John Fuller Russell: Difference between revisions
Citation bot (talk | contribs) Alter: url. URLs might have been internationalized/anonymized. Add: chapter-url. Removed or converted URL. Some additions/deletions were actually parameter name changes. | You can use this bot yourself. Report bugs here. | Suggested by AManWithNoPlan | All pages linked from cached copy of User:AManWithNoPlan/sandbox2 | via #UCB_webform_linked |
Citation bot (talk | contribs) Alter: chapter-url. URLs might have been anonymized. Add: isbn. | Use this bot. Report bugs. | Suggested by Abductive | Category:1813 births | via #UCB_Category 1026/1393 |
||
| Line 13: | Line 13: | ||
==Art collection== |
==Art collection== |
||
[[File:1г Ugolino di Nerio. The Last Supper Metropolitan mus. N-Y.jpg|thumb|Ugolino da Siena's ''Last Supper'' (Metropolitan Museum, New York), once owned by Russell]] |
[[File:1г Ugolino di Nerio. The Last Supper Metropolitan mus. N-Y.jpg|thumb|Ugolino da Siena's ''Last Supper'' (Metropolitan Museum, New York), once owned by Russell]] |
||
When the German art historian [[Gustav Waagen]] visited Russell at Eagle House near Enfield, he found the walls "so richly adorned with specimens of the 14th century, that the spectator feels as if transported to a chapel at Siena or Florence."<ref name=waag>{{cite book|chapter=Pictures belonging to Rev. John Fuller Russell, Eagle House, near Enfield|author=Waagen, Gustav|authorlink=Gustav Waagen|title=Treasures of Art in Great Britain|volume=2 |location=London|publisher=John Murray|year=1854|page=461|chapter-url=https://books.google.com/books?id=DwFKAAAAcAAJ&pg=PA461 |
When the German art historian [[Gustav Waagen]] visited Russell at Eagle House near Enfield, he found the walls "so richly adorned with specimens of the 14th century, that the spectator feels as if transported to a chapel at Siena or Florence."<ref name=waag>{{cite book|chapter=Pictures belonging to Rev. John Fuller Russell, Eagle House, near Enfield|author=Waagen, Gustav|authorlink=Gustav Waagen|title=Treasures of Art in Great Britain|volume=2 |location=London|publisher=John Murray|year=1854|page=461|isbn=9780719121043|chapter-url=https://books.google.com/books?id=DwFKAAAAcAAJ&pg=PA461}}</ref> He described Russell as "one of the most enthusiastic admirers of the grandeur and high significance of the ecclesiastic art from the 13th to the 15th century that I met with in England".<ref name=waag/> |
||
His collection included the "Diptych of Jeanne of France" (now in the collection of the [[Musée Condé]] in Chantilly), believed in his lifetime to be by [[Hans Memling]]<ref>{{cite book|last1=Guégan|first1=Nicole Garnier-Pelle ; introduction by Stéphane|title=The Condé Museum at the Château de Chantilly : the paintings collection|date=2009|publisher=Flammarion|location=Paris|isbn=9782081225817|page=121}}</ref> six of the seven panels from the [[predella]] of [[Ugolino di Nerio|Ugolino da Siena]]'s altarpiece for [[Basilica of Santa Croce, Florence|Santa Croce]] in Florence, bought from the sale of the [[William Young Ottley]] collection,<ref name=waag/><ref>including the ''Last Supper'' (Metropolitan