Catherine Deneuve
French actress (born 1943) From Wikipedia, the free encyclopedia
French actress (born 1943) From Wikipedia, the free encyclopedia
Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve (UK: /dəˈnɜːv/,[1] US: /dəˈnʊv/,[2] French: [katʁin dənœv] ), is a French actress. She is considered one of the greatest European actresses on film.[3] In 2020, The New York Times ranked her as one of the greatest actors of the 21st century.[4]
 | You can help expand this article with text translated from the corresponding article in French. (October 2023) Click [show] for important translation instructions.
|
Catherine Deneuve | |
|---|---|
Deneuve in 2017 | |
| Born | Catherine Fabienne Dorléac 22 October 1943 |
| Occupation | Actress |
| Years active | 1957–present |
| Spouse | |
| Partner(s) | Roger Vadim (1961–1964) Marcello Mastroianni (1970–1974) Hugh Johnson (1982–1983) Pierre Lescure (1984–1991) |
| Children | Christian Vadim Chiara Mastroianni |
| Parent(s) | Maurice Dorléac Renée Simonot |
| Relatives | Françoise Dorléac (sister) |
Deneuve made her screen debut in 1957 at age 13, in a film shot the previous year when she was only 12. A major figure of the New Wave, she became, like Brigitte Bardot and Alain Delon, one of the best-known French artists in the world.[5][6] In a career spanning nearly 70 years, she has played more than a hundred roles and is recognized in France and internationally for being one of the key faces of the musical film genre with appearances in The Umbrellas of Cherbourg, The Young Girls of Rochefort, Donkey Skin, 8 Women and The Beloved. Early in her career, she gained acclaim for her portrayals of aloof and mysterious beauties while working for well-known directors such as Luis Buñuel, François Truffaut, Jacques Demy, Roman Polanski, and Agnès Varda.[7] She played in films attracting a total of nearly 99 million spectators in theaters, making her the working actress with the most admissions in France.[8] In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty.[9]
She has received numerous accolades over her career including two César Awards and the Venice Film Festival's Volpi Cup for Best Actress as well as nominations for an Academy Award and BAFTA Award. She has received honorary awards, including the Berlin International Film Festival's Golden Bear in 1998, the Cannes Film Festival's Honorary Palme d'Or in 2005, and the Venice Film Festival's Golden Lion in 2022.
Deneuve was born Catherine Fabienne Dorléac in Paris,[10] the daughter of French stage actors Maurice Dorléac and Renée Simonot. Deneuve had two sisters, Françoise Dorléac (21 March 1942 – 26 June 1967) and Sylvie Dorléac (born 14 December 1946),[11] as well as a maternal half-sister, Danièle, whom their mother had out of wedlock in 1936 with Aimé Clariond. Deneuve used her mother's maiden name, which she chose for her stage name, in order to differentiate herself from her sisters. Deneuve attended Catholic schools.[12]
Deneuve made her film debut with a small role in André Hunebelle's Les Collégiennes (1957) with her younger sister Sylvie Dorléac who, like their older half-sister Daniele, was an occasional child actress.[13] She subsequently appeared in several films for director Roger Vadim as well as in L'Homme à femmes (1960), which caught the eye of Jacques Demy, who cast Deneuve as Geneviève Emery in his romantic film musical The Umbrellas of Cherbourg (1964), the film that brought her to stardom.[13] The film received critical acclaim winning the Palme d'Or at the 1964 Cannes Film Festival. Variety praised her performance describing her writing, "Catherine Deneuve, a winsome-looking type that other directors have forced to act, here is allowed to be herself. She etches a fine portrait of a 16-year-old in love."[14] The same year she acted in several films including the anthology film The World's Most Beautiful Swindlers in a segment directed by Claude Chabrol and the comedy Male Hunt directed by Édouard Molinaro.
