User:Namelessposter
I like editing Formula One pages, although I often find myself editing pages about movies. Some contributions are listed below.
George Russell enthusiast.
Formula One
[edit]Substantially rewrote
[edit]Edited
[edit]- Ayrton Senna—personal life, racing legacy, cultural legacy
Films
[edit]I think film plot summaries should cover key themes and character arcs, not just details. My rule of thumb is that if a fact is implied, it goes in the synopsis, like Diary of a Country Priest; a minimalist like Robert Bresson is nearly incomprehensible unless you affirmatively make certain connections. If it's subtext or allusive, it goes in the analysis/themes section, like Pickpocket or Megalopolis. Obviously, this is a grey area and reasonable people can disagree. I find that using lower-alpha explanatory footnotes helps bridge the gap.
Major contributions
[edit]- Diary of a Country Priest (1951)—synopsis, screenplay, themes, awards, reception
- Four Nights of a Dreamer (1971)—synopsis, production, reception, distribution
- Uncut Gems (2019)—synopsis, production, reception
- Megalopolis (2024)—synopsis, themes
Multiple contributions
[edit]- Pickpocket (1959)—synopsis, themes
- Mirror (1975)—synopsis, editing style, release, reception
- Amadeus (1984)—synopsis, director's cut
- Anora (2024)—synopsis, production
- Conclave (2024)—synopsis, reception
Revised synopses
[edit]- Brief Encounter (1945)
- Black Narcissus (1947)
- The Red Shoes (1948)
- Lawrence of Arabia (1962)
- The Long Goodbye (1973)
- Days of Heaven (1978)
- Stalker (1979)
- The Age of Innocence (1993)
- Hannibal (2001)
- The Tree of Life (2011)
- Moneyball (2011)
- Star Wars: The Last Jedi (2017)
- Lady Bird (2017)
- Dìdi (2024)
- Juror No. 2 (2024)
- Gladiator II (2024)