Classical violin piece by Paganini From Wikipedia, the free encyclopedia
Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor, consists of a theme, 11 variations, and a finale. His 24 Caprices were probably composed between 1802 and 1817, while he was in the service of the Baciocchi court.
It is widely considered one of the most difficult pieces ever written for the solo violin. It requires many highly advanced techniques such as parallel octaves and rapid shifting covering many intervals, extremely fast scales and arpeggios including minor scales, left hand pizzicato, high positions, and quick string crossings. Additionally, there are many double stops, including thirds and tenths.
The caprice has provided a rich seam of material for works by subsequent composers. Compositions based on it, and transcriptions of it, include:
In Flames – the introduction of the song Foregone, Pt. 2 from the album Foregone
Angra – used the main theme for an interlude on electric guitar on the song Angels Cry, from the album of same name
Aria – used as a basis for the main riff in the song Igra's Ognyom (Playing with Fire) from the 1989 album of the same name. The plot of the song concerns a fictional violinist who is based on Paganini
Leopold Auer – arranged it for violin with piano accompaniment, and added some variations of his own
Rafał Augustyn – Paganini Variations, for solo piano (1987–1989) (reference: www.polmic.pl)
Luc Baiwir – Variations on a Theme by Paganini, for solo piano (2007)
David Baker – Ethnic Variations on a Theme of Paganini, for violin and piano
Andrew Lloyd Webber – Variations (1977), Variations (album) originally for cello and rock band, and used as the theme for The South Bank Show, later also arranged for cello and orchestra; Song & Dance – the Dance part is a reworked version of Variations
David Ludwig – Violin Concerto No. 2: Paganiniana, (2018) for violin and Pierrot Ensemble
Gregor Piatigorsky – Variations on a Paganini Theme, for cello and orchestra (1946), later arranged for cello and piano
Simon Proctor – Paganini Metamorphasis, for solo piano
Frank Proto – Capriccio di Niccolo for Trumpet and Orchestra (1994). Nine Variants on Paganini for Double Bass and Orchestra, also for Double Bass and Piano (2001). Paganini in Metropolis for Clarinet and Wind Symphony (2001), also for Clarinet and Orchestra (2002)
Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano
Joe Stump – used the main theme for an interpretation on the song Paganini's Revenge on the album Guitar Dominance. The track also incorporates elements from Paganini's 5th Caprice
Karol Szymanowski – No. 3 from Trzy kaprysy Paganiniego (3 Caprices de Paganini), Op. 40 (1918); transcriptions for violin and piano[2]
George Thalben-Ball – Variations on a Theme of Paganini, theme and 10 variations for Pipe organ. All except the last variation are for solo organ pedals
Philip Wilby – Paganini Variations, for both wind band and brass band