In her English-language debut, Deneuve played the cold but erotic persona, for which she would be nicknamed the "ice maiden", in Roman Polanski's psychological horror thriller Repulsion (1965). For her performance she was nominated for the New York Film Critics Circle Award for Best Actress. Peter Bradshaw of The Guardian wrote, "Catherine Deneuve's glassy stare of anxiety dominates the movie" comparing her to Janet Leigh in Psycho (1960).[15] In 1966 she starred in the Agnes Varda fantasy film Les Créatures and Jean-Paul Rappeneau's A Matter of Resistance. The following year, she reunited with Demy for another musical The Young Girls of Rochefort (1967) acting alongside George Chakiris and Gene Kelly. She played a twin to her real-life older sister, Françoise Dorléac (as Solange), in what would be their only film together, Dorléac died in a car accident a few months after the movie opened.[16] That same year she starred in Luis Buñuel's psychological erotic drama Belle de Jour (1967). Deneuve stars as a young woman who spends her midweek afternoons as a high-class prostitute, while her husband is at work. For her performance, she received a nomination for the BAFTA Award for Best Actress in a Leading Role. Melissa Anderson writing for Criterion declared, "Deneuve's performance in Belle de jour turned out to be one of her most iconic".[17]
In 1969, Deneuve starred in Stuart Rosenberg's American romantic comedy film The April Fools, starring opposite Jack Lemmon. That same year she acted in François Truffaut's romantic crime drama Mississippi Mermaid acting alongside Jean-Paul Belmondo. The New York Times film critic Vincent Canby praised the film writing, "As in all of Truffaut's films, love leads only to an uncertain future that, at best, may contain some joy along with the inevitable misery. Truffaut's special talent, however, is for communicating a sense of the value of that joy."[18] She reunited with Buñel for the drama Tristana (1970) acting alongside Fernando Rey and Franco Nero.[19] Her work for Buñuel would be her best known.[20][21] That same year, she reunited with Jacques Demy for the musical fantasy Donkey Skin (1970) based on the 1965 fairy tale of the same name by Charles Perrault. Roger Ebert praised the film writing, "It provides a visual feast and fanciful imaginations, and Deneuve was then, as she was before and since, a great beauty with the confidence such beauty requires."[22]
In 1971, Deneuve starred in Nadine Trintignant's It Only Happens to Others opposite Marcello Mastroianni. She also starred in Marco Ferreri's Italian drama Liza (1972), Jean-Pierre Melville's French crime film Un flic (1972), and Jacques Demy's French comedy A Slightly Pregnant Man (1973). She starred in Robert Aldrich's crime film Hustle (1975) with Burt Reynolds. Gene Siskel of the Chicago Tribune awarded a full four stars out of four and wrote that "violence takes a back seat to character development and storytelling techniques that are classical. Hustle is the kind of picture you don't want to see end. It's going to be a cult favorite."[23] That same year, she acted in Jean-Paul Rappeneau's adventure film Le Sauvage (1975) with Yves Montand. The following year, she acted in Claude Lelouch's Second Chance (1976).
In the 1980s, Deneuve's films included François Truffaut's Le Dernier métro (1980) with Gérard Depardieu for which she won the César Award for Best Actress and the David di Donatello Award for Best Actress. She gained acclaim for her role in Tony Scott's The Hunger (1983) as a bisexual vampire, co-starring with David Bowie and Susan Sarandon, a role which brought her a significant lesbian following, mostly among the gothic subculture.[24] During this time, she received César Award for Best Actress nominations for her roles in André Téchiné's romantic drama Hotel America (1981), Jean-Pierre Mocky's French drama film Agent trouble (1987), and François Dupeyron's drama Drôle d'endroit pour une rencontre (1988). The later of which she also served as a producer, and starred alongside frequent co-star Gérard Depardieu.
In the early 1990s, Deneuve's more significant roles included 1992's Indochine opposite Vincent Perez, for which she was nominated for an Academy Award for Best Actress and won a second César Award for Best Actress; and André Téchiné's two films, Ma saison préférée (1993) and Les Voleurs (1996). In 1997, Deneuve was the protagonist in the music video for the song N'Oubliez Jamais sung by Joe Cocker. In 1998, she won acclaim and the Volpi Cup at the Venice Film Festival for her performance in Place Vendôme. In the late 1990s, Deneuve continued to appear in a large number of films such as 1999's five films Est-Ouest, Le temps retrouvé, Pola X, Belle maman, and Le Vent de la nuit.
