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{{Short description|Electronic music genre, British development of dubstep}}
{{About|the UK scene and genre|American developments|Brostep}}
{{Infobox Music genre
{{Infobox Music genre
|name = Post-dubstep
| name = Post-dubstep
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| stylistic_origins = {{hlist|[[Dubstep]]|[[contemporary R&B|R&B]]|[[2-step garage|2-step]]|[[Ambient music|ambient]]|[[Minimal music|minimal]]|[[Intelligent dance music|IDM]]}}
|color = black
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| cultural_origins = Late 2000s, [[London]], UK
|bgcolor = silver
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| instruments = {{hlist|[[Music sequencer|Sequencer]]|[[turntablism|turntables]]|[[sampler (musical instrument)|sampler]]|[[drum machine]]|[[synthesizer]]|[[keyboard instrument|keyboard]]|[[personal computer]]}}
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|stylistic_origins = [[Dubstep]], [[R&B]], [[2-step garage|2-step]], [[Ambient music|ambient]], [[minimal]], [[IDM]]
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| derivatives = {{hlist|[[UK bass]]}}
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|cultural_origins = Late 2000s,<br />[[London]], [[United Kingdom]]
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|instruments = [[Music sequencer|Sequencer]], [[turntablism|turntables]], [[sampler (musical instrument)|sampler]], [[drum machine]], [[synthesizer]], [[keyboard instrument|keyboard]], [[personal computer]]
|popularity = Mainly underground, but with an increase in mainstream popularity in 2011
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|derivatives =
|subgenrelist =
|subgenres =
|fusiongenres =
|regional_scenes =
|local_scenes =
|other_topics =
}}
}}
[[File:James_Blake_Melt_Festival_2013_(51982362).jpeg|alt=Image of James Blake at a music festival|thumb|[[James Blake (musician)|James Blake]], a post-dubstep artist, at [[Melt! Festival]], 2013]]
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'''Post-dubstep''' is an umbrella term applied to a range of musical styles that have been influenced by the sparse, syncopated rhythms and heavy [[sub-bass]] of the UK [[dubstep]] scene. The breadth of styles associated with the term post-dubstep precluded it from being a specific musical genre in the early 2010s.<ref name=P>{{cite web |url=http://www.pitchfork.com/features/grime-dubstep/7965-grime-dubstep |title=Grime / Dubstep |last=Clark |first=Martin |work=[[Pitchfork Media|Pitchfork]] |date=4 May 2011 |accessdate=12 June 2011}}</ref> Such music often references earlier dubstep productions as well as [[UK garage]], [[2-step garage|2-step]] and other forms of underground [[electronic dance music]].<ref name=S>{{cite web |url=http://www.spin.com/articles/listen-10-post-dubstep-artists-who-matter |title=10 Post-Dubstep Artists Who Matter |last=Aaron |first=Charles |work=[[Spin (magazine)|Spin]] |date=4 March 2011}}</ref><ref>{{cite web |url=http://www.dailygamecock.com/mix/item/1538-sbtrkt-adds-to-post-dubstep-genre |title=SBTRKT adds to post-dubstep genre |last=Moore |first=Thad |work=[[The Daily Gamecock]] |date=12 July 2011}}</ref><ref>{{cite web |url=http://www.xlr8r.com/features/2011/05/bubblin-blawan-takes-post-dubste |title=Blawan takes post-dubstep and UK house out of its comfort zone |last=Guidry |first=Jake |work=[[XLR8R]] |date=19 May 2011}}</ref> Artists producing music that has been described as post-dubstep have also incorporated elements of [[ambient music]] and early 2000s [[Contemporary R&B|R&B]]. The latter in particular is heavily sampled by two artists described as post-dubstep, [[Mount Kimbie]] and [[James Blake (musician)|James Blake]].<ref>{{cite web |url=http://www.guardian.co.uk/music/2010/nov/16/new-band-fantastic-mr-fox |title=Fantastic Mr Fox (No 910) |work=[[The Guardian]] |date=6 January 2011}}</ref><ref>{{cite web |url=http://www.bbc.co.uk/learningzone/clips/a-profile-of-james-blake-post-dubstep-artist/11912.html |title=A profile of James Blake - post-dubstep artist |work=[[BBC News]] |date=6 January 2011 |url-status=dead |archive-url=https://web.archive.org/web/20120326093445/http://www.bbc.co.uk/learningzone/clips/a-profile-of-james-blake-post-dubstep-artist/11912.html |archive-date=26 Mar 2012}}</ref> The tempo of music typically characterised as post-dubstep is approximately 130 [[beats per minute]].<ref name=P/>


