Peter Tosh

Winston Hubert McIntosh OM GCOT (19 October ^[1] 1944 – 11 September 1987), professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.

Quick Facts Background information, Birth name ...

The Honourable Peter Tosh OM GCOT
Tosh (left) on the Bush Doctor tour in 1978
Background information
Birth name	Winston Hubert McIntosh
Also known as	Stepping Razor
Born	(1944-10-19)19 October 1944 Grange Hill, Jamaica
Died	11 September 1987(1987-09-11) (aged 42) Kingston, Jamaica
Genres	Reggae ska rocksteady
Occupations	Musician singer songwriter
Instruments	Guitar vocals keyboards melodica percussion drums violin
Years active	1961–1987
Labels	Intel-Diplo, JAD Records
Website	petertosh.com

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Tosh was born Winston Hubert McIntosh in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives".^[2] When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica.^{[citation needed]} He was educated in Bluefields up to age 17, then moved to Kingston to live with his aunt. He began an apprenticeship as a welder.^[3]

He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had.^[4] During the early 1960s, as an aspiring musician, Tosh went to vocal teacher Joe Higgs, who gave free music lessons to young people. Through his contact with Higgs, Tosh met Robert Nesta Marley (Bob Marley) and Neville O'Reilly Livingston (Bunny Wailer).^[5] He then changed his name to Peter Tosh and the trio started singing together in 1962. Higgs taught the trio to harmonise and while developing their music, they would often play on the street corners of Trenchtown.^{[citation needed]}

By 1964, Tosh, Marley, and Bunny had formed the Wailing Wailers, with falsetto singer Junior Braithwaite, and backup singers Beverley Kelso and Cherry Smith. Initially, Tosh was the only one in the group who could play musical instruments. According to Bunny Wailer, Tosh was critical to the band because he was a self-taught guitarist and keyboardist, and thus became an inspiration for the other band members to learn to play. The Wailing Wailers had a major ska hit with their first single, "Simmer Down", and recorded several more successful singles before Braithwaite, Kelso and Smith left the band in late 1965. Marley spent much of 1966 in Delaware in the United States with his mother, Cedella (née Malcolm) Marley-Booker, and for a brief time was working at a nearby Chrysler factory. He returned to Jamaica in early 1967 with a renewed interest in music and a new spirituality. Tosh and Bunny were already Rastafarians when Marley returned from the US, and the three became very involved with the Rastafari faith. Soon afterwards, they renamed the musical group the Wailers. Tosh would explain later that they chose the name Wailers because to "wail" means to mourn or to, as he put it, "...express one's feelings vocally". He also claims that he was the beginning of the group, and that it was he who first taught Bob Marley the guitar. Also according to Bunny Wailer, the early Wailers learned to play instruments from Tosh.^[6]

During the mid-1960s Tosh, along with Bob Marley and Bunny Wailer, were introduced to Danny Sims and Johnny Nash, who signed the three artists to an exclusive recording contract on Sims' and Nash's JAD Records label^[7] as well as an exclusive publishing agreement through Sims' music publishing company, Cayman Music. Rejecting the up-tempo dance of ska, the band slowed their music to a rocksteady pace, and infused their lyrics with political and social messages inspired by their new-found faith. The Wailers composed several songs for the American-born singer Nash before teaming with producer Lee "Scratch" Perry to record some of the earliest well-known reggae songs, including "Soul Rebel", "Duppy Conqueror", and "Small Axe". The collaboration had given birth to reggae music and in 1970 bassist Aston "Family Man" Barrett and his brother, drummer Carlton Barrett, joined the group. They recorded the album The Best of The Wailers, which was produced by Leslie Kong and released in 1971.^[8]

In 1972, Danny Sims assigned the balance of the JAD Records recording contract with the band to Chris Blackwell and Island Records company^[7] and released their debut, Catch a Fire, in 1973, following it with Burnin' the same year. The Wailers had moved from many producers after 1970 and there were instances where producers would record rehearsal sessions that Tosh did and release them in England under the name "Peter Touch".^{[citation needed]}

In 1973, Tosh was driving home with his girlfriend Evonne when his car was hit by another car driving on the wrong side of the road. The accident killed Evonne and severely fractured Tosh's skull.

After Island Records president Chris Blackwell refused to issue his solo album in 1974, Tosh and Bunny Wailer left the Wailers, citing the unfair treatment they received from Blackwell, to whom Tosh often referred with a derogatory play on Blackwell's surname, 'Whiteworst'.^[9] Tosh had written or co-written many of the Wailers' hit songs such as "Get Up, Stand Up", "400 Years", and "No Sympathy". Tosh went on to start a solo career, releasing albums with CBS Records and Rolling Stones Records

Solo career

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Tosh's debut solo album, Legalize It, was recorded in 1975-6 at Treasure Isle. It was released in June 1976 on CBS Records. The title track soon became popular among endorsers of cannabis legalization, reggae music lovers and Rastafari all over the world, and was a favourite at Tosh's concerts.^{[citation needed]} Also in 1976, Tosh organised a backing band, Word, Sound and Power, who were to accompany him on tour for the next few years, and many of whom performed on his albums of this period. Tosh's second album, Equal Rights, released in 1977. It featured his recording of a song co-written with Marley, "Get Up, Stand Up", and a cover of "Stepping Razor" that would also appear on the soundtrack to the film Rockers.

