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{{Short description|American actress (1918–2005)}}
{{Use British English|date=September 2017}}
{{Use dmy dates|date=September 2017}}
{{Use American English|date=July 2015}}
{{Use mdy dates|date=July 2015}}
{{Infobox person
{{Infobox person
| name = Vanya Kewley
| name = Teresa Wright
| image = Teresa Wright1953.jpg
| birth_name = Vanya Sarah Kewley
| alt =
| birth_date = {{Birth date|1937|10|08|df=y}}
| caption = Wright in 1953
| birth_place = [[Kolkata|Calcutta]], India
| birth_name = Muriel Teresa Wright
| death_date = {{Death date and age|2012|07|17|1937|11|08|df=y}}
| birth_date = {{Birth date|1918|10|27|mf=y}}
| death_place = [[Chelsea, London]], England
| birth_place = [[Harlem]], New York, U.S.
| alma_mater = [[Sorbonne]]
| death_date = {{Death date and age|2005|3|6|1918|10|27|mf=y}}
| occupation = Documentary maker<br>Journalist<br>Nurse
| death_place = [[New Haven, Connecticut|New Haven]], Connecticut, U.S.
| years_active = 1965–1994
| resting_place = [[Evergreen Cemetery (New Haven, Connecticut)|Evergreen Cemetery]]
| notable_works = [[This Week (ITV TV series)|''This Week'']]
| occupation = Actress
| spouse = {{marriage|Michael Lambert|2000|2004|end=his death}}
| years_active = 1941–1997
| spouse = {{plainlist|
* {{marriage|[[Niven Busch]]|1942|1952|reason=divorced}}
* {{marriage|[[Robert Anderson (playwright)|Robert Anderson]]|1959|1978|reason=divorced}}
}}
| children = 2
}}
}}
'''Vanya Sarah Kewley''' (8 November 1937 – 17 July 2012) was an [[United Kingdom|Anglo]]-[[France|French]] journalist, documentary maker and nurse noted for her 1988 [[documentary film]] ''Tibet: A Case to Answer'' about the human rights situation in Tibet under Chinese rule. Born in [[Kolkata|Calcutta]] to a French mother and a British father, she moved to London to train as a nurse but did not have much enthusiasm about her career and began working as a researcher for [[ITV Granada|Granada Television]] in 1965. Kewley had her first foreign assignment in 1969 and continued to be sent abroad for assignments and interviewed major world figures of the period. She moved to working on the ITV current affairs series [[This Week (ITV TV series)|''This Week'']] in 1972 and made several documentaries for the programme.


'''Muriel Teresa Wright''' (October 27, 1918 – March 6, 2005) was an American actress. She won the 1942 [[Academy Award for Best Supporting Actress]] for her role as Carol Beldon in ''[[Mrs. Miniver]]''. She was nominated for the same award in 1941 for her debut work in ''[[The Little Foxes (film)|The Little Foxes]]''. Also in 1942, she received a nomination for the [[Academy Award for Best Actress]] for her performance in ''[[The Pride of the Yankees]]'', opposite [[Gary Cooper]]. She is also known for her performances in [[Alfred Hitchcock]]'s ''[[Shadow of a Doubt]]'' (1943), and in [[William Wyler]]'s ''[[The Best Years of Our Lives]]'' (1946).
Kewley won her first award for a documentary about the South Korean human rights situations in 1977. She began planning ''Tibet: A Case to Answer'' in 1985 and the project was approved by [[Channel 4]]'s commissioning editor David Lloyd. Kewley entered the country via a tourist group and initially shared amateur filming equipment with the cinematographer [[Sean Bobbitt]] before he became ill. She returned to Tibet three years later to film a follow-up but stopped film making after being diagnosed with [[parkinson's disease]] in 1993. Kewley however returned to nursing and worked for the [[International Red Cross and Red Crescent Movement|Red Cross]] in Bosnia and the [[United Nations High Commissioner for Refugees]] during the [[Rwandan genocide|1994 Rwandan genocide]].


Wright received three [[Emmy Award]] nominations for her performances in the ''Playhouse 90'' original television version of ''[[The Miracle Worker]]'' (1957), in the Breck Sunday Showcase feature ''The [[Margaret Bourke-White]] Story'', and in the CBS drama series ''[[Dolphin Cove (TV series)|Dolphin Cove]]'' (1989). She earned the acclaim of top film directors, including [[William Wyler]], who called her the most promising actress he had directed,<ref name="washpost-bernstein"/> and Alfred Hitchcock, who admired her thorough preparation and quiet professionalism.{{sfn|Spoto|1983|p=259}}
==Biography==
===Early life===
Kewley was born on 8 November 1937 in [[Kolkata|Calcutta]] (now Kolkata), India.<ref name=telegraphobituary>{{cite news|title=Vanya Kewley; Vanya Kewley, who has died aged 75, was a brave and terrier-like foreign correspondent who specialised in television reports and documentaries that exposed human rights violations worldwide|url=https://www.telegraph.co.uk/news/obituaries/9577439/Vanya-Kewley.html|work=[[The Daily Telegraph]]|date=30 September 2012|accessdate=7 September 2017|archive-url=https://web.archive.org/web/20170907170325/http://www.telegraph.co.uk/news/obituaries/9577439/Vanya-Kewley.html|archive-date=7 September 2017|url-status=live}}</ref> She was the daughter of a French mother and her British-born father Coleman Kewley was a diplomat.<ref name=odnbentry>{{cite encyclopedia|last=Hayward|first=Anthony|title=Kewley, Vanya Sarah|url=http://www.oxforddnb.com/view/article/105644|encyclopedia=Oxford Dictionary of National Biography|date=January 2016|accessdate=27 September 2017|doi=10.1093/ref:odnb/105644|url-access=subscription}}</ref> Kewley was handed her father's enthusiasm for studying comparative Asian religions and the [[Sanskrit]] language.<ref name="telegraphobituary" /> She was educated in India, France and Switzerland primarily in Roman Catholic schools.<ref name="guardianobituary" /> Kewley read philosophy and history at the [[Sorbonne]] which was the historical house of the [[University of Paris]].<ref name="telegraphobituary" /> She left before her first year was completed and instead moved to London to train as a registered nurse, working at the [[Charing Cross Hospital]]'s casualty department.<ref name="telegraphobituary" /><ref name="guardianobituary">{{cite news|last=Grey|first=Anthony|title=Vanya Kewley obituary; Documentary film-maker who caused a worldwide stir after smuggling camera equipment into Tibet|url=https://www.theguardian.com/film/2012/aug/03/vanya-kewley-obituary|work=[[The Guardian]]|date=3 August 2012|accessdate=7 September 2017|archive-url=https://web.archive.org/web/20170907212610/https://www.theguardian.com/film/2012/aug/03/vanya-kewley-obituary|archive-date=7 September 2017|url-status=live}}</ref>


===Career===
==Early life==
Muriel Teresa Wright was born on October 27, 1918, in New York City,<ref name="independent-vallance"/> the daughter of Martha Espy and Arthur Hendricksen Wright, an insurance agent.{{cn|date=September 2023}}{{sfn|Spoto|2016|pp=12–15}} Her parents separated when she was young. She grew up in [[Maplewood, New Jersey]], where she attended [[Columbia High School (New Jersey)|Columbia High School]].<ref name="independent-vallance"/> After seeing [[Helen Hayes]] star in ''Victoria Regina'' at the Broadhurst Theatre in New York City in 1936, Wright took an interest in acting and began playing leading roles in school plays.<ref name="nytimes-martin"/>


