So it appears that Autodesk did a thing.

image

Go nuts, my friends.

paw-n-arts:

ky-jane:

annadesu:

HEY Y’ALL, THIS IS FREE.

I know a lot of my followers want to storyboard someday, and this is a good starting point. :) Enjoy~

THANK YOU, ANNA

@possessed-opossum 👀

Hey, friends! Meg here for TUTOR TUESDAY! This is a bit of a long one, but I’ve gotten a lot of requests for tips on transitioning from traditional to digital work! I tried to cover all the bare basics, but its up to you guys to explore! Here’s a more in-depth tutorial on how to create your own brushes, and heres one on the steps I use when drawing digitally. If you have any tutorial recs send ‘em in here or my personal! Now go forth and I’ll see you next week!


asker portrait
Anonymous asked: Hi there! I'm in love with your artwork and style, truly an inspiration! Not to get carried away but I have a question concerning Photoshop; I'm a newbie at it (I'm an old fart with zero experience in PS) and I'm having a bit of trouble with the program, mainly with animating on the program (mostly cleaning up my roughs) and sketching/painting. Do you have any advice and/or tutorials for others who are having trouble like me? P.S. Keep up the good work!

jinn-y:

Thank you! :>

My initial advice is to practice! The transition from traditional drawing/animating to digital is bumpy, but with lots of practice, it becomes just as natural as drawing in a sketchbook is.

Now, I’m going to give some more general advice for dealing with Photoshop, and tricks/hotkeys to make the experience easier.

image

^ These are my suggestions for setting up your PS. These windows are pretty much the only ones I ever use, and they’re best for sketching. They are:

Brush, Brush Presets, Color, Layers, Navigator, and Swatches. For my Color window, I typically set it to Grayscale (using the righthand corner dropdown menu in the window).

Useful Hotkeys

These are the ones I use nearly every time I’m working in the program:

  • B - Brush
  • E - Eraser - Hold down while using the Brush Tool for quick erasing
  • L - Lasso Tool
  • G - Fill Bucket Tool
  • C - Crop Tool
  • T - Text Tool
  • I - Eyedropper Tool
  • W - Magic Wand Tool
  • M - Marquee Selection Tool
  • Ctrl (or) V - Move Tool
  • Ctrl + Alt -  Dragging while holding these two keys will duplicate whatever is on your current layer.
  • Ctrl + A - Selects the entire canvas
  • Ctrl + D - Deselects whatever is selected
  • Ctrl + X - Cut
  • Ctrl + C - Copies everything selected (one layer only)
  • Ctrl + Shift + C - Copies everything selected (all layers)
  • Ctrl + E - Deletes current layer
  • Ctrl + J - Duplicates current layer
  • Alt - Holding Alt and clicking while hovering in between two layers will turn the top layer into a clipping mask of the one below it. Really useful for coloring.
  • Alt - Holding Alt while using the Brush Tool will turn your cursor into the eyedropper tool.
  • Shift - Holding Shift while using the Move Tool with cause whatever you’re moving to only move on the x and y axis of the canvas.
  • Ctrl + U - Brings up Hue/Saturation editor
  • Ctrl + L - Brings up the Levels editor
  • Ctrl + S - Save
  • Ctrl + Shift + S - Save as
  • Ctrl + Z - Undo/Redo (once)
  • Ctrl + Alt + Z - Undo (multiple)
  • Ctrl + Shift + Z - Redo (multiple)

Brush settings are definitely something to experiment with, along with the many PS brushes that are available - and there are lots of awesome free PS brushes out there, too. Don’t forget - Pen Pressure is your best friend!

image

And, like I said before, practice is the best way to get used to PS. I suggest starting small, such as doodling circles and other simple things. It’s a good way to practice painting, too. You should try drawing and painting with as big of a brush size as possible. I find that it makes you looser and you don’t focus as much on those unnecessary details.

image

For cleaning up your sketches, layers are your best friends. Don’t forget that you can change the opacity on layers, too. If your sketch is too messy, just pop in a new layer, lower your sketch layer’s opacity, and draw over top of it on the new layer!

image

Suggestions

  • Experiment with layer styles. Linear Burn, Multiply, Overlay, etc. Sometimes I even make a layer filled with a color such as orange or pink and set it to Overlay or Soft Light over my entire image to harmonize the colors.
  • Try using the Sharpen/Blur filters to enhance your work.
  • Use clipping masks for coloring lines, etc. A clipped layer only affects the information on the layer it’s clipping. So, if you had a layer that was only line art, you could make a clipping layer and use the fill bucket to change the color of all of your linework. Clipping layers are also useful for making color adjustments, etc.
image

That’s your crash course in Photoshop for today, anon! I hope that helped, and don’t be afraid to ask for more. :)

Digging into the surface: Materials

Okay, so this is the first of the two Krita kickstarter tutorials I am going to do, and this one focuses on an interesting topic: Materials.

As we discovered in the shadows tutorial, the art of making a drawn item made of a recognisable material has everything to do with the use of shadows(and a little with the use of colour). We refer to this quality of a drawing to describe materials as the ‘plasticity’ of the drawing(Which comes from the Latin word for ‘moldable’).

If we know about the basics of shadows and light, how can we use these to create believable materials?

Read More

1 2 3 4 5 6 7 8 9 10 Next