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{{About|the album|the article about the band's also self-titled debut EP|The Fleet Foxes}}
{{About|the album|the article about the band's also self-titled debut EP|The Fleet Foxes}}
{{Use mdy dates|date=October 2024}}
{{Infobox album
{{Infobox album
| name = Fleet Foxes
| name = Fleet Foxes
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* [[Avast! Recording Company|Avast! Recording]], Seattle
* [[Avast! Recording Company|Avast! Recording]], Seattle
* [[London Bridge Studio|London Bridge]], Seattle
* [[London Bridge Studio|London Bridge]], Seattle
| genre = {{hlist|[[Indie folk]]<ref>{{cite web|url= https://www.thelineofbestfit.com/reviews/albums/fleet-foxes-shore-album-review|title= Fleet Foxes are resplendent and honeyed on surprise autumn equinox album Shore|author= Jack Bray|date= September 22, 2020|website= [[The Line of Best Fit]]|access-date= November 8, 2020}}</ref>|[[chamber pop]]<ref>{{cite web|url= https://www.nme.com/music-interviews/fleet-foxes-robin-pecknold-new-album-shore-trump-post-malone-2771736|title= Fleet Foxes: "In this moment, pre-election, there can be some optimism in the air"|website= [[NME]]|date= 6 October 2020|access-date= November 9, 2020}}</ref>|{{nowrap|[[folk rock]]}}<ref>{{cite web|url= https://www.nytimes.com/2017/05/31/arts/music/fleet-foxes-robin-pecknold-crack-up-interview.html|title= How the Fleet Foxes Frontman Got Out to Get Back In|author= David Peisner|date= May 31, 2017|website= [[The New York Times]]|access-date= November 8, 2020|quote= Fleet Foxes’ first two albums of meticulous, expansive folk-rock have sold more than two million copies worldwide}}</ref>|[[folk-pop]]<ref>{{cite magazine|author=Ellen Johnson|title=Fleet Foxes Manifest Peace on Surprise New Album Shore|url=https://www.pastemagazine.com/music/fleet-foxes/shore-album-review/|magazine= [[Paste (magazine)|Paste]]|location= [[Decatur, Georgia]], U.S.|date=September 23, 2020|access-date=May 9, 2021}}</ref>}}
| genre = {{hlist|[[Indie folk]]<ref>{{cite web|url= https://www.thelineofbestfit.com/reviews/albums/fleet-foxes-shore-album-review|title= Fleet Foxes are resplendent and honeyed on surprise autumn equinox album Shore|author= Jack Bray|date= September 22, 2020|website= [[The Line of Best Fit]]|access-date= November 8, 2020}}</ref>|[[chamber pop]]<ref>{{cite web|url= https://www.nme.com/music-interviews/fleet-foxes-robin-pecknold-new-album-shore-trump-post-malone-2771736|title= Fleet Foxes: "In this moment, pre-election, there can be some optimism in the air"|website= [[NME]]|date= October 6, 2020|access-date= November 9, 2020}}</ref>|{{nowrap|[[folk rock]]}}<ref>{{cite web|url= https://www.nytimes.com/2017/05/31/arts/music/fleet-foxes-robin-pecknold-crack-up-interview.html|title= How the Fleet Foxes Frontman Got Out to Get Back In|author= David Peisner|date= May 31, 2017|website= [[The New York Times]]|access-date= November 8, 2020|quote= Fleet Foxes’ first two albums of meticulous, expansive folk-rock have sold more than two million copies worldwide}}</ref>|[[folk-pop]]<ref>{{cite magazine|author=Ellen Johnson|title=Fleet Foxes Manifest Peace on Surprise New Album Shore|url=https://www.pastemagazine.com/music/fleet-foxes/shore-album-review/|magazine= [[Paste (magazine)|Paste]]|location= [[Decatur, Georgia]], U.S.|date=September 23, 2020|access-date=May 9, 2021}}</ref>}}
| length = 39:20
| length = 39:20
| label = {{hlist|[[Sub Pop]]|[[Bella Union]]}}
| label = {{hlist|[[Sub Pop]]|[[Bella Union]]}}
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}}
}}


'''''Fleet Foxes''''' is the debut [[studio album]] by American band [[Fleet Foxes]], released on June 3, 2008, by [[Sub Pop]] and [[Bella Union]]. The album garnered wide praise from critics, many of whom named it one of the best albums of the 2000s and one of the greatest debut albums of all time.<ref name="Times" /><ref name=":0" />
'''''Fleet Foxes''''' is the debut studio album by American band [[Fleet Foxes]], released on June 3, 2008, by [[Sub Pop]] and [[Bella Union]]. The album garnered wide praise from critics, many of whom named it one of the best albums of the 2000s and one of the greatest debut albums of all time.<ref name="Times" /><ref name=":0" />


==Background==
==Background==
Fleet Foxes was formed in [[Seattle, Washington]] in 2006 by singer-songwriters [[Robin Pecknold]] and Skyler Skjelset.<ref name="Monger 2020 h714">{{cite web | last=Monger | first=Timothy | title=Fleet Foxes Biography, Songs, & Albums | website=AllMusic | date=September 22, 2020 | url=https://www.allmusic.com/artist/fleet-foxes-mn0000990366/biography | access-date=August 16, 2023}}</ref> Pecknold grew up in nearby [[Kirkland, Washington|Kirkland]], an affluent suburb. His parents gave him an acoustic guitar in middle school. He met Skjelset in high school, bonded over music and similar [[Norway|Norwegian]] roots.<ref name="ind08-2"/> In his tenth grade year, Pecknold dropped out, completing his degree at a [[community college]] and immersing himself in music.<ref name="rs08"/> He moved into the city and secured work at a restaurant, where he joined the local outfit Dolour<ref name="utr08"/> and befriended other accomplished musicians.<ref name="sp08"/> Further, Pecknold gained connections through a job at a burrito restaurant, where he discovered more contemporary [[indie rock]].<ref name="rs08"/>
Fleet Foxes was formed in [[Seattle]], Washington in 2006 by singer-songwriters [[Robin Pecknold]] and Skyler Skjelset.<ref name="Monger 2020 h714">{{cite web | last=Monger | first=Timothy | title=Fleet Foxes Biography, Songs, & Albums | website=AllMusic | date=September 22, 2020 | url=https://www.allmusic.com/artist/fleet-foxes-mn0000990366/biography | access-date=August 16, 2023}}</ref> Pecknold grew up in nearby [[Kirkland, Washington|Kirkland]], an affluent suburb. His parents gave him an acoustic guitar in middle school. He met Skjelset in high school, bonded over music and similar Norwegian roots.<ref name="ind08-2"/> In his tenth grade year, Pecknold dropped out, completing his degree at a [[community college]] and immersing himself in music.<ref name="rs08"/> He moved into the city and secured work at a restaurant, where he joined the local outfit Dolour<ref name="utr08"/> and befriended other accomplished musicians.<ref name="sp08"/> Further, Pecknold gained connections through a job at a burrito restaurant, where he discovered more contemporary [[indie rock]].<ref name="rs08"/>


The pair first settled on the name the Pineapples, but the name was taken by a local punk act. Instead, Pecknold thought of the name Fleet Foxes, which he felt brought to mind [[fox hunting]].<ref name="ind08"/> The band was rounded out with Christian Wargo (bass, guitar, vocals) and Casey Wescott (keyboards, mandolin, vocals), both members of the electronic outfit Crystal Skulls, and Nicholas Peterson (drums, vocals), formerly of [[Pedro the Lion]].<ref name="str08"/> The band booked consistent local gigs and began receiving favorable write-ups in the press.<ref name="str08"/>
The pair first settled on the name the Pineapples, but the name was taken by a local punk act. Instead, Pecknold thought of the name Fleet Foxes, which he felt brought to mind [[fox hunting]].<ref name="ind08"/> The band was rounded out with Christian Wargo (bass, guitar, vocals) and Casey Wescott (keyboards, mandolin, vocals), both members of the electronic outfit Crystal Skulls, and Nicholas Peterson (drums, vocals), formerly of [[Pedro the Lion]].<ref name="str08"/> The band booked consistent local gigs and began receiving favorable write-ups in the press.<ref name="str08"/>


