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Walter Anthony (February 13, 1872 in Stockton, California – May 1, 1945 in Hollywood, California) was a screenplay, titles, and documentary film writer. Before Walter started writing in films he was a dramatic and musical critic for The San Francisco Call[citation needed], San Francisco Chronicle, and Seattle Post-Intelligencer.[1] At the time he came to work for the Post-Intelligencer in 1919, Seattle magazine The Town Crier described him as, "one of the few really authoritative critics of music and the drama in America."[1] Writing in 1942 in a guest column for Walter Winchell, Lionel Barrymore singled out Anthony among the "great stage critics."[2]
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Selected filmography
edit- Foolish Wives (1922)
- Oliver Twist (1922)
- The Drivin' Fool (1923)
- A Boy of Flanders (1924)
- The Lightning Rider (1924)
- When a Man's a Man (1924)
- After Business Hours (1925)
- The Phantom of the Opera (1925)
- The Cat and the Canary (1927)
- The Last Performance (1927)
- Jazz Mad (1928)
- The Michigan Kid (1928)
- The Man Who Laughs (1928)
- Girl Overboard (1929)
- Love and the Devil (1929)
- All Quiet on the Western Front (1930)
- Courage (1930)
- General Crack (1930)
- Golden Dawn (1930)
- Paroled from the Big House (1938)
References
edit- ^ a b "The Musician and Playgoer". The Town Crier. Seattle. 1919-05-13. p. 13. Retrieved 2023-06-17.
- ^ Barrymore, Lionel (1942-08-13). "Walter Winchell on Broadway". Seattle Post-Intelligencer. Seattle. p. 6. Retrieved 2023-06-17.
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External links
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