Wright earned a scholarship to the Wharf Theater in [[Provincetown, Massachusetts|Provincetown]], Massachusetts, where she was an apprentice for two summers.<ref name="independent-vallance"/><ref name="nytimes-martin"/> Following her high school graduation in 1938, she went to New York, shortened her name to "Teresa Wright", and was hired as understudy to [[Dorothy McGuire]] and [[Martha Scott]] for the role of Emily in [[Thornton Wilder]]'s stage production of ''[[Our Town]]'' at [[Stephen Sondheim Theatre|Henry Miller's Theatre]].{{cn|date=September 2023}} Wright took over the role when Scott left for Hollywood to film the on-screen version of the play.<ref name="independent-vallance"/>
Having not much content with nursing, Kewley started to write for the local London newspapers in her spare time before becoming ambitious over journalism on television. She later said of the start of her career, "I began knocking on every studio door I could find until someone asked me inside."<ref name="guardianobituary" /> Kewley joined [[ITV Granada|Granada Television]] in 1965 as a researcher for the regional news programme, ''Scene at 6.30''.<ref name="odnbentry" /> She later became a producer and director on the current affairs programme ''[[World in Action]]'' between 1968 and 1971. In 1969, during her first foreign assignment and living without permission amongst "freedom fighters"<ref name="telegraphobituary" /><ref name="guardianobituary" /> Kewley was captured and beaten by soldiers while making a film about the problem of [[genocide]] in South Sudan.<ref name="independentobituary">{{cite news|last=Hayward|first=Anthony|title=Vanya Kewley: Film-maker who alerted the world to the plight of occupied Tibet|url=https://www.independent.co.uk/news/obituaries/vanya-kewley-film-maker-who-alerted-the-world-to-the-plight-of-occupied-tibet-8200979.html|work=[[The Independent]]|date=7 October 2012|accessdate=7 September 2017|archive-url=https://web.archive.org/web/20170907173855/http://www.independent.co.uk/news/obituaries/vanya-kewley-film-maker-who-alerted-the-world-to-the-plight-of-occupied-tibet-8200979.html|archive-date=7 September 2017|url-status=live}}</ref> She narrowly avoided being raped by her captors.<ref name="guardianobituary" /> Kewley took a film crew into Nigeria in 1970 when the country was under [[Nigerian Civil War|civil war]] and secured an exclusive interview with the [[Biafra]]<nowiki/>n forces leader [[C. Odumegwu Ojukwu]] that same year.<ref name="guardianobituary" /><ref name="independentobituary" /> She also filmed [[Khaled Mosharraf]] and other Bangladeshi freedom fighters in East Pakistan in 1971.<ref name="odnbentry" />


==Acting career==
Kewley switched to the ITV current affairs series [[This Week (ITV TV series)|''This Week'']] in 1972 and made several documentaries for the programme.<ref name="independentobituary" /> This included an assignment to [[Vietnam|Vietnam during the war there]] where she contracted infective hepatitis and liver abscesses while filming in the country's jungle war areas and evaded fire from [[Viet Cong|Vietcong forces]].<ref name="guardianobituary" /><ref name="independentobituary" /> Kewley also made programmes about the [[1972 Norwegian European Communities membership referendum]] and a fourteen-year-old boy imprisoned in Turkey on drug charges. That same year she became engaged to the journalist [[Richard Lindley (journalist)|Richard Lindley]] but the marriage was later called off.<ref name="odnbentry" /> Kewley interviewed the exiled spiritual leader of Tibet the [[14th Dalai Lama]] at his home in the Himalayas for the 1975 film ''The Lama King'' and this formed a lifelong friendship. She had a spell with the BBC and partook in the religious and ethics series Anno Domini between 1975 and 1977 and [[Everyman (TV series)|''Everyman'']] from 1977 to 1978.<ref name="independentobituary" />
{{multiple image
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| caption1 = Wright, [[Walter Pidgeon]] and [[Greer Garson]] in ''[[Mrs. Miniver]]'' (1942)
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| caption2 = Wright and [[Joseph Cotten]] in Alfred Hitchcock's ''[[Shadow of a Doubt]]'' (1943)
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| caption3 = Publicity photo for ''[[The Best Years of Our Lives]]'' (1946); [[Hoagy Carmichael]] seated at piano and (standing from left) [[Fredric March]], [[Myrna Loy]], [[Dana Andrews]], and Wright
}}
In autumn 1939, Wright began a two-year appearance in the stage play ''[[Life with Father]]'', playing the role of Mary Skinner. It was there that she was discovered by [[Samuel Goldwyn]], who came to see her in the show she had been appearing in for almost a year. Goldwyn would later recall his first encounter with her backstage:


{{blockquote|Miss Wright was seated at her dressing table, and looked for all the world like a little girl experimenting with her mother's cosmetics. I had discovered in her from the first sight, you might say, an unaffected genuineness and appeal.<ref name="independent-vallance"/>}}
She also interviewed the leader of Libya [[Muammar Gaddafi]] in the film ''Soldier for Islam'' in 1976 (updated two years later).<ref name="independentobituary" /> That same year, she revealed through her documentary ''Paradise Lost'' the widespread use of torture in Paraguay.<ref name="guardianobituary" /> She won her first prize at the Montreux Festival in 1977 for a documentary about the human rights situation in South Korea filmed two years earlier.<ref name="telegraphobituary" /><ref name="guardianobituary" /> The following year, Kewley was awarded the BBC Director General’s Award for Special Services to Television.<ref name="telegraphobituary" /> She documented the resurgence of Islam in Saudi Arabia in 1979 in an ITV film called ''The Year of the Prophet'' and calculated what economic and political implications this would have for the Western world.<ref name="odnbentry" /> Kewley investigated the issue of physical abuse of babies in the United Kingdom in the 1980 film ''Rosie's Story.''<ref name="telegraphobituary" />


Goldwyn immediately hired the young actress for the role of [[Bette Davis]]' daughter in the [[1941 in film|1941 adaptation]] of [[Lillian Hellman]]'s ''[[The Little Foxes]]'', signing her to a five-year Hollywood contract with the Goldwyn Studios. Asserting her seriousness as an actress, Wright insisted her contract contain unique clauses by Hollywood standards:
===''Tibet: A Case to Answer''===


{{blockquote|The aforementioned Teresa Wright shall not be required to pose for photographs in a bathing suit unless she is in the water. Neither may she be photographed running on the beach with her hair flying in the wind. Nor may she pose in any of the following situations: In shorts, playing with a cocker spaniel; digging in a garden; whipping up a meal; attired in firecrackers and holding skyrockets for the Fourth of July; looking insinuatingly at a turkey for Thanksgiving; wearing a bunny cap with long ears for Easter; twinkling on prop snow in a skiing outfit while a fan blows her scarf; assuming an athletic stance while pretending to hit something with a bow and arrow.<ref name="guardian-bergan"/>}}
In 1985, Kewley was disturbed over the human rights situation in Tibet and started to establish contacts in the country. She persuaded [[Channel 4]]'s commissioning editor David Lloyd to fund the channel's most expensive documentary at the time, for the current affairs series [[Dispatches (TV series)|''Dispatches'']].<ref name="independentobituary" /> Kewley entered Tibet with a guided tourist group and then deserted.<ref name="telegraphobituary" /> She shared amateur filming equipment with the American cinematographer [[Sean Bobbitt]] but her plans were disintegrating after entering China on a three-month tourist visa as transport links were cancelled. Kewley joined Bobbitt in [[Chengdu]] as part of group touring the Tibetan capital [[Lhasa (prefecture-level city)|Lhasa]] for five days and discovered that natives were outnumbered by Chinese citizens in their own country. Following more delays, she replaced her translator since she was concerned that he might be a collaborator and filmed interviews that divulged the human rights abuses by the ruling Chinese authorities.<ref name="independentobituary" />