==Recording==
==Recording==
The band began recording the album in 2007, in Pecknold's parents' basement<ref name="rs08"/> and Wescott's home.<ref name="ind08-2"/> The album was produced by veteran engineer [[Phil Ek]], best-known for his work with other [[Pacific Northwest]] luminaries, such as [[Built to Spill]]. Ek had first met Pecknold four years prior.<ref name="rs08"/> Ek had earlier helped Fleet Foxes record their first [[Demo (music)|demo]] and used his influence to assist in shopping it to record labels.<ref name="hitquarters.com">[http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_Phil_Ek_Interview.html "Interview With Phil Ek"], ''[[HitQuarters]]'', 25 May 2009.</ref> The resulting album was recorded with Ek over the course of a year. As labels had yet to get involved with the band at this point, the recording was funded by the group themselves.<ref name="hitquarters.com"/>
The band began recording the album in 2007, in Pecknold's parents' basement<ref name="rs08"/> and Wescott's home.<ref name="ind08-2"/> The album was produced by veteran engineer [[Phil Ek]], best-known for his work with other [[Pacific Northwest]] luminaries, such as [[Built to Spill]]. Ek had first met Pecknold four years prior.<ref name="rs08"/> Ek had earlier helped Fleet Foxes record their first demo and used his influence to assist in shopping it to record labels.<ref name="hitquarters.com">[http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_Phil_Ek_Interview.html "Interview With Phil Ek"], ''[[HitQuarters]]'', May 25, 2009.</ref> The resulting album was recorded with Ek over the course of a year. As labels had yet to get involved with the band at this point, the recording was funded by the group themselves.<ref name="hitquarters.com"/>


For the album, the group aimed to rework their existing sound into something more simple, emphasizing [[harmonies]] and unconventional [[song structure]]s.<ref name="str08"/> Pecknold described the sessions as constant and exhausting, with the album going through various phases and permutations before they settled on its final state. The album was completed at one point, but was entirely revised and re-recorded. Pecknold noted that nothing could match the idea of the album he envisioned; he continued updating its song sequence and writing new pieces up until it was set to be [[audio mixing|mixed]]. Band members would record their parts between shifts at their jobs,<ref name="utr08"/> and they placed their guitar amplifiers in [[Native Americans in the United States|Native American]] [[tipi]]s for aesthetics.<ref name="ind08"/> Pecknold also suffered from sickness during the recording, which impacted his vocal takes.<ref name="utr08"/> The album was completed in November 2007,<ref name="ind08"/> with Pecknold again applying new vocal takes the night before its last mixing session.<ref name="utr08">{{cite web|url=https://www.undertheradarmag.com/interviews/fleet_foxes_interview_112008|title=The Sound of (Dis)satisfaction|date=November 1, 2008|first=Matt|last=Fink|work=Under the Radar|accessdate=August 16, 2023}}</ref>
For the album, the group aimed to rework their existing sound into something more simple, emphasizing [[harmonies]] and unconventional [[song structure]]s.<ref name="str08"/> Pecknold described the sessions as constant and exhausting, with the album going through various phases and permutations before they settled on its final state. The album was completed at one point, but was entirely revised and re-recorded. Pecknold noted that nothing could match the idea of the album he envisioned; he continued updating its song sequence and writing new pieces up until it was set to be [[audio mixing|mixed]]. Band members would record their parts between shifts at their jobs,<ref name="utr08"/> and they placed their guitar amplifiers in Native American [[tipi]]s for aesthetics.<ref name="ind08"/> Pecknold also suffered from sickness during the recording, which impacted his vocal takes.<ref name="utr08"/> The album was completed in November 2007,<ref name="ind08"/> with Pecknold again applying new vocal takes the night before its last mixing session.<ref name="utr08">{{cite web|url=https://www.undertheradarmag.com/interviews/fleet_foxes_interview_112008|title=The Sound of (Dis)satisfaction|date=November 1, 2008|first=Matt|last=Fink|work=Under the Radar|accessdate=August 16, 2023}}</ref>
==Themes==
==Themes==
{{Quote box
{{Quote box
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The album fuses [[folk music]], [[gospel music|gospel]], [[psychedelic pop]], and [[Sacred Harp]] styles.<ref name="npr">{{cite web|url=https://www.npr.org/templates/story/story.php?storyId=92909787|title=Fleet Foxes: The Lillywhite Session|date=January 21, 2008|website=NPR|accessdate=August 16, 2023}}</ref> ''[[Rolling Stone]]'' columnist Austin Scaggs described the album's music as dense, singling out its usage of progressive [[countermelodies]].<ref name="rs08"/> The album's harmonious arrangements were interpreted as lush<ref name="npr08"/> and textured.<ref name="ind08-2"/> Though the music is audibly informed by gospel traditions, Pecknold was not brought up religious. Instead, he felt the devotional aspect proved more compelling from a songwriting standpoint.<ref name="ind08"/> Its mood evokes bucolic images, yearning for easier times; Pecknold called it "uninformed nostalgia".<ref name="ind08">{{cite web|url=https://www.independent.co.uk/arts-entertainment/music/features/on-the-hunt-for-meaning-with-seattle-band-fleet-foxes-846150.html|title=On the hunt for meaning with Seattle band Fleet Foxes|date=June 13, 2008|first=James|last=McNair|work=The Independent|accessdate=August 16, 2023}}</ref>
The album fuses [[folk music]], [[gospel music|gospel]], [[psychedelic pop]], and [[Sacred Harp]] styles.<ref name="npr">{{cite web|url=https://www.npr.org/templates/story/story.php?storyId=92909787|title=Fleet Foxes: The Lillywhite Session|date=January 21, 2008|website=NPR|accessdate=August 16, 2023}}</ref> ''[[Rolling Stone]]'' columnist Austin Scaggs described the album's music as dense, singling out its usage of progressive [[countermelodies]].<ref name="rs08"/> The album's harmonious arrangements were interpreted as lush<ref name="npr08"/> and textured.<ref name="ind08-2"/> Though the music is audibly informed by gospel traditions, Pecknold was not brought up religious. Instead, he felt the devotional aspect proved more compelling from a songwriting standpoint.<ref name="ind08"/> Its mood evokes bucolic images, yearning for easier times; Pecknold called it "uninformed nostalgia".<ref name="ind08">{{cite web|url=https://www.independent.co.uk/arts-entertainment/music/features/on-the-hunt-for-meaning-with-seattle-band-fleet-foxes-846150.html|title=On the hunt for meaning with Seattle band Fleet Foxes|date=June 13, 2008|first=James|last=McNair|work=The Independent|accessdate=August 16, 2023}}</ref>


The album's pastoral music is primarily acoustic in nature, an its lyrics autobiographical<ref name="rs08"/> and philosophic<ref name="npr08"/>—much of the topics related to Pecknold's friends and family.<ref name="ind08"/> "Blue Ridge Mountains" was originally named after Pecknold's grandfather, Bob Valaas.<ref name="ind08"/> To write the album, Pecknold traveled to a rural [[log cabin]] built by his grandfather in the small community of [[Plain, Washington]].<ref name="ind08"/> He had just returned home after a long [[camping]] trip with his brother and sister, and the sights of nature factored into his lyricism.<ref name="sp08"/> He was open to the suggestions of his bandmates, and eager to develop songs until the unit as a whole considered it complete.<ref name="utr08"/> Pecknold, who croons in a doleful tone throughout the work,<ref name="npr08">{{cite web|url=https://www.npr.org/templates/story/story.php?storyId=93370888|title=Fleet Foxes: Indie-Pop's Celestial Choir|date=August 7, 2008|first=Stephen|last=Thomas|website=NPR|accessdate=August 16, 2023}}</ref> had an aim to emphasize the vocal arrangements in the way that strings enrich classical music.<ref name="rs08"/> He strayed from writing [[love song]]s, and struggled with anxiety and loneliness in writing the album.<ref name="rs08"/> "White Winter Hymnal" was written about friends who abandoned Pecknold in high school.<ref name="rs08"/> Pecknold was particularly inspired by [[1960s|sixties]] icons [[Bob Dylan]] and [[Brian Wilson]],<ref name="rs08"/> with more contemporary influence drawn from [[Joanna Newsom]] and [[Elliott Smith]].<ref name="ind08-2"/> In addition, Pecknold listed other mid-20th century acts like [[the Zombies]], [[Steeleye Span]], and [[Crosby, Stills, Nash & Young]] as influences.<ref name="ind08-2"/>
The album's pastoral music is primarily acoustic in nature, an its lyrics autobiographical<ref name="rs08"/> and philosophic<ref name="npr08"/>—much of the topics related to Pecknold's friends and family.<ref name="ind08"/> "Blue Ridge Mountains" was originally named after Pecknold's grandfather, Bob Valaas.<ref name="ind08"/> To write the album, Pecknold traveled to a rural [[log cabin]] built by his grandfather in the small community of [[Plain, Washington]].<ref name="ind08"/> He had just returned home after a long [[camping]] trip with his brother and sister, and the sights of nature factored into his lyricism.<ref name="sp08"/> He was open to the suggestions of his bandmates, and eager to develop songs until the unit as a whole considered it complete.<ref name="utr08"/> Pecknold, who croons in a doleful tone throughout the work,<ref name="npr08">{{cite web|url=https://www.npr.org/templates/story/story.php?storyId=93370888|title=Fleet Foxes: Indie-Pop's Celestial Choir|date=August 7, 2008|first=Stephen|last=Thomas|website=NPR|accessdate=August 16, 2023}}</ref> had an aim to emphasize the vocal arrangements in the way that strings enrich classical music.<ref name="rs08"/> He strayed from writing [[love song]]s, and struggled with anxiety and loneliness in writing the album.<ref name="rs08"/> "White Winter Hymnal" was written about friends who abandoned Pecknold in high school.<ref name="rs08"/> Pecknold was particularly inspired by sixties icons [[Bob Dylan]] and [[Brian Wilson]],<ref name="rs08"/> with more contemporary influence drawn from [[Joanna Newsom]] and [[Elliott Smith]].<ref name="ind08-2"/> In addition, Pecknold listed other mid-20th century acts like [[the Zombies]], [[Steeleye Span]], and [[Crosby, Stills, Nash & Young]] as influences.<ref name="ind08-2"/>