Deneuve's part in Lars von Trier's musical drama Dancer in the Dark (2000), alongside Icelandic singer Björk was subject to considerable critical scrutiny. The film was selected for the Palme d'Or at the Cannes Film Festival. She made another foray into Hollywood the following year, starring in The Musketeer (2001) for Peter Hyams. In 2002, she shared the Silver Bear Award for Best Ensemble Cast at the Berlin International Film Festival for her performance in 8 Women. In 2005, Deneuve published her diary A l'ombre de moi-meme ("In My Own Shadow", published in English as Close Up and Personal: The Private Diaries of Catherine Deneuve); in it she writes about her experiences shooting the films Indochine and Dancer in the Dark. She also provided the voice role of Marjane Satrapi's mother in Satrapi's animated autobiographical film Persepolis (2007), based on the graphic novel of the same name.
Her 100th film appearance was in Un conte de Noël released in 2008.[25] Deneuve's later work includes Potiche (2010) with frequent co-star Depardieu, Beloved (2011), alongside former co-stars Ludivine Sagnier and Chiara Mastroianni, the popular French adventure comedy Asterix and Obelix: God Save Britannia (2012) with Gérard Depardieu and Valérie Lemercier, screenwriter and director Emmanuelle Bercot's On My Way (2013), Palme d'Or winning writer/director Pierre Salvadori's comedy drama In the Courtyard (2014), and André Téchiné's drama In the Name of My Daughter (2014). She co-starred alongside Catherine Frot, in writer/director Martin Provost's French drama The Midwife (2017).[26][27]
Deneuve appeared nude in two Playboy pictorials in 1963 and 1965.[28] Her image was used to represent Marianne, the national symbol of France,[29] from 1985 to 1989.[30] As the face of Chanel No. 5 in the late 1970s, she caused sales of the perfume to soar in the United States – so much so that the American press, captivated by her charm, nominated her as the world's most elegant woman.[31] In 1983, American Home Products retained her to represent their cosmetics line and hired world-renowned photographer Richard Avedon to promote its line of Youth Garde cosmetics, for which she famously proclaimed, "Look closely. Next year, I will be 40."
She is considered the muse of designer Yves Saint Laurent; he dressed her in the films Belle de Jour, La Chamade, La sirène du Mississipi, Un flic, Liza, and The Hunger. In 1992, she became a model for his skincare line. In 2001, she was chosen as the new face of L'Oréal Paris. In 2006, Deneuve became the third inspiration for the M•A•C Beauty Icon series and collaborated on the colour collection that became available at M•A•C locations worldwide in February that year. Deneuve began appearing in the new Louis Vuitton luggage advertisements in 2007. Deneuve was listed as one of the fifty best-dressed over 50s by the Guardian in March 2013.[32] In July 2017, Deneuve appeared in a video campaign for Louis Vuitton entitled Connected Journeys, celebrating the launch of the brand's Tambour Horizon smartwatch, which also featured celebrities, including Jennifer Connelly, Bae Doona, Jaden Smith and Miranda Kerr.[33]
In 1986, Deneuve introduced her own perfume, Deneuve.[34] She is also a designer of glasses, shoes, jewelry and greeting cards.[35] In 2005, she launched a limited-edition makeup collection for MAC Cosmetics.[36] For the Catherine Deneuve eyewear line, she has had licensing agreements with Viva International (from 1989) and Marcolin (2014–2019) for the design, production and distribution of sunglasses and optical frames.[37]
