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{{short description|German musicologist (born 1960)}}
{{under construction}}
'''Wolfgang Rathert''' (born 17 July 1960) is a German [[musicologist]].


'''Wolfgang Rathert''' (born 17 July 1960) is a German [[musicologist]] born in [[Minden]].
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== Life and career ==
== Life and career ==
Born in [[Minden]], Rathert passed the C-examination as [[Church music|church musician]] during his school time and acquired the [[Abitur]] at the [[Herder-Gymnasium Minden]].{{cn|date=December 2019}} After his [[community service]] he studied historical [[musicology]], philosophy and [[Modern history]] at the [[Free University of Berlin]] from 1980 to 1987. In 1987 he was awarded a PhD in [[musicology]] by [[Rudolf Stephan]] with a thesis on the US-American composer [[Charles Ives]].
Born in [[Minden]],<ref name="Institut für Musikwissenschaft">{{cite web | title=Vita – LMU München | website=Institut für Musikwissenschaft | url=https://www.musikwissenschaft.uni-muenchen.de/personen/professoren/rathert/rathert_vita/index.html | language=de | access-date=18 December 2020}}</ref> Rathert passed the C-examination as a [[church music]]ian during his school time and acquired the [[Abitur]] at the [[Herder-Gymnasium Minden]].{{citation needed|date=December 2019}} After his [[community service]] he studied historical [[musicology]], philosophy and [[Modern history]] at the [[Free University of Berlin]] from 1980 to 1987. In 1987, he was awarded a PhD in [[musicology]] by [[Rudolf Stephan]] with a thesis on the US-American composer [[Charles Ives]].<ref name="MIZ 2016">{{cite web | last=[[Deutsches Musikinformationszentrum]] | title=Beirat | website=Home / MIZ | date=17 November 2016 | url=http://www.miz.org/beirat.html | language=de | access-date=19 December 2020}}</ref>


Afterwards he worked for the ''{{Ill|Handbuch der historischen Buchbestände|de}}'' and later with a scholarship of the [[Deutsche Forschungsgemeinschaft]] postdoctoral researcher at the {{Ill|Paul Sacher-Stiftung|de|3=Paul Sacher-Stiftung|lt=Paul Sacher Foundation}} in [[Basel]]. From 1989 to 1991, he completed a [[Beamter|career training]] to become a [[librarian|scientific librarian]] at the [[Staatsbibliothek zu Berlin]] and at the Fachhochschule für Bibliotheks- und Dokumentationswesen Köln, which he completed with an [[assessor]] work on the historical textbook collection ([[Libretto|opera libretti]]) of the music department of the Berlin State Library.
Afterwards, he worked for the ''{{Ill|Handbuch der historischen Buchbestände|de}}'' and later with a scholarship of the [[Deutsche Forschungsgemeinschaft]] postdoctoral researcher at the {{Ill|Paul-Sacher-Stiftung|de|3=Paul-Sacher-Stiftung|lt=Paul Sacher Foundation}} in [[Basel]]. From 1989 to 1991, he completed a [[Beamter|career training]] to become a [[librarian|scientific librarian]] at the [[Staatsbibliothek zu Berlin]] and at the Fachhochschule für Bibliotheks- und Dokumentationswesen Köln, which he completed with an assessor work on the historical textbook collection ([[Libretto|opera libretti]]) of the music department of the Berlin State Library.


