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Matrix quadraphonic systems are where four channels are converted (encoded) down to two channels. These two matrixed channels are recorded on to tape or vinyl record. Reproduction occurs Via a two-channel transmission medium in most cases a vinyl record , these are decoded back to four channels and reproduced via four loud speakers.
==History==▼
Peter Scheiber was born in Croton-on-Hudson in New York in 1935. He grew up in Peeskill. From an early age, passionate about music and technology he had a workbench in his bedroom for experimenting with his gadgets. He later earned a scholarship at tanglewood and played with the Civic Orchestra of Chicago. Later as a professional he was a member of orchestras in Ottawa and Texas. <ref>Indianapolis Monthly May 2007 Page 102, 103 [http://books.google.com.au/books?id=Nh0DAAAAMBAJ&pg=PA102&lpg=PA102&dq=Peter+scheiber+Musician&source=bl&ots=jNTcEDeE3G&sig=-k8VuCcsRrrs09OyybxzMUOuAY4&hl=en&sa=X&ei=CjLhUPOcJ4_FmQW4rYAI&ved=0CF4Q6AEwCQ#v=onepage&q=Peter%20scheiber%20Musician&f=false Sound Effects by Amy Wimmer Schwarb]</ref>▼
In 1967, Scheiber then a 32-year-old bassoonist came up with an idea of encoding four channels of sound down to two and decoding it back to four. He sold a patient licence to CBS. <ref>Business Highbeam [http://business.highbeam.com/392705/article-1G1-9151572/quad-sound-reincarnated Quad sound, reincarnated. (American inventors making money from Japanese televisions and stereos)]</ref>▼
Peter Scheiber would eventually take legal action against Dolby Laboratories, Inc., and Dolby Laboratories Licensing Corp for infringement of his patents. <ref>law.justia.com [http://law.justia.com/cases/federal/appellate-courts/F3/293/1014/521975/ 293 F.3d 1014: Peter Scheiber, Plaintiff-appellant, v. Dolby Laboratories, Inc., and Dolby Laboratories Licensing Corp., Defendants-appellees]</ref>▼
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| publisher = [[Audio Engineering Society|AES]]
}}</ref>
▲==History==
▲Peter Scheiber was born in Croton-on-Hudson in New York in 1935. He grew up in Peeskill. From an early age, passionate about music and technology he had a workbench in his bedroom for experimenting with his gadgets. He later earned a scholarship at tanglewood and played with the Civic Orchestra of Chicago. Later as a professional he was a member of orchestras in Ottawa and Texas. <ref>Indianapolis Monthly May 2007 Page 102, 103 [http://books.google.com.au/books?id=Nh0DAAAAMBAJ&pg=PA102&lpg=PA102&dq=Peter+scheiber+Musician&source=bl&ots=jNTcEDeE3G&sig=-k8VuCcsRrrs09OyybxzMUOuAY4&hl=en&sa=X&ei=CjLhUPOcJ4_FmQW4rYAI&ved=0CF4Q6AEwCQ#v=onepage&q=Peter%20scheiber%20Musician&f=false Sound Effects by Amy Wimmer Schwarb]</ref>
▲In 1967, Scheiber then a 32-year-old bassoonist came up with an idea of encoding four channels of sound down to two and decoding it back to four. He sold a patient licence to CBS. <ref>Business Highbeam [http://business.highbeam.com/392705/article-1G1-9151572/quad-sound-reincarnated Quad sound, reincarnated. (American inventors making money from Japanese televisions and stereos)]</ref>
▲Peter Scheiber would eventually take legal action against Dolby Laboratories, Inc., and Dolby Laboratories Licensing Corp for infringement of his patents. <ref>law.justia.com [http://law.justia.com/cases/federal/appellate-courts/F3/293/1014/521975/ 293 F.3d 1014: Peter Scheiber, Plaintiff-appellant, v. Dolby Laboratories, Inc., and Dolby Laboratories Licensing Corp., Defendants-appellees]</ref>
==References==
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