Episode: 3-Choume no Tama: Uchi no Tama Shirimasenka? (1994) - 25 - Make It Clear, Tama! / We Are Not Angels
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Bull has been trusted to stay home on his own while his master is out. He's elated at the prospect of using it to his advantage and invites Momo-chan over, but Tama and Koma come along with her. Thrown out of sorts, Bull presses Tama to make it clear how he feels about Momo-chan.
A little girl makes a wish to a statue of an angel, saying she wants a cat. Her wish is heard and something very strange happens. Koko, a cat drawn in a game, comes jumping out of the digital screen. As Koko wanders, looking for the girl who drew her, she runs into Tama and friends, but Poro, a dog with mysterious powers, comes to take her back to the digital world.
Source: crunchyroll
A little girl makes a wish to a statue of an angel, saying she wants a cat. Her wish is heard and something very strange happens. Koko, a cat drawn in a game, comes jumping out of the digital screen. As Koko wanders, looking for the girl who drew her, she runs into Tama and friends, but Poro, a dog with mysterious powers, comes to take her back to the digital world.
Source: crunchyroll
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| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Story Composition (ストーリー) | Toyama Sou | 1-2, 4-17, 20, 22-26 | 1AB, 2A, 4A, 5B, 6A, 7B, 8AB, 9B, 10B, 11AB, 12AB, 13AB, 14A, 15AB, 16B, 17AB, 20AB, 22AB, 23A, 24B, 25B, 26 |
| Hayashi Tamio | 21, 25 | 21B, 25A | |
| Sound Work (音響制作) | Magic Capsule | ||
| Work Assistance (制作協力) | Studio Hibari | 2-3, 25 | |
| Anime Spot | 2, 25 |
| Script/Screenplay (脚本) | Toyama Sou | 1, 15-17, 20, 22-26 | 1A, 15AB, 16B, 17A, 20AB, 22AB, 23A, 24B, 25B |
| Hayashi Tamio | 12, 17, 21, 25 | 12A, 17B, 21B, 25A | |
| Storyboard (絵コンテ) | Ueda Shigeru | 2, 25 | 2A, 25A |
| Sakai Shinji | 3, 25 | 3B, 25B | |
| Episode Direction (演出) | Ueda Shigeru | 2, 25 | 2A, 25A |
| Sakai Shinji | 3, 25 | 3B, 25B | |
| Animation Direction (作画監督) | Hamada Masaru | 2, 25 | 2A, 25A |
| Tanaka Jou | 3, 25 | 3B, 25B | |
| Key Animation (原画) | Hamada Masaru | 2, 25 | 2A, 25A |
| Mitsumoto Megumi | 2, 25 | 2A, 25A | |
| Oonishi Katsumi | 3, 25 | 3B, 25B | |
| Takahashi Toshiharu | 3, 25 | 3B, 25B | |
| Matsuno Toshiharu | 25 | 25B | |
| Yasukata Yoshimi | 25 | 25B | |
| 吉田理香 | 25 | 25A | |
| 小沼宏太 | 25 | 25B | |
| 桜井ちから | 25 | 25A | |
| In-Between Animation Check (動画チェック) | Saitou Kazuharu | 25 | 25B |
| 桜井ちから | 25 | 25A | |
| In-Between Animation (動画) | Tateyama Fumiko | 2, 25 | 2A, 25A |
| 井上珠鶴江 | 2, 25 | 2A, 25A | |
| Hasegawa Tetsuya | 25 | 25B | |
| Kamata Yuusuke | 25 | 25B | |