==Cover art==
==Cover art==
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It was very easy to get the museum in Berlin that has it to say yes. They were super excited a band wanted to use it and put it in their newsletter. When you open it up on the inside there's a paisley pattern traced from the back of a book that Skye (Skjelset, lead guitar)'s mum got me. We wanted two very different feelings.<ref>[http://www.songfacts.com/detail.php?id=12239 White Winter Hymnal Songfacts]</ref></blockquote>
It was very easy to get the museum in Berlin that has it to say yes. They were super excited a band wanted to use it and put it in their newsletter. When you open it up on the inside there's a paisley pattern traced from the back of a book that Skye (Skjelset, lead guitar)'s mum got me. We wanted two very different feelings.<ref>[http://www.songfacts.com/detail.php?id=12239 White Winter Hymnal Songfacts]</ref></blockquote>


The cover claimed the [[Best Art Vinyl]] Award 2008, an annual award, organized by Artvinyl.com, a company that manufactures display frames for record albums.<ref>[https://www.nme.com/news/fleet-foxes/41865 Fleet Foxes win album artwork prize]. ''[[NME]]'' (2009-01-05). Retrieved on 2009-02-05.</ref>
The cover claimed the [[Best Art Vinyl]] Award 2008, an annual award, organized by Artvinyl.com, a company that manufactures display frames for record albums.<ref>[https://www.nme.com/news/fleet-foxes/41865 Fleet Foxes win album artwork prize]. ''[[NME]]'' (January 5, 2009). Retrieved on 2009-02-05.</ref>
==Commercial performance==
==Commercial performance==
[[File:Robin Pecknold Paradiso Amsterdam NETHERLANDS June 2009.jpg|thumb|The album's lyricist, [[Robin Pecknold]], was inspired by nature.]]
[[File:Robin Pecknold Paradiso Amsterdam NETHERLANDS June 2009.jpg|thumb|The album's lyricist, [[Robin Pecknold]], was inspired by nature.]]
Though the band was courted by larger, major record labels,<ref name="str08"/> sparking a [[bidding war]],<ref name="bb08"/> they chose to sign with [[Sub Pop]], a Seattle-based independent label. The news was first announced in January 2008. Pecknold was apprehensive about the move, perceiving that the recording quality of ''Fleet Foxes'' would be unrepresentative of the label's style. He confided in the label that he hoped for the album to fail, so they could begin writing their next one.<ref name="rs08"/> Overseas distribution was handled by the hip British imprint [[Bella Union]].<ref name="ind08"/> Preceding the release of the album, Fleet Foxes also issued ''[[Sun Giant]]'', an [[extended play]] later bundled with the [[Phonograph record|vinyl]] edition of the LP. ''Sun Giant'' was recorded in only eight days, after the recording of ''Fleet Foxes'', but was released first.<ref name="utr08"/> It was intended to only be sold at concerts, but its popularity only served to bolster the group's burgeoning breakthrough.<ref name="bb08"/>
Though the band was courted by larger, major record labels,<ref name="str08"/> sparking a [[bidding war]],<ref name="bb08"/> they chose to sign with [[Sub Pop]], a Seattle-based independent label. The news was first announced in January 2008. Pecknold was apprehensive about the move, perceiving that the recording quality of ''Fleet Foxes'' would be unrepresentative of the label's style. He confided in the label that he hoped for the album to fail, so they could begin writing their next one.<ref name="rs08"/> Overseas distribution was handled by the hip British imprint [[Bella Union]].<ref name="ind08"/> Preceding the release of the album, Fleet Foxes also issued ''[[Sun Giant]]'', an [[extended play]] later bundled with the [[Phonograph record|vinyl]] edition of the LP. ''Sun Giant'' was recorded in only eight days, after the recording of ''Fleet Foxes'', but was released first.<ref name="utr08"/> It was intended to only be sold at concerts, but its popularity only served to bolster the group's burgeoning breakthrough.<ref name="bb08"/>


In response to growing hype, Sub Pop adjusted its promotional plans to what they might suggest for the label's top artists. They conducted a listening parties and streamed the album on aughts digital platforms like [[AOL]] and [[MySpace]].<ref name="ind08"/><ref name="bb08">{{cite magazine|url=https://books.google.com/books?id=cxQEAAAAMBAJ&pg=PA55|title=Hometown Heroes|date=June 21, 2008|first=Jonathan|last=Cohen|magazine=Billboard|accessdate=August 16, 2023|page=55}}</ref> Pecknold utilized the latter to update listeners on what to expect with the new album.<ref name="str08"/> The album's rollout was a family affair: Pecknold's brother, Sean, directed a [[music video]], while his mother initially handled accounting.<ref name="ind08"/> Pecknold's sister was a rock critic at ''[[Seattle Weekly]]'', helping to secure coverage.<ref name="ind08"/> The album was also distributed at [[Starbucks]] locations.<ref name="sp08">{{cite web|url=https://www.spin.com/2008/12/voice-year-fleet-foxes-robin-pecknold/|title=Voice Of The Year: Fleet Foxes' Robin Pecknold|date=December 24, 2008|first=Amanda|last=Petrusich|work=Spin|accessdate=August 16, 2023|pages=74|volume=25|issue=1|issn=0886-3032|publisher=Spin Media LLC}}</ref>
In response to growing hype, Sub Pop adjusted its promotional plans to what they might suggest for the label's top artists. They conducted a listening parties and streamed the album on aughts digital platforms like [[AOL]] and [[MySpace]].<ref name="ind08"/><ref name="bb08">{{cite magazine|url=https://books.google.com/books?id=cxQEAAAAMBAJ&pg=PA55|title=Hometown Heroes|date=June 21, 2008|first=Jonathan|last=Cohen|magazine=Billboard|accessdate=August 16, 2023|page=55}}</ref> Pecknold used the latter to update listeners on what to expect with the new album.<ref name="str08"/> The album's rollout was a family affair: Pecknold's brother, Sean, directed a music video, while his mother initially handled accounting.<ref name="ind08"/> Pecknold's sister was a rock critic at ''[[Seattle Weekly]]'', helping to secure coverage.<ref name="ind08"/> The album was also distributed at [[Starbucks]] locations.<ref name="sp08">{{cite web|url=https://www.spin.com/2008/12/voice-year-fleet-foxes-robin-pecknold/|title=Voice Of The Year: Fleet Foxes' Robin Pecknold|date=December 24, 2008|first=Amanda|last=Petrusich|work=Spin|accessdate=August 16, 2023|pages=74|volume=25|issue=1|issn=0886-3032|publisher=Spin Media LLC}}</ref>