In 1978, the Rolling Stones' record label Rolling Stones Records contracted with Tosh, on which the album Bush Doctor was released, introducing Tosh to a larger audience. The album featured Rolling Stones frontmen Mick Jagger and Keith Richards, and the lead single – a cover version of The Temptations song "Don't Look Back" – was performed as a duet with Jagger.^{[citation needed]} In April, Tosh performed at the Jamaican One Love Peace Concert of 1978. Tosh lit a marijuana spliff and lectured about legalising cannabis, lambasting attending dignitaries Michael Manley and Edward Seaga for their failure to enact such legislation. According to The Gleaner, Tosh became regular target for the police after the concert.^[3] In September, he was arrested by police at Half-Way Tree square; on grounds of smoking marijuana and attacking a police officer. He report being beaten severely while in police custody - resulting in a broken hand and head injuries requiring stitches.^[10]

Mystic Man (1979), and Wanted Dread and Alive (1981) followed, both released on Rolling Stones Records. Tosh tried to gain some mainstream success while keeping his militant views, but was only moderately successful, especially when compared to Marley's achievements.^{[citation needed]}

In 1984, after the release of 1983's album Mama Africa, Tosh went into self-imposed exile, seeking the spiritual advice of traditional medicine men in Africa, and trying to free himself from recording agreements that distributed his records in South Africa.^{[citation needed]} Tosh had been at odds for several years with his label, EMI, over a perceived lack of promotion for his music.^[11]

Tosh also participated in the international opposition to South African apartheid by appearing at anti-apartheid concerts and by conveying his opinion in various songs like "Apartheid" (1977, re-recorded 1987), "Equal Rights" (1977), "Fight On" (1979), and "Not Gonna Give It Up" (1983). In 1987, Peter Tosh seemed to be having a career revival. He was awarded a Grammy Award for Best Reggae Performance in 1987 for No Nuclear War, his last record.^[12]

In 1983, at the Los Angeles stop on Tosh's Mama Africa tour, a local musician named Bruno Coon went to the hotel at which Tosh was staying, claiming to have a gift for him. The gift was a custom-built guitar in the shape of an M16 rifle. Tosh accepted the gift personally.^[29] The guitar was subsequently lost by the airlines when the tour went to Europe but was recovered when Tosh's public relations agent placed an article about its loss in Der Spiegel. Tosh went on to perform on stage with the guitar.^[30]

The promoters of the Flashpoint Film Festival announced in 2006 that Tosh's common-law wife Andrea "Marlene" Brown would auction it on eBay.^[31] Tosh's sons, Andrew Tosh, and Jawara McIntosh, prevented the sale, claiming ownership of the guitar.^[32] In 2011 Andrew Tosh said that the guitar was in the custody of a close friend, awaiting the opening of a museum dedicated to Peter Tosh.^[33]

In 1979, a 1964 photograph of Tosh in sunglasses and a suit, also featuring Bob Marley and the Wailers, was used the inspiration for the logo of 2 Tone Records. The label released albums from ska bands such as The Specials. The logo featured a stylized man in a suit based on the photo of Tosh, although the figure was called "Walt Jabsco".^[34] The logo in turn was the inspiration for a character in a Webdings font designed by Vincent Connare in 1997 ("Man in Business Suit Levitating emoji" in the Emoji system).^[35] Connare changed the design to face forward and floating.^[36] Tosh’s children Andrew Tosh and Niambe McIntosh both praised the emoji in a 2021 BBC interview, with Andrew stating that "[Peter Tosh] wanted [people] to dance to their own (political) awakening".^[37]

In 1993, Stepping Razor: Red X was released, a documentary film chronicling Tosh's life, music and untimely death.^[38] It was directed by Canadian filmmaker Nicholas Campbell, produced by Wayne Jobson and based upon a series of spoken-word recordings made by Peter Tosh himself.^[39][40] The film was released on DVD in 2002.^[41]

A monument to Tosh is maintained by his family near Negril, Jamaica, which is open to the public. His birthday is celebrated there annually with live reggae music.^[42]

In October 2012, Tosh was posthumously awarded Jamaica's fourth^[43] highest honour, the Order of Merit.^[44]

In 2015, Tosh's daughter – the administrator of the Peter Tosh Estate – deemed that April 20 should be celebrated as International Peter Tosh Day, in honour of his "philosophy of responsible cannabis consumption for medicinal and spiritual health benefits".^[45][46]

A square on Trafalgar Road in Kingston, Jamaica, was renamed Peter Tosh Square.^[when?] The square is home to the Peter Tosh Museum, opened on Peter Tosh's 72nd birthday on 19 October 2016.^[47][48][49] Among the artifacts on display is Tosh's M16 guitar. There was a benefit concert for the grand opening, on the 22nd, featuring Chronixx, Luciano and Andrew Tosh.^[50]

The annual Peter Tosh Gala Awards event was inaugurated in 2017.^[51]

In October 2019, a commemorative blue plaque dedicated by the Nubian Jak Community Trust honoring Bob Marley, Peter Tosh, and Bunny Wailer was placed at the former site of Basing Street Studios in London, where Catch a Fire and Burnin' were completed.^[52]

In 2023, he was posthumously bestowed with the Order of the Companions of O. R. Tambo.^[53]

• List of Rastafarians
• List of reggae musicians