⚫
The production duo [[Mount Kimbie]] is often associated with the origination of the term post-dubstep.<ref name="C&R">{{cite web |url=http://www.allmusic.com/album/r1819219 |title=Crooks & Lovers - Mount Kimbie |last=Jeffries |first=David |work=[[Allmusic]] |publisher=[[Rovi Corporation]] |accessdate=6 April 2011}}</ref> Mount Kimbie's ''Maybes EP'', James Blake's remix of Untold's "Stop What You're Doing" and [[Joy Orbison]]'s "Hyph Mngo" can be used as markers in the breaking off of post-dubstep as a distinct sound.{{citation needed|date=October 2011}} The commercial popularity of [[the xx]] also marked a breakaway and a member of the band, [[Jamie xx]] has released remixes which are considered post-dubstep, including a [[Gil Scott-Heron]] remix album.<ref name=S/> Other names frequently associated with post-dubstep are Ikonika, [[2562 (musician)|2562]], Cityscape, Deadboy, [[Martyn (musician)|Martyn]], Floating Points, Pangaea, Ramadanman, [[Sepalcure]], [[FaltyDL]], Pariah, [[Burial (musician)|Burial]], [[The Weeknd]], [[SBTRKT]], Scuba, Egyptrixx, Persian Empire, Shackleton, Starkey, Matthew Thompson, Ital Tek, Ifan Dafydd, Guido, [[Four Tet]] and the U.K. labels Hotflush and [[Hyperdub]].<ref name=P/>
'''Post-dubstep''' is an umbrella term applied to a range of musical styles that have been influenced by [[dubstep]]. The breadth of styles associated with the term post-dubstep preclude it from being a specific musical genre.<ref name=P>{{cite web |url=http://www.pitchfork.com/features/grime-dubstep/7965-grime-dubstep |title=Grime / Dubstep |last=Clark |first=Martin |work=[[Pitchfork Media|Pitchfork]] |date=4 May 2011 |accessdate=12 June 2011}}</ref> Such music often references earlier dubstep productions as well as [[UK Garage]],
⚫
[[2-step]], and other froms of underground [[electronic dance music]]. <ref name=S>{{cite web |url=http://www.spin.com/articles/listen-10-post-dubstep-artists-who-matter |title=10 Post-Dubstep Artists Who Matter |last=Aaron |first=Charles |work=[[Spin (magazine)|Spin]] |date=4 March 2011}}</ref><ref>{{cite web |url=http://www.dailygamecock.com/mix/item/1538-sbtrkt-adds-to-post-dubstep-genre |title=SBTRKT adds to post-dubstep genre |last=Moore |first=Thad |work=[[The Daily Gamecock]] |date=12 July 2011}}</ref><ref>{{cite web |url=http://www.xlr8r.com/features/2011/05/bubblin-blawan-takes-post-dubste |title=Blawan takes post-dubstep and UK house out of its comfort zone |last=Guidry |first=Jake |work=[[XLR8R]] |date=19 May 2011}}</ref> Artists producing music that has been described as post-dubstep have also incorporated elements of [[ambient music]] and early [[2000s (decade)|2000s]] [[Contemporary R&B|R&B]]. The latter in particular is heavily sampled by two artists described as post-dubstep, [[Mount Kimbie]], Fantastic Mr Fox and [[James Blake (musician)|James Blake]].<ref>{{cite web |url=http://www.guardian.co.uk/music/2010/nov/16/new-band-fantastic-mr-fox |title=Fantastic Mr Fox (No 910) |work=[[The Guardian]] |date=6 January 2011}}</ref><ref>{{cite web |url=http://www.bbc.co.uk/learningzone/clips/a-profile-of-james-blake-post-dubstep-artist/11912.html |title=A profile of James Blake - post-dubstep artist |work=[[BBC News]] |date=6 January 2011}}</ref> The tempo of music typically characterised as post-dubstep is approximately 130 [[Tempo#Beats_per_minute|beats per minute]].<ref name=P>{{cite web |url=http://www.pitchfork.com/features/grime-dubstep/7965-grime-dubstep |title=Grime / Dubstep |last=Clark |first=Martin |work=[[Pitchfork Media|Pitchfork]] |date=4 May 2011 |accessdate=12 June 2011}}</ref>