''Fleet Foxes'' debuted on the [[Billboard 200|''Billboard'' 200]] at number 83. It sold 8,000 units in its opening week, making it Sub Pop's second-biggest sales week of that year, behind ''[[Flight of the Conchords (album)|Flight of the Conchords]]''.<ref name="bb08"/> Within the course of the year, the musicians went from complete obscurity to worldwide fame.<ref name="ind08-2">{{cite web|url=https://www.independent.co.uk/arts-entertainment/music/features/fleet-foxes-are-a-hairy-bunch-of-young-folkrockers-inventing-a-new-sound-of-seattle-1052035.html|title=Fleet Foxes: Are a hairy bunch of young folk-rockers inventing a new sound of Seattle?|date=December 7, 2008|first=Luiza|last=Sauma|website=The Independent|accessdate=August 16, 2023}}</ref> By the end of the year, the album had moved over 120,000 copies in North America,<ref name="sp08"/> and 200,000 copies in Europe.<ref name="g08"/> It was Bella Union's first [[gold album|gold]] certified record.<ref>[https://www.billboard.com/articles/news/266062/fleet-foxes-go-gold-in-united-kingdom Fleet Foxes Go Gold In United Kingdom]. ''[[Billboard (magazine)|Billboard]]''. Retrieved on 2009-01-29.</ref> By November 2013, it had sold over 500,000 copies in the United States.<ref>RIAA (2013-11-18). [http://riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database]. [[RIAA]]. Retrieved on 2013-11-21.</ref>
''Fleet Foxes'' debuted on the [[Billboard 200|''Billboard'' 200]] at number 83. It sold 8,000 units in its opening week, making it Sub Pop's second-biggest sales week of that year, behind ''[[Flight of the Conchords (album)|Flight of the Conchords]]''.<ref name="bb08"/> Within the course of the year, the musicians went from complete obscurity to worldwide fame.<ref name="ind08-2">{{cite web|url=https://www.independent.co.uk/arts-entertainment/music/features/fleet-foxes-are-a-hairy-bunch-of-young-folkrockers-inventing-a-new-sound-of-seattle-1052035.html|title=Fleet Foxes: Are a hairy bunch of young folk-rockers inventing a new sound of Seattle?|date=December 7, 2008|first=Luiza|last=Sauma|website=The Independent|accessdate=August 16, 2023}}</ref> By the end of the year, the album had moved over 120,000 copies in North America,<ref name="sp08"/> and 200,000 copies in Europe.<ref name="g08"/> It was Bella Union's first [[gold album|gold]] certified record.<ref>[https://www.billboard.com/articles/news/266062/fleet-foxes-go-gold-in-united-kingdom Fleet Foxes Go Gold In United Kingdom]. ''[[Billboard (magazine)|Billboard]]''. Retrieved on January 29, 2009.</ref> By November 2013, it had sold over 500,000 copies in the United States.<ref>RIAA (November 18, 2013). [http://riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database]. [[RIAA]]. Retrieved on 2013-11-21.</ref>


==Reception==
==Reception==
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| rev10score = {{Rating|4|5}}<ref>{{cite journal |url=https://books.google.com/books?id=I8dEa7CkvDwC&pg=PA108 |title=Fleet Foxes: Fleet Foxes |journal=[[Spin (magazine)|Spin]] |volume=24 |issue=6 |date=June 2008 |access-date=October 17, 2015 |last=Petrusich |first=Amanda |author-link=Amanda Petrusich |page=108}}</ref>
| rev10score = {{Rating|4|5}}<ref>{{cite journal |url=https://books.google.com/books?id=I8dEa7CkvDwC&pg=PA108 |title=Fleet Foxes: Fleet Foxes |journal=[[Spin (magazine)|Spin]] |volume=24 |issue=6 |date=June 2008 |access-date=October 17, 2015 |last=Petrusich |first=Amanda |author-link=Amanda Petrusich |page=108}}</ref>
}}
}}
''Fleet Foxes'' received widespread acclaim from the [[music critics]].<ref name="MC"/> At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 87 out of 100 based on 31 reviews, indicating "universal acclaim".<ref name="MC"/> ''[[The Guardian]]'' described it to be "a landmark in American music, an instant classic".<ref name=Guardian/> Similar praise was put upon the album by [[AllMusic]], which stated that "''Fleet Foxes'' is such a satisfying, self-assured debut".<ref name=allmusic/>
''Fleet Foxes'' received widespread acclaim from the music critics.<ref name="MC"/> At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 87 out of 100 based on 31 reviews, indicating "universal acclaim".<ref name="MC"/> ''[[The Guardian]]'' described it to be "a landmark in American music, an instant classic".<ref name=Guardian/> Similar praise was put upon the album by [[AllMusic]], which stated that "''Fleet Foxes'' is such a satisfying, self-assured debut".<ref name=allmusic/>