In 1941, Wright was nominated for the [[Academy Award for Best Supporting Actress]] for her film début in ''[[The Little Foxes (film)|The Little Foxes]]''. The following year, she was nominated again, this time for [[Academy Award for Best Actress|Best Actress]] for ''[[The Pride of the Yankees]]'', in which she played opposite [[Gary Cooper]] as the wife of [[Lou Gehrig]]. The same year, she won the [[Academy Award for Best Supporting Actress]] as the daughter-in-law of [[Greer Garson]]'s character in ''[[Mrs. Miniver]]''. Wright is the first out of only nine actors who have been nominated in both categories in the same year.<ref name="independent-vallance"/><ref>{{cite news| url=https://www.newspapers.com/clip/39420048/the_poststandard/| title=The Star Nobody Knows| newspaper=The Post-Standard| date=March 30, 1947| location=Syracuse, New York| page=32}}</ref> Her three Academy Award nominations and one Academy Award in her first three films is unique.<ref name="latimes-oliver"/> She remains the only performer to have received Academy Award nominations for her first three films.<ref name="altfilm-soares"/>
Kewley filmed alone when Bobbitt left after becoming ill and continued her {{Convert|4,000|mi|km}} journey by van into the region's interior and discovered babies being born with deformities near a nuclear plant with one Chinese doctor admitting to performing enforced abortions and sterilisations. She persuaded a French mountaineer to smuggle the majority of the film footage out of Tibet before leaving on her own flight.<ref name="independentobituary" /> The resulting film, ''Tibet: A Case to Answer,'' received much attention after its first broadcast on Channel 4 in 1988 and was repeated twice more in the following months. It was also specially shown to members of the [[Palace of Westminster|Houses of Parliament]], the [[United States Congress]] and the [[European Parliament]]. The film drew repeated protests from Beijing and Chinese ambassadors declined offers to debate the film live on air with Kewley.<ref name="guardianobituary" /> She also courted controversy by interviewing her subjects without disguises but she responded that she attempted to persuade the interviewees to hide their identifies but they chose not to.<ref name="telegraphobituary" /> The [[14th Dalai Lama]] became a friend as "she continued to travel once a year to India and Dharamsala – home in exile of the Dalai Lama, who was the subject of her 1975 film, ''The Lama King''."<ref>{{Cite news|url=http://tibet.net/2012/10/vanya-kewley-tv-journalist-who-exposed-torture-in-tibet/|title=Vanya Kewley: TV journalist who exposed torture in Tibet|work=Central Tibetan Administration|access-date=2018-01-08|language=en-US|archive-url=https://web.archive.org/web/20180108233443/http://tibet.net/2012/10/vanya-kewley-tv-journalist-who-exposed-torture-in-tibet/|archive-date=8 January 2018|url-status=live}}</ref>


In 1943, Wright appeared in the acclaimed [[Universal Studios|Universal]] film ''[[Shadow of a Doubt]]'', directed by [[Alfred Hitchcock]], playing a young woman who discovers her beloved uncle (played by [[Joseph Cotten]]) is a serial murderer. Hitchcock thought Wright was one of the more intelligent actors he had worked with, and through his direction brought out her vivacity, warmth, and youthful idealism—characteristics uncommon in Hitchcock's heroines.<ref name="guardian-bergan"/> In 1946, Wright delivered another notable performance in [[William Wyler]]'s ''[[The Best Years of Our Lives]]'', an award-winning film about the adjustments of servicemen returning home after World War II. Critic [[James Agee]] praised her performance in ''The Nation'':
===Later life and death===

In 1990, Kewley's only book entitled ''Tibet: Behind the Ice Curtain'' was published. She returned to Tibet in 1991 by smuggling herself into the country across the Himalayas hidden beneath the floorboards of a van to create the follow-up to ''Tibet: A Case to Answer,'' entitled ''Voices from Tibet'' shown on Channel 4.<ref name="guardianobituary" /> Kewley revealed martial law was still present in Tibet despite claims from China that it had been ended. She stopped producing documentaries when she was diagnosed with [[Parkinson's disease]] in 1993.<ref name="independentobituary" /> However Kewley returned to Charing Cross Hospital in the early 1990s to undertake a refresher course before travelling to perform work for the [[International Red Cross and Red Crescent Movement|Red Cross]] in Bosnia and the [[United Nations High Commissioner for Refugees]] during the [[Rwandan genocide|1994 Rwandan genocide]].<ref name="telegraphobituary" /> She adopted and sponsored the education of two girls from Tibet and one boy from Rwanda.<ref name="guardianobituary" /> On 14 October 2000,<ref name="odnbentry" /> Kewley married the soil scientist Michael Lambert and the marriage ended with Lambert's death from [[Bone tumor|bone cancer]] four years later.<ref name="independentobituary" /> She died of pneumonia and Parkinson's disease on 17 July 2012 at [[Chelsea and Westminster Hospital]].<ref name="odnbentry" /> Her adoptive children survive her.<ref name="independentobituary" />
{{blockquote|This new performance of hers, entirely lacking in big scenes, tricks, or obstreperousness—one can hardly think of it as acting—seems to me one of the wisest and most beautiful pieces of work I have seen in years. If the picture had none of the hundreds of other things it has to recommend it, I could watch it a dozen times over for that personality and its mastery alone.<ref name="reel-classics-tw"/>}}

Four years later, she would appear in another story of war veterans, [[Fred Zinnemann]]'s ''[[The Men (1950 film)|The Men]]'' (1950), which starred [[Marlon Brando]] in his film debut.<ref name="guardian-bergan"/> In 1947, Wright appeared in the western ''[[Pursued]]'' opposite [[Robert Mitchum]]. The moody "Freudian western" was written by her first husband [[Niven Busch]]. The following year, she starred in ''[[Enchantment (1948 film)|Enchantment]]'', a story of two generations of lovers in parallel romances. Wright received glowing reviews for her performance. ''Newsweek'' commented: "Miss Wright, one of the screen's finest, glows as the Cinderella who captivated three men." And ''The New York Times'' concluded: "Teresa Wright plays with that breathless, bright-eyed rapture which she so remarkably commands."<ref name="independent-vallance"/>

In December 1948, after rebelling against the [[studio system]] that brought her fame, Wright had a public falling out with Samuel Goldwyn, which resulted in the cancellation of Wright's contract with his studio. In a statement published in ''The New York Times'', Goldwyn cited as reasons her refusal to publicize the film ''Enchantment'', and her being "uncooperative" and refusing to "follow reasonable instructions".<ref name="reel-classics-tw"/> In her written response, Wright denied Goldwyn's charges and expressed no regret over losing her $5,000 per week contract.
{{blockquote|I would like to say that I never refused to perform the services required of me; I was unable to perform them because of ill health. I accept Mr. Goldwyn's termination of my contract without protest—in fact, with relief. The types of contracts standardized in the motion picture industry between players and producers are archaic in form and absurd in concept. I am determined never to set my name to another one ... I have worked for Mr. Goldwyn seven years because I consider him a great producer, and he has paid me well, but in the future I shall gladly work for less if by doing so I can retain my hold upon the common decencies without which the most glorified job becomes intolerable.<ref name="reel-classics-tw"/><ref name="legacy-two"/>}}

Years later, in an interview with ''The New York Post'', Wright recalled: "I was going to be [[Joan of Arc]], and all I proved was that I was an actress who would work for less money." For her next film, ''[[The Men (1950 film)|The Men]]'' (1950), instead of the $125,000 she had once commanded, she received $20,000.<ref name="nytimes-martin"/>

[[File:The Capture (1950) 1.jpg|thumb|right|Wright and Lew Ayres in ''The Capture'' (1950)]]
In the 1950s, Wright appeared in several unsuccessful films, including ''[[The Capture (film)|The Capture]]'' (1950), ''[[Something to Live For (film)|Something to Live For]]'' (1952), ''[[California Conquest]]'' (1952), ''[[The Steel Trap]]'' (1952), ''[[Count the Hours]]'' (1953), ''[[The Actress]]'' (1953) and ''[[Track of the Cat (film)|Track of the Cat]]'' (1954), opposite [[Robert Mitchum]] again.{{cn|date=September 2023}} Despite the poor box-office showing of these films, Wright was usually praised for her performances.<ref name="independent-vallance"/> Toward the end of the decade, Wright began to work more frequently in television and theatre. She received [[Emmy Award]] nominations for her performances in the ''Playhouse 90'' original television version of ''The Miracle Worker'' (1957) and in the Breck Sunday Showcase feature ''The Margaret Bourke-White Story'' (1960).{{cn|date=September 2023}} In 1955 she played Doris Walker in ''[[The 20th Century-Fox Hour]]'' remake of the 1947 movie ''[[Miracle on 34th Street]]'', opposite [[MacDonald Carey]] and [[Thomas Mitchell (actor)|Thomas Mitchell]]. In 1957, she starred on Broadway in ''[[The Dark at the Top of the Stairs]]'' by [[William Inge]]. Directed by [[Elia Kazan]], it ran for 468 performances.