Besides her native French, Deneuve speaks fluent Italian and English, and has some knowledge of Spanish. Her hobbies and passions include gardening, drawing, photography, reading, music, cinema, fashion, antiques and decoration.[39] According to a 1996 The New York Times article, she is a practising Roman Catholic.[46]
For decades, Deneuve has had an apartment on Place Saint-Sulpice in the 6th arrondissement of Paris. From 1989 to 2014, she also owned Château de Primard, a mansion in Guainville.[47]
Deneuve has been married once:[48] to photographer David Bailey from 1965 to 1972,[11] though they separated in 1967.[49] She has lived with director Roger Vadim,[50] actor Marcello Mastroianni,[11] cinematographer Hugh Johnson,[51] and Canal+ tycoon Pierre Lescure.[11]
Deneuve has two children: actor Christian Vadim (born 18 June 1963), from her relationship with Roger Vadim, and actress Chiara Mastroianni (born 28 May 1972), from her relationship with Marcello Mastroianni. She has five grandchildren. Deneuve has not had a public relationship since her breakup with Lescure in 1991, with whom she remains friends; Deneuve's two children consider him their stepfather. According to Gala, in late 2019 Deneuve relied on Lescure while she recuperated from a stroke.[52] In 2020, she told Paris Match that the two still talk to each other every day.[53]
Throughout her 20s and 30s, Deneuve reportedly dated actors Sami Frey,[54] Clint Eastwood,[55] Franco Nero,[56] Burt Reynolds[57] and John Travolta[58] as well as directors Roman Polanski,[59] Jerry Schatzberg,[60] François Truffaut[61] and Milos Forman,[62] talent agent Bertrand de Labbey,[63] singer Serge Gainsbourg,[64] though she denies an intimate relationship with Gainsbourg. She is also rumoured to have had a brief relationship with TV host Carlos Lozano.[65][66][67]
In recent decades, Deneuve's highly private life has prompted speculation about her sexual orientation, which she acknowledged in a 2002 interview with Knack magazine: "Now that people know nothing about my private life, they start guessing: is there still a man in her life and who is he then? When they see me two or three times with a female friend they say: we've always known that."[68] Reports from 2000 said her beau was a 25-year-old technician she had met on a recent film, but no writer could identify him.[69] In 2006, Deneuve told The Daily Telegraph that she was in a relationship, though she did not disclose his name.[70]
A 2020 biography of Johnny Hallyday by Gilles Lhote says the singer maintained a carefully hidden, 56-year affair with Deneuve that started when they were teenagers in 1961 and continued until Hallyday's death in 2017.[71][72]
Deneuve was a close friend of the artist Nall, and owns some of his works.[73]
On 6 November 2019, BBC News reported that Deneuve suffered a mild stroke and was recuperating in a Paris hospital. Despite the health scare, there was no damage to her motor functions.[74] Five weeks later, she was released from hospital, and spent the remainder of 2019 recuperating at her Paris home.[75]
Deneuve began smoking in 1960 at age 16, and was known to smoke up to three packs a day.[76] She quit in 1985 with the aid of hypnotherapy,[77] but started again in 1996.[78] In 2020, French actress and recent co-star Juliette Binoche told Vanity Fair that Deneuve stopped smoking after suffering a stroke.[79]
| † | Denotes works that have not yet been released |
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1957 | Les Collégiennes | Schoolgirl | André Hunebelle | Credited as Catherine Dorléac |
| 1960 | Les Petits Chats | — | Jacques R. Villa | |
| 1960 | L'Homme à femmes | Catherine | Jacques-Gérard Cornu | |
| 1960 | Les Portes claquent | Dany | Michel Fermaud Jacques Poitrenaud |
|