| Sugimoto Sachiko | 25 | 25A | |
| 外山陽子 | 25 | 25A | |
| 田中富美代 | 25 | 25B | |
| 赤司誠 | 25 | 25B | |
| Colour Specification (色指定) | Akiyama Taeko | 2-3, 17, 19, 21, 24-26 | 2AB, 3B, 17B, 19A, 21B, 24B, 25A |
| Finishing/Clean-up (仕上) | 横山裕加 | 2-3, 17, 25 | 2A, 3B, 17B, 25B |
| 山下和子 | 2-3, 25 | 2A, 3B, 25B | |
| Watanabe Nobuyuki | 17, 25 | 17B, 25B | |
| 唐沢久美枝 | 17, 25 | 17B, 25A | |
| 尾林律子 | 19, 25 | 19A, 25A | |
| 本寺ゆう子 | 19, 25 | 19A, 25A | |
| Art (美術) | Watanabe Takashi | 17, 19, 21, 25 | |
| Background Art Studio (背景スタジオ) | Studio Jack | 1-4, 12, 14, 17, 19, 21, 24-26 | |
| Background Art (背景) | Kim Mi-Gyeong | 2-4, 17, 19, 21, 25 | 17A, 19A, 21A, 25A |
| 朴來道 | 2-3, 19, 21, 25 | 19A, 21A, 25A | |
| 金仁淑 | 3, 17, 19, 21, 25 | 17A, 19A, 21A, 25A | |
| 韓恵淑 | 3, 17, 19, 25 | 17A, 19A, 25A | |
| Watanabe Takashi | 4, 25 | , 25B | |
| Takasuka Shinji | 17, 19, 21, 25 | 17B, 19B, 21B, 25B | |
| Yoshikawa Norihiro | 17, 19, 21, 25 | 17B, 19B, 21B, 25B | |
| Yonemoto Tomoko | 25 | 25B | |
| Background Art Assistance (背景協力) | Echo Animation | 2-3, 17, 19, 21, 25 | |
| Art Max | 3-4, 21, 25 | ||
| Special Effects (特殊効果) | 織田智美 | 14, 17, 19, 21, 24-26 | 14B, 17B, 19A, 21B, 24B, 25A |
| Photography Studio (撮影スタジオ) | Adlib | 1-4, 12, 14, 17, 19, 21, 24-26 | 3A, 4A, 12A, 14A, 17A, 19A, 21A, 24A, 25A |
| Takahashi Production | 12, 14, 17, 19, 21, 24-26 | 12B, 14B, 17B, 19B, 21B, 24B, 25B | |
| Photography (撮影) | Kozawa Tsuguo | 1-4, 12, 14, 17, 19, 21, 24-26 | 3A, 4A, 12A, 14A, 17A, 19A, 21A, 24A, 25A |
| Yamamoto Takuma | 1-4, 12, 14, 17, 19, 21, 24-26 | 3A, 4A, 12A, 14A, 17A, 19A, 21A, 24A, 25A | |
| Yamazaki Mayumi | 1-4, 12, 14, 17, 19, 21, 24-26 | 3A, 4A, 12A, 14A, 17A, 19A, 21A, 24A, 25A | |
| Miyagawa Harutoshi | 12, 19, 25 | 12B, 19B, 25B | |
| 原田康子 | 12, 25 | 12B, 25B | |
| Ogawa Takeshi | 17, 19, 21, 25 | 17B, 19B, 21B, 25B | |
| Takahashi Tomohiro | 21, 25 | 21B, 25B | |
| Title (タイトル) | Katayama Satoru | 1-26 | |
| Film Processing (現像) | Imagica | 1-26 | |
| Film Editing (ビデオ編集) | Imagica | 1-26 | |
| 瓜田利昭 | 1-26 | ||
| Negative Cutting (ネガ編集) | Matsuo Hiroshi | 1-26 | |
| Sound Effects Assistant (音響効果助手) | 菅原秀侑 | 1-26 | |
| Recording (録音) | Nagura Yasushi | 1-26 | |
| Recording Assistant (録音助手) | Kamemoto Mika | 1-26 | |
| Recording Studio (録音スタジオ) | Avaco Creative Studio | 1-26 | |
| Public Relations (広報) | Mori Akiko | 1-26 | |
| 村瀬雄司 | 1-26 | ||
| 駒井延行 | 1-26 | ||
| Design Manager (設定制作) | Akada Nobuhito | 1-26 | |
| Hirata Yutaka | 1-26 | ||
| Masui Souichi | 18-25 | ||
| Assistant Production Manager (制作進行) | 萩野武昭 | 1-4, 12, 14, 17, 19, 21, 24-26 | |
| 百瀬将司 | 2-4, 12, 14, 17, 19, 21, 24-26 | ||
| 須田裕一 | 3, 25 |