From 1991 to 2002 he was head of the music and performing arts department of the [[Zentralbibliothek der TU und UdK Berlin]] of the [[Universität der Künste Berlin]]; in 1994/1995 he was also briefly head of the music department of the [[Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden]]. From 1996 to 2002 he was [[lecturer]] and [[Privatdozent]] respectively at the [[Humboldt University of Berlin]], where he studied in 1999 under the mentorship of [[Hermann Danuser]]. In the summer semester 2000 he represented the chair of Wilhelm Seidel at the Musicological Institute of the [[University of Leipzig]].
From 1991 to 2002, he was head of the music and performing arts department of the [[Zentralbibliothek der TU und UdK Berlin]] of the [[Universität der Künste Berlin]];<ref name="MIZ 2016" /> in 1994/1995, he was also briefly head of the music department of the [[Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden]]. From 1996 to 2002, he was [[lecturer]] and [[Privatdozent]] respectively at the [[Humboldt University of Berlin]], where he received his habilitation in 1999 under the mentorship of [[Hermann Danuser]].<ref name="Institut für Musikwissenschaft" /> In the summer semester 2000, he represented the chair of Wilhelm Seidel at the Musicological Institute of the [[University of Leipzig]].


In 2002 he was appointed professor for historical musicology with a focus on 20th century and new music at the Institute for Musicology of the [[Ludwig-Maximilians-Universität München]]. He has given guest lectures at [[Cornell University]], [[Harvard University]], the [[University of Illinois at Urbana-Champaign]] and the [[Seoul National University]].
In 2002, he was appointed as a professor of historical musicology with a focus on 20th century and new music at the Institute for Musicology of the [[Ludwig Maximilian University of Munich]]. He has given guest lectures at [[Cornell University]][[Harvard University]], the [[University of Illinois at Urbana-Champaign]] and the [[Seoul National University]].<ref name="Institut für Musikwissenschaft" />

Rathert has been a member of the board of trustees of the [[Géza Anda|Géza Anda Foundation]] in [[Zürich]] since 2012.<ref name="MIZ 2016" /> Since 2014, he has been chairman of the jury of the [[Schneider-Schott Music Prize]]<ref>{{cite web | title=Schneider-Schott-Musikpreis | website=Landeshauptstadt Mainz | date=12 October 2018 | url=https://www.mainz.de/kultur-und-wissenschaft/kulturelle-preise-stipendien/schneider-schott-musikpreis.php | language=de | access-date=19 December 2020}}</ref> and a member of the Board of Trustees and the Scientific Committee of the Paul Sacher Foundation.<ref>{{cite web | title=Stiftungsrat und Mitarbeitende | website=Paul Sacher Stiftung | url=https://www.paul-sacher-stiftung.ch/de/ueber-die-stiftung/stiftungsrat-mitarbeitende.html | language=de | access-date=19 December 2020}}</ref> He is also chairman of the advisory board of the [[Deutsches Musikarchiv]],<ref>{{cite web | title=Tätigkeiten in Beiräten, Gremien und Jurys; Gutachtertätigkeit – LMU München | website=Institut für Musikwissenschaft | url=https://www.musikwissenschaft.uni-muenchen.de/personen/professoren/rathert/rathert_gremien/index.html | language=de | access-date=19 December 2020}}</ref> deputy managing director of the Karl Amadeus Hartmann Society in Munich<ref>[http://www.karl-amadeus-hartmann-gesellschaft.de/index.php?option=com_content&view=category&layout=blog&id=2&Itemid=4 New Board of Directors], press release on karl-amadeus-hartmann-gesellschaft.de, February 6, 2015</ref> and member of the project advisory board of the [[Deutscher Musikrat]] music information center. He is a member of the Advisory Board of the book series ''Musical Cultures of the Twentieth Century'' and served as member of the Advisory Board of the magazine ''[[Musik-Konzepte]]''from 2004 to 2022.