On February 8, 1960, Wright was inducted to the [[Hollywood Walk of Fame]] with two stars: one for motion pictures at 1658 Vine Street, and one for television at 6405 Hollywood Boulevard.<ref name="walk-of-fame"/>

In the 1960s, Wright returned to the New York stage appearing in three plays: ''[[Mary, Mary (play)|Mary, Mary]]'' (1962) at the Helen Hayes Theatre in the role of Mary McKellaway, ''I Never Sang for My Father'' (1968) at the Longacre Theatre in the role of Alice, and ''Who's Happy Now?'' (1969) at the Village South Theatre in the role of Mary Hallen. During this period, she toured throughout the United States in stage productions of ''Mary, Mary'' (1962), ''[[Tchin-Tchin]]'' (1963) in the role of Pamela Pew-Picket, and ''[[The Locksmith (play)|The Locksmith]]'' (1965) in the role of Katherine Butler Hathaway. In addition to her stage work, Wright made numerous television appearances throughout the decade, including episodes for ''[[The Alfred Hitchcock Hour]]'' (1964) on CBS, ''[[Bonanza]]'' (1964) on NBC, ''[[The Defenders (1961 TV series)|The Defenders]]'' (1964, 1965) on CBS and ''[[CBS Playhouse]]'' (1969).{{cn|date=September 2023}}
In 1975, Wright appeared in the Broadway revival of ''[[Death of a Salesman]]'', and in 1980, appeared in the revival of ''[[Morning's at Seven]]'', for which she won a [[Drama Desk Award]] as a member of the Outstanding Ensemble Performance.

She appeared on ''The Love Boat'' S6 E11 "A Christmas Presence" as Sister Regina, who foils a con man's scheme to smuggle stolen gold molded as a painted creche scene. The episode aired on 12/18/1982. In 1989, she received her third Emmy Award nomination for her performance in the CBS drama series ''[[Dolphin Cove (TV series)|Dolphin Cove]]''.{{cn|date=September 2023}} She also appeared in ''[[Murder, She Wrote]]'' in the episode "Mr. Penroy's Vacation". Her last television role was in an episode of the CBS drama series ''[[Picket Fences]]'' in 1996.{{Citation needed |date=March 2020}}

Wright's later film appearances included a major role in ''[[Somewhere in Time (film)|Somewhere in Time]]'' (1980), the grandmother in ''[[The Good Mother (1988 film)|The Good Mother]]'' (1988) with [[Diane Keaton]], and her final role as Miss Birdie in [[John Grisham]]'s ''[[The Rainmaker (1997 film)|The Rainmaker]]'' (1997), directed by [[Francis Ford Coppola]].

==Personal life==
Wright was married to writer [[Niven Busch]] from 1942 to 1952. They had two children: a son, Niven Terence Busch, born December 2, 1944; and a daughter, Mary-Kelly Busch, born September 12, 1947.<ref name="washpost-bernstein" /> She married playwright [[Robert Anderson (screenwriter)|Robert Anderson]] in 1959.<ref>{{cite magazine |date=1959-12-21 |title=Milestones, Dec. 21, 1959 |language=en-US |magazine=[[Time (magazine)|Time]] |url=https://content.time.com/time/subscriber/article/0,33009,865166,00.html |access-date=2023-01-07 |issn=0040-781X}}</ref> They divorced in 1978, but maintained a close relationship until the end of her life.

In her last decade, Wright lived quietly in her New England home in the town of [[Bridgewater, Connecticut]], in [[Litchfield County]], appearing occasionally at film festivals and forums and at events associated with the New York Yankees. In 1996, she reminisced about Alfred Hitchcock at the [[Edinburgh International Film Festival]], and in 2003, she appeared on the Academy Awards show in a segment honoring previous Oscar-winners.<ref name="independent-vallance" />

Her daughter, Mary-Kelly, is an author of books for children and young adults.<ref>{{cite web| title=Welcome| website=Mary-Kelly Busch| url=http://www.marykellybusch.com| access-date=February 7, 2018}}</ref> Wright has two grandchildren, one of whom, Jonah Smith,<!--- the movie producer (IMDB name 0808819) not the reality singer from America’s Got Talent (IMDB name 7289156) ---> co-produced [[Darren Aronofsky]]'s films ''[[Pi (film)|Pi]]'' (1998) and ''[[Requiem for a Dream]]'' (2000). In 1998, Smith accompanied Wright on her first visit to [[Yankee Stadium (1923)|Yankee Stadium]] when she was invited to throw the ceremonial first pitch. Her appearance in ''Pride of the Yankees'' had sparked an interest in baseball and led her to become a Yankees fan.

==Death and legacy==
Teresa Wright died on March 6, 2005, of a heart attack at Yale-New Haven Hospital in Connecticut at the age of 86.<ref name="washpost-bernstein" /> She is buried in [[Evergreen Cemetery (New Haven, Connecticut)|Evergreen Cemetery]] in New Haven.<ref name="resting" />

When the roll call of former Yankees who had died was announced at Old Timer's Day on July 5, 2005, Wright's name was read among the ballplayers and members of the Yankees family.

''A Girl's Got to Breathe: The Life of Teresa Wright'' by [[Donald Spoto]] was published in February 2016. Spoto was a close friend to Wright for more than 30 years, and was given exclusive access by her family to her papers and correspondence.<ref>[https://www.proquest.com/docview/1747779692 "Review: A Girl's Got to Breathe: The Life of Teresa Wright, University Press of Mississippi Donald Spoto"]. ''Publishers Weekly''. December 7, 2015. "Prolific celebrity biographer Spoto (The Redgraves: A Family Epic) paints an engaging and intimate portrait of Oscar-winning actor Teresa Wright." Retrieved March 18, 2022.</ref><ref>Rees, Stephen (February 1, 2016). [https://www.proquest.com/docview/1759012167 "Performing Arts; Review: Spoto, Donald. A Girl's Got To Breathe: The Life of Teresa Wright'"]. ''Library Journal''. "VERDICT This affectionate tribute to a shamefully neglected talent benefits greatly from the insights of Wright's children and friends. With the performer's views on Marlon Brando, Sterling Hayden, and notable American directors and playwrights, it is recommended for students of American film and theater." Retrieved March 18, 2022.</ref>

