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# The register key is shaped like the key on German clarinets, with the corresponding tone hole on the left side.
# The register key is shaped like the key on German clarinets, with the corresponding tone hole on the left side.
# There is another ring on the upper joint (on the tone hole for the C), so that the E♭/B♭ can also be executed as a fork grip. This ring can be found on some Boehm clarinets, but is not common ("full Boehm").
# There is another ring on the upper joint (on the tone hole for the C), so that the E♭/B♭ can also be executed as a fork grip. This ring can be found on some Boehm clarinets, but is not common ("full Boehm").
# There is an extension of the key for the Gis to operate also with the right index finger.
# There is an extension of the key for the G{{sharp}} to operate also with the right index finger.
# There is an improvement to the low E/F key.{{sfn|Angloher|2007|p=44}}
# There is an improvement to the low E/F key.{{sfn|Angloher|2007|p=44}}


Revision as of 09:41, 19 March 2023


Wurlitzer Reform Boehm clarinets in B♭ and A with additional mechanisms

The Reform Boehm system is a fingering system for the clarinet based on the Boehm system. It was developed to produce clarinets with the Boehm keywork but with a sound similar to a German clarinet.

Development

1. roller connection
2. register key with B♭-improvement
normal register key
deep E/F improvement
Reform Boehm clarinet in B♭ (or A), details
3rd ring on the upper joint and key for C(♯) / G(♯) with extension for the right index finger

The Reform Boehm system was invented by German clarinetist Ernst Schmidt (1870–1954),[1] who used the original Boehm system as early as 1895. Schmidt made changes to the Boehm clarinet based on scientific and mathematical principles. The new instrument had rollers between two little-finger keys in the right hand, and a modified bore that produced a different sound character. Schmidt named the instrument the "Reform Boehm clarinet". In the second half of the 1940s, master clarinet maker Fritz Wurlitzer, based in Erlbach,[a] Vogtland / Saxony, built a clarinet with Schmidt's instructions.[1] They had collaborated earlier in producing the Schmidt-Kolbe clarinet, a variant of the German clarinet.[2] Both modified a clarinet with the Boehm fingering system to sound like an Oehler (German) clarinet. Wurlitzer built a Boehm clarinet with less taper, which impaired the intonation, but compensated for this by shortening the lower joint by a few millimeters and offsetting the lower tone holes. He also fitted it with a German-style mouthpiece. In 1949 he sent the first Reform Boehm clarinet to a clarinetist of the Concertgebouw Orchestra in Amsterdam.[3]

A Reform Boehm clarinet looks similar to an original Boehm clarinet, although some brands or models exhibit certain differences:

  1. The two upper keys for the little finger on the right hand (for C and E♭) have rollers (as on a German clarinet).
  2. The register key is shaped like the key on German clarinets, with the corresponding tone hole on the left side.
  3. There is another ring on the upper joint (on the tone hole for the C), so that the E♭/B♭ can also be executed as a fork grip. This ring can be found on some Boehm clarinets, but is not common ("full Boehm").
  4. There is an extension of the key for the G♯ to operate also with the right index finger.
  5. There is an improvement to the low E/F key.[4]

Current level of popularity

Initially Reform Boehm clarinets were built only by Fritz Wurlitzer, and later by his son Herbert Wurlitzer,[5] followed by other manufacturers in Germany (Leitner & Kraus,[6] Wolfgang Dietz,[7] Harald Hüyng[8]) and Japan (Yamaha). Major French instrument producers were not interested in the Reform Boehm clarinets.[1] Most customers were clarinetists in the Netherlands, Spain, Italy and Japan. Instruments from the GDR were used in the Eastern Bloc until 1990. Distribution in the United States has always been low.[9]

Manufacturers sold fewer Reform Boehm clarinets than German system clarinets, possibly due to the relatively high price of the instrument and a smaller market. Yamaha discontinued production several years ago. As of 2019 The production of these instruments was declining, but they are still made by various German manufacturers. Instead of Reform Boehm clarinets "it has recently become increasingly evident that more and more professional clarinetists, in collaboration with instrument makers, are developing individual instruments constructed for the needs of the musicians, based either on the German or the French system."[10][11] Working with the basic ideas of Fritz Wurlitzer, the Canadian manufacturer Stephen Fox has developed clarinets in B♭ and A, wanting "to blend the focus and cleanness of the German sound with the brilliance and projection of the French clarinet, with superior intonation." Their development is based on a Buffet R13 clarinet and a Reform Boehm clarinet by Herbert Wurlitzer.[12]

Producers of Boehm clarinets have adopted new drilling techniques, and the sound of a modern Boehm clarinet is not far away from that of the Reform Boehm clarinet or that of a German clarinet.[13]

Notes

  1. ^ Now a district of Markneukirchen.

References

  1. ^ a b c Agababa-Shaked, Gil (16 May 2018). On the History and Future of Clarinet Systems. Taju (Thesis). Retrieved 10 March 2023.
  2. ^ Enico Weller, Die Wurlitzers, 175 Jahre Holzinstrumentenbau in der vogtländischen Familie, Teil 3: Der Erlbacher Familienzweig (The Wurlitzers, 175 Years of Wooden Instrument Making in the Vogtland Family, Part 3: The Erlbach Branch of the Family) in Rohrblatt 1995, pp. 107-114
  3. ^ Colin Lawson, The Cambridge Companion to the Clarinet, p. 29f, Cambridge University Press, 14 December 1995.
  4. ^ Angloher 2007, p. 44.
  5. ^ "Clarinets". WURLITZER Clarinets. Retrieved 18 March 2023.
  6. ^ "Klarinetten / Clarinets - Leitner & Kraus". Leitner & Kraus (in German). 30 October 2013. Retrieved 18 March 2023.
  7. ^ "Dietz Klarinetten – Handwerk mit Herzblut – Klarinetten". Dietz Klarinetten (in German). 1 February 2023. Retrieved 18 March 2023.
  8. ^ "Reform Boehm A/B". Harald Hüyng Holzblasinstrumente (in German). Retrieved 18 March 2023.
  9. ^ Stier, Charles (July–August 1991). "The Wurlitzer Reform-Boehm Clarinet in America". The Clarinet. 18 (4). International Clarinet Society: 18.
  10. ^ Angloher 2007, p. 246.
  11. ^ so e.g. here: "Konfigurator Modell 1000/1000+/3000 A/B". on the website of the manufakturer Schwenk & Seggelke.
  12. ^ "Benade Clarinet". www.sfoxclarinets.com.
  13. ^ "B♭/A clarinet Superior". F. Arthur Uebel. Retrieved 18 March 2023.

Sources

Further reading

  • Myers, Arnold; Smith, Eleanor; Fricke, Heike; Edinburgh University Collection of Historic Musical Instruments (2012). "Luigi Magistrelli, Italy – The Reform Boehm system: Right Compromise Between French and German Systems". Proceedings of the Clarinet and Woodwind Colloquium 2007 : celebrating the collection of Sir Nicholas Shackleton: papers presented at the meeting organised by the Edinburgh University Collection of Historic Musical Instruments, Edinburgh, 22-24 June 2007. Edinburgh. ISBN 978-0-907635-59-8. OCLC 881005813.{{cite book}}: CS1 maint: location missing publisher (link)
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