| 1962 | Ça c'est la vie | — | Claude Choublier | Short film |
| 1962 | Tales of Paris | Sophie | Marc Allégret | French: Les Parisiennes |
| 1962 | And Satan Calls the Turns | Manuelle | Grisha Dabat | French: Et Satan conduit le bal |
| 1963 | Vice and Virtue | Justine Morand | Roger Vadim | French: Le Vice et la Vertu |
| 1963 | Portuguese Vacation | Catherine | Pierre Kast | French: Vacances portugaises |
| 1964 | The Umbrellas of Cherbourg | Geneviève Emery | Jacques Demy | French: Les Parapluies de Cherbourg |
| 1964 | The World's Most Beautiful Swindlers | Swindler | Claude Chabrol | French: Les Plus belles escroqueries du monde |
| 1964 | Male Hunt | Denise | Édouard Molinaro | French: La Chasse à l'homme |
| 1964 | Male Companion | Isabelle | Philippe de Broca | French: Un monsieur de compagnie |
| 1964 | La costanza della ragione | Lori | Pasquale Festa Campanile | |
| 1965 | Repulsion | Carol Ledoux | Roman Polanski | |
| 1965 | Who Wants to Sleep? | Angela Claasen | Rolf Thiele Axel von Ambesser Alfred Weidenmann |
German: Das Liebeskarussell |
| 1965 | Le Chant du monde | Clara | Marcel Camus | |
| 1966 | A Matter of Resistance | Marie | Jean-Paul Rappeneau | French: La Vie de château |
| 1966 | Les Créatures | Mylène | Agnès Varda | |
| 1967 | The Young Girls of Rochefort | Delphine Garnier | Jacques Demy | French: Les Demoiselles de Rochefort |
| 1967 | Belle de Jour | Séverine Serizy / Belle de Jour | Luis Buñuel | |
| 1968 | Benjamin | Anne de Clécy | Michel Deville | French: Benjamin ou les Mémoires d'un puceau |
| 1968 | Manon 70 | Manon | Jean Aurel | |
| 1968 | Mayerling | Maria Vetsera | Terence Young | |
| 1968 | La Chamade | Lucile | Alain Cavalier | |
| 1969 | The April Fools | Catherine Gunther | Stuart Rosenberg | |
| 1969 | Mississippi Mermaid | Julie Roussel / Marion Vergano | François Truffaut | French: La Sirène du Mississipi |
| 1969 | Tout peut arriver | Herself | Philippe Labro | Interviewee |
| 1970 | Tristana | Tristana | Luis Buñuel | |
| 1970 | Donkey Skin | Princess / 'Donkey Skin' | Jacques Demy | French: Peau d'Âne |
| 1971 | It Only Happens to Others | Catherine | Nadine Trintignant | French: Ça n'arrive qu'aux autres |
| 1972 | Liza | Liza | Marco Ferreri | |
| 1972 | Un flic | Cathy | Jean-Pierre Melville | |
| 1973 | A Slightly Pregnant Man | Irène de Fontenoy | Jacques Demy | French: L'Événement le plus important depuis que l'homme a marché sur la Lune |
| 1974 | Don't Touch the White Woman! | Marie-Hélène de Boismonfrais | Marco Ferreri | French: Touche pas à la femme blanche ! |
| 1974 | The Murri Affair | Linda Murri | Mauro Bolognini | |
| 1974 | The Woman in Red Boots | Françoise LeRoi | Juan Luis Buñuel | |
| 1975 | Zig Zag | Marie | László Szabó | |
| 1975 | L'Agression | Sarah | Gérard Pirès | |
| 1975 | Lovers Like Us | Nelly | Jean-Paul Rappeneau | French: Le Sauvage |
| 1975 | Hustle | Nicole Britton | Robert Aldrich | |
| 1976 | Second Chance | Catherine Berger | Claude Lelouch | French: Si c'était à refaire |
| 1977 | The Forbidden Room | Sofia Stolz | Dino Risi | |
| 1977 | March or Die | Simone Picard | Dick Richards | |
| 1977 | Beach House | Woman in the dream | Sergio Citti | Italian: Casotto |
| 1978 | L'Argent des autres | Cécile Rainier | Christian de Chalonge | |
| 1979 | Ils sont grands, ces petits | Louise Mouchin | Joël Santoni | |
| 1979 | Us Two | Françoise | Claude Lelouch | French: À nous deux |
| 1979 | Courage fuyons | Eva | Yves Robert | |
| 1979 | Écoute voir | Claude Alphand | Hugo Santiago | |
| 1980 | The Last Metro | Marion Steiner | François Truffaut | French: Le Dernier Métro |
| 1980 | Je vous aime | Alice | Claude Berri | |