==Filmography==
{| class="wikitable sortable"
|-
! width="5%"| Year
! width="25%"| Title
! width="20%"| Role
! width="20%"| Director
! class="unsortable" width="25%"| Notes
! width="5%"| {{Tooltip|Ref|Reference}}
|-
|1941
|''{{sortname|The|Little Foxes|dab=film}}''
|Alexandra Giddens
|[[William Wyler]]
|Nominated — [[Academy Award for Best Supporting Actress]]
|<ref name="tcm-tw"/>
|-
|1942
|''[[Mrs. Miniver]]''
|Carol Beldon
|William Wyler
|[[Academy Award for Best Supporting Actress]]
|<ref name="tcm-tw"/>
|-
|1942
|''{{sortname|The|Pride of the Yankees}}''
|[[Eleanor Gehrig|Eleanor Twitchell Gehrig]]
|[[Sam Wood]]
|Nominated — [[Academy Award for Best Actress]]
|<ref name="tcm-tw"/>
|-
|1943
|''[[Shadow of a Doubt]]''
|Charlotte "Charlie" Newton
|[[Alfred Hitchcock]]
|
|<ref name="tcm-tw"/>
|-
|1944
|''[[Casanova Brown]]''
|Isabel Drury
|Sam Wood
|
|<ref name="tcm-tw"/>
|-
|1946
|''{{sortname|The|Best Years of Our Lives}}''
|Peggy Stephenson
|William Wyler
|
|<ref name="tcm-tw"/>
|-
|1947
|''[[Pursued]]''
|Thorley Callum
|[[Raoul Walsh]]
|
|<ref name="tcm-tw"/>
|-
|1947
|''[[The Imperfect Lady (1947 film)|The Imperfect Lady]]''
|Millicent Hopkins
|[[Lewis Allen (director)|Lewis Allen]]
|
|<ref name="tcm-tw"/>
|-
|1947
|''[[The Trouble with Women (film)|The Trouble with Women]]''
|Kate Farrell
|[[Sidney Lanfield]]
|
|<ref name="tcm-tw"/>
|-
|1948
|''[[Enchantment (1948 film)|Enchantment]]''
|Lark Ingoldsby
|[[Irving Reis]]
|
|<ref name="tcm-tw"/>
|-
|1950
|''{{sortname|The|Capture|dab=film}}''
|Ellen Tevlin Vanner
|[[John Sturges]]
|
|<ref name="tcm-tw"/>
|-
|1950
|''{{sortname|The|Men|dab=1950 film}}''
|Ellen "Elly" Wilosek
|[[Fred Zinnemann]]
|
|<ref name="tcm-tw"/>
|-
|1952
|''[[Something to Live For (film)|Something to Live For]]''
|Edna Miller
|[[George Stevens]]
|
|<ref name="tcm-tw"/>
|-
|1952
|''[[California Conquest]]''
|Julie Lawrence
|[[Lew Landers]]
|
|<ref name="tcm-tw"/>
|-
|1952
|''{{sortname|The|Steel Trap}}''
|Laurie Osborne
|[[Andrew L. Stone]]
|
|<ref name="tcm-tw"/>
|-
|1953
|''[[Count the Hours]]''
|Ellen Braden
|[[Don Siegel]]
|
|<ref name="tcm-tw"/>
|-
|1953
|''{{sortname|The|Actress}}''
|Annie Jones
|[[George Cukor]]
|
|<ref name="tcm-tw"/>
|-
|1954
|''[[Track of the Cat (film)|Track of the Cat]]''
|Grace Bridges
|[[William A. Wellman]]
|
|<ref name="tcm-tw"/>
|-
|1956
|''[[The Search for Bridey Murphy]]''
|Ruth Simmons
|[[Noel Langley]]
|
|<ref name="tcm-tw"/>
|-
|1957
|''[[Escapade in Japan]]''
|Mary Saunders
|[[Arthur Lubin]]
|
|<ref name="tcm-tw"/>
|-
|1958
|''[[The Restless Years (film)|The Restless Years]]''
|Elizabeth Grant
|[[Helmut Käutner]]
|
|<ref name="tcm-tw"/>
|-
|1964
|''[[The Alfred Hitchcock Hour]]''
|Marion Brown
|[[Joseph M. Newman|Joseph Newman]]
|Season 2 Episode 12: "Three Wives Too Many"
|<ref name="tcm-tw"/>
|-
|1964
|''[[The Alfred Hitchcock Hour]]''
|Stella
|[[Harvey Hart]]
|Season 3 Episode 6: "Lonely Place"
|<ref name="tcm-tw"/>
|-
|1964
|''[[Bonanza]]''
|Katherine Saunders
|[[William F. Claxton]]
|Season 5 Episode 16: "My Son, My Son"
|<ref name="tcm-tw"/>
|-
|1969
|''[[Hail, Hero!]]''
|Santha Dixon
|[[David Miller (director)|David Miller]]
|
|<ref name="tcm-tw"/>
|-
|1969
|''{{sortname|The|Happy Ending}}''
|Mrs. Spencer
|[[Richard Brooks]]
|
|<ref name="tcm-tw"/>
|-
|1972
|''[[Crawlspace (1972 film)|Crawlspace]]''
|Alice Graves
|[[John Newland]]
|TV movie
|<ref name="tcm-tw"/>
|-
|1974
|''[[Hawkins (TV series)|Hawkins]]''
|
|[[Jud Taylor]]
|Season 1 Episode 6: "Murder on the 13th Floor"
|-
|1974
|''[[The Elevator (1974 film)|The Elevator]]''
|Edith Reynolds
|[[Jerry Jameson]]
|TV movie
|<ref name="tcm-tw"/>
|-
|1976
|''[[Flood!]]''
|Alice Cutler
|[[Earl Bellamy]]
|TV movie
|<ref name="tcm-tw"/>
|-
|1977
|''[[Roseland (film)|Roseland]]''
|May (The Waltz)
|[[James Ivory]]
|
|<ref name="tcm-tw"/>
|-
|1980
|''[[Somewhere in Time (film)|Somewhere in Time]]''
|Laura Roberts
|[[Jeannot Szwarc]]
|
|<ref name="tcm-tw"/>
|-
|1983
|''[[Bill: On His Own]]''
|Mae Driscoll
|[[Anthony Page]]
|TV movie
|<ref name="tcm-tw"/>
|-
|1987
|''{{sortname|The|Fig Tree|nolink=yes}}''
|Miranda's Grandmother
|Calvin Skaggs
|TV movie
|<ref name="tcm-tw"/>
|-
|1988
|''{{sortname|The|Good Mother|dab=1988 film}}''
|Eleanor, Grandmother
|[[Leonard Nimoy]]
|
|<ref name="tcm-tw"/>
|-
|1990
|''[[Perry Mason (TV film series)|Perry Mason: The Case of the Desperate Deception]]''
|Helene Berman
|[[Christian I. Nyby II]]
|TV movie
|<ref name="tcm-tw"/>
|-
|1990
|''[[The Exorcist III]]''
|Penitent
|[[William Peter Blatty]]
|Cameo, uncredited
|
|-
|1993
|''{{sortname|The|Red Coat|nolink=yes}}''
|
|[[Robin Swicord]]
|Short
|<ref name="tcm-tw"/>
|-
|1997
|''{{sortname|The|Rainmaker|dab=1997 film}}''
|Colleen "Miss Birdie" Birdsong
|[[Francis Ford Coppola]]
|
|<ref name="tcm-tw"/>
|}


==References==
==References==

{{reflist|30em}}
===Citations===
{{Reflist|refs=

<ref name="altfilm-soares">{{cite web |last=Soares |first=Andre |title=Teresa Wright |website=Reel Classics |url=http://www.altfg.com/blog/actors/teresa-wright/ |access-date=February 27, 2016}}</ref>

<ref name="resting">{{cite book |url=https://books.google.com/books?id=7-DgDAAAQBAJ&dq=teresa+wright+evergreen&pg=PA828 |title=Resting Places: The Burial Sites of More Than 14,000 Famous Persons |edition=3d |first=Scott |last=Wilson |date=August 22, 2016 |publisher=McFarland |isbn=978-0-7864-7992-4 |via=Google Books}}</ref>

<ref name="guardian-bergan">{{cite news |last=Bergan |first=Ronald |title=Teresa Wright: Hollywood star with a tenacious spirit, on and off the screen |newspaper=[[The Guardian]] |location=London |date=March 8, 2005 |url=https://www.theguardian.com/news/2005/mar/09/guardianobituaries.artsobituaries |access-date=February 27, 2016}}</ref>

