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The trustees of Forster's estate invited Film producer [[Ismael Merchant]] and director James Ivory to Cambridge to discuss filming Forster. Merchant and Ivory surprised their host by indicating that they were interested in the rights of ''A Room with a View'' which the fellows of King's College at Cambridge considered "a little inconsequential early novel", rather than ''A Passage to India'', which was generally considered to be the writers best. Merchant and Ivory had no interest in ''A Passage to India'' because they had just done a [[British Raj]] film: ''[[Heat and Dust (film)|Heat and Dust]]'' released in 1983.
The trustees of Forster's estate invited Film producer [[Ismael Merchant]] and director James Ivory to Cambridge to discuss filming Forster. Merchant and Ivory surprised their host by indicating that they were interested in the rights of ''A Room with a View'' which the fellows of King's College at Cambridge considered "a little inconsequential early novel", rather than ''A Passage to India'', which was generally considered to be the writers best. Merchant and Ivory had no interest in ''A Passage to India'' because they had just done a [[British Raj]] film: ''[[Heat and Dust (film)|Heat and Dust]]'' released in 1983.


Ismael Merchant and James Ivory were a couple from the moment they met in New York in 1961 until Merchant’s death in 2005. During their time together they made twenty-five feature films with Merchant producing and Ivory directing. No less than nineteen of those films were written by their close friend [[Ruth Prawer Jhabvala]]. After early successes with films such as The Householder, Shakespeare Wallah and Bombay Talkie, Merchant and Ivory partner suffered a lean period during the 1970s. Films such as ''Jane Austen in New York'' and ''The Wild Party'' failed to find an audience. It was not until they work together in ''A Room with a View'' that they broke out from the art house into broader success.
Ismael Merchant and James Ivory were a couple from the moment they met in New York in 1961 until Merchant’s death in 2005. During their time together they made twenty-five feature films with Merchant producing and Ivory directing. No less than nineteen of those films were written by their close friend [[Ruth Prawer Jhabvala]]. After early successes with films such as The Householder, Shakespeare Wallah and Bombay Talkie, Merchant and Ivory partner suffered a lean period during the 1970s. Films such as ''Jane Austen in New York'' and ''The Wild Party'' failed to find an audience.Their fortunes revived dramatically in 1979, however, when Merchant produced an adaptation of Henry James's novel The Europeans and '[[Heat and Dust (film)|Heat and Dust]]'' (1983) was an art house hit in Europe, particularly in England. However, it was not until they work together in ''A Room with a View'' that they broke out from the art house into broader success.


==Filming==
==Filming==

Revision as of 11:40, 25 April 2019

A Room with a View
Theatrical release poster
Directed byJames Ivory
Screenplay byRuth Prawer Jhabvala
Produced byIsmail Merchant
Starring
CinematographyTony Pierce-Roberts
Edited byHumphrey Dixon
Music by
Distributed byCurzon Film Distributors
Release dates
  • 13 December 1985 (1985-12-13) (RCFP)
  • 11 April 1986 (1986-04-11)
Running time
117 minutes[1]
CountryUnited Kingdom
Budget
  • £2.3 million
  • ($3 million)[2][3]
Box office$21 million[2]

A Room with a View is a 1985 British romance film directed by James Ivory, screenplay written by Ruth Prawer Jhabvala, and produced by Ismail Merchant, of E. M. Forster's novel of the same name (1908). The film closely follows the novel by use of chapter titles to distinguish thematic segments. Set in England and Italy, it is about a young woman named Lucy Honeychurch in the restrictive and repressed culture of Edwardian England, and her developing love for a free-spirited young man, George Emerson. It stars Helena Bonham Carter as Lucy and Julian Sands as George, and features Maggie Smith, Denholm Elliott, Daniel Day-Lewis, Judi Dench and Simon Callow in supporting roles.

The film received universal critical acclaim and was a box-office success. At the 59th Academy Awards, it was nominated for eight Academy Awards (including Best Picture), and won three: Best Adapted Screenplay, Best Art Direction, and Best Costume Design. It also won five British Academy Film Awards and a Golden Globe. In 1999, the British Film Institute placed A Room with a View 73rd on its list of the Top 100 British films of the 20th century.

