies re-making this gown,” Balch noted on Instagram. “But, for me, the reproduction pales in comparison — the line is not quite right, the embellishment is less, and the movement didn’t have the ease and beauty of the original.”
The dress has been referenced on numerous occasions in the past at Dior, as well as by other design houses. Some of the most notable moments include dresses from John Galliano’s spring 2010 haute couture and Grazia Chiuri’s spring 2017 haute couture collections at Dior, as well as Zuhair Murad’s bespoke scalloped number for British Vogue’s June cover star Miley Cyrus, which she wore to the 2009 Oscars.
This article first appeared on vogue.co.uk
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