<ref name="independent-vallance">{{cite news |last=Vallance |first=Tom |title=Teresa Wright: Actress of 'breathless, bright-eyed rapture' |newspaper=[[The Independent]] |location=London |date=March 31, 2005 |url=https://www.independent.co.uk/news/obituaries/teresa-wright-485727.html |access-date=February 27, 2016}}</ref>

<ref name="latimes-oliver">{{cite news |last=Oliver |first=Myrna |title=Teresa Wright, 86; Was Nominated for an Oscar in Each of 1st 3 Films |newspaper=[[Los Angeles Times]] |url=https://www.latimes.com/archives/la-xpm-2005-mar-09-me-wright9-story.html |access-date=February 27, 2016}}</ref>

<ref name="legacy-two">{{cite web |title=Teresa Wright Obituary |date=March 8, 2005 |agency=[[Associated Press]] |via=Legacy.com |url=http://www.legacy.com/ns/teresa-wright-obituary/3261597 |access-date=February 27, 2016}}</ref>

<ref name="nytimes-martin">{{cite news |last=Martin |first=Douglas |title=Teresa Wright, Stage and Film Star, Dies at 86 |date=March 8, 2005 |newspaper=[[The New York Times]] |url=https://www.nytimes.com/2005/03/08/theater/08wright.html |access-date=February 27, 2016 |url-access=subscription}}</ref>

<ref name="reel-classics-tw">{{cite web |title=Teresa Wright |website=Alt Film Guide |url=http://www.altfg.com/blog/actors/teresa-wright/ |access-date=February 27, 2016}}</ref>

<ref name="tcm-tw">{{cite web|title=Teresa Wright: Complete Filmography |website=Turner Classic Movies |url=http://www.tcm.com/tcmdb/person/209792%7C145156/Teresa-Wright/filmography.html |access-date=February 27, 2016 |url-status=dead |archive-url=https://web.archive.org/web/20170705205713/http://www.tcm.com/tcmdb/person/209792%7C145156/Teresa-Wright/filmography.html |archive-date=5 July 2017}}</ref>

<ref name="walk-of-fame">{{cite web|title=Teresa Wright |website=Hollywood Walk of Fame |url=http://www.walkoffame.com/teresa-wright |access-date=February 27, 2016}}</ref>

<ref name="washpost-bernstein">{{cite news |last=Bernstein |first=Adam |title=Actress Teresa Wright, 86; Won Oscar in 'Mrs. Miniver' |newspaper=The Washington Post |date=March 9, 2005 |url=https://www.washingtonpost.com/wp-dyn/articles/A18768-2005Mar8.html |access-date=February 27, 2016}}</ref>

}}

===Sources===
{{refbegin}}
* {{cite book |last=Spoto |first=Donald |title=The Dark Side of Genius: The Life of Alfred Hitchcock |publisher=Little, Brown and Company |location=Boston |year=1983 |isbn=978-0-31680-723-4 |url-access=registration |url=https://archive.org/details/darksideofgenius00spot_1 }}
* {{cite book |last=Spoto |first=Donald |title=A Girl's Got to Breathe: The Life of Teresa Wright |publisher=University Press of Mississippi |location=Jackson |year=2016 |isbn=978-1-62846-045-2 }}
{{refend}}


==External links==
==External links==
{{Commons and category|Teresa Wright|Teresa Wright}}
* {{IMDb name|id=4157541}}
* {{IMDb name|0942863}}
* {{IBDB name}}
* {{iobdb name|23902}}
* {{Tcmdb name}}
* {{AllMovie name|77640}}

{{AcademyAwardBestSupportingActress 1941-1960}}


{{Authority Control}}
{{Authority control}}


{{DEFAULTSORT:Kewley, Vanya}}
{{DEFAULTSORT:Wright, Teresa}}
[[Category:1937 births]]
[[Category:1918 births]]
[[Category:2012 deaths]]
[[Category:2005 deaths]]
[[Category:British people of French descent]]
[[Category:20th-century American actresses]]
[[Category:College of Sorbonne alumni]]
[[Category:Actresses from New Jersey]]
[[Category:Film producers from Kolkata]]
[[Category:American film actresses]]
[[Category:British documentary filmmakers]]
[[Category:American stage actresses]]
[[Category:British women nurses]]
[[Category:American television actresses]]
[[Category:British women television journalists]]
[[Category:Best Supporting Actress Academy Award winners]]
[[Category:20th-century British writers]]
[[Category:Columbia High School (New Jersey) alumni]]
[[Category:20th-century British women writers]]
[[Category:People from Maplewood, New Jersey]]
[[Category:Women documentary filmmakers]]
[[Category:Actresses from Manhattan]]
[[Category:People from Bridgewater, Connecticut]]
[[Category:21st-century American women]]
[[Category:RKO Pictures contract players]]
[[Category:Metro-Goldwyn-Mayer contract players]]
[[Category:People from Harlem]]
[[Category:Actors from Essex County, New Jersey]]

Latest revision as of 03:00, 28 August 2024

Teresa Wright
Wright in 1953
Born
Muriel Teresa Wright

(1918-10-27)October 27, 1918
Harlem, New York, U.S.
DiedMarch 6, 2005(2005-03-06) (aged 86)
New Haven, Connecticut, U.S.
Resting placeEvergreen Cemetery
OccupationActress
Years active1941–1997
Spouses
(m. 1942; div. 1952)
(m. 1959; div. 1978)
Children2

Muriel Teresa Wright (October 27, 1918 – March 6, 2005) was an American actress. She won the 1942 Academy Award for Best Supporting Actress for her role as Carol Beldon in Mrs. Miniver. She was nominated for the same award in 1941 for her debut work in The Little Foxes. Also in 1942, she received a nomination for the Academy Award for Best Actress for her performance in The Pride of the Yankees, opposite Gary Cooper. She is also known for her performances in Alfred Hitchcock's Shadow of a Doubt (1943), and in William Wyler's The Best Years of Our Lives (1946).

Wright received three Emmy Award nominations for her performances in the Playhouse 90 original television version of The Miracle Worker (1957), in the Breck Sunday Showcase feature The Margaret Bourke-White Story, and in the CBS drama series Dolphin Cove (1989). She earned the acclaim of top film directors, including William Wyler, who called her the most promising actress he had directed,[1] and Alfred Hitchcock, who admired her thorough preparation and quiet professionalism.[2]

Early life

[edit]

Muriel Teresa Wright was born on October 27, 1918, in New York City,[3] the daughter of Martha Espy and Arthur Hendricksen Wright, an insurance agent.[citation needed][4] Her parents separated when she was young. She grew up in Maplewood, New Jersey, where she attended Columbia High School.[3] After seeing Helen Hayes star in Victoria Regina at the Broadhurst Theatre in New York City in 1936, Wright took an interest in acting and began playing leading roles in school plays.[5]

Wright earned a scholarship to the Wharf Theater in Provincetown, Massachusetts, where she was an apprentice for two summers.[3][5] Following her high school graduation in 1938, she went to New York, shortened her name to "Teresa Wright", and was hired as understudy to Dorothy McGuire and Martha Scott for the role of Emily in Thornton Wilder's stage production of Our Town at Henry Miller's Theatre.[citation needed] Wright took over the role when Scott left for Hollywood to film the on-screen version of the play.[3]

Acting career

[edit]
Wright and Joseph Cotten in Alfred Hitchcock's Shadow of a Doubt (1943)
Publicity photo for The Best Years of Our Lives (1946); Hoagy Carmichael seated at piano and (standing from left) Fredric March, Myrna Loy, Dana Andrews, and Wright

