Wikipedia:Main Page history/2017 October 31
From today's featured articleThe Ninety-five Theses are a list of propositions written by Martin Luther that started the Protestant Reformation, a schism in the Catholic Church. Luther, a professor of moral theology at the University of Wittenberg, Germany, enclosed them in a letter to the Archbishop of Mainz on 31 October 1517, a date now commemorated annually as Reformation Day. They advance Luther's positions against the selling of plenary indulgences, certificates that were said to reduce the punishment for sins in purgatory. Luther claimed that his positions accorded with those of the pope, but the Theses contradict a 14th-century papal bull. Luther's ecclesiastical superiors had him tried for heresy, which culminated in his excommunication in 1521. Though the Theses mark the start of the Reformation, Luther did not consider indulgences to be as important as other theological matters which would divide the church, such as justification by faith and the bondage of the will. His breakthrough on these issues would come later, and he did not see the writing of the Theses as the point at which his beliefs diverged from those of Rome. (Full article...)
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On this day...October 31: Halloween; Samhain begins (Northern Hemisphere); Beltane begins (Southern Hemisphere)
John Keats (b. 1795) · Natalie Clifford Barney (b. 1876) · Charles Taze Russell (d. 1916)
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An illustration by Gustave Doré for Edgar Allan Poe's narrative poem "The Raven", accompanying the poem's final lines "And my soul from out that shadow that lies floating on the floor/Shall be lifted—nevermore!" First published in January 1845, "The Raven" tells of a man who, pining for his lost love Lenore, falls into madness as he is barraged by a talking raven's repeated calls of "Nevermore!". This poem, which has often been noted for its musicality, stylized language, and supernatural atmosphere, makes numerous references to folklore, mythology, religion, and classical antiquity. It has been widely reprinted, parodied, and illustrated. Engraving: Gustave Doré; Restoration: Lise Broer
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