Rathert has been a member of the board of trustees of the [[Géza Anda|Géza Anda Foundation]] in [[Zurich]] since 2012. Since 2014 he has been chairman of the jury of the [[Schneider-Schott Music Prize]] and a member of the Board of Trustees and the Scientific Committee of the Paul Sacher Foundation. He is also chairman of the advisory board of the [[Deutsches Musikarchiv]], deputy managing director of the Karl Amadeus Hartmann Society in Munich<ref> [http://www.karl-amadeus-hartmann-gesellschaft.de/index.php?option=com_content&view=category&layout=blog&id=2&Itemid=4 New Board of Directors], press release on karl-amadeus-hartmann-gesellschaft.de, February 6, 2015</ref> and member of the project advisory board of the [[Deutscher Musikrat]] music information center. He is a member of the Advisory Board of the book series ''Musical Cultures of the Twentieth Century'' as well as the Advisory Board of the magazine ''[[Musik-Konzepte]]''.
-->
== Publications ==
== Publications ==
'''Author:'''
'''Author:'''
* ''The Seen and Unseen. Studien zum Werk von Charles Ives.'' Dissertation. Freie Universität Berlin 1987. Katzbichler, Munich/Salzburg 1991, {{ISBN|3-87397-078-3}}.
* ''The Seen and Unseen. Studien zum Werk von Charles Ives.''<ref>[https://www.worldcat.org/oclc/463693299 ''The Seen and Unseen. Studien zum Werk von Charles Ives''] on [[WorldCat]]</ref> [[Dissertation]]. [[Freie Universität Berlin]] 1987. Katzbichler, Munich/Salzburg 1991, {{ISBN|3-87397-078-3}}.
* ''Charles Ives.'' Wissenschaftliche Buchgesellschaft, Darmstadt 1989, {{ISBN|3-534-03249-7}}. 2nd edition 1996.
* ''Charles Ives.'' Wissenschaftliche Buchgesellschaft,<ref>[https://www.worldcat.org/oclc/832411035 ''Charles Ives''] on WorldCat</ref> Darmstadt 1989, {{ISBN|3-534-03249-7}}. 2nd edition 1996.
* ''Die Textbuchsammlung der Musikabteilung der Deutschen Staatsbibliothek Berlin unter besonderer Berücksichtigung der Mozartopern.'' Assessorarbeit. Fachhochschule für Bibliotheks- und Dokumentationswesen, Cologne 1991.
* ''Die Textbuchsammlung der Musikabteilung der Deutschen Staatsbibliothek Berlin unter besonderer Berücksichtigung der Mozartopern''.<ref>[https://www.worldcat.org/oclc/1071104744 Die Textbuchsammlung der Musikabteilung der Deutschen Staatsbibliothek Berlin unter besonderer Berücksichtigung der Mozartopern] on WorldCat</ref> Assessorarbeit. Fachhochschule für Bibliotheks- und Dokumentationswesen, Cologne 1991.
* (collaborator): ''Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. OPf.'' Carus, Stuttgart 2007, {{ISBN|978-3-89948-086-3}}.
* (collaborator): ''Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. OPf''.<ref>[https://www.worldcat.org/oclc/760111070 ''Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. OPf''] on WorldCat</ref> Carus, Stuttgart 2007, {{ISBN|978-3-89948-086-3}}.
* with Berndt Ostendorf: ''Musik der USA. Kultur- und musikgeschichtliche Streifzüge.'' Wolke, Hofheim 2018, {{ISBN|978-3-95593-112-4}}.
* with Berndt Ostendorf: ''Musik der USA. Kultur- und musikgeschichtliche Streifzüge''.<ref>[https://www.worldcat.org/oclc/1105597032 ''Musik der USA. Kultur- und musikgeschichtliche Streifzüge''] on WorldCat</ref> Wolke, Hofheim 2018, {{ISBN|978-3-95593-112-4}}.