''Uncut'' magazine awarded the album their inaugural Uncut Award in 2008 for "the most rewarding album of the past 12 months".<ref name=":0">{{cite magazine|url=http://www.uncut.co.uk/news/fleet_foxes/news/12440|title=Uncut Award 2008|access-date=2008-11-12|year=2008|magazine=[[Uncut (magazine)|Uncut]]}}{{Dead link|date=September 2023 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> ''[[Q magazine]]'' voted it the second best album of 2008 while it topped ''[[The Times]]'' "100 best records of 2008" list.<ref name=Times>[https://web.archive.org/web/20110616132509/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article5293605.ece The 100 best records of 2008]. ''[[The Times]]'' (2008-12-07). Retrieved 2009-02-05.</ref> and captured the #3 slot on [[WERS]] Boston's Top 50 of 2008 list. The album was also reviewed on the 'In A Word' section of the weekly podcast ''EGGCAST'', where it was described as 'cosy' and 'organic'. ''[[Mojo (magazine)|Mojo]]'' gave the debut the seldom-awarded "Instant Classic" label.<ref name=Mojo/> Until [[Joanna Newsom]]'s ''[[Have One On Me]]'' in the April 2010 issue, it was the last album to receive this honor. [[Geddy Lee]] of [[Rush (band)|Rush]] included this album among his favourites in a list from an interview with [[The Quietus]].<ref>{{cite web |title=In The Mood: The Favourite Albums Of Rush's Geddy Lee |url=https://thequietus.com/articles/09210-rush-geddy-lee-interview-favourite-albums?page=4 |website=The Quietus |access-date=18 September 2019}}</ref> The album was ranked #36 on Rolling Stone's 2013 list of the 40 Greatest Stoner Albums, and 88th on ''The Guardian'''s 100 Best Albums of the 21st Century list, based on a 2019 poll of music writers.<ref>{{Cite magazine|url=https://www.rollingstone.com/music/lists/the-40-greatest-stoner-albums-20130607/fleet-foxes-fleet-foxes-19691231|title=The 40 Greatest Stoner Albums|magazine=[[Rolling Stone]]|date=18 April 2020}}</ref><ref>{{cite web |url=https://www.theguardian.com/music/2019/sep/13/100-best-albums-of-the-21st-century |title=The 100 best albums of the 21st century |work=The Guardian |date=13 September 2019 |access-date=18 September 2019 }}</ref>
''Uncut'' magazine awarded the album their inaugural Uncut Award in 2008 for "the most rewarding album of the past 12 months".<ref name=":0">{{cite magazine|url=http://www.uncut.co.uk/news/fleet_foxes/news/12440|title=Uncut Award 2008|access-date=2008-11-12|year=2008|magazine=[[Uncut (magazine)|Uncut]]}}{{Dead link|date=September 2023 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> ''[[Q magazine]]'' voted it the second best album of 2008 while it topped ''[[The Times]]'' "100 best records of 2008" list.<ref name=Times>[https://web.archive.org/web/20110616132509/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article5293605.ece The 100 best records of 2008]. ''[[The Times]]'' (December 7, 2008). Retrieved 2009-02-05.</ref> and captured the No. 3 slot on [[WERS]] Boston's Top 50 of 2008 list. The album was also reviewed on the 'In A Word' section of the weekly podcast ''EGGCAST'', where it was described as 'cosy' and 'organic'. ''[[Mojo (magazine)|Mojo]]'' gave the debut the seldom-awarded "Instant Classic" label.<ref name=Mojo/> Until [[Joanna Newsom]]'s ''[[Have One On Me]]'' in the April 2010 issue, it was the last album to receive this honor. [[Geddy Lee]] of [[Rush (band)|Rush]] included this album among his favourites in a list from an interview with [[The Quietus]].<ref>{{cite web |title=In The Mood: The Favourite Albums Of Rush's Geddy Lee |url=https://thequietus.com/articles/09210-rush-geddy-lee-interview-favourite-albums?page=4 |website=The Quietus |access-date=September 18, 2019}}</ref> The album was ranked No. 36 on Rolling Stone's 2013 list of the 40 Greatest Stoner Albums, and 88th on ''The Guardian'''s 100 Best Albums of the 21st Century list, based on a 2019 poll of music writers.<ref>{{Cite magazine|url=https://www.rollingstone.com/music/lists/the-40-greatest-stoner-albums-20130607/fleet-foxes-fleet-foxes-19691231|title=The 40 Greatest Stoner Albums|magazine=[[Rolling Stone]]|date=April 18, 2020}}</ref><ref>{{cite web |url=https://www.theguardian.com/music/2019/sep/13/100-best-albums-of-the-21st-century |title=The 100 best albums of the 21st century |work=The Guardian |date=September 13, 2019 |access-date=September 18, 2019 }}</ref>
===Accolades===
===Accolades===
{|class="wikitable"
{|class="wikitable"
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| [[Amazon.com]]
| [[Amazon.com]]
| US
| US
| Best Music of 2008 (Editors' Pick)<ref>[https://www.amazon.com/gp/feature.html?docId=1000303401 Amazon Music: Best of 2008]. [[Amazon.com]]. Retrieved on 2009-02-05.</ref>
| Best Music of 2008 (Editors' Pick)<ref>[https://www.amazon.com/gp/feature.html?docId=1000303401 Amazon Music: Best of 2008]. [[Amazon.com]]. Retrieved on February 5, 2009.</ref>
| 2008
| 2008
| 3
| 3
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| ''[[Drowned in Sound]]''
| ''[[Drowned in Sound]]''
| UK
| UK
| 50 Best Albums of the Year<ref>[http://drownedinsound.com/in_depth/4135939 Drowned in Sound's 50 albums of 2008] {{Webarchive|url=https://web.archive.org/web/20110824034442/http://drownedinsound.com/in_depth/4135939 |date=2011-08-24 }}. [[Drowned in Sound]]. Retrieved on 2009-02-05.</ref>
| 50 Best Albums of the Year<ref>[http://drownedinsound.com/in_depth/4135939 Drowned in Sound's 50 albums of 2008] {{Webarchive|url=https://web.archive.org/web/20110824034442/http://drownedinsound.com/in_depth/4135939 |date=August 24, 2011 }}. [[Drowned in Sound]]. Retrieved on February 5, 2009.</ref>
| 2008
| 2008
| 45
| 45
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| ''[[Q (magazine)|Q]]''
| ''[[Q (magazine)|Q]]''
| UK
| UK
| 50 Best Albums of the Year<ref>''[[Q (magazine)|Q]]'' Jan 09, pg.87</ref>
| 50 Best Albums of the Year<ref>''[[Q (magazine)|Q]]'' Jan 9, pg.87</ref>
| 2008
| 2008
| 2
| 2
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| ''[[Rolling Stone]]''
| ''[[Rolling Stone]]''
| US
| US
| 50 Best Albums of the Year<ref>[https://web.archive.org/web/20081213075433/http://www.rollingstone.com/news/story/24958695/albums_of_the_year/11 The 50 Best Albums of 2008]. ''[[Rolling Stone]]'' (2008-12-25). Retrieved on 2009-02-05.</ref>
| 50 Best Albums of the Year<ref>[https://web.archive.org/web/20081213075433/http://www.rollingstone.com/news/story/24958695/albums_of_the_year/11 The 50 Best Albums of 2008]. ''[[Rolling Stone]]'' (December 25, 2008). Retrieved on 2009-02-05.</ref>
| 2008
| 2008
| 11
| 11
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| ''[[Spin (magazine)|Spin]]''
| ''[[Spin (magazine)|Spin]]''
| US
| US
| 40 Best Albums of the Year<ref>[https://www.spin.com/2008/12/40-best-albums-2008/?page=0,3 The 40 Best Albums of 2008] {{webarchive |url=https://web.archive.org/web/20090215001651/https://www.spin.com/2008/12/40-best-albums-2008/?page=0,3 |date=February 15, 2009 }}. ''[[Spin Magazine]]'' (2008-12-11). Retrieved on 2009-02-05.</ref>
| 40 Best Albums of the Year<ref>[https://www.spin.com/2008/12/40-best-albums-2008/?page=0,3 The 40 Best Albums of 2008] {{webarchive |url=https://web.archive.org/web/20090215001651/https://www.spin.com/2008/12/40-best-albums-2008/?page=0,3 |date=February 15, 2009 }}. ''[[Spin Magazine]]'' (December 11, 2008). Retrieved on 2009-02-05.</ref>
| 2008
| 2008
| 5
| 5
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| ''[[Pitchfork (website)|Pitchfork]]''
| ''[[Pitchfork (website)|Pitchfork]]''
| US
| US
| 50 Best Albums of the Year<ref>[http://www.pitchforkmedia.com/article/feature/148001-the-50-best-albums-of-2008?page=5 The 50 Best Albums of 2008] {{webarchive|url=https://web.archive.org/web/20081221211127/http://www.pitchforkmedia.com/article/feature/148001-the-50-best-albums-of-2008?page=5 |date=2008-12-21 }}. ''[[Pitchfork (website)|Pitchfork]]'' (2008-12-19). Retrieved on 2009-02-05.</ref>
| 50 Best Albums of the Year<ref>[http://www.pitchforkmedia.com/article/feature/148001-the-50-best-albums-of-2008?page=5 The 50 Best Albums of 2008] {{webarchive|url=https://web.archive.org/web/20081221211127/http://www.pitchforkmedia.com/article/feature/148001-the-50-best-albums-of-2008?page=5 |date=December 21, 2008 }}. ''[[Pitchfork (website)|Pitchfork]]'' (December 19, 2008). Retrieved on 2009-02-05.</ref>
| 2008
| 2008
| 1
| 1
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| ''[[Rolling Stone]]''
| ''[[Rolling Stone]]''
| US
| US
| 100 Best Albums of the Decade<ref>[https://www.rollingstone.com/news/story/31248017/100_best_albums_of_the_decade/14 100 Best Albums of the Decade ]. ''[[Rolling Stone]]'' (2009-12-09) Retrieved on 2009-12-17.</ref>
| 100 Best Albums of the Decade<ref>[https://www.rollingstone.com/news/story/31248017/100_best_albums_of_the_decade/14 100 Best Albums of the Decade ]. ''[[Rolling Stone]]'' (December 9, 2009) Retrieved on 2009-12-17.</ref>
| 2009
| 2009
| 47
| 47
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| ''[[Rhapsody (online music service)|Rhapsody]]''
| ''[[Rhapsody (online music service)|Rhapsody]]''
| US
| US
| 100 Best Albums of the Decade<ref>[http://blog.rhapsody.com/2009/12/100-best-pop-albums-of-the-decade-70-61.html 100 Best Albums of the Decade ] {{webarchive |url=https://web.archive.org/web/20100821000222/http://blog.rhapsody.com/2009/12/100-best-pop-albums-of-the-decade-70-61.html |date=August 21, 2010 }}. ''[[Rhapsody (online music service)|Rhapsody blog]]'' (2009-12-04) Retrieved on 2010-8-31.</ref>
| 100 Best Albums of the Decade<ref>[http://blog.rhapsody.com/2009/12/100-best-pop-albums-of-the-decade-70-61.html 100 Best Albums of the Decade ] {{webarchive |url=https://web.archive.org/web/20100821000222/http://blog.rhapsody.com/2009/12/100-best-pop-albums-of-the-decade-70-61.html |date=August 21, 2010 }}. ''[[Rhapsody (online music service)|Rhapsody blog]]'' (December 4, 2009) Retrieved on 2010-8-31.</ref>
| 2009
| 2009
| 56
| 56
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==Touring and reaction==
==Touring and reaction==
[[File:Fleetfoxes08.jpg|thumb|The band performing in [[Copenhagen]] in 2008.]]
[[File:Fleetfoxes08.jpg|thumb|The band performing in [[Copenhagen]] in 2008.]]
The touring cycle for ''Fleet Foxes'' was far larger than the band had anticipated: it encompassed four North American legs, three European tours, Australia and New Zealand.<ref name="ind08-2"/> The band toured with [[Blitzen Trapper]] in the early part of the year.<ref name="bb08"/> The group made a significant stop at that year's [[South by Southwest]], which drew the plaudit of tastemakers.<ref name="ind08"/> The band's performance was received breathlessly, prompting high-profile press pieces in major publications, like ''[[Rolling Stone]]''.<ref name="bb08"/> The band were booked to open a tour with [[Wilco]]; at one stop, the band took the stage to duet an encore, "[[I Shall Be Released]]". They also promoted the LP with appearances at the late-night programs ''[[Saturday Night Live]]'' and the ''[[Late Show with David Letterman]]''.<ref name="rs08">{{cite magazine|url=https://www.rollingstone.com/music/music-news/fleet-foxes-perfect-harmony-67923/|title=Fleet Foxes' Perfect Harmony|date=November 13, 2008|first=Austin|last=Scaggs|magazine=Rolling Stone|accessdate=August 16, 2023}}</ref> The band initiated their first overseas tour in the United Kingdom that June.<ref name="ind08"/> For Pecknold, the success of the tour helped to cover existing [[credit card]] debt he ensued in the making of the album.<ref name="ind08"/>
The touring cycle for ''Fleet Foxes'' was far larger than the band had anticipated: it encompassed four North American legs, three European tours, Australia and New Zealand.<ref name="ind08-2"/> The band toured with [[Blitzen Trapper]] in the early part of the year.<ref name="bb08"/> The group made a significant stop at that year's [[South by Southwest]], which drew the plaudit of tastemakers.<ref name="ind08"/> The band's performance was received breathlessly, prompting high-profile press pieces in major publications, like ''[[Rolling Stone]]''.<ref name="bb08"/> The band were booked to open a tour with [[Wilco]]; at one stop, the band took the stage to duet an encore, "[[I Shall Be Released]]". They also promoted the LP with appearances at the late-night programs ''[[Saturday Night Live]]'' and the ''[[Late Show with David Letterman]]''.<ref name="rs08">{{cite magazine|url=https://www.rollingstone.com/music/music-news/fleet-foxes-perfect-harmony-67923/|title=Fleet Foxes' Perfect Harmony|date=November 13, 2008|first=Austin|last=Scaggs|magazine=Rolling Stone|accessdate=August 16, 2023}}</ref> The band initiated their first overseas tour in the United Kingdom that June.<ref name="ind08"/> For Pecknold, the success of the tour helped to cover existing credit card debt he ensued in the making of the album.<ref name="ind08"/>


