File:Biblioteca Marciana-Sala sansoviniana-3.tif

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Biblioteca_Marciana-Sala_sansoviniana-3.tif (519 × 519 pixels, file size: 1.04 MB, MIME type: image/tiff)

Captions

Captions

Natural Philosophy, in the middle of the world, with the Elements, with herbs, with animals, and with humans around

Summary

[edit]
Artist
Giovanni Demio  (–1570) wikidata:Q16559911
 
Description painter
Date of birth/death 1500 / 1510 Edit this at Wikidata 1570 / 1570 Edit this at Wikidata
Location of birth Schio Edit this at Wikidata
Work period 1530 Edit this at Wikidata–1570 Edit this at Wikidata
Authority file
artist QS:P170,Q16559911
Title
Italiano: La Filosofia naturale, posta nel mezzo del mondo con gli elementi, con le herbe, con gli animali, & con gli huomini attorno
(Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v)
English: Natural Philosophy, in the middle of the world, with the Elements, with herbs, with animals, and with humans around
Alternative titles
InfoField
"Nature and the Seasons" (Lorenzetti-1926)
Object type painting
object_type QS:P31,Q3305213
Date 1556–1557
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history One of three roundels by Giovanni Demio commissioned in 1556 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana. All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Notes
References Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v; Boschini, Marco, Le minere della pittura, Venezia, Francesco Nicolini, 1664, p. 90; Macedo, Francesco, Pictura Venetae vrbis, eiusque partium in tabulis Latinis, coloribus oratorijs expressa, & pigmentis poeticis colorata, 1670, Venetiis, Cieras, p. 58; Lorenzetti, Giulio, Venezia e il suo estuario: guida storico-artistica, 1926, Venezia, Bestetti & Tuminelli, p. 161; Ivanoff, Nicola, La libreria Marciana: arte e iconologia, «Saggi e Memorie», 6, 1967, Firenze, L. S. Olschki, p. 42; Paolucci, Antonio, La sala della libreria e il ciclo pittorico in Da Tiziano a El Greco: per la storia del Manierismo a Venezia 1540–1590, 1981, Milano, Electa, p. 291; Hope, Charles, The Ceiling Paintings in the Libreria Marciana in Nuovi Studi su Paolo Veronese, 1990, Venezia, Arsenale Editrice, p. 294; Broderick, Jarrod, M., Custodian of Wisdom: The Marciana Reading Room and the Transcendent Knowledge of God, «Studi veneziani», LXXIII, 2016, pp. 66–69
Source/Photographer Biblioteca Nazionale Marciana Prot. 191-23.01.20
Permission
(Reusing this file)
Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. 		Italy

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