'''Publisher:'''
'''Publisher:'''
* with Dietmar Schenk: ''Pianisten in Berlin. Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert.'' Hochschule der Künste Berlin, Berlin 1999, {{ISBN|3-89462-068-4}}.
* with Dietmar Schenk: ''Pianisten in Berlin. Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert.''<ref>[https://www.worldcat.org/oclc/237354009 ''Pianisten in Berlin : Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert : European Piano Forum '99''] on WorldCat</ref> Hochschule der Künste Berlin, Berlin 1999, {{ISBN|3-89462-068-4}}.
* with Dietmar Schenk: ''Carl Flesch und Max Rostal. Aspekte der Berliner Streichertradition.'' Universität der Künste Berlin, Berlin 2002, {{ISBN|3-89462-090-0}}.
* with Dietmar Schenk: ''Carl Flesch und Max Rostal. Aspekte der Berliner Streichertradition''. Universität der Künste Berlin, Berlin 2002, {{ISBN|3-89462-090-0}}.
* with [[Giselher Schubert]]: ''Musikkultur in der Weimarer Republik.'' Schott, Mainz u. a. 2001, {{ISBN|3-7957-0114-7}}.
* with [[Giselher Schubert]]: ''Musikkultur in der Weimarer Republik''.<ref>[https://www.worldcat.org/oclc/470162001 ''Musikkultur in der Weimarer Republik''] on WorldCat</ref> Schott, Mainz u. a. 2001, {{ISBN|3-7957-0114-7}}.
* with Jürgen Selk: [[Kurt Weill]]: ''Chamber Music.'' Partitur und kritische Kommentierung. Kurt Weill Foundation for Music, New York 2004, {{ISBN|0-913574-63-5}}.
* with Jürgen Selk: [[Kurt Weill]]: ''Chamber Music.'' Partitur und kritische Kommentierung. Kurt Weill Foundation for Music, New York 2004, {{ISBN|0-913574-63-5}}.
* with [[Herbert Schneider]], [[Karl Anton Rickenbacher]]: [[Olivier Messiaen]]: ''Texte, Analysen, Zeugnisse.'' 2 volumes. Olms, Hildesheim.<br />Volume 1: ''Texte aus dem Traité de rythme, de couleur et d’ornithologie.'' 2012, {{ISBN|978-3-487-14765-9}}.<br />Volume 2: ''Das Werk im historischen und analytischen Kontext.'' 2013, {{ISBN|978-3-487-14766-6}}.
* with [[Herbert Schneider]], [[Karl Anton Rickenbacher]]: [[Olivier Messiaen]]: ''Texte, Analysen, Zeugnisse.'' 2 volumes. Olms, Hildesheim.<br />Volume 1: ''Texte aus dem Traité de rythme, de couleur et d’ornithologie''.<ref>[https://www.worldcat.org/oclc/839747680 ''Texte aus dem Traité de rythme, de couleur et d’ornithologie''] on WorldCat</ref> 2012, {{ISBN|978-3-487-14765-9}}.<br />Volume 2: ''Das Werk im historischen und analytischen Kontext.'' 2013, {{ISBN|978-3-487-14766-6}}.
* With Carol J. Oja, Anne C. Shreffler, Felix Meyer: ''Crosscurrents. European and American Music in Interaction, 1900–2000. Proceedings of the Conferences at Cambridge, Mass. 2008, and Munich 2009.'' Boydell, Suffolk 2014, {{ISBN|978-1-84383-900-2}}.
* With Carol J. Oja, Anne C. Shreffler, Felix Meyer: ''Crosscurrents. European and American Music in Interaction, 1900–2000. Proceedings of the Conferences at Cambridge, Mass. 2008, and Munich 2009.'' Boydell, Suffolk 2014, {{ISBN|978-1-84383-900-2}}.


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* [http://www.musikbibliographie.de/SET=1/TTL=1/CMD?MATCFILTER=N&MATCSET=N&ACT0=&IKT0=&TRM0=&ACT3=*&IKT3=8183&ACT=SRCHA&IKT=1004&SRT=YOP&TRM=Rathert%2C+Wolfgang Literatur von Wolfgang Rathert] in the [[Bibliography of Music Literature]]
* [http://www.musikbibliographie.de/SET=1/TTL=1/CMD?MATCFILTER=N&MATCSET=N&ACT0=&IKT0=&TRM0=&ACT3=*&IKT3=8183&ACT=SRCHA&IKT=1004&SRT=YOP&TRM=Rathert%2C+Wolfgang Literatur von Wolfgang Rathert] in the [[Bibliography of Music Literature]]