''Fleet Foxes'' drew wide praise, and was quickly applauded as a modern classic. For Pecknold, the reaction was surprising: "Disbelief is the only sane reaction," he told an interviewer.<ref name="ind08"/> The band were part of a wave of softer, more broody indie rock, including [[Bon Iver]] and [[the Cave Singers]].<ref name="str08"/><ref name="g08">{{cite web|url=https://www.theguardian.com/music/2008/nov/17/folk-revival-fleet-foxes|title=Fleet Foxes' coup signals folk revival|date=November 16, 2008|first=Rosie|last=Swash|website=The Guardian|accessdate=August 16, 2023}}</ref>
''Fleet Foxes'' drew wide praise, and was quickly applauded as a modern classic. For Pecknold, the reaction was surprising: "Disbelief is the only sane reaction," he told an interviewer.<ref name="ind08"/> The band were part of a wave of softer, more broody indie rock, including [[Bon Iver]] and [[the Cave Singers]].<ref name="str08"/><ref name="g08">{{cite web|url=https://www.theguardian.com/music/2008/nov/17/folk-revival-fleet-foxes|title=Fleet Foxes' coup signals folk revival|date=November 16, 2008|first=Rosie|last=Swash|website=The Guardian|accessdate=August 16, 2023}}</ref>
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==Personnel==
==Personnel==
'''Fleet Foxes'''
'''Fleet Foxes'''
*[[Robin Pecknold]] – band member, songwriter, arranger, design (uncredited: lead vocals, guitar)
*[[Robin Pecknold]] – lead vocals, guitar
*Skyler Skjelset – band member, arranger (uncredited: lead guitar)
*Skyler Skjelset – lead guitar
*Nicholas Peterson – band member, arranger (uncredited: drums, percussion, vocals)
*Nicholas Peterson – drums, vocals
*Casey Wescott – band member, arranger (uncredited: keyboards, vocals)
*Casey Wescott – keyboards, vocals
*Craig Curran – band member, arranger (uncredited: bass, vocals)
*Craig Curran – bass, vocals


'''Additional instrumental personnel'''
'''Additional instrumental personnel'''
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{{Certification Table Entry|region=Belgium|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Gold|relyear=2008|certyear=2011|relmonth=6|access-date=January 12, 2020}}
{{Certification Table Entry|region=Belgium|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Gold|relyear=2008|certyear=2011|relmonth=6|access-date=January 12, 2020}}
{{Certification Table Entry|region=United Kingdom|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Platinum|id=2304-2034-2|salesamount=534,385|salesref=<ref>{{cite magazine|url=http://www.musicweek.com/analysis/read/official-charts-analysis-royal-blood-score-second-chart-topper/068917|title=Official Charts Analysis: Royal Blood score second chart-topper
{{Certification Table Entry|region=United Kingdom|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Platinum|id=2304-2034-2|salesamount=534,385|salesref=<ref>{{cite magazine|url=http://www.musicweek.com/analysis/read/official-charts-analysis-royal-blood-score-second-chart-topper/068917|title=Official Charts Analysis: Royal Blood score second chart-topper
|magazine=Music Week |date=23 June 2017 |access-date=10 April 2018}}</ref>}}
|magazine=Music Week |date=June 23, 2017 |access-date=April 10, 2018}}</ref>}}
{{Certification Table Entry|region=United States|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Gold|relyear=2008|certyear=2013}}
{{Certification Table Entry|region=United States|title=Fleet Foxes|artist=Fleet Foxes|type=album|award=Gold|relyear=2008|certyear=2013}}
{{Certification Table Bottom}}
{{Certification Table Bottom}}
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==External links==
==External links==
*[https://www.youtube.com/watch?v=DrQRS40OKNE "White Winter Hymnal" music video] on [[YouTube]]
*[https://www.youtube.com/watch?v=DrQRS40OKNE "White Winter Hymnal" music video] on YouTube
*[https://www.youtube.com/watch?v=brZTvGIzeGg "He Doesn't Know Why" music video] on YouTube
*[https://www.youtube.com/watch?v=brZTvGIzeGg "He Doesn't Know Why" music video] on YouTube
*[https://www.youtube.com/watch?v=DT-dxG4WWf4 "Mykonos" music video] on YouTube
*[https://www.youtube.com/watch?v=DT-dxG4WWf4 "Mykonos" music video] on YouTube

Latest revision as of 01:00, 27 October 2024

This article is about the album. For the article about the band's also self-titled debut EP, see The Fleet Foxes.

Fleet Foxes
Studio album by
Fleet Foxes
ReleasedJune 3, 2008
Recorded2007
Studio
Genre
Length39:20
Label
ProducerPhil Ek
Fleet Foxes chronology
Sun Giant
(2008) 		Fleet Foxes
(2008) 		Helplessness Blues
(2011)
Singles from Fleet Foxes
  1. "White Winter Hymnal"
    Released: July 21, 2008
  2. "He Doesn't Know Why"
    Released: 2008
  3. "Your Protector"
    Released: 2009

Fleet Foxes is the debut studio album by American band Fleet Foxes, released on June 3, 2008, by Sub Pop and Bella Union. The album garnered wide praise from critics, many of whom named it one of the best albums of the 2000s and one of the greatest debut albums of all time.[5][6]

Background

[edit]

Fleet Foxes was formed in Seattle, Washington in 2006 by singer-songwriters Robin Pecknold and Skyler Skjelset.[7] Pecknold grew up in nearby Kirkland, an affluent suburb. His parents gave him an acoustic guitar in middle school. He met Skjelset in high school, bonded over music and similar Norwegian roots.[8] In his tenth grade year, Pecknold dropped out, completing his degree at a community college and immersing himself in music.[9] He moved into the city and secured work at a restaurant, where he joined the local outfit Dolour[10] and befriended other accomplished musicians.[11] Further, Pecknold gained connections through a job at a burrito restaurant, where he discovered more contemporary indie rock.[9]

The pair first settled on the name the Pineapples, but the name was taken by a local punk act. Instead, Pecknold thought of the name Fleet Foxes, which he felt brought to mind fox hunting.[12] The band was rounded out with Christian Wargo (bass, guitar, vocals) and Casey Wescott (keyboards, mandolin, vocals), both members of the electronic outfit Crystal Skulls, and Nicholas Peterson (drums, vocals), formerly of Pedro the Lion.[13] The band booked consistent local gigs and began receiving favorable write-ups in the press.[13]

Recording

[edit]

The band began recording the album in 2007, in Pecknold's parents' basement[9] and Wescott's home.[8] The album was produced by veteran engineer Phil Ek, best-known for his work with other Pacific Northwest luminaries, such as Built to Spill. Ek had first met Pecknold four years prior.[9] Ek had earlier helped Fleet Foxes record their first demo and used his influence to assist in shopping it to record labels.[14] The resulting album was recorded with Ek over the course of a year. As labels had yet to get involved with the band at this point, the recording was funded by the group themselves.[14]

For the album, the group aimed to rework their existing sound into something more simple, emphasizing harmonies and unconventional song structures.[13] Pecknold described the sessions as constant and exhausting, with the album going through various phases and permutations before they settled on its final state. The album was completed at one point, but was entirely revised and re-recorded. Pecknold noted that nothing could match the idea of the album he envisioned; he continued updating its song sequence and writing new pieces up until it was set to be mixed. Band members would record their parts between shifts at their jobs,[10] and they placed their guitar amplifiers in Native American tipis for aesthetics.[12] Pecknold also suffered from sickness during the recording, which impacted his vocal takes.[10] The album was completed in November 2007,[12] with Pecknold again applying new vocal takes the night before its last mixing session.[10]

Themes

[edit]

With [the album], we decided to put an emphasis on harmony, simple three- and four-part block harmony. The songs would be simple as well, songs about our friends and family, history, nature, and the things around us in the Pacific Northwest. Instead of complicated vocal melodies, we would try and use guitars and mandolins and banjos and other little guys to fill the melodic spaces in the music. We'd try and avoid conventional song structures, sometimes putting two songs together as one, or avoiding choruses and verses in favor of long vocal rounds and alternating instrumental sections.[13]