==See also==
⚫
The production duo [[Mount Kimbie]] is often associated with the origination of the term post-dubstep. <ref name="C&R">{{cite web |url=http://www.allmusic.com/album/r1819219 |title=Crooks & Lovers - Mount Kimbie |last=Jeffries |first=David |work=[[Allmusic]] |publisher=[[Rovi Corporation]] |accessdate=6 April 2011}}</ref> Mount Kimbie's ''Maybes EP'', James Blake's remix of Untold's "''Stop What You're Doing''" and [[Joy Orbison]]'s "''Hyph Mngo''" can be used as markers in the breaking off of post-dubstep as a distinct sound.{{fact|date=October 2011}} The commercial popularity of [[The xx]], also marked a breakaway and a member of the band, [[Jamie xx]] has released remixes which are considered post-dubstep, including a [[Gil Scott-Heron]] remix album.<ref name=S>{{cite web |url=http://www.spin.com/articles/listen-10-post-dubstep-artists-who-matter |title=10 Post-Dubstep Artists Who Matter |last=Aaron |first=Charles |work=[[Spin (magazine)|Spin]] |date=4 March 2011}}</ref> Other names frequently associated with post-dubstep are Ikonika, [[2562 (musician)|2562]], Cityscape, Deadboy, [[Martyn (musician)|Martyn]], Floating Points, Pangaea, Ramadanman, Sepalcure, FaltyDL, Pariah, [[Burial (musician)|Burial]], [[The Weeknd]], [[SBTRKT]], Scuba, Egyptrixx, Shackleton, Starkey, Matthew Thompson, Ital Tek, Ifan Dafydd, Guido, [[Four Tet]] and the U.K. labels Hotflush and [[Hyperdub]].<ref name=P/>
*[[List of post-dubstep musicians]]


==References==
==References==
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[[Category:Post-dubstep| ]]
[[Category:Post-dubstep| ]]
[[Category:Electronic music genres]]
[[Category:Electronic dance music genres]]
[[Category:Music from London]]
[[Category:Music in London]]
[[Category:Youth culture in the United Kingdom]]
[[Category:Youth culture in the United Kingdom]]
[[Category:2010s in music]]
[[Category:2010s in music]]
[[Category:Fusion music genres]]
[[Category:Counterculture of the 2010s]]
[[Category:English styles of music]]

Latest revision as of 06:01, 17 June 2024

This article is about the UK scene and genre. For American developments, see Brostep.
Post-dubstep
Stylistic origins
Cultural originsLate 2000s, London, UK
Typical instruments
Derivative forms
Image of James Blake at a music festival
James Blake, a post-dubstep artist, at Melt! Festival, 2013

Post-dubstep is an umbrella term applied to a range of musical styles that have been influenced by the sparse, syncopated rhythms and heavy sub-bass of the UK dubstep scene. The breadth of styles associated with the term post-dubstep precluded it from being a specific musical genre in the early 2010s.[1] Such music often references earlier dubstep productions as well as UK garage, 2-step and other forms of underground electronic dance music.[2][3][4] Artists producing music that has been described as post-dubstep have also incorporated elements of ambient music and early 2000s R&B. The latter in particular is heavily sampled by two artists described as post-dubstep, Mount Kimbie and James Blake.[5][6] The tempo of music typically characterised as post-dubstep is approximately 130 beats per minute.[1]

The production duo Mount Kimbie is often associated with the origination of the term post-dubstep.[7] Mount Kimbie's Maybes EP, James Blake's remix of Untold's "Stop What You're Doing" and Joy Orbison's "Hyph Mngo" can be used as markers in the breaking off of post-dubstep as a distinct sound.[citation needed] The commercial popularity of the xx also marked a breakaway and a member of the band, Jamie xx has released remixes which are considered post-dubstep, including a Gil Scott-Heron remix album.[2] Other names frequently associated with post-dubstep are Ikonika, 2562, Cityscape, Deadboy, Martyn, Floating Points, Pangaea, Ramadanman, Sepalcure, FaltyDL, Pariah, Burial, The Weeknd, SBTRKT, Scuba, Egyptrixx, Persian Empire, Shackleton, Starkey, Matthew Thompson, Ital Tek, Ifan Dafydd, Guido, Four Tet and the U.K. labels Hotflush and Hyperdub.[1]

See also

[edit]

References

[edit]
  1. ^ a b c Clark, Martin (4 May 2011). "Grime / Dubstep". Pitchfork. Retrieved 12 June 2011.
  2. ^ a b Aaron, Charles (4 March 2011). "10 Post-Dubstep Artists Who Matter". Spin.
  3. ^ Moore, Thad (12 July 2011). "SBTRKT adds to post-dubstep genre". The Daily Gamecock.
  4. ^ Guidry, Jake (19 May 2011). "Blawan takes post-dubstep and UK house out of its comfort zone". XLR8R.
  5. ^ "Fantastic Mr Fox (No 910)". The Guardian. 6 January 2011.
  6. ^ "A profile of James Blake - post-dubstep artist". BBC News. 6 January 2011. Archived from the original on 26 Mar 2012.
  7. ^ Jeffries, David. "Crooks & Lovers - Mount Kimbie". Allmusic. Rovi Corporation. Retrieved 6 April 2011.
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