{{Portal bar|Classical music|Germany}}
{{Portal bar|Classical music|Germany}}


{{Authority control}}
{{Authority control}}


{{DEFAULTSORT:Rathert, Wolfgang}}
{{DEFAULTSORT:Rathert, Wolfgang}}
[[Category:German musicologists]]
[[Category:20th-century musicologists]]
[[Category:21st-century musicologists]]
[[Category:Ludwig Maximilian University of Munich faculty]]
[[Category:German librarians]]
[[Category:1960 births]]
[[Category:1960 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:20th-century German musicologists]]
[[Category:21st-century German musicologists]]
[[Category:Academic staff of the Ludwig Maximilian University of Munich]]
[[Category:German librarians]]
[[Category:People from Minden]]
[[Category:People from Minden]]
[[Category:Academic staff of the Humboldt University of Berlin]]

Latest revision as of 19:05, 26 October 2024

Wolfgang Rathert (born 17 July 1960) is a German musicologist.

Life and career

[edit]

Born in Minden,[1] Rathert passed the C-examination as a church musician during his school time and acquired the Abitur at the Herder-Gymnasium Minden.[citation needed] After his community service he studied historical musicology, philosophy and Modern history at the Free University of Berlin from 1980 to 1987. In 1987, he was awarded a PhD in musicology by Rudolf Stephan with a thesis on the US-American composer Charles Ives.[2]

Afterwards, he worked for the Handbuch der historischen Buchbestände [de] and later with a scholarship of the Deutsche Forschungsgemeinschaft postdoctoral researcher at the Paul Sacher Foundation [de] in Basel. From 1989 to 1991, he completed a career training to become a scientific librarian at the Staatsbibliothek zu Berlin and at the Fachhochschule für Bibliotheks- und Dokumentationswesen Köln, which he completed with an assessor work on the historical textbook collection (opera libretti) of the music department of the Berlin State Library.

From 1991 to 2002, he was head of the music and performing arts department of the Zentralbibliothek der TU und UdK Berlin of the Universität der Künste Berlin;[2] in 1994/1995, he was also briefly head of the music department of the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. From 1996 to 2002, he was lecturer and Privatdozent respectively at the Humboldt University of Berlin, where he received his habilitation in 1999 under the mentorship of Hermann Danuser.[1] In the summer semester 2000, he represented the chair of Wilhelm Seidel at the Musicological Institute of the University of Leipzig.

In 2002, he was appointed as a professor of historical musicology with a focus on 20th century and new music at the Institute for Musicology of the Ludwig Maximilian University of Munich. He has given guest lectures at Cornell UniversityHarvard University, the University of Illinois at Urbana-Champaign and the Seoul National University.[1]

Rathert has been a member of the board of trustees of the Géza Anda Foundation in Zürich since 2012.[2] Since 2014, he has been chairman of the jury of the Schneider-Schott Music Prize[3] and a member of the Board of Trustees and the Scientific Committee of the Paul Sacher Foundation.[4] He is also chairman of the advisory board of the Deutsches Musikarchiv,[5] deputy managing director of the Karl Amadeus Hartmann Society in Munich[6] and member of the project advisory board of the Deutscher Musikrat music information center. He is a member of the Advisory Board of the book series Musical Cultures of the Twentieth Century and served as member of the Advisory Board of the magazine Musik-Konzeptefrom 2004 to 2022.