Plot

Lucy Honeychurch (Helena Bonham Carter) is from an English village in Surrey and is on holiday in Italy with her much older cousin and chaperone, Charlotte Bartlett (Maggie Smith). Charlotte is conventionally English, with an extremely restrictive personality, and she tends to get her way by expressing her emotions to manipulate others. Lucy has been brought up in an upper-middle class but loving and easygoing household, and has fewer inhibitions, which creates strong tension between herself and Charlotte. They are contrasted with the more free-thinking and free-spirited backdrop of Italy.

At a small pensione in Florence, Lucy meets such people as the Reverend Mr. Beebe (Simon Callow), the two Misses Alan (Fabia Drake and Joan Henley), the author Eleanor Lavish (Judi Dench), but most importantly, the nonconformist Mr. Emerson (Denholm Elliott) and his handsome, philosophical son, George (Julian Sands), who becomes friends with Lucy. These men, although also English, represent the forward-thinking ideals of the turn-of-the-century, seeking to leave behind the repression and caution that was the norm in Victorian times.

At first, the Emersons seem strange and unfamiliar to Charlotte and Lucy. The men seem sincere but unaware of finer upper-class Victorian manners. Mr. Emerson offers to switch rooms with the women, who desire a room with a view. Charlotte is offended, believing him to be rude and tactless for what she perceives to be indebting them with his offer. As Lucy begins her journey to maturity, she finds herself drawn to George due to his mysterious thinking and readily expressed emotions.

A number of people staying at the pension take a carriage ride in the country. A mischievous Italian driver gets back at Charlotte by misdirecting an unchaperoned Lucy to George in a barley field as he admires the view. George suddenly embraces and passionately kisses Lucy as she approaches him. Charlotte has followed Lucy, witnesses the act, and quickly stops the intimacy. George's unreserved passion shocks Lucy, but also lights a secret desire and romance in her heart. Charlotte suggests that George kissing her was the act of a rake.

Charlotte makes reference to a heartbreak from her youth that occurred the same way and has behaved accordingly with disgust and anger toward George. Charlotte uses guilt to coerce Lucy to secrecy to save both their reputations as a young lady and a chaperone, but it is mostly for her own benefit. Normally, if a young man kissed a young lady, an engagement should be announced to preserve her reputation, but Charlotte considers George to be an undesirable influence.

Upon returning to England, Lucy tells her mother nothing and pretends to forget the incident. She accepts a marriage proposal from a wealthy and respectable but snobbish and pretentious man named Cecil Vyse (Daniel Day-Lewis). Cecil seems lacking in personality or emotion, and instead of playing tennis with her, prefers to walk around outside, reading aloud from a novel. However, she soon learns that George's father is moving to her small village and will be a neighbour due to a coincidence of Cecil having invited the Emersons, during a chance meeting in London, to rent an empty cottage in the village (an invitation which Lucy had already given to the Miss Alans). After Lucy's brother, Freddy (Rupert Graves), meets George, they and Mr. Beebe go skinnydipping in a nearby pond. Lucy, her mother, and Cecil go for a walk in the woods and come upon the three men cavorting in the nude.

The appearance of George in the village soon disrupts Lucy's plans and causes her suppressed feelings to resurface, complicated by the supposed need for secrecy. Lucy consistently refuses George's pursuit of her, but then she suddenly breaks off her engagement to Cecil and makes plans to visit Greece. George has also decided that he must move for peace of mind and makes arrangements. Lucy stops by Mr. Beebe's home and is confronted by George's father before the Emersons are to leave town. She suddenly realises that the only reason that she planned to travel was to escape her feelings for George. At the end, we see George and Lucy in the Italian pension where they met, in the room with the view, happily married.

Cast


Background

E. M. Forster began to write A Room with a View during a trip to Italy in the winter of 1901-02 when he was twenty-two. It was the first novel he worked on, however, he put it away working back on it a few years later. Forster finished first two other novels: Where Angels Fear To Tread (1905) and then The Longest Journey (1907). A Room with a View was finally published in 1908. Set in Italy and England, A Room with a View , follows Lucy Honeychurch, a proper English young woman who discovers passion while on a trip to Italy but returns to the restrained culture of Edwardian era England. The story is both a romance and a humorous critique of English society at the beginning of the 20th century. The novel, Forster's third, was very well received, better than his previous two, but it is considered lighter than his two best regarded later works Howards End (1910) and A Passage to India (1924) whose depth and complexity lacks. In Forster's own appreciation "A Room with a View, may not be his best, but may very well be his nicest".