Museum, New York){{cite web|url=http://www.metmuseum.org/collection/the-collection-online/search/459131|title=The Last Supper Ugolino da Siena (Ugolino di Nerio)|publisher=Metropolitan Museum of Art|accessdate=4 December 2012}}</ref> Abrecht Altdorfer's ''Christ taking Leave of His Mother'' (National Gallery, London)<ref>{{cite journal|journal=National Gallery Technical Bulletin|volume=7|year=1983|title=Altdorfer's 'Christ taking Leave of His Mother'|author1=Smith, Alistair |author2=Wyld, Martin }}</ref> and Simone Martini's ''St Geminianus, St Michael and St Augustine, each with an Angel above'' (Fitzwilliam Museum, Cambridge)<ref name=fitz>{{cite web|url=http://www.fitzmuseum.cam.ac.uk/opac/search/cataloguedetail.html?priref=635|title=St Geminianus, St Michael and St Augustine, each with an Angel above|publisher=Fitzwilliam Museum|url-status=dead|archiveurl=https://web.archive.org/web/20140913032349/http://www.fitzmuseum.cam.ac.uk/opac/search/cataloguedetail.html?priref=635|archivedate=13 September 2014|df=dmy-all}}</ref> |
His collection included the "Diptych of Jeanne of France" (now in the collection of the [[Musée Condé]] in Chantilly), believed in his lifetime to be by [[Hans Memling]]<ref>{{cite book|last1=Guégan|first1=Nicole Garnier-Pelle ; introduction by Stéphane|title=The Condé Museum at the Château de Chantilly : the paintings collection|date=2009|publisher=Flammarion|location=Paris|isbn=9782081225817|page=121}}</ref> six of the seven panels from the [[predella]] of [[Ugolino di Nerio|Ugolino da Siena]]'s altarpiece for [[Basilica of Santa Croce, Florence|Santa Croce]] in Florence, bought from the sale of the [[William Young Ottley]] collection,<ref name=waag/><ref>including the ''Last Supper'' (Metropolitan Museum, New York){{cite web|url=http://www.metmuseum.org/collection/the-collection-online/search/459131|title=The Last Supper Ugolino da Siena (Ugolino di Nerio)|publisher=Metropolitan Museum of Art|accessdate=4 December 2012}}</ref> Abrecht Altdorfer's ''Christ taking Leave of His Mother'' (National Gallery, London)<ref>{{cite journal|journal=National Gallery Technical Bulletin|volume=7|year=1983|title=Altdorfer's 'Christ taking Leave of His Mother'|author1=Smith, Alistair |author2=Wyld, Martin }}</ref> and Simone Martini's ''St Geminianus, St Michael and St Augustine, each with an Angel above'' (Fitzwilliam Museum, Cambridge)<ref name=fitz>{{cite web|url=http://www.fitzmuseum.cam.ac.uk/opac/search/cataloguedetail.html?priref=635|title=St Geminianus, St Michael and St Augustine, each with an Angel above|publisher=Fitzwilliam Museum|url-status=dead|archiveurl=https://web.archive.org/web/20140913032349/http://www.fitzmuseum.cam.ac.uk/opac/search/cataloguedetail.html?priref=635|archivedate=13 September 2014|df=dmy-all}}</ref> |
||
Revision as of 12:34, 30 April 2021
John Fuller Russell (1813–1884), was a priest in the Church of England, a writer, mostly on theological subjects, especially religious ritual, and a notable art collector. He was a member of the committee of the Ecclesiological Society and had close connections to the High Church Oxford Movement.