Publications

[edit]

Author:

  • The Seen and Unseen. Studien zum Werk von Charles Ives.[7] Dissertation. Freie Universität Berlin 1987. Katzbichler, Munich/Salzburg 1991, ISBN 3-87397-078-3.
  • Charles Ives. Wissenschaftliche Buchgesellschaft,[8] Darmstadt 1989, ISBN 3-534-03249-7. 2nd edition 1996.
  • Die Textbuchsammlung der Musikabteilung der Deutschen Staatsbibliothek Berlin unter besonderer Berücksichtigung der Mozartopern.[9] Assessorarbeit. Fachhochschule für Bibliotheks- und Dokumentationswesen, Cologne 1991.
  • (collaborator): Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. OPf.[10] Carus, Stuttgart 2007, ISBN 978-3-89948-086-3.
  • with Berndt Ostendorf: Musik der USA. Kultur- und musikgeschichtliche Streifzüge.[11] Wolke, Hofheim 2018, ISBN 978-3-95593-112-4.

Publisher:

  • with Dietmar Schenk: Pianisten in Berlin. Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert.[12] Hochschule der Künste Berlin, Berlin 1999, ISBN 3-89462-068-4.
  • with Dietmar Schenk: Carl Flesch und Max Rostal. Aspekte der Berliner Streichertradition. Universität der Künste Berlin, Berlin 2002, ISBN 3-89462-090-0.
  • with Giselher Schubert: Musikkultur in der Weimarer Republik.[13] Schott, Mainz u. a. 2001, ISBN 3-7957-0114-7.
  • with Jürgen Selk: Kurt Weill: Chamber Music. Partitur und kritische Kommentierung. Kurt Weill Foundation for Music, New York 2004, ISBN 0-913574-63-5.
  • with Herbert Schneider, Karl Anton Rickenbacher: Olivier Messiaen: Texte, Analysen, Zeugnisse. 2 volumes. Olms, Hildesheim.
    Volume 1: Texte aus dem Traité de rythme, de couleur et d’ornithologie.[14] 2012, ISBN 978-3-487-14765-9.
    Volume 2: Das Werk im historischen und analytischen Kontext. 2013, ISBN 978-3-487-14766-6.
  • With Carol J. Oja, Anne C. Shreffler, Felix Meyer: Crosscurrents. European and American Music in Interaction, 1900–2000. Proceedings of the Conferences at Cambridge, Mass. 2008, and Munich 2009. Boydell, Suffolk 2014, ISBN 978-1-84383-900-2.

References

[edit]
  1. ^ a b c "Vita – LMU München". Institut für Musikwissenschaft (in German). Retrieved 18 December 2020.
  2. ^ a b c Deutsches Musikinformationszentrum (17 November 2016). "Beirat". Home / MIZ (in German). Retrieved 19 December 2020.
  3. ^ "Schneider-Schott-Musikpreis". Landeshauptstadt Mainz (in German). 12 October 2018. Retrieved 19 December 2020.
  4. ^ "Stiftungsrat und Mitarbeitende". Paul Sacher Stiftung (in German). Retrieved 19 December 2020.
  5. ^ "Tätigkeiten in Beiräten, Gremien und Jurys; Gutachtertätigkeit – LMU München". Institut für Musikwissenschaft (in German). Retrieved 19 December 2020.
  6. ^ New Board of Directors, press release on karl-amadeus-hartmann-gesellschaft.de, February 6, 2015
  7. ^ The Seen and Unseen. Studien zum Werk von Charles Ives on WorldCat
  8. ^ Charles Ives on WorldCat
  9. ^ Die Textbuchsammlung der Musikabteilung der Deutschen Staatsbibliothek Berlin unter besonderer Berücksichtigung der Mozartopern on WorldCat
  10. ^ Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. OPf on WorldCat
  11. ^ Musik der USA. Kultur- und musikgeschichtliche Streifzüge on WorldCat
  12. ^ Pianisten in Berlin : Klavierspiel und Klavierausbildung seit dem 19. Jahrhundert : European Piano Forum '99 on WorldCat
  13. ^ Musikkultur in der Weimarer Republik on WorldCat
  14. ^ Texte aus dem Traité de rythme, de couleur et d’ornithologie on WorldCat
[edit]