| 1981 | Choice of Arms | Nicole Durieux | Alain Corneau | French: Le Choix des armes |
| 1981 | Hotel America | Hélène | André Téchiné | French: Hôtel des Amériques |
| 1982 | Le Choc | Claire | Robin Davis | |
| 1983 | L'Africain | Charlotte | Philippe de Broca | |
| 1983 | The Hunger | Miriam Blaylock | Tony Scott | |
| 1984 | Le Bon Plaisir | Claire Després | Francis Girod | |
| 1984 | Fort Saganne | Louise | Alain Corneau | |
| 1984 | Paroles et Musique | Margaux | Élie Chouraqui | |
| 1986 | Let's Hope It's a Girl | Claudia | Mario Monicelli | |
| 1986 | Scene of the Crime | Lili Ravenel | André Téchiné | French: Le Lieu du crime |
| 1987 | Agent trouble | Amanda Weber | Jean-Pierre Mocky | |
| 1988 | Frequent Death | Jeanne Quester | Élisabeth Rappeneau | |
| 1988 | A Strange Place to Meet | France | François Dupeyron | French: Drôle d'endroit pour une rencontre |
| 1991 | La Reine blanche | Liliane Ripoche | Jean-Loup Hubert | |
| 1992 | Indochine | Éliane Devries | Régis Wargnier | |
| 1993 | My Favorite Season | Émilie | André Téchiné | French: Ma saison préférée |
| 1994 | La Partie d'échecs | Marquise | Yves Hanchar | |
| 1995 | One Hundred and One Nights | The star-fantasy | Agnès Varda | French: Les Cent et Une Nuits de Simon Cinéma |
| 1995 | The Convent | Hélène | Manoel de Oliveira | Portuguese: O Convento |
| 1996 | Thieves | Marie Leblanc | André Téchiné | French: Les Voleurs |
| 1996 | Court toujours : L'inconnu | Marianne | Ismaël Ferroukhi | Short film |
| 1996 | The Snow Queen | The Snow Queen | Lev Atamanov | Voice role French dub |
| 1997 | Genealogies of a Crime | Jeanne / Solange | Raúl Ruiz | |
| 1997 | Sans titre | — | Leos Carax | Short film |
| 1998 | Place Vendôme | Marianne Malivert | Nicole Garcia | |
| 1999 | Le vent de la nuit | Hélène | Philippe Garrel | |
| 1999 | Belle maman | Léa | Gabriel Aghion | |
| 1999 | Pola X | Marie | Leos Carax | |
| 1999 | Time Regained | Odette de Crécy | Raúl Ruiz | French: Le Temps retrouvé |
| 1999 | East/West | Gabrielle Develay | Régis Wargnier | French: Est-Ouest; Russian: Восток-Запад |
| 2000 | Dancer in the Dark | Kathy | Lars von Trier | |
| 2001 | I'm Going Home | Marguerite | Manoel de Oliveira | French: Je rentre à la maison, Portuguese: Vou Para Casa |
| 2001 | Absolutely Fabulous | A spectator of the parade | Gabriel Aghion | Cameo appearance |
| 2001 | The Musketeer | The Queen | Peter Hyams | |
| 2001 | Le petit poucet | The Queen | Olivier Dahan | |
| 2002 | 8 Women | Gaby | François Ozon | French: 8 femmes |
| 2002 | Au plus près du paradis | Fanette | Tonie Marshall | |
| 2003 | A Talking Picture | Delfina | Manoel de Oliveira | Portuguese: Um Filme Falado |
| 2004 | Kings and Queen | Mme Vasset | Arnaud Desplechin | |
| 2004 | Changing Times | Cécile | André Téchiné | |
| 2005 | Palais royal! | Eugénia | Valérie Lemercier | |
| 2006 | Le Concile de pierre | Sybille Weber | Guillaume Nicloux | |
| 2006 | Le héros de la famille | Alice Mirmont | Thierry Klifa | |
| 2007 | After Him (Après lui) | Camille | Gaël Morel | |
| 2007 | Persepolis | Taji Satrapi | Marjane Satrapi Vincent Paronnaud |
Voice role |
| 2008 | A Christmas Tale | Junon Vuillard | Arnaud Desplechin | French: Un conte de Noël |
| 2008 | Je veux voir | Herself | Joana Hadjithomas Khalil Joreige |
|
| 2008 | Mes stars et moi | Solange Duvivier | Laetitia Colombani | |
| 2009 | Cyprien | Vivianne Wagner | David Charhon | |
| 2009 | The Girl on the Train | Louise | André Téchiné | French: La Fille du RER |
| 2009 | Park Benches | The client to the cupboard | Bruno Podalydès | French: Bancs publics (Versailles Rive-Droite) |
| 2009 | Hidden Diary | Martine | Julie Lopes-Curval | French: Mères et Filles |