Life
Russell was born on 15 August 1813,[1] the son of Thomas Russell, a Congregationalist minister, whose surname was originally Cloutt.[2] Arthur Tozer Russell was his brother.[3] He was educated at Peterhouse College, Cambridge, where he read civil law.[3] He became one of the first sympathisers with the Oxford movement at Cambridge, and in 1836, while still an undergraduate at Peterhouse, he began a correspondence with Edward Bouverie Pusey,[3] in which he expressed a desire to revive much of the disused ritual of the Church.[4] In 1837 he visited Pusey at Christ Church.[3]
In 1838 he was ordained deacon and appointed to the curacy of St. Peter's, Walworth. The next year he graduated LL.B., and was admitted into priest's orders. He held the perpetual curacy of St James, Enfield Highway, from 1841 to 1854.[3] On 2 October 1843 he married Rosalie Croshaw at the church.[5] In 1856 he became rector of Greenhithe, Kent.[3]
He was a member of the council of the Society of Antiquaries, of the central committee of the Royal Archæological Institute, and of the committee of the Ecclesiological Society.[3]
Art collection
When the German art historian Gustav Waagen visited Russell at Eagle House near Enfield, he found the walls "so richly adorned with specimens of the 14th century, that the spectator feels as if transported to a chapel at Siena or Florence."[6] He described Russell as "one of the most enthusiastic admirers of the grandeur and high significance of the ecclesiastic art from the 13th to the 15th century that I met with in England".[6]
His collection included the "Diptych of Jeanne of France" (now in the collection of the Musée Condé in Chantilly), believed in his lifetime to be by Hans Memling[7] six of the seven panels from the predella of Ugolino da Siena's altarpiece for Santa Croce in Florence, bought from the sale of the William Young Ottley collection,[6][8] Abrecht Altdorfer's Christ taking Leave of His Mother (National Gallery, London)[9] and Simone Martini's St Geminianus, St Michael and St Augustine, each with an Angel above (Fitzwilliam Museum, Cambridge)[10]
He also had a notable collection of illuminated manuscripts and early printed books.[6]
Death
He died on 6 April 1884 at his house in Ormonde Terrace, Regent's Park, London.[3] His paintings were sold at Christie's, on 18 April 1885.[10]
Works
Russell's works relate mainly to the doctrine and discipline of the church of England. They include:[3]
- Letter to the Right Hon. H. Goulburn on the Morals and Religion of the University of Cambridge. (1833).
- The Exclusive Power of an episcopally ordained Clergy to administer the Sacraments (1834)
- The Judgment of the Anglican Church (posterior to the Reformation) on the Sufficiency of Holy Scripture, and the Authority of the Holy Catholic Church in Matters of Faith (1838)
- Strict Observance of the Rubric recommended (1839)
- A few hints on the practical study of Ecclesiastical antiquities for the use of the Cambridge Camden Society (with J.M. Neale; third edition 1842)
- Anglican ordinations valid : a refutation of certain statements in the second and third chapters of 'The validity of Anglican ordinations examined'. By the Very Reverend Peter Richard Kenrick, V.G. (1846)
- The Life of Dr. Samuel Johnson (1847)
- The Ancient Knight, or Chapters on Chivalry (1849)
- Oral and Written Evidence in regard to the post-Reformation symbolical Use of Lights in the Church of England in the second report of the Ritual Commission (1867).
He was co-editor with Walter Farquhar Hook of the Voice of the Church (2 vols. 1840), and with William Josiah Irons of Tracts of the Anglican Fathers (1841). He was also editor of Hierurgia Anglicana, or Documents and Extracts illustrative of the Church of England after the Reformation (1848).[3]
References
- ^ "Russell, John Fuller (1813–1884)". Oxford Dictionary of National Biography. Retrieved 6 December 2012.(subscription required)
- ^ . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
- ^ a b c d e f g h i j Cooper, Thompson (1897). . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 49. London: Smith, Elder & Co.
- ^ Wakeling, G. (1895). The Oxford Church Movement: Sketches and Recollections. London: Macmillan. p. 114.
- ^ "Marriages". The Gentleman's Magazine: 635. December 1843.
- ^ a b c d Waagen, Gustav (1854). "Pictures belonging to Rev. John Fuller Russell, Eagle House, near Enfield". Treasures of Art in Great Britain. Vol. 2. London: John Murray. p. 461. ISBN 9780719121043.
- ^ Guégan, Nicole Garnier-Pelle ; introduction by Stéphane (2009). The Condé Museum at the Château de Chantilly : the paintings collection. Paris: Flammarion. p. 121. ISBN 9782081225817.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ including the Last Supper (Metropolitan Museum, New York)"The Last Supper Ugolino da Siena (Ugolino di Nerio)". Metropolitan Museum of Art. Retrieved 4 December 2012.
- ^ Smith, Alistair; Wyld, Martin (1983). "Altdorfer's 'Christ taking Leave of His Mother'". National Gallery Technical Bulletin. 7.
- ^ a b "St Geminianus, St Michael and St Augustine, each with an Angel above". Fitzwilliam Museum. Archived from the original on 13 September 2014.
Sources
- Attribution
This article incorporates text from a publication now in the public domain: "Russell, John Fuller". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
| International | |
|---|---|
| National | |
| Artists | |