In autumn 1939, Wright began a two-year appearance in the stage play Life with Father, playing the role of Mary Skinner. It was there that she was discovered by Samuel Goldwyn, who came to see her in the show she had been appearing in for almost a year. Goldwyn would later recall his first encounter with her backstage:

Miss Wright was seated at her dressing table, and looked for all the world like a little girl experimenting with her mother's cosmetics. I had discovered in her from the first sight, you might say, an unaffected genuineness and appeal.[3]

Goldwyn immediately hired the young actress for the role of Bette Davis' daughter in the 1941 adaptation of Lillian Hellman's The Little Foxes, signing her to a five-year Hollywood contract with the Goldwyn Studios. Asserting her seriousness as an actress, Wright insisted her contract contain unique clauses by Hollywood standards:

The aforementioned Teresa Wright shall not be required to pose for photographs in a bathing suit unless she is in the water. Neither may she be photographed running on the beach with her hair flying in the wind. Nor may she pose in any of the following situations: In shorts, playing with a cocker spaniel; digging in a garden; whipping up a meal; attired in firecrackers and holding skyrockets for the Fourth of July; looking insinuatingly at a turkey for Thanksgiving; wearing a bunny cap with long ears for Easter; twinkling on prop snow in a skiing outfit while a fan blows her scarf; assuming an athletic stance while pretending to hit something with a bow and arrow.[6]

In 1941, Wright was nominated for the Academy Award for Best Supporting Actress for her film début in The Little Foxes. The following year, she was nominated again, this time for Best Actress for The Pride of the Yankees, in which she played opposite Gary Cooper as the wife of Lou Gehrig. The same year, she won the Academy Award for Best Supporting Actress as the daughter-in-law of Greer Garson's character in Mrs. Miniver. Wright is the first out of only nine actors who have been nominated in both categories in the same year.[3][7] Her three Academy Award nominations and one Academy Award in her first three films is unique.[8] She remains the only performer to have received Academy Award nominations for her first three films.[9]

In 1943, Wright appeared in the acclaimed Universal film Shadow of a Doubt, directed by Alfred Hitchcock, playing a young woman who discovers her beloved uncle (played by Joseph Cotten) is a serial murderer. Hitchcock thought Wright was one of the more intelligent actors he had worked with, and through his direction brought out her vivacity, warmth, and youthful idealism—characteristics uncommon in Hitchcock's heroines.[6] In 1946, Wright delivered another notable performance in William Wyler's The Best Years of Our Lives, an award-winning film about the adjustments of servicemen returning home after World War II. Critic James Agee praised her performance in The Nation:

This new performance of hers, entirely lacking in big scenes, tricks, or obstreperousness—one can hardly think of it as acting—seems to me one of the wisest and most beautiful pieces of work I have seen in years. If the picture had none of the hundreds of other things it has to recommend it, I could watch it a dozen times over for that personality and its mastery alone.[10]

Four years later, she would appear in another story of war veterans, Fred Zinnemann's The Men (1950), which starred Marlon Brando in his film debut.[6] In 1947, Wright appeared in the western Pursued opposite Robert Mitchum. The moody "Freudian western" was written by her first husband Niven Busch. The following year, she starred in Enchantment, a story of two generations of lovers in parallel romances. Wright received glowing reviews for her performance. Newsweek commented: "Miss Wright, one of the screen's finest, glows as the Cinderella who captivated three men." And The New York Times concluded: "Teresa Wright plays with that breathless, bright-eyed rapture which she so remarkably commands."[3]

In December 1948, after rebelling against the studio system that brought her fame, Wright had a public falling out with Samuel Goldwyn, which resulted in the cancellation of Wright's contract with his studio. In a statement published in The New York Times, Goldwyn cited as reasons her refusal to publicize the film Enchantment, and her being "uncooperative" and refusing to "follow reasonable instructions".[10] In her written response, Wright denied Goldwyn's charges and expressed no regret over losing her $5,000 per week contract.

I would like to say that I never refused to perform the services required of me; I was unable to perform them because of ill health. I accept Mr. Goldwyn's termination of my contract without protest—in fact, with relief. The types of contracts standardized in the motion picture industry between players and producers are archaic in form and absurd in concept. I am determined never to set my name to another one ... I have worked for Mr. Goldwyn seven years because I consider him a great producer, and he has paid me well, but in the future I shall gladly work for less if by doing so I can retain my hold upon the common decencies without which the most glorified job becomes intolerable.[10][11]

Years later, in an interview with The New York Post, Wright recalled: "I was going to be Joan of Arc, and all I proved was that I was an actress who would work for less money." For her next film, The Men (1950), instead of the $125,000 she had once commanded, she received $20,000.[5]

Wright and Lew Ayres in The Capture (1950)

In the 1950s, Wright appeared in several unsuccessful films, including The Capture (1950), Something to Live For (1952), California Conquest (1952), The Steel Trap (1952), Count the Hours (1953), The Actress (1953) and Track of the Cat (1954), opposite Robert Mitchum again.[citation needed] Despite the poor box-office showing of these films, Wright was usually praised for her performances.[3] Toward the end of the decade, Wright began to work more frequently in television and theatre. She received Emmy Award nominations for her performances in the Playhouse 90 original television version of The Miracle Worker (1957) and in the Breck Sunday Showcase feature The Margaret Bourke-White Story (1960).[citation needed] In 1955 she played Doris Walker in The 20th Century-Fox Hour remake of the 1947 movie Miracle on 34th Street, opposite MacDonald Carey and Thomas Mitchell. In 1957, she starred on Broadway in The Dark at the Top of the Stairs by William Inge. Directed by Elia Kazan, it ran for 468 performances.

On February 8, 1960, Wright was inducted to the Hollywood Walk of Fame with two stars: one for motion pictures at 1658 Vine Street, and one for television at 6405 Hollywood Boulevard.[12]

In the 1960s, Wright returned to the New York stage appearing in three plays: Mary, Mary (1962) at the Helen Hayes Theatre in the role of Mary McKellaway, I Never Sang for My Father (1968) at the Longacre Theatre in the role of Alice, and Who's Happy Now? (1969) at the Village South Theatre in the role of Mary Hallen. During this period, she toured throughout the United States in stage productions of Mary, Mary (1962), Tchin-Tchin (1963) in the role of Pamela Pew-Picket, and The Locksmith (1965) in the role of Katherine Butler Hathaway. In addition to her stage work, Wright made numerous television appearances throughout the decade, including episodes for The Alfred Hitchcock Hour (1964) on CBS, Bonanza (1964) on NBC, The Defenders (1964, 1965) on CBS and CBS Playhouse (1969).[citation needed]

In 1975, Wright appeared in the Broadway revival of Death of a Salesman, and in 1980, appeared in the revival of Morning's at Seven, for which she won a Drama Desk Award as a member of the Outstanding Ensemble Performance.

She appeared on The Love Boat S6 E11 "A Christmas Presence" as Sister Regina, who foils a con man's scheme to smuggle stolen gold molded as a painted creche scene. The episode aired on 12/18/1982. In 1989, she received her third Emmy Award nomination for her performance in the CBS drama series Dolphin Cove.[citation needed] She also appeared in Murder, She Wrote in the episode "Mr. Penroy's Vacation". Her last television role was in an episode of the CBS drama series Picket Fences in 1996.[citation needed]

Wright's later film appearances included a major role in Somewhere in Time (1980), the grandmother in The Good Mother (1988) with Diane Keaton, and her final role as Miss Birdie in John Grisham's The Rainmaker (1997), directed by Francis Ford Coppola.

Personal life

[edit]

Wright was married to writer Niven Busch from 1942 to 1952. They had two children: a son, Niven Terence Busch, born December 2, 1944; and a daughter, Mary-Kelly Busch, born September 12, 1947.[1] She married playwright Robert Anderson in 1959.[13] They divorced in 1978, but maintained a close relationship until the end of her life.