| 2010 | Potiche | Suzanne Pujol | François Ozon | |
| 2010 | The Big Picture | Anne | Eric Lartigau | French: L'Homme qui voulait vivre sa vie |
| 2011 | Les yeux de sa mère | Lena Weber | Thierry Klifa | |
| 2011 | Beloved | Madeleine | Christophe Honoré | French: Les Bien-aimés |
| 2012 | Lines of Wellington | Severina | Valeria Sarmiento | French: Les Lignes de Wellington |
| 2012 | God Loves Caviar | Empress Catherine II of Russia | Yannis Smaragdis | French: Dieu aime le caviar |
| 2012 | Asterix and Obelix: God Save Britannia | Queen Cordelia | Laurent Tirard | French: Astérix et Obélix : Au service de sa Majesté |
| 2013 | On My Way | Bettie | Emmanuelle Bercot | French: Elle s'en va |
| 2014 | In the Courtyard | Mathilde | Pierre Salvadori | French: Dans la cour |
| 2014 | Three Hearts | Madame Berger | Benoît Jacquot | French: 3 cœurs |
| 2014 | In the Name of My Daughter | Renée Le Roux | André Téchiné | French: L'Homme qu'on aimait trop |
| 2015 | The Brand New Testament | Martine | Jaco Van Dormael | French: Le Tout Nouveau Testament |
| 2015 | Standing Tall | Florence Blaque | Emmanuelle Bercot | French: La Tête haute |
| 2016 | Le Cancre | Marguerite | Paul Vecchiali | |
| 2017 | The Midwife | Béatrice Sobolevski | Martin Provost | French: Sage femme |
| 2017 | Belle à croquer | The Angel | Axel Courtière | Short film |
| 2017 | Bonne Pomme | Barbara | Florence Quentin | |
| 2017 | All That Divides Us | Louise Keller | Thierry Klifa | |
| 2017 | Naissance d'une étoile | Mlle Jean | James Bort | Short film |
| 2018 | Claire Darling | Claire Darling | Julie Bertuccelli | French: La Dernière Folie de Claire Darling |
| 2018 | Bad Seeds | Monique | Kheiron | French: Mauvaises Herbes |
| 2019 | The Truth | Fabienne | Hirokazu Kore-eda | French: La vérité |
| 2020 | Terrible Jungle | Chantal de Bellabre | Hugo Benamozig David Caviglioli |
|
| 2021 | Peaceful | Crystal Boltanski | Emmanuelle Bercot | French: De son vivant |
| 2023 | Bernadette | Bernadette Chirac | Léa Domenach | |
| 2024 | Marcello Mio | Catherine | Christophe Honoré | |
| 2024 | Spirit World | Claire Emery | Eric Khoo | [80][81] |
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 2003 | Les Liaisons dangereuses | Marquise Isabelle de Merteuil | Josée Dayan | Miniseries |
| 2004 | Princesse Marie | Princess Marie Bonaparte | Benoît Jacquot | Television film |
| 2006 | Nip/Tuck | Diana Lubey | Ryan Murphy | Episode: "Diana Lubey" |
| 2007 | Suddenly Gina | Elegant Lady | Maria von Heland | Television film |
Deneuve has received numerous accolades including two César Award for Best Actress for her performances in The Last Metro (1980), and Indochine (1992). A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980), for which she also won the David di Donatello for Best Foreign Actress, and Régis Wargnier's Indochine (1992). She received nominations for an Academy Award for Best Actress for Indochine and a BAFTA Award for Best Actress for Belle de Jour (1968). She received the Venice Film Festival's Volpi Cup for Best Actress for her role in Place Vendôme (1998). She also received numerous honorary accolades including the Berlin International Film Festival's Golden Bear in 1998 and the Venice Film Festival's Golden Lion in 2022.
In 2000, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her.[82] In 2013, she was honored for her lifetime achievement at the 26th European Film Awards.[83] In 2015, she received the Lifetime Achievement Golden Orange Award from International Antalya Film Festival, Turkey. In 2020, The New York Times ranked her number 21 in its list of the 25 Greatest Actors of the 21st Century.[84]
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