Forster's early draft of the novel already shows the triangle of Lucy, Miss Bartlett and a shadowy George Emerson already in place, as well as the two Misses Alan and the novelist, Miss Lavish. In these first notes, the story begins in the Pensione Bertolini in Florence, but breaks off before the return to England, and its various sketchy episodes bear little resemblance to the finished work. In 1903, Forster went on with his novel, and now Cecil Vyse makes his appearance, as well as old Mr. Emerson, Reverend Beebe, and Lucy's mother and brother Freddy. The action, commencing in Italy as before, is carried forward to England, but the plot was unresolved when Forster laid the novel away for the second time. In this version the story ended tragically with George riding his bicycle into a tree during a storm. These early drafts have been published by Edward Arnold in The Lucy Novels (1977), edited by Oliver Stallybrass. In it one may follow to some extent the development of the novel . He liked, too, the character of Lucy Honeychurch and, somewhat dyspeptically comparing her with the women in Howards End (1910), counted her as one of his few successes. The character of Lucy anticipates that of Adela Quested in A Passage To India, published in 1924. Both women seem to be fighting their own best natures, to be hysterically turning away from any kind of honest introspection, and at a crucial point in the story, to be embarking on an enterprise which will plunge them and everyone who loves them into misery. The Lucy Novels also contain some bits that were used in the film but are not to be found in the published novel. The scene between Lucy and the guide in Santa Croce, for instance with its mish-mash of Italian and pidgin English, is from Forster's notebook. It is revealing, too, about the originals of some of the characters: George Emerson began as Forster's Cambridge friend, Hugh Meredith, Forster designating the character by the initials H.O.M. in the opening entry of his notes. As a type, Miss Lavish was based on Emily Spender, a writer Forster and his mother met in their travels, swinging about in a military cape and affecting thin cigars in the pensione smoking room.

Forster did not hold cinema in high regard as an art-form and consequently he refrained from marketing the film right of his books even though there was great interest during his life time for a film adaptation of his best regarded novel A Passage to India. Following Forster's death in 1970, the self-governing board of fellows of King's College at Cambridge inherited the rights to his books.[4] However, Donald A Parry, chief executor, turned down all approaches. Ten years later, when Professor Bernard Williams, a film enthusiast, became chief executor, the rights for film adaptation of Foster’s novels became finally available.[5] The trustees of Forster's estate invited Film producer Ismael Merchant and director James Ivory to Cambridge to discuss filming Forster. Merchant and Ivory surprised their host by indicating that they were interested in the rights of A Room with a View which the fellows of King's College at Cambridge considered "a little inconsequential early novel", rather than A Passage to India, which was generally considered to be the writers best. Merchant and Ivory had no interest in A Passage to India because they had just done a British Raj film: Heat and Dust released in 1983.

Ismael Merchant and James Ivory were a couple from the moment they met in New York in 1961 until Merchant’s death in 2005. During their time together they made twenty-five feature films with Merchant producing and Ivory directing. No less than nineteen of those films were written by their close friend Ruth Prawer Jhabvala. After early successes with films such as The Householder, Shakespeare Wallah and Bombay Talkie, Merchant and Ivory partner suffered a lean period during the 1970s. Films such as Jane Austen in New York and The Wild Party failed to find an audience.Their fortunes revived dramatically in 1979, however, when Merchant produced an adaptation of Henry James's novel The Europeans and 'Heat and Dust (1983) was an art house hit in Europe, particularly in England. However, it was not until they work together in A Room with a View that they broke out from the art house into broader success.

Filming

A Room With a View was filmed extensively on location in Florence, but also in London and around the town of Sevenoaks in Kent. Lucy's engagement party was filmed in the grounds of Emmetts Garden.[6] Foxwold House near Chiddingstone was used for the Honeychurch house and an artificial pond was built in the forest of the property to use as the Sacred Lake. Two years later, the Great Storm of 1987 would tear through the area and destroy the gardens and almost 80 acres of the surrounding forest.[7] In London, the Linley Sambourne House in South Kensington was used for Cecil's house and the Estonian Legation on Queensway was used for the boarding house where the Miss Alans live.[8]

Reception

Box office

The film made $4.4 million at the US box office in the first 12 weeks of release.[3]

Critical reception

The film received positive reviews from critics, currently holding a 100% rating on Rotten Tomatoes.[9] Roger Ebert gave the film four out of four stars, writing: "It is an intellectual film, but intellectual about emotions: It encourages us to think about how we feel, instead of simply acting on our feelings."[10]

Awards

Academy Awards

BAFTA Awards

Golden Globe Awards

Other awards

Other nominations

Soundtrack

  1. "O mio babbino caro" (from Gianni Schicchi by Puccini) – Kiri Te Kanawa with the LPO, conducted by Sir John Pritchard
  2. "The Pensione Bertollini"
  3. "Lucy, Charlotte, and Miss Lavish See the City"
  4. "In the Piazza Signoria"
  5. "The Embankment"
  6. "Phaeton and Persephone"
  7. "Chi il bel sogno di Doretta" (from La Rondine, Act One by Puccini) – Te Kanawa with the LPO, conducted by Pritchard
  8. "The Storm"
  9. "Home, and the Betrothal"
  10. "The Sacred Lake"
  11. "The Allan Sisters"
  12. "In the National Gallery"
  13. "Windy Corner"
  14. "Habanera" (from Carmen by Georges Bizet)
  15. "The Broken Engagement"
  16. "Return to Florence"
  17. "End Titles"
  • Original music composed by Richard Robbins
  • Soundtrack album produced by Simon Heyworth
  • Arrangements by Frances Shaw and Barrie Guard
  • Music published by Filmtrax PLC

See also

References

  1. ^ "A Room with a View (PG)". British Board of Film Classification. 1 January 1986. Retrieved 16 November 2016.
  2. ^ a b A Room with a View at Box Office Mojo
  3. ^ a b "Bad Beginning." Sunday Times [London, England] 15 June 1986: 45. The Sunday Times Digital Archive. Web. 8 April 2014.
  4. ^ Long, James Ivory in Conversation, p. 211
  5. ^ Cite error: The named reference los was invoked but never defined (see the help page).
  6. ^ Kent Film Office. "Kent Film Office A Room with a View Film Focus". Archived from the original on 19 July 2013. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  7. ^ John Pym (1995). Merchant Ivory's English Landscape. p. 48–9.
  8. ^ John Pym (1995). Merchant Ivory's English Landscape. p. 50.
  9. ^ "A Room With a View". Rotten Tomatoes. Retrieved 5 October 2017.
  10. ^ "A Room with a View Movie Review (1986)". Rogerebert.com. Retrieved 5 October 2017.
  11. ^ "Academy Awards, USA". IMDB. Retrieved 29 February 2016.
  12. ^ "The 1987 Oscar Winners – RopeofSilicon.com Award Show Central". Ropeofsilicon.com. Archived from the original on 28 September 2011. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  13. ^ a b c "A Room with a View (1985) : Awards". IMDB. Retrieved 29 February 2016.
  14. ^ "BAFTA Awards". IMDB. Retrieved 29 February 2016.
  15. ^ "The 1987 Golden Globe Award Winners – RopeofSilicon.com Award Show Central". Ropeofsilicon.com. Archived from the original on 28 September 2011. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  16. ^ "London Critics Circle Film Awards". IMDB. Retrieved 29 February 2016.
  17. ^ "National Board of Review of Motion Pictures :: Awards". Nbrmp.org. Archived from the original on 13 August 2010. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  18. ^ "New York Film Critics Circle: 1986 Awards". Nyfcc.com. Archived from the original on 7 September 2010. Retrieved 21 August 2010. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  19. ^ "Writers Guild of America, USA". IMDB. Retrieved 29 February 2016.
  20. ^ "Directors Guild of America, USA". IMDB. Retrieved 29 February 2016.
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