In her last decade, Wright lived quietly in her New England home in the town of Bridgewater, Connecticut, in Litchfield County, appearing occasionally at film festivals and forums and at events associated with the New York Yankees. In 1996, she reminisced about Alfred Hitchcock at the Edinburgh International Film Festival, and in 2003, she appeared on the Academy Awards show in a segment honoring previous Oscar-winners.[3]

Her daughter, Mary-Kelly, is an author of books for children and young adults.[14] Wright has two grandchildren, one of whom, Jonah Smith, co-produced Darren Aronofsky's films Pi (1998) and Requiem for a Dream (2000). In 1998, Smith accompanied Wright on her first visit to Yankee Stadium when she was invited to throw the ceremonial first pitch. Her appearance in Pride of the Yankees had sparked an interest in baseball and led her to become a Yankees fan.

Death and legacy

[edit]

Teresa Wright died on March 6, 2005, of a heart attack at Yale-New Haven Hospital in Connecticut at the age of 86.[1] She is buried in Evergreen Cemetery in New Haven.[15]

When the roll call of former Yankees who had died was announced at Old Timer's Day on July 5, 2005, Wright's name was read among the ballplayers and members of the Yankees family.

A Girl's Got to Breathe: The Life of Teresa Wright by Donald Spoto was published in February 2016. Spoto was a close friend to Wright for more than 30 years, and was given exclusive access by her family to her papers and correspondence.[16][17]

Filmography

[edit]
Year Title Role Director Notes Ref
1941 The Little Foxes Alexandra Giddens William Wyler Nominated — Academy Award for Best Supporting Actress [18]
1942 Mrs. Miniver Carol Beldon William Wyler Academy Award for Best Supporting Actress [18]
1942 The Pride of the Yankees Eleanor Twitchell Gehrig Sam Wood Nominated — Academy Award for Best Actress [18]
1943 Shadow of a Doubt Charlotte "Charlie" Newton Alfred Hitchcock [18]
1944 Casanova Brown Isabel Drury Sam Wood [18]
1946 The Best Years of Our Lives Peggy Stephenson William Wyler [18]
1947 Pursued Thorley Callum Raoul Walsh [18]
1947 The Imperfect Lady Millicent Hopkins Lewis Allen [18]
1947 The Trouble with Women Kate Farrell Sidney Lanfield [18]
1948 Enchantment Lark Ingoldsby Irving Reis [18]
1950 The Capture Ellen Tevlin Vanner John Sturges [18]
1950 The Men Ellen "Elly" Wilosek Fred Zinnemann [18]
1952 Something to Live For Edna Miller George Stevens [18]
1952 California Conquest Julie Lawrence Lew Landers [18]
1952 The Steel Trap Laurie Osborne Andrew L. Stone [18]
1953 Count the Hours Ellen Braden Don Siegel [18]
1953 The Actress Annie Jones George Cukor [18]
1954 Track of the Cat Grace Bridges William A. Wellman [18]
1956 The Search for Bridey Murphy Ruth Simmons Noel Langley [18]
1957 Escapade in Japan Mary Saunders Arthur Lubin [18]
1958 The Restless Years Elizabeth Grant Helmut Käutner [18]
1964 The Alfred Hitchcock Hour Marion Brown Joseph Newman Season 2 Episode 12: "Three Wives Too Many" [18]
1964 The Alfred Hitchcock Hour Stella Harvey Hart Season 3 Episode 6: "Lonely Place" [18]
1964 Bonanza Katherine Saunders William F. Claxton Season 5 Episode 16: "My Son, My Son" [18]
1969 Hail, Hero! Santha Dixon David Miller [18]
1969 The Happy Ending Mrs. Spencer Richard Brooks [18]
1972 Crawlspace Alice Graves John Newland TV movie [18]
1974 Hawkins Jud Taylor Season 1 Episode 6: "Murder on the 13th Floor"
1974 The Elevator Edith Reynolds Jerry Jameson TV movie [18]
1976 Flood! Alice Cutler Earl Bellamy TV movie [18]
1977 Roseland May (The Waltz) James Ivory [18]
1980 Somewhere in Time Laura Roberts Jeannot Szwarc [18]
1983 Bill: On His Own Mae Driscoll Anthony Page TV movie [18]
1987 The Fig Tree Miranda's Grandmother Calvin Skaggs TV movie [18]
1988 The Good Mother Eleanor, Grandmother Leonard Nimoy [18]
1990 Perry Mason: The Case of the Desperate Deception Helene Berman Christian I. Nyby II TV movie [18]
1990 The Exorcist III Penitent William Peter Blatty Cameo, uncredited
1993 The Red Coat Robin Swicord Short [18]
1997 The Rainmaker Colleen "Miss Birdie" Birdsong Francis Ford Coppola [18]

References

[edit]

Citations

[edit]
  1. ^ a b c Bernstein, Adam (March 9, 2005). "Actress Teresa Wright, 86; Won Oscar in 'Mrs. Miniver'". The Washington Post. Retrieved February 27, 2016.
  2. ^ Spoto 1983, p. 259.
  3. ^ a b c d e f g h i Vallance, Tom (March 31, 2005). "Teresa Wright: Actress of 'breathless, bright-eyed rapture'". The Independent. London. Retrieved February 27, 2016.
  4. ^ Spoto 2016, pp. 12–15.
  5. ^ a b c Martin, Douglas (March 8, 2005). "Teresa Wright, Stage and Film Star, Dies at 86". The New York Times. Retrieved February 27, 2016.
  6. ^ a b c Bergan, Ronald (March 8, 2005). "Teresa Wright: Hollywood star with a tenacious spirit, on and off the screen". The Guardian. London. Retrieved February 27, 2016.
  7. ^ "The Star Nobody Knows". The Post-Standard. Syracuse, New York. March 30, 1947. p. 32.
  8. ^ Oliver, Myrna. "Teresa Wright, 86; Was Nominated for an Oscar in Each of 1st 3 Films". Los Angeles Times. Retrieved February 27, 2016.
  9. ^ Soares, Andre. "Teresa Wright". Reel Classics. Retrieved February 27, 2016.
  10. ^ a b c "Teresa Wright". Alt Film Guide. Retrieved February 27, 2016.
  11. ^ "Teresa Wright Obituary". Associated Press. March 8, 2005. Retrieved February 27, 2016 – via Legacy.com.
  12. ^ "Teresa Wright". Hollywood Walk of Fame. Retrieved February 27, 2016.
  13. ^ "Milestones, Dec. 21, 1959". Time. December 21, 1959. ISSN 0040-781X. Retrieved January 7, 2023.
  14. ^ "Welcome". Mary-Kelly Busch. Retrieved February 7, 2018.
  15. ^ Wilson, Scott (August 22, 2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons (3d ed.). McFarland. ISBN 978-0-7864-7992-4 – via Google Books.
  16. ^ "Review: A Girl's Got to Breathe: The Life of Teresa Wright, University Press of Mississippi Donald Spoto". Publishers Weekly. December 7, 2015. "Prolific celebrity biographer Spoto (The Redgraves: A Family Epic) paints an engaging and intimate portrait of Oscar-winning actor Teresa Wright." Retrieved March 18, 2022.
  17. ^ Rees, Stephen (February 1, 2016). "Performing Arts; Review: Spoto, Donald. A Girl's Got To Breathe: The Life of Teresa Wright'". Library Journal. "VERDICT This affectionate tribute to a shamefully neglected talent benefits greatly from the insights of Wright's children and friends. With the performer's views on Marlon Brando, Sterling Hayden, and notable American directors and playwrights, it is recommended for students of American film and theater." Retrieved March 18, 2022.
  18. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak "Teresa Wright: Complete Filmography". Turner Classic Movies. Archived from the original on July 5, 2017. Retrieved February 27, 2016.

Sources

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