Robin Pecknold

The album fuses folk music, gospel, psychedelic pop, and Sacred Harp styles.[15] Rolling Stone columnist Austin Scaggs described the album's music as dense, singling out its usage of progressive countermelodies.[9] The album's harmonious arrangements were interpreted as lush[16] and textured.[8] Though the music is audibly informed by gospel traditions, Pecknold was not brought up religious. Instead, he felt the devotional aspect proved more compelling from a songwriting standpoint.[12] Its mood evokes bucolic images, yearning for easier times; Pecknold called it "uninformed nostalgia".[12]

The album's pastoral music is primarily acoustic in nature, an its lyrics autobiographical[9] and philosophic[16]—much of the topics related to Pecknold's friends and family.[12] "Blue Ridge Mountains" was originally named after Pecknold's grandfather, Bob Valaas.[12] To write the album, Pecknold traveled to a rural log cabin built by his grandfather in the small community of Plain, Washington.[12] He had just returned home after a long camping trip with his brother and sister, and the sights of nature factored into his lyricism.[11] He was open to the suggestions of his bandmates, and eager to develop songs until the unit as a whole considered it complete.[10] Pecknold, who croons in a doleful tone throughout the work,[16] had an aim to emphasize the vocal arrangements in the way that strings enrich classical music.[9] He strayed from writing love songs, and struggled with anxiety and loneliness in writing the album.[9] "White Winter Hymnal" was written about friends who abandoned Pecknold in high school.[9] Pecknold was particularly inspired by sixties icons Bob Dylan and Brian Wilson,[9] with more contemporary influence drawn from Joanna Newsom and Elliott Smith.[8] In addition, Pecknold listed other mid-20th century acts like the Zombies, Steeleye Span, and Crosby, Stills, Nash & Young as influences.[8]

Cover art

[edit]

The album's cover is a painting of a peasant landscape, illustrated by sixteenth-century artist Pieter Bruegel the Elder.[8] The painting, Netherlandish Proverbs, was completed in 1559. Vocalist/guitarist Robin Pecknold notes that:

When you first see that painting it's very bucolic, but when you look closer there's all this really strange stuff going on, like dudes defecating coins into the river and people on fire, people carving a live sheep, this weird dude who looks like a tree root sitting around with a dog. There's all this really weird stuff going on. I liked that the first impression is that it's just pretty, but then you realize that the scene is this weird chaos. I like that you can't really take it for what it is, that your first impression of it is wrong.[17]

Pecknold explained to Mojo how the painting ended up on the front cover:

We were trying to figure out what we wanted to do, and my brother had been working out some stuff, when I saw that Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, like there's a story to each little scene. Which I just felt fitting for that record- dense but unified, not a collage or anything. And I liked its Where's Waldo? quality, that it was something you could look at for a long time on a vinyl sleeve and find new little things. It was very easy to get the museum in Berlin that has it to say yes. They were super excited a band wanted to use it and put it in their newsletter. When you open it up on the inside there's a paisley pattern traced from the back of a book that Skye (Skjelset, lead guitar)'s mum got me. We wanted two very different feelings.[18]

The cover claimed the Best Art Vinyl Award 2008, an annual award, organized by Artvinyl.com, a company that manufactures display frames for record albums.[19]

Commercial performance

[edit]
The album's lyricist, Robin Pecknold, was inspired by nature.

Though the band was courted by larger, major record labels,[13] sparking a bidding war,[20] they chose to sign with Sub Pop, a Seattle-based independent label. The news was first announced in January 2008. Pecknold was apprehensive about the move, perceiving that the recording quality of Fleet Foxes would be unrepresentative of the label's style. He confided in the label that he hoped for the album to fail, so they could begin writing their next one.[9] Overseas distribution was handled by the hip British imprint Bella Union.[12] Preceding the release of the album, Fleet Foxes also issued Sun Giant, an extended play later bundled with the vinyl edition of the LP. Sun Giant was recorded in only eight days, after the recording of Fleet Foxes, but was released first.[10] It was intended to only be sold at concerts, but its popularity only served to bolster the group's burgeoning breakthrough.[20]

In response to growing hype, Sub Pop adjusted its promotional plans to what they might suggest for the label's top artists. They conducted a listening parties and streamed the album on aughts digital platforms like AOL and MySpace.[12][20] Pecknold used the latter to update listeners on what to expect with the new album.[13] The album's rollout was a family affair: Pecknold's brother, Sean, directed a music video, while his mother initially handled accounting.[12] Pecknold's sister was a rock critic at Seattle Weekly, helping to secure coverage.[12] The album was also distributed at Starbucks locations.[11]

Fleet Foxes debuted on the Billboard 200 at number 83. It sold 8,000 units in its opening week, making it Sub Pop's second-biggest sales week of that year, behind Flight of the Conchords.[20] Within the course of the year, the musicians went from complete obscurity to worldwide fame.[8] By the end of the year, the album had moved over 120,000 copies in North America,[11] and 200,000 copies in Europe.[21] It was Bella Union's first gold certified record.[22] By November 2013, it had sold over 500,000 copies in the United States.[23]

Reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic87/100[24]
Review scores
SourceRating
AllMusic[25]
The A.V. ClubB+[26]
Entertainment WeeklyA[27]
The Guardian[28]
Mojo[29]
NME7/10[30]
Pitchfork9.0/10[31]
Q[32]
Rolling Stone[33]
Spin[34]

Fleet Foxes received widespread acclaim from the music critics.[24] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 87 out of 100 based on 31 reviews, indicating "universal acclaim".[24] The Guardian described it to be "a landmark in American music, an instant classic".[28] Similar praise was put upon the album by AllMusic, which stated that "Fleet Foxes is such a satisfying, self-assured debut".[25]

Uncut magazine awarded the album their inaugural Uncut Award in 2008 for "the most rewarding album of the past 12 months".[6] Q magazine voted it the second best album of 2008 while it topped The Times "100 best records of 2008" list.[5] and captured the No. 3 slot on WERS Boston's Top 50 of 2008 list. The album was also reviewed on the 'In A Word' section of the weekly podcast EGGCAST, where it was described as 'cosy' and 'organic'. Mojo gave the debut the seldom-awarded "Instant Classic" label.[29] Until Joanna Newsom's Have One On Me in the April 2010 issue, it was the last album to receive this honor. Geddy Lee of Rush included this album among his favourites in a list from an interview with The Quietus.[35] The album was ranked No. 36 on Rolling Stone's 2013 list of the 40 Greatest Stoner Albums, and 88th on The Guardian's 100 Best Albums of the 21st Century list, based on a 2019 poll of music writers.[36][37]

Accolades

[edit]
Publication Country Accolade Year Rank
Amazon.com US Best Music of 2008 (Editors' Pick)[38] 2008 3
Drowned in Sound UK 50 Best Albums of the Year[39] 2008 45
Q UK 50 Best Albums of the Year[40] 2008 2
Rolling Stone US 50 Best Albums of the Year[41] 2008 11
Spin US 40 Best Albums of the Year[42] 2008 5
The Times UK 100 Best Albums of the Year[5] 2008 1
Pitchfork US 50 Best Albums of the Year[43] 2008 1
Billboard.com US 10 Best Albums of the Year (Critics’ Choice) 2008 1
Paste US Top 50 Albums of 2008 2008 6
WERS Boston US Top 50 Albums of 2008 2008 3
Under the Radar US Best of 2008 2008 1
No Ripcord UK Top 50 Albums of 2008 2008 1
Mojo UK Top 50 Albums of 2008 2008 1
Dagbladet Norway Top International Albums of 2008 2008 9
The Know Australia Top 10 Albums of 2008 2008 5
Rolling Stone US 100 Best Albums of the Decade[44] 2009 47
Rhapsody US 100 Best Albums of the Decade[45] 2009 56
1001 Albums You Must Hear Before You Die US 1001 Albums You Must Hear Before You Die[46] 2009 N/A

Touring and reaction

[edit]
The band performing in Copenhagen in 2008.

The touring cycle for Fleet Foxes was far larger than the band had anticipated: it encompassed four North American legs, three European tours, Australia and New Zealand.[8] The band toured with Blitzen Trapper in the early part of the year.[20] The group made a significant stop at that year's South by Southwest, which drew the plaudit of tastemakers.[12] The band's performance was received breathlessly, prompting high-profile press pieces in major publications, like Rolling Stone.[20] The band were booked to open a tour with Wilco; at one stop, the band took the stage to duet an encore, "I Shall Be Released". They also promoted the LP with appearances at the late-night programs Saturday Night Live and the Late Show with David Letterman.[9] The band initiated their first overseas tour in the United Kingdom that June.[12] For Pecknold, the success of the tour helped to cover existing credit card debt he ensued in the making of the album.[12]

Fleet Foxes drew wide praise, and was quickly applauded as a modern classic. For Pecknold, the reaction was surprising: "Disbelief is the only sane reaction," he told an interviewer.[12] The band were part of a wave of softer, more broody indie rock, including Bon Iver and the Cave Singers.[13][21]

Track listing

[edit]

All songs written by Robin Pecknold.

Disc one

[edit]
No.TitleLength
1."Sun It Rises"3:14
2."White Winter Hymnal"2:27
3."Ragged Wood"5:07
4."Tiger Mountain Peasant Song"3:28
5."Quiet Houses"3:32
6."He Doesn't Know Why"3:20
7."Heard Them Stirring"3:02
8."Your Protector"4:09
9."Meadowlarks"3:11
10."Blue Ridge Mountains"4:25
11."Oliver James"3:23

Disc two (2008 Limited Edition)

[edit]
No.TitleLength
1."Sun Giant"2:06
2."Drops in the River"4:11
3."English House"4:48
4."Mykonos" (alternate version)3:39
5."Isles"3:06

Disc two (2009 Japanese Limited Edition)

[edit]
No.TitleLength
1."Sun Giant"2:14
2."Drops in the River"4:12
3."English House"4:40
4."Mykonos"4:35
5."Innocent Son"3:06
6."False Knight on the Road"3:45

Personnel

[edit]

Fleet Foxes

  • Robin Pecknold – lead vocals, guitar
  • Skyler Skjelset – lead guitar
  • Nicholas Peterson – drums, vocals
  • Casey Wescott – keyboards, vocals
  • Craig Curran – bass, vocals

Additional instrumental personnel

  • Gwen Owen – flute on "Your Protector"

Production personnel

  • Phil Ek – producer, engineer, mixer
  • Ed Brooks – mastering
  • Sasha Barr – design
  • Dusty Summers – design

The liner notes do not state which instruments the band members play. Former drummer J. Tillman joined the group after recordings had been completed, but before the album was released.

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
Belgium (BEA)[64] Gold 15,000*
United Kingdom (BPI)[66] Platinum 534,385[65]
United States (RIAA)[67] Gold 500,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References

[edit]
  1. ^ Jack Bray (September 22, 2020). "Fleet Foxes are resplendent and honeyed on surprise autumn equinox album Shore". The Line of Best Fit. Retrieved November 8, 2020.
  2. ^ "Fleet Foxes: "In this moment, pre-election, there can be some optimism in the air"". NME. October 6, 2020. Retrieved November 9, 2020.
  3. ^ David Peisner (May 31, 2017). "How the Fleet Foxes Frontman Got Out to Get Back In". The New York Times. Retrieved November 8, 2020. Fleet Foxes' first two albums of meticulous, expansive folk-rock have sold more than two million copies worldwide
  4. ^ Ellen Johnson (September 23, 2020). "Fleet Foxes Manifest Peace on Surprise New Album Shore". Paste. Decatur, Georgia, U.S. Retrieved May 9, 2021.
  5. ^ a b c The 100 best records of 2008. The Times (December 7, 2008). Retrieved 2009-02-05.
  6. ^ a b "Uncut Award 2008". Uncut. 2008. Retrieved November 12, 2008.[permanent dead link]
  7. ^ Monger, Timothy (September 22, 2020). "Fleet Foxes Biography, Songs, & Albums". AllMusic. Retrieved August 16, 2023.
  8. ^ a b c d e f g h Sauma, Luiza (December 7, 2008). "Fleet Foxes: Are a hairy bunch of young folk-rockers inventing a new sound of Seattle?". The Independent. Retrieved August 16, 2023.
  9. ^ a b c d e f g h i j k l Scaggs, Austin (November 13, 2008). "Fleet Foxes' Perfect Harmony". Rolling Stone. Retrieved August 16, 2023.
  10. ^ a b c d e f Fink, Matt (November 1, 2008). "The Sound of (Dis)satisfaction". Under the Radar. Retrieved August 16, 2023.
  11. ^ a b c d Petrusich, Amanda (December 24, 2008). "Voice Of The Year: Fleet Foxes' Robin Pecknold". Spin. Spin Media LLC. p. 74. ISSN 0886-3032. Retrieved August 16, 2023.
  12. ^ a b c d e f g h i j k l m n o p McNair, James (June 13, 2008). "On the hunt for meaning with Seattle band Fleet Foxes". The Independent. Retrieved August 16, 2023.
  13. ^ a b c d e f g Seling, Megan (January 31, 2008). "Fleet Foxes Are Not Hippies". The Stranger. Retrieved August 16, 2023.
  14. ^ a b "Interview With Phil Ek", HitQuarters, May 25, 2009.
  15. ^ "Fleet Foxes: The Lillywhite Session". NPR. January 21, 2008. Retrieved August 16, 2023.
  16. ^ a b c Thomas, Stephen (August 7, 2008). "Fleet Foxes: Indie-Pop's Celestial Choir". NPR. Retrieved August 16, 2023.
  17. ^ Milway, Tom (June 9, 2008). "DiScover: Fleet Foxes". Drowned in Sound. Archived from the original on February 7, 2009. Retrieved February 5, 2009.
  18. ^ White Winter Hymnal Songfacts
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  20. ^ a b c d e f Cohen, Jonathan (June 21, 2008). "Hometown Heroes". Billboard. p. 55. Retrieved August 16, 2023.
  21. ^ a b Swash, Rosie (November 16, 2008). "Fleet Foxes' coup signals folk revival". The Guardian. Retrieved August 16, 2023.
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  23. ^ RIAA (November 18, 2013). [1]. RIAA. Retrieved on 2013-11-21.
  24. ^ a b c "Reviews for Fleet Foxes by Fleet Foxes". Metacritic. Retrieved October 17, 2015.
  25. ^ a b Phares, Heather. "Fleet Foxes – Fleet Foxes". AllMusic. Retrieved August 23, 2020.
  26. ^ O'Neal, Sean (June 9, 2008). "Fleet Foxes: Fleet Foxes". The A.V. Club. Retrieved October 17, 2015.
  27. ^ Cook, LaRue (June 6, 2008). "Fleet Foxes". Entertainment Weekly. Archived from the original on July 29, 2013. Retrieved October 17, 2015.
  28. ^ a b Simpson, Dave (May 30, 2008). "Fleet Foxes, Fleet Foxes". The Guardian. Retrieved July 22, 2008.
  29. ^ a b "Fleet Foxes: Fleet Foxes". Mojo (176): 98. July 2008.
  30. ^ Murison, Krissi (June 5, 2008). "Fleet Foxes: Fleet Foxes". NME. Archived from the original on March 4, 2016. Retrieved October 17, 2015.
  31. ^ Deusner, Stephen M. (June 6, 2008). "Fleet Foxes: Fleet Foxes". Pitchfork. Retrieved October 17, 2015.
  32. ^ "Fleet Foxes: Fleet Foxes". Q (264): 101. July 2008.
  33. ^ Hermes, Will (June 12, 2008). "Fleet Foxes: Fleet Foxes". Rolling Stone. Archived from the original on July 6, 2008. Retrieved October 17, 2015.
  34. ^ Petrusich, Amanda (June 2008). "Fleet Foxes: Fleet Foxes". Spin. 24 (6): 108. Retrieved October 17, 2015.
  35. ^ "In The Mood: The Favourite Albums Of Rush's Geddy Lee". The Quietus. Retrieved September 18, 2019.
  36. ^ "The 40 Greatest Stoner Albums". Rolling Stone. April 18, 2020.
  37. ^ "The 100 best albums of the 21st century". The Guardian. September 13, 2019. Retrieved September 18, 2019.
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  40. ^ Q Jan 9, pg.87
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  43. ^ The 50 Best Albums of 2008 Archived December 21, 2008, at the Wayback Machine. Pitchfork (December 19, 2008). Retrieved on 2009-02-05.
  44. ^ 100 Best Albums of the Decade . Rolling Stone (December 9, 2009) Retrieved on 2009-12-17.
  45. ^ 100 Best Albums of the Decade Archived August 21, 2010, at the Wayback Machine. Rhapsody blog (December 4, 2009) Retrieved on 2010-8-31.
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  51. ^ "Dutchcharts.nl – Fleet Foxes – Fleet Foxes" (in Dutch). Hung Medien. Retrieved September 2, 2020.
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  55. ^ "Italiancharts.com – Fleet Foxes – Fleet Foxes". Hung Medien. Retrieved September 2, 2020.
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  57. ^ "Swedishcharts.com – Fleet Foxes – Fleet Foxes". Hung Medien. Retrieved September 2, 2020.
  58. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved September 2, 2020.
  59. ^ "Fleet Foxes Chart History (Billboard 200)". Billboard. Retrieved September 2, 2020.
  60. ^ "Fleet Foxes Chart History (Independent Albums)". Billboard. Retrieved September 2, 2020.
  61. ^ "2008 Year-End UK Charts" (PDF). Official Charts Company. Retrieved February 16, 2021.
  62. ^ "Jaaroverzichten 2009" (in Dutch). Ultratop. Retrieved February 16, 2021.
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[edit]
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