David Hare (playwright)

Early work

Hare worked with the Portable Theatre Company from 1968 to 1971. His first play, Slag, was produced in 1970, the same year in which he married his first wife, Margaret Matheson; the couple had three children and divorced in 1980. He was Resident Dramatist at the Royal Court Theatre, London, from 1970 to 1971, and in 1973 became resident dramatist at the Nottingham Playhouse. He co-founded the Joint Stock Theatre Company with David Aukin and Max Stafford-Clark in 1975. Hare's play Plenty was produced at the National Theatre in 1978. Aside from films, he has also written teleplays such as, for the BBC, Licking Hitler (1978), and, for Thames Television, Saigon: Year of the Cat (1983).^[9]

1980s

Hare founded a film company called Greenpoint Films in 1982, and among screenplays he has written are Plenty, Wetherby, Strapless, and Paris by Night. In 1983, his play A Map of the World was produced at the Royal National Theatre. The production starred Bill Nighy, Diana Quick, and Ronald Hines. The play is set at the Unesco conference on poverty held in Bombay in 1978. It transferred to The Public Theatre in 1985, starring Alfre Woodard, Elizabeth McGovern, and Zeljko Ivanek. In a mixed review, The New York Times theatre critic Frank Rich wrote: "The play is in part about conflicting points of view – about how reactionaries and leftists look at geopolitics, how journalists and novelists look at events and how the West and the Third World look at each other."^[10]

In 1985, Hare wrote Pravda with Howard Brenton, its title referring to the Russian Communist party newspaper Pravda. The play, a satire on the mid-1980s newspaper industry, in particular the Australian media and press baron Rupert Murdoch,^[11][12] stars Anthony Hopkins in a role that earned him the Laurence Olivier Award. Hare became the associate director of the National Theatre in 1984, and has since seen many of his plays produced, including his trilogy about major British institutions: Racing Demon, Murmuring Judges, and The Absence of War. He has also directed many other plays aside from his own works, notable examples being The Pleasure Principle by Snoo Wilson, Weapons of Happiness by Howard Brenton, and King Lear by William Shakespeare for the National Theatre. Hare is also the author of a collection of lectures on the arts and politics called Obedience, Struggle, and Revolt (2005).^[13]

1990s

In 1990, Hare wrote Racing Demon; part of a trio of plays about British institutions, it focuses on the Church of England, and tackles issues such as gay ordination, and the role of evangelism in inner-city communities. The play debuted at the National Theatre and received the Laurence Olivier Award for Best New Play. The play transferred to the Broadway stage at the Vivian Beaumont Theatre in 1995. The production starred Paul Giamatti, Denis O'Hare, and Kathleen Chalfant. The play was nominated for the Tony Award for Best Play.

In 1995, Hare's translation of Mother Courage and Her Children by Bertolt Brecht was produced in London.^[9] In 1996, Hare wrote Skylight, a play about a woman who receives an unexpected visit from her former lover whose wife has recently died. Michael Gambon and Lia Williams starred in the original production, which received the Laurence Olivier Award for Best New Play. The following year, the production transferred to the Broadway stage, where it was nominated for the Tony Award for Best Play.^[14]

In 1998, Hare wrote Amy's View, a play that deals with an emotional relationship between a mother and her daughter. The original production at the Royal National Theatre starred Judi Dench, Samantha Bond, and Ronald Pickup. Dench starred in the Broadway transfer, earning the Tony Award for Best Actress in a Play in 1999.^[15]

2000s

In 2001, Hare wrote My Zinc Bed, which premiered at the Royal Court Theatre starring Tom Wilkinson, Julia Ormond, and Steven Mackintosh. The play was adapted into a television film of the same name in 2008. The play received the Laurence Olivier Award for Best New Play nomination, Hare's eighth Olivier Award nomination. The following year Hare wrote the screenplay for The Hours (2002) adapted from the Michael Cunningham book of the same name. The film starred an ensemble cast that included Meryl Streep, Julianne Moore, and Nicole Kidman as women from three different time periods struggling against adversity. Hare received the Academy Award for Best Adapted Screenplay nomination as well as BAFTA Award, Golden Globe Award nominations.^{[citation needed]}

In 2008, he adapted Bernhard Schlink's 1995 novel into Stephen Daldry's film The Reader starring Kate Winslet and Ralph Fiennes. The film focuses on a romance in the 1950s between a teenaged boy and an older woman who is later discovered to have been a Nazi guard and is on trial for committing war crimes during the Holocaust. The film was well reviewed and earned Hare his second Academy Award nomination. He also received BAFTA and Golden Globe Award nominations.^[16][17]

2010s

Hare's 2011 play South Downs, based on his based on his own experiences of being schooled at Lancing College, was well received at the Chichester Festival,^[18] and was adapted as a Saturday Drama on BBC Radio 4.^[19]

In December 2011, it was announced that his monologue Wall about the Israeli West Bank barrier was being adapted by Cam Christiansen as a live-action/animated documentary by the National Film Board of Canada;^[20] originally slated for completed in 2014, Wall premiered at the Calgary International Film Festival in 2017.^[21] In November 2012, The New School for Drama selected Hare as temporary Artist-in-residence, during which he interacted with student playwrights about his experience in varying mediums.^[22] His career is examined in the Reputations strand on TheatreVoice.^[23] He is particularly well known for incisive commentary on the problems of public institutions. Raymond Williams once said, sardonically, that the public services are largely managed by the nation's "upper servants". Hare addresses this group, providing an analysis of the workings of the institutions: he is, he has said, interested in the struggle to make procedures work better – right now – not in waiting until some revolution, somehow, sometime, comes about to raze the current system altogether, to replace it with perfection.^[24]

In 2016, Daily Variety reported that the Jonathan Franzen novel Purity was in the process of being adapted into a 20-hour limited series by Todd Field who would share writing duties with Franzen and Hare. It would star Daniel Craig as Andreas Wolf and be executive produced by Field, Franzen, Craig, Hare & Scott Rudin.^[25]

However, in a February 2018 interview with The Times London, Hare said that, given the budget for Field's adaptation (170 million), he doubted it would ever be made, but added "It was one of the richest and most interesting six weeks of my life, sitting in a room with Todd Field, Jonathan Franzen and Daniel Craig bashing out the story. They're extremely interesting people."^[26]

In 2016, Hare wrote the screenplay for Denial based on Deborah Lipstadt's History on Trial: My Day in Court with a Holocaust Denier. The film starred Tom Wilkinson, Rachel Weisz, and Timothy Spall. The film dramatises the Irving v Penguin Books Ltd case, in which Lipstadt, a Holocaust scholar, was sued by Holocaust denier David Irving for libel. The film premiered at the Toronto International Film Festival to positive reviews. It later received the BAFTA Award for Outstanding British Film nomination.^{[citation needed]}

2020s

In 2020, Hare contracted COVID-19, an experience reflected in his monologue Beat the Devil, with Ralph Fiennes in the starring role.^[27]

In 2022, Hare wrote, Straight Line Crazy. The play is set in the 1920s through the 1960s in New York City and centres on the life of Robert Moses, portrayed by Fiennes.^[28] Fiennes stars as Moses, once a powerful man in New York and the "master builder" of infrastructure from new parks, bridges and expressways. During his working life, he served on the New York State Council of Parks and was the New York Secretary of State. The play premiered at the Bridge Theatre in London in March 2022. The play transferred to the New York stage with Fiennes at The Shed in October 2022.^[29